HHV Exclusives 490 Items

Limited to 300 copies, only available at HHV! ‘Les Cigales’ takes its’ sonic cues from the structure of film and TV music from the 1960s and 70s, channelling the influence of film composers such as Francois de Roubaix and David Axelrod, whilst also sitting somewhere between the washed out, sun-soaked sonics of Surprise Chef and Robohands. As the EP unwinds, its narrative reflects a love story, full of longing, melancholy and drama, connecting with the story of Gyptis and Protis – the founding myth of Marseilles – whose love broke convention and welcomed the arrival of foreign people on French soil.

The project follows The Offline’s debut album ‘La couleur de la mer’, released in November 2023, which saw him create his own soundtrack to a film yet to be made. Inducing images of manorial, fog- swept villas at the seas edge, silhouetted sailing boats and cigar-chomping villains attempting to thwart the mission of an imaginary hero, the record is a masterfully composed sonic journey. ‘Les Cigales’ sees him continue to build upon a distinctive sound that moves from dramatic cues to fragile romanticism, incorporating psychedelic spaciness, retro soul and hip-hop sensibilities informed by his extensive record collection.

Colorway exclusive to HHV and limited to 500 copies.

Everything is alive, slowdive's 5th record, is exactly what the title suggests: an exploration into the shimmering nature of life and the universal touch points within it. While there are parts of this record that could sit neatly next to the atmospheric quality of 1995's Pygmalion; everything is alive also manages to break down the boundaries of what's come before it. Spanning psychedelic soundscapes, pulsating 80's electronic elements and John Cale inspired journeys, the album lands immediately as something made for 2023 and beyond. For a genre that is often thought of as divisive, and often warrants introspection, here slowdive show their craft as the masters of it by pushing it outwards, beyond the singular; the end result being a record which feels as emotional and cathartic as it is hopeful.

Limited to 100 copies. Exclusively available at HHV. The debut collaboration by Harlem, New York City raised, Ugandan born, award winning hip-hop creative Emma Lee M.C. and decorated German producer Roccwell is a potent offering of globally creative proportions. Merging her bold, flowful vocals and piercingly imaginary lyricism with his smooth, classic, world-renowned "boom bap" production over seven tracks, the two who met during a pandemic aimed to stifle their artistry have used the "new normals" as opportunity to create new energy, tell new stories and re-balance tastes in the culture.

On the lead single “Like It’s 93” featuring hip-hop legend Masta Ace, listeners are treated to a unique twist on nostalgia. Emma Lee personifies hip-hop by lyrically describing a dysfunctional but loving relationship using over 40 classic rap album titles all released in the year 1993, with Masta Ace responding metaphorically in a classic rebuttal. The track rolls in with a dreamy soundscape over Roccwell's signature snare drum spine, lifts and waves with Emma Lee's softly layered vocals in the hooks, and ends with a sonic collage of reflective cuts by DJ LP2 reminding us why we fell in love with hip-hop. As mentioned from "Digable Planets to Doggystyle," this track is a witness and poetic questioning of a pivotal time in music.

The follow-up single "Cravings & Withdrawals" with hip-hop legend Bahamadia holds its own as one of the smoothest rap duets put to wax in a long time. As Roccwell riffs the beat like a spacey and jazzy interlude, an elite skill level of emceeing is on display by two generational talents unapologetically pouring onto the track. The dream duo gives us an unbeatable breather during the hooks which are elevated by an adaptation of classic neo-soul R&B, asking whether listeners are "craving something real?" Clever cuts by DJ LP2 once again punctuate the odyssey and are sure to please most music heads.

“Chocolate Bars” by Emma Lee M.C. & Roccwell stays true to its rooted theme and includes a few musical twists, start to finish. From its concept, choice of instruments, variation, undeniable lyricism, sounds and messaging, it creates both curiosity and satisfaction, and leaves hip-hop lovers surely wanting more.

Limited edition of 300 copies! Numbered by hand.
Japanese Jazz-Funk & Rare Groove 1968-1980 (Selected by DJ Yoshizawa Dynamite & Chintam) Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa. With this first volume of the Wamono series, our two DJs here guide you through some of the best and rarest jazz funk and rare groove tunes produced in Japan between 1968 and 1980. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

Limited edition of 300 copies! Numbered by hand. J Following the highly acclaimed Volume I, dig further into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

Fully licensed Nippon Columbia and Victor Japan masters available for the first time outside of Japan, featuring rarities from Jiro Inagaki & Soul Media, Hiroshi Sato, Bread & Butter, Hatsumi Shibata, Fujio Tokita and more! Tracks selection by Japanese super diggers and Wamono specialists DJ Yoshizawa Dynamite and Chintam Mastered and cut at Timmion Cutting Lab Artwork by Yoxxx (Tokyo) 180g heavy vinyl pressing, reverse board jacket

Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa In this second volume of the acclaimed Wamono series, Yoshizawa and Chintam dig into some of the best and rarest funky tunes produced in Japan during the seventies. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

Limited edition of 300 copies! Numbered by hand. Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa. For this third chapter of the acclaimed Wamono series, Yoshizawa and Chintam unheart some of the best and rarest light mellow funk tunes and disco boogie bangers produced in Japan between 1978 and 1988. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

Limited edition of 300 copies on 2CD in jewel case incl. all instrumentals.

"Thesis" marks the all new solo album by Godfather Don, entirely written and produced by the man himself. 16 tracks in total with that special Dontown, NYC feel.

All scratches were provided by Debonair P, the mixing was done by Parental in Paris, the mastering was handled by Sven Friederichs and the full artwork was designed by Gordon Gieseking.

Available in limited quantities on 4LP (incl. all instrumentals), 2LP (vocal tracks only), 2Tape (incl. all instrumentals), 2CD (incl. all instrumentals) and digitally on all major platforms.

Limited edition of 100 copies on 2Tape incl. all instrumentals.

"Thesis" marks the all new solo album by Godfather Don, entirely written and produced by the man himself. 16 tracks in total with that special Dontown, NYC feel.

All scratches were provided by Debonair P, the mixing was done by Parental in Paris, the mastering was handled by Sven Friederichs and the full artwork was designed by Gordon Gieseking.

Available in limited quantities on 4LP (incl. all instrumentals), 2LP (vocal tracks only), 2Tape (incl. all instrumentals), 2CD (incl. all instrumentals) and digitally on all major platforms.

Limited edition of 500 copies on 2LP (vocal tracks only). Comes in gatefold sleeve with UV finish.

"Thesis" marks the all new solo album by Godfather Don, entirely written and produced by the man himself. 16 tracks in total with that special Dontown, NYC feel.

All scratches were provided by Debonair P, the mixing was done by Parental in Paris, the mastering was handled by Sven Friederichs and the full artwork was designed by Gordon Gieseking.

Available in limited quantities on 4LP (incl. all instrumentals), 2LP (vocal tracks only), 2Tape (incl. all instrumentals), 2CD (incl. all instrumentals) and digitally on all major platforms.

Limited edition of 500 copies on 4LP incl. all instrumentals. Comes in gatefold sleeve with UV finish.

"Thesis" marks the all new solo album by Godfather Don, entirely written and produced by the man himself. 16 tracks in total with that special Dontown, NYC feel.

All scratches were provided by Debonair P, the mixing was done by Parental in Paris, the mastering was handled by Sven Friederichs and the full artwork was designed by Gordon Gieseking.

Available in limited quantities on 4LP (incl. all instrumentals), 2LP (vocal tracks only), 2Tape (incl. all instrumentals), 2CD (incl. all instrumentals) and digitally on all major platforms.

Limited to 300 copies worldwide. Only available at HHV.
The world received a true hip-hop classic with 2007’s release of, Below The Heavens. And with Blu & Exile’s recent acquisition of the album’s master rights, the duo are pleased to join forces
with Coalmine Records for a special, deluxe edition reissue! Throughout the album’s 15 tracks, you can here Blu & Exiles shared intent, which was to create something that was distinctly their own. They were young, hungry artists with gifts they wanted the world to hear, not only to showcase their abilities but to also reveal another side of West Coast rap. The early to mid aughts was a dichotomous time for L.A. hip-hop especially. The underground was brimming with creative releases from acts like Freestyle Fellowship and Living Legends, but to the rest of the world, gangster rap remained the city’s calling card.Before there was even a Blu & Exile, the producer kept hearing about this up-and-coming rapper named Blu who was performing at
venuesthroughout the city. And it was one of Exile’s other collaborators, Aloe Blacc (who formed Emanon with Exile), who helped bring the duo together. The two immediately hit it off, and embarked on a recording spree where the blueprint for Below The Heavens began to take shape. The duo laid down more than 50 tracks steeped in lived truths and tack-sharp writing from Blu as well as Exile’s jaw-dropping sample flips and drums. Through painstaking decisions and track sequencing, the end result was a modern classic in the style of Blu’s biggest influences—Nas, Common, Planet Asia, and DMX. Below The Heavens beautifully captures a special place and time for the then fledgling duo, while remaining a timeless piece of art. It’s shivers-inducing nostalgic, but also modern in its sentiments and voice. It’s a classic.

With their dulcet fusion of ‘60s French ye-ye pop, slinky Studio One reggae, and liminal Brazilian tropicalia, Claude Fontaine’s songs embody the best kept dreams of a globally connected world. The second album from the Los Angeles artist reflects the dream of creating the soundtrack for this utopia by the sea. Released on Innovative Leisure, La Mer is a mesmerizing portal. It’s impossible for it to exist outside of the modern moment, but it floats on the gilded dust of the past. At times, Fontaine channels Jane Birkin as backed by Jorge Ben. Francois Hardy locked into sonic reverie with Mulatu Astatke, or Margo Guryan making lovers rock. None of this is a happy accident. For her second opus, Fontaine assembled some of the most gifted musicians of the last five decades. First and foremost is her co-writer and producer, the multi-platinum Grammy-Award winning Lester Mendez, whose resume includes everyone from Grace Jones and Baaba Maal to Shakira and Nelly Furtado. As with Fontaine’s self-titled first album, the legendary Tony Chin appears on guitar, bringing the orphic tones expected from someone who has played with some of the greatest reggae musicians of all-time (King Tubby, Dennis Brown, Lee Perry, Jackie Mittoo, Max Romeo, Sly & Robbie). On bass, there’s Ronnie McQueen, one of the co-founders of Steel Pulse. Sergio Mendes’ percussionist, Gibi Dos Santos, supplies propulsive locomotion. So does Ziggy Marley’s drummer, Rock Deadrick. And that’s just the abridged list of storied instrumentalists who appear on La Mer.

Limited edition of 500 copies, only available hat HHV! Only 2 copies per customer!

Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.

The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."

With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.

With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.

Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.

Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.

Limited to 200 copies. Only available at HHV.

Limited to 300 copies, only available at HHV!

Celebrated producer and musician Danger Mouse and prodigiously
talented New York rapper Jemini are gearing up to release their long
delayed collaborative album, Born Again
Remarkably this soul and funk infused hip-hop tour de force arrives two decades
after its creation and the duo's debut LP, Ghetto Pop Life which celebrates its 20th
anniversary this year.
Enthused by the response to Ghetto Pop Life, soon after Danger Mouse and
Jemini began to tour and to write and record Born Again. Finally, having been
recorded two decades ago and indefnitely shelved until now, Born Again will
fnally be released to coincide with the twentieth anniversary of Ghetto Pop Life.
The previously unheard record retains many of the elements of Danger Mouse
and Jemini's debut; the fun- loving, shit- talking innocence, but also adopts a
noticeably more introspective and confessional tone. This time, in addition to
lighthearted topics such as being an incredible artist (Knuckle Sandwich II,
Brooklyn Basquiat), living large and being a magnet for attention (Me), Jemini
also delivers highly- personal and occasionally devastating lyrics about missed
opportunities and redemption (All I, Born Again), his time in prison (Locked Up)
and complicated relationship with his father (Dear Poppa).
His effortless free fowing cadence and indelible sing-song delivery elevate each
track with a melodic infectiousness whilst Danger Mouse exhibits an afnity for
resonant instrumentals built from sampled organ, vibraphone, or guitar loops and
infused with his trademark minor key magic. The result is a classic, timeless hiphop record.

Limited to 100 copies.

Coming-of-age heartbreak madness in 90s indie rock style from the Ruhr area! Here come EAT THEM, ladies and gentlemen. Behind it is the musician Johannes Hofmann, who has recorded more than 20 albums single-handedly to date. And don't worry, Johannes is only in his mid-20s, he just started recording music at the age of 14, which he then burned onto CDs for his grandma to play. A little later: The own Bandcamp account.
Now a kind of best-of collection from the first 10 years of his creative work will be released at the end of June: EAT THEM ALL!

12 tracks on vinyl with a small art zine included. Everything designed by Johannes Hofmann himself.

All songs remastered by Norman Nietzsche. Lo-Fi becomes Hi-Fi Lo-Fi in no time!

The LP is intended as an introduction to the inexhaustible EAT THEM multiverse. Because there is about as much to discover here as on the legendary Shimmy Disc label or the Guided By Voices: indie rock, lo-fi pop, shoegaze, krautrock, math rock, punk rock or heartbreaking power ballads! In the meantime, Johannes has found two colleagues to bring EAT THEM live on stage. Please don't miss this!

As (Tocotronic discoverer) Myriam Brüger recently said so beautifully after the first EAT THEM show in Berlin: “Finally a really uncool band again!” That was actually meant as a big compliment!

In keeping with the holistic aspect of the project - and complementing the band name - titled "ALL", the album covers the full spectrum: from drum machine and sonic youth guitar melange, nervous post-funk to anthemic lo-fi indie -Rock, everything an indie heart desires can be found here.

The first single released today is “Do You Love Me When I’m Dead?”, a catchy song that takes place sonically where it is most beautiful in the rich history of suburban pop: in the garage. The piece reflected the live line-up, which was expanded to include bass and drums. The beat clatters happily and the open guitar chords flow! However, Hofmann transcends the suburbs with reverberated singing about an emotional urge to move and flies into the city, the disco or even through clouds and the landscape.

Limited to 300 copies on grey vinyl. Only available at hhv.de

Sonor Music Editions proudly presents this restored issue of Maestro Sandro Brugnolini's Overground. This elusive masterpiece in library music captures the most impressive work, alongside Underground (1970), of the Italian composer and alto sax player. Overground was released on Sincro Edizioni Musicali in 1970 as the soundtrack to Enrico Moscatelli and Mario Rigoni's documentary Persuasione, commissioned by Ente Provinciale Per Il Turismo Di Trento, a local tourism board in Italy, with music composed by Sandro Brugnolini and Luigi Malatesta featuring some of the best musicians in Italy at the time like Angelo Baroncini and Silvano Chimento on guitars, Giorgio Carnini on piano and organ, Enzo Restuccia on drums, and Giovanni Tommaso on bass and effects. The music spans from underground Psychedelic Prog. Rock with swirling organs, trippy effects, and distorted fuzz guitars to sophisticated Lounge grooves with Avant- garde orchestrations. The music has been transferred and remastered from the original master tapes. It has been lacquer cut in stereo by Jukka Sarapää at Timmion Cutting and packed in a thick cardboard sleeve featuring a fully restored painting by Umberto Mastroianni licensed by Centro Studi dell’Opera di Umberto Mastroianni.

Limited edition of 300 copies on CD in jewel case.

Originally released in 1995 on cassette-only via Misfit Records, "Bomb Threat" showcases the variety of talent during the mid-90's in Portland, OR. Representing the Lifesavas and Frontline crews, the "Bomb Threat" collabo was a blueprint for Golden Age hip hop in the North West pairing that special boom bap sound with an hardcore feel to it.

Available in a limited run on 1LP, CD in jewel case, cassette and digitally on all major platforms.

Limited to 200 copies on green vinyl worldwide. Only available at hhv.de and in Japan.

João Donato need no presentation his one of the of tropical groove masters from all eras. Albums like A Bad Donato, Quem é Quem or Lugar Comum from his 1970's Works are legendary. This one is a homage to that era and João Donato returning to his Tropical Jazz Funk Groove original style. It is known that good albums generate good shows, but in the case of this album, we can do the opposite. "Donato Elétrico" began to take shape following a show performed by the artist in 2014, at Sesc Pinheiros (São Paulo, Brazil). On that occasion, the musician released the emblematic album "Quem é Quem" on stage, after a delay of more than 40 years. For this late release, Donato invited young musicians from São Paulo, with whom he had already been working on the idea of a new project, and who helped him recreate the original atmosphere of "Quem é Quem", full of grooves, whose essence was in the João's electric piano.

Limited to 500 copies.

Kiasmos - Icelandic composer Ólafur Arnalds and Faroese musician Janus Rasmussen – are returning, renewed and restored, with II. The triumphant follow-up to their universally acclaimed self-titled debut in 2014, which re-envisioned minimal techno with orchestral flourishes and weightless production. They’d made most of that album in just two weeks; this time it’s been 10 years. The making of II was a test of their friendship, but also testament to how great musical chemistry can always go the distance and be just the same as it ever was.

They worked on a lot of II during the lost year of 2020-2021, including a trip to Ólafur’s studio in Bali. “We spent a month there and wrote a few songs that ended up on the record,” says Janus. The pair sampled traditional Balinese percussion like the gamelan and incorporated Janus’s field recordings of their natural surroundings – the sound of birds, crickets and, on standout track ‘Dazed’, echoing the sunrise over the lush landscape.

Kiasmos have an enviable knack for conveying complex emotions and evocative visuals with instrumental music. But this time they’ve got more experience as producers to draw on. The album’s expansiveness can be linked to Ólafur’s intervening years as a Grammy-nominated composer and prominent soundtracker in film and TV. And they’ve subtly shifted from four-to-the-floor to the frenetic broken beats of UK dance music, experimenting more with BPMs, echoing Janus’s time spent DJing in major venues worldwide. There are still those aching melodies that fans know and love but they’re catchier too: tracks like ‘Laced’ and ‘Bound’ have an irresistible, elastic bounce beneath the ethereal palette.

HHV exclusive vinyl edition on clear vinyl, limited to 200 copies.

After many years working as a buyer for several record stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the legendary Wamono A to Z records guide book together with DJ Yoshizawa Dynamite.

For this brand new chapter in the highly acclaimed Wamono series, our man Chintam goes digging into the vaults of one of the most revered Japanese labels: Trio Records. Established in 1969 by audio manufacturer Trio Electronics, now known as Kenwood, the label - and its subsidiaries such as Showboat and Trash - released high quality music spanning a large variety of genres including rock, jazz, fusion, soundtracks and popular songs, until its end in 1984. Through the eight tracks selected here, Chintam unearths some dope drum breaks, heavy bass lines and funky horns, for an essential selection of jazz funk fusion and rare groove vibes produced on Trio between 1973 and 1981.

Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and boogie music developed throughout the years since the sixties in Japan! 180g heavy vinyl pressing, reverse board jacket.

● Fully licensed Trio Records masters.

● Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.

● Signature artwork by Yoxxx.