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V.A. - Those Shocking Shaking Days
V.A.
Those Shocking Shaking Days
3LP | 2018 | US | Original (Now-Again)
33,99 €*
Release: 2018 / US – Original
Genre: Rock & Indie
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2023 repress
"Indonesian Hard, Psychedelic, Progressive Rock and Funk: 1970-1978
The untold story of indonesia’s various underground 70s musical scenes; extensive liner notes,
photographs and ephemera; fully restored and remastered audio; officially licensed.
The progressive music scenes in 1970s Indonesia were largely underground as a result of strict censorship imposed by the dictator Suharto.
Those who performed music marked by relentless fuzz, over the top, politically charged lyrics, strong rhythms and a cranky low-fidelity were truly
rebellious. And the resulting output has been largely – outside of the confines of this island nation – unheard or ignored. Indonesia, based in large
part on the restrictions imposed by Suharto, is better known for the coffee it exports than the music it creates. This situation hasn’t been remedied
by the rough-hewn Indonesian bootlegs that dotted the psychedelic landscape over the past five years.
Thanks now to the tireless – and expensive – research of Canadian hip hop producer and Southeast Asian music specialist Jason “Moss” Connoy
- and the trust that Indonesian rock legend Benny Soebardja placed in Now-Again Records as he traversed his homeland’s islands securing the
rights necessary for us to offer you this anthology - we feel like we can, in good spirits and conscience, shine the light on some of the most
impressive organizations to offer their take on the psychedelic and progressive rock and funk sounds during the early shocking, shaking days of
Suharto’s regime."
Misfits - Horror Business In New York Irving Plaza 1982
Misfits
Horror Business In New York Irving Plaza 1982
LP | 2023 | EU | Original (Outsider)
25,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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In support of their Walk Among Us album, the Misfits embarked on a 37-date tour of the united States, during which the group performed three shows at New York’s Irving plaza, and is their performance from the 27th March 1982 that features on this LP. Featuring a host of tracks from across their career- plus numbers that would latter appear on Earth A.D./Wolds Blood in 1983, this seminal band deliver a blistering set full of dark passion and energy:
Elvis Presley - From Elvis In Memphis
Elvis Presley
From Elvis In Memphis
LP Box | 1969 | US | Reissue (Mobile Fidelity)
161,99 €*
Release: 1969 / US – Reissue
Genre: Rock & Indie
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The Paragons - Abba / Better Man Than I
The Paragons
Abba / Better Man Than I
7" | 1967 | EU | Reissue (Altercat)
11,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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"Let me hear you say YEAH!!!". We’re proud to bring you the first official reissue of this essential 60s garage classic, after several bootlegs hitting the market in recent times and its appearance in countless compilations in the last 20 years. Done in cooperation with surviving band members Pat Walters and Danny Huntley, the single receives the usual deluxe treatment at Altercat and comes housed in a brand new picture sleeve, with a 12-page booklet with the band’s story written by Mike Stax (Ugly Things magazine) and previously unseen pictures. Sound mastered by Tim Warren (Crypt Records / Back From The Grave). We aim to get these to you Asap so they are available for the Christmas period. Read on below
V.A. - Saigon Supersound Volume 2
V.A.
Saigon Supersound Volume 2
LP | 2018 | EU | Original (Saigon Supersound)
24,99 €*
Release: 2018 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Saigon Supersound Continues… to present more interesting tunes of a musical era that has long been obscured. With the well-received Volume 1, we are very delighted to dig deeper and share with you the beautiful music of a short but significant period in Vietnam‘s history.
Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist State, while the American troops backed the government of the South. This caused a mass migration of Northerners to the South, which includes many Tân Nhạc (Modern Music) singers and songwriters. Often characterized by its emotive, poetic and prolific personality, Tân Nhạc continued to freely develop in the South and progressively vacating from the influences of its main inspiration, French music. In the North, the Resistance music, or the so-called Nhạc Đỏ (Red Music), which promoted socialism, patriotism and anti-capitalism was the only genre allowed on national radio. Tân Nhạc was something new to the South Vietnamese repertoire. Between 1954–1960, the theme of hometown (quê hương) was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th title of the compilation, “Thôn Trăng Mở Hội Trăng Tròn” showcases a variety of images that were often described in this genre: the harvest moon, playful children, old mother…
Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In 1965, the first American troop landed in Vietnam, bringing with them the musical influences of the Beatles, Bob Dylan, Jimi Hendrix, Elvis Presley… The Vietnamese people quickly integrated it into the repertoire with hope to further diversify the music of Vietnam. Constantly changing and learning from different cultures, the modern music of Vietnam cuts a window into the soul of a Vietnamese person and the country’s history as a whole. With that, we hope that Saigon Supersound Volume 2 would take you on a trip back to the unique atmosphere of Saigon through the many different palettes of music that this beautiful place offers.
Los Saicos - Demolicion
Los Saicos
Demolicion
7" | 2021 | EU | Original (Munster)
14,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Los Saicos Created A Raw, Wild And Visceral Sound, The Southern Hemisphere Equivalent Of The Garage Rock That Was Coming Out Of The Us And Their Anthem 'Demolición' Is One Of The Most Insane '60s Punk Songs Of All Time. Unavailable On A 45 For Over A Decade, Here It Is Again! The Archaeology Of Rock'n'roll Is Much Like Any Other Form Of Digging. Significant Finds Demand The Re-Addressing Of Previously Considered Certainty. You Can Hear Direct Links To Both The Stooges And The Cramps Here And Several More Equally Enthralling Combos. The Latter Spawned Several Generations Of Individuals Who Would Dig Deep To Previously (Mostly) Unheard Seams Of Music And Other Forms Of Culture That Have Since Become Part Of The Mainstream Fabric. When Los Saicos' Front Man Erwin Flores Was Asked How Aware He And His Friends Were Of What Was Happening In Britain And The Us At The Time, Here's What He Had To Say: "We Knew The Beatles, They Were Our Idols. We Heard The Rolling Stones After Recording 'Demolición' And Also Bob Dylan And Others. The Primitive Nature Of Our Songs Is Something That Came Spontaneously Out Of My Head. The Band Had No Problem With Assimilating And Arranging It. We Thought Of Ourselves As Bad Boys And That Must Have Been A Driving Force." "Primitive To The Point Of Primordial, Los Saicos Are An Important Benchmark. Not Were. Who Ever Thought There Could Be A Combo Out There In Peru That Would Make The Sonics Sound Like Simon And Bloody Garfunkel? There Is Quite Possibly Some Other Music Out There, Someplace, That Could Well Make Us Re-Address This Consideration, But Until Then, Cherish This Short Course Of Saicotherapy."
The Coffinshakers - Graves, Release Your Dead Black Vinyl Edition
The Coffinshakers
Graves, Release Your Dead Black Vinyl Edition
LP | 2023 | EU | Original (Svart)
26,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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This September, coffins will shake and graves shall release their dead

Darkness is falling. A cold wind blows from the snow-covered Carpathians, making the windows rattle and the corners of the house creak. Something is coming, eyes flashing red in the night and its footprints filled with grave dirt. What nocturnal terror is this? Why, it’s the arrival of the long-awaited third album by The Coffinshakers, folks.

While most bands quickly lose the spark, The Coffinshakers have stayed relevant – eternal like the undead. Though humor is their hallmark, there is also poignancy and something genuinely spine-tingling in their rugged, melancholy ballads. And this new offering shows them at the height of their baleful, campy power. They truly are a band that ages like fine wine – although vampires, of course, never drink… wine.

Much will be familiar to dedicated fans. Rob’s trademark malevolent chuckles still reverberate with sardonic glee, the deep rumble of his voice continuing to send all yellow-bellies hiding behind the barn. At the same time, his vocals have gained in both power and subtleness. The same goes for the guitar, bass, and drum work, now incorporating a broader array of classic Americana influences. These unholy badmen have drunk the blood straight from the neck of the authentic country, bluegrass, folk and other rootsy music of inbred US backwaters – and it has made their fangs sharper than ever.

And though The Coffinshakers still ride forth with tongue firmly planted in cheek, there is a new apocalyptic urgency to their third offering. From the marching drums of the desolate “Graves, Release Your Dead” to the echoing vocals of “River of Souls” and the cathartic cataclysm of “Down in Flames”, it all forebodes the imminent end of the whole dirty enchilada of existence. The band’s flippancy comes with a genuinely unsettling kernel of darkness – and black humor is always the most satisfying. Vampires may not cry, but we all know they laugh wickedly as they rise from the bone orchard.

- Per Faxneld, Södertörn University department of religion and vampirism, author of Satanic Feminism, Offerträdet, The Devils Party and others

The Coffinshakers' past nocturnal glories include the debut album "We Are The Undead" (1998) and the eponymous sophomore record (2007), after which the cadaverous quartet retreated to the silence of the tomb, having vacated their respective coffins only sporadically when invoked to perform undead rituals in front of a live audience. Now, many moons since they last haunted the earthly domain, the hour has come for another foray into the realm of the living. Yet again the dead shall live, the living die, and Musick shall untune the sky.

Svart Records will release Graves, Release Your Dead by The Coffinshakers on September 15th on long playing vinyl, compact disc and digital formats, including an exclusive variant with a 3D cover.
Charlie Megira & The Modern Dance Club - Love Police Black Vinyl Edition
Charlie Megira & The Modern Dance Club
Love Police Black Vinyl Edition
LP | 2009 | US | Reissue (Numero Group)
33,99 €*
Release: 2009 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2023-10-20
Provocative post-punk from Israel's undercover goth prince. Megira's lone album with the Modern Dance Club showcased a grimier, more driving vision of his brand of trashy no wave. Spread across 31 tracks and two LPs, Love Police schizophrenically mixes industrial soundscapes, surf ditties, hardcore, swamp pop, bubble grunge, screaming, ecstasy, and enough fuzz to warrant a needle check.
The Rebels Of Tijuana - The Rebels Of Tijuana
The Rebels Of Tijuana
The Rebels Of Tijuana
LP | 2023 | EU | Original (Le Pop Club)
25,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Theodor - Theodor
Theodor
Theodor
LP | 2023 | EU | Original (Broc)
26,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves, Rock & Indie
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THEODOR is a psychedelic sweet soul band formed by members with diverse musical backgrounds.
Whilst on a road trip to Italy Rob and Lui were listening to tapes of contemporary soul music. The idea was born to record an album channeling a moody and relaxed soundscape. „Right after our trip we called up our good friends Max and Greg, who were immediately on board. We wrote and recorded deep in the pandemic. Those weekend sessions captured this peaceful solitude“ The outcome was their self-titled debut album which will be released in February 2023 on the french label Broc Recordz. The rich sonic texture and unconventional arrangements of their very first single SHEPARD’S LULLABY gives a hint on what is to be expected on their forthcoming LP. THEODOR created a perfect soundtrack for a hot and humid summer day having a magic dash in your twelve o’clock tea. Playful melodic bass lines and the soulful acoustic drums build the playground for the warm and dreamy keys such as farfisa organs, fender rhodes and 80's synths. The lush instrumentals are spiced by the very different yet complementary voices of Max and Lui.
Phuong Tam - Magical Nights - Saigon Surf Twist & Soul 1964-1966
Phuong Tam
Magical Nights - Saigon Surf Twist & Soul 1964-1966
2LP | 2022 | EU | Original (Sublime Frequencies)
38,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Sublime Frequencies is honored to present the first ever retrospective of Phương Tâm, the groundbreaking Saigon teenager who became one of the first singers to perform and record rock and roll in 1960s Vietnam. By chance in early 2020, Hannah Hà (usa) learned that her mother, Phương Tâm, had once been a famous young singer, performer and recording artist at the heart of Saigon’s music scene in the early 1960s. The family had heard some mention of their mom as a singer at the time, but the extent of her legacy and the many songs she had recorded came as a big surprise. Further investigations soon led Hannah to producer Mark Gergis, compiler of Saigon Rock and Soul (2010, Sublime Frequencies), enlisting him to join her on a journey of discovery and recovery. The result is this essential document of Phuong Tam’s brief but prolific career, and at the same time, reuniting the long-lost music with its singer. The unique strengths and qualities of Phương Tâm’s voice, coupled with her commanding stage presence, had swiftly elevated her to top billings on Saigon’s nightclub stages. Parallel to the brutality and uncertainty of an already protracted war, South Vietnam’s music and recording industry were developing at a rapid pace in the early 1960s. Globally, musical trends with wild, ephemeral dance crazes were being thought up weekly; the twist, hully gully, the mashed potato – none of them a problem for Phương Tâm. She soon caught the attention of Saigon’s leading recording companies and composers (Y Vân, Khánh Băng, Trường Hải, Thanh Sơn, Y Vũ and Mặc Thế Nhân, among others). Her energy translated unsurprisingly well in the studio, backed by electric guitars, contrabass, drums, lush brass sections, saxophone, piano, organ and rich backing vocals. Between 1964-1966, Phương Tâm would record almost 30 known tracks, released by the three main record companies in Saigon. The teenage starlet became a vital centerpiece of pop music of the time, and one of the very first singers to perform and record rock and roll (known locally as nhạc kích động, or, action music) – though as you’ll hear, she could also transform a jazz ballad into something otherworldly. While these musical styles were undeniably influenced by contemporary trends worldwide, the musicians and composers worked to localize the sounds, incorporating linguistic adaptations, lyrical content and past artistic traditions into something all their own. In 1966, as Saigon’s music scene continued to evolve and escalate, Phương Tâm walked away from her singing career without looking back – marrying the man she loved and beginning the next rich chapter of her life. But her recorded output had laid the stylistic groundwork for the following generations of singers, and many of the songs she first sang would later be further popularized by others. Her impactful, but short- spanning career has seen her legacy remain historically understated until now. Due to the lack of master tapes or documentation from pre-1975 Vietnam, and the scarcity of records and tapes that had survived the war, it was difficult to grasp the extent of Phương Tâm’s discography. A collective effort was required in sourcing materials and information to compile this record, involving key collectors and producers internationally (Jan Hagenkötter - Saigon Supersound, Cường Phạm, Adam Fargason, Khoa Hà – granddaughter of composer Y Vân, and researcher Jason Gibbs). As the veils of history were slowly lifted, the genuine thrill was witnessing Phương Tâm herself, hearing these songs for the first time in over 50 years – sometimes since the day she recorded them. At the heart of this project is a family story – Hannah Hà’s dedication to recovering and sharing her mother’s musical legacy is helping put Phương Tâm back on center stage after 55 years. But it is also a story that adds critical context to the fragmented understanding of Vietnamese popular culture during the 20th century, particularly after so much has been lost to war and dislocation.
Elvis Presley - 30 #1 Hits Gold Vinyl Edition
Elvis Presley
30 #1 Hits Gold Vinyl Edition
2LP | 2018 | EU | Reissue (RCA)
29,99 €*
Release: 2018 / EU – Reissue
Genre: Rock & Indie
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I 5 Monelli - Balbettando
I 5 Monelli
Balbettando
7" | 1967 | EU | Reissue (Madmua)
23,99 €*
Release: 1967 / EU – Reissue
Genre: Rock & Indie
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Fabulous mod-psych with killer organ and vocals by this Italian band, originally released in 1967. Compiled many times, this is the first band sanctioned reissue. Includes an insert telling the story of the group for the first time & rare photos plus two postcards.
The 5.6.7.8's - You May Dream / Batman Theme
The 5.6.7.8's
You May Dream / Batman Theme
7" | 2023 | JP | Original (Hi-Tide)
26,99 €*
Release: 2023 / JP – Original
Genre: Rock & Indie
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Preorder shipping from 2023-10-06
Charlie Megira & The Modern Dance Club - Love Police Frogmen Green Vinyl Edition
Charlie Megira & The Modern Dance Club
Love Police Frogmen Green Vinyl Edition
LP | 2009 | US | Reissue (Numero Group)
35,99 €*
Release: 2009 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2023-10-20
Provocative post-punk from Israel's undercover goth prince. Megira's lone album with the Modern Dance Club showcased a grimier, more driving vision of his brand of trashy no wave. Spread across 31 tracks and two LPs, Love Police schizophrenically mixes industrial soundscapes, surf ditties, hardcore, swamp pop, bubble grunge, screaming, ecstasy, and enough fuzz to warrant a needle check.
Brian Setzer - The Devil Always Collects Transparent Red Vinyl Edition
Brian Setzer
The Devil Always Collects Transparent Red Vinyl Edition
LP | 2023 | EU | Original (Surfdog)
25,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Elvis Presley - Raised On Rock - For Ol' Times Sake
Elvis Presley
Raised On Rock - For Ol' Times Sake
LP | 1973 | US | Reissue (Friday Music)
45,99 €*
Release: 1973 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2023-10-13
Elvis Presley - Elvis Presley Pink / Green Vinyl Edition
Elvis Presley
Elvis Presley Pink / Green Vinyl Edition
10" | 1956 | UK | Reissue (Vip Vop)
24,99 €*
Release: 1956 / UK – Reissue
Genre: Rock & Indie
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Altermoderns - Side Effects Of Reality Black Vinyl Edition
Altermoderns
Side Effects Of Reality Black Vinyl Edition
LP | 2022 | EU | Original (Groovie)
16,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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V.A. - Surf Music. Best Of - The California Vibes
V.A.
Surf Music. Best Of - The California Vibes
LP | 2022 | EU | Original (Wagram)
15,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Charlie Megira - Tomorrow's Gone White Vinyl Edition
Charlie Megira
Tomorrow's Gone White Vinyl Edition
2LP | 2021 | US | Original (Nunmero Group)
28,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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This collection is the first attempt at putting the pieces together, compiling a life's work of an artist whose spark almost shined unto the world. His was a music both familiar and entirely alien at once. It touches on corners of darkness, an isolation both lonely and sweet, all wrapped in a cold glow that draws the listener into each note, each melancholy melody triggering unrecorded experiences. His various projects put out music which began as a junction point between Link Wray's surf guitar and the theatrical psychobilly of The Cramps, took a turn towards goth-inflected post-punk, and towards the end of his career would sojourn back into his earlier musical fascination with late 1950s and early 1960s rock `n' roll. The Israeli guitarist recorded seven albums worth of material in 15 years during his all-too-brief 44 trips around the sun. Tomorrow's Gone collects 24 of these tracks for a double album journey across his career, accompanied by a lavish booklet that documents his tragic existence. Armed with only an Eko guitar, a black tuxedo, and his signature wrap-around shades, Charlie Megira was a mold-breaking artist who disintegrated while we were all staring at our phones.
Elvis Presley - 24 Karat Hits
Elvis Presley
24 Karat Hits
3LP | 2021 | US | Original (Analogue Productions)
109,24 €* 114,99 € -5%
Release: 2021 / US – Original
Genre: Rock & Indie
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Elvis Presley 24 Karat Hits, 180-gram, 45 RPM three LP set

· Mastered from the original analogue tapes by George Marino at Sterling Sound

· An audiophile dream set; the best sounding Elvis record ever pressed!

· Includes every one of the King's all-time greatest singles



"Thick vinyl rotating at 45 RPM, two dozen certified Presley masterpieces, mastered by George Marino at Sterling Sound from the original 1, 2 and 3-track masters: it doesn't get any better than this, musically or sonically." Sound Quality: 90% - Ken Kessler, Hi-Fi News, March 2011



"All I can say is this set is an Elvis fan's dream come true...destined to be a collector's item." Music = 9/11; Sound = 9/11 - Michael Fremer, music angle



It's no understatement to call Elvis Presley the chief catalyst of the rock 'n' roll era. Presley earned his nickname "The King" by releasing dozens of course-altering singles over the course of his influential career; during the 1950s Presley's records spent a collective 53 weeks in the No. 1 chart position. Almost everything you could want from Elvis is in one towering collection — 24 Karat Hits, now a brilliant 45 RPM, three-LP set released by Analogue Productions!



Elvis' 24 greatest recordings here are painstakingly compiled and remastered from the original 1, 2 and 3-track master tapes lovingly stored in the vaults of RCA-Victor. All the hits are here from 1956's "Heartbreak Hotel" to 1969's "Suspicious Minds." This three-LP Fort Knox of music is mandatory for every music lover, let alone Presley diehards and record collectors. A long-out-of-print audiophile favourite — known for its first-rate sound quality — it gets the royal treatment here on six wide-grooved sides of 45 RPM 180-gram super-silent vinyl. Incredible!



Until now, Elvis fans have satiated their desires with the prized DCC double LP edition (reaching prices upwards of $350 on eBay) as well as the DCC gold disc (a rare find fetching $150 and more). Now no longer do you have to pay a premium to enjoy the magic of Presley's voice, rhythms and foundation-paving melodies. Mastered by George Marino, the King's best work has never sounded so intimate, detailed, present and alive. Images are true, tones are balanced, and the unbeatable warmth that only analogue provides comes through unabated on every cut.



Contained in the grooves of this album are some of the best rock 'n' roll cuts recorded in the last 50 years. Had Elvis Presley done nothing else but record "That's Alright, Mama," his place in pop music history would be secure. Presley fused rhythm and blues with country and legitimized beat music for white audiences. On 24 Karat Hits, every memorable facet of Presley's multiple personas is represented: The hip-shaking rebel ("Jailhouse Rock"), sensitive balladeer ("Can't Help Falling in Love"), beckoning romantic ("Are You Lonesome Tonight"), teen idol ("(Let Me Be) Your Teddy Bear"), socially conscious soul man ("In the Ghetto"), and passionate loverman ("Suspicious Minds"). The two dozen songs on this golden compilation read like a history of pop music and play like it is unfolding before our very eyes. There's no substitution for the experience this set provides.



Do not miss the chance to own part of American history in unsurpassed fidelity that brings the cream of Elvis' music into your room, in stunning clarity.



This release is a gem. Buy two copies: One to treat your ears, the sealed copy to treasure as an investment. Solid audiophile gold — indeed!
V.A. - Wizzz French Psychorama 1966/1974 Volume 4
V.A.
Wizzz French Psychorama 1966/1974 Volume 4
LP | 2021 | EU | Original (Born Bad)
21,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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The Wizzz ! saga continues with a fresh selection of 60s and 70s rarities gathered from the unchartered nooks of the French-pop galaxy. Stars, underbosses and unknown artists rub shoulders on this tangy new compilation. Take off on a sonic journey through the starry night of the late sixties. Al Awni Bouarane, better known as Abdelwahab Doukkali, was born on January 1st 1941 in Fès, Morocco. Drawn to the world of arts from his earliest years, he took an interest in theatre, drawing and painting before starting to sing in Casabalanca at the beginning of the sixties. In 1962, he leaves Morocco to settle down in Cairo, where his fame burgeoned. A singer songwriter awarded a number of honorary titles of international significance, he became, through the decades, one of the greatest figures of Middle-Eastern music. His repertoire, mostly traditional, fills the grooves of about twenty albums and some thirty singles. It holds a few surprising gems that bring together his eastern sensibility with the rhythms and harmonies of western rock: a handful of twists at the beginning of the sixties and more particularly the notable Je Suis Jaloux, sung in French and released on the label Philips in 1967. The track, recorded “as a matter of curiosity” according to the singer, is an outsider of the master’s discography. In an interview for the daily Aujourd’hui le Maroc in February 2017 he expressed his regrets for not pursuing a broader career in France: “One day I got to Paris and found people dancing to my song Je Suis Jaloux. Unfortunately I left Paris – that was a mistake. The company I was working with had offered great conditions but I am a child of the sun and the spring; I came across a cold period that lasted and led me to leave this city I still dream about”. Today Abdelwahab Doukkali shares his time between singing and painting and lives in Casablanca. Tom – a crepuscular mid-tempo with a touch of Soul produced for Barclay in 1968 – is François Bernheim’s first solo release. The arrangements are the work of Jean-Claude Petit, the recording was carried out by Bernard Estardy while the finest of French studio musicians played the instruments: Francis Daryzcuren on the bass (he appeared on Brigitte Bardot’s Harley Davidson, Le Sud by Nino Ferrer…), Marc Chantereau on the drums (Alexandrie, Alexandra by Claude François, Quelque chose de Tennessee by Johnny Hallyday, Je suis venu te dire que je m’en vais by Serge Gainsbourg…), and playing the six-string Sylvano Santorio (conductor for Jacques Brel) as well as Jean-Pierre Martin (stage guitar player for Johnny Hallyday). The session, held at the CBE studio of Paris’ rue Championnet, tests the young singer’s nerves who out-does himself in a vocal performance of great intensity. And yet, François Bernheim’s musical career had been flourishing for some time: as a youngster he had joined the Petits Chanteurs à la Croix de Bois, a choir for which he was made soloist at the age of 10. Without any formal musical background, he starts learning the guitar by himself at age 14 and, like many musicians of his generation, trains to the instrumentals of the Shadows or the Fantômes, then to the Beatles. He later evolves as a vocalist and songwriter with Roche-Martin along the Sanson sisters, Véronique and Violaine, met while they were singing on a beach. The band, produced by Michel Berger and Claude-Michel Schönberg, records two EP’s in 1967 for the label Odeon. Following the EP Tom, François Bernheim releases a second EP, on which appears yet another successful track, the dreamy Miami-Beach, then dedicates himself to artistic direction and discovering new talents. As he is still a law student, he chooses to hide his identity under the alias Gilles Péram, for fear his musical activities would discredit his status as a future lawyer. It’s with this new name he launches the Poppys, spurred by Eddie Barclay, and releases hits like Noël 70 and Non, non, rien n’a changé. Through his career, François Bernheim/Gilles Péram recorded seven albums and some twenty singles, worked with the likes of Esther Galil, Renaud, Louis Chedid, Patricia Kaas, Marie Laforêt, Brigitte Bardot, Nicoletta, Marc Lavoine, Carlos, Serge Reggiani, Richard Cocciante, Gérard Lenormand, Pierre Richard, Guillaume Depardieu, Elizabeth Depardieu, Gérard Depardieu and Chimène Badi, worked as an actor and made music for a number of ads (Cachou Lajaunie, Carte Kiwi, Malabar, Club Med, Mini Mir…), and even composed a track sung by Kanye West (Power). This chameleon of variétés made in France now works with the likes of the comedian Sandrine Sarroche and the singer Dani. Michel Handson signs this B-side with a touch of hip-hop in 1973 for the label Butterfly. The arrangements are the work of the Costa (authors of a dozen of singles between 1967 and 1987) and Gabriel Yared, a prolific movie score composer (Scout Toujours, 37°2 le Matin, L’Amant…). Before passing into oblivion, Michel Hanson records two more singles, of which L’Heure du slow traditionnel in 1978, languid slapstick track, kitsch and over the top, much appreciated by amateurs of the genre.“There’s no going out naked on the streets, Boeing!” This track from the Swede Matty Kemer’s only single, a tribute to freedom and aviation, was recorded for the label Disque d’Or. The lyrics weren’t the work of some unknown writer but of Ezra Bouskéla, member of the mythical Zorgones (from which hailed future members of Magma, like Zabu, and of Dynastie Crisis) and lyricist for Johnny Hallyday (Rendez-moi le soleil, Le monde entier va sauter, Dans ton univers) but also Herbert Léonard (L’oiseau d’argent). A real French-style beatnik, Ezra leaves for India regardless of his promising debut, leaving behind all of his musical projects, from which a collaboration with Jacques Lanzmann orchestrated by Lee Hallyday. His trip (by bus, and not by Boeing!) is the subject of the hectic autobiographical novel Shambo.

Gilles Janeyrand, piano and guitar player, witnesses two memorable stage acts in his early years: Jacques Brel’s farewell at the Olympia in 1964, then the Beatles at the Palais des Sports in 1965. It’s a revelation: coming out of the Beatle’s concert he decides he ought to become a singer. A few years later, a friend shows Gilles a classified ad published in France Soir: Robert Stigwood, producer for the Bee Gees, the Whos and Cream, is looking for French artists to showcase on his label, RSO. Gilles Janeyrand follows up on the ad and auditions at the Polydor studios, where he meets Claude Ebrard, head of RSO France. Gilles plays four songs at the guitar, from which Amour 2000 and Filles 2000, two tracks he composed for texts written by friends. Claude Ebrard chooses to record the two tracks with the arranger Jean-Claude Petit, and suggests adding flutes, in reference to Jacques Dutronc who had just released Il est cinq heures, Paris s’éveille. The track is recorded in 1969 at the Studio des Dames. Gilles remembers: “There were 25 musicians around me, and I thought it was perfectly normal! I was 18 and that’s the image I had of a career as a variété singer.” At the moment of the contract’s signature, Robert Stigwood sends a Jaguar and a photographer to pick Gilles up at this parent’s were he still lives. They’re taken to RSO’s headquarters, located near the Théâtre des Champs Élysées, and get off the car right as Jacques Brel comes out of the theatre, where he’s rehearsing his show L’Homme de la Mancha. Jacques Brel is familiar with the photographer and editor but doesn’t know Gilles yet, to whom he is introduced. Upon hearing Gilles is signing his first recording contract Jacques Brel utters a “Good luck” he’ll never forget.

Gilles leaves the choice of the A-side to the producers and Filles 2000 becomes the single’s B-side. Gilles promotes Amour 2000 on television, during a show hosted by Michel Drucker, who’ll invite him again repeatedly through the 70s. The record receives critical acclaim but the sales don’t follow. In 1974, at the Ferber studios, an LP is recorded with the musicians of the singer Christophe.