US Hip Hop Preorder 188 Items

New York City rapper/producer duo Double A.B. and Dub Sonata bring to you their joint album Media Shower, presented on vinyl for the first time courtesy of Man Bites Dog Records. The special edition 2xLP includes five brand new Alternate Media remixes on Side-D from Bronze Nazareth, Blockhead, Kount Fif, Maitre’ D & Opto. Media Shower features A.B.’s vivid storytelling alongside guest appearances from Evidence, Roc Marciano, Sean Price, Scram Jones, Rhymefest and Cannibal Ox, over Dub Sonata’s production laden with live instrumentation over deftly chopped samples. A veteran of the New York underground circuit, Double A.B. got his start in the Blaze Battle, eventually making records and touring the world with Cannibal Ox, Gza and Elzhi, while Dub Sonata’s production credits include songs for Sage Francis, Rhymefest, Guilty Simpson, and Jidenna.

In listing the greatest albums in hip-hop history, one title never seems to stray from the upper echelons, no matter how many years pass: Boogie Down Productions’ undisputed classic from 1986, Criminal Minded. Released amidst a battle between BDP and MC Shan that would redefine the New York rap landscape as it was then known, the album, which features the songs "South Bronx," "Criminal Minded" and "The Bridge is Over," captures the excitement, urgency and raw power that embodies hip-hop culture as we know it, with KRS-One’s aggressive yet intelligent lyricism backed by Scott La Rock’s hard-hitting, stripped-down beats. A true classic, Criminal Minded has been recognized by Vibe Magazine, The Source and Rolling Stone as one of the most important albums of all time.

YELLOW COVER: 2xLP, Widespine Jacket, Black & White Cookie SplitVinyl, Alternate Yellow FrontCover, Marketing Sticker. Ltd to 50 copies.

With help from Jerry Seinfeld himself, one of the classics from the mixtape era, Wale’s More About Nothing sees its first official release on CD & Vinyl. Originally released in 2008, the album is nothing short of a masterpiece in his celebrated catalog, and features appearances from then-budding artists Wiz Khalifa & Fat Trel, among others. True fans of the musician will undoubtedly know how crucial this project is to the culture; a Jerry Seinfeld collaboration with Wale finally available for all.

Introducing the latest record from California's beat-making sensation, Ahwlee. This highly-anticipated release features his signature lo-fi sound, with dusty samples and raw drums that transport you back to the golden era of hip-hop. With his unique blend of jazz and boom-bap, Ahwlee creates an immersive listening experience that captures the essence of the West Coast underground scene.

This limited edition record is pressed on high-quality vinyl and housed in a beautifully designed jacket featuring original artwork by Ahwlee. The vinyl includes nineteen tracks that showcase his versatility and talent as a producer, with guest appearances from a few collaborators.

Whether you're a die-hard fan of Ahwlee or just discovering his music for the first time, this vinyl record is a must-have addition to any music collection. Get ready to experience the soulful beats and infectious grooves of one of California's most exciting beat-makers on this amazing vinyl release. Ftrs.

Always Give Everything 111% . . . MF Khaos releases his 11 track playa soundtrack, including production from Professor Creepshow, Funk Finger, Tracisgrey

Now available on 12" Vinyl Records, Cassette Tape, Compact Disc

vinyl record includes exclusive instrumental version on side B, instrumentals will not be seen in any daylight of digital streaming media

Imagine if you could put together a dream line-up of MCs and producers from all four corners of the rap world?

That’s what artist and illustrator Gangster Doodles set out to do when he put together a stellar collection of tracks by the rappers and talent that inspire his work.

The all-star line-up features everyone from hotly-tipped emerging producers like Eets, Caleb Stone, Maze Mountain and LoVibe next to underground perennials like Onra, Mndsgn and Jon Wayne all the way up to top flight producer Kaytranada and established rap vets like Madlib, Oh No, Blu and Defari.

This second collaboration between All City Records and Gangster Doodles is a jam-packed sonic adventure featuring 27 killer tracks from some of the finest creators out there.

Doodles had the idea for a comp two years ago. Hyped after partnering with All City for Knxwledge’s "Wraptaypes" project back in 2015, they initially set out to put together an EP but as the tracks kept coming in it exploded into the sprawling double LP of low-slung grooves and bangers from the best in the business.

With everyone on the record being a friend or friend of a friend, the comp just kept growing as GD went to work with the hustle he has learned from penning his post-it sketches day in day out for the last decade.

Word spread fast and soon he was being sent beats from all over, even reaching behind the prison walls of Bergen County Jail, New Jersey and securing a track from former Dipset affiliate Max B.

The last few years have been busy for Marlon "Gangster Doodles" Sassy. He released his acclaimed Gangster Doodles (The Book) alongside an ever-expanding array of prints, original works, apparel and exhibitions across the globe. Topping that off with animation projects, a graphic novel in the works and now, with this LP titled " Gang$ter Music Vol 1", he is about to debut his first ever music compilation.

He says himself: “Every time a new track came in it was like running down the stairs on Christmas morning to open a present. What started as a slow trickle of work coming in soon turned into a tsunami with some of my heroes like Onra, House Shoes, Blu, Jeremiah Jae joining up with young guns Kojaque, Kean Kavanagh, Dream Panther and others to beef up the record”

Transmitting live from the Cosmic Shores...



'Phantom X', the collaborative album by Philadelphia-born Iamisee and Belgium's DJ Iron, was initially started back in the summer of 2013 and was finally completed shortly after the pandemic hit the world back in 2020.



Sonically DJ Iron fuses classic hip hop with elements of 60's psychedelica and bits of acid rock, while also further experimenting with vintage organs, phasers, analog filters and tape echoes, resulting in a truly unique, tripped-out sound that provides the perfect backdrop for Iamisee's gritty voice and dense lyricism, bound to take the listeners to an other-worldly realm…

Dope collabo between Texan MC $os' [pronounced Sos] and Long Island beatmaker Lars Viola. These 2 cats met online and have been working on joints together for a couple of years. Lars played me the demos and I was instantly on board, like the true

fisherman that I am.



$os', like many great artists before him, growing up as the son of a Preacher[man], learned to play [drums] as a kid at church. He only listened to gospel and Christian music as a kid, but once he was exposed to the realness, he definitely changed his tune! He had always written poetry, even as a young'un, so the transition to rhyming was fairly natural. Hope you cats enjoy this 7" 4 track EP entitled "Food For Yo' Soul". Check the snippets - Lars' beats are crrrrrazy nice on this one...

Always Give Everything 111% . . . MF Khaos releases his 11 track playa soundtrack, including production from Professor Creepshow, Funk Finger, Tracisgrey

Now available on 12" Vinyl Records, Cassette Tape, Compact Disc

vinyl record includes exclusive instrumental version on side B, instrumentals will not be seen in any daylight of digital streaming media

saiah Deshon & Professor Creepshow team up to extend the Mac God's prophecy. Tymg

Mac God Chronicles is now available on digital streaming, vinyl records, cassette tapes & compact discs

vinyl record includes exclusive instrumental version on side B, instrumentals will not be seen in any daylight of digital streaming media

Record Store Day 2020 Release.
Limitation: 1000 copies.

Just in time for Record Store Day 2020, Coalmine Records and Duck Down Music are happy to announce the 7’ release of "Latoya Jackson," the commanding, gritty posse cut first appearing on Sean Price & Small Professor's LP, 86 Witness. The A-side is the original version which features Quelle Chris with cuts from DJ Revolution, while the flip side features the “Back to the Old School Remix,” with a gracious guest verse from the luminary lyricist Masta Ace.

Adding to the record's allure for bonafide collectors and hip-hop fans alike, the artwork has been handled by Atlanta-based heavyweight FRKO (Action Bronson, Gucci Mane), who expertly reimagined the cover of Just-Ice's classic Back to the Old School (Fresh Records, 1986). With an aptitude for details, FRKO's vibrant visual take superimposes Masta Ace into the scene, drawing from the rap veteran's cover artwork for his 2004 album, A Long Hot Summer. The parallel merger of classic iconography and refined cultural references accents the 7" release with exemplary execution, giving new legs to a track that further personifies the coveted energy of its initial release as an exclusive Record Store Day drop, all while paying homage to the late legend Sean Price.

This collector’s edition 7-Inch of "Latoya Jackson" is pressed on striking bubble gum pink vinyl.

Yung Bleu, also known as, Bleu Vandross, is a Hip-Hop/R&B artist from Mobile, Alabama. After scoring several major hits and racking up over 1 Billion streams and YouTube views early in his career with a series of smash love anthems, the multi-talented artist scored his first Billboard Hot 100 hit with “You’re Mines Still,” a joint single featuring Drake, which debuted at #52. It’s parent EP, Love Scars: The Five Stages of Emotions, likewise hit the Billboard 200 Chart. Following the success, Yung Bleu delivers his debut studio album, Moon Boy. Featuring hit songs such as “Baddest (feat. Chris Brown & 2 Chainz),” “You’re Mines Still (feat. Drake),” Beautiful Lies (feat. Kehlani),” & “Way More Close (Stuck In A Box) (feat. Big Sean),” the album also sees appearances from heavyweight artists such as H.E.R, John Legend, Kehlani, Kodak Black, Davido, Moneybagg Yo, Jeezy, Gunna & A Boogie Wit Da Hoodie. Pressed on Black vinyl with White Splatter.

LA-based Japanese DJ/beatmaker Kapsoul, boasting over 20 years of career, announces the release of his first album "ascent"!

Known in Japan for his collaboration with Japanese rapper Senninso ("GaryPayton"), Kapsoul has garnered a reputation among hardcore hip-hop fans, and many have been eagerly anticipating this debut release. The album features a diverse lineup of artists, including NY rapper AA Rashid, a regular contributor to Westside Gunn's projects, LA underground favorite BLU, Declaime (Dudley Perkins) and Georgia Anne Muldrow, known for their releases on Stones Throw, and Kapsoul's own group Black HairImperial, among others. Additionally, instrumental tracks featuring jazz musicians with close ties to Kapsoul are also included, resulting in a project with musicality that transcends the boundaries of hip-hop.

saiah Deshon & Professor Creepshow team up to extend the Mac God's prophecy. Tymg

Mac God Chronicles is now available on digital streaming, vinyl records, cassette tapes & compact discs

vinyl record includes exclusive instrumental version on side B, instrumentals will not be seen in any daylight of digital streaming media

Enter the clandestine world of "No Face, No Case", the latest opus from Boston hip-hop producer MichaelAngelo, out this in Friday March 22nd on all digital platforms! This project draws inspiration from the underworld and its enigmatic vibe, infusing every track with an irresistible aura of mystery and grit. Even though Michaelangelo production take center stage, he enlists a lineup of top-tier lyricists to tell a story of its own, including Crimeapple, Primo Pro fi t, RLX, Daniel Son, Shaykh Hanif, Elcamino, Clovis Ochin, LPH Crack and LPH Stat. "No Face, No Case" isn't just an album – it's an experience and a visceral journey into the heart of the underworld crafted by one of the most interesting producers around these days!

Glockoma 2 is the third studio album from Memphis rapper Key Glock, and follow-up to the wildly successful mixtape, Glockoma. The deluxe physical release sees the addition of 8 new tracks, and includes 3 singles released shortly after the digital deluxe release. As we’ve grown accustomed to with Key Glock’s solo albums, Glockoma 2 features all material written and performed by Key Glock, and only Key Glock. Standout tracks from the album include “Work,” “Dirt,” “Chromosomes,” “Presidential Rolex,” & the explosive single, “Let’s Go,” which saw its own moment of virality upon its cinematic music video release and was recently Certified Gold by the RIAA.

Mafia Musik is the fourth studio album from mercurial Los Angeles rapper, D. Savage. Initially breaking out in the SoundCloud rap scene in 2016 with the track, “30 Round Clip,” D. Savage has blossomed from underground icon to full-fledged star, with Mafia Musik serving as his magnum opus. At 13 tracks, D. Savage relentlessly keeps his foot on the gas for the entire duration of the album, with scorching hits such as “Kome On,” “Dirty Dan,” & “joker, Pt. 2.” One of the leading artists in the plugg sub-genre, his delivery and style is melodic and airy, yet far from soft. It’s clear the future is bright for D. Savage, and Mafia Musik serves as a great foundation for what is to come for him.

Hypersonic is the interstellar meeting of like-minded funky people. A conceptual album puzzled together by the creativity of BluRum13's introspective yet cadence-driven rhymes and Inkswel's forward-thinking yet reminiscent boom bap production. The two originally met back in 2007 at a One Self gig in Adelaide at the now defunct Crown & Sceptre Venue, a young Inkswel was captivated by the dope beats and rhymes and funnily stayed around after the show to enjoy cake and chai tea a fan had made lovingly for the One Self crew. Years later Blu and Inks reconnected over admiration of each other's music and work ethic and dropped a small EP, with talks for years later to build more - Hypersonic is that present destination. The album blasts off with a classic inspired hip-hop scratch introduction, featuring international turntablist DMC champion-legend DJ Woody waxing on the 1's and 2's manipulating the listening instructions for the aural journey ahead. The title track, Hypersonic sparks interest with ear-grabbing drum roll and brass hits bringing attention to Blu's opening bar, "My mind state to rhyme great" Enlisting rising Folk-Soul singer Georgia Oatley for the luscious chorus and call and response gives us a good grasp of the album's tone, as we cruise its universe. 'Can U' drops next, as a clever ode to A tribe called Quest, you can feel the pull of planet Native Tongue as you fall into the gravity of the tracks feel good, jazzy, nature. The track is rounded off masterfully with DJ Woody's refined and experimental pitch-based scratching. A few guest stars drop science throughout the album but it flows back to solo adventures, not relying on these stellar collaborations - With an emotional note to self on Rum13, funky moments on 'Set It Out' and 'Hustle' and deep thinking cuts like 'Love To The People' & 'Yes'. The album is closed out with an ode to NYC Hip Hop graffiti legend Fab 5 Freddy 'Collect All Coins'- Blu's most lyrically fierce moment on the record brings us home with the same enthusiasm and sense of adventure as when we left.

All Day is the fifth studio album by American musician Gregg Gillis, known by his stage name Girl Talk. The album was originally released as a free digital download by Illegal Art on November 15, 2010. Gillis composed the album using overlapping samples of 372 songs by other artists. All Day was released as one seamless 71-minute file and as 12 separate tracks, available in MP3 and Flac. As with prior Girl Talk albums, All Day was "intended to be listened to as a whole," but was "broken up into individual tracks only for easier navigation."

Joell Ortiz & Kxng Crooked met the year they both won XXL's coveted Freshmen of the Year Award. The two's careers are as legendary as any in the rap game. Joell Ortiz started by signing to Dr. Dre's Aftermath label, then moving to Shady records as part of the Super group Slaughterhouse with Joe Budden, Royce Da 5'9 and Kxng Crooked. Add to that a fresh feature on Eminem's newest album "Music To Be Murdered By." Meanwhile, Kxng Crooked was signed to Virgin Records at just 17 before joining Death Row Records. He's had a flourishing solo career including collaborations along the way with TechN9ne, 2Pac, Benny The Butcher, Raekwon, Akon, Ray J and more. The West Coast LBC representer Kxng Crooked and Brooklyn's Joell Ortiz have finally come together for the the joint project "H.A.R.D." on Mello Music Group. Album produced by Heatmakerz, Erick Sermon, Boogeyman, Illmind, Apollo Brown, J.U.S.T.I.C.E. League This special edition vinyl features the 24 for '24 Artist Series painting by KipDaFog.

Renowned Berlin-based music discovery platform ColorsxSTUDIOS will release their new vinyl compilation album, ‘MOVE:FEEL1’, just in time for the holidays.

The limited-edition double disc gatefold vinyl will feature 16 beloved A Colors Show tracks, both recent and from the archive, including London-based rapper Kwengface’s ‘Freedom’ that was released earlier this year, critically-acclaimed Malian artist Fatoumata Diawara’s ‘Nterini’ from 2019, and Dominican-Italian star YEИDRY’s breakout 2020 hit ‘Nena’.

The album is truly international—it will feature songs sung in six different languages (including English, Swedish, German, Bambara, French, Vietnamese, and Spanish) and represent artists from 15 different countries across the world.

‘MOVE:FEEL1’ reflects and celebrates the launch of Colors’ new ‘move’ and ‘feel’ playlists that are now available across all DSPs. Updated monthly, these playlists will curate Colors’ genre fluid output into cohesive listening experiences that cater for varying emotional states.

The songs on the ‘move’ playlist—and hence on the ‘move’ sides of the vinyl—are uptempo, bold, sexy and energetic, and aim to set the tone for daring and unapologetic enjoyment. In contrast, the tracks on the ‘feel’ playlist and discs are downtempo and emotive. They are for relaxation, and to help listeners contemplate their internal and external environments

Designed by Colors’ in-house creative team, the vinyl cover is mirrored, meaning its appearance adapts depending on the light and colors it reflects. This was an important decision to ensure the cover represents all of the featured artists, who all performed their A Colors ShowS against different colored backdrops. The mirrored material also enables the audience to literally (and hopefully metaphorically) see themselves in the album.

Each side of the mirrored cover is adorned differently: while the “move” side features embossed lines, stripes and slashes indicative of motion, the more introverted “feel” side is debossed with goosebump-like grooves. Even with their eyes closed, people will be able to feel which side of the album is which, adding an extra sensory layer to the listening experience. MOVE:FEEL1’s design also prioritizes sustainability, using no single-use plastics for its packaging.

With I Will Make a Baby in this Damn Economy, Fat Tony embodies the kind of quixotic figure he would rap about; a singular entity who’s motivated, confident, and hungry; a perpetual-motion-machine locked in a staring contest with his country. It’s the latest album in his catalog produced entirely by L.A-based producer Taydex since 2020’s Wake Up. Later that same year Fat Tony released Exotica, and ever since he’s demonstrated he is in his own lane as a professional rapper with the mind of a magician, as quick to conjure an image as pull it out from under you, deftly manoeuvring through so many details and references a listener feels as if they have witnessed the work of an illusionist. He paints these canvases inside of songs that rarely spill past three minutes; they’re pocket-sized diaries replete with acute observations, character studies, microdoses of storytelling, and single-minded ruminations on a topic that bud, blossom, and fade before too long. Fat Tony & Taydex’s I Will Make a Baby in this Damn Economy cements Tony’s status as someone whose albums are not so much lyrically-lyrical as they are picaresque.

As with any Fat Tony project, the bars are tight as ever, but are so fluid for the 34-year-old it’s almost easy to take for granted the details, warmth, and humanity inside his free-associative tales of day-one friends who’ve passed, edgelord grifters who want to spit game, and nights on ketamine. Taydex’s production sprints through disparate yet simpatico styles, dipping its toes into Pi’erre Bourne-esque bass (see lead single “Spectacular”), house (“Loosen Up”), and even hyperpop. Meditations on loss and grief are woven throughout, but Tony throws a few curveballs as well: Consider “Alexis,” which sweetly reflects on a long-term platonic friendship. Taydex finds a Teddy Riley-indebted New Jack Swing groove just deep enough for the feeling to land and underlines the song’s sincere candor. This is the appeal of Fat Tony writ-large: his boisterous voice and genial personality invite you to the party, then you stick around to hear what he’s saying, which is frequently more introspective and complex than one assumes.

Written and recorded in Taydex’s new studio in North Hollywood, Tony says, “We had much more freedom and flexibility in making this album and you can hear it. It felt like a family project.” If the album is comfortable and loose, it is also dense and substantial. The album’s final two tracks contextualize the immediacy of what came before it—the mezcal with ices drank, Paul Wall swangin’ through to drop knowledge, the Polaris Prize-winning rapper Cadence Weapon providing a vibe check. “Make a Baby” accounts for Tony who’s seen everything, and knows he’s met the one to be a father with, and yet chooses to take his time to get it done. Taydex’s beat recalls turn-of-the-century R&B and the millennial promise of an endless good time. Sombre closer “Jasper, TX” is Tony coming to grips with the story of James Byrd, Jr., a Black man from East Texas dragged to his death by three white supremacists in 1998. These songs are not only trademarks of Tony’s fastidious rapping—they are deeply personal examples of his approach to artistry and life itself, where every decision is made in the shadow of history.

It’s here the mission statement of I Will Make a Baby in this Damn Economy comes into focus—you get the sense he means it, he’s ready for it, he’ll fight for it. He’s waiting to take the world at its word.

2021 double vinyl re-issue, 140g vinyl, includes “Pure Thought” bonus track from the original CD version, original picture sleeve and printed inner sleeves based on the original one. Innercity Griots, the second album from Freestyle Fellowship, is perhaps *the* essential West Coast left-field rap album of the early ’90s. Released in 1993 on 4th & Broadway, it’s a towering, progressive hip-hop masterpiece that expanded rap’s boundaries through lyrical elevation and production innovation. Their talent was ahead of everybody else by light years. This is pure b-boy jazz. The original single vinyl LP is now hideously scarce, and of course the sound suffers from not being officially released as a double. This Be With re-issue fixes both problems, and for completeness also includes “Pure Thought” from the CD version of the album. This incredible display of imaginative hip-hop sounds better than ever. Freestyle Fellowship were some of the earliest technically dazzling rappers to come out of California. Mikah 9, P.E.A.C.E., Aceyalone and Self Jupiter - along with DJ Kiilu - forged their famed lyrical dexterity in the ultra-competitive crucible of the Good Life Cafe. Founded in Leimert Park, South Central LA in December 1989, this earthy health-food store and cafe was where the city’s finest microphone fiends would gather to showcase their freestyle skills at the Thursday night open-mic.

Dan-e-o’s hard-hitting 6th solo album “Vigilante” is equal parts lyricism clinic and seething social commentary. From the graphic novel album cover to the unapologetic lyrical content, “Vigilante” harshly critiques social media misuse, gun violence, anti-black racism, self-hatred, jealousy and self-doubt. Inspired by both the “Dexter” and “Death Note” series, Dan-e-o’s new album title represents his commitment to “kill” all of the negativity mentioned above. Well-known for his classic debut 1996 single, “Dear Hip Hop”, Dan-e-o is every bit as punchline-heavy as you would expect on “Vigilante”. The album is also the veteran Toronto lyricist’s most provocative project to date. Taking zero bars lightly and sparing no feelings, Dan calls out such personalities as Kanye West, Donald Trump and Candace Owens while condemning Fox News, murderous police officers and the Ku Klux Klan. He even finds time to address a past toxic relationship while not missing a beat tearing into talentless rappers. The soundscape of “Vigilante” can best be described as “heavy neck-snapping boom bap”. The head-nodders are supplied by Toronto’s Big Sproxx (Freedom Writers) and frequent collaborator Charisma a.k.a. Skizzz (Monolith) as well as Japan’s S-ky THE Cookinjax. With an impressive list of featured guests including such legendary artists as Masta Ace, Saukrates and even comedy superstar, Russell Peters, Dan-e-o has created a recipe for hip-hop perfection. “These are the best 12 songs in the history of my catalogue,” insists Dan-e-o, “Period.”

Limited edition glass mastered CD edition of "The Toronto Tape" by Bozack Morris. Featuring the illest emcees from Toronto. Includes bonus track "Karate Practice" featuring Daniel Son.

Mickey O'Brien is excited to share his most musically ambitious, vivid, and honest record yet. For his second solo album, Shift Change (Hand'Solo Records), he evolves his sound and brings his most evocative and diverse pen game yet. To accomplish the former, O'Brien continues his symbiotic, creative relationship with Juno-nominated producer and live beat champion Fresh Kils and enlists live musicians to add exciting combinations, texture and their own unique imprint to the songs. To accomplish the latter, O'Brien takes us on a journey of self-transformation that goes from night to day and dark to light, enlisting the assistance of Premrock, Ultra Magnus, Juno-nominee D-Sisive, and BET Freestyle Champion Young Stitch. A strong female presence was equally important to O'Brien, with Eyeda Sophia providing powerful rhymes for the title track while Ice tha One, Annie Q, and Sarah Craig all bring their own distinct singing styles.

Minneapolis' own Muja (formerly known as Muja Messiah) teams up with producer Dub Sonata for a collaborative album titled Break The Stereo. Spanning 11 tracks, the rapper-producer duo takes you on a journey from the Twin Cities to the Five Boroughs, calling on frequent collaborators Slug, Nejma Nefertiti, Nazeem (of Blood $moke Body), Bobby J From Rockaway, Tone Spliff, and Queensbridge legend Tragedy Khadafi to appear on the project. Muja’s discography includes releases with Atmosphere, Black Thought, Raekwon, and Brother Ali, while Dub has produced songs for Sage Francis, Rhymefest and Sadat X. The two first connected when Muja released his 2017 EP Saran Rap, produced by and featuring Roc Marciano, on Man Bites Dog Records. After gracing a song on Dub's Tranquilizer Dart album, Muja locked in on Dub's production, resulting in their joint offering Break The Stereo.

Rappin' Ron & Ant Diddley Dog a.k.a. Bad-N-Fluenz, are from Oakland, CA. This limited edition 7" single got released as a picture disc and is limited to only 300 copies! Both tracks are unavailable on the 2xLP album.

New York Queens based turntablist Mista Sinista was introduced to DJing by his father, who would spin breaks in the family's basement while Sinista was still a little boy. He started spinning on his father's turntables at age 6, and by 14 earned his own pair, with which he began spinning at parties. He honed his craft throughout the '90s with the help of friends and fellow DJs Dr. Butcher and Rob Swift. In 1997, he joined the acclaimed DJ crew the X-Men, soon rechristened the X-Ecutioners. Along with appearing on the group's singles and their full-length album, X-Pressions, Sinista also collaborated with Common, the Beatnuts, Al Tariq and Princess Superstar among others. 2000 was a busy year for Sinista, with both a solo single and the X-ecutioners' major-label debut arriving, as well as new collaborations with Cella Dwellas, Dead Prez and Common. He left the X-Ecutioners by 2002, just before the release of the LP Built From Scratch, to pursue other projects.



Limited edition cassette with direct one-ink screen printing on the tape, foldout of five sheets on each side with complete artwork, sealed.



There is no digital version, only physical format. (60 min)

Rappin' Ron & Ant Diddley Dog a.k.a. Bad-N-Fluenz, are from Oakland, CA. Originally released in 1994, this limited edition 7" single re-release comes on clear vinyl and is limited to 300 copies online & 200 copies reserved for the streets.

Transmitting live from the Cosmic Shores...



'Phantom X', the collaborative album by Philadelphia-born Iamisee and Belgium's DJ Iron, was initially started back in the summer of 2013 and was finally completed shortly after the pandemic hit the world back in 2020.



Sonically DJ Iron fuses classic hip hop with elements of 60's psychedelica and bits of acid rock, while also further experimenting with vintage organs, phasers, analog filters and tape echoes, resulting in a truly unique, tripped-out sound that provides the perfect backdrop for Iamisee's gritty voice and dense lyricism, bound to take the listeners to an other-worldly realm…

Queens New York rapper Thirteen Dicyple is locked and loaded with a brand new album titled Hell Boy via Clocked In Records. Thirteen Dicyple displays his lyrical talents over dark melodic Hip Hop production. He paints descriptive pictures of street life and the battle between Heaven and Hell creating a Hip Hop masterpiece. Featured alongside Thirteen Dicyple on this album is The Legendary Lyricist Kool G Rap and Griselda’s Conway The Machine. Thirteen Dicyple proves to this world with this album that he is one of Underground Hip Hop’s rising stars!

Schäffer the Darklord and my new album presents a collection of tracks inspired by beloved Disney narratives, albeit with a darker interpretation. Among the featured songs are "No Windows, No Doors," drawing inspiration from the eerie Haunted Mansion ride; "Rated G for Trauma," which revisits the most unsettling scenes across Disney films; "Rivers of Avren," based on "The Black Cauldron"; and "The Wizard's Assistant," reflecting on "Fantasia's" Sorcerer's Apprentice. The album also explores "The Mayor's Head" from "The Nightmare Before Christmas," "Finding Dreamfinder" from EPCOT's imaginative journey with Figment, and "Boogedy," inspired by the ghostly tale of Mr. Boogedy. Further tracks include "Tink of the Fae," offering a twist on "Peter Pan"; "Five Ways to Kill a Toon," hinting at the mixed universe of "Who Framed Roger Rabbit"; "Pleasure Island," channeling the cautionary tale from "Pinocchio"; and "Mr. Ravenswood," which pays homage to the lore of Phantom Manor and Big Thunder Mountain in Disneyland Paris.

With words as weapons and public infrastructure as his blank slate, John Fekner’s City Squad are always questing for the ineffable, even as they yearn for concrete change. Make no mistake, Idioblast is a serious party where everyone is welcome.

Released in 1984, Idioblast is a lost classic, a future shock narrative ahead of its time, and yet completely of its era, like few artifacts before or since. The cover tips you off from the jump—a crude but effective collage featuring classic Fekner slogans like Toxic Junkie, Growth Decay and Soft Brains Watch The Screen And Buy The Jeans. In an uncanny and tragic coincidence, the very first lyric on the album—“The place to be is on the space shuttle/if you’re brave enough to get on it”—seems to anticipate the Challenger disaster just two years later. But for the most part, the tracks on Idioblast directly reference the concepts that inspired Fekner’s visual art.

Musically, “Rapicasso” utilizes pneumatic pounding with an industrial edge as Fekner equates the great and controversial painter with risk-taking graffiti kids bombing trains and billboards across the city. Art is in a constant state of exploding—forms, paradigms, outdated ideas. Splitting the difference between hip-hop and new wave, the Santaniello-sung “The Beat” is like Thomas Dolby meets Run-DMC and should’ve been a radio staple for at least one sticky summer. It could soundtrack either a couples roller skate or a drug-fueled evening out.

Channeling Fekner’s slogan-stencil aesthetic, “Travelogue The 80’s” is a tour de force reminiscent of Negativland’s experiments in audio culture jamming. As Fekner details, “I grabbed all of the sounds via a shortwave radio picking up transmissions from LaGuardia airport and the TV. I recorded and edited on a Sony Pro Walkman and an Aiwa dual cassette deck.”

Historically Casablanca has been known as a global melting pot; a place where cultures mingle and fuse. This quality is evident in the dazzling music of Casablanca-based beat-maker and guitarist saib., who has revealed his debut long-player, the appropriately titled Around The World album for Cold Busted. These tunes showcase saib.’s worldly vibe, tied together with his intricate guitar playing which deftly keeps up with all the styles represented on the album. Hip hop beats form the backbone as saib.’s musical palette skips from jazz flavors to lounge experiments to Asian textures … and sometimes within a single track. Around The World is indeed a non-stop flight, touching down on all of saib.’s influences and predilections, creating a memorable album along the way.