Rock 'n' Roll Vinyl LP 511 Items

THEODOR is a psychedelic sweet soul band formed by members with diverse musical backgrounds.
Whilst on a road trip to Italy Rob and Lui were listening to tapes of contemporary soul music. The idea was born to record an album channeling a moody and relaxed soundscape. „Right after our trip we called up our good friends Max and Greg, who were immediately on board. We wrote and recorded deep in the pandemic. Those weekend sessions captured this peaceful solitude“ The outcome was their self-titled debut album which will be released in February 2023 on the french label Broc Recordz. The rich sonic texture and unconventional arrangements of their very first single SHEPARD’S LULLABY gives a hint on what is to be expected on their forthcoming LP. THEODOR created a perfect soundtrack for a hot and humid summer day having a magic dash in your twelve o’clock tea. Playful melodic bass lines and the soulful acoustic drums build the playground for the warm and dreamy keys such as farfisa organs, fender rhodes and 80's synths. The lush instrumentals are spiced by the very different yet complementary voices of Max and Lui.

After crisscrossing the nation for the last half-decade looking for a home, Pokey LaFarge found himself in Mid-Coast Maine. Upon arriving, the Illinois-born singer/songwriter/actor pursued a major life change, working 12-hour days on a local farm—a turn of events that catalyzed an extraordinary burst of creativity and redefined his sense of purpose as an artist. Rhumba Country was initially shaped from material that emerged while LaFarge was deep in work on the farm. “I’d be pushing a plow or scattering seeds, and the songs would just come to me,” he recalls. “It was tremendously inspirational and made me realize that apart from singing, farming is perhaps the oldest human art form.” While farming, LaFarge began dreaming up a kaleidoscopic sound informed by his love of music from far-ranging eras and corners of the globe, including mambo, tropicália, rocksteady, and mid-century American rock-and-roll. “The songs that naturally come to me are upbeat and make you wanna dance or at least bop your head—they’re all very colorful,” says LaFarge. “I used to think of my music in dark blue, but now I see it in technicolor.” Co-produced along with Chris Seefried and Elliot Bergman and recorded in L.A., the resulting Rhumba Country is an invitation to come together to celebrate life and love.

This LP features a super live performance recorded on 3rd February 1973. Elvis’ eighth engagement in Las Vegas at the Hilton Hotel. For the first time ever, the show is presented in stereo. SIDE A 01 See See Rider 02 I Got A Woman / Amen 03 Until It's Time for You to 04 You Don't Have To Say You Love Me 05 Steamroller Blues 06 You Gave Me A Mountain07 Fever 08 Love Me 09 Blue Suede Shoes 10 Love Me Tender SIDE B 01 Johnny B. Goode 02 Hound Dog 03 What Now My Love 04 Suspicious Minds 05 I'll Remember You 06 I Can't Stop Loving You 07 An American Trilogy 08 Can't Help Falling In Love

After crisscrossing the nation for the last half-decade looking for a home, Pokey LaFarge found himself in Mid-Coast Maine. Upon arriving, the Illinois-born singer/songwriter/actor pursued a major life change, working 12-hour days on a local farm—a turn of events that catalyzed an extraordinary burst of creativity and redefined his sense of purpose as an artist. Rhumba Country was initially shaped from material that emerged while LaFarge was deep in work on the farm. “I’d be pushing a plow or scattering seeds, and the songs would just come to me,” he recalls. “It was tremendously inspirational and made me realize that apart from singing, farming is perhaps the oldest human art form.” While farming, LaFarge began dreaming up a kaleidoscopic sound informed by his love of music from far-ranging eras and corners of the globe, including mambo, tropicália, rocksteady, and mid-century American rock-and-roll. “The songs that naturally come to me are upbeat and make you wanna dance or at least bop your head—they’re all very colorful,” says LaFarge. “I used to think of my music in dark blue, but now I see it in technicolor.” Co-produced along with Chris Seefried and Elliot Bergman and recorded in L.A., the resulting Rhumba Country is an invitation to come together to celebrate life and love.

Dara Puspita (trans. "Flower Girls") was arguably the world's greatest all-female garage rock band. The reason you've probably never heard of them is that they came from Indonesia where they were extremely popular during the 1960s. Their career spanned from 1965 until 1973 including 3 years (1969-1971) living and touring in Europe.

The four albums recorded by the original members between 1966 and 1968 (the material represented on this LP) is one of the great chapters of 1960s popular music history never to be reissued in vinyl, let alone recognized beyond a few tuned-in souls and adventurous record collectors in the Western world. This is an amazing compilation for all garage rockers, fuelled with fuzz tunes and groovy rhythms.

A frenchman, a brazilian and two catalans meet at a bar, little later get drunk and that’s how the new made in Barcelona sensation of “french yé-yé punk” is born: a frontwoman and three nutters behind, all in love with the loudest sounds of rock’n’roll, freakbeat and garage. European scene veterans, they’ve already performed in Les Mortettes, Els Trons, Thee Grandaddies, Flashback V, The 54321s, Missing Souls and The Cavemen Five… amongst other bands. Les Rencards have been produced by Mike Mariconda -that’s nothing- and feel eager to go wild on stage at Ye-Yé ’22 ¡Vive la fête!

Tri-Color-Vinyl.The bastard love child of Elvis and Lux Interior, Israeli guitarist Charlie Megira brewed a heady amalgam of '50s trash rock, surf-y tremolo, and reverb-drenched goth during his all-too-brief 44 trips around the sun. He recorded seven albums worth of material in 15 years, primarily issued on CD-R, most of which is now unreadable or in a landfill. Armed with only an Eko guitar, a black tuxedo, and his signature wrap-around shades, Charlie Megira was a mold-breaking artist who disintegrated while we were all staring at our phones.On his 2000 debut, Da Abtomatic Meisterzinger Mambo Chic, Megira channels the optimism of post-war America, narcoleptic surf, and the Twin Peaks soundtrack into a lo-fi masterpiece all his own. Sung in both Hebrew and English, Mambo Chic moves at a deliberate pace, unconcerned by the traffic of the modern world and wrapped in a blanket of Tascam 4-track hiss. On "Tomorrow's Gone" Megira achieves the feat of being so far back in time that he's somehow living in the future and waiting for the rest of us to arrive.

This is Gianni and Erika third album, after two works released by Voodoo Rhythm Records and produced by Jim Diamond, musician and producer for two iconic bands from Detroit, The Dirtbombs and The White Stripes. The record features former Screaming Trees vocalist - and acclaimed solo artist - Mark Lanegan and Chilean multi-instrumentalist Alain Johannes (Queens Of The Stone Age, Spinnerette, Ten Commandos, The Desert Sessions). “The title track of the new album was born during our last day of re-cordings” - says Gianni Blacula and Switchblade Erika.. “Alain is an enthusiast of strings instruments, and on the last day he arrived at the studio with a Neapolitan mandola he bought in the historical centre of Naples. We were astonished about how a traditional instrument as the mandola can get a rock sound, so we followed up went to the recording room. Alain at the mandola and vocals and us on guitar and drums. There was suddenly the right atmosphere that to Alain reminded “ the Desert Sessions” , so much that the song came out at the first take. Then Alain wrote the lyrics and the last line “Beast Must Regret Nothing” affected us , we have chosen it as the title of the album because it totally reflects his mood, and it does taste of Devils!” Gianni and Erika got in touch with Alain for the first time in September 2019, during a Spanish tour, while they were looking for inspirations for their new record. In the same moment Alain was on a European tour which ended in Italy. The collaboration was born in a spontaneous way, for a mutual esteem between the Devils and the famous producer and musician. The album have been recorded in Naples, Italy, with a two weeks session in a historic studio equipped with a large tracking room with truly unique acoustics. Alain actively collaborated in the production of the album taking part to creative process and helping them with the arrangements. The Devils formed in Naples in 2015 and their first two albums “Sin,You Sinners!” in 2016 and “Iron Butt” in 2017 were produced by Jim Diamond (The White Stripes, The Sonics and the Dirtbombs), pub-lished by Voodoo Rhythm Records. From 2016 the duo constantly tour, and has played everywhere doing over 400 shows between Europe and Canada. The Devils are the sound of desolation and chaos; their style is primitive, filled with sex, sin and rock’n’roll. They are wild, loud and sexy. The name of the band was chosen has tribute to the movie “The Devils” by Ken Russell and they have been on tour with Jon Spencer, The Sonics, Boss Hog and The Monsters, and has open act around Europe for Mudhoney, Nashville Pussy, Guitar Wolf, Kid Congo and many more.

Elvis Presley 24 Karat Hits, 180-gram, 45 RPM three LP set

· Mastered from the original analogue tapes by George Marino at Sterling Sound

· An audiophile dream set; the best sounding Elvis record ever pressed!

· Includes every one of the King's all-time greatest singles



"Thick vinyl rotating at 45 RPM, two dozen certified Presley masterpieces, mastered by George Marino at Sterling Sound from the original 1, 2 and 3-track masters: it doesn't get any better than this, musically or sonically." Sound Quality: 90% - Ken Kessler, Hi-Fi News, March 2011



"All I can say is this set is an Elvis fan's dream come true...destined to be a collector's item." Music = 9/11; Sound = 9/11 - Michael Fremer, music angle



It's no understatement to call Elvis Presley the chief catalyst of the rock 'n' roll era. Presley earned his nickname "The King" by releasing dozens of course-altering singles over the course of his influential career; during the 1950s Presley's records spent a collective 53 weeks in the No. 1 chart position. Almost everything you could want from Elvis is in one towering collection — 24 Karat Hits, now a brilliant 45 RPM, three-LP set released by Analogue Productions!



Elvis' 24 greatest recordings here are painstakingly compiled and remastered from the original 1, 2 and 3-track master tapes lovingly stored in the vaults of RCA-Victor. All the hits are here from 1956's "Heartbreak Hotel" to 1969's "Suspicious Minds." This three-LP Fort Knox of music is mandatory for every music lover, let alone Presley diehards and record collectors. A long-out-of-print audiophile favourite — known for its first-rate sound quality — it gets the royal treatment here on six wide-grooved sides of 45 RPM 180-gram super-silent vinyl. Incredible!



Until now, Elvis fans have satiated their desires with the prized DCC double LP edition (reaching prices upwards of $350 on eBay) as well as the DCC gold disc (a rare find fetching $150 and more). Now no longer do you have to pay a premium to enjoy the magic of Presley's voice, rhythms and foundation-paving melodies. Mastered by George Marino, the King's best work has never sounded so intimate, detailed, present and alive. Images are true, tones are balanced, and the unbeatable warmth that only analogue provides comes through unabated on every cut.



Contained in the grooves of this album are some of the best rock 'n' roll cuts recorded in the last 50 years. Had Elvis Presley done nothing else but record "That's Alright, Mama," his place in pop music history would be secure. Presley fused rhythm and blues with country and legitimized beat music for white audiences. On 24 Karat Hits, every memorable facet of Presley's multiple personas is represented: The hip-shaking rebel ("Jailhouse Rock"), sensitive balladeer ("Can't Help Falling in Love"), beckoning romantic ("Are You Lonesome Tonight"), teen idol ("(Let Me Be) Your Teddy Bear"), socially conscious soul man ("In the Ghetto"), and passionate loverman ("Suspicious Minds"). The two dozen songs on this golden compilation read like a history of pop music and play like it is unfolding before our very eyes. There's no substitution for the experience this set provides.



Do not miss the chance to own part of American history in unsurpassed fidelity that brings the cream of Elvis' music into your room, in stunning clarity.



This release is a gem. Buy two copies: One to treat your ears, the sealed copy to treasure as an investment. Solid audiophile gold — indeed!

2023 repress
"Indonesian Hard, Psychedelic, Progressive Rock and Funk: 1970-1978
The untold story of indonesia’s various underground 70s musical scenes; extensive liner notes,
photographs and ephemera; fully restored and remastered audio; officially licensed.
The progressive music scenes in 1970s Indonesia were largely underground as a result of strict censorship imposed by the dictator Suharto.
Those who performed music marked by relentless fuzz, over the top, politically charged lyrics, strong rhythms and a cranky low-fidelity were truly
rebellious. And the resulting output has been largely – outside of the confines of this island nation – unheard or ignored. Indonesia, based in large
part on the restrictions imposed by Suharto, is better known for the coffee it exports than the music it creates. This situation hasn’t been remedied
by the rough-hewn Indonesian bootlegs that dotted the psychedelic landscape over the past five years.
Thanks now to the tireless – and expensive – research of Canadian hip hop producer and Southeast Asian music specialist Jason “Moss” Connoy
- and the trust that Indonesian rock legend Benny Soebardja placed in Now-Again Records as he traversed his homeland’s islands securing the
rights necessary for us to offer you this anthology - we feel like we can, in good spirits and conscience, shine the light on some of the most
impressive organizations to offer their take on the psychedelic and progressive rock and funk sounds during the early shocking, shaking days of
Suharto’s regime."

The lost tapes have surfaced, bringing with them a walloping new stereo mix! A sonic cocktail of acid garage, blues & psych rock from one of Detroit’s finest – featuring Ted Nugent! Dominated by gritty head-swirlers and heavy, fuzz guitar licks, their debut is considered to be an early innovator of heavy metal. Their five and a half minute version of “Baby Please Don’t Go” is an absolute acid garage classic with some fantastic feedback and great guitar sustain. Nugent creates some serious guitar noise on this number and shows off his brilliant chops. The album closes with another garage classic, “Gimme Love.” This song has some laser fuzz guitar riffs and angry Mike Drake vocals. In between these two garage monsters are many other great compositions. There are a few covers, two work really well (the splendidly bluesy “Let’s Go Get Stoned” and the gritty Who cover “It’s Not True”). They also hit real hard with “Colors,” a furious acid rock song with some sinister soloing. “Phillip’s Escalator” is very Syd Barrett era Pink Floyd with brit vocals, clanging chords and first class guitar scrape. It’s a true classic on this exceptional outing. The guitar freakouts, Who-like energy and great songs make this debut a prime slice of early Detroit rock. – The Rising Storm

The Vampisoul chicas are back. And for the third time. And, although collectors and connoisseurs have never stopped playing the songs by these Spanish female singers, here they are again, sounding as vibrant as they did half a century ago. Because these children of their times, the musical decades of the 60s and 70s covered by this compilation, boldly ventured into the limited spaces of freedom open to female artists back then. And they did so with attitude, in search of the right repertoire, proudly presenting new, daring personal projects often breaking away from the demure tone adopted by mainstream local female singers. And they were canny about it too. Realizing that the censors working back would just listen to the song that the record company flagged up as the listening target on the A side and not bother to flip the single over, they recorded many of their racier songs on the B side. That exciting dark side of singles, which have long tempted collectors. Lacking the freedom and visibility enjoyed today, these daring records by these female singers went as far as they could and a few managed to go beyond. The songs on this compilation tell everyday stories, narrating small socio-musical conquests revolving round the enduring theme of young love. Sass, sex, boy-girl rivalry, the defense of liberating women's fashion and, saying what women think loud and clear, all characterize these grooves. Performed in a variety of musical styles ranging from ye-yé, twist, disco, beat, popcorn, flamenco pop to Northern Soul, and, even more surprisingly, sung in an everyday, natural and self-assured tone that must have ruffled some feathers. As in previous volumes of "¡Chicas!", this third compilation includes female singers from outside Spain but whose career, their decision to sing in Spanish or their long tours and local stays, and occasionally permanent residence, meant their albums were created, recorded or produced here in Spain. It's a winning proposition for everyone. Take the band Los Bravos,...

Essential comp including all the non-LP single and EP tracks for Decca, Parlophone and Fontana (in original mono mixes) by London’s favourite beat / R&B / Mod band, featuring a pre-Deep Purple Jon Lord on organ. From mod classics like “Big City”, “I Take What I Want”, “What Shall I Do” or “I’m Looking For A Saxophonist…” to the proto-psychedelia of “In The Deep End”, “Brother Can You Spare A Dime” and more. *Remastered sound in mono *Gatefold sleeve with liner notes by Mike Stax (Ugly Things) *Insert with photos / memorabilia “The Artwoods recorded and released several singles, a four song EP and an LP during their tenure. Largely overlooked in their day, the band’s recordings stand up well against those of The Pretty Things, The Action and The Yardbirds, among others…” – Kevin Rathert (It’s Psychedelic Baby)

Essential ‘60s British beat, R&B, Mod album from 1966 by this band fronted by Art Wood (elder brother of Birds/Rolling Stones/Faces guitarist Ronnie) and featuring a young, pre-Deep Purple Jon Lord on organ, plus Keef Hartley (John Mayall’s Bluesbreakers) on drums, Derek Griffiths on guitar and Malcolm Pool on bass. Now reissued for the first time ever in Mono, just like the 1966 original.

This September, coffins will shake and graves shall release their dead

Darkness is falling. A cold wind blows from the snow-covered Carpathians, making the windows rattle and the corners of the house creak. Something is coming, eyes flashing red in the night and its footprints filled with grave dirt. What nocturnal terror is this? Why, it’s the arrival of the long-awaited third album by The Coffinshakers, folks.

While most bands quickly lose the spark, The Coffinshakers have stayed relevant – eternal like the undead. Though humor is their hallmark, there is also poignancy and something genuinely spine-tingling in their rugged, melancholy ballads. And this new offering shows them at the height of their baleful, campy power. They truly are a band that ages like fine wine – although vampires, of course, never drink… wine.

Much will be familiar to dedicated fans. Rob’s trademark malevolent chuckles still reverberate with sardonic glee, the deep rumble of his voice continuing to send all yellow-bellies hiding behind the barn. At the same time, his vocals have gained in both power and subtleness. The same goes for the guitar, bass, and drum work, now incorporating a broader array of classic Americana influences. These unholy badmen have drunk the blood straight from the neck of the authentic country, bluegrass, folk and other rootsy music of inbred US backwaters – and it has made their fangs sharper than ever.

And though The Coffinshakers still ride forth with tongue firmly planted in cheek, there is a new apocalyptic urgency to their third offering. From the marching drums of the desolate “Graves, Release Your Dead” to the echoing vocals of “River of Souls” and the cathartic cataclysm of “Down in Flames”, it all forebodes the imminent end of the whole dirty enchilada of existence. The band’s flippancy comes with a genuinely unsettling kernel of darkness – and black humor is always the most satisfying. Vampires may not cry, but we all know they laugh wickedly as they rise from the bone orchard.

- Per Faxneld, Södertörn University department of religion and vampirism, author of Satanic Feminism, Offerträdet, The Devils Party and others

The Coffinshakers' past nocturnal glories include the debut album "We Are The Undead" (1998) and the eponymous sophomore record (2007), after which the cadaverous quartet retreated to the silence of the tomb, having vacated their respective coffins only sporadically when invoked to perform undead rituals in front of a live audience. Now, many moons since they last haunted the earthly domain, the hour has come for another foray into the realm of the living. Yet again the dead shall live, the living die, and Musick shall untune the sky.

Svart Records will release Graves, Release Your Dead by The Coffinshakers on September 15th on long playing vinyl, compact disc and digital formats, including an exclusive variant with a 3D cover.

A must to anyone into ‘60s British beat and psychedelia, here’s the complete recordings of pre-YES band THE SYN, featuring Chris Squire and Peter Banks. Including their sought after mod-psych singles for Deram ('Grounded', '14 Hour Technicolour Dream', 'Flowerman'…) plus a treasure trove of rare 60s recordings, including a five-minute rehearsal excerpt of stage favourite 'The Gangster Opera’, an earlier recording of ‘Flowerman’, a pre-Deram acetate of the unissued-at-the-time ‘Merry-Go-Round’, two tracks by pre-Syn band The Selfs and more. Also including are a couple of 1974 bonus tracks from post-Syn project Narsquijack. Led by singer Steve Nardelli, The Syn formed in1966 initially as a mod / Tamla band. They soon embraced psychedelia and flower-power with some legendary theatrical shows during their Marquee Club residency. After a string of singles for the Deram label, the band slowly evolved into legendary prog band Yes.

Reissue of the German psychobilly legends Mad Sin’s 2010 album Burn And Rise.



Since their indestructible bandleader Köfte DeVille had gone through some major personal changes, which encouraged him to lose almost 40 kilo grams, the album title is more than adequate. 18 tracks titled like “Last Gang Standing”, “Geisterfahrer (Ghost rider)”, "Wreckhouse Stomp", "The March of the Deviants", "9 Lives" or "Shitlist Bop” promise tension and also a bunch of surprises.



The typical Mad Sin mix of psychobilly, rockabilly, 50’s Rock’n’Roll, Country, Punk and Surf sounds fresher than ever before. Featured artists include Sucker (Oxymoron, Bad Co.), Jack Letten (Smoke Blow), Hank (The Boss Hoss) and Marlen (Bonzai Kitten). An outstanding record which gave the band once more the chance to show that they think outside the box and can do a lot more than “just” rockabilly.

The original creators of Psychobilly Music, The Meteors began as a reaction against soft neo-rockabilly music of the late 70’s rock revival era. Since then the loud, sneering lovers of horror, perversion and death have released a few dozen records and are still going strong, 40 years into their career of evil.



Svart Records are hellishly excited to bring you an official reissue of The Meteors’ 2007 album Hymns For The Hellbound. Long out of print on physical formats, this authorised reissue comes with a secret bonus track, all pressed on pitch black or blood-dripping red vinyl and wrapped in a gatefold jacket.

Desumanos' fresh mixture of guitar driven melodies is as evocative as it is playful.This instrumental project is made up of a dream-team of Brazilian producers and musicians. Kassin, on bass, was member of The +2's band and co-produced Gilles Peterson's Brazilian project Sonzeira, featuring legendary artists such as Elza Soares, Naná Vasconcelos, Wilson Das Neves_ While Liminha, on guitar, is a former member of Os Mutantes. His signature sound is heavily influenced by classic instrumental surf music, but tropical rhythms are also dropped in the mix. The band is completed with Felipe and Manoel Cordeiro (on guitar), one of the lambada originators, and Stephane San Juan (drums), currently playing with David Byrne.Across the tracklist of this Desumanos debut album we can find a unique combination of musical styles that are all filtered through the sieve of instrumental surf music without losing their roots anchored in tropical sounds such as cumbia, African rhythms and, of course, popular genres from Brazil such as forró or lambada. Ten original songs in which the guitar is the undisputed protagonist and the tropical atmosphere emanates through each note.