Vinyl, CD & Tape 194 Items

“Acid Mammoth” was recorded late 2016 – early 2017 at Descent Studio while drums were recorded at Wudsound Studio. The album was initially released digitally in October 2017 via Bandcamp and introduced us to the beloved Doom scene. This album has a really special place in our hearts because it represents the birth of Acid Mammoth. It is our coming together and it bears the enthusiasm of our first ever recording. More raw and more monolithic in its essence than the albums that followed, “Acid Mammoth” is a doom metal album with lots of heart and tremendous excitement. Three years after its initial release, the time has come for its physical release in both vinyl and CD by Heavy Psych Sounds Records, with a killer new artwork by Branca Studio.

Limited edition of 500 copies on black vinyl.

We are very pleased to present Adagio!'s "Str8 Off The DAT", the third release of the duo comprised of Obvious Wonder (also known as Carta' P.) and Ray Foges (also known as Ray Supreme) on 90's Tapes. The group dug deep in their crates to come up with 7 unreleased tracks recorded between 1992 and 1997, bringing you that special Adagio! vibe once again.

Available in a limited run on LP, CD in jewel case, cassette and digitally on all major platforms.

Features contributions from Bruce Smith (The Pop
Group), Style Scott (Roots Radics) and Deadly
Headley (The Wailers).

Re-cut at Dubplates & Mastering in Berlin for
maximum bass pressure. Includes printed inner
with sleevenotes by Steve Barker (‘On The Wire’),
plus download card for full album.

for the first time on vinyl limiited to 1000 coies incl. Download Code!

'Trash' is the 18th studio album by rock singer Alice Cooper, released in 1989. The album features the single 'Poison', Cooper's first top ten hit since 1977. It marked a great success in Cooper's music career, reaching the Top 20 of various album charts and selling millions of copies of 'Trash'. The album features many guest performances including Jon Bon Jovi, Stiv Bators, Steven Tyler, as well as singer/ guitarist Kane Roberts. Songwriting contributions were also made by Joan Jett, Diane Warren, Jon Bon Jovi, Richie Sambora and John McCurry.

Anime is the 8th studio album of Foivos Delivorias.

Songs that were born in the quicksand of the years 2018-2022, expressing an agitated soul, meek or in ecstasy and with the guitar becoming an extension of it.

Love and latest news, society and the self, violence and giving, war and the child, are some of its windows.

The sound – a happy coexistence of Fivos, his band and the poet-producer Vasilis Dokakis – was captured in the old studios of legendary Finos Film and in a small studio next to The First Cemetary of Athens, so it has several souls on its side.

The title is what it is – it is written in Greek and Latin with the same letters and touches animation in different ways.

Inner Ear releases the album tying it to an informal trilogy with “Aoratos Anthropos (Invisible Man)” and “Kallithea”.

First Base is an album by British rock music group Babe Ruth. It was released in September 1972 and went gold in Canada, and sold very well in the US. It was their biggest success, both in terms of popular and critical acclaim. This LP defined an interesting junction between hard rock and progressive rock.

180g vinyl.

The world is falling apart but Bazooka are here with their fourth album. They take us by the hand on a journey to a world above the earth, a world somewhere else.

With 10 songs and their stories captured via the album artwork designed by Australian artist Montero, they transport us to the dreams and nightmares of modern life.

”Kapou Allou (Somewhere Elsewhere)” is clearly the band’s most entertaining and versatile album, their own truth. Bazooka’s craziness and instinctive energy of Bazooka are still there, but accompanied by a great appetite for experimentation and situations that lead the band to an absolute letting go without any restrictions. The final result is the closest that a studio album can get to the band’s live performing sound and that’s what makes this arguably their best album to date.

Recorded and mixed at Arkadikon Studios by Theodoros and Aggelos Bournas.

Fast-rising Dutch DJ/producer BELLA becomes the first new artist signing to Sally C’s Big Saldo’s Chunkers imprint, with the inspiring ‘Note to Self’ EP – her debut production.

Relationships are key for Sally C. Since the inception of Big Saldo’s Chunkers in 2020, she’s released three carefully chosen EPs, all from her own studio. When she met BELLA while playing a festival in Amsterdam during summer 2022, the click was instantaneous, with the pair going on to play an impromptu b2b that day. Vibing both musically and energetically, they kept in touch, with BELLA sending Sally her maiden productions ‘Note To Self’ and ‘Orchestra Spring’. Sally connected so deeply with the tracks that they’d form the backbone of her debut artist EP on Big Saldo’s Chunkers.

One listen to the final EP and it’s not hard to see why Sally wanted to emboss them as Chunkers. Three fresh originals taking in influence from ‘90s house, acid, electro and prog, all with a unique hard-to-pin-down energy that makes them hit with a special swing.

The title track – also the first production made for the EP - sees BELLA lay down a sonic blueprint – both for her own sound and the full body of work. “This set the vibe and guided me through the creative process. I was really trying to make something that felt my own, that was also unique and not something I’ve heard before,” she shares. ‘Note to Self’ is heavy on attitude and bounce, driven by banging old skool drums, a rapid-fire grime-style vocal and a duo of synth lines – one uplifting, the other mining a slick ‘80s sheen, and the results are memorable. An absolute tune that Sally’s delighted to add to the Chunker catalogue.

‘Orchestra Spring’ is the perky sequel, a wicked one-two punch of kaleidoscopic groovy house with lashings of attitude that loves to scribble outside the lines with lots of retro samples and trippy energy. ‘Odd Symphony’ completes the trio, a blazing late-night cut driven by a gurgling acid underbelly, gritty drums and warm chords, giving the EP a brilliant afterglow.

Olsvangèr – one of Sally’s favourite producers – steps up for remix duties of ‘Odd Symphony’, and delivers a dynamic re-rub that begins in upbeat house territory, before taking an interlude in perkier rave realms.

“I'm over the moon to be releasing this EP on Sally’s label. It’s really special to have someone who I look up to release my music. She has given me tremendous support and guidance over the last two years, always ready to chat or give me some advice. It was a big surprise and honour when she suggested releasing the tracks on her label. It feels like a perfect fit. It’s super sweet to share this journey with her.” – BELLA

"I’m so excited to welcome BELLA to the label for her debut EP. It was time to take this next step and open the Chunkers door to new artists. I couldn’t think of a better one than BELLA to debut her fresh Chunkers on the label. Three banging originals by an extremely talented artist which I’ve been playing ever since she sent me the tracks. Polished with an Olsvangèr remix, it’s a really strong four track EP." – SALLY C

On this brand new album, guitarist and composer Bill Frisell mines the catalog of the guitar-based music from the 1950s and 1960s that first inspired him to pick up the instrument. This performance promises a rare look into Bill Frisell's formative influences, from a time when the electric guitar was in its infancy and creating a startlingly new sound, pushing popular music into the future.

180g vinyl.

Limited to 2500 copies worldwide. Stoned is an album by Blackberry Smoke, released in 2021. Stoned includes a.o. the following tracks: “All Down The Line”, “Can't You Hear Me Knockin'”, “Tumbling Dice”, “Just My Imagination (running Away With Me)” and more. The album is a Indie Only, Black Friday rock LP.

180g vinyl.

It’s hard to believe that it’s been over 30 years since Candy Dulfer rose to fame with her high-profile collaborations with Dave Stewart (the worldwide number 1 smash “Lily was here”) and of course the legendary Prince, whose tongue-in-cheek recommendation (“When I want sax, I call Candy”) in the “Partyman” video made the world sit up and notice the young, glamorous and talented sax player at his side. Candy has been fortunate to work - both in the studio and on stage - with some of the biggest names in music, including Van Morrison, Maceo Parker, Sheila E., Mavis Staples, Lionel Richie, Beyoncé, Pink Floyd, Chaka Khan, Aretha Franklin, and many others. Despite these high-profile collaborations, Candy mainly focused on her solo career, starting her own band at age 13 and touring the world ever since.

The Essential contains an overview of all the fantastic songs she recorded both solo as in collaboration with other musicians. This 17 tracks double LP includes famous songs like “Sax-a-Go-Go”, “Lily Was Here”, and “Saxuality”. The package includes an insert.

Reissue on 150g vinyl.

On Donald Glover’s latest project as Childish Gambino, he ditches rap for lovingly produced funk worship, resulting in his most enjoyable project yet.

Previously unreleased recordings by various lineups drawn from Derek Bailey, Tristan Honsinger, Christine Jeffrey, Toshinori Kondo, Charlie Morrow, David Toop, Maarten Altena, Georgie Born, Lindsay Cooper, Steve Lacy, Radu Malfatti and Jamie Muir.

Journalists often make the brief history of Free Improvisation conform to the idea that the history of music is a nice straight line from past to present: Beethoven… Brahms… Boulez. Thus Derek Bailey, Evan Parker and John Stevens — together with Brötzmann and co across the Channel — were the trailblazing ‘first generation’, forging a wholly new language alongside contemporary avant-garde and free jazz. Figures like Toshinori Kondo and David Toop, willing as they were to incorporate snippets of all kinds of music, were the pesky ‘second generation’, happily cocking a snook at the ‘ideological purity’ of Bailey’s non-idiomatic improvisation.
‘Company 1981’ shows up the foolishness — the wrongness — of such storylines. Check the eclectic collection of guests Bailey invited to Company Weeks over the years. He had clear ideas about the music, but he was no ideological purist.

One of the founders of Fluxus, Charlie Morrow injects blasts of Cageian fun into half the recordings here, whether blurting military fanfares from his trumpet, or intoning far-flung scraps of speech. Cellist Tristan Honsinger and vocalist Christine Jeffrey join in the joyful glossolalia, while Bailey, Toop and Kondo contribute delicious, delicate, hooligan arabesques, by turns.
The remainder are performed by a different ensemble: Bailey, bassist Maarten Altena, former Henry Cow members Georgie Born and Lindsay Cooper on cello and bassoon, the insanely inventive Jamie Muir on percussion, and trombonist Radu Malfatti, showing his mastery of extended technique. Were that not enough, there’s the inimitable purity of Steve Lacy’s soprano ringing high and clear above the melee. Glorious!

There’s always been this idea that Free Improvisation is somehow Difficult Listening, but when the doors of perception are thrown open and prejudice cast aside, you realise that it’s not difficult at all. “Is it that easy?” chirps Morrow, at one point. Indeed it is.
Enjoy yourself.

180 GRAM AUDIOPHILE VINYL
DELUXE SLEEVE WITH LEATHER LAMINATE FINISH
INCLUDES INSERT
1997 TRIP HOP ALBUM FEATURING THE SINGLES “PURPLE” & “HEY”
SLEEVE ARTWORK BY STANLEY DONWOOD (RADIOHEAD)
LIMITED EDITION OF 750 COPIES ON TRANSLUCENT PURPLE COLOURED VINYL

*Record Store Day 2024 Official Release*

Trowback to 1991 with a mega timeless wax via Orange Wedge. Diamond Dimension E.P. is the perfect fusion of House, Techno and Trance rhythms.

CHIWAX presents L-VIS1990 aka Dance System - Relentless EP (12") We are very happy about this 5 track - banger! It contains a new Acid version of his 2014 hit track called "Flash Drive" and a great co-production with Leon Pard and last but not least a track together with Chicago Legend DJ Deeon!

All those words in the title & namedescriptions should be enough ... Hype!

Demon Fuzz's only album, the extraordinary Afreaka!, demonstrates their excellence in playing psychedelic soul, dub-heavy funk, progressive rock, Afro-jazz and black acid rock.

New from Innerground Records (co-founded by DJ Marky), also the home of Calibre, BassBrothers, Random Movement and Blade, comes the highly anticipated Vinyl LP from DJ Marky, XRS & Makoto, ‘Soul Samba (DJ Marky & Makoto 2024 Remix)’. Breathing new life into the 2004 hit from DJ Marky & XRS, the Remix from DJ Marky and Makoto does not disappoint. This special collaboration between some of the most important figures in the genre creates a ground-breaking Single, that marks 20 years since the release of the 2004 Single ‘Soul Samba / Breeze Vip’, and the 21st birthday of Inneground Records - founded in 2003.

It should come as no surprise that the EP packs a punch, when looking at the combined experience of its contributors. ‘Soul Samba (DJ Marky & Makoto 2023 Remix’ begins as a bold statement from veteran D&B duo DJ Marky & Makoto, laying down the foundations of what’s yet to come. We’re taken on a ride through morphing tempos and enchanting vocals that hammer home what this immense vicennial EP is all about - a special milestone that represents the unwavering support of loyal Innerground fans over the past two decades.

In a remarkable culmination of a nearly five-decade-long career, Donnell Pitman finally graces the music world with his debut album. While Pitman has long been revered among rare groove and deep crate diggers in the Windy City, it's the resurgent charm of 'the Chocolate Lover' that has undeniably become the defining chapter of his illustrious career, gaining momentum since the 2010s. His popularity continues to soar each year, propelled by new records, reissues, remixes, and notable placements in hit TV shows such as Stranger Things, Atlanta, Snowfall, and Southside. This milestone marks his 5th venture with the esteemed Chicago label, Star Creature. Seven track LP with a full picture sleeve.

Anime is the 8th studio album of Foivos Delivorias.

Songs that were born in the quicksand of the years 2018-2022, expressing an agitated soul, meek or in ecstasy and with the guitar becoming an extension of it.

Love and latest news, society and the self, violence and giving, war and the child, are some of its windows.

The sound – a happy coexistence of Fivos, his band and the poet-producer Vasilis Dokakis – was captured in the old studios of legendary Finos Film and in a small studio next to The First Cemetary of Athens, so it has several souls on its side.

The title is what it is – it is written in Greek and Latin with the same letters and touches animation in different ways.

Inner Ear releases the album tying it to an informal trilogy with “Aoratos Anthropos (Invisible Man)” and “Kallithea”.

Two unreleased edits emerge from Mark E's Merc label starting the E-version series. Kahn turns a classic disco track into an expertly extended, peak-time puncher adding percussion and persistent loops. While Mingo stretches a drum laden ethnicity around its Techno foundations. Already being played by Gilles Peterson, Daniel Avery & Dixon!

Two more unreleased edits emerge from Mark E's Merc label E-Versions series. Magazine turns a classic Madge moment into an expertly extended, peak-time banger - cleverly weaving an altogether more psychedelic workout from those familiar ingredients. While XAM on the flip is a monumental & melodic dancer of the highest calibre. Merc to the future!

The first and foremost exponent of the ‘singjay’ style, Eek A Mouse, has carried all before him over the past thirty years busily blurring the distinctions between roots, dancehall and crossover reggae. Eek-ology collects up a number of rare and in-demand non-album sides including the early self produced ‘Ripton Hylton’ recordings along with the Joe Gibbs sessions where he first unveiled his brand new Eek-A-Mouse style. Mouse’s long and successful partnership with producer Junjo Lawes is represented by the non-album ‘For Hire And Removal’ and tracks like ‘Rude Boys A Foreign’ recorded for Gussie Clarke and ‘Taller Than King Kong’ for King Jammy still ram the dance today!

Originally released in 1997 during the heyday of the alternative UK Electro scene, Finley Quaye's debut Maverick A Strike struck a chord with many. Fusing Dub, Reggae, Pop, Triphop and Indie, his amalgam of styles resonated throughout the music world like no other record at the time.

Fredfades is a Norwegian producer specialising in the uncut RAW hip hop. Here’s his debut solo album, “Warmth”.

In 2013 he dropped a classic with Ivan Ave called Breathe on KingUnderground Records. "Warmth" is his debut solo album following a long line of singles, collaborative albums, cassettes and load of independently released projects. The album has 16 tracks made from jazz, soul and boogie samples with gritty drums and a dash of synth stabs, mixed by Fred and mastered at Strype Audio in Oslo by Christian Obermayer.

The title track "Warmth" is the last track on the album and was sampled from a live recording off one of Fred’s favourite
jazz records that is always on heavy rotation at the crib.

Guests at the table include MED (Stones Throw), Mndsgn (Stones Throw), Ivan Ave, (Jakarta), MoRuf, Koreatown Oddity (Stones Throw), Chester Watson and more.

180 gram black vinyl pressing!

Funkdoobiest is an American rap group from Los Angeles, California.
The original members were Son Doobie, DJ Ralph M and Tomahawk Funk. Which Doobie U B? is the debut studio album by the Latino rap group Funkdoobiest.
DJ Muggs was the executive producer for this album. Tracks on the album are performed by Son Doobie and Tomahawk Funk, including additional Cypress Hill member B-Real on the track "Wopbabalubop".
Hence the album is very much in line with the Cypress Hill productions. "It all works anyway", according to Allmusic review writer Steve Huey, he continues "Muggs is in his absolute prime as a producer here, and Son Doobie's rhymes are fittingly surreal and stoner-friendly, albeit more cartoonish than menacing like his Cypress counterpart".
The album title derived from a line in an episode of the 1970s sitcom What's Happening!!, when the main character, Raj, is introduced to special guests The Doobie Brothers.

Limited Edition for Record Store Day 2022.

Limited edition of 300 copies on 4LP in gatefold sleeve. Only 2 per customer!

Berlin, Germany, sometime early, early nineties. 3 MCs share a dream, a dream of taking this rap thing to the max. It wasn't long before Doubleface, Boogieman and Big Sal started making noise in the streets of the capitol and by the mid-nineties the band Harleckinz was a household name in Germany's rap music scene. It is these demos here which would eventually break the band and secure various major deals. The rest is history - yet another beautiful rap story originated in Hip Hop's golden era.

"90two90six" contains 25 never before released demo tracks and instrumentals recorded between 1992 and 1996 next to 5 tracks which have been originally released on "From The Levels Below".

Available in a limited run on 4LP, 2CD in jewel case, double cassette and digitally on all major platforms.

Blow-Up is a soundtrack album by Herbie Hancock featuring music composed for Michelangelo Antonioni's cult film Blow-Up, released in 1966. Musically the songs evoke the ambience of swinging Sixties' London with grooves that create effective bluesy Jazz moods on the slow pieces, and funky ones on the up-tempo tracks.

Artists like Jalen Ngonda come around once in a lifetime, so it is our privilege and distinct pleasure to announce the release of his debut album Come Around and Love Me. Anyone who has had the pleasure of seeing Jalen perform live knows that he is one of the most captivating performers on today's soul scene. His voice, equal parts raw feeling and elegance, exudes confidence and charm-disarming packed rooms of rowdy concert goers, leaving them silent as they hold fast to every syllable sung. Plans for the album were struck just months before the Covid 19 pandemic shut the world down. Notwithstanding, Jalen eventually made it to Hive Mind Studios in Brooklyn, NY where he began writing and recording with the help of producer/arrangers Mike Buckley and Vincent Chiarito (both members of Charles Bradley's Extraordinaires) and a crack team of a-list musicians from the Daptone family. The team skillfully blends heavy arrangements and introspective lyrics with motown sophistication, leaving the listener in a blissful wash of wonderment. Jalen has been writing songs since he was 14, and his compositions are also very much of these times. He explains, "I love music from the 20th century- I listen to it all the time, but I?m in this world and the 21st century. ...to a stranger, I?d describe my music as modern soul and R&B, while trying to fit in the Beach Boys and the Beatles somewhere in between." Come Around and Love Me reveals how he creates a classic approach that is rooted in the sounds of revered pioneers, without falling into imitation-leaving no doubt that Jalen will continue to shine within the superlative, timeless musical tradition that is Daptone?s hallmark. Now it's your turn to come around and love one of the finest soul albums of the decade.

Limited edition of 500 copies on 2LP in gatefold sleeve incl. fold-out poster and bonus 7" ("Fades Em All" b/w "Instrumental").

Originally released in 1995 via Rowdy Records, Jamal's solo debut "Last Chance, No Breaks" finally gets the reissue treatment sporting three unreleased tracks from the demo version. Productions and features include artists such as Redman, Erick Sermon, Pete Rock, Keith Murray, George Clinton and many more.

Available in a limited run on 2LP+7", extra 7" of "Fades Em All (Pete Rock Remix)", CD in jewel case, cassette and digitally on all major platforms.