Hip Hop 181 Items

Beats, rhymes and cuts by Buck 65.

Limited to 500 copies.

Hip-hop aficionados rejoice as the dynamic duo, emcee Substance810 & producer Observe Since '98, are set to unleash their magnum opus, "The Lion's Share 3: Pride of the Lion."

Building on the success of their previous collaborations, "The Lion's Share" parts 1 & 2, the upcoming trilogy promises to redefine the boundaries of sonic storytelling. This highly anticipated album, featuring 16 meticulously crafted songs, showcases the unparalleled chemistry between Substance810's lyrical prowess and Observe Since '98's innovative production. The listener is invited to embark on a thrilling sonic journey, where each track unveils a new layer of the duo's artistic evolution.

In a nod to the true aficionados, "The Lion's Share 3" offers an exclusive treat with 2 bonus songs available solely on physical copies of the album. This limited edition adds an extra dimension to the already rich tapestry of their musical narrative.

From the impactful storytelling in the lyrics to the masterful production that resonates with authenticity, "The Lion's Share 3: Pride of the Lion" is poised to captivate fans and critics alike. Substance810 and Observe Since '98 invite you to immerse yourself in an unparalleled hip-hop experience, as they once again redefine the boundaries of collaborative artistry.

Prepare for a musical odyssey like no other. "The Lion's Share 3: Pride of the Lion" is more than an album; it's a testament to the enduring power of creativity and collaboration in the world of hip-hop.

Featuring Appearances BY TY Farris, Josiah THE Gift, Ferris Blusa, Warv WON, D-styles & DJ Grazzhoppa!

The debut album from T-Max that was originally supposed to be released back in 1993. Limited edition of 250 pieces only in a beautiful gatefold edition!

Spanning 23 years of recorded output, Grammy Award winning artist Bilal performed a mid-career retrospective featuring an ensemble of luminaries from his storied musical tribe. For one night only, the supergroup re-worked standouts from a genre-defying catalog including Bilal’s debut, "1st Born Second", his famously unreleased sophomore album, "Love For Sale" (from which "Something To Hold" and "All For Love" herein become its first commercially available releases), "Airtight’s Revenge", Common’s seminal Soulquarian-era "Like Water for Chocolate", as well as premiering Bilal’s newest song, "Humility". The concert was recorded, filmed and livestreamed from Glasshaus in Brooklyn, New York on December 02, 2023 for a studio audience of 100 guests.

Originally scheduled for release way back in March 1996, "The Raw Factor" by North Carolina native Omniscence is one of the last of the unreleased mid-90's albums to see the light of day. Despite being awarded The Source's coveted "Hip Hop Quotable" and dropping two well-received singles ("Amazin" and "Touch Y'all"), record label politics meant the full-length "The Raw Factor" album was never released and fans were left wondering what might have been.

28 years later, "The Raw Factor" is finally being released on vinyl, CD and digital stores. Featuring punchline-driven lyrics from Omniscence delivered in his unmistakable cadence, and backed by head-nodding production from Fanatic, the album is a must-own for fans of 90's Hip Hop.

Omniscence haunted the same early 90's cyphers and stages that many lyrical greats from the era had to cross. With a gruff delivery and equal adeptness with punchlines and metaphors, his high finish at the 1994 edition Battle For World Supremacy at the New Music Seminar assured heads across the culture were watching. After this, Omniscence locked in with producer Fanatic (who also laced tracks for Notorious B.I.G., Ma$e and Michael Jackson). The result was "The Raw Factor" album, fifteen plus tracks of jazzed out boom-bap, replete with crackin' drums.

Now Below System Records has not only given the album its first deluxe physical release (including 2xLP, CD and digital) as well as a slew of bonus/unreleased tracks.

Common & Pete Rock - "The Auditorium Vol. 1" Legendary hip-hop figures Common & Pete Rock showcase their evolved prowess in their debut collaboration, The Auditorium, Vol. 1. Despite years apart, their synergy is palpable. Pete's groundbreaking production, blending intricate harmonies, and Common's multifaceted artistry shine through. Their meticulous process births 15 tracks that blend nostalgia with innovation. With cameos from Jennifer Hudson and de la Soul's Posdnuos, each element is carefully curated, resulting in a timeless masterpiece. This album not only celebrates their individual growth but also sets the stage for future volumes. Concord Music Group; Loma Vista Recordings; Indie Exclusive Translucent Forest Green 2 LP.

The Auditorium, Vol. 1 marks a groundbreaking collaboration between legendary hip-hop artist Common and iconic producer Pete Rock, blending years of individual success into a powerful joint effort. Common, a versatile talent known for his 15 albums, significant acting roles, and a collection of major awards including an Oscar and three Grammys, teams up with Pete Rock, whose influential production skills have shaped hits for artists from Nas to Madonna. Their paths, intertwined through decades of hip-hop evolution, have led them to this historic full-length partnership, showcasing their refined mastery over the genre. In this album, Common and Pete Rock capture the essence of their seasoned artistry without compromising the soul of their craft. The project breathes life into hip-hop's rich legacy while forging its future, offering listeners a unique blend of thoughtful lyricism and innovative beats. Recorded amidst the nostalgia of their earlier successes and the excitement of new creative breakthroughs, The Auditorium, Vol. 1 not only redefines the boundaries of hip-hop but invites audiences into a profound musical journey. With its intricate compositions and deep, resonant themes, this album promises an auditory experience that is as intellectually engaging as it is emotionally compelling, urging listeners to dive deep into its layers and appreciate the genius at play.

Most Wanted Records presents for the first time on wax (Double LP)

Most Wanted Records presents for the first time on wax (Double LP)

Most Wanted Records presents for the first time on wax (Double LP)

Most Wanted Records presents for the first time on wax (Double LP)

Most Wanted Records presents for the first time on wax (Double LP)

Most Wanted Records presents for the first time on wax (Double LP)

Most Wanted Records presents for the first time on wax (Double LP)

Most Wanted Records presents for the first time on wax (Double LP)

UK Import

Guerilla Warfare, the second record by the New Orleans hip-hop group Hot Boys, is celebrating its 25th anniversary with a vinyl reissue. The album was originally released under Cash Money Records on July 27, 1999.

Hot Boys was a super group formed in 1997 by Cash Money co-founder Bryan “Birdman” Williams. The project was composed of a teenaged Lil Wayne, Juvenile, B.G., and Turk; Original member Bulletproof AKA Lil Derrick left the group shortly after recording the group’s first album, 1997’s Get It How U Live! The success of Hot Boys’ debut contributed to Cash Money’s historic publishing and distribution deal with Universal the following year.

The platinum-certified Guerilla Warfare was Hot Boys’ most commercially successful album. It peaked at No. 5 on the Billboard 200 and debuted at No. 1 on the Top R&B/Hip-Hop Albums chart, selling 142,000 copies in its first week of release. Produced by Mannie Fresh, the album features singles like “We On Fire,” “I Need a Hot Girl,” and “Too Hot.”

The members of Hot Boys frequently appeared on each other’s solo projects, including tracks on Juvenile’s 1998 classic 400 Degreez, Lil Wayne’s 1999 debut Tha Block Is Hot, and B.G.’s 1999 album Chopper City in the Ghetto.

Boldy James "Penalty Of Leadership" is the follow up to Nicholas Craven produced "Fair Exchange No Robbery". Released digitally January 2024, this time around they've both sharpened their unique approach to Detroit-meets-Montreal soul sample inspired drug raps and further solidify their lightning in a bottle chemistry. "Penatly of Leadership" received a 7.9/10 review from Pitchfork, "The pair's chemistry is still potent enough to chill the blood running through your veins, and Boldy's brush with death [2023 car accident] makes Penalty of Leadership a heavier and more reflective listen than their previous joint album".

Vince Staples’ Dark Times serves as the Long Beach rapper’s sixth studio album and is a snapshot of Staples presently: on top of the world on the surface, but reality might be trickier. Throughout the album’s thirteen tracks, he grapples with life’s heaviness, all while understanding what the gravity of his work means in the grand scheme of things.

Most Wanted Records presents for the first time on wax

Most Wanted Records presents for the first time on wax

Most Wanted Records presents for the first time on wax

Most Wanted Records presents for the first time on wax

De Herontdekking van de Hemel is het tweede studio album van schrijver, performer en artiest Manu, of voluit: Manu van Kersbergen. Na een eerste succesvolle tournee besloot Manu samen met de muzikanten van producerscollectief .multibeat het meer liedjesachtige materiaal uit de voorstelling vast te leggen. Nederlandstalige, poëtische teksten die worden voorgedragen in een vorm die tussen rap, songwriting en spoken word in ligt. De muziek is volledig analoog opgenomen en ingespeeld door Thijs van Zuphen (bas) Boudwijn Pleij (toetsen) en Aron Smit (drums). Het album wordt gereleast via het eclectische muzieklabel INI Movement. In samenwerking met Productiehuis Melkweg Paradiso ontwikkelt Manu voor het komende theaterseizoen (‘24-’25) zijn gelijknamige muziektheatervoorstelling door tot een avondvullend programma.

No introduction needed here, a true classic and gem originally recorded back in 1996. About 6 years ago me and my man Bee at Back 2 da Source released the album on vinyl for the first time ever.



The project sold out in less than 2 days and I've received countless mails throughout the years from fans asking for another press. So now it's finally here with 2 extra bonus demos previously unavailable on vinyl!

After The Kaze (Project Pat's first group) released Kamakazie Timez Up in 1998, the Memphis rap legend and Three 6 Mafia affiliate launched his solo career by dropping his major label debut album Ghetty Green in 1999 on Hypnotize Minds/Loud Records. Produced by DJ Paul and Juicy J, Project Pat raps in his signature triplet flow over southern 808-backed beats sprinkled with soulful samples alongside Three 6 Mafia members with appearances by Cash Money's Big Tymers and Hot Boyz, Noreaga, Krayzie Bone, and Crucial Conflict. Previously only released on CD and cassette, Get On Down in partnership with Sony Music's Certified is proud to present for the first time on vinyl a limited edition pressing of Ghetty Green. Pressed on Aqua Blue and Mint Green double-colored vinyl in a gatefold jacket and OBI.

Giants Of The Fall is the highly anticipated debut collaboration between Guilty Simpson and Kong The Artisan. Detroit legend Guilty Simpson needs no introduction - he has already cemented his legacy with his collaborations with J Dilla. "Giants Of The Fall" finds Guilty Simpson at his lyrical peak and at his most introspective version. Kong The Artisan is a former UK DMC DJ Champion and rising underground hip hop producer, whose credits include Cappo, Sonnyjim, Da Flyy Hooligan and others.

The second Beat Album by DR. Flex Nakano with the theme of "Fusion of 80's City Pop and 2000's Hip-Hop/R&B"!! This is the 2nd Beat Album by beat maker Dr.Flex Nakano. While continuing the theme of the previous album "Protein Love", "Fusion of 80's City Pop and 2000's Hip-Hop/R&B", this album also shows an approach to the modern beat scene. The album is composed of melodious and catchy melodies that only Dr. Flex, who has evolved even further, can produce.

Limited to 100 copies on 180 gram galaxy color way. Featuring Breeze Brewin, Elzhi, Rasheed Chappell & more.

Featuring appearances from Jsoul, Georgia Anne Muldrow, JUS, J Felix, Guilty Simpson, Inkswel, BLU, Pugs Atomz, KID Sublime, and many more, this star-studded 2x LP comp from Australia's Inner Tribe runs the gamut from RnB & Neo Soul to Hip Hop, House, Broken Beat and Boogie. Full pic sleeve.

The definitive scratch tool! Available for the first time as a deluxe double-vinyl edition, DJ Js-1 has compiled both volumes of his best-selling series “Scratch Roulette.” These records contain several hundred sound fx, phrases, hits, drums, and tones. No redundant looped beats--only scratch sounds and phrases. Over 60 minutes of scratch-friendly material: from the typical “kaaa” and “fresh” to new and never before used sounds and phrases, these 12”s cover them all. The inside of the gatefold jacket features an exclusive original illustration from the legendary Queens graffiti artist Jerms of the Rail Killas.

Originally scheduled for release way back in March 1996, "The Raw Factor" by North Carolina native Omniscence is one of the last of the unreleased mid-90's albums to see the light of day. Despite being awarded The Source's coveted "Hip Hop Quotable" and dropping two well-received singles ("Amazin" and "Touch Y'all"), record label politics meant the full-length "The Raw Factor" album was never released and fans were left wondering what might have been.

28 years later, "The Raw Factor" is finally being released on vinyl, CD and digital stores. Featuring punchline-driven lyrics from Omniscence delivered in his unmistakable cadence, and backed by head-nodding production from Fanatic, the album is a must-own for fans of 90's Hip Hop.

Omniscence haunted the same early 90's cyphers and stages that many lyrical greats from the era had to cross. With a gruff delivery and equal adeptness with punchlines and metaphors, his high finish at the 1994 edition Battle For World Supremacy at the New Music Seminar assured heads across the culture were watching. After this, Omniscence locked in with producer Fanatic (who also laced tracks for Notorious B.I.G., Ma$e and Michael Jackson). The result was "The Raw Factor" album, fifteen plus tracks of jazzed out boom-bap, replete with crackin' drums.

Now Below System Records has not only given the album its first deluxe physical release (including 2xLP, CD and digital) as well as a slew of bonus/unreleased tracks.

Minneapolis' own Muja (formerly known as Muja Messiah) teams up with producer Dub Sonata for a collaborative album titled Break The Stereo. Spanning 11 tracks, the rapper-producer duo takes you on a journey from the Twin Cities to the Five Boroughs, calling on frequent collaborators Slug, Nejma Nefertiti, Nazeem (of Blood $moke Body), Bobby J From Rockaway, Tone Spliff, and Queensbridge legend Tragedy Khadafi to appear on the project. Muja’s discography includes releases with Atmosphere, Black Thought, Raekwon, and Brother Ali, while Dub has produced songs for Sage Francis, Rhymefest and Sadat X. The two first connected when Muja released his 2017 EP Saran Rap, produced by and featuring Roc Marciano, on Man Bites Dog Records. After gracing a song on Dub's Tranquilizer Dart album, Muja locked in on Dub's production, resulting in their joint offering Break The Stereo.

Rappin' Ron & Ant Diddley Dog a.k.a. Bad-N-Fluenz, are from Oakland, CA. Originally released in 1994, this limited edition 7" single re-release comes on clear vinyl and is limited to 300 copies online & 200 copies reserved for the streets.

Transmitting live from the Cosmic Shores...



'Phantom X', the collaborative album by Philadelphia-born Iamisee and Belgium's DJ Iron, was initially started back in the summer of 2013 and was finally completed shortly after the pandemic hit the world back in 2020.



Sonically DJ Iron fuses classic hip hop with elements of 60's psychedelica and bits of acid rock, while also further experimenting with vintage organs, phasers, analog filters and tape echoes, resulting in a truly unique, tripped-out sound that provides the perfect backdrop for Iamisee's gritty voice and dense lyricism, bound to take the listeners to an other-worldly realm…

Pharoahe Monch is one of the most revered and influential emcees in the history of hip-hop, and 2024 marks the 10th anniversary of his fourth studio album "PTSD: Post Traumatic Stress Disorder".

In PTSD, Pharoahe Monch continues the story he began telling in his previous LP, "W.A.R. (We Are Renegades)" from 2011. The Queens emcee narrates, in both literal and metaphoric ways, about the trials and tribulations of an independent artist who is at war with the music industry and the struggle of the black male experience in America.

In 2012, during an interview with Shawn Setaro, host of the podcast The Cipher, the rapper explained the connections between the two projects, beyond their titles. “The W.A.R. album was like, I’m going to battle against the machine, I’m doing this independently. I’m putting some things out that I learned and I’m going to expose about the music industry. PTSD is the result of me doing that, where I am emotionally now. It’s similar to how someone comes back from war and is stricken by re-adjusting to a regular situation.”

Monch told MTV Hive that PTSD is “more mental, emotional and personal” because it came out of the depths of a period of depression. He also gave the internal and external factors that helped him create the album. “I was working on the title track, which took me to a point in between Internal Affairs and Desire, where I was heavily depressed. Through the waiting period, the industry period, and going through a lot emotionally. Then there was the physical [problem] with asthma. It was the worst. So I started off with that title track and my manager was like, ‘Yo, let’s really dive into that state and how you got to where you are now, and how this follows what people go through to get back to a so-called ‘normal’ situation’.”

The concept album follows a veteran through combat experience, his return home, relationship dissolution, drug addiction, painful depression, and, finally, a triumphant but realistically rendered decision to keep living and struggling.

Holy grail hip-hop alert! Superstar Quamallah's Invisible Man was never released on wax so, to celebrate the 15th anniversary of this astounding record, we present the first ever vinyl edition. A stunning record which gained accolades upon its initial release, such as a prominent feature on Gilles Peterson's renowned Best Of 2009 show, it's one of the most essential jazz rap albums of all time. Cut across double vinyl, it’s exceedingly limited, with just 500 pressed for the world.

Deep jazz rap on that mellow-melodic tip, Invisible Man is an unforgettable album with nothing but dope beats and dope bars. There's a strong chance this album has passed you by but we truly believe it to be a lost hip-hop masterpiece. It supremely captures the essence of a golden age classic without being slavish to the past. No, this ain't some facile throwback rap. It's a fresh and deeply soulful, original album shot through straight from the heart. Perfect to chill to, Invisible Man is profoundly jazz-oriented and captures with simplicity and sincerity the essence of hip-hop circa 1983-1994. It sounds like vibing with your nearest, dearest and oldest friends on a long hot summer night as the tantalising thought that anything is possible fills the air. You know what, we can just call this "magic hour rap" and we think you'll know what we mean. It's just beautiful. Just Listen.

Brooklyn-born, California-based emcee, DJ, and producer Superstar Quamallah was active in the West Coast underground scene throughout the 90s and recorded extensively with such revered names as Defari and Tajai. His parents were some serious artistic heavyweights, too; his father was soul organist Big John Patton, a giant in the jazz world known for his releases on Blue Note whilst his mother was an active designer. However, he remains relatively unknown. Invisible Man, named ostensibly after the classic Ralph Ellison novel, could also refer to how he is viewed by the public at large. With close affiliations to the Hieroglyphics, Dilated Peoples and Likwit crew, his debut EP "Don't Call Me John" arrived in 1999 on ABB Records, after which he took a sabbatical from recording which included graduate school, travelling, teaching at Inglewood High and eventually a professorship of African Studies at Berkeley.

With a laidback flow and deep, relaxing presence on the mic, Superstar Quamallah is equal parts Big Daddy Kane, Rakim and Guru. Invisible Man is refined, soulful, feel-good hip-hop of the old school. Its wise, spiritual and literate sound, combined with the summertime vibes projected by the smooth beats and the nostalgia-inducing samples and vocal scratches, created jazzy boom-bap rap reminiscent of prime De La Soul, A Tribe Called Quest and Gang Starr.

Irresistibly bouncing opener "You Need Knowledge" loops sparkling pianos, horns and a nagging whistle refrain with scratched vocal refrains from Slick Rick, Mobb Deep and Guru. The super-smooth head-nod classic "88 Soul" also utilises a beautifully swelling piano line and dusty breaks whilst Quamé reminisces about his childhood in NYC. Deeply moving, the silky, sultry "Black Shakespeare" is built around an elegant piano loop and goes hard on the superman lover tip whilst "For My People...It's Spiritual" is transcendental rap in conversation with Rakim and older gods. The "Moment Of Truth"-sampling "Lonely At The Top" is striking for its undiluted boom-bap stylings and the staccato flute-hop of "Just Listen" is riddled with soulful refinement. The deeply-affecting, wistful-yet-triumphant bells and horn-drenched single "California Dreamin'" is top-tier rap of unimpeachable quality. What a flow!

Another highlight is the rich melodic piano-rap of "Purity", a beautiful ode to the foundations of rap and those keeping the culture authentically alive. Beautifully played instruments and spiritual jazz samples elevate the deep thinking present on "Kunta Kente" whilst the darker jazz-tinged battle-rap of "93 Shit" goes super hard both in a lyrical sense and with its no-holds drum punches. The breezy Rhodes and string loops that serve as the sonic backdrop to the slinky jazz rap of "We Got Plots" are just gorgeous as our hero evokes Common's "I Used To Love H.E.R." with a head-spinning tale of crime, deception and double crossing. And some twist! "Do Win-Dis" has a tense crime-funk backing and rolling beats which complement Quamé's flow perfectly before the record is rounded out by the tough yet jazzy brilliance of rap confessional "Hope She Remembers Me". Just sensational.

Upon its original release, Quamallah himself declared: "My favorite time period for Hip Hop music was definitely between 1983 and 1994 with 1988 and 1993 being two years that standout as extremely impressive years musically and culturally. The fashion, slang, movies, TV shows and vibe during those years was incredible. While totally submerged in the feelings and music of that entire time period, I went to work on Invisible Man and I am excited for people to hear the result! It is an album that I would want to hear from some of my favorite artists of the past and present today. This is not a RETRO trip for me; this is me at my best lyrically and spiritually using the accessories of the 80s and 90s to fuel me. I am a 88 soul as the song states!"

This album goes deep. It goes all in. When Invisible Man first came out it had a real hold on us here at Be With HQ. We couldn't stop listening to it. We'd venture to say it's one of the top 25 rap records of the 2000s. In the years since its release, it has remained a criminally underrated record, an increasingly hidden gem. We sincerely hope this first time double LP release will go some way to correct this. It's been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. Finally available on the format it should always have been on, it must never be rendered invisible again.

The first signs of Spring: snow melting, sunshine peeking through the clouds, and new plants starting to sprout. While we love all four seasons equally, there's something hopeful and optimistic about the beginning of Spring. Here to enhance that feeling is Chillhop Music's Essentials Spring 2024. 28 new instrumentals in 2xLP form to help you welcome a new season and a new year.

With help from 38 artists in our ever-growing Chillhop community, this Springtime compilation is one for exam season, Spring Break, road trips, late nights with friends, and more. Featuring some of your favorite Chillhop familiars like Ian Ewing, SwuM, Arbour, Cygn, Misha, Leavv, Evil Needle, Yasper, and many others.

We hope you vibe with this 73 minute compilation. A new year, a new season, and a new chapter for us here at Chillhop.

Introducing Volume Four from the popular series "32 Bit Breaks" By Professor Creepshow - crafted with meticulous care for Lofi Beat enthusiasts and gamers who cherish video game soundtracks. Dedicated to those that relive the joy and escapism found in racing, rpgs and fighting games.

Chicago hip-hop outfit Angry Blackmen made up of Quentin Branch & Brian Warren (abm) have been stretching their arms and tapping into different sounds since they smashed onto the scene with their debut single “OK!” in 2017. A prime introduction starring two emcees showing they deserve to wield the microphone and do so with good cause. Then barely a month later ABM released sophomore single ‘Riot!’ a complete shift in sound that still housed the foundation set in ‘OK!’ A few years later the duo would drop their debut project ‘Talkshit!’ which saw them amass the following they have today. ‘The Legend of Abm’ immediately smacks the listener in the eardrum leaving no second wasted and jumping straight to the point. The 11-track adventure truly presents an expression of hip-hop that we haven’t seen before, infusing multiple sounds with the 50-year old genre. To go even deeper, Quentin Branch & Brian Warren are teaching a masterclass in top-notch poetic lyricism, creating both accessible and mind-bending music. “Stanley Kubrick” has both heroes shattering the beat with their braggadocio for what is just the appetizer to prepare the listener for what’s to come in the next ten tracks. ‘Sabotage’ tells the story of two Black men hustling through the trenches of capitalism and the effect that this journey has on them. While the album exudes catchy wordplay and spine-splitting production, if you lift up the hood, ABM is spinning a tale of depression, existentialism and self-reflection that isn’t always pretty. “Dead Men Tell No Lies” is another mutation in sound for the duo, where the industrial sounds clash, violently yet perfectly together with a blistering hook harkening to the end of time. Warren & Branch’s raw poetry educates the listener of the pre-apocalyptic world we’re already living in throughout this project. ‘The Legend of Abm’ is not an excursion for the weak, the production is meant to snap your spine in half, the lyrics from Quentin & Brian are pathos infused and relatable to anyone simply trying to survive.