Jazz | Fusion 7863 Items

LP | 2022 | EU | Original (The Outer Edge)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.

Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.

The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.

The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.

The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.

This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.

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Ghia

Curaçao Blue

2LP | 1978 | JP | Reissue (P-Vine)

Release: 2022 / EU – Original

Genre: Organic Grooves

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The story about the lost recordings of Ghia continues: Following the recently released "At The Hilton" single, our label is extremely proud to present "Curaçao Blue", the band's first full-length album. And it is simply mind-blowing, to say the least! The LP features 10 unreleased tracks in a similar Balearic vein as featured on the single.

Incredibly, it was only just a few months ago that these tracks were rediscovered on some old tapes by band members Lutz Boberg and Frank Simon. Could anyone imagine that two physics students from a small German town could create such beautiful, thrilling music in their home studio? Although the technical aspects in the creation of the band's earliest tracks may have been straightforward, the outcome is high-quality, creative, modern jazz-funk, with one step in the electro-funk genre due to the use of a drum machine and synthesizer basslines. The album features mostly 4-track recordings, based mainly on the musicians' weapons of choice: a Dx21 keyboard (later updated to the legendary Dx7) and a guitar. Many things had to be done live in just one take, though the artists were unafraid of using overdubbing techniques to weave their instrumental journeys. The DIY aesthetics just add more beauty and uniqueness to the songs and compositions, and the result is an extremely harmonic work of undeniable musicality. Ghia delivers Balearic jazz-funk at its finest.

Though the music was recorded in Germany, Ghia had a true relationship with the Balearic region and effortlessly applied the vibes to their compositions. As a side note, one track on their earliest demo tapes was called "3 AM at Moëf Gaga" and we did not know what it meant. The band explained that Moëf Gaga is a nightclub on the Spanish coast that is actually still active today. Boberg and Simon, the two original band members of Ghia, visited the club in the early 80s and spent their holiday close to the sea. With their music, they intended to create a summery vibe, capturing a relaxed and soulful view of the seashore, likely with a drink in hand... Perhaps a Blue Curaçao?

The album starts with a revised version of the title track. The drums in this take are much punchier, and we thought that it would fit just perfectly as an introduction. We continue with the already classic "Down At The Hilton" that was featured on the single, but like us, we are sure you could happily listen to this track on repeat. Next up, "Jump In The Water" opens with a catchy delayed melody, which develops into another perfect jazz-funk piece with an extended guitar solo. Another remarkable song might be "In The Fast Lane". As the name suggests, an uptempo number, now with an electro-funk beat combined with speedy keyboard solos that almost sounds like a marimba. On side B, the album keeps the relaxed seaside vibes flowing. To round out the album, we are treated to two pieces that originated after the return home, with memories of the Spanish coast fading but still lingering, likely recorded between 1986 and 1988. Both are instrumental versions of songs to be used later for studio sessions with their new band member, singer Lisa Ohm (who you will hear on Ghia's next album!). On "Crystal Silence In Dub" we get a perfect downtempo groove, positively reminding us of the sound of the 1980s UK funk scene. The album ends with "Keep Your House In Disorder", here as an earlier, rougher, and funkier take than on the final vocal version, which could be found on the B-side of the "What's Your Voodoo" single.

We hope you love this album as much as we do! Nothing like this has yet been released out of Germany. We hardly can recall any privately produced, home recorded jazz-funk/fusion from the 1980s as free, creative, and uninhibited as Ghia's Curaçao Blue. The playful and creative approach, coupled with those nostalgic tones should make this LP an essential pick for any record collection, whether you are a DJ, a home listener, a music lover, or a modern jazz-funk/synth-funk aficionado.

The album is out now on The Outer Edge, the new label by record collector DJ Scientist, aka John Raincoatman. We also want to thank Frederic Stader for his awesome work mastering and sound restoration of the material on this LP.

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Lemuria

44,99 €*

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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The 1978 self-titled album by the free soul band Lemuria remains much talked about around rare groove circles. Formed by Kirk Thompson of the iconic Kalapana, it’s a proud statement of Hawaiian AOR, and highlights the magic touch of Thompson as both a keyboardist, and behind the mixers, his work as the album’s serving producer. For this new reissue edition, P-vine is including three bonus tracks and two alternate takes for the first time on vinyl, resulting in this deluxe fourteen track double gatefold package.

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Naima / My Favorite Things

12" | 2021 | EU | Original (Major Keys)

7" | 2021 | Original (Diplomats Of Soul)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Record Store Day 2021 Release. The ethos behind the Major Keys label is take that originally accomplished Album masterpice and give said slice of jazz brilliance its own side of a vinyl…so following the well recived maiden release of Herbie Hancock's Chameleon/Watermelon Man, what better way than to follow up with THE king 'Trane' himself, and his seminal cut "Naima" backed with My Favourite things. Exclusively on 180g for RSD.

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Hilton Felton

Be Bop Boogie

Release: 2021 / Original

Genre: Organic Grooves

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Love Each Other / L.O.V.E.

Leon Thomas

7" | 2019 | UK | Original (Soul Brother)

14,99 €*

Release: 2019 / UK – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Timesig)

Datach'I

Bones

Johnny Hammond / Quasimode

Release: 2019 / EU – Original

Genre: Organic Grooves

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Joseph Fraioli, a.k.a. Datach'i, returns with eighth album 'Bones'. Released on Venetian Snares' Timesig imprint, 'Bones' features 12 tracks of mind expanding electronica, once again recorded on his custom-built Eurorack modular system. Much like its predecessor, 'Bones' manages to make the most of the possibilities modular systems offer, whilst avoiding their many pitfalls that can often turn such music into little more than a dry academic exercise. Indeed 'Bones' is a remarkably intimate album, written and recorded in the time following his father's death, and reflects this intense period of personal change in Joseph's life. "Creating this music was a therapy of sorts," Joseph recalls. "It was almost like a close friend being there for me, and it's something that I hope others can perhaps utilize in the same way." The connection to his father is something that is reflected not just in the emotional intensity of 'Bones', but in the actual production itself. "My father and I were very close," he explains. "Whilst he was sick with cancer I bought him a guitar as he wanted to learn how to play, just to have something to do while he was getting treated. After he passed away my mother gave me the guitar to have as a sort of memory of him. I had the idea to record some sounds and music on the guitar and load it onto granular sample players on the modular synth so I could make new music from those sounds as a sort of tribute to my dad. You can hear some of those sounds on a few of the tracks here like 'Arrivals', 'Motion in the Living Room' and 'Undimension'." . Even though 'Bones' is about endings and finding closure, it also looks forward to new beginnings. "It was something very much on my mind throughout recording this album," he relates, "ends being beginnings and beginnings being the end. Cycles of time and how time works, it's all reflected throughout the album right down to how the tracks are ordered." Ranging from blissful ambience and guileless, starry eyed melodies, to intricate claustrophobic rhythms that forever sound close to collapsing in on themselves before expanding into bold new patterns, 'Bones' is the work of a producer who, twenty years on from his debut, continues to push the boundaries of electronic music.

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Los Conquistadores Chocolates

10" | 2013 | UK | Original (Expansion)

7,99 €*

On My Way To Harlem / 1960 What

Release: 2013 / UK – Original

Genre: Organic Grooves

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Back to back versions, old to the new!

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Gregory Porter

7" | 2013 | UK | Original (Expansion)

8,99 €*

7" | 2013 | UK | Original (Outta Sight)

Release: 2013 / UK – Original

Genre: Organic Grooves

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Now specially edited for the first time for discerning Northern, Modern and Jazz dancefloors on THE only format that matters for DJs and collectors alike, grab your copy now with an exclusive edit of Gregory’s signature song “1960 What?”

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Dee Dee Sharp

Deep Dark Secret

8,99 €*

Release: 2013 / UK – Original

Genre: Organic Grooves

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7" | 2012 | UK | Original (Outta Sight)

Maurice Williams

Being Without You

Release: 2012 / UK – Original

Genre: Organic Grooves

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First Step Marbled Vinyl Edition

Rudi Berger

LP | 2024 | EU | Original (Second Records)

44,99 €*

First Step Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP - 180 Gram Vinyl / Handnumbered Edition limited to 200 Units / turqoise marble vinyl.The debut work of Viennese jazz violinist and composer Rudi Berger FIRST STEPFIRST STEP - now on vinyl for the first time since its release in 1985. It is regarded as a historic jazz violin album, affirming Rudi Berger`s pronounced talent as a composer from a young age. Since then he presented his music in jazz clubs, concert halls, and festivals in 29 countries worldwide, has lived in New York and Brazil, collaborated with various famous musicians, contributed to over 200 recordings, including award-winning soundtracks for animation, film, and theater and was named an honorary member of the Chet Baker Foundation. Today he is recognized as one of the most original and influential voices in jazz.

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Rudi Berger

LP | 2024 | EU | Original (Second)

37,99 €*

Reflections Record Store Day 2024 Clear Vinyl Edtion

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP - 180 Gram Vinyl The debut work of Viennese jazz violinist and composer Rudi Berger FIRST STEPFIRST STEP - now on vinyl for the first time since its release in 1985. It is regarded as a historic jazz violin album, affirming Rudi Berger`s pronounced talent as a composer from a young age. Since then he presented his music in jazz clubs, concert halls, and festivals in 29 countries worldwide, has lived in New York and Brazil, collaborated with various famous musicians, contributed to over 200 recordings, including award-winning soundtracks for animation, film, and theater and was named an honorary member of the Chet Baker Foundation. Today he is recognized as one of the most original and influential voices in jazz.

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Amancio D'Silva

LP | 1971 | CZ | Reissue (Decca)

36,99 €*

Release: 1971 / CZ – Reissue

Genre: Organic Grooves

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12" | 2024 | UK | Original (Really Good/Albert's Favourites)

Daudi Matsiko

The King Of Misery

LP | 2023 | UK | Original (D.O.T.)

Release: 2024 / UK – Original

Genre: Organic Grooves

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The album and single news follows closely on the heels of Daudi’s recent tracks “oMo” and “Fool Me As Many Times As You Like” which have received high praise from the likes of Gilles Peterson on Worldwide FM and BBC 6 Music as well as Lauren Laverne, and have been featured in several Spotify editorial playlists including The Most Beautiful Songs in the World, The Other list, The Listening Post, and Fresh Finds. Having released just two independent EPs – “A Brief Introduction to Failure” and “The Lingering Effects of Disconnection” – to date, Daudi has toured with GoGo Penguin, Keaton Henson, and Portico Quartet, whilst also being a participant of the Red Bull Music Academy in Montreal 2016. He also received a standing ovation at this years The Great Escape Festival, and plays as a member of Do Nothing’s live band, who he is currently on tour with. Through his unique brand of modern albeit reverent folk, Daudi continues to offer his listeners a space for understanding and introspection. Deft, melancholic picking reminiscent of Nick Drake is tempered by contemporary percussion and instrumentation. Matsiko’s vocals derive their strength from their seeming fragility. With every song, his confessional lyrics cut to the marrow.

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Nick Walters

Marine Moods

Release: 2023 / UK – Original

Genre: Organic Grooves

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Trumpeter, composer and bandleader Nick Walters returns to his D.O.T. Records imprint with his majestic new album, Marine Moods. The album revives his sextet, who last appeared together on his 2019 album 'Active Imagination'. This stellar collection of musicians picks things up where they left off, delivering an exquisite suite of contemporary jazz-fusion, gleaning the very best elements from afro, modal and spiritual jazz.

‘Marine Moods’ is a collection of compositions inspired by the sea. The compositions are designed to allow space and creative freedom for all the musicians to express themselves and interact with one another. Much like the oceans which have inspired the album, the pieces take the listener through a range of moods - from the energetic optimism of ‘Gulf Stream’, through the darker hypnotic groove of ‘Hydrothermal’, to the stillness and peacefulness of the raga-inspired ‘Journey for Joan’. Recorded in one summer's day in a roasting hot North London studio, ‘Marine Moods’ is a document of six musicians and friends coming together to improvise, interact and collaborate to create something new.

The album artwork features another stunning original oil painting by Lorna Robertson, a still life of a trumpet, plant and goldfish bowl in her signature semi-abstract style. Inspired by the iconic Henri Matisse painting 'Goldfish' from 1912, the painting is about the experience of inspiration during creativity. In the imagined scene, Nick is in a blue apartment day dreaming while looking at goldfish swimming around, as he contemplates writing new music inspired by the sea.

‘Challenger Deep’ kicks things off in an infectious groove-laden fashion. Walters leads his band through an epic Coltrane-esque intro, that breaks into a snappy drum groove and catchy lead line. Rebecca Nash takes over on piano with her distinctive voicings, setting the scene for an epic flute solo from Tenderlonious. ‘Challenger Deep’ is named after the deepest point of the seabed, found in the Mariana Trench at a depth of over 10 km.

‘Gulf Stream’ kicks off in Walters’ familiar amiable style. A joyful, summery horn line leads the way, succeeded by a glorious trumpet solo from the man himself. Tenderlonious takes over with a thrilling soprano solo, matched by some masterful drum work from Laurie Lowe. That melodious lead line comes back, gradually bringing the sundown on another memorable track for the album. ‘Gulf Stream’ is named after the ocean current which flows across the Atlantic ocean, bringing warm water and weather to the shores of Western Europe.

‘Wine-Dark Sea’ is a reference to the phrase used multiple times by Homer in The Iliad and The Odyssey, often to describe rough, stormy seas. This track was a studio jam built around another catchy hook. Kudjovi Kush leads the way on percussion, before solos from Walters on trumpet and Tenderlonious on flute.

‘Hydrothermal’ is another stand out track on the album. Again, another memorable lead line lays the foundations for some more stellar solo work from Walters, Nash and Tenderlonious. Nim Sadot comes to the fore on this one, leading the rhythm section with some slick bass work that underpins the track. ‘Hydrothermal’ is named after the deep sea hydrothermal vents found in volcanically active regions, home to diverse simple life forms and bacteria, and hypothesised to have been the origin of all life on Earth.

‘Journey for Joan’ a ballad written in tribute to Nick’s granny, Joan Walters. A deep, spiritual offering capturing melancholy and joy. A fitting way to end what is another great album from Nick Walters.

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Genre: Organic Grooves

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We'll Talk About It Later

Nucleus

LP | 1971 | EU | Reissue (Be With)

30,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.

The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.

The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.

This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.

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LP | 2023 | EU | Original (Wagram)

Jazz Classics

17,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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The Vintage collection welcomes a new volume dedicated to the great Jazz artists that still stand as best music legends of all time !Including : Nina Simone, Miles Davis, John Coltrane, Aretha Franklin...

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Miles Davis And The Modern Jazz Giants

LP | 2023 | UK | Reissue (Intermusic)

Release: 2023 / UK – Reissue

Genre: Organic Grooves

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LP | 2023 | UK | Reissue (Intermusic)

Workin'

Release: 2023 / UK – Reissue

Genre: Organic Grooves

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We Insist! Freedom Now Suite

Max Roach

LP | 1960 | UK | Reissue (Intermusic)

25,99 €*

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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Tape | 2023 | US | Original (Awesome Tapes From Africa)

Hailu Mergia

Lala Belu

12,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Anti)

Alfa Mist

Variables

Release: 2023 / EU – Original

Genre: Organic Grooves

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I"ve been focused on who I am in my music, but now I"m exploring where I am," Alfa Mist says. "I"m asking: how did I get here?" This is the journeying question that underpins Alfa"s fifth album, Variables. Traversing luscious, big band swing, head-nodding boom-bap rhythms and yearning vocal melodies, the record is expansive, soulful and moving, in both body and spirit. On Variables, his second release for Anti-, Alfa achieves his most fully-realised, expressive musical work to date, coupling his keen ear for looping, memorably emotive piano melodies with intuitive grooves and a free-flowing jazz improvisation. Since the release of his first full-length project Nocturne in 2015, Alfa has established himself as one of the UK"s most focused, indemand and distinct musical voices. He has worked with the likes of Jordan Rakei and Tom Misch. Artists look to him for his unique blend of intimate bedroom production and expansive jazz group orchestration, since Alfa is yet to be boxed into a specific genre. His music spans everything from hip-hop beat-making to producing for artists such as rapper Loyle Carner, composing neo-classical works for the London Contemporary Orchestra, and reworking tracks from composer Olafur Arnalds and pioneering jazz label Blue Note. The return to live shows has been a welcome one for Alfa and his fans, resulting in an extensive tour throughout UK and Europe. Including a sold-out headline show at the Barbican in London. Alfa Mist will be touring Europe, UK and North America in 2023 again. It is a balance between feeling and perfectionism that ultimately gives Alfa"s music its depth and capacity for repeated listening. It is also an ethos that has enabled his remarkable work-ethic to date. "I"ve never been a "one album every four years" artist - I want to put out new projects every year," he says. "Music is an extension of my life; it is the practice of creating."

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Walkin', Cookin', Relaxin', Workin', Steamin'

5LP | 2023 | EU | Original (Not Now)

71,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Sublime Frequencies)

Baba Commandant

Sonbonbela

Release: 2022 / EU – Original

Genre: Organic Grooves

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Sublime Frequencies is honored to release the third LP from Baba Commandant and the Mandingo Band. Sonbonbela was recorded in the beginning of 2022 in the Republic of Burkina Faso. The group continue to hone their trademark fusion of Mandingue and afro-beat styles. The Mandingo Band are a hit machine, sculpting seven new tracks of near Beefheart/Magic Band dynamics, Fela inspired groovers dusted out in the Sahel zone, rather than the humidity and sweat of Lagos, creating one of the most original and propulsive musical statements to come from the contemporary West African cultural juggernaut. As with previous releases, the band features the legendary guitar pyrotechnics of Issouf Diabate, truly one of the greatest West African (or Earth for that matter) guitarists of the last forty years. The band is completed by a near bottomless barrel of artistry from the Ouagadougou and Bobo Dioulasso musical talent pool. On bass guitar, Wendeyida Ouedraogo, on drums Abbas Kabore, and on percussion and balafon, Nickie Dembele. Leading the charge again is the captain himself, Mamadou Sanou on the Doso Ngoni featuring one of the most distinctive voices of the modern era. The opposite of the banal trends of auto-tune that have pervaded most of West African popular music, Baba’s voice still impresses with its gravel and grit, showcasing a range that is ancient and defiant in equal measure. This LP is a non-stop hit parade of afro-beat bangers destined to light dance floors and living rooms ablaze!!! This album is dedicated to the memory of Massimbo Taragna, the bass player extraordinaire who was an integral part of the Mandingo Band’s trance stun musical power. He passed away in early 2022. RIP

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Greasy Mike's Middle Eastern Harem

LP | 2022 | UK | Original (Jazzman)

25,99 €*

Tom Skinner Of Sons Of Kemet

Release: 2022 / UK – Original

Genre: Organic Grooves

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More in the new series from Jazzman featuring the lowest of the lowball schlock n' roll 45s never known to exist! After many years in hiding, notoriously shady Super Spiv of the record world Greasy Mike has finally opened up his vinyl dungeon, and we were first to raid it! We have left no box untouched, no crate unrummaged, no pile unpilfered! Just the greasiest and grimiest, the most shocking and sordid 45s have made it onto our selections. Watch out for more!!! In this adventure Greasy Mike finds himself lost in the wilderness; hot, thirsty and alone under the unforgiving desert sun. He's been days without food and water; the heat of the day stifling almost beyond endurance, the cold of night a trial of torment. Survival seems impossible - or does it? Staggering across the sandy plains, the eerie yet unmistakable sound of a snake charmer's reed curiously winds its way into his ears. Instinctively he turns his head towards the sound - and lo! An oasis just ahead! Music, laughter - and belly dancers!!!

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Voice Of Bishara Vinyl

LP | 2022 | UK | Original (Brownswood)

31,99 €*

Release: 2022 / UK – Original

Genre: Organic Grooves

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Nature Will Take Care Of You

Run Logan Run

LP | 2022 | UK | Original (Worm Discs)

LP | 2022 | UK | Reissue (Otoroku)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Bristolian power-improv duo Run Logan Run continue their link-up with Worm Discs and producer Riaan Vosloo on Nature Will Take Care Of You - a monumental slab of contemporary energy music that draws on the heavy soul of David Axelrod and the fiery commitment of Archie Shepp. Working with an expanded line-up that includes singer Annie Gardiner (daughter of the late guitarist Ricky Gardiner, who played and collaborated with Iggy Pop and David Bowie) plus a string quartet and a brass section, saxophonist Andrew Neil Hayes and drummer Matt Brown have once again steered Run Logan Run in a dramatic new direction. Churning, future-forwards and emotionally tuned in, Nature Will Take Care Of You reaches out towards propulsive rock and psychedelic soul, while keeping one foot in the radical jazz-not-jazz of Bristol"s ever fertile improv scene.

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Blue Notes

For Mongezi

32,99 €*

2LP | 2022 | UK | Original (Japan Blues)

Release: 2022 / UK – Reissue

Genre: Organic Grooves

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The first vinyl reissue of Blue Notes for Mongezi, one of the most passionate celebrations of a life in music ever laid to tape. Recorded in late 1975 by Blue Notes, then reduced to a quartet - Dudu Pukwana on alto sax, whistle, percussion, and vocals, Johnny Dyani on bass, bells and vocals, Louis Moholo-Moholo on drums, percussion and vocals, and Chris McGregor on piano and percussion - and issued the following year by Ogun, the album is a kairos; the first commercial release by one of free jazz’s seminal ensembles, captured them 13 years after their founding - at the height of their powers - delivering an explosive dirge dedicated to Mongezi Feza, their former bandmate and friend.

Blue Notes were founded in Cape Town in 1962 and stand among the most important ensembles in the history of jazz. Artistically brilliant and groundbreaking - gathering, within a few short years, a devoted following that included Don Cherry, Steve Lacy, Abdullah Ibrahim, Dexter Gordon, Kenny Drew, Keith Tippett, Evan Parker, John Stevens, and numerous others - they were also the first widely visible multiracial band in South Africa. As a mixed race band under South African apartheid; this group of friends and like-minded artists - Chris McGregor, Mongezi Feza, Dudu Pukwana, Nikele Moyake, Johnny Dyani and Louis Moholo-Moholo - existed within a context that viewed their mere existence as a dangerous and subversive act. In 1964, as the pressure mounted, they joined an exodus of musicians leaving for Europe, eventually settling in London during the following year. Sadly, not long aer arriving and facing continued economic peril, the group buckled. Johnny Dyani le to join Don Cherry’s band. Moholo-Moholo and Dyani followed suit and joined Steve Lacy on tour, and the remaining members morphed into a number of ensembles that eventually grew to become Chris McGregor's Brotherhood Of Breath.

In late 1975 however, Mongezi Feza - in the midst of a fruitful period collaborating with Dudu Pukwana, Johnny Dyani, and Okay Temiz - suddenly passed away at the age of thirty from pneumonia. Nine days later, on the 23rd December, following the memorial service to their friend, Pukwana, Dyani, McGregor, and Moholo-Moholo gathered in a rehearsal room in London and set out to play. Fittingly, no discussion took place before or during the session. The music was left to say it all.

The resulting double LP coalesced into four long-form movements that occupy a side each, collectively unleashing an onslaught of free jazz fire, fluidly covering a remarkable range of moods and tactical approaches across its length. For anyone encountering the Blue Notes for the first time, the album must have felt like being blindsided by a brick, adding a profound sense of credence to Moholo-Moholo’s belief that free improvisation was intrinsically linked to the Pan-African temperament. In the band’s hands, the idiom sounds like nothing else and exactly as it should. A frenzied funeral dirge, a cry, and catharsis, the record rises and falls between playful and joyous movements of deconstructed song, rhythmic and vocal tribalism, and churning, instrumental free expression. It indicates not only a possible future for musical expression - as all truly avant-garde music does - but also the very roots of music itself, illuminating, through abstraction, the far-flung, ancient roots currently carried by the New Orleans”first line” march to the grave. It is a decidedly African vision of free jazz, coalescing as a collective expression of celebration and loss on a cold London day. It is a masterpiece unfolding in real time - out on a limb and laden with risk - created by four of the most talented voices the idiom has known.

This 2022 re-issue has been made with permission and in association with Ogun records. Transferred from the original masters and featuring an exact reproduction of the original artwork. Remastered by Giuseppe Ilelasi and packaged in a high gloss sleeve. Produced by Keith Beal and Chris McGregor.

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Lily

O Genki Desu Ka

34,99 €*

Pastor T.L. Barrett & The Youth For Christ Choir

Release: 2022 / UK – Original

Genre: Organic Grooves

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Genki Desu Ka (How Have You Been)

Lily’s early life runs parallel to an untold story of post-war Japan, that of the marginalised hafu - children of half Japanese / half foreign parents. Likely to be a target, a vessel for the bitterness, from the humiliation of the American Occupation, to the buried guilt of Japan’s own atrocities, enacted on their Asian neighbours. Her troubled formative years - an absent father, and losing her mother in her teens - possibly contributed to the development of the bluesy edge of her vocal style, or maybe it was the smoke from the jazz bar her mother ran.

As with many outsiders of the 60s and early 70s, she turned up in Tokyo’s Shinjuku, a famed spot for many a writer, actor, artist and musician. It was here her songs first aired, and she was swiftly booked to record her music.

With a groove set in stone with her Bye-Bye Session Band - later including Ryuichi Sakamoto and jazz keyboardist Hiroshi Sato - this selection covers her 70s period, with strong seams of soul, funk, touches of folk- and space-rock, and her signature (in Japan) heartbreaking ballads.

Vibrations from the other side of the globe, in the same period as classic Curtis Mayfield, Stevie Wonder, Cymande, Sly & The Family Stone, and the rest, all with Lily's voice make this music utterly unique.

Compiled by Howard Williams, whose Japanese music show Japan Blues has been a mainstay on NTS Radio since 2014. He has released several retrospectives of Japanese music for various record labels, covering traditional folk (Nippon Folk, Japan Blues for The Trilogy Tapes); kayoukyoku & Nihon Indigo (also Ttt); 70s female gangster soundtracks (Killing Melody, Ethbo); 50s rockabilly (Nippon Rock’n’Roll, Big Beat); surf guitar and funk rock (Nippon Guitars, Big Beat); soul, funk and disco (Lovin’ Mighty Fire, Bgp); and the jazz singer Maki Asakawa for Honest Jons, after co-compiling their Moondog retrospective, Viking of Sixth Avenue.

With liner notes written by Lily’s original producer, Yukiji Teramoto translated by Alan Cummings, and the photography of Jin Tamura

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Like A Ship Without A Sail Ice Wind Vinyl Edition

LP | 1971 | US | Reissue (Numero Group)

27,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 2022 | EU | Original (Power Station)

Billie Holiday

Cafè Society

32,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (L+R)

Ragawerk

27,99 €*

LP | 1980 | EU | Reissue (Holy Basil)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Frankfurt - Mumbai, loops and ragas, electronics, jazz and a pinch of Krautrock. Ragawerk put on new strings that span from Europe to the Indian subcontinent - and play them withvirtuosity. The new project by Max Clouth and Martin Standke develops intense grooves, cosmic sound panoramas and deep meditations. Fluid sounds meet edgy beats, spaceopeningguitar sounds float above the electronic textures of a modular synthesizer. Indian and Western sound elements merge into a unique fusion. The band's roots in jazz remainunmistakable. Indian ragas and European jazz craft become Ragawerk. This is also the name of the debut album.

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Silvano Chimenti

Disco Music

LP | 1962 | EU | Reissue (Not Now)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Composed by legendary library guitarist and founding member of I Gres, Silvano Chimenti, and accompanied by his orchestra, "Disco Music" is an essential release of the Usignolo catalog and probably one of the most sought after titles of the series. This album displays a broad range of styles masterfully blended together by Chimenti, going from disco-funky bangers "Happy California" and "Autostrade Americane" that lead way to the more dramatic and suspenseful vibes of "Society Problem" and "Tragedy", finishing off with the rock vibes of "Indian Summer" and the mellow atmospheres of softer, lounge-like songs such as "Lady Primavera" and "Chiara". One of the most complete and well-rounded library albums of its era, "Disco Music" is finally available on vinyl once again after a very long time as a limited edition pressing of 500 copies.

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Quincy Jones

Big Band Bossa Nova

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Marshall Allen presents Sun Ra And His Arkestra

In The Orbit Of Ra

2LP | 2014 | EU | Reissue (Strut)

Shifting Sands Black Vinyl Edition

Release: 2014 / EU – Reissue

Genre: Organic Grooves

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2014 anthology of classics & rarities curated by longest serving member & current Arkestra leader, Marshall Allen. Newly mastered from the original tapes.

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Avishai Cohen Trio

LP | 2022 | EU | Original (Naive)

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Act Music)

Joel Lyssarides

Stay Now

Release: 2022 / EU – Original

Genre: Organic Grooves

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Nothing's Wrong In Paradise

Sunstroke

LP | 1985 | EU | Reissue (Libreville)

It'll All Make Sense In The End Signed Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Sunstroke were Ben Bollaert and Etienne Delaruye, both were obsessed with the burgeoning possibilities of electronic music it made sense that they collaborate in the studio. The resulting experiments culminated in the 1985 release of Nothing's Wrong in Paradise. The record was conceived as a soundtrack to a film that doesn’t exist - a sophisticated meeting of post-Berlin-school dreaming, Yen-records hi-tech calm and Impressionist Café music ennui. What makes it most compelling though, is that even while it conjures a seemingly perfect world, something around the edges lets you know that all might not be as it seems. Maybe there is nothing wrong in paradise. Or maybe that’s just wallpapering over the cracks. The rough edges and regret of everyday life cannot help but intrude. Once you have spent some time with it, the whole record starts to seem bathed in a dim half-light, suggesting utopia glimpsed through a smudged lens. Just like the ethereal space in their music Sunstroke only existed for a moment, a second LP was planned but never materialised, briefly they created a paradise and pointed out its temporary nature, all at the same time. Remastered from the Master tapes. Tip-on sleeve. 600 copies.

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James Arthur

LP | 2021 | UK | Original (Sony)

35,99 €*

Release: 2021 / UK – Original

Genre: Organic Grooves

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2LP | 2022 | US | Original (International Anthem)

Alabaster DePlume

Gold Black Vinyl Edition

30,99 €*

LP | 1972 | EU | Reissue (Right Tempo)

Release: 2022 / US – Original

Genre: Organic Grooves

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Gold, the follow-up to Alabaster DePlume's widely-acclaimed, 2020-released cinematic instrumental LP To Cy & Lee: Instrumentals Vol. 1, introduces the world to the artist’s truest self. That is... though DePlume’s now known across the globe as the saxophonist who created that collection of wonderful, wordless music, he’s most known to fervent fans in his home zone of London, UK, as an outspoken poet and orator, beloved for his inspiring words of encouragement and sing-a-long-able songs about vulnerability, humanity, and courage. Gold is a sprawling double album that finds DePlume expressing both sides of his artistic character beautifully: (1) an articulate singer and songwriter who invokes the melodious crooning of Donovan as much as Devendra Banhart or Syd Barrett, whose tunes are almost like mini-sermons, full of existential comedy and spiritual enlightenment; and (2) a brilliant composer of simple, soothing, and viscerally nourishing instrumental melodies, with a gift for expanding them into intrepid collective improvisations, led by a delicate and distinguished saxophone tone that conjures the fluttery sweetness of the great Ethiopique Getatchew Mekurya.

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Gino Marinacci

Atom Flower's

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | US | Reissue (Nature Sounds)

Dave Pike

Jazz For The Jet Set

Release: 1966 / US – Reissue

Genre: Organic Grooves

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With his 1966 debut for Atlantic, jazz vibraphonist and marimba player Dave Pike and an all-star lineup produced a perfect blend of Jazz, Latin, Soul and R&B that stands the test of time. Produced by Pike's frequent collaborator Herbie Mann, ''Jazz for the Jet Set'' featured a young Herbie Hancock on organ (an instrument he rarely played again), Clark Terry on trumpet, Billy Butler on guitar, Grady Tate on drums, and many other talented musicians. From an artistic perspective, the album marked a pivotal time in Pike's career, where he began to move away from straight ahead jazz and forge a relationship with soul music, Latin rhythms, pop arrangements and more experimental styles. With this official reissue courtesy of Nature Sounds, ''Jazz For The Jet Set'' is now back on limited-edition vinyl while supplies last. 1. Blind Man Blind Man 2. Jet Set 3. Sunny 4. When I'm Gone 5. You've Got Your Troubles 6. Sweet Tater Pie 7. Just Say Goodbye 8. Devilette

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LP | 2022 | EU | Original (Wagram)

The Beatles In Jazz

Release: 2022 / EU – Original

Genre: Organic Grooves

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Essential Works: 1944-1962

Sarah Vaughan

2LP | 2021 | EU | Original (Masters Of Jazz)

32,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Salute To The Sun Live At Halle St.Peter's

Matthew Halsall

2LP | 2021 | UK | Original (Gondwana)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Salute to the Sun: Live at Halle´ St Peter's documents a very special concert recorded at the iconic Manchester venue during lockdown.

Released in November 2020, Matthew's Halsall'sSalute to the Sunwas the trumpeter's first album since 2015'sInto Foreverand marked the debut of his new band. A hand-picked ensemble featuring some of Manchester's finest young musicians. The album drew it's energy from the band's weekly sessions and was inspired by Halsall's love of nature. Lush and spiritual it received universal praise, but Halsall and his band were frustrated that they were unable to share their beautiful new sound live with an audience.

On November 25th 2020, Halsall took his band into the iconic Manchester venue,Halle´ St Peter's,for a concert recording in aid of the charityMindand was streamed to a global audience in the thousands the concert was also recorded for posterity.

"When we recorded Salute to the Sun, I wanted to create something playful but also quite earthy and organic that connected to the sounds in nature. It seemed to strike a chord with people and I was blown away by the response to the album. Our concert film, recorded at the height of last winter's lockdown was a special moment for us all and I feel that the concert recording captured something beautiful that we wanted to share".

Salute to the Sun: Live at Halle´ St Peter's featuresMatthew Halsall– trumpet,Matt Cliffe- flute & saxophone,Maddie Herbert– harp,Gavin Barras– bass,Liviu Gheorghe– piano,Alan Taylor– drums andJack McCarthy- percussion

The recording has been mixed by Matthew Halsall andGeorge Atkinsat80 Hertzand is mastered byPeter BeckmannatTechnology Works. The vinyl was cut at Calyx in Berlin and the album is pressed at Optimal in Germany. It is presented in the form of a limited edition 2LP set with artwork by legendary designerIan AndersonofThe Designers Republic.

Spread over three sides of the vinyl LP for maximum fidelity the fourth side of the LP (side D) features an etching ofDaniel Halsall's now iconic artwork for the album Salute to the Sun and copies are strictly limited with just 3000 available in total. The album will also be available for download and on streaming platforms.

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Birth Of The Cool White Vinyl Edition

LP | 1957 | EU | Reissue (Dol)

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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The Genius Sings The Blues Green Vinyl Edition

Ray Charles

LP | 1961 | EU | Reissue (Dol)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Little Girl Blue Transparent Green Vinyl Edition

Nina Simone

LP | 1959 | EU | Reissue (Dol)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Edward Ka-Spel / Steven Stapleton, Colin Potter / Quentin Rollet

The Man Who Floated Away / The Closer You Are To The Center, The Further You Are From The Edge

LP | 2018 | EU | Original (Bisou)

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 2014 | EU | Reissue (Naive)

Avishai Cohen Trio

From Darkness

20,99 €*

Release: 2014 / EU – Reissue

Genre: Organic Grooves

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Kamilya Jubran & Werner Hasler

LP | 2020 | EU | Original (Akuphone)

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Musician, composer and one of the most revered figures for today’s younger generation of experimental and alternative Arabic music-scenes, Kamilya Jubran (text, oud & vocals, collaborates with long standing musical partner, composer, accomplished trumpet player and seasoned electronic musician Werner Hasler (trumpet & electronics).

In Wa (Arabic for and), their third album together as a duo, Kamilya Jubran and Werner Hasler continue to interrogate their listening and their expression, their research and their desires, to unravel a musical universe of possibilities; “a unison of timbres, cultures complementing, the complicity of verses, and modes and languages confronting each other ” in the duo’s own way of communicating respective origins and contemporaneity.

Lyrical, within a sound full of contrast and ornamentation, they pursue an expansion of their repertoire with imaginative interpretation and improvisation. For this release via Swiss label Everest Records, Jubran and Hasler seek new sonic and phonetic territory, based on the wasla compound form found in the classical repertoire of Near Eastern music and in Western modern and improvised music; a suite of musical explorations within one composition. In the 45-minutes-long piece that makes up the full length album, they gradually unveil to us the tenants of this artistic dialogue, as they deepen a longstanding musical pact nurtured since 2002 based on the probing and opening up of musical modes and traditions. The chemistry between Jubran and Hasler’s exchange gives birth to a singular, original and extratemporal sound.

Kamilya Jubran (singer, oud) and Werner Hasler (trumpet, electronics) have been collaborating since 2002. Their first collaboration Mahattaat was their earliest experiment into bringing together disparate cultural and artistic roots. Their next collaboration, Wameedd, released in 2004, combined Jubran’s vocal skill and limitless imagination with Hasler’s melodies and his original aesthetics in electronic music. The duo then released Wanabni in 2010 followed by W asl in 2016, featuring French double bass player Sarah Murcia.

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LP | 2020 | EU | Original (Wagram)

Brazil

Release: 2020 / EU – Original

Genre: Organic Grooves

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Freedom Fables Black Vinyl Edition

Nubiyan Twist

2LP | 2020 | EU | Original (Strut)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Universal Beings E&F Sides Black Vinyl Edition

Makaya McCraven

LP | 2020 | US | Original (International Anthem)

Release: 2020 / US – Original

Genre: Organic Grooves

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Pokus One / Candace Of Meroe

Pokus / Theon Cross

12" | 2020 | UK | Original (Soul Jazz)

20,99 €*

Y-Otis 2 Black Vinyl Edition

Release: 2020 / UK – Original

Genre: Organic Grooves

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One-off pressing 12” single released in conjunction with Soul Jazz Records new Kaleidoscope album on the new UK renaissance of jazz. Featured on this single is Theon Cross’s superb Candace of Meroe plus Pokus’s heavy leftfield cut Pokus One. Neither of these tracks are on the vinyl version of the Kaleidoscope album and this 12” single is a one-off special pressing.

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Otis Sandsjö

LP | 2020 | EU | Original (We Jazz)

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Reissue (Squama)

Fazer

Mara 2020 Repress

LP | 2020 | EU | Original (WRWTFWW)

Release: 2018 / EU – Reissue

Genre: Organic Grooves

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Replaces Faz001 wich will be discontinued! Mara is the debutalbum of Munich-based jazz group Fazer. Short Info: Mara is the debutalbum of Munich-based jazz group Fazer. The young musicians combine African and Latin rhythms with dubby basslines and melancholic melodies. The unusual lineup with two drummers (Simon Popp, Sebastian Wolfgruber), bass (Martin Brugger), guitar (Paul Brändle) and trumpet (Matthias Lindermayr) leaves an open space for unfettered improvisation. Through the concept of repetition and finely measured dynamics, Fazer create a drawing energy that can be felt directly at their live shows and has been captured perfecty on this record.

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Motohiko Hamase

#Notes Of Forestry

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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WRWTFWW Records is excited to announce the official reissue of Motohiko Hamase’s remarkable ambient/environmental/minimalism project #Notes of Forestry, available for the first time since 1988. The album is sourced from original masters and available on vinyl and CD with liner notes from the artist. This marks the third release from the ESPLANADE SERIES which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano. One of the most fascinating and peculiar works from the golden era of Japanese ambient, #Notes of Forestry was initially released in 1988 by Newsic, the cult label started by Tokyo’s Wacoal Art Center (also known as Spiral), home, notably, of Yoshio Ojima who co-produced the album. Conceived by Jazz bassist turned experimentalist Motohiko Hamase, the magnum opus offers an enchanting mix of free-form pastoral electronics, otherworldly percussions by Yasunori Yamaguchi, and delightfully allusive piano played by none other than Satsuki Shibano (Sound Process’ Wave Notation 3).

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Giant Steps Blue Vinyl Edition

LP | 2019 | EU | Original (Dol)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Mingus Mingus Mingus Mingus Blue Vinyl Edition

Charles Mingus

LP | 2019 | EU | Original (Dol)

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | US | Original (Now-Again)

Lloyd Miller

Oriental Jazz

LP | 2019 | EU | Original (Earmusic)

Release: 2019 / US – Original

Genre: Organic Grooves

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Born in 1938, and raised in Glendale, California, Lloyd Miller has had one of the most unusual careers in all of jazz. By age 12 he had declared an
intent to make his living as a jazz musician, and by high school he had already begun to experiment, shunning swing music's mechanical perfection,
and chafing at his parents’ desire for him to nurture his talents with formal training. This tumultous relationship with his parents would eventually
lead to a stint in a psychatric hospital, before reuniting with them in moving to Iran, his father having accepted a job working for the Shah.
Stops in Hong Kong, Japan and Pakistan on the way to Iran deepened Miller's connection to other cultures he’d first felt while listening to old world
music compilations. He felt a definite calm and peace, an immense respect from everyone towards everyone else, and immersed himself in other
cultures and languages immediately. Miller spent a year in Iran with his family, picking up Farsi after a few short months, and steadily gaining more
and more of an appreciation for how deep the roots of Persian art run. However, still committed to his decision forge a career in jazz, Lloyd left Tehran
in 1958 to head to Europe to see if he could make a living from jazz music.
Miller kicked around the continent, first in Germany, then in Switzerland, Sweden and Brussels. He collaborated and performed alongside 60s jazz
legend Jef Gilson, and experimented with exotic instrumentation before returning to America to resume his studies at Brigham Young University in
Utah. In the years following his stint with Gilson, Miller had become more and more disillusioned with both modern music and modern society, which
had ashewed jazz for rock music, which he detested. In Miller’s conception, for a music to have value it had to have a deep connection to a tradition,
specifically connecting jazz to African lore. To Miller, something like “Tuareg African music is blues, just with no chord changes.”
Oriental Jazz was recorded, compiled and self-released in 1968 while Miller was studying at Brigham Young. The record, originally pressed in
a quantity of 300 copies, sought to combine a cool, modal style with the exotic arrays of instruments and styles that Miller had picked up during
his travels. Miller included songs he’d cut with Gilson in his Parisian studio years before, and a solo piano piece that he recorded in one of the
school’s practice rooms. Despite Lloyd’s professed aversion to modernity, there nevertheless is something strikingly new sounding about this
music, which fits together in startling juxtapositions. Traces of Bill Evans, Stan Getz and Jimmy Giuffre rub shoulders with Persian santur, Arab oud
and Turkish saz music.
Copies of Oriental Jazz languished in Miller's home for years after numerous failed bids for record contracts, before finally ending up in the hands of
record collectors decades later. After its release however, he would find a second life after returning to Iran, doing field recordings, and eventually
hosting a weekly television show that programmed both American jazz and the best traditional Persian musicians he could find. It was not to last
however, as he abruptly abandoned the country to return to the US in the late 1970s, predicting the arrival of the Islamic Revolution.

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Jon Lord

Gemini Suite

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 1978 | EU | Reissue (Wewantsounds)

Yukihiro Takahashi

Saravah!

34,99 €*

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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LP | 2019 | EU | Original (Wagram)

Django Reinhardt

Harcourt Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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Aquamarine Teal Virgin Vinyl Edition

Ash Walker

LP | 2019 | UK | Original (Night Time Stories)

LP | 1974 | EU | Reissue (Croatia)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Limited numbered edition of 1000 copies on colored vinyl!

Ash’s production output is similarly exploratory: his journeys have taken him far and wide, from tunnels under the river Thames to recording local percussionists in the Atlas mountains of Morocco. Inspired by a deep dive of sounds from artists including Duke Ellington, Quincy Jones, King Tubby, Bo Diddley, 4Hero, J Dilla, Pete Rock, Curtis Mayfield, Philip Glass, and Steve Reich; his first two albums, ‘Augmented 7th’ (2015) and ‘Echo Chamber’ (2016) gained attention from the likes of BBC 6 Music DJs Gilles Peterson, Don Letts, Gideon Coe and Clash Maga- zine, XLR8R and MIMS.

‘Aquamarine’ is a projection and culmination of all he’s ab- sorbed. A cosmic explosion of sound and colour, rhythm, shape and patterns. The arrival of an unassuming dreamer now projecting his unique flavour of expression. ‘Aqua- marine’ is the take-off of this audial spaceship, a sound discovered in the grooves of thousands of records, united in one. A meditation designed to inspire good energy, Ash hopes to bring a sense of calm and tranquility to the listener amongst the chaos of life. Recorded at home with the freedom of time and space, it combines analogue with digital, and a fondness for normally unwanted shapes and textures such as fuzz, hiss and crackle.

“My previous albums have felt to me more like ventures on land. This one feels more like a deep sea voyage into the subconscious. Living to dream with visions of gran- deur. Manifesting a beautiful path to walk on. It was inspired by everything around me, from friends and family to art and design, engineering and architecture, move- ment and how we use our five senses. I love to try and push my own boundaries of what I perceive to be right and wrong, seeing mistakes as innovations, and obstacles as inspiration.”

Highlights on the album include ‘Under The Sun’, ‘Time’ and ‘Finishing Touch’, all of which feature the smooth and silky voice of Laville. Themes of metaphysical exploration and transportation re-occur in the cosmic jazz of ‘Brave New World’ and the smoked beats on ‘Come With Us’. Also featured across the album are trumpet and flugel- horn genius Yazz Ahmed, bassist Marc Cyril (Keziah Jones, Jr Walker & The All Stars) and renowned musician and producer Jonathan Shorten.

Having already graced the stages of some of the biggest UK festivals as well as as The Jazz Cafe and Rich Mix, The Ash Walker Experience is a formidable six piece live lineup. Ash has collaborated with Ezra Lloyd-Jackson to turn each performance into a vibrant, multi-sensory experience combining live reactive projections and carefully crafted frequency complimenting fragrances.

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Tihomir "Pop" Asanovic

Majko Zemljo

Burnin' Transparent Yellow Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180 gram vinyl in a fold out cover with an insert.

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John Lee Hooker

LP | 2019 | EU | Original (Waxtime In Color)

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Reissue (Outernational Sounds)

Horace Tapscott

The Call

22,99 €*

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Available on vinyl for the first time in 40 years, Outernational Sounds is proud to present a masterpiece from the Los Angeles jazz underground – Horace Tapscott’s burning, spiritualised 1978 set, The Call.

One of the unsung giants of jazz music, the composer, bandleader, arranger, pianist and community activist Horace Tapscott was the undisputed keystone in the grassroots Los Angeles jazz scene. Throughout the 1960s and 1970s, his radical community arts and music formations the UGMA (Underground Musicians Association, later changed to UGMAA – Union of God’s Musicians and Artists Ascension), and his protean big band, the Pan Afrikan Peoples Arkestra, were at the epicentre of music, culture and politics in the Los Angeles area.

From their 1960s base at the Watt’s Happening Coffee House on 103rd St, to their decade-plus- long 1970s residency at the Immanuel United Church of Christ on 85thE St and Holmes Ave, Tapscott’s groups were the beating heart of underground music in LA. Hundreds of musicians passed through and played their part. Major figures in LA jazz such as Arthur Blythe, Azar Lawrence, Jimmy Woods, John Carter, Bobby Bradford, Sonny Criss, Ndugu Chancler and dozens of others all paid dues or just got down with Tapscott, not to mention the core Arkestra regulars who have since become celebrated names – Nate Morgan, Jesse Sharps, Adele Sebastian, Dadisi Komolafe, Gary Bias, to mention only a few.

Tapscott and the Arkestra were down on the ground – playing fundraisers in park and street, organising teach-ins and workshops for young and old, mixing it with radical theatre groups, firebrand poets, political radicals, Black separatists, community groups and churches. They lived communally, and built an ark for the Black arts in the heart of the city. But as a result of this grassroots community focus and Tapscott’s antipathy to the music industry, the Arkestra didn’t record for nearly two decades. That only changed when long-time jazz fan Tom Albach started Nimbus Records. The label was initiated specifically in order to document Tapscott and his circle, and the first three records showcased Horace and the Arkestra.

The Call was put together from two studio sessions in April 1978, one at Hollywood Sage and Sound, one at United Western – the latter session had the addition of a string section, who can be heard on the moody Cal Massey composition ‘Nakatini Suite’ and Jesse Sharps' swinging modal trip, ‘Peyote Song No. III’, with its swirling soprano solo. In keeping with the communal nature of the Arkestra, the other two compositions, ‘The Call’ and ‘Quagmire Manor at Five A.M.’ are also by Arkestra members. But at the centre of the music is the builder of the Ark, the visionary whose original call to action started a movement whose legacy continues to this day – Horace Tapscott.
Heed The Call!

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LP | 2019 | EU | Original (Wagram)

Bebop Jazz In Paris

Release: 2019 / EU – Original

Genre: Organic Grooves

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2LP | 1979 | EU | Reissue (Honest Jon's)

Derek Bailey & Tony Coe

Time

27,99 €*

LP | 2018 | EU | Original (Souffle Continu)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Multi-reedist Tony Coe was born in 1934, four years after guitarist Derek Bailey. He cut his teeth as a career jazzman with Humphrey Lyttleton, before an extended stint with the Kenny Clarke/Francy Boland Big Band. On this rare 1979 duo outing, he sticks to clarinet. And though that instrument has an illustrious jazz pedigree, Coe’s playing here is something else.

It’s worth noting that the clarinettist has also played under the baton of arch-modernist Pierre Boulez, the kind of composer Derek Bailey enjoyed taking to task in his book Improvisation. You might think the Frenchman’s uncompromising serialism and the free playing Bailey defended with such passion all his life would have little in common, yet both men were hugely influenced by Anton Webern. It’s an influence you can hear right through Bailey’s career in his obsessive exploration of tight parcels of registrally-fixed pitches, notably those trademark ringing harmonics. Meanwhile, Coe’s meandering semitones and sinuous arabesques here recall both Boulez’s clarinet writing in Domaines, and the harmonic world of Boulez’s own teacher Olivier Messiaen.

Still, no traditional classical musical notation could ever render the extraordinary rhythmic subtlety and timbral complexity of this music. It’s at one and the same time dazzlingly virtuosic — Coe and Bailey are on stellar form throughout, and have enough sense to, yes, accompany each other where needs be — and supremely lyrical and spacious.

An absolute delight.

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Camizole & Lard Free

20,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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The ranks of Camizole included some of the most essential personalities of the French underground, notably Dominique Grimaud (Vidéo-Aventures), Chris Chanet (Etron Fou Leloublan) and Bernard Filipetti (Art & Technique). Their idea of music, if we look further than the pair Dominique Grimaud – Bernard Filipetti and a style of music influenced by Klaus Schulze, is inspired by the liberty of free jazz. This is nonetheless modified by a cathartic approach close to the esthetic preoccupations of Julian Beckand Judith Malina's Living Theatre. The result is a musical happening, where the important thing is to improvise in the urgency of the moment in front of a not-always receptive public.

Before exploring constructed repetitive forms which would be perfected by Urban Sax, Lard Free were more in the domain of noise improvisation, or even a kind of jazz rock similar to that of Soft Machine, as can be heard on a late retrospective album, from which the track "À chacun son Boulez" emerged.

There was logically great complicity between Camizole and Lard Free, which would lead to the two groups finally merging. This was the case for four concerts in May before the two groups disbanded in order to finally get to grips with the free rock in the style of Faust that they liked so much. As an ode to anarchy, a record now bears witness to those communal experiences. 500 copies made. Obi Strip. 8 Page Booklet. Licensed from Camizole.

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Music Is The Most Beautiful Language In The World: Yiddisher Jazz In Londons East End 1920s To 1950s

LP | 2018 | EU | Original (JWM)

Istikrali hayal hakikattir

Release: 2018 / EU – Original

Genre: Organic Grooves

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New label JWM Records launch with the selection 'Music is the Most Beautiful Language in the World'. A vibrant soundtrack to the Cockney Jewish experience, starting when the swinging hot dance bands were still all the rage, and the Yiddish language was spoken on the streets of Whitechapel, in London’s East End. For some, music or acting was a potential way out of the poverty experienced by these first and second generation refugees.

Sounds from long-forgotten 78 rpm discs only recently unearthed, reveal a host of recording artists, united here for the first time. Klezmer fused very easily with jazz, a connection that becomes apparent in these recordings. Hear the legendary dance band figures of the era like Bert Ambrose and his Orchestra, and Lew Stone and his Monseigneur Band, to the relatively unknown Jewish speciality acts like Johnny Franks and his Kosher Ragtimers, and Rita Marlowe, the siren of Yiddish song. Delight in the cheeky street patter of the incomparable slapstick drummer Max Bacon, rejoicing in the East Enders' love affair with ‘Beigels’; celebrate the world famous Petticoat Lane street market with not one, but two fox-trots - but also shed a tear with Leo Fuld, the remarkable Dutch Yiddish singer, whose recordings in post-war London were haunting reminders of a way of life decimated by the Holocaust.

‘Music is the most Beautiful Language in the World’ is compiled by Alan Dein, multi-award winning radio documentary presenter, whose own family harks back to the major wave of immigrants fleeing the pogroms in Eastern Europe from the end of the 19th century. The album title is inspired by a 1920s Yiddish slogan of an East London gramophone record shop, from a time when Whitechapel was a fertile breeding ground for singers, musicians, proprietors of record shops and club owners - according to Dein “their stories are now entwined with the development of the British recorded music industry. But for the first time ever, we can the discover the remarkable sounds of Jewish-themed jazz recorded in London between the 1920s and the 1950s - which thankfully had been preserved within the grooves of ancient discs”.

Designed by Will Bankhead, the LP comes with a fold-out insert, the slip-case CD with a 24 page booklet, both including a detailed essay by Dein, illustrated with rare photos and memorabilia. This release is co-compiled by Howard Williams, who has released a series of compilations spanning Moondog (The Viking of Sixth Avenue), Killing Melody (Japanese gangster soundtracks), cult Japanese jazz singer Maki Asakawa, and several other Japanese retrospectives.

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Gaye Su Akyol

LP | 2018 | EU | Original (Glitterbeat)

22,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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Idle Moments Gatefold Sleeve Edition

Grant Green

LP | 1964 | UK | Reissue (Dol)

Release: 1964 / UK – Reissue

Genre: Organic Grooves

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Derek Bailey & Jamie Muir

Dart Drug

LP | 2018 | UK | Original (Honest Jons)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Percussionist Jamie Muir was a member of King Crimson during the recording of Larks’ Tongues In Aspic, in 1973. Staying less than a year with Robert Fripp, the Scot had already cut his teeth with another master guitarist, Derek Bailey, as part of the Music Improvisation Company, along with Evan Parker, Hugh Davies and Christine Jeffrey, whose eponymous 1970 album was one of the first releases on ECM. Muir and Bailey recorded Dart Drug eleven years later, in 1981.

There’s no shortage of great percussionists in the brief history of free improvised music but on the strength of Dart Drug alone Jamie Muir deserves a place at High Table. Unlike for example Han Bennink and John Stevens, though, you can’t hear echoes of any particular jazz drummer in Muir’s playing, even if he has expressed appreciation for Milford Graves (who himself sounded like nobody else who’d come before him).

What on earth did Muir’s kit consist of? Some instruments are clearly identifiable (bells, gongs, chimes, woodblocks); others could be… well, anything. Old suitcases thwacked with rolled up newspapers? Tin cans and hubcaps inside a washing machine? Who cares? It sounds terrific – but if you’re the kind of person who faints at the sound of nails scraping a blackboard, you might want to nip out and put the kettle on towards the end of the title track.

Dart Drug is consistently thrilling, and often very amusing – but it’s certainly not easy listening. In music we talk about playing with other musicians, whereas in sport you play against another opponent (or with your team against another team). Why not play against in music, too? That’s precisely what happens very often in improvised music, and Bailey was particularly good at it. How can a humble acoustic guitar hope to compete with a Muir in full flight? Sometimes Bailey’s content to sit on those open strings, teasing out yet another exquisite Webernian constellation of ringing harmonics and wait for the dust to settle in Muir’s junkyard, but elsewhere he sets off into uncharted territory himself.

“The way to discover the undiscovered in performing terms is to immediately reject all situations as you identify them (the cloud of unknowing) – which is to give music a future.” Bailey evidently concurred with this spoken statement by Muir, including it in his book Improvisation.

Derek Bailey is no longer with us, of course, and Muir gave up performing music back in 1989. All the more reason for seeking out this magnificent, wild album.

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Live At The Village Vanguard Gatefoldsleeve Edition

LP | 2018 | EU | Original (Dol)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Giant Steps Gatefold Sleeve Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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Duke Ellington & Charles Mingus & Max Roach

Money Jungle Gatefold Sleeve Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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Braz Gonsalves, Pam Crain

Devapriya

10" | 2018 | EU | Original (Ovular)

17,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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La Chasse De Shirah Sharibad

Workshop De Lyon

LP | 2017 | EU | Original (Souffle Continu)

Release: 2017 / EU – Original

Genre: Organic Grooves

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LP | 2017 | EU | Original (Souffle Continu)

Free Jazz Workshop

Inter-Frequencies

Release: 2017 / EU – Original

Genre: Organic Grooves

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In The Wee Small Hours Gatefold Sleeve Edition

Frank Sinatra

Portrait In Jazz Gatefold Sleeve Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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Gatefold 180g Includes Rare Or Exclusive Artwork Inside

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Bill Evans Trio

Art Blakey & The Jazz Messengers

Release: 2017 / EU – Original

Genre: Organic Grooves

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Gatefold 180g Includes Rare Or Exclusive Artwork Inside

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Art Blakey & The Jazz Messengers Gatefold Sleeve Edition

LP | 1960 | EU | Reissue (Jazz Workshop)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Gatefold 180g Includes Rare Or Exclusive Artwork Inside

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Blue Mitchell

Blue's Moods

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 2017 | EU | Original (Wagram)

Jazz Divas

Release: 2017 / EU – Original

Genre: Organic Grooves

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2LP | 2017 | UK | Original (Gondwana)

Mammal Hands

Shadow Work

Sun Ra Arkestra & Blues Project

Release: 2017 / UK – Original

Genre: Organic Grooves

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Captivating, ethereal and majestic, Mammal Hands unleash their third album, Shadow Work: drawing on spiritual jazz, north Indian, folk and classical music to create something inimitably their own. Recorded at 80 Hertz Studios in Manchester, it is the result of 18 months of intensive touring and mammoth writing sessions. The energy from their exhilarating live performances has fed into the writing process and yet there is a quiet reflective side to this album, giving it an expanded emotional range that draws the listener deep into Mammal Hand’s sound world.

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Batman & Robin Gatefold Sleeve Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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LP | 2017 | EU | Original (Waxtime)

Charles Mingus

Oh Yeah

LP | 1972 | EU | Reissue (Strut)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Includes one bonus track.

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Mulatu Astatke

Mulatu Of Ethiopia

World Spirituality Classics 1: The Ecstatic Music of Alice Coltrane Turiyasangitananda

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Strut present the first official reissue of a landmark album in the field of African music, Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972. Recorded in New York, the album arrived at a time when Astatke had begun to master the delicate fusion of styles needed to create Ethio jazz.

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Alice Coltrane

2LP | 2017 | US | Original (Luaka Bop)

33,99 €*

The Platinum Collection White Vinyl Edition

Release: 2017 / US – Original

Genre: Organic Grooves

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Alice Coltrane Turiyasangitananda’s devotion to spirituality was the central purpose of the final four decades of her life, an often-overlooked awakening that largely took shape during her four-year marriage to John Coltrane and after his 1967 death. By 1983, Alice had established the 48-acre Sai Anantam Ashram outside of Los Angeles. She quietly began recording music from the ashram, releasing it within her spiritual community in the form of private press cassette tapes. On May 5, Luaka Bop will release the first-ever compilation of recordings from this period, making these songs available to the wider public for the first time. Entitled ‘World Spirituality Classics, Volume 1: The Ecstatic Music of Alice Coltrane Turiyasangitananda,’ the release is the first installment in a planned series of spiritual music from around the globe; curated, compiled and distributed by Luaka Bop.
This powerful, largely unheard body of work finds Alice singing for the first time in her recorded catalog, which dates back to 1963 and includes appearances on six John Coltrane albums, alongside Charlie Haden and McCoy Tyner, and 14 albums as bandleader starting with her Impulse! debut in 1967 with ‘A Monastic Trio.’ The songs featured on the Luaka Bop release have been culled from the four cassettes that Alice recorded and released between 1982 and 1995: ‘Turiya Sings,’ ‘Divine Songs,’ ‘Infinite Chants,’ and ‘Glorious Chants.’ The digital, cassette and CD release will feature eight songs. The double-vinyl edition features two additional songs, “Krishna Japaye” from 1990’s ‘Infinite Chants, and the previously unreleased “Rama Katha” from a separate ‘Turiya Sings’ recording session.
Luaka Bop teamed with Alice’s children to find the original master tapes in the Coltrane archive. The recordings were prepared for re-mastering by the legendary engineer Baker Bigsby (Ornette Coleman, Sun Ra, John Coltrane), who had overseen the original sessions in the 80s and 90s. The compilation showcases a diverse array of recordings in addition to Alice’s first vocal work: solo performances on her harp, small ensembles, and a 24-piece vocal choir. The release is dotted with eastern percussion, synthesizers, organs and strings, making for a mesmerizing, even otherworldly, listen. Alice was inspired by Vedic devotional songs from India and Nepal, adding her own music sensibility to the mix with original melodies and sophisticated song structures. She never lost her ability to draw from the bebop, blues and old-time spirituals of her Detroit youth, fusing a Western upbringing with Eastern classicism. In all, these recordings amount to a largely untold chapter in the life story of Alice Coltrane Turiyasangitananda.
In addition to the recordings, GRAMMY-winning music historian Ashley Kahn has written extensive liner notes on the collection. The package also includes a series of interviews with those who knew Alice best, conducted by Dublab’s Mark “Frosty” McNeill, and an as-told-to interview between musician Surya Botofasina (who was raised on Alice’s ashram) and journalist Andy Beta. 2017 marks what would have been Alice’s 80th year of life, as well as the 10th anniversary of her passing. Alice will be celebrated at events throughout the United States, Europe and South America in the coming year. With this in mind, the time is right to bring this meaningful piece of Turiyasangitananda’s legacy into focus.

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Nat King Cole

2LP | 2017 | UK | Original (Not Now)

38,99 €*

Release: 2017 / UK – Original

Genre: Organic Grooves

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Ella Fitzgerald & Louis Armstrong

Cheek To Cheek

LP | 1956 | EU | Reissue (Wagram)

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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The Myth Of The Golden Ratio

United Vibrations

LP | 2016 | US | Original (Ubiquity)