Tape Sale 133 Items

There is an entire sub-genre of poetry devoted to rivers and their persistent, meditative flow. Emily Dickinson's ''My River Runs to Thee'' compares them to the cycle of life, while Alfred Tennyson's ''The Brook'' deems them eternal and Kathleen Raine's ''The River'' muses on the dream-state they evoke. For transcendent folk-pop artist Shannon Lay, the river is all of the above: It's the metaphor driving her latest album, the exquisitely uplifting August, which doubles as an aural baptism renewing her purpose for making music. ''I always picture music as this river. Everyone's throwing things into this river, it's a place you can go to and feed off of that energy,'' she says, ''and feel nourished by the fact that so many people are feeling what you're feeling. It's this beautiful exchange.'' The album's name, August, refers to the month in 2017 when Lay quit her day job and fully gave herself over to music. This was her liberation as an artist, and the album is devoted to paying that forward to her listeners. Lay may be the most chilled-out artist you'll ever meet. Despite fronting her tranquil solo act and being a guitarist/singer in the indie-rock band Feels, she never pressures herself to overachieve. Nonetheless, she regularly does: in a glowing review, Pitchfork anointed her last album, Living Water, ''captivating.'' With her life devoted to music, Lay often spends hours a day simply playing the guitar, challenging herself to become better. ''It just feels so good, doing something that is so much bigger than myself. I think so much of music is that, realizing that it's coming from something beyond and you are just the messenger'' says Lay, who took guitar lessons at age 13, which introduced her to Neil Young and The Beatles. After high school, she moved from Redondo Beach, Calif., to Hollywood and joined an indie-rock band. ''It was an energy I needed to release,'' she says. The exact type of energy may have changed, but her drive hasn't. August was mostly written in three months, during Lay's first solo tour for Living Water. ''For the most part, all of the songs were just guitar and voice,'' she says. In keeping with the humbled, contemplative nature of August, most tracks clock-in at three minutes or less. She saved indulgence for the production. ''Some songs as they were had this room to grow,'' says Lay, who recorded the album with her longtime friend, musician Ty Segall at his home studio on the East Side. ''I believe whoever you record with tends to affect the mood of music and Ty really brought this jovial sense that I hadn't really explored yet,'' she says. Also in the mix is Mikal Cronin, who played saxophone on the album's opener, ''Death Up Close.'' ''A lot of my friends who are really tough have admitted that they shed a tear when they hear my songs, and I think that really speaks to the visceral aspect of folk music,'' Lay says. ''It's this ancient form of expressing yourself.'' Think of August as a warm hug for your psyche. ''I want to create as much music as I can,'' she says, ''and leave this spot by the river where people can go sit and enjoy.''

La Bush (Temple of House), the Mother of all Clubs, is celebrating its 30th anniversary (1994 - 2024). We are delighted and honored to announce the simultaneousrelease of a 4CD Digipack (36 Tracks) - compiled by Mr Sam.

All tracks on the album feature their original full-length versions, exclusively remastered for this release. This unique compilation is not only a selection of the best tracks that defined La Bush as a legendary club with a distinctive sound but also serves as an ode and tribute to the golden era of Trance and progressive music in the late '90s and early 2000s - the renowned Golden Age!

On this album, you'll find contributions from iconic artists who left an indelible mark on history, including Sasha, Laurent Garnier, Luke Slater, Yello, Nalin & Kane, Delerium, Solarstone, BT, Oliver Lieb, WestBam, Jens Lissat, and Mr Sam, among others. Listening to the CD album is like watching a film: CD 1 (after-hours Heaven) showcases the best vocal and melodic tracks that made La Bush's After Hours legendary. CD 2 (progressive Golden Age) focuses on the timeless gems of the golden age of progressive music. CD 3 (rhythm Climax) transports you into the heart of a typical night at La Bush, where intensity is at its peak. CD 4 (timeless Anthems) concludes the journey by bringing together the greatest anthems that originated at La Bush, defining its incomparable atmosphere.

Psyched out guitar experiments from Iris. Dedicated to the fight against double standards, ignorance and corruption of our Western world.

All songs written and recorded in 2021, revisited in 2023.

Tax Free Records™ 2023.

Death Is Not The End presents a collection of haunted, brooding flamenco recordings taken from the early 1900s through to the late 1930s.

Song In The Air is Elliott’s third fulllength album. But for all of its beauty, energy, and human spirit, Song In The Air is not Elliott’s moment of finding “the answer.” What we have is a record that shows us the value of the moment of asking the question...of looking at a thing and figuring on it. Elliott’s songs glow, spiral around, get messed up, come back home, get really sad, get worked up, fight against melancholy, are pissed off... they are “alive.” Song In The Air is the first record that Elliott made with the addition of Benny Clark on guitar and Jason Skaggs on bass.

Originally released on the Toxic Shock label from 1989, this is the debut album from Indianapolis pop punk legend Sloppy SECONDS.Makes you want to jump around, dance, party and roll through town with the windows down and the volume up. Not for the faint of heart! Limited to 200 only cassette version on HEY SUBURBIA.

Cd digipack of MC Doc X's first 8-track EP.

Printed on 500g paper, with soft-touch lamination on the entire digipack. 12-page booklet with full lyrics. EP produced by Kohndo, Ringo, Keor Meteor, Undamusic and Moment Uv truth. Limited pressing of 200 copies. Life Boom Bap And Death Editions.

Written during a year of hedonistic isolation whilst exiled to a forgotten mining village, Alecs in Wonderland’ is the debut self-produced rap album by rap enigma and ‘one man band’ Alecs DeLarge.

Alecs navigates ‘Wonderland’ with a bulging backpack of references to 90’s Toonami imports, king skins and rap nerdology, multi-syllable boxing through beats in a smoked out stream-of-consciousness drawl. From the cartoonish braggadocio on ‘Scooby Snax’ and ‘AM To AM’, to proclaiming his love for his anthropomorphic MPC 2000 on ‘Girl Joint’, Alecs emphatically proving that he’s much more than just the man behind the boards. Merging classic New York rap sensibilities with sarcastic British humour, 110’s and Berghaus coats taking the place of Timb boots and Lo sweaters.

Musically Alecs draws inspiration from Quasimoto’s anything goes approach, feeding his sampler a range of ingredients from 80’s pop to private-press French prog. Grainy samples of VHS TV recordings warble atop rumbling 808s, diced up jazz and funk fragments punch their way through stuttering MPC drums, whilst guitar loops rock back and forth, all glued together by a loose narrative made up of cut up cartoon dialogue, movie trailers and adlibs.

Wonderland is Alecs’ custom built version of The Matrix, a perfect world created to escape the one outside his council flat window, idyllic living in Lynchian reality. A therapeutic outpouring of the lonely man’s psyche, or maybe just a slow descent into madness, polished and delivered to your ears

in Long Play form.

For the majority of ‘in Wonderland’, Alecs is the sole cast member. The first of the two guest spots going to the ever brilliant King Kashmere, reuniting with Alecs to ruminate the two sides of fame on ‘Megabus Dreams’, whilst Hpblk swoops in to drop a “stack on your conscious” on ‘Empty Pocket Posse’.

La La Land doubles down on the intricate proggy-pop displayed on Guided By Voices’s last album Tremblers And Goggles By Rank. On a hot streak of critical acclaim, Robert Pollard continues expanding his songwriting towards extremes of prettiness, heaviness and poeticism. As always, unforgettable hooks are everywhere. But with thsi latest, it seems Pollard is playing with the extremes of his abilities as a songwriter, emboldened by the power of this lineup now on their fourteenth album together since 2017. The prettiest stuff is prettier than ever (“Queen Of Spaces”) and odder, more complex songs like “Slowly On The Wheel” combine minimalism, whimsy, and cinematic inclinations. There are the exquisite power pop bangers that fans come to expect like “Ballroom Etiquette” and “Pockets.” Tracks like “Instinct Dwelling” and “Caution Song” effortlessly display a cranked-up weight and complexity most bands could never muster. Celebrating forty years in 2023 with their thirty-eighth album, GBV has lately been garnering rave reviews from Rolling Stone, Stereogum, Brooklyn Vegan, Uncut, Mojo, Shindig, Paste, Popmatters, The Quietus and many more.

1 x K7 (Audio Tape) The Mixtapes Volume 1 – The Sound Of TGV is truly authentic, packaged in a vintage slipcase, it will be just as if you purchased the tape at your favourite club back in the day.

Rare tape version that includes 2 remixes and the instrumentals not found on the full album! Sealed copies!

Second release of Perspektif comes from Berlin based artist Tibia. Dream Pulse, his new album includes 8 tracks and will be released on 28th of February. Hailing from Berlin, Tibia is an electronic music producer and DJ known for blending melancholic moods with unconventional rhythms. His versatile sound spans from breakbeat techno to drowsy ambient all the way to 160 bpm footwork. Anchored in his roots as a drummer, he developed a rhythmic foundation that continues to permeate throughout his productions. As a producer, he explores new territories while maintaining a consistent commitment to his unique sound. Tibia's musical journey is a testament to the limitless possibilities in electronic music, contributing to its ever-evolving tapestry with innovative and emotive sonic landscapes.

Ol’ Burger Beats’s new opus, 74: Out of Time, is a multifaceted and stunning exploration of sounds and eras. In addition to every track being produced at 74 beats per minute, the album harks back to the year 1974; particularly the music, the records, the activism, the artwork, and the aesthetics. But it’s also incredibly current, as the Out of Time portion of the title very much refers to the present. It promotes a sense of urgency in the face of current affairs such as the Covid-19 pandemic, climate change, as well as contentious politics sweeping across the US and Europe. Beyond those deeply resonating elements to the record, 74: Out of Time is a truly gorgeous representation of hip-hop through the lens of the Norwegian composer, which is undoubtedly his most ambitious undertaking to date. Using 74bpm as his basis, he constructs sublime, jazzy instrumentals that feature some of hiphop’s finest emcees and vocalists. And to say they all gel perfectly together is an understatement—and it would be underselling OBB’s meticulous approach here. Each song blends seamlessly from one to the next spread across the album’s 17 tracks, with the help from a standout supporting cast that includes Fly Anakin, Awon, Quelle Chris, Pink Siifu, Yungmorpheus, Lojii, billy woods, Tha God Fahim, Vic Spencer and Vuyo, among several others.

Taxi Girls is a high-energy rock trio hailing from Montreal, Canada. Comprised of three talented and fierce ladies - Jamie, Vera and Lynn - this band is quickly making a name for themselves with their unique brand of punk rock that blends the classic sound of the Ramones with the fiery spirit of the Muffs and a dash of Verruca Salt. Since forming in 2022, Taxi Girls have quickly gained a dedicated fan base with their electrifying live shows and infectious hooks.

The project by Jens-Uwe Beyer and Thomas Venker boasts a remarkable origin story. In 2017, Venker, co-founder and co-editor-in-chief of Cologne’s Kaput magazine, hosted a gathering at Beyer's house, bringing together journalists, creatives, and musicians. To mark the occasion, the pair decided to join forces for an impromptu ambient-electronic performance, presenting themselves as a two-man band. That evening, donned in special costumes designed by artist Sarah Szczesny and fuelled by a generous amount of Japanese whisky, Hasan Poppu was born. Over the course of the pandemic, the duo thought about creating a record based on the live recording of their premiere show. However, the synergy of their collaborative creative energies led them in entirely novel directions. Their self-titled, double-sided album traverses a wild and raucous terrain, moving swiftly from hybrid noise-techno to giddy party ecstasy, to strange and shadowy atmospheres.

Including remixes by YPY, Hibotep, Lena Willikens, Efdemin and Barnt, the 11 tracks span a dizzying array of experimental dance-facing styles. 'Die-Biden' kicks off as a high-vibrational vocal experiment seemingly voiced by a sentient German vocoder. 'Kodō' follows, featuring Venker's playful mantra set against a stomping beat. Willikens' reimagining of 'Teiko' transports the track to obscure realms inhabited by strange creatures emitting ungodly sounds. Meanwhile, Efdemin's take on 'Ekusutashī' pulsates with a kinetic buzz. Flipping over to the B-side, 'Sakura' is a euphoric wall of drone punctuated by eerie whispers and mystical singing. Then, the second installment of 'Kodō' takes a fresh trajectory with a touch of Barnt’s electronic groove stylings. Finally, Hibotep's 'Shojo no yo ni flp' serves as the finsher – an unrepentant trance belter that disintegrates into sampled fragments. Loosely translating to "broken pop music," Hasan Poppu is informed by Beyer and Venker's shared love for Japan. The band takes their cues from the country’s rich sonic cultures while also drawing on Venker's wordsmith background and Beyer's flair for melding melodic tech-house with song-based synth-pop. Originally out on Beachcoma Recordings, Hasan Poppu’s debut album gets a new lease of life on Osàre! Editions with a digital and limited edition cassette tape release. Sarah Szczesny reprises her role in shaping the visual identity of Hasan Poppu by creating beautiful, painterly artwork for the record. words by Hannah Pezzack

100 Hand Numbered Tapes on Clear Night Blue Shells!

Original Tape from the crates of Kutmasta Kurt

"28/4/23" captures the atmospheric live performance of Swedish composer Mats Erlandsson at Fylkingen, Stockholm on the 28th of April, 2023. With exceptional delicacy, Erlandsson guides the audience through his signature electro-gothic soundscape of continuous tension; 40 minutes of processed field recordings, zither, feedback and Serge modular synthesizer.

Cyanotype prints and woodcut by Håkan Jonson. Released in an edition of 90 copies.

The Chicago-based artist, real name Andres Ordonez, has been a fixture in US house music circles since the '90s, releasing a string of EPs on labels like Sistrum, Semantica and Sound Signature. Theo Parrish's outlet, which last year put out a live mix from Ordonez, will handle his first album.

Let the synths take you away if everything gets too much. We’re going on a little journey to a remote island surrounded by colorful

The first word of the album says it all: 'Bang!' On their new album Midnight In A Moonless Dream the Buttertones dig deep and discover something dark. Where their previous album Gravedigging played like the soundtrack of a good spaghetti-western heist movie, Midnight moves to the dark cityscapes of '70s New York and tells the story itself - a perfect and intricate crime executed by a crew of professionals under cover of night, a biting sound befitting of CBGB's while staying true to their LA roots. There are echoes of Suicide and Bauhaus, nods to the spirit of sax and violence that powered the Deadbeats. Midnight is music made for dancers but also for doomed romancers that will appeal to fans of The Cramps, The Gun Club, Car Seat Headrest, Black Lips, King Tuff, Thee Oh Sees, Ty Segall, and Parquet Courts.

"Fabric played a huge role in shaping me as a music fan and years later became the London home for me and my label. This wouldn’t have happened without the help and support of Shaun Roberts, who left us far to soon in Dec of 2022 after an 18 month battle with colon cancer.

When the Never Sleep crew asked me to contribute to their mix series I knew id like to honour Shaun and help raise some money for Bowel Cancer UK.

Without Shaun and people like him taking chances on people like me the music landscape would look very different.

This is mix is taken from the Critical Sound 15th birthday event in 2017.

Shaun Roberts RIP x."

Sealed OG copies!

Edna Martinez pays a heartfelt tribute to her birthplace in Valledupar with another entry of Cintas Elefandes- a colorful showcase of Vallenato, the passionate, accordion-driven genre that spreads from the tributaries of the Cesar river in northern Colombia. A bittersweet mix that sits just right with an open bottle of rum, or the soul remedy of your choice.

New quickstrike mixtape from Silvestre's Padre Himalaya label This time is Porto deejay Patricia Brito serving up Jungle, IDM, shoegaze and more.

Onda Tapes is proud to present you "Togetherness.", a compilation made with love and affection, showcasing a mixture of different beat-styles around the world. Onda is “bringing different people together”, as is the label’s motto, with this compilation by gathering friends, favourite producers and artists to make a beautiful collection of the “SoundCloud Era” beats from back in the day. It’s like a nascent dream before the label started back in 2017 while listening to all our favourite labels like Dirty Tapes, Paxico Records, Leaving Records, El Sereno Records, Burnt•tapes, Hot Record Societe and maaany many more! But the dream came true!

Sonically, the tape rides to a classic sample based hip hop instrumental album. A variety of moods, dynamics and unique touches of each producer appeared putting their craft and using ethical and sustainable sounds to serve you a very special and energetic project.

Big hug and thanks to all the artists who contributed to make this project happen.

The 4th Pumpkin Witch album released by Deathbomb Arc, and their first non-reissue for the label. Nothing can keep the Pumpkin Witch dead for long. The Witch is back! And her web of evil is larger than ever, her vile plans call for nothing short of world domination... The Three Dark Figures have conjured up 11 new tracks of creepy cackles and crazed cacophony that create an audiological kaleidoscope of terror. An emphasis on percussion and an evident influence from goth club music blends with the horror soundtrack-fueled dark ambience of albums past, making this perfect listening for any unholy ritual or cemetery soir e. You can lock your doors, board up your windows, and say your prayers but nothing can protect you from "The Return of the Pumpkin Witch"!

Inspired by films he grew up watching and a passion for vintage recording equipment, Eyot Tapes has crafted ten pieces of music recording only to cassettes, using cassette loops, spring reverbs, tape delays and a modular synthesiser. Weaving in and out of different moods, with ‘Edgar Rice Burroughs’ stories never far from his mind, he takes you on a trip through an off world, tropical fantasy.

The Menu is a 16 track album by Leaf Dog & BVA. The album features M.O.P and Keith Murray with most of the production done by Leaf Dog but featuring production from Illinformed and Stevi Beats

Limited to 100 tapes. "We Do Good" is an energetic and soulful boom-bap hip-hop album by the legendary artist Edo.G, that pays homage to the classic sounds of the genre. The album features powerful and thought-provoking lyrics that touch on a range of topics from social justice and inequality to personal struggles and triumphs. The beats are expertly crafted with intricate drums and smooth samples that showcase Edo.G's production skills with additional production by Curt Cazal, Geronimo X, Torch and others. The album is a celebration of the power of music to inspire change and uplift communities, and it's sure to leave listeners feeling empowered and motivated to make a difference in the world. With its infectious energy and powerful messages, "We Do Good" is a must-listen for anyone who loves hip-hop and wants to experience the authentic sound of boom-bap, as delivered by one of the genre's most respected and talented artists, Edo.G. The title also spells out Edo.G

A short visit to the Indochinese Peninsula at the wrong time of the global pandemic breakout, led Ian Richter to over a year and a half of living in Vietnam, and to a deep love affair with the Vietnamese folk religion. Ian was intrigued to find a place drenched in culture and mysticism existing hand in hand with hyper capitalism (yet officially committed to socialism). Over the course of the last 18 month Ian recorded, mentally and physically, the sounds of his encounters and experiences. From daily life, through industrial and natural landscapes, to ancient and modern dance, forging foreign with familiar, mysticism with science, and claustrophobia with liberation.

The tenth studio album by Bjork on cassette tape.

each album always starts with a feeling
that i try to shape into sound
the feeling was landing
( after my last album utopia which was all island in the clouds element air and no bass )
on the earth and digging my feet into the ground
it was also woven into how i experienced the "now"
this time around 7 billion of us did it together
nesting in our homes quarantining
being long enough in one place that we shot down roots
my new album "fossora" is about that
it is a word i made up
it is the feminine of fossore ( digger, delver, ditcher )
so in short it means "she who digs" ( into the ground )
so sonically it is about bass , heavy bottom-end ,
we have 6 bass clarinets and punchy sub
i would like to especially thank bergur þórisson and heba kadry
and side project , el guincho , hamrahlíð choir , soraya nayyar , clarinet sextet murmuri , siggi string quartet ensemble , emilie nicolas , serpentwithfeet
viibra and last but not least : sindri and dóa .
visuals were made by viðar logi , james merry , m/m , nick knight , andy huang , edda , isshehungry , tomi , sayaka , sunna , sara and heimir
and my ever so loyal and magnificent team : derek , rosamary , catherine , chiara , hilma and móa

LBD Sounds present the new album from World Wild Web. Based in Berlin, this one man band machine from France offers up a beautiful collection of balearic jams, soaked up with instrumental psychedelic keyboards, influenced by traditional music from all over the world. 10 organ-based tracks sound like a dreamy new age voyage from the 70s, yet this music is very here and now.

All the little live jams that this album comprises of have been tweaked and edited, some more and some less, but the feeling of raw improvised music has remained untouched. These don't mean to be no chart hits, actually quite the opposite. It may almost be called a set of B-sides and it would still carry this badge as proud as it gets. It's simple and complex at the same time, this collection has a potential to suck you in, take you for a ride through places unknown and spit you out at the other end.

Was that a dream?

A more upfront and streamlined proposition than last year's 'Dias da
Aranha' on Souk, 'Cornos' is a reflection of Serpente's solo live
apparitions throughout this last year.
A cycle tainted by tragedies and a maze-like feeling of loss, 'Cornos'
mirrors both the urge of overcoming and its ghostly remnants through
five digressions that pulsate with crippled rhythmic symmetries and loner
harmonic motifs. Maybe just the sound of moving on with broken legs.

In the summer of 2019, a newly formed, Oklahoma City-based rock band called Chat Pile would release its debut four-track EP, This Dungeon Earth. Little did anyone know at the time, but this initial taste of grotesque, confronting, and visceral noise rock courtesy of four slacker Okies would kick off the story of what would soon be one of the most widely lauded underground acts in years. Like the towering mounds of toxic waste from which it gets its namesake, Chat Pile’s body of work is emblematic of a distinctly midwestern flavor of American dread, with This Dungeon Earth being no exception to the rule. While raw in presentation, Chat Pile’s debut EP comes across as anything but a rough draft. Much of the band’s hallmark traits, spanning the unhinged vocals of frontman Raygun Busch, the grotesquely contorted guitar riffage, and the industrial smack of heavily processed percussion, appear as far back as this earliest chapter. If anything, the raw, DIY-rooted origins of these uncompromising thirteen minutes of sludged-out carnage make This Dungeon Earth all the more impactful. Between its biting social commentary and gratuitous grindhouse insanity, the unfiltered brutality of Chat Pile’s debut recording has seen tracks like “Rainbow Meat”, “Face”, and “Ratboy” become mainstays in its notorious live shows. Although it depicts the band’s monstrous amalgamation of noise rock, sludge metal, hardcore, and more as it is just beginning to congeal, This Dungeon Earth comes off as the furthest thing from a simple intro and more of an essential first chapter in Chat Pile’s story.

Released only a handful of months following the band’s breakthrough debut EP, Remove Your Skin Please signaled that whatever Chat Pile was doing wasn't just a one-off novelty of Midwest metal nihilism. While the band’s foundational sound of caustic and cacophonous noise rock crystallized with its debut, the release of Remove Your Skin Please signposted the vast extent to which Chat Pile could stylistically tinker and conceptually iterate atop it. Heard in the gothy post-punk dirge of “Mask” and the dissonant extreme metal fervor of “Davis'', the more experimental ideas present on Remove Your Skin Please come off less like a selection of the band’s conceptual prototypes and more like fully realized reflections of its member's own tastes and preferences. That doesn’t mean Chat Pile’s noise rock foundation is diluted in the slightest as EP bookends “Dallas Beltway” and “Garbage Man” push its twisted take on the genre to new aural extremes in its instrumentation and subject matter spanning grisly serial murders to the slow festering death of the environment at the hands of mankind. For as ugly and unhinged as Chat Pile’s tales of 21st-century American dread are, Remove Your Skin Please asserts something that is somehow subtly even more terrifying: If a quartet of otherwise ordinary Okies can convey such apocalyptically bleak yet resonate messages in its music, that may mean we feel that same nihilism, too.

Introducing Thallus' latest album, "Infinite Layers," a genre-bending space odyssey in sound that is sure to take you on a journey through the vast expanse of the cosmos. The album features 16 intricate tracks, each with its own distinct flavor and texture, making it a true feast for the senses. With its multi-layered soundscapes, "Infinite Layers" is the perfect album for fans of experimental hip-hop music who are looking for something new and exciting.

This tape is a prison tape made for inmates of prisons in the USA. It comes without screws and without an inlay as it should be. Manufactured in 2012 or 2013.

Stone Temple Pilots live at the Centrum, Worcester, MA on August 22nd 1994. Taken aback by the huge success of their 1992 debut album, Core, and drained by the heavy touring that ensued, this San Diego band almost fell apart before recording its follow-up, Purple. Issued in June 1994, it debuted at #1 in America, cementing their star status. This superb concert was broadcast on syndicated radio two months later, and captures the quartet at the height of their powers, before singer Scott Weilands drug problems derailed them.

Long Drag spent the Winter of 2022-23 recording their third release, One Snake Smarter Than Us All. A punk band that puts their effort into crafting songs with depth, and thought. Long Drag dives into humanity with compassion, and a desire to better understand ourselves and others.

Originally released in 2019, Tapes Not Dead Vol.2 is getting a UV reissue! Featuring bands that release their music on cassette which include Juliana Hatfield, Antarctigo Vespucci, Culture Shock, Thelma and the Sleaze, Warm Drag, Clown Sounds, The Bobby Lees, The Advertisers, Gymshorts, The Loving Paupers, Dragon inn 3, The Prize Fighters, Jumpstarted Plowhards, Mount Sharp, Shellshag, Adult Magic, Glasses, Worlds Fair, Living Room & Tanya Donelly.

"Smashing Pumpkins Live Riviera Chicago 95" captures a live performance by the alternative rock band The Smashing Pumpkins at the Riviera Theater in Chicago in 1995. Known for their distinctive sound, emotional intensity, and captivating live shows, The Smashing Pumpkins' concerts were an essential part of their musical legacy.The setlist for the album showcases a mix of tracks from different albums, highlighting the band's range and their ability to transition between melodic and intense moments.

M.A.V and Pete Twist connect to bring you “Long Story Short “ with guest spots from Eto, Eddie Kaine, Estee Nack , Ambassador Rick and Jay Royale

8-Track available on Pink, Yellow, Blue or White (Randomly selected). Due to limited capacity the full track-list is not included on the 8-Track Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

7" and Tape in Gold or Silver with Poster, Postcard and five Poodle Pins. Destiny decides - golden edition comes with autgraphed postcard. Good luck!

It doesn't stop. NRW is proud to present something very special for your ears. Beautiful soft synths with vast and dynamic chords make "Fermi Paradox" an instant definitive Retrowave album. A must listen to for all synth lovers.

*Available: August 26, 2022*

“To hear a tape containing their earliest demos, recorded on May 11, 1965, and locked away until now, is to hear traces of things rarely associated with The Velvet Underground: blues and folk, earthy and traditional, uncertain and hesitant... yet bristling with that rusty, caustic, Lou Reed spirit. It is a revelation.” - *Will Hodgkinson, Mojo*

Light in the Attic Records, in cooperation with Laurie Anderson, proudly announces the inaugural title in their ongoing Lou Reed Archive Series: Words & Music, May 1965. Released in tandem with the late artist’s 80th birthday celebrations, the album offers an extraordinary, unvarnished, and plainly poignant insight into one of America’s true poet-songwriters. Capturing Reed in his formative years, this previously unreleased collection of songs—penned by a young Lou Reed, recorded to tape with the help of future bandmate John Cale, and mailed to himself as a 'poor man’s copyright'—remained sealed in its original envelope and unopened for nearly 50 years. Its contents embody some of the most vital, groundbreaking contributions to American popular music committed to tape in the 20th century. Through examination of these songs rooted firmly in the folk tradition, we see clearly Lou’s lasting influence on the development of modern American music - from punk to art-rock and everything in between. A true time capsule, these recordings not only memorialize the nascent sparks of what would become the seeds of the incredibly influential Velvet Underground; they also cement Reed as a true observer with an innate talent for synthesizing and distilling the world around him into pure sonic poetry.

Cashier is a band from Lafayette, LA that plays a washed out, fuzzy blend of shoegaze & indie rock. This two song cassette captures a unique ebb and flow between sonic intensity and harrowing urgency with melancholic flare and a DIY attitude.

OKO DJ’s first mixtape, landing on Accidental Meetings. 90 minutes of head banging rock & metal, screwed up saxophone & weirdo dub.

Produced by Jeff Kleinman (Beyoncé, Frank Ocean, FKA Twigs), Life on the Edge of You finds Lontalius aka Eddie Johnston elevating his intimate, confessional indie-folk songwriting across a new musical landscape. The pair had worked briefly in Los Angeles in 2017, then over the pandemic took to trading files from opposite ends of the word, building tracks in a surprisingly fruitful collaboration melding alt-indie with flavors of hip-hop and R&B.

Raised in Wellington, New Zealand, Lontalius embraced making music since getting his first guitar at the age of eight, and spent his preteen years honing his craft in his bedroom with all the resources of the internet at his disposal. After uploading intimate covers of pop songs from an eclectic range of artists, from Crowded House to Beyoncé to Yung Lean, to fanfare on YouTube and Soundcloud, Johnston released his debut LP, I’ll Forget 17, in 2016 on Partisan Records.

His subsequent albums, 2019’s All I Have and 2020’s Someone Will Be Here For You, have followed in its acclaimed footsteps, attracting over 110 million streams and over 650k monthly listeners on Spotify, alongside collaborations with Grammy Award winning producer Om’Mas Keith (Frank Ocean, Erykah Badu) and Jim Fairchild (Grandaddy, Modest Mouse).

The good doctor is finally back to flip us on our backs and give us the old one-two-three-four, following a cassette I only knew about and listened to death and onto rebirth after hanging with the boys in Marseille.

These new-age space cowboys take us to the other side of the galaxy with a space shuttle of punk-fuelled psychedelic country… and drop you off into a black hole. The riffs bring the good news of the apocalypse to the new world from the one they left behind. US Maple lightsaber guitars fighting in a Uranium Club? Singer running out of oxygen.

References aren’t required anymore, just like when you hired VHS from the local video store. Take the risk, take the plunge, form an opinion yourself… get your money’s worth, tell me to go to hell and stop reading this.

If Captain Beefheart kept playing punk music and joined Marbled Eye or something, wearing modern, youthful clothes with an iPhone to hang out with some of the deranged, loveable, lust-for-lifers of Leipzig, maybe it would sound like this, but only after pulling him apart and putting him back together as robocop with a country teasers bumper sticker on his metal arse.

Why hire VHS when you can see their amazing video clips, which look like they’ve been directed by Giuseppe Andrews... Doc Flippers are trailer trash cooking bratwurst on top of flaming oil drums... crazy homeless, performance art punk rock.

Around the Songster's Commune was made quite quickly and purposefully without a lot of fuss -- made to preserve the spirit of its making -- at Diana Duta's generous Jambes studio in Brussels. It's a collection of meditations: compositional fragments, whimsy ditties, field recordings and (live/d) experiments with troubadour song-making methodologies. It's a sonic drift -- sonically drifts. Here, Bergur seems to be exploring the looseness of world-making. Or, maybe better said, exploring how loose he can get with world-making and the realization of sonic realities. Exploring how unconscious, how trusting of himself, as an artist/composer/sound-maker/human, he can be. (Katrina Niebergal)

With features from world-class soul singers such as Ben Westbeech and Toumo, the good vibes on Early Believers are unparalleled! Catchy hooks elevate the smooth, nostalgia-inducing flows of Kero One, making this an album more than worthy to follow up Kero One’s legendary debut. Featuring both the artwork from the Japan-exclusive CD, and the Japan-exclusive bonus track “When The Sunshine Comes (Cradle Remix feat. Anan Ryoko)”, this album has never looked, or sounded this good! Get Kero One’s Early Believers on cassette tape, from P-vine Records!

The golden standard of Jazz-Hop! Windmills of the Soul, California-based producer/rapper Kero One’s 2005 debut, is finally getting a long-deserved analog reissue as a 2xLP set! Lead single “In All The Wrong Places” sampled jazz pianist Ahmad Jamal’s “Dolphin Dance”, combining it with hip-hop beats and smooth rhymes to define Kero One’s iconic west-coast Jazz-Hop sound.16 years after its initial release, the album sounds surprisingly fresh, truly illuminating Kero One’s undeniable influence. With DJ Mitsu The Beats’ Japan CD-exclusive Bonus-track “My Story (DJ Mitsu Remix)” on cassette for the first time ever, this is a reissue you absolutely must not miss!

Featuring Krisengebeat