Vinyl, CD & Tape 2273 Items

LP | UK | Reissue (Pure Pleasure)

Release: FR – Original

Genre: Electronic & Dance

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This new release includes Brawther takes his added interpretation of “Chez N Trent “ Don’t tryit/Happy” while keeping its original production. Creatively done in good classic dub taste. Included in this remix package a new remix of the underground techno cut “Le Voyage” which has now been given the house treatment. It keeps getting better as Brawther also add to this smash 12” inch his own interpretation of the current Balance release of “Saint Sebastion / Wipe the Needle “Life” and a added bonus and remix of “Asteroids and Stardust” by Chez Damier!

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Charles Mingus

Presents Charles Mingus

37,99 €*

Let My Children Hear Music

Release: UK – Reissue

Genre: Organic Grooves

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Special hi-quality 180 gram limited edition. Audiophile mastering and pressing!

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Charles Mingus

LP | UK | Reissue (Pure Pleasure)

37,99 €*

Nico Gomez And His Afro Percussion Inc

Release: UK – Reissue

Genre: Organic Grooves

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Special hi-quality 180 gram limited edition. Audiophile mastering and pressing!

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Ritual Black Vinyl Edition

LP | UK | Reissue (Mr Bongo)

LP | EU | Reissue (Mr Bongo)

Release: UK – Reissue

Genre: Organic Grooves

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Belgium, not the first place you'd think of when it comes to Latin or Afro funk. Yet one of the greatest records to blend both styles came from the small northern European country, masterminded by Nico Gomez and his Afro Percussion Inc.

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Marijata

This Is Marijata

Afro Modern Dreams 1974-1977

Release: EU – Reissue

Genre: Organic Grooves

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Marijata was a group made up of three members – Kofi 'Electric' Addison on drums, Bob Fischlan on organ and Nat Osmanu on guitar, hailing from Ghana.
‘This Is Marijata’ is the groups first LP; released originally on the Gapophone label – it is pure, rootsy, raw, driving African funk music of the highest order, now highly sought-after in both its original and previously reissued forms.
Addison, Osmanu and Fischlan formed a band called the Sweet Beans with a young singer and guitarist, namely the legendary Pat Thomas. They released ‘False Lover’ [GAPO LP 02] in 1974 on Gapophone Records before recording ‘This Is Marijata’ [GAPO LP 012] and then ‘Pat Thomas Introduces Marijata’ [GAPO LP 013] shortly afterwards.
‘This Is Marijata’ is summed up perfectly by the text on the back cover: “Three young musicians of the Sweet Beans believe that in music and entertainment business, there is no room for mediocrity if one’s music is to win over a bigger audience and fame.
How could they give the public a taste of the talent they had so meticulously nurtured since they began their musical careers without upsetting the current musical inclination in the country?
Simple, Gapahone Records, quick to spot talent listened to the music of Kofi “Electric” Addison (Drummer) Bob Fischlan (Organist) and Nat Osmanu (Guitarist), liked it and the result, after month of hard work is what you have on this album – THIS IS MARIJATA.

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One Night In Pelican

2LP | UK | Original (Matsuli)

Release: UK – Original

Genre: Organic Grooves

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LP | UK | Original (Souffle Continu)

Dharma Quintet

End Starting

20,69 €* 22,99 € -10%

Release: UK – Original

Genre: Electronic & Dance

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V.A.

Puffer's Choice Volume 2

LP (Scotch Bonnet)

Genre: Reggae & Dancehall

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Release: UK

Genre: Organic Grooves

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Dan Penn / Spooner Oldham

Moments From This Theatre

LP (Last Music Company)

23,99 €*

Genre: Pop

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Genre: Pop

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Jimi Hendrix Experience

Are You Experienced

LP | EU (Music On Vinyl)

Release: EU

Genre: Rock & Indie

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Genre: Rock & Indie

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Sista Beloved / Bobo Blackstar

Too Damn Lie, Dub / Self Conscious, Dub

12" (Inner Sanctuary)

11,99 €*

Genre: Reggae & Dancehall

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2LP | UK | Original (Honest Jon's)

Pinch & Shackleton

27,99 €*

Release: UK – Original

Genre: Electronic & Dance

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Together: Duets On The Air & In The Studio

Frank Sinatra

LP | EU (Vinyl Passion)

Release: EU

Genre: Organic Grooves

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Satie,Erik Gymnopedies & Gnossiennes

Aldo Ciccolini

LP | EU | Original (Warner)

Release: EU – Original

Genre: Classical Music

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Jazz Stylings Of Anita Oday

Anita Oday

LP (Waxtime)

Genre: Organic Grooves

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Genre: Organic Grooves

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The Ritual Of The Savage Colored Vinyl Edition

Les Baxter

LP (Waxtime In Color)

Genre: Organic Grooves

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Erich Kunzel / Cincinnati Symphony Orchestra

1812 Ouvertüre, Capriccio Italien, Kosakentanz

LP (Telarc)

38,99 €*

Genre: Organic Grooves

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Genre: Reggae & Dancehall

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Genre: Rock & Indie

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LP (Bmg Rights Management (Uk))

Wilkinson

Afterglow / Perforation

Genre: Electronic & Dance

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In The End Cranberry Colored Vinyl

The Cranberries

LP (Bmg Rights Management (Uk))

Genre: Rock & Indie

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Genre: Rock & Indie

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The Barry Gray Orchestra

No Strings Attached

10" (Sanctuary)

Genre: Soundtracks

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Wintersun Live At Tuska 2013

Wintersun

2LP (Nuclear Blast)

Genre: Rock & Indie

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Gene Clark And Doug Dillard

The Fantastic Expedition Of Dillard & Clark

LP | US (Intervention)

59,99 €*

Release: US

Genre: Organic Grooves

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180g

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Release: EU

Genre: Pop

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Seven Steps To Heaven White/Red Splatter Vinyl Edition

LP | EU | Reissue (Second)

Release: EU – Reissue

Genre: Organic Grooves

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Seven Steps To Heaven Yellow/Red Marble Vinyl Edition

LP | EU | Reissue (Second)

Release: EU – Reissue

Genre: Organic Grooves

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The Eminem Show Limited Lenticular Cover Vinyl Edition

Eminem

LP | EU | Reissue (Interscope)

100,99 €*

Release: EU – Reissue

Genre: Hip Hop

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Samantha Fish

Chills & Fever

LP | EU | Original (Ruf)

Release: EU – Original

Genre: Organic Grooves

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LP | EU | Original (Cult Legends)

Soundgarden

Lollapalooza 1992

Release: EU – Original

Genre: Rock & Indie

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The Pbs Soundstage 1975 Gold Vinyledition

Bee Gees

LP | EU | Original (Vinyl Champ)

Release: EU – Original

Genre: Pop

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Around The World Yellow Vinyl Edition

Red Hot Chili Peppers

LP | EU | Original (Yellowvin)

Release: EU – Original

Genre: Rock & Indie

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Demos And Rarities Volume Ii

Sisters Of Mercy

LP | EU (Hermana Muerte Discos)

Release: EU

Genre: Rock & Indie

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Demos And Rarities Volume I

Sisters Of Mercy

LP | EU (Hermana Muerte Discos)

Release: EU

Genre: Rock & Indie

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Release: UK

Genre: Organic Grooves

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At Their Very Best Live Indie Exclusive Orange Vinyl Edition

The 1975

2LP | WW | Original (Universal)

39,99 €*

Release: WW – Original

Genre: Rock & Indie

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Psychedelic Beatles Colored Vinyl Edition

The Beatles

LP | EU (Strawberry)

27,99 €*

Release: EU

Genre: Rock & Indie, Pop

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LP | EU (Collect Limited)

Madonna

Collaborations

Release: EU

Genre: Organic Grooves

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Strange Days 200g Vinyl Edition

The Doors

2LP | US | Reissue (Acoustic Sounds)

75,99 €*

Release: US – Reissue

Genre: Rock & Indie

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2LP | US | Reissue (Analogue Productions)

Sam Cooke

Night Beat 45RPM

75,99 €*

Release: US – Reissue

Genre: Organic Grooves

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Roots With Ben Webster 200g Edition

Jimmy Witherspoon

LP | US | Reissue (Analogue Productions)

47,99 €*

Release: US – Reissue

Genre: Organic Grooves

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7" | UK | Reissue (Epsilon)

The Williams Brothers

That's Life / Rap On

19,99 €*

The 6th Sense / The Light

Release: UK – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-05-31

Originally From East Orange NEW Jersey

THE Exciting Williams Brothers Band GOT Their Start BY Their Father AND Mother MR. Roscoe Williams SR. AND MRS Esther Maude Walker Williams IN THE Late 60’s. They StartED OUT IN Gospel Music Like Their Father AND Family OF Brothers Before Them Whom YOU Will SEE Photos OF “the Original Williams Brothers” Throughout This Site From Time TO Time. THE Group From Oldest TO Youngest AT That Time Consists OF: Roscoe Williams JR. (lead Vocals) Eugene Williams (lead Guitar AND Background Vocals) Osbert Williams (bass Guitar AND Background Vocals) Alexander Williams ( Keyboard AND Background Vocals) AND Anthony Williams (lead Vocals) Anthony WAS THE Youngest Member OF THE Group AT That Time When ONE DAY While ON Their WAY TO Perform A Gospel Show ON MotherS DAY OF 1969, They HAD A Terrible CAR Accident Which Brought THE Family TO A Stand Still DUE TO Injuries AND Left Anthony Paralyzed TO This DAY. BY THE Time THE Exciting Williams Brothers Band Began High School They Asked Their Father IF They Could Play R&B Music. AT First Their Father WAS Against IT BUT When They Began PlayING Dances AND Clubs, SO Many People Began TO Book Them That Their Father HAD TO Install A Business Phone IN THE House TO Keep UP With THE Calls. IN 1975 THE Brothers Auditioned FOR A Beer Company Based IN NEW Zealand (the NEW Zealand Breweries) THE Company Came TO NEW York TO Audition American BandS AND THE Exciting Williams Brothers WON Against 12 Other BandS. THE Brothers Career Skyrocketed. They Toured FOR SIX Months IN NEW Zealand, Recorded A Record AND DID 3 Television ShowS IN NEW Zealand AND A Soft Drink Commercial FOR Sarsaparilla Soft DrinkS. When THE Brothers Came Back TO THE States Their Father Auditioned Them TO THE NEW York BookING Agencies AND That Began THE Group Touring IN THE United States. They Began 3 Months ON THE Road AND 2 Weeks Home AND They DID This FOR 8 Years. THE Exciting Williams Brothers Band Have Come Together TO Unleash A NEW Dimension OF EDM Music Through ESP. They ARE True Legends OF Music AND ONE OF Their RecordINGS Today Sell FOR Nearly $4000.00 PER Copy. THE Brothers USE There Roots IN Gospel Music TO Deliver Hard Hitting Jams AND Grooves TO THE LateST Dance Music Scene, “live” AS They Emerge AND Establish ThemSELVES AS AN Exciting Opening ACT FOR Major DJS.

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Common

7" | UK (45 Kings)

15,99 €*

Release: UK

Genre: Hip Hop

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LP+CD | EU | Reissue (Munster)

Los Jets

Leccion De Twist

LP+CD | EU | Reissue (Munster)

Release: EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Formed in 1961, Los Jets are one of the essential bands in the emergence of rock & roll music in Argentina. They were the first group (and possibly the only one) to include two drummers, they sang and did three-part choruses before The Beatles appeared on the scene, and were also pioneers in fusion as they recorded Argentine and Latin American folk songs with a rock beat. This compilation gathers tracks from their two LPs, singles and their only surviving live recording, registered in January 1966. Includes CD with 15 bonus tracks.

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Marc Jonson

12 In A Room

LP | EU | Original (Munster)

Release: EU – Reissue

Genre: Rock & Indie

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"How does one create three minutes of music that somehow tweaks the soul and seems mysteriously in sync with the most private dreams and longings? On "12 In A Room", Marc Jonson offers an able demonstration of how it's done." Kristine McKenna Self-recorded and produced, Marc Jonson's second album came out in 1992, two decades after his debut, the psych folk/baroque pop masterpiece "Years". "12 In A Room" was another brilliant display of his gift for beautiful pop music, now available on vinyl for the first time. Presented in updated artwork and pressed on 180g vinyl. Includes CD.

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The Legendary Tigerman

Misfit

2LP | EU | Original (Munster)

Release: EU – Original

Genre: Rock & Indie

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Sixth album by The Legendary Tigerman (aka Paulo Furtado), his first recording in a trio format with Paulo Segadaes (drums) and Joao Cabrita (baritone sax). Recorded at Rancho de la Luna (Joshua Tree) and produced by Johnny Hostile (The Savages, John & Jehn) and Paulo Furtado.

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Tomcats

A Tu Vera

19,99 €*

With Our Best Suits On: Live In Gothenburg Sweden 1985 Black Vinyl Edition

Release: EU – Original

Genre: Rock & Indie

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English band Tomcats (who would later become July) spent most of 1965-1966 in Spain, where they played the clubs and released a string of thrilling EPs of feral R&B, collected here along with 1964 demos by The Second Thoughts, their early incarnation. Apart from great versions of then-recent hits by English and American artists, this double LP includes several original compositions and two covers of Spanish songs made popular by the legendary Lola Flores, which The Tomcats turned into wild, fuzzed-out rockers.

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Echo & The Bunnymen

LP | EU (Dear Boss)

Release: EU

Genre: Rock & Indie

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With Our Best Suits On: Live In Gothenburg Sweden 1985 Green Vinyl Edition

Echo & The Bunnymen

LP | EU (Dear Boss)

Release: EU

Genre: Rock & Indie

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Release: EU

Genre: Rock & Indie

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Sing And Dance With Frank Sinatra

Frank Sinatra

LP | 1950 | US | Reissue (Impex)

59,99 €*

Release: 1950 / US – Reissue

Genre: Organic Grooves

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Duke Ellington & His Orchestra

Masterpieces

LP | 1951 | UK | Reissue (Pure Pleasure)

LP | 1955 | UK | Reissue (Pure Pleasure)

Release: 1951 / UK – Reissue

Genre: Organic Grooves

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When Ellington went into the studio in 1950 to record the longer tracks on this LP, his orchestra was a bridge between its late-1940's configuration (the 5-man trumpet section) and its mid-1950's personnel. The sax section had settled into the form it would have for most of the ensuing two decades (old-timers Hodges and Carney and newcomers Procope, Hamilton and Gonsalves); the trombone section had long-timer Lawrence Brown as well as Tyree Glenn and newcomer Quentin Jackson; and the drummer was still Sonny Greer, who had anchored the rhythm section since the beginning.
The arrangements and orchestrations all bear the hallmarks of Ellington's collaboration with Billy Strayhorn in the late 1940's: they are lush, symphonic, impressionistic, and densely (and adventurously) harmonic. "Mood Indigo", in particular, is a 15-minute tone-poem with shifting colors and key relationships as Ellington and Strayhorn bring the melody through a wide variety of guises, from Glenn's wah-wah trombone solo to Shorty Baker's lyrical waltz to orchestral and piano passages which do homage to the influence which Ravel and Stravinsky had on both of them.
"The Tattooed Bride" is the only new piece from the original "Masterpieces by Ellington" LP, and it is a beauty. The others of the original tracks -- "Sophistocated Lady" and "Solitude" -- are not laid out as inventively in their harmonics or structure. Of the group, "Solitude" is perhaps the weakest, but this is a relative term. Ellington would go on to pen many more extended, symphonic works, but none would have quite the multicolored, impressionistic tone-pallate that these do. And Strayhorn's presence would not be as pronounced in those future works as it is here: the orchestration and harmonies in particular bear his mark. These are masterpieces indeed: great works of art by two of our greatest composers/orchestrators, and played by one of the greatest orchestras in Afro-American music. Andrew R. Weiss

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Nat King Cole

Penthouse Serenade

Release: 1955 / UK – Reissue

Genre: Organic Grooves

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Cookin' With The Miles Davis Quintet

The Miles Davis Quintet

LP | 1956 | US | Reissue (Analogue Productions)

53,99 €*

Release: 1956 / US – Reissue

Genre: Organic Grooves

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Steamin' 200g Vinyl, 33RPM Edition

The Miles Davis Quintet

LP | 1956 | US | Reissue (Accoustic Sounds)

53,99 €*

LP | 1956 | UK | Reissue (Pure Pleasure)

Release: 1956 / US – Reissue

Genre: Organic Grooves

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All of the stylistic elements that made Miles Davis’ 1956 quintet one of the immortal bands in jazz history are on display in this collection. “Surrey with the Fringe on Top” and “Diane” are medium-tempo standards that highlight the contrast between the leader’s Harmon-muted horn, the explorations of John Coltrane’s tenor sax and Red Garland’s sparkling piano. “Salt Peanuts” and “Well, You Needn’t,” each a modern jazz classic, allow for intense swinging over the beat of Paul Chambers’ bass and Philly Joe Jones’ drums. And “Something I Dreamed Last Night” and “When I Fall in Love” give us vulnerable, visceral ballad playing by Davis that remains unsurpassed.

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Cab Calloway

Mobley's Message Hq Ltd 200g Edition

Release: 1956 / UK – Reissue

Genre: Organic Grooves

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From 1932 to the late 1940’s the period covered by this set, Cab had an orchestra that was about as swinging a band of solid senders as you’d find on the big-band circuit.
Cab projects, in his singing on records, something of the vital magic of his stage presence, a boundless exuberance and enthusiasm. His orchestral backing during the Thirties and Forties included many well-known names in jazz. At various times, Milt Hinton, Danny Barker and Cozy Cole were in his rhythm section.The reeds included the late, great Chu Berry as well as Ben Webster. Dizzy Gillespie was in the band, some members of which, at odd moments, served as a laboratory for the style to be called Bop. »This whole new chord structure idea was interesting to me,« Milt Hinton recalled, »and I would walk the new chords behind his playing.« Cab wasn’t the least enthusiastic. Danny Barker quoted him as saying, »I don’t want you playing that Chinese music in my band.«
The main attraction, however, was always Cab—showman, singer, entertainer. Most audiences didn’t even know that some of his sidemen were candidates for the jazz hall of fame. And that was as it should be. The musicians’ first function was to provide musical backing and a musical setting for the man who was being called 'King of the Hipsters', and this they did, wonderfully well. It was as Barry Ulanov noted in Metronome (January, 1943) a band extraordinary in every respect, hailed for its »clean musicianship, its jazz kicks, its brilliant showmanship«.

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Hank Mobley

LP | 1956 | US | Reissue (Acoustic Sounds)

53,99 €*

Release: 1956 / US – Reissue

Genre: Organic Grooves

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Walkin' 180g Vinyl Edition

LP | 1957 | EU | Reissue (Dol)

15,99 €*

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Ella Fitzgerald & Louis Armstrong

Ella & Louis Again (Acoustic Sounds)

2LP | 1957 | EU | Reissue (Verve)

42,99 €*

Time Out 180g Vinyl Edition

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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After the smash success of “Ella and Louis” in 1956, an album sequel was quickly set up by Verve Records. And what a sequel it was: “Ella and Louis Again”, released following year, was a double LP this time, and just as wonderful as its predecessor. In contrast to the previous collaboration, this album features seven solo vocal tracks by either Armstrong or Fitzgerald amongst its dozen duet tracks. The fantastic Oscar Peterson Trio returns as the duo's backing, this time along with drummer Louie Bellson.

VERVE ACOUSTIC SOUNDS SERIES: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve

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The Dave Brubeck Quartet

LP | 1959 | EU | Reissue (Dol)

15,99 €*

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move -- Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation. But for once, public taste was more advanced than that of the critics. Buoyed by a hit single in altoist Paul Desmond's ubiquitous "Take Five," Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That's a testament to Brubeck and Desmond's abilities as composers, because Time Out is full of challenges both subtle and overt -- it's just that they're not jarring. Brubeck's classic "Blue Rondo à la Turk" blends jazz with classical form and Turkish folk rhythms, while "Take Five," despite its overexposure, really is a masterpiece; listen to how well Desmond's solo phrasing fits the 5/4 meter, and how much Joe Morello's drum solo bends time without getting lost. The other selections are richly melodic as well, and even when the meters are even, the group sets up shifting polyrhythmic counterpoints that nod to African and Eastern musics. Some have come to disdain Time Out as its become increasingly synonymous with upscale coffeehouse ambience, but as someone once said of Shakespeare, it's really very good in spite of the people who like it. It doesn't just sound sophisticated -- it really is sophisticated music, which lends itself to cerebral appreciation, yet never stops swinging. Countless other musicians built on its pioneering experiments, yet it's amazingly accessible for all its advanced thinking, a rare feat in any art form. This belongs in even the most rudimentary jazz collection. - allmusic.com

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Kind Of Blue Black Vinyl Edition

LP | 1959 | EU (Destination Moon)

OST Breakfast At Tiffany's

Release: 1959 / EU

Genre: Organic Grooves

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A modal masterpiece from 1959, Kind of Blue is a true classic that never gets old, no matter how many times you listen to it. Bill Evans’ understated piano is the perfect foil for Miles’ melodies, contrasted by the soaring alto sax of Cannonball Adderley; Jimmy Cobb and Paul Chambers keep the rhythm section steady but unobtrusive, allowing Miles and Cannonball to shine. ‘So What’ and ‘Freddie Freeloader’ are seductive, deceptive gems, imparting all the frustration, begrudging and joy as only a great jazz record can; ‘Blue In Green’ and ‘All Blue’ have melancholy hues and ‘Flamenco Sketches’ a precursor to Sketches Of Spain. Every household should have at least one copy of Kind Of Blue, one of the greatest records ever made.

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Henry Mancini

2LP | 1961 | Reissue (Groove Replica)

Release: 1961 / Reissue

Genre: Soundtracks

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Paul Desmond & Gerry Mulligan

Two Of A Mind

LP | 1962 | EU | Reissue (Speakers Corner)

32,99 €*

2LP | 1962 | US | Reissue (Analogue Productions)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Although the beautiful sound, mutual understanding and harmonic balance mostly predominate, the music of alto saxophonist Paul Desmond performing together with baritone saxophonist Gerry Mulligan is far from what one calls 'easy listening'. For many, it is even difficult to identify the melody of evergreens such as "Stardust" and "The Way You Look Tonight". (And what theme is tucked away in "Two Of A Mind"????)
The recording in the RCA Victor Studio took place over several days in 1962, and this is why different bass players and percussionists are heard – Wendell Marshall, Joe Benjamin and John Beal each take their turn on the bass, while Connie Kay and Mel Lewis change places behind the drum set. These musicians form a brilliant team, and that there is no piano is both deliberate and inevitable for Gerry Mulligan recordings of the day. By the way, the second saxophonist in "The Way You Look Tonight" is Paul Desmond – by means of over-dubbing in the middle of the stereo recording!
The present LP could certainly take a rightful place in a 'Best Of' collection alongside the other recordings by Gerry Mulligan with Ben Webster and Stan Getz.

Pressed to 180g audiophile vinyl.

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Tony Bennett

At Carnegie Hall

75,99 €*

2LP | 1963 | EU | Reissue (Speakers Corner)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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This is it, the live, double LP where the magical Tony Bennett created indelible memories! "Tony Bennett At Carnegie Hall" is the Tony Bennett album to buy for any Bennett fan or those just introduced to his music. And you'll never hear or experience it presented in finer fashion than from this outstanding reissue by Analogue Productions and Quality Record Pressings!
We've given "Tony Bennett At Carnegie Hall" the deluxe reissue treatment. Starting with premier mastering by Ryan Smith at Sterling Sound from the original analog tapes. Then plating and presssing by Gary Salstrom and the crew at Quality Record Pressings, where the finest quality LPs in the world are pressed. But it doesn't stop there: We've expanded and enhanced the original studio photography, which was supplied by Sony to our graphic designers. And we've wrapped up the whole package in a deluxe 'old-school' tip-on gatefold jacket from Stoughton Printing!
Originally recorded in 1962, "Tony Bennett At Carnegie Hall" is a testament to Bennett's live vocal ability, writes allmusic.com. Backed by the Ralph Sharon Orchestra, Bennett moves far beyond his standard musical catalogue.
Along with standards like "I Left My Heart In San Francisco" and "Just in Time", Bennett reached out to create great medleys such as "(I Like New York in June) How About You/April in Paris", that automatically become his as soon as they are performed. Altogether there are 30 tracks on the album. Most remarkable is the clarity of the recording of the concert. If not for the tremendous applause of the audience, you could swear that Bennett had recorded each track in the studio. A masterpiece!

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The Dave Brubeck Quartet

At Carnegie Hall

61,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1963 | UK | Reissue (Pure Pleasure)

Thelonious Monk

Criss-Cross

Release: 1963 / UK – Reissue

Genre: Organic Grooves

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LP | 1963 | EU | Reissue (Blue Note)

Hank Mobley

No Room For Squares

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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LP | 1965 | US | Reissue (Delmark)

Junior Wells

Hoodoo man blues

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Western Reunion London 1965

The New Jazz Orchestra

LP | 1965 | EU | Reissue (Mad About)

LP | 1965 | EU | Reissue (Verve)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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British Jazz Masterpiece from 1965 featuring Neil Ardley, Ian Carr, Barbara Thompson and John Hiseman

180 gram black vinyl. Reissue for the first time Worldwide In the mid-60’s London scene, the NJO was one of those unavoidable and big-band groups (originally started as Clive Burrows Orchestra), where almost everyone who was anyone on the scene or almost transited through the group, which was normally the vehicle for composer Neil Ardley. You’ll find in the WR album, among others, stellar names like Ian Carr (of RCQ and Nucleus fame), Barb Thompson, Tony Reeves, John Hiseman (all three of future Colosseum fame), Trevor Watts (future Amalgam) plus a bunch more of lesser-known, but no-less gifted musicians like Paul Rutherford, etc. The line-up would fluctuate to include many other household names.

The New Jazz Orchestra was formed in December 1963, its name reflecting both the youth of its members - their average age was only 23 - and their mission to perform the new kind of orchestral jazz that was then developing in America but still to be heard in Britain. The personnel included such (then) non-jazz instruments as flute, horn and tuba in addition to the standard brass, saxes and rhythm line-up of the big band. This is the NJO's first album, recorded in March 1965 before an invited audience to make the young band feel at ease. The NJO was the offspring of a popular weekend jazz club, the "Jazzhouse" based at the Green Man, Blackheath (demolished to make way for Allison Close) where the "house" band was the Ian Bird Quintet (initially comprising Ian Bird, tenor sax; Clive Burrows, baritone sax; Johnny Mealing, piano; Tony Reeves, bass and Trevor Tomkins, drums - Mealing and Tomkins left to join the newly formed Rendell-Carr Quintet and were succeeded by Paul Raymond and Jon Hiseman respectively. The ensemble featured many London-based jazz musicians, such as Harry Beckett, Jack Bruce, Ian Carr, Dave Gelly, Michael Gibbs, Dick Heckstall-Smith, Jon Hiseman, Henry Lowther, Don Rendell, Frank Ricotti, Paul Rutherford, Barbara Thompson, Trevor Tomkins, Michael Phillipson, Les Carter, Tom Harris, Trevor Watts and Lionel Grigson. Ardley, Gibbs, Carter, Rutherford, Michael Garrick, and composer Mike Taylor all contributed pieces and arrangements.

Under exclusive license of Universal Music Portuga

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Wes Montgomery

Bumpin'

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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LP | 1966 | EU | Reissue (Music On Vinyl)

Herbie Hancock

OST Blow Up

Jimmy & Wes (The Dynamic Duo)

Release: 1966 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Blow-Up is a soundtrack album by Herbie Hancock featuring music composed for Michelangelo Antonioni's cult film Blow-Up, released in 1966. Musically the songs evoke the ambience of swinging Sixties' London with grooves that create effective bluesy Jazz moods on the slow pieces, and funky ones on the up-tempo tracks.

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Jimmy Smith

LP | 1966 | EU | Reissue (Elemental)

31,99 €*

The Biggest Twang Of Them All

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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The first and best out of just two collaborative albums by organist Jimmy Smith and guitarist Wes Montgomery, Jimmy & Wes: The Dynamic Duo was recorded in 1966 and features arrangements by Oliver Nelson. It is frequently listed among Jimmy Smith's best albums. The duo's follow-up record, Further Adventures of Jimmy and Wes, was taped during the same sessions and released in 1968. Al/Music critic Richard S. Ginell gave The Dynamic Duo the maximum * * * * * rating, stating that "Creed Taylor matched two of his most famous artists, Wes Montgomery and Jimmy Smith, on this session (Montgomery's last for Verve), and the results are incendiary- a near-ideal meeting of yin a.nd yang. Smith comes at your throat with his big attacks and blues runs while Montgomery responds with rounder, smoother octaves and single notes that still convey much heat. They are an amazing pair."

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Duane Eddy

LP | 1966 | EU | Reissue (Sundazed Music Inc.)

31,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Philips)

Serge Gainsbourg

OST Anna

LP+DVD | 1967 | EU | Reissue (Bear Family Productions)

Release: 1967 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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limited vinyl LP re-issue of the great 1967 soundtrack album 'Anna'!

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Tages

Studio

Eero Koivistoinen With Friends

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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It happened in 1967... ‚The Summer of Love’ may date back 50 years, but ’Tages – Studio’ will remain a timeless classic. Every household should get its copy!!!
Tages (pronounced "tah-guess") are universally known as the best sixties pop band from Sweden. They struck it big early, hitting the Swedish #1 with Sleep Little Girl in 1964! Their efforts in the psychedelic era would be their last. ’Studio’ should sit comfortably next to other masterpieces of the year 1967, a few notches closer to ’Odessey & Oracle’ than ’Sgt Pepper’s Lonely Hearts Club Band’.
Thanks to the tape cuts, orchestration, harmonies, and studio tricks, it sounds like the guys got their hands on a copy of Brian Wilson's then yet unreleased ’Smile’ tapes. Certainly, anybody willing to spend enough time exploring all the rabbit holes in the Beatles’ catalog owes themselves a trip through this marvelous record
Have You Seen Your Brother Lately
The album opener, Have You Seen Your Brother Lately, proves how apt the name ’Studio’ is for such a creatively produced statement. Few won't be sold within the first few seconds, hearing a looping string quartet surrender to a commanding rhythm highlighted by pounding drums and boxy plucked bass lines. Delicate touches of grand piano and kazoo bust open the door to an album rife with auditory treats and excellent craftmanship. Vocals are good, reminding of an edgier Colin Blunstone, with plenty of fine backup parts.
’Studio’ comes across of rather diverse nature. It's My Life, the second track growls out dark guitar distortions straight from the Move arsenal under workout vocal leads. The drums stand out, consistently providing ahead-of-their-time, vicious beats.
Tunes are often loaded with orchestration like the soft ballad, People Without Faces, and bouncier brass marches like What's The Time and She's Having A Baby Now. Tasteful psychedelic treatments abound in backwards guitar leads, weird stomp boxes, and sound effects sprinkled throughout the record.
First time on DVD, ever
The accompanying previously unreleased DVD of ’Dalamania’ was produced by Swedish national TV, SVT and shows the Tages on the height of their psychedelic career. This little piece of rock history appears to be such a thing as the Swedish version of the UK Beatles movie, ’Magical Mystery Tour’. Since its original broadcast in 1968, ’Dalamania’ has remained unnoticed on the shelfs of SVT. First time on DVD, ever.
An album like ’Studio’ should have propelled the Tages to the top 500 lists, worldwide, rather than remain a Swedish Rock ’n’ Roll footnote. Members of the Tages would form Blond in 1969 a band that disbanded in 1970.
1-LP (Gatefold sleeve) with 8-page booklet 25x25 cms) plus bonus DVD in cardboard sleeve (DVD5, b&w, 30 mns, English, 4:3, NTSC, region: 0)

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Jappa: The Complete Jazz At The Polytechnicum Recordings 1967-1968

2LP | 1967 | EU | Reissue (Svart)

Reuben Bell With The Casanovas

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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A Svart Mondo Release. Limited to 500 copies on black vinyl. By early 1960’s, jazz in its mainstream form had become the standard dance music for the student parties in high schools and several student union clubrooms in Helsinki. The Polytech union even organized matinée dances for high school students on Sundays. The change in the musical preference of young people’s dance music occurred with the arrival of British rock in the mid-sixties and this, of course, coincided with another cultural and musical development. As the new campus for the school was built in Otaniemi, Espoo in 1955-1966 and its operations gradually moved there, the modern style “Dipoli” building became the crowning edifice on the campus. It was to be the new home for the Polytech student union. When this controversial building was opened in 1966, it was meant to introduce a new vision of the future and constituted an embodiment of the modernist spirit of those times in the late 1960’s. This reissue of The Complete Jazz at the Polytechnicum recordings, done in 1967-68, also provides us with a glimpse of the modern directions of those days, not only in jazz music, but also in performance art. It is easy to hear that the main aesthetic in these performances was to break conventions and find new avenues for individual expression. The publisher of these recordings was the Jazz Society of the Tech Students, which was formed a little before these recordings. The name of the society was a take-off from Norman Granz’ Jazz at The Philharmonic and it became Jazz at the Polytechnicum. Both are, of course, abbreviated as J.A.T.P., which became formulated in musicians’ mouths into “Jappa”. This Svart Records re-issue consists of four EP-records in chronological order. The first three feature three jazz groups of the leading young players with their ages ranging from 21 to 30. The fourth one documents an avant-garde art “happening” held in Dipoli on March 20th – 24th 1968 called “Posotusta, pimputusta, pompotusta”, which could freely be translated as “Huff ‘n’ puff ‘n’ plonk”.

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It's Not That Easy / Hummin' A Sad Song

7" | 1967 | UK | Reissue (BGP)

11,99 €*

The Amboy Dukes Lime Green Vinyl Edition

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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This slice of Louisiana deep Southern soul has taken on a life of its own since Dave Godin included it on his first “Deep Soul Treasures” CD, and the single has shot up to well over three figures in value.

In 2021 the song is the subject of a cover version by the-name-to-drop Lady Blackbird and we felt it was about time that it was reissued in its original format.

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The Amboy Dukes

LP | 1967 | US | Reissue (Sundazed)

31,99 €*

LP | 1967 | UK | Reissue (Be With)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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The lost tapes have surfaced, bringing with them a walloping new stereo mix! A sonic cocktail of acid garage, blues & psych rock from one of Detroit’s finest – featuring Ted Nugent! Dominated by gritty head-swirlers and heavy, fuzz guitar licks, their debut is considered to be an early innovator of heavy metal. Their five and a half minute version of “Baby Please Don’t Go” is an absolute acid garage classic with some fantastic feedback and great guitar sustain. Nugent creates some serious guitar noise on this number and shows off his brilliant chops. The album closes with another garage classic, “Gimme Love.” This song has some laser fuzz guitar riffs and angry Mike Drake vocals. In between these two garage monsters are many other great compositions. There are a few covers, two work really well (the splendidly bluesy “Let’s Go Get Stoned” and the gritty Who cover “It’s Not True”). They also hit real hard with “Colors,” a furious acid rock song with some sinister soloing. “Phillip’s Escalator” is very Syd Barrett era Pink Floyd with brit vocals, clanging chords and first class guitar scrape. It’s a true classic on this exceptional outing. The guitar freakouts, Who-like energy and great songs make this debut a prime slice of early Detroit rock. – The Rising Storm

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Al Hirt

Soul In The Horn

LP | 1967 | EU | Reissue (Elemental)

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!

Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.

However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.

A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!

Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".

The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.

The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.

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Wes Montgomery

California Dreaming

LP | 1968 | UK | Reissue (Pure Pleasure)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Released in 1967, California Dreaming was Wes Montgomery's last album for Verve (other than an exciting collaboration with Jimmy Smith). It’s an extraordinary orchestral date featuring arrangements by Don Sebesky that showcases soloists such as pianist Herbie Hancock and percussionist Ray Barretto. The songs (which include "Sunny" and the title tune "California Dreaming") are in this case mostly pop material of the era, from which the great performer extracts magic sounds. The album reached No. 1 on the Billboard jazz album chart and No. 4 on the R&B chart, and was one of the last great works by Montgomery, whose later guitar style influenced jazz fusion and smooth jazz. At the peak of his popularity, the guitarist unexpectedly died of a heart attack on June 15, 1968, at the age of 45.

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Canned Heat

Boogie With Canned Heat

37,99 €*

Release: 1968 / UK – Reissue

Genre: Rock & Indie

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LP | 1968 | UK | Reissue (Outernational Sounds)

Shankar Jaikishan

Raga Jazz Style

20,99 €*

7" | 1968 | Reissue (Food City)

Release: 1968 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Never before reissued, this legendary 1968 EMI recording is a revered Indian jazz rarity; a collectors’ holy grail.

Raga Jazz Style is an original Indian excursion into Indo-jazz fusion. A one-away recording from the almost unknown Bombay jazz scene, it is among the few jazz LPs to hail from the subcontinent.

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The People's Choice

Destruction

11,99 €*

LP | 1968 | EU | Reissue (RhIno)

Release: 1968 / Reissue

Genre: Organic Grooves

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Highly in demand killer 'soulful' Deep Funk smasher with great breakbeats, limited repress

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Van Morrison

Astral Weeks

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Run Come Celebrate / I Wish It Would Rain

The Techniques

7" | 1968 | JP | Reissue (Duke Reid Classics)

20,99 €*

LP | 1968 | EU | Reissue (Elemental)

Release: 1968 / JP – Reissue

Genre: Reggae & Dancehall

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A side is a Jamaican Independence festival tune from 1968. Foundation. Both here are great Rock Steady Vocal cuts.

A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.

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George Benson

Giblet Gravy

LP | 1969 | UK | Reissue (Mr Bongo)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Released on the Verve label in 1968, Giblet Gravy marked jazz/soul guitarist George Benson's fourth album as a leader. It features Benson backed by an all-star group arranged and conducted by Tom Mcintosh, that includes such jazz luminaries as Ernie Royal, Pepper Adams, Johnny Pacheco, Billy Cobham, Ron Carter, and Herbie Hancock. According to AllMusic reviewer Richard S. Ginell, the label's "immediate goal was to groom Benson as the next Wes Montgomery (who was about to leave Verve) - and so he covers hit tunes of the day, playing either with a big band plus voices or a neat quintet anchored by Herbie Hancock, and the sound is contoured to give his guitar a warm mellow ambience. But the eclectic Benson is his own man, as his infectious repeated-interval rhythm trademark tells us on his self-composed title track. George's work is always tasty and irresistibly melodic."

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Oz Brazoes

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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LP | 1969 | UK | Reissue (Sanctuary)

Desmond Dekker

This Is Desmond Dekkar

25,99 €*

Release: 1969 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 1969 | EU | Reissue (Garden Of Delights)

Shiver

Walpurgis

OST Femina Ridens / The Laughing Woman / Le duo de la mort / Os Profissionais do Sadismo

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The sole LP by Swiss psych/prog legends Walpurgis gets reissued, featuring the same artwork (by H.R. Giger) as the original 1969 album! Including an 8-page insert, this edition is limited to 1.000 hand-numbered copies.

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Stelvio Cipriani

LP | 1969 | EU | Reissue (Four Flies)

27,99 €*

Alfredo Linares Y Su Sonora

Release: 1969 / EU – Reissue

Genre: Soundtracks

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LP 180gr. /// Tip-On Sleeve /// Features two unreleased tracks taken from the original master tapes

If a jewel were to be chosen amongst the more than three hundred soundtracks that Maestro Stelvio Cipriani has composed during his long and prodigious career, that choice would probably not fall on the super classic and hyper known ANONIMO VENEZIANO, but probably on his previous and less celebrated FEMINA RIDENS – perhaps the most iconic of his soundtracks, along with MARK IL POLIZIOTTO. This work is undoubtedly one of those titles that best represents the spirit of Italian golden age film music, and the original LP, published on CAM series SAG – 9017, is at the very top of every collector’s most wanted list.

The film, directed in 1969 by Piero Schivazappa, is a feminist parable that blends eros perversion, black comics, and Pop Art. And its mood, halfway between cold and playful tones, is perfectly underlined by Cipriani with a soundtrack that fits flawlessly to the dreamlike, grotesque, and sentimental images, combining classical music and orchestral pop, baroque jazz, spaghetti western flavors, psychedelic blues and lounge vibes – all emphasized with sumptuous arrangements that still sound contemporary. A jewel like “Mary’s Theme” is an immortal, timeless track that has been recently sampled by hip-hop producers, and is a demonstration of the eternal modernity of the finest Italian cinematic sound.

This reissue fills a serious gap, finally bringing to the forefront an iconic soundtrack that has remained inaccessible on wax far too long. And it does so in the best possible way, starting from the original master tapes preserved in the CAM archives, from where it was possible to locate an unreleased track (added at the end of side B), as well as allow for an enhanced version of “Chorus and Brass Fugato”, whose original edit has been improved and extended here. And if that weren’t enough, for all you discerning collectors, as well as DJs, Four Flies is also releasing an extra 7-inch record which includes the two most danceable tracks on the entire OST!

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Yo Traigo Boogaloo Record Store Day 2020 Edition

LP | 1969 | EU | Reissue (Vampisoul)