Soundtracks Sale 206 Items

Double LP on recycled & random-coloured "Re-Vinyl Brand new gatefold design with UV spot varnish Soundtrack by James Primate, Lydia Esrig, Intikus, Ongomato, Connor “12lbs” Skidmore and Progfox Return to the unwavering wild in Downpour, where you explore new, harsh lands and survive new predators. As time passed, the slugcat has evolved. With five variants of the species - take advantage of various skills that they possess and explore their own personal tales.

"Quartet Records and StudioCanal present the premiere vinyl release of John Debney’s symphonic opus for the adventure classic Cutthroat Island. Directed by Renny Harlin and starring Geena Davis, Matthew Modine and Frank Langella, the movie is a big-budget, swashbuckling throwback about Morgan Adams, a female pirate, and her crew racing to find a hidden island containing a fabulous treasure before her uncle, Dawg Brown. Along the way there are sword fights, chases, storms at sea and all sorts of high adventure, all produced on an epic scale. Keeping up with the massive visuals was composer John Debney (hocus Pocus, White Fang 2, Little Giants, THE Passion OF Christ) who led the London Symphony Orchestra and the London Voices for the recording. Considered one of the 90s best adventure scores, and one of Debney’s most highly regarded works, the original soundtrack program is now available for the first time in a deluxe 2xlp set, produced by Neil S. Bulk, mixed by Mike Matessino and mastered by Chris Malone. Pressed on 180 gram audiophile black vinyl and packaged in a gatefold jacket featuring Drew Struzan’s original painting."

Quartet Records and Paramount Pictures present the premiere vinyl edition of Ryuichi Sakamoto’s classic score for 1992 adaptation of Emily Bronte’s Wuthering Heights, starring Ralph Fiennes and Juliette Binoche, and directed by Peter Kosminsky. Ryuichi Sakamoto (1952–2023) was one of the most personal and important voices of the world music scene for several decades: from rock to pop, new age, opera, concert music, electronic and film music, no genre was foreign to him, and he managed to stamp his own style on each of them. His acclaimed score for Wuthering Heights is written in the symphonic tradition of his scores for Bernardo Bertolucci’s THE Last Emperor (for which he won the Oscar for Best Original Score) and Little Buddha. One of Sakomoto’s most special and beloved scores, Wuthering Heights is haunting, beautiful, romantic and tragic. Specially mastered for vinyl by Chris Malone from original stereo master tapes and following the order of the original album produced by Sakamoto, the album is presented on 2xlp 180 GM clear transparent vinyl, in an elegant gatefold with images of the film.

Waxwork Records is beyond thrilled to release WENDELL & WILD Original Soundtrack From The Netflix Film! Wendell & Wild is a 2022 stop-motion animation film directed by Henry Selick (The Nightmare Before Christmas, Coraline) and written by Selick and Jordan Peele. It stars Keegan-Michael Key and Jordan Peele as the titular characters Wendell and Wild, with Angela Bassett, Lyric Ross, James Hong, and Ving Rhames in supporting roles. The film marks Selick's first feature since Coraline (2009).

Wendell & Wild is an animated tale about two scheming demon brothers Wendell (Keegan-Michael Key) and Wild (Jordan Peele) who enlist the aid of 13-year-old Kat Elliot, a tough teen with a load of guilt and a love for punk rock, to summon them to the Land of the Living. But what Kat demands in return leads to a brilliantly bizarre and comedic adventure like no other, an animated fantasy that defies the law of life and death, all told through the handmade artistry of stop motion.

Waxwork Records is proud to release the soundtrack to Wendell & Wild as a deluxe vinyl album featuring score cues by composer Bruno Coulais and tracks by X-Ray Spex, Death, TV On The Radio, and more. Features include 180 Gram "Wendell & Wild Demon Swirl" colored vinyl (Green and Purple swirl), new album artwork by TV On The Radio frontman Tunde Adebimpe, a four page booklet with an exclusive essay by Adebimpe, heavyweight gatefold jackets with matte satin coating, and more!

WENDELL &WILD Original Soundtrack From The Netflix Film Features:

Score Cues By Composer Bruno Coulais
Tracks By X-Ray Spex, Death, TV On The Radio, and more
180 Gram Green and Purple "Demon" Swirl Colored Vinyl
Artwork by TV On The Radio Frontman Tune Adebimpe
Exclusive Essay by Tunde Adebimpe
Four page Booklet
Heavyweight Gatefold Jackets with Matte Satin Coating

The reputation of the Japanese hip-hop production team Grey October Sound is spreading both in Japan and abroad. While they have released quality albums such as "Timeless" and "The Cave," their two lo-fi hip-hop cover albums, "Lo-Fi Ghibli" and "Lo-Fi City Pop," have become hits in record stores around the world. For the third installment of this series, they have set their sights on Japan's world-famous anime songs!

They will be covering songs from "Bleach", "Saint Seiya", "Puella Magi Madoka Magica", "k-on! and "Dragon Ball", all of which are lo-fi arrangements of theme songs and insert songs of high quality, while still showing respect for the originals. The cover of this album was designed by Rika Hase, an illustrator who also created the artwork for "Lo-Fi Ghibli" and "Lo-Fi City Pop".

Ship to Shore PhonoCo. is very proud to announce the release of the original N64 soundtrack to Bomberman Hero, now officially available on vinyl for the first time! Fan-favourite Bomberman Hero first appeared on the Nintendo 64 in 1998, and promptly blew everyone’s collective minds with its soundtrack. Series regular Jun Chikuma continued her winning streak of memorable VGM compositions by changing the formula to the franchise completely and removed all traces of chiptune. Instead, drum & bass, leftfield electro and even a touch of acid techno rip through the proceedings, like 808 State remixed by a chilled-out Goldie, making this album not just a bonafide classic for VGM fans but also a damn fine LP for electronic & breakbeat enthusiasts. Outside of its Japanese CD release in 1998 (now excruciatingly difficult to find — and afford!), the album has been unavailable in international markets, besides the occasional inferior-sounding LP bootleg, which is why we are so thrilled with this pressing: it’s the first official release of the soundtrack on vinyl – mastered from a new original hardware recording – and it should absolutely not be missed!

“Bomberman, you’re back!”

Coop between Sacred Bones and Waxwork.
Legendary hip hop pioneer DJ Muggs and frequent David Lynch collaborator Dean Hurley join forces for the original score to the 2023 Sundance-premiering feature film Divinity. Equal parts sonically punishing and ethereal, the soundtrack delivers a unique punch that further intensifies the mind-bending, acid-trip experience of the film.

Divinity is a sci-fi dystopian odyssey produced by Steven Soderbergh and helmed by visionary director Eddie Alcazar. Set in the distant future, scientist Sterling Pierce dedicated his life to the quest for immortality, slowly making progress developing a serum named Divinity. Jaxxon Pierce, his son, now controls and profits from his father’s once benevolent dream. Society on their barren planet has been entirely perverted by the supremacy and pervasiveness of the drug. Two mysterious brothers arrive with a plan to abduct the mogul, and with the help of a woman named Nikita, they set on a trajectory hurtling toward true immortality.

Amidst the film’s extraordinary tapestry of stark aesthetics and themes, the score is a ten ton barbell of sonic weight. Crafted with 8-bit samplers, Wavestation synths, extended choir and string techniques, the soundtrack manages to swing wildly between the arenas of both music and sound design. Like all rich soundtracks, listening to the score on its own re-conjures the imagery of the film in the screen of the listener’s mind, an aural experience that manages to encapsulate and pulse a matched intensity of the film.

Tracks like ‘The Brothers’ and ‘Reflective Dreams’ cascade Vangelis-esque tones, painting with broad strokes of cinematic grandeur and ethereal wonder. ‘Main Titles’ and ‘Infinity Techno’ conversely swing hard into relentless, punishing sonics; with brutal, pulsing energy representative of the twisted, relentless pursuit of immortality. A standout of the album is undoubtedly “Divinity 2 Infinity: The Odyssey,” featuring cult hip-hop hero and lyrical-savant Kool Keith. Written for the film’s end credits, the track is a satisfying throwback to the 90’s original soundtrack cut bespoke-tailored to the film’s narrative themes.

DJ Muggs and Dean Hurley’s synergy yields a soundtrack that takes Divinity beyond the screen and into a multi-dimensional experience, inviting its listener along uncharted aural terrain for an unforgettable odyssey in sound.

The unique soundtrack created under the direction of an award-winning composer Marcin Przybylowicz (The Witcher 3, Cyberpunk 2077) together with Magdalena Urbanska, Maciej Dobrowolski and Piotr Musial (Frostpunk) features orchestral, classical music accompanying the noir-themed cyberpunk RPG based on Marcin Przybylek's saga. Features many minutes of the original score. The unique collaboration of the mentioned artists results in a great mix of electronic and EDM sounds, resembling Cyberpunk 2077. The classic approach suggested by other artists adds a new system to the futuristic sounds, combining orchestra records with virtually generated layers.

Listen: https://youtu.be/DciM0J2GMhA

Fortnite is more than just a game. It’s a bonafide, genuine, global phenomenon – a platform for players and creators alike to express themselves, a cross-media megaton of diverse characters, concepts, & artwork, and a mind-bendingly massive digital space to hang out with your friends after work, between classes, or whenever you’ve got time to play. Fortnite represents the cutting-edge of what’s possible where creativity meets technology.
Here at iam8bit, we love to live in that particular intersection. So it’s with great pride that we teamed up with the innovative & clever polymaths at Epic Games to present this album for your listening pleasure: Say hello to the Fortnite: Best of the Lobby vinyl!

It’s 1xLP positively packed with the Fortnite community’s favorite Lobby tracks and tunes. It includes hits like Default Vibe, Solid Groove, Afterburner, and even festive jams like Frosty Serenade. They’re all there on gorgeous, peely yellow vinyl.

Of course, it wouldn’t be Fortnite without spectacular art, aesthetics and presentation. That’s why we tapped the infinitely funky Jim Mahfood for the album art and design, featuring tons of iconic Fortnite friends and characters hanging out and enjoying the jams.

Fortnite is more than just a game. It’s a million moving parts, an intersection of online community, technology, and of course, artistry. We are humbled to play a small part in that symphony with this album – a true labor of love.

Kohei Tanaka worked on the composition and arrangement of this album. One Piece is a Japanese manga written and illustrated by Eiichiro Oda. The story follows Monkey D. Luffy, a young boy whose body became elastic after eating a Devil Fruit. Luffy decides to become the Pirate King and find the One Piece, a legendary treasure hidden on Raftel Island.

Waxwork Records is thrilled to release Monster House Original Motion Picture Soundtrack by Douglas Pipes. This special double LP marks Waxwork's third soundtrack album release with composer Douglas Pipes following 2014's Trick 'r Treat and 2016's Krampus. Monster House is a 2006 animated Horror film directed by Gil Kenan (Scream, Ghostbusters: Afterlife). The plot tells the story of a neighborhood that is terrorized by a haunted house during Halloween. The movie features the voices of Steve Buscemi (Reservoir Dogs), Maggie Gyllenhaal (Donnie Darko, The Secretary), Mitchell Musso (Hannah Montana), Sam Lerner, Spencer Locke, Kevin James (The King of Queens), Nick Cannon, Jason Lee, Fred Willard (Spinal Tap), Jon Heder (Napoleon Dynamite), Catherine O-Hara (Beetlejuice), and Kathleen Turner (Jessica Rabbit in Who Framed Roger Rabbit).

Monster House marks Sony's first computer animated film produced by Sony Pictures Imageworks. Produced by Roger Zemeckis (Back to the Future Trilogy) and Steven Spielberg's Amblin Entertainment, the film was released in 2006 and was met with praise from fans and critics for its blending of horror and accessibility to a broad audience as a feature animated film.

Roger Ebert gave the film his highest ranking of four stars calling it "one of the most original and exciting animated movies I've seen in a long time" and compared it to the work of Tim Burton.

About the composer:

Douglas Pipes is an award winning American film score composer whose feature films include the Academy Award nominated Monster House, the Halloween horror anthology classic Trick 'r Treat, and the Christmas comedy-horror film Krampus.

Waxwork Records is thrilled to release yet another score by Douglas Pipes after the deluxe vinyl releases of the soundtracks to both Trick 'r Treat and Krampus.

Waxwork Records is thrilled to release THE FUNHOUSE Original Motion Picture Soundtrack by John Beal! THE FUNHOUSE is a 1981 American slasher film directed by Tobe Hooper. The plot follows four teenagers who become trapped in a dark, horror-themed ride at a local carnival in Iowa and are stalked by a mentally disabled, murderous carnie. The film was Tobe Hooper's first major studio production after Eaten Alive (1976) and The Texas Chain Saw Massacre (1974).

About the composer:

John Everett Beal is an internationally recognized American music composer, military veteran, classical musician and musical conductor. He has conducted for major recording artists, movies in concert such as Star Wars, Toy Story, Home Alone, and the Harry Potter series, and he is the principal conductor of the Hollywood Symphonic Orchestra. Beal is considered by The New York Times as the pioneer of original scores for film trailer music including Star Wars, Titanic, The Matrix, Aladdin, Mean Girls, Planet Of The Apes, Ferris Bueller's Day Off, Cruising, Bram Stoker's Dracula, First Blood, The Bodyguard, Ghost, The Nightmare Before Christmas, The Mask, True Lies, Police Academy, and many more.

Waxwork Records is proud to present THE FUNHOUSE Original Motion Picture Soundtrack by John Beal officially for the first time on vinyl. Features include heavyweight double LP "Dark Carnival Ride" pinwheel colored vinyl, all new artwork by Ghoulish Gary Pullin, old style tip-on gatefold jackets with matte satin coating, liner notes, a 12"x12" art print, vertical inner gatefold artwork, and more!

THE FUNHOUSE Original Motion Picture Soundtrack Features:

The Complete Soundtrack by Composer John Beal
Officially Available For The First Time On Vinyl
"Dark Carnival Ride" Pinwheel Colored Vinyl
New Artwork By Ghoulish Gary Pullin
Heavyweight Old Style Tip-On Gatefold Jackets with Matte Satin Coating
Liner Notes
12"x12" Art Print
Vertical Gatefold Artwork

If you want this edition, don't wait, as we will not get many copies.

Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on several beautiful colored vinyl variants to choose from that all correspond to fun elements in the film, housed in heavyweight LP jackets with overall high gloss coating, with a 12"x12" insert.

I PREDATORI DI ATLANTIDE (AKA Atlantis Inferno) is a post-atomic movie directed by Ruggero Deodato in 1983. It narrates the adventures of Mike Ross (Christopher Connelly), Washington (Malik Farrakhan) and of a group of characters bound to the events revolving around the sinking of a Soviet submarine, close to Florida shores. A series of twists will bring the group on an island, just submerged from the abyss which is the mythical Atlantis. The score, unreleased if we pay exception to a 7” vinyl of the 80s featuring the song BLACK INFERNO, is finally integrally available on CD, displaying a magnificent electronic style in the prevalent mood of many of the De Angelis’ bros scores of that decade such as Alien 2 sulla terra or 2019 dopo la caduta di New York. A much requested title by fans of the composers, we put an end to the waiting thanks to this release featuring a jewel case edition, mastering by Enrico De Gemini, graphic layout by Daniele De Gemini and derailing liner notes by eclectic musical critic Fabio Babini.

This compilation brings together some of the best soundtracks with an obvious or hidden Belgian connection, from the early sixties till the late seventies. From obscure local composers to world renowned musicians playing on Hollywood scores.

Fatima Yamaha's soundtrack for the Dutch documentary 'Onzichtbaar' directed by Gabrielle Provaas is temporarily available on limited LP and was only for sale during the live show at ADE 2023. Only a handful of LP's are available for sale and won't be repressed. The documentary sheds light on the invisible heroes who tirelessly keep the Netherlands clean day and night. From schools and offices to hospitals and streets, they work tirelessly and humbly. Their hard work keeps society running smoothly. 'Onzichtbaar' challenges viewers to reflect on their own involvement and unveils the price we pay for the facade of cleanliness we hold dear.

Doctor Who – Revenge Of The Cybermen was the season 12 finale first broadcast on April 19th, 1975. As with so much television music of the 1960s, ‘70s and ‘80s, the original master tapes of Carey Blyton’s score for Revenge of the Cybermen were not retained. The only surviving copy is a set of four 7”, 7.5ips “composer’s copy” domestic 1/4-inch tape. It is from those digital transfers that this release is taken. Sadly, and to Carey’s obvious and understandable disappointment, the completed music did not meet with the complete approval of the production team, and much of it was not used. Peter Howell of the BBC Radiophonic Workshop added some electronic embellishments and arranged some additional cues for parts two and three but some of that was also left on the proverbial cutting room floor. For this release, Carey’s original score is presented (and heard here for the first time) as written. This is followed by the additional, alternative, and “enhanced” cues, all of which were also on Carey Blyton’s tapes.

Doctor Who – Time And The Rani was the opening serial of season 24, first broadcast on September 7th, 1987. It marked the debut of Sylvester McCoy and featured CGI in a very basic form as the technology was still in development. It also debuted a new computer animated opening title sequence with a new synthesiser version of the theme created by Keff McCulloch.

The composer was invited to create incidental music for the series and became a regular member of the team also writing music for Delta & The Bannerman, Paradise Towers, Remembrance Of The Daleks, Silver Nemesis, Battlefield, Dimensions In Time and Shada.

Keff, Dominic Glynn and Mark Ayres were the composers for the last three years of Doctor Who on its original run that ended in 1989, the latter compiling and producing this release.

Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on CD, housed in a jewel case, with a 16 page booklet.

Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on several beautiful colored vinyl variants to choose from that all correspond to fun elements in the film, housed in heavyweight LP jackets with overall high gloss coating, with a 12"x12" insert.

Acclaimed label Light in the Attic proudly partners with River Road, Zurich Avenue, and Roadside Attractions to release Dreamin’ Wild Original Motion Picture Soundtrack. The film follows the real-life story of brothers Donnie & Joe Emerson, whose teenage dreams of rock stardom suddenly came true 30 years later. The soundtrack blends vintage recordings by Donnie & Joe (including the cult favorite “Baby”) with exclusive new performances by Donnie Emerson, Nancy Sophia Emerson, and actor Noah Jupe, plus original score selections by composer Leopold Ross (Black Mirror, A Million Little Pieces).

Quantity: 5000
Release type: RSD Exclusive Release

The Guardians Of The Galaxy Holiday Special is the soundtrack to the television special released on Disney+ in November 2022. The album features an original score composed by John Murphy, plus two songs performed by Old 97’s and Kevin Bacon. Available for the first time on vinyl, this color splatter LP is being released exclusively for RSD Black Friday 2023.

Still one of the most highly regarded horror films of all time, F.W. Murnau’s unauthorised adaptation of Bram Stoker’s Dracula, Nosferatu (1922), is an Expressionist masterpiece of the silent era. Much of the original score by Hans Erdmann (meant to be played live by an orchestra) was lost, leading Nosferatu to inspire several subsequent soundtracks, the best known of which is by Hammer Horror composer James Bernard, written for the Tanis Film video reissue of the film in 1997. The world premiere of the score was performed by Nic Raine and the City of Prague Philharmonic Orchestra at the London Film Festival the same year and now, almost twenty years later, the score was pressed on vinyl for the first time by Silva Screen.

Originally released on white vinyl for Record Store Day 2021, this much sought after soundtrack is now available on a limited run of Transparent Red Vinyl. 2020 saw the release of the critically acclaimed “Audrey”, a documentary film taking an intimate look at Audrey Hepburn’s life with access to never-before-seen footage from her family’s personal collection and produced by the multi award-winning team behind “McQueen” and “Churchill”. The soundtrack was composed by Alex Somers, an American composer and producer who has written and collaborated on soundtracks including “We Bought A Zoo”, “How To Train Your Dragon Trilogy”, “Aloha”, “The Circle”, “Captain Fantastic”, “Shia LaBeouf's Honey Boy” and Taylor Swift's Netflix original documentary “Miss Americana”. His work was first noticed in 2009 with Riceboy Sleeps, his ambient album collaboration with partner Jónsi (Sigur Rós). Following “Riceboy Sleeps”, Alex co-produced Jónsi’s 2010 debut solo album “Go”. He then opened his own recording studio in Reykjavík where he co-produced and mixed Sigur Rós’ 2013 album “Valtari”, and continued to collaborate with artists Jónsi, Julianna Barwick, Jóhann Jóhannsson, Gyða Valtýsdóttir, Damien Rice, Amiina, Sin Fang, Briana Marela. “Audrey Hepburn was such a special person” Says Alex Somers. “It was my goal to tap into what made her such a one-of-a-kind soul and create a melodic and sonic accompaniment for her. Collaborating with Helena was a beautiful and rewarding experience. The music poured out and together we experimented and pushed deeper to tell Audrey’s story; there is music here that is dark and there is music here that is light and uplifting, but the common thread is that it is honest and true to the spark that was Audrey.”

Includes 4 folded posters!

"* Pressed on Black Double Vinyl

* Gatefold Packaging with Printed Sleeves

* Includes a Double Sided Poster / The soundtrack to the 3rd season of Netflix’ The Witcher mixes score tracks by The Greatest Showman composer Joseph Trapanese and vocal tracks by Jaskier-actor Joey Batey, singer of the Season 1 hit “Toss A Coin to Your Witcher”, feat. in global and local Viral 50 playlists at the time. Polish folk band Percival Schuttenbach join on select tracks – celebrated for their music to The Witcher video games. For the first time in The Witcher series, actress Freya Allan who plays Ciri, is also featured on the soundtrack for her song “A Little Sacrifice.” Other songs on the vinyl include “Extraordinary Things,” “All Is Not As It Seems,” “Enchanted Flowers” and “The Ride of the Witcher.”



This vinyl only features highlights of the soundtrack not the full digital soundtrack tracklist. However, the tracklist includes 1 bonus track that will only be available on this vinyl.



The vinyl package includes 2x double-sided black vinyl in a gatefold with printed sleeves and an insert featuring song lyrics, liner notes and artwork from the show. Each package also includes one double-sided poster. The poster will feature either of the following pairings: Geralt x Ciri, Geralt x Yennefer, Geralt x Jaskier or Ciri x Yennefer. The poster in each package is chosen at random."

Ship to Shore PhonoCo. is proud to present the original Game Boy Advance soundtrack to Capcom's Mega Man Battle Network, available on vinyl for the first time!

Debuting on the 32-bit GBA in 2001, Mega Man Battle Network was an innovative departure from the Mega Man franchise, taking inspiration from the popular wave of collectible card games at the time. Forgoing the traditional action platforming elements as was expected in a Mega Man title, Battle Network is instead a real time tactical RPG set in an alternate timeline to the main Mega Man games. The move of gameplay style proved so popular that Battle Network spawned its own prominent series of video games throughout the decade, and is a franchise still beloved to this day.

Composer Akari Kaida brings complex melodies and bombastic energy to the proceedings, brilliantly blending the intense action and playful antics of the Battle Network world. Now newly remastered and available on two exclusive variants, along with original artwork from the Capcom archives, Kaida's score to the very first Mega Man Battle Network entry is finally pressed on vinyl - a perfect piece of nostalgia for those who were there from the beginning and a fresh discovery for those new to the world of VGM!

Waxwork Records in partnership with Back Lot Music is thrilled to release Cocaine Bear Original Motion Picture Soundtrack Music by Mark Mothersbaugh!

Directed by Elizabeth Banks and inspired by the 1985 true story of a drug runner's plane crash, missing cocaine, and the black bear that ate it, this wild dark comedy finds an oddball group of cops, criminals, tourists and teens converging in a Georgia forest where a 500- pound apex predator has ingested a staggering amount of cocaine and gone on a coke-fueled rampage for more blow … and blood.

About the composer:

Mark Mothersbaugh is a Grammy, Bafta, and Emmy nominated composer, producer, designer, and visual artist whose work has become part of the pop culture consciousness. He started his career as co-creator and front man for the seminal New Wave band Devo. Their Brian Eno/David Bowie-produced debut album “Q: Are We Not Men? A: We Are Devo” was certified Gold before their hit album “Freedom of Choice” went Platinum.

For Cocaine Bear, Mothersbaugh wanted a score that reflected and captured the culture of the ’80s, with a personality that evolved as the decade’s music evolved. “At the beginning of the film, it starts out very pop,” Mothersbaugh says. “But as it goes through it, it gets heavier. The guitars change up from being acoustic and lighter to being distorted and more aggressive and there are synths throughout that provide a pulse that keeps things moving.”

To make it as authentic as possible, Mothersbaugh used the instruments that created some of the most distinctive and memorable sounds of the ’80s music scene. “Once we decided we were going to let it soak a bit in an ’80s sound, I went to the warehouse where I store equipment and my old Devo road cases full of synths,” Mothersbaugh says. “I pulled out old synths that we used on albums in the ’80s and used the same synths and a lot of the same amps and foot pedals.”

Cocaine Bear Original Motion Picture Soundtrack Music Features:

The Complete Score by Composer Mark Mothersbaugh 180 Gram Cocaine and Crystal Clear Colored Vinyl Heavyweight Gatefold Jackets Design and Layout by Matt Needle 12"x12" Insert

Waxwork Records is beyond thrilled to announce the debut vinyl release of Evil Dead Rise Original Motion Picture Soundtrack by Stephen McKeon. Written and directed by Lee Cronin (“The Hole in the Ground”), the movie stars Lily Sullivan and Alyssa Sutherland.

Moving the action out of the woods and into the city, Evil Dead Rise tells a twisted tale of two estranged sisters, played by Sullivan and Sutherland, whose reunion is cut short by the rise of flesh-possessing demons, thrusting them into a primal battle for survival as they face the most nightmarish version of family imaginable.

Evil Dead Rise is produced by longtime franchise producer Rob Tapert (Ash vs Evil Dead, Don’t Breathe) and executive produced by series creator and horror icon Sam Raimi and cult legend and “Ash” himself, Bruce Campbell.

About THE Composer

Stephen McKeon has been composing music for film and television for more than 30 years. A highly versatile multi-instrumentalist, he has scored over 100 feature films and numerous award-winning international television drama series and documentaries, including Black Mirror (“Fifteen Million Merits”).

McKeon, an admitted ‘huge horror fan,’ discussed his approach to the film’s soundtrack. “Lee liked the idea of something offscreen laughing and delighting at the suffering and terror of the characters, so I recorded two female vocalists performing 'taunting' sounds and vocal effects.

(Lee) wanted a score that was visceral, immersive and confrontational, while still leaving room for an emotional theme. So, I began to create sounds and textures based on guitar feedback; guitar strings stretching and breaking; strings being ripped with knives and scissors; and many other weird effects. Many of these made it into the score as part of the texture and tapestry. But ultimately, for the signature, we hit upon an idea we called 'the meat grinder.' I spent a week creating lots of sounds using a variety of methods, but eventually, the one that worked was the result of me dragging carving knives along the strings of my beautiful grand piano and then chopping and stretching the audio into something that eventually sounded like a demonic meat grinder being revved up.”

McKeon also recorded various stringed and percussion instruments, “being tortured, broken and slowly dismembered. Then, these recordings were chopped up, bent and stretched before being fed, screaming for mercy, into the score.”

Evil Dead Rise Original Motion Picture Soundtrack Features:

The Complete Soundtrack By Stephen McKeon 2xLP 180 Gram "Deadite & Blood" Hand Poured Colored Vinyl Old Style Tip-On Gatefold Jackets with Built In Pages From The Book Of The Dead New Artwork By Steve Reeves Printed Inner Sleeves

2xLP on Tasty Orange Cream Vinyl
Music by Seth Parker

Featuring the track “It’s Bugsnax!” by Kero Kero Bonito
Album Art by Nicole Gustafsson
Includes Digital Download of the Full SoundtrackIt’s Buuuuuugsnax!

With those lyrics and an inescapably funky beat to back ‘em up, Young Horses’ colorful bug-catching adventure burst into the public consciousness in June 2020, at the PlayStation 5 reveal event. It’s a testament to Bugsnax’s unique aesthetic and charm that it stood out so strongly in that stacked next-gen line-up. And hey, Kero Kero Bonito’s unforgettable ear-worm of a title track helped a fair bit, too.
Bugsnax looks, plays, and sounds like nothing else in games. We, here at iam8bit, have done our best to bottle that idiosyncratic charm with this release. Say hello to the Bugsnax 2xLP Vinyl Soundtrack!

It’s the very best of Seth Parker’s friendly, fun, & synth-tastic soundtrack, pressed on beautiful high-quality vinyl. The album art comes courtesy of illustrator Nicole Gustafsson, whose otherworldly-yet-pastoral (and delicious) style was all-too at home on mysterious Snaktooth Island. If you close your eyes and listen to these tunes, perhaps you can even conjure a Bunger, Weenyworm or Fryder into your living room.

It doesn’t take a Grumpus to see that this release is something special — and yeah, that catchy Kero Kero Bonito title song is included here, too!

Light Yagami, a gifted young student, one day picks up the "Death Note", a notebook previously kept by a shinigami (God of death), Ryuk, who apparently was bored in his world. Just write the name of a person in this notebook, and this one dies (according to certain conditions that the shinigami will explain to Light during their meeting). Thus, with the "Death Note" in hand, Light decides to rid the planet of all criminals to make it a just world, a perfect world. However, who is he to judge people? He therefore becomes the worst wanted criminal on the whole planet.. Two composers and arrangers composed for this work: Hideki TANIUCHI (HAJIME NO IPPO, NANA) and Yoshihisa HIRANO (FINAL FANTASY, HUNTER X HUNTER).

First appearing on TV screens in September 1968, Joe 90 was a unique nine year old boy with the ability to absorb the brain patterns of top experts enabling him to become the most special agent of W.I.N. (World Intelligence Network). Whilst there are arguably better-known scores amongst Barry Gray's sublime catalogue of work with the Andersons, the composer's work for Joe 90 is in many ways the most consistent and inventive selection he ever wrote. Developing a theme for the new series was always the musician's starting point, and for Joe 90, the pop charts breezed into Gray's studio, with an opening tune featuring a genuine groove. Mixing Gray's inventive electronics with 60s "surf rock" guitars was an inspired decision. It is no wonder that this piece has gone on to enjoy a second life as a Northern Soul disco floor-filler. For episodic incidentals, Gray was freed from the detached unearthly premise of Captain Scarlet and able to bring back a playful sensibility and a more mature musical palette which are amply illustrated in this 24 track collection.

In partnership with MangaGamer and Novect, Materia Collective is thrilled to announce our newest project: The House in Fata Morgana, available on vinyl for the very first time.

This release contains tracks from The House in Fata Morgana, The House in Fata Morgana: A Requiem for Innocence, The House in Fata Morgana: Reincarnation, and Seventh Lair.

We have selected some of the best tracks from four of the Fata Morgana games to capture a robust experience of the games. Music composed by Yusuke Tsutsumi, tetem., and Mellok'n.

This is the Retail Edition, available on 180g 33rpm black discs.

Blue Giant" (original story by Shinichi Ishizuka), a popular jazz manga series that has sold over 9.2 million copies since its serialization began in 2013, has finally been made into a movie.

The music of "Blue Giant" was composed by pianist Hiromi Uehara, who has been highly acclaimed for her "manga that you can hear the sound of. The original music (first Note, N.E.W., WE Will) and end-roll music (Blue Giant) for the trio "jass" formed by the main character, Dai Miyamoto, and his friends were also written for this film.

The saxophone player for Dai Miyamoto, who aspires to be the best jazz player in the world, is Tomoaki Baba, who was unanimously selected in an audition of leading players from Japan and abroad. Shunji Tamada, who was a high school classmate of Dai from Sendai, plays drums, and Shun Ishiwaka, who is also a member of millennium parade, joins him at the love call of Hiromi Uehara. And Hiromi Uehara plays the piano for the pianist Yukinori Sawabe, whom Dai meets in Tokyo.

Top musicians from the classical to jazz worlds, including string members of "Hiromi Uehara the Piano Quintet," also participated in the recording of the film's accompaniment music and band performances.

Money (aka "Intrigo in 9 mosse") is a 1991 thriller directed by Steven Hilliard Stern and written by Larry Pederson and Gordon Roback, based on the novel of the same name by Paul-Loup Sulitzter. The film was produced by André Djaoui and René Malo, with music by Ennio Morricone and starring Eric Stoltz, Maryam D'Abo, Bruno Cremer, Mario Adorf, Anna Kanakis, F. Murray Abraham, Christopher Plummer, Bernard Fresson, Angelo Infanti and Tomas Milian. Frank Cimbali is a 21-year-old man who, trying to reclaim his legacy, discovers the dirty business of his father's former business partner. While traveling around the world in search of those who have robbed him of millions of dollars, Frank meets the love of his life. Finally, the young man finds Will Scarlet, who had been his father's partner and who is now seriously ill. Will admits his role in the crime and decides to help Frank track down the rest of the men on his revenge list. Two different versions of Money were produced, one for television and one for the cinema. Most of the soundtrack is repertoire, but this CD, with a duration of approx. 37 minutes, contains only the original music composed, orchestrated and conducted by Ennio Morricone, derived from the stereo masters of the original sessions. Oscar Valdambrini is the exceptional flugelhorn soloist on the rhythmic main theme, which is alternated with moments of comedy, suspense and action. This reissue will be welcomed by anyone who missed out on the long-out-of-print GDM CD release and is essential for every collection dedicated to the musical genius of Ennio Morricone.

Taken from the 1993 movie directed by Pupi Avati. Riziero Ortolani (25 March 1926 – 23 January 2014) was an Italian composer, conductor, and orchestrator, predominantly of film scores. He scored over 200 films and television programs between 1955 and 2014, with a career spanning over fifty years. Internationally, he is best known for his genre scores, notably his music for mondo, giallo, horror, and Spaghetti Western films. His most famous composition is "More," which he wrote for the infamous film Mondo Cane. It won the 1964 Grammy Award for Best Instrumental Theme and was nominated for the Academy Award for Best Original Song at the 36th Academy Awards.[3] The song was later covered by Frank Sinatra, Kai Winding, Andy Williams, Roy Orbison, and others. Ortolani received many other accolades, including four David di Donatello Awards, three Nastro d'Argento Awards, and a Golden Globe Award for Best Original Song. In 2013, he received a Lifetime Achievement from the World Soundtrack Academy. In the early 1950s, Ortolani was founder and member of a well-known Italian jazz band. One of his early film scores was for Paolo Cavara and Gualtiero Jacopetti's 1962 pseudo-documentary Mondo Cane, whose main title-song More earned him a Grammy and was also nominated for an Oscar as Best Song. The success of the soundtrack of Mondo Cane led Ortolani to score films in England and the United States such as The Yellow Rolls-Royce (1964), The Spy with a Cold Nose (1966), The Biggest Bundle of Them All (1968) and Buona Sera, Mrs. Campbell (1968). He also scored the 1972 film The Valachi Papers, directed by Terence Young and starring Charles Bronson. Ortolani scored all or parts of over 200 films, including German westerns like Old Shatterhand (1964) and a long series of Italian giallos, Spaghetti Westerns, Eurospy films, Exploitation films and mondo films. These include Il Sorpasso (1962), Castle of Blood (1964), Africa Addio (1966), Day of Anger (1967), Anzio (1968), The McKenzie Break (1970), The Hunting Party (1971), A Reason to Live, a Reason to Die (1972), Seven Blood-Stained Orchids (1972), The Fifth Musketeer (1979), From Hell to Victory (1979), the controversial Ruggero Deodato films Cannibal Holocaust (1980) and The House on the Edge of the Park (1980), and the first series of La piovra (1984). In later years he scored many films for Italian director Pupi Avati. His music was used on soundtracks for Grand Theft Auto: London 1969 (1999), Kill Bill: Volume 1 (2003), Kill Bill: Volume 2 (2004), Drive (2011) and Django Unchained (2012).

This is a record of rare beauty that collects the soundtrack of a 1975 film called "Drugged Rome: the Police Can't Intervene" (in English "Hallucination Strip") directed by Lucio Marcaccini. The soundtrack was written by Alber Verrecchia, a French composer (but I presume originally from Italy) who came to Italy in the 1960s and formed the group I Pyranas, with whom he recorded two albums released by Arc. In the 1970s Verrecchia devoted himself mainly to making soundtracks, including the one presented here. Unlike other soundtrack composers, Verrecchia preferred electric sounds to orchestral arrangements. This disc contains interesting tracks in rock and blues styles, with some psychedelic influences. Musicians featured on the record include Cyan, Baba Yaga, Toni Esposito, and singer Sammy Barbot (whom we may remember best as the host of two 1980s TV shows, Piccolo Slam and Popcorn). The Cyans are an old acquaintance of ours, who are credited with a 33 rpm in 1972 and a handful of singles; Le Baba Yaga were a female trio who made a single in 1972; and finally Toni Esposito who needs no introduction. Singer Edda Dell'Orso, with her soprano voice, also appears on two tracks. In short, a unique record in the panorama of soundtracks

Taken from the soundtrack to an obscure 1975 Italian film, Elio Bartolini’s L’Altro Dio, these two killer disco-funk instrumentals might have remained in oblivion were it not that Four Flies rescued and included them in the comps Esterno Notte and Esterno Giorno, both of which sold out quickly and have become almost impossible to find. It seemed more than proper now to release them for the first time ever on 7”.

In partnership with Milan Records and Searchlight Pictures, Waxwork Records is excited to release THE Menu (original Motion Picture Soundtrack) by Grammy Award®-winning saxophonist, multi-instrumentalist, songwriter and composer Colin Stetson (Hereditary, Color Out Of Space). The album features music written by Stetson for the satirical thriller directed by Mark Mylod. Starring Ralph Fiennes, Anya Taylor-Joy, Nicholas Hoult, Hong Chau, Janet McTeer, Reed Birney, Judith Light, and John Leguizamo.

Of the score, Colin Stetson says, “From my first reading of the script to our last moments on the mix stage, my experience creating the music on this film has been an absolute joy, as the themes, refrains, and aesthetic have seemed to jump right off of the page and screen for me with every brilliant turn of phrase, perfect edit, and wickedly delivered performance. It is pure pleasure working with such an incredible team and I am truly grateful for the whole of it.”

About THE Menu

A couple (Anya Taylor-Joy and Nicholas Hoult) travels to a coastal island to eat at an exclusive restaurant where the chef (Ralph Fiennes) has prepared a lavish menu, with some shocking surprises.

THE Menu (original Motion Picture Soundtrack) Features:

The Complete Soundtrack by Colin Stetson 180 Gram Splatter Colored Vinyl Artwork and Design by Matt Needle Deluxe Packaging Heavyweight Gatefold Jackets with Matte Satin Coatin 12"x12" Art Print

180 Gram Audiophile Vinyl Includes Insert With Liner Notes 2022 Amazon Original Movie Featuring Harry Styles, Emma Corrin, Linus Roache, David Dawson AND Rupert Everett A.O.

Score BY Steven Price (gravity, Suicide Squad, Baby Driver) Limited Edition OF 4000 Individually Numbered Copies ON Crystal Clear Vinyl

Waxwork Records is proud to present the complete ÆON Flux Original Series Soundtrack Box Set by Drew Neumann. Officially available for the very first time in any format, the soundtrack to the groundbreaking animated series is now available as a deluxe 6xLP box set, multi-disc CD set, and across all digital streaming services today, February 17th, 2023. In partnership with ÆON Flux creator, artist, and director Peter Chung, composer Drew Neumann, and MTV, Waxwork Records assembled a comprehensive box set experience featuring the complete soundtrack music from all 21 ÆON Flux episodes sourced from the composer’s original masters.

Originally airing from September 1991 through October 1995, ÆON Flux is an avant-garde science fiction animated television series that inspired live action films, video games, and comic books. It premiered on MTV’s Liquid Television experimental animation show as a six-part serial of short films, followed in 1992 by five individual short episodes. In 1995, a season of ten half-hour episodes aired as a stand-alone series.

The original and innovative series featured elements of science fiction, allegory, dystopian and spy fiction, psychological drama, and psychedelic imagery. ÆON Flux is set in a surreal futuristic universe. The setting comprises a bizarre dystopia populated by mutants, clones, and robots, set within the separated border wall cities of Monica and Bregna. The title character is a tall, sexy, dominatrix secret agent from the city of Monica that is skilled in espionage, assassination, and acrobatics. Her mission is to infiltrate and destroy the strongholds of the city of Bregna which is led by her sworn enemy, and sometimes lover, Trevor Goodchild.

About the Composer

The music and sound design of ÆON Flux was created by Drew Neumann. Neumann is an American composer and musician of film and television scores. He studied film, animation, and composition at the California Institute of Arts where he first met and began a longtime friendship with Peter Chung. He has composed music for Disney, E!, Nickelodeon, MTV, Mattel, Paramount Pictures, Cartoon Network, and trailers for feature films. In addition, he has contributed sound design and music composition for a variety of hardware synthesizers, sound libraries, and software and computer products. Neumann works closely with and consults for synthesizer companies such as 1010 Music LLC, Arturia, Studio Electronics, Ensoniq, Oberheim, Sequential, UDO, Waldorf, and Moog.

About the Creator

Peter Chung is a Korean American writer and director of animated films. In addition to creating ÆON Flux, Chung’s directing credits include The Animatrix, and the Cartoon Network feature Firebreather. He served as art director for the animated series Teenage Mutant Ninja Turtles and as designer and director for the Nickelodeon series Rugrats. Chung has also directed commercials for Levi’s, Pepsi, Honda, Jaguar, Sony, and many others. He currently teaches a Master Class at the Division of Animation and Digital Arts at the USC School of Cinematic Arts.

ÆON Flux Original Series Soundtrack Box Set Features:

Waxwork Records worked closely with both Drew Neumann and Peter Chung to create the comprehensive ÆON Flux Original Series Soundtrack box set. All artwork elements were provided to Waxwork by Peter Chung from his own personal archive. The deluxe 6xLP set features:

The complete series music by composer Neumann remastered from the original masters 6xLP set pressed to 180 gram colored vinyl Vinyl discs are each devised of a unique color variant correlating to the album’s art The full box set contains original artwork by Peter Chung A high-quality deluxe soft-touch coated “perfect-bound” book that includes: Exclusive liner notes by Peter Chung An extensive essay by Drew Neumann Chung’s original, never-seen-before storyboards and sketches, character design drawings, and much more Each jacket features film laminate gloss coating A turntable slip-mat with art by Chung Housed in a heavyweight slipcase with matte satin coating

* Composed by Nathan Johnson * 2x140 Gram Black Vinyl * Manufactured in Czech Republic
Those familiar with the incredible work of Nathan Johnson will not be surprised by his melody forward approach to such a dark and cynical film. Occasionally bleak but always gorgeous, the film delivers on its promise of grifters and hubris, but Nathan's score balances the equation with a propulsive and somber and simple score. Nathan Johnson and Guillermo Del Toro made beautiful music together. It is a brilliant partnership, one that I hope continues into future productions.

Pressed on 2x 140 Gram Gold Nugget Vinyl (also available on 2x 140 Black Vinyl) and housed in a gold-foil stamped gatefold jacket, wrapped in a foil stamped belly band, and featuring a bonus track by Hoagy Carmichael ('Stardust') not available on the digital album.