Reggae & Dancehall Vinyl LP Sale 78 Items

Limited edition of 200 copies on golden vinyl.

Reissued for the first time in over 40 years, Show the World is an unrated and relatively unknown soul / reggae album from the Caribbean. Having recently been sampled by Benny The Butcher, collectors and producers are starting to pay attention to what has been an overlooked gem until now. With the album ranging from sweet soul that sounds like it could have been released on Motown in its prime, to funky numbers that could be played in clubs, to reggae that could stand alongside some of the Studio 1 releases, this is sure to please many. No filler.

Limited to 500 red copies.

Limited edition of 300 copies on golden vinyl.

Reissued for the first time ever, Power Struggle is one of the grails of tropical record collectors. Incredible dancefloor disco, once edited by Roger Thornhill and now selling for close to $100. This is the first time the original arrangement of “dancing” has been re-released. No filler, a great listen from beginning to end, and one that doesn’t turn up often in good condition. Highly recommended, great from start to end.

Fully remastered and licensed, ltd to 500 copies. Cult re-issue from this short-lived Bristol project. Their debut 4-tracks EP was self-released on Restriction Records in 1984 giving birth to a collective experience fueled by several members: Andrew Clarke (amj Almighty Groove, AMJ Dub Collective) Clive Smith, Rob Smith (co- founder of the influential trip hop band Smith & Mighty), plus members of Zion Band. Produced by Mad Professor at London Ariwa Studios and featuring extraordinaire trombone player Vin Gordon aka Don Drummond Jr. (The Skatalites, The Upsetters) this quintessential mini-album merged the original Jamaican reggae-dub feel with a more contemporary approach, focusing on the experience of established British bands like Aswad and Black Uhuru.

Limited edition for Record Stoe Day 2017!

Classic 1995 third wave ska classic pressed on vinyl for the very first time! One of THE TOASTERS best selling albums of all time, released in the USA, Germany, Japan with a worldwide tour in support of the album. 14 trax on marble vinyl, now in a full picture sleeve. Repressed!

*Pachamama* (means "Mother Earth" or "Nurturing Earth" in Quechua) is a musical tribute to our "Mère- Veilleuse- Terre" ! A French reggae with Native American colors full of good vibes and poetry. The single *Pachamama* Feat. Chorale IJD & Michel Tirabosco is the fruitof the meeting between the original song of Manu Shamba, the children's choir of the Jaques Dalcroze Institute and the pan flute of Michel Tirabosco! All recorded, mixed and arranged by the excellent Yvan Bing(Kitchen Studio Geneva).

Pt. 9 of the 'Dub me crazy' series by Mad Professor. Reggae meets twisted electronics for wild dub trips!

Originally released in 1989 on the same Ariwa imprint. True D.I.Y. business from this UK dub pioneer.

Glen Brown, also known as "The Rhythm Master". He was the first producer to credit King Tubby as an artist. This album is a collection of unreleased dubs left by Glen Brown and his ally King Tubby during the heyday of roots rock. This is an outtake of the version that appeared on the B-side of singles by artists such as Sylford Walker and Big Youth, released on labels such as Pantomine, South East, and Dwyer. We hope you will enjoy the deep world that the genius producer, who started his career as a jazz singer, has created with King Tubby, Family Man, and the others!!

Another one from the fruitful collaboration with LA's highly regarded Patrick Houchen aka Shakaman. After Shakeena's “I bet you” 12" re-issue flying off the shelves, we deepen the exploration within Shakaman's treasure chest of Reggae/Dub gems with Shakeena's first and last album on Majicaa Records. Originally released in 1987, this album is a proper act of musical generosity, not so easy to point out the “hit” track here – clearly a case of all killer no filler. Unlike too many albums where the format length sadly gets the best of the artists' work, rest assured with this one you can play from the beginning to end and you'll only have to come back to flip it. The professional execution of what is hands down an ensemble of highly seasoned musicians sets the tone for the dreamy lyrics and arrangements to unravel. Besides expected reggae rhythms, Shakaman brings in other influences with subtle electro/freestyle hints that might have been hard to ignore in LA at the time. New remastered version sounding especially big and cozy on the low end. Can't go wrong!

Charly Records have done plenty of leg work here thatmeans you can save yourself lots of time and effort and immediately make yourself out to be a font of dub and reggae wisdom. Treasure Isle Solid Gold is a well curated selection of the most vital club hits produced by the legendary Jamaican label owner Arthur ‘Duke’ Reid. You will know plenty of the artists he worked with from the opener John Holt via Rolando Alphonso Baba Brooks Band, Don Drummond & The Skatalites and U-Roy & The Pargons. The sounds are varied but never less than sensational across both sides of wax.

First official re-issue for this roots reggae masterpiece, originally recorded in 1977. The Bushrangers, also known as Clem Bushay All Stars is the house band of producer Clem Bushay. They recorded the ''Stuntman'' album with musicians like Barry McVicker, Bunny McKenzie, Candy McKenzie, Carl Lewis, Dennis Bovell, Desmond Charles, Hughie, Janet Kay, Jimmy Haynes, Jimmy Mack, Jimmy Stratdan, Joseph Charles, Junior Bailey, Junior English, Michael Charles, Stanley, Suzy Browne, Moon Rocks and Zabandis...The album was also produced by Bushay.

Catbite, WE ARE THE Union, Kill Lincoln & More Combine FOR A Modern DAY “dance Craze” Showcasing THE Current State OF SKA 2xLP Gatefold With 11x17 Poster on Doublemint Green Vinyl Recorded live across the 24 dates of the 2023 Bad Time Records tour, “this IS NEW Tone” captures the energy and diversity of the modern ska punk scene through 24 brilliant tracks from some of the genres best and brightest bands. With Catbite, We Are The Union, and Kill Lincoln highlighted as the tour headliners, you get a taste for what makes each of these bands so special live... the songs have a unique energy, you can feel the crowd responding, and it’s easy to imagine being packed into a club somewhere across the country sweating it out to your new favorite bands. Joined by fellow label mates BAD Operation, J. Navarro & The Traitors (Jay of The Suicide Machines), JER, Omnigone, Eichlers, The Pomps, Joystick, and Thirsty Guys, each of the bands contributes their unique brand of ska and punk to this jam packed celebration of one of the best live genres in music. With the help of engineer / mixer Rick Johnson (Mustard Plug, Jeff Rosenstock), the album captures the raw experience of being at the club while also maintaining a high audio fidelity in order to truly document these bands properly. The record also accompanies a live concert film / documentary of the same name which will premiere in Spring 2024. If you’re looking for evidence that ska is still alive and thriving, look no further than “this IS NEW Tone”.

* Completely remastered * Pressed on Heavyweight 180g Vinyl * LP 2-disc set record (limited edition)

Experimental Deephouse Afro-futurism album by Dub poetry free spirit Jasmine Tutum, with production by OG Jahtari lads disrupt and Rootah as The Other Others, oscillating between spaced out soundscapes, floaty hoovers and heavy movers.

Tokyo-born, grown up in Jamaica and living in Germany (with various stops in-between) Jasmine’s wild biography translates into sonic territory with this LP, drawing inspiration from Grace Jones and Theo Parrish, newworldaquarium and Roger Robinson alike.

Patchword is Manu Shamba's 1st LP album! The French-Swiss singer-songwriter reveals to us through this opus a warm and colorful musical universe, inspired by his travels and enriched by his multiple influences: French song, reggae-ragga, blues, soul and even hip-hop!

Natsu Summer, whose name is becoming known not only in Japan but also in other Asian countries as a rare city-pop reggae singer, recorded her 2018 album with her steelpan-fuelled band Dub Sensation, which is being recorded for the first time. Kunimond Takiguchi (Streamline), who has produced almost all of her work in her career, is also involved in the production of this album. The song 'Japanese Reggae Woman', a tribute to the steelpan disco classic 'Reggae Is Here Once Again' by Steel An' Skin, and the songs by Kunimond Takiguchi, who has been responsible for producing the album since its debut, all The singer's personality is perfectly utilised and e-mura (bim ONE, Rub-a-dub Market), who mixed the album, has done an excellent job.

A welcome reissue of The Disciples set Infinite Density of Dub.

Debut album from Indiana ska band formed by the members of 90's legends Johnny Socko. Anthemic rock infused ska & reggae that harkens back to the heyday of the American third wave, with catchy lyrics and big horns. Limited edition clear blue vinyl limited to 250 copies.

POP Punk Meets Prog Metal Meets SKA ON This Incredible Genre Defying AND Constantly Surprising LP ON Limited Edition Aqua Blue Vinyl For over a decade The Holophonics have been blending ska, pop-punk, prog rock, and hardcore into an electrifying and genre-defying package. While they gained some internet fame from several perfectly crafter cover songs and albums, it's all been an effort to bring the casual listener into the wild world of their original material... and combined with years of ceaseless touring, the band has gained underground acclaim from peers and fans alike. With their 'checkered past' of cover songs permanently behind them, the band is set to release their new album "Lavos"; an ambitious concept album that would fifit perfectly alongside the RX Bandits, We Are The Union, or Refused. A deeply personal album for singer Eric Daino, Lavos is a combination of energy discharge from pent up anxiety, and a space to try and heal personal wounds. Eric says: "Lavos is an album about the anxiety, fear, and shame of working through trauma. The lyrics deal with the visceral symptoms of surviving - both physical and mental - and came out quickly in large, unfiltered swaths that speak to a constant sense of pressing urgency. The music however, takes a far more meticulous and detailed tack. Obsessively pored over and checked and rechecked hundreds of times - every melody, chord, and rhythm reflect the intense scrutinization to which I would subject myself before being ready to share my experiences".

Debut vinyl album from Boston's top roots dub reggae band, whose sound is truly of another time and place. Deeply in debt to the original Jamaican engineers of the 70s who turned mixing consoles into the lead instrument, the Vipers drop steady drum & bass rhythms w/ post punk attitude.

The leader of the European Dancehall/Shatta scene is still as productive as ever after his latest project Mad Ting 2 and a Europe/Latin America tour in 2022. By delivering multiple hits and appearing at major festivals, Blaiz Fayah is starting 2023 the same way he ended the previous year. The hit maker confirms his notoriety through his appearance in mixes played in clubs by the best DJs of the moment. His exponential growth on social networks, especially Tiktok, is also noteworthy.

A few digits: Blaiz Fayah has 850k monthly listeners on Spotify, 36M Spotify listens and 56M views YouTube for his hit "Bad", more than 9 million TikTok videos under the #blaizfayah.

For his upcoming project "Mad Ting 3" scheduled for June 2, 2023, which concludes the "Mad Ting" series, Blaiz Fayah highlights the vast range of his musical references by bringing in Dancehall, Kompa, Moombahton, Reggae, Shatta and Zouk influences.

For the occasion, some of the most renowned artists of their genre have been invited, such as Busy Signal, Jahyanai King and Nesly.

More than a mere sensation, the artist has seduced Dancehall fans all over the world with hits powered by a dancing energy that only he knows the formula. A unique energy that he was able to spread on some of the best European stages in 2022 (Solidays, Garorock) and that he will be able to continue to broadcast during some fifteen European dates in 2023 (Dour Festival, Reggae Sunska, No Logo...).

By collaborating with international DJs for the production of the tracks on his album (Netherlands, United Kingdom, Mauritius, West Indies...), the artist from the Parisian suburbs extends his influence across different international music stages, as shown by the success of his tour in Latin America (Colombia, Costa Rica, Chile...) and in the Indian Ocean (Mauritius, Reunion, Seychelles...).

Worldwide exclusive, fully licensed ! Finally a proper re-issue of this stone cold soul-reggae classic. The record was originally published in 1993, but the first session dates back to 1979. It was around this time that Earl ‘Chinna’ Smith (of The Wailers and Soul Syndicate fame) approached the singer with the idea of re-making some Curtis Mayfield songs. ‘We The People Who Are Darker Than Blue’ was the first track generated during the meeting, followed after a couple of years by ‘Move On Up’. Devon Russell's birthplace and date are as much a mystery as the gaping holes in his recording career. He began with the Tartans, a mid-'60s rock steady vocal group comprised of himself, Prince Lincoln Thompson, Linbergh "Preps" Lewis and Cedric Myton; they disbanded after their 1967 hit "Dance All Night" (Federal Records). It is no mystery Jamaicans loved Motown soul, but this tribute was an epiphany on its own. With a crew comprised of eclectic master drummer Sly Dunbar, the album was completed at the Leggo Studios in Kingston, Jamaica with The Firehouse Crew on board. A mission accomplished ten years after the first foundation stone was laid. We recently heard Devon Russell ‘Move On Up’ and ‘We The People Who Are Darker Than Blue’ on the amazing Soul jazz compilation Disco Reggae Rockers, now you have the whole package !

Rare reggae collection originally released in 1975. Featuring guest musicians Ken Boothe, Delroy Washington, Bob Davis, Gene Rondo and former members of the Cimarons. Some of the tracks have been recorded at the Black Arc Studio with engineer Lee ‘Scratch’ Perry. All tracks produced by Clem Bushay.

First time on vinyl for 1999 ska reggae classic originally released on Moon NYC. St Louis' darlings blended soul, neo-traditonal ska & rock steady into a wonderful mix that truly shows on this sophomore album. Inc fan faves "hold ME Tight" and "strikeout Summer". Heavyweight green vinyl.

First time on vinyl for classic 1995 album from long running New York ska act, originally released by Moon NYC. Inc the band's biggest hits "william Shatner" & "nude Beach". Traditional big band ska with the zest of 2-Tone, with Victor Rice and Buford O'sullivan (easy Star). Blue vinyl.

Recorded in the infamous Stone Castle Studio in Carimate (Como) by the two brothers Alberto & Gianni Tirelli, this is the last album recorded before the passing of Alberto. (Gianni is also known for certain Italo Disco masterpieces such as “Magic Dance” by Loui$.) Amore Mandarino is An act of bold and improvised genius, being entirely recorded in one night with little to no preparation. What resulted will be forever immortalized in your record collection with this exploration of exquisite fraternal expression throughout a multitude of genres. “Marzia Non C'e” is a 6 minute long downtempo dreamy soundtrack to the deepest of summer balearic sunrises. “Dimmi Per Chi” an Italian Reggae not-Reggae excursion served with ultra smooth spoken word lyrics. “Un Colpo Al Cuore” channeling nuances of Italian bastard cousin of Dire Straits in captivating danceable rock form. Arrangement and production standards running high, clearly a product of a golden age in Italian studio recording and session musicianship. Can't go wrong. Includes insert with letter from Gianni to Alberto, R.I.P..

Soffplaneten is a Swedish band mixing genres like prog rock, funk, downtempo and kraut. Opening track 'Nile Beach Dub' is a dub downtempo groove followed up by a more wistful slo-funk 'Kom till mitt tält' with Swedish vocals with more kraut feel and spacy synths taking over on 'Höga mamma moln'. Samlar Damm is their second full length album and their first release on Sunken Rock.

sticker on black sleeve

Killer early 80's roots recorded in Jamaica. First time on vinyl with extended mixes & dub.

Tracks compiled from "The Right Procedure" album, mixed by Al Breadwinner straight from the original tapes.

Tena Stelin’s ‘Wicked Invention’ is one of the most highly-sought UK digital roots reggae vocal albums, produced by Sound Iration (Nick Manasseh & Scruff), essentially, this is the vocal version of the classic dub album `Sound Iration in Dub’. This vocal set, like the vocal counterpart was released on Wau! Mr Modo in 1989. Features the sound system belters ‘Orthodox Music’, `Jah Equity’ and the title track. Limited to 500 copies only.

Original album + live. 2 x 140g Crystal Clear / 2 x Printed Inner Sleeves / Gatefold LP Jacket / RSD Sticker

Bassnectar is back with a new 17 track album, packed to the max with a diverse array of freestyle electronic music. The long wait for new music is (finally) over. Limited edition gatefold sleeve pressing on 180 gram multi-colored vinyl (blue, orange, yellow).

4LPs and 4CDs

Limited to 750 numbered copies!

Record Store Day 2023 exclusive limited to 1300 copies.

Following on from Part 2 (released exclusively for Record Store Day 2021) ‘I Do Like To Be B-Side The A-Side Volume 3’ includes 12 Madness B-Sides across hit singles from Wonderful’s ‘Lovestruck’, ‘Johnny The Horse’ and ‘Drip Fed Fred’ to The Dangermen Sessions’ ‘Shame & Scandal’, including covers of Kilburn And The High Road’s ‘The Roadette Song’ and Horace Andy’s ‘Skylarking’. Released on 180g heavyweight Black Vinyl, the LP features brand new artwork designed by Paul Agar in association with the band.

This Road' is the debut LP by one-to-watch Denise Sherwood, which features writing, production and instrumental contributions from Adrian Sherwood (On U Sound), Lee "Scratch" Perry, Mala (Digital Mystikz, Deep Medi Music), Mark Stewart (The Pop Group, Mark Stewart & The Maffia), Skip McDonald (Tackhead, African Head Charge, Little Axe) and Doug Wimbish (Living Colour, Tackhead). In addition to this extended family who came together to help her talent flourish, the album also features drums by the late Style Scott, who the singer lovingly recalls as my "my beautiful uncle." Portraying dark themes and damaged characters through an empathetic filter of bittersweet optimism, 'This Road' is a work of contrasts, which musically matches the mixed emotions felt in life. Bass pressure, contemporary club beats, nourishing roots music, sumptuous instrumentation and accessible, pop-schooled melodicism are woven together by her soothing but heavy-hearted voice, which is perfectly matured and full of depth. Saturated in vibes and an ingrained cognitive understanding of recording, 'This Road' is in part the product of childhood/teenage osmosis spent imbibing the sounds at her father Adrian Sherwood's On-U Studios. The impressionable youth gained an unparalleled education in music and also human nature, living in a house/studio where Lee Perry, Neneh Cherry, Jah Wobble, Big Youth, Little Annie, Style Scott, Tackhead, Bim Sherman and countless more made tracks. Like an epic coming-of-age movie focussing on Denise's part in the ongoing On-U chronicles - charting her changing roles as daughter, musician, mother, lover and more - it's little wonder 'This Road' is both contemporary and timeless, spanning time like a family tree.

A mandatory selection from the Jamaican singer large catalog, recorded at Channel One Studio with the likes of Sly & Robbie, The Tamlins, Don Drummond Jr., Dean Fraser, Ansel Collins, Winston Wright. The songs have been engineered by Soldjie, Barnabas and Scientist! A legendary cast for a series of unbelievable numbers. Roland was born in Pennants, Clarendon in Jamaica and was destined to become a star from his early days at John Austin School which set the stage for a career in the music field. Growing up in Trench Town, he met Bob Marley and Toots Hibbert who gave him inspiration and counseling as he would often ‘jam’ with them. During his growing artistic years, he sang with a group called The Shades, where he encountered Lee ‘Scratch’ Perr. Along with Conrad Brown, they produced “Lonely Man.” Thereafter, Roland quickly rose to popular fame when he recorded the chartbuster “Johnny Dollar,” a song that topped the Jamaican charts in Europe, USA and Japan. He recorded his first album, “Johnny Dollar” for Tanka Records which included the hit songs “Hey Mama” and “Stormy Night.”

Pt. 4 of the 'Dub me crazy' series by Mad Professor.

Reggae meets twisted electronics for wild dub trips!

Originally released in 1985 on the same Ariwa imprint. True D.I.Y. business from this UK dub pioneer.

Brand new reissue for the epic Tapper Zukie's first album, originally released in 1973. Supervised by the original producer Clement Bushay! Zukie never expected these cuts to turn into an album, and was quite startled to discover this record in the London shops when he came to town in the spring of 1975. After 50 years “Man Ah Warrior” is still a lively and unique collection. The bassline and trademark guitar sound from The Temptations’ “Papa Was a Rolling Stone” is instantly recognizable in the title track with the riddim featuring just drum, bass, and riffing guitar. “I King Zukie” is a big tune, an interplay between the soulful vocal of “I Dont Know Why I Love You” (originally done by Stevie Wonder) and Tapper Zukie’s toasting. All in all a series of remarkable tunes such as the wicked “Viego”, the hypnotic “Cally Dolly” and “Zukie Fashionwear” with a big trombone and at the beginning Willie Williams (although Delroy Wilson is mentioned in the song) singing lines from the Temptations song “Get Ready”.

Upcoming album 'Fruit Of The Void' to be released later this fall. Kosmo Sound is a perfect balance of tight rhythms and extended melodies, and they constantly strive to push boundaries with their sound. Having worked together with dub legends Daniel Boyle and Alpha & Omega and having played as the support act for Adrian Sherwood, The Twinkle Brothers and Omar Perry, heavily inspired, they took refuge in the studio to record this album full of meditative sounds and dense grooves.

(...) Each of the songs you will listen to was taken from studio original tapes, presented as full lenght, or extended cuts — alternative versions from the previous 45rpm records released along the yeras on confidential Dhoko label. All recordings and mixes were executed with all possible care with the aim of conducting love through space and time to reach you (...)" Backsleeve notes.

One of the greatest reggae singers of all time, Dennis Brown made an incredible impact during a career that spanned four decades, his reign cut short by his tragically early death from a collapsed lung in 1999, aged just 42. First released in 1995 under the title Take A Stand and also known as Temperature Is Rising, the album Love Is So True was expertly produced by Anthony Dehaney, alias Bunny Gemini, at the Record Factory studios in Kingston, then home to some of the better dancehall being cut in Jamaica. Along with saxophonist/arranger Dean Fraser and the Fire House Crew and ‘Rhythm Twins’ Sly and Robbie, the featured musicians include the stalwart keyboardist Ansel Collins of “Double Barrel” and “Stalag” fame, guitarist Lascelles Beckford and bassist Danny ‘Axe Man’ Thompson of the Gifted Roots band, trumpeter David Madden of Zap Pow, and keyboardist Dennis ‘Jah D’ Fearon. The keen musicianship brought forth by these players helped coax the best out of Brown on songs such as “Never Let Your Heart Be Troubled,” which rides a tough re-cut of the “Full Up” rhythm, and “Temperature Is Rising,” on a durable re-cut of the “Far East”/“Jah Shakey” rhythm; “A Little Respect” makes use of a bouncing update of “Pressure And Slide,” the meditative “Sea Shore” is on a great dancehall cut of “Real Rock” and the anti-rude boy “Gangster” is voiced on a beautiful dancehall interpretation of “Freedom Blues.” There’s even a dancehall take of the Beatles’ “You Won’t See Me,” delivered as only Dennis Brown can, as well as a likeable re-make of Dennis’ own “Have You Ever.”