Soundtracks Sale 195 Items

180 Gram Colored Vinyl /// Disc 1: Green and Purple Sorcery Swirl /// Disc 2: Jack Lantern and Fire Swirl /// 12" Printed Insert /// Deluxe Packaging /// Waxwork Records in partnership with Back Lot Music is proud to present The House With A Clock In Its Walls Original Motion Picture Music by Nathan Barr. Directed by Eli Roth (Cabin Fever, Hostel) and scored by Nathan Barr (True Blood, Cabin Fever), The House With A Clock In Its Walls is a 2018 dark fantasy film based on the 1973 novel of the same name by John Bellairs. The film follows a young boy (Owen Vacarro) who, after his parents are killed in a car accident, is sent to live with his uncle Jonathan (Jack Black) in a mysterious, old creaky house. He soon learns that his uncle is a warlock, their neighbor (Cate Blanchett) is a witch, and that the house was previously inhabited by a sinister wizard (Kyle MacLachlan).

BMI Award Winning composer Nathan Barr returns to work with Eli Roth for the dark, yet whimsical score to The House With A Clock In Its Walls. Previous collaborations between the composer and director include Cabin Fever, Hostel, and Hostel: Part II. The thematic, haunting score features a 34 piece string ensemble, an 11 piece brass ensemble, and features a newly restored Wurlitzer pipe organ which was previously housed at the 20th Century Fox scoring stage from the 1920’s until the mid-1990’s.

Waxwork Records is thrilled to present the deluxe double LP album loaded with 180 gram colored vinyl, artwork by French fine artist Jérémy Pailler, a 12”x12” printed insert, and old style tip-on gatefold jackets with gloss coating.

Limited edition for Record Store Day 2022.

Waxwork Records is proud to present the Lovecraft Country Soundtrack From The HBO Original Series by Laura Karpman and Raphael Saadiq.

Lovecraft Country is an American horror drama television series based on and serving as a continuation of the 2016 novel of the same name. The series follows a young black man who travels across the segregated United States in the 1950’s in search of his missing father, learning of dark secrets plaguing a town on which famous horror writer H.P. Lovecraft based the location of many of his fictional tales.. This begins a struggle to survive and overcome the racist horrors of Jim Crow era America and terrifying monsters that could be ripped from a Lovecraft paperback novel.

Showrunner Misha Green asked composers Laura Karpman and Raphael Saadiq to capture a sound she coined ‘gothic R&B,’ which the pair flawlessly produced, combining influences from J Dilla, 1960’s string work, & 18th century classical. Karpman describes the score as “the Twilight Zone meets Raphael Saadiq.”

Due to the Covid-19 pandemic, Karpman and Saadiq faced many challenges creating the score, but agree that ultimately, they wouldn’t have gotten the extraordinary sound they achieved had they undergone the traditional recording process. To achieve the full orchestra sound the creators wanted during the height of the pandemic, each member of the orchestra had to learn how to use pro-tools in order to record themselves while isolating in their own homes all over the world. To ensure the best sound quality, everything was close-miked, giving the score period authenticity by using the same techniques composers like Bernard Hermann (Psycho, Taxi Driver)l & Jerry Goldsmith (Planet of the Apes) would have used in the 1950’s and 60’s. Additionally, the musicians had no conductor, so Karpman relied heavily on music notation to achieve ‘aleatoric music’ or ‘chance music,’ which is usually attained directly from conductor cues.

Waxwork Records is thrilled to present Lovecraft Country Soundtrack From The HBO Original Series by Laura Karpman and Raphael Saadiq as a deluxe and expansive triple album set. Pressed across three 180 gram colored vinyl records and housed in a heavyweight triple gatefold jacket featuring matte satin coating and artwork by Ngabo D. Cesar (El'Cesart) and Sam Gilbey.

Lovecraft Country Soundtrack From The HBO Original Series Features:

The Complete Soundtrack by Laura Karpman and Raphael Saadiq 180 Gram 3xLP Colored Vinyl Artwork by Ngabo D. Cesar (El'Cesart) and Sam Gilbey Heavyweight Triple Gatefold Jackets with Matte Satin Coating

Waxwork Records is thrilled to release THE FUNHOUSE Original Motion Picture Soundtrack by John Beal! THE FUNHOUSE is a 1981 American slasher film directed by Tobe Hooper. The plot follows four teenagers who become trapped in a dark, horror-themed ride at a local carnival in Iowa and are stalked by a mentally disabled, murderous carnie. The film was Tobe Hooper's first major studio production after Eaten Alive (1976) and The Texas Chain Saw Massacre (1974).

About the composer:

John Everett Beal is an internationally recognized American music composer, military veteran, classical musician and musical conductor. He has conducted for major recording artists, movies in concert such as Star Wars, Toy Story, Home Alone, and the Harry Potter series, and he is the principal conductor of the Hollywood Symphonic Orchestra. Beal is considered by The New York Times as the pioneer of original scores for film trailer music including Star Wars, Titanic, The Matrix, Aladdin, Mean Girls, Planet Of The Apes, Ferris Bueller's Day Off, Cruising, Bram Stoker's Dracula, First Blood, The Bodyguard, Ghost, The Nightmare Before Christmas, The Mask, True Lies, Police Academy, and many more.

Waxwork Records is proud to present THE FUNHOUSE Original Motion Picture Soundtrack by John Beal officially for the first time on vinyl. Features include heavyweight double LP "Dark Carnival Ride" pinwheel colored vinyl, all new artwork by Ghoulish Gary Pullin, old style tip-on gatefold jackets with matte satin coating, liner notes, a 12"x12" art print, vertical inner gatefold artwork, and more!

THE FUNHOUSE Original Motion Picture Soundtrack Features:

The Complete Soundtrack by Composer John Beal
Officially Available For The First Time On Vinyl
"Dark Carnival Ride" Pinwheel Colored Vinyl
New Artwork By Ghoulish Gary Pullin
Heavyweight Old Style Tip-On Gatefold Jackets with Matte Satin Coating
Liner Notes
12"x12" Art Print
Vertical Gatefold Artwork

The original soundtrack of the anime Bleach (2004 series) is now available on analogue vinyl.

Blue Giant" (original story by Shinichi Ishizuka), a popular jazz manga series that has sold over 9.2 million copies since its serialization began in 2013, has finally been made into a movie.

The music of "Blue Giant" was composed by pianist Hiromi Uehara, who has been highly acclaimed for her "manga that you can hear the sound of. The original music (first Note, N.E.W., WE Will) and end-roll music (Blue Giant) for the trio "jass" formed by the main character, Dai Miyamoto, and his friends were also written for this film.

The saxophone player for Dai Miyamoto, who aspires to be the best jazz player in the world, is Tomoaki Baba, who was unanimously selected in an audition of leading players from Japan and abroad. Shunji Tamada, who was a high school classmate of Dai from Sendai, plays drums, and Shun Ishiwaka, who is also a member of millennium parade, joins him at the love call of Hiromi Uehara. And Hiromi Uehara plays the piano for the pianist Yukinori Sawabe, whom Dai meets in Tokyo.

Top musicians from the classical to jazz worlds, including string members of "Hiromi Uehara the Piano Quintet," also participated in the recording of the film's accompaniment music and band performances.

Il serpente” (aka “The Serpent”) is a thriller directed in 1973 by Henri Verneuil, with a screenplay by Henri Verneuil and Gilles Perrault, based on the novel “Le 13eme suicide” by Pierre Nord. Photography by Claude Renoir, editing by Pierre Gillette, music by Ennio Morricone and a cast including Yul Brynner, Henry Fonda, Dirk Bogarde, Philippe Noiret, Michel Bouquet, Martin Held, Farley Granger, Virna Lisi, Guy Trajean, Marie Dubois, Elga Andersen, André Falcon, Luigi Diberti and Paola Pitagora. Alexei Fedorovic Vlassov, colonel of Soviet espionage, escapes at Orly airport from two officials from his country who were boarding him on a plane to Moscow and seeks political asylum in the United States. Transported from Paris to New York, he reveals - after being subjected to the "lie detector" test - the names of some Soviet spies nested in NATO's high command and in the French secret service. As soon as the head of the CIA ("Allen Davies") reveals the names of the double agents to his European colleagues, a wave of alleged suicides ensue. Only two English spies (who Davies added to the list on his own initiative) and the Frenchman Berthon are saved, by taking refuge in Russia. The escape of the two Britons (whose names were known only to Philip Boyle, an intelligence officer) allows Davies to discover the truth. Ennio Morricone collaborated with director Henri Verneuil six times, including the films “I cannoni di San Sebastian," “Il Clan dei Siciliani," “Gli scassinatori," “Il serpente," “Il poliziotto della brigata criminale” and “I…come Icaro." For "Il serpente," Ennio Morricone perfectly managed to describe the tense atmosphere of this high-voltage espionage thriller, alternating dramatic and mysterious passages ("Assassinio sul lago," "Il serpente"), experimental ("Astrazione con ritmo," "Esplicitamente sospeso") with other soft and sensual ones ("Canzone lontana"), assisted by the thrilling intervention of Edda Dell'Orso and I Cantori Moderni by Alessandroni. Morricone also created another sweet and melancholy theme with modern rhythms called “Tema per una donna sola" as well as music with a danceable flavor such as "Nadine," with organ, rhythm section and rock guitar, always with the wonderful voices of Cantori Moderni, and two themes for the radio, alternating between a soft, slow and a danceable shake and an excited march ("Parata militare"). At the time, General Music released a 33 rpm (General Music - Zslge 55495) containing ten selections in stereo. The album was later reissued on vinyl in France and Japan. Beat Records reissues on CD this valuable musical work by Ennio Morricone for the thriller and espionage genres using the stereo masters of the original recording sessions for a total duration of about 72:15, marking a triumphant return to the market as a tribute to the immense Maestro Ennio Morricone!

Cinedelic Records never ceases to amaze us and they are back again with the rediscovery of these two amazing and mind-blowing unrecognized gems (originally released individually in 1971 in ultra-limited edition), by the American transplanted to Florence, David H. Kimball (also known by the pseudonym Peymont) and Riccardo A. Luciani (who, for contractual reasons, could not use his name). Another two tracks are composed by Serena Marega.

Abstract, mysterious, evocative, experimental, futuristic and avant-psychedelic, ATMOSFERE is a fascinating electro-acoustic, industrial, dreamy journey that stands out in the panorama of Italian discography as one of the most original and unusual examples of psychedelia.

Ship to Shore PhonoCo. is very proud to announce the release of the original N64 soundtrack to Bomberman Hero, now officially available on vinyl for the first time! Fan-favourite Bomberman Hero first appeared on the Nintendo 64 in 1998, and promptly blew everyone’s collective minds with its soundtrack. Series regular Jun Chikuma continued her winning streak of memorable VGM compositions by changing the formula to the franchise completely and removed all traces of chiptune. Instead, drum & bass, leftfield electro and even a touch of acid techno rip through the proceedings, like 808 State remixed by a chilled-out Goldie, making this album not just a bonafide classic for VGM fans but also a damn fine LP for electronic & breakbeat enthusiasts. Outside of its Japanese CD release in 1998 (now excruciatingly difficult to find — and afford!), the album has been unavailable in international markets, besides the occasional inferior-sounding LP bootleg, which is why we are so thrilled with this pressing: it’s the first official release of the soundtrack on vinyl – mastered from a new original hardware recording – and it should absolutely not be missed!

“Bomberman, you’re back!”

Previously unreleased full edition for this explosive jazz-funk score by Italian Maestro Riz Ortolani, created in 1973 for the crime-movie “Si può essere più bastardi dell'ispettore Cliff?” (also known as “Mafia Junction”). Only two tracks from this OST were published at the time in a now extremely rare C.A.M. 7-inch, but that was enough to create the legend... Four Flies is honored to had access to the original C.A.M. master tapes, so to present here, just your pleasure, the complete session for the first time! Just expect one of the funkiest piece of the whole Ortolani’s career: car chases, sex scenes, vicious kills are served here by amazing drum breaks, fat bass lines, captivating horn section and wonderful guitar effects. Totally outstanding session, and a real new classic for all crime-funk lovers!

* Composed by Nathan Johnson * 2x140 Gram Black Vinyl * Manufactured in Czech Republic
Those familiar with the incredible work of Nathan Johnson will not be surprised by his melody forward approach to such a dark and cynical film. Occasionally bleak but always gorgeous, the film delivers on its promise of grifters and hubris, but Nathan's score balances the equation with a propulsive and somber and simple score. Nathan Johnson and Guillermo Del Toro made beautiful music together. It is a brilliant partnership, one that I hope continues into future productions.

Pressed on 2x 140 Gram Gold Nugget Vinyl (also available on 2x 140 Black Vinyl) and housed in a gold-foil stamped gatefold jacket, wrapped in a foil stamped belly band, and featuring a bonus track by Hoagy Carmichael ('Stardust') not available on the digital album.

Kohei Tanaka worked on the composition and arrangement of this album. One Piece is a Japanese manga written and illustrated by Eiichiro Oda. The story follows Monkey D. Luffy, a young boy whose body became elastic after eating a Devil Fruit. Luffy decides to become the Pirate King and find the One Piece, a legendary treasure hidden on Raftel Island.

First appearing on TV screens in September 1968, Joe 90 was a unique nine year old boy with the ability to absorb the brain patterns of top experts enabling him to become the most special agent of W.I.N. (World Intelligence Network). Whilst there are arguably better-known scores amongst Barry Gray's sublime catalogue of work with the Andersons, the composer's work for Joe 90 is in many ways the most consistent and inventive selection he ever wrote. Developing a theme for the new series was always the musician's starting point, and for Joe 90, the pop charts breezed into Gray's studio, with an opening tune featuring a genuine groove. Mixing Gray's inventive electronics with 60s "surf rock" guitars was an inspired decision. It is no wonder that this piece has gone on to enjoy a second life as a Northern Soul disco floor-filler. For episodic incidentals, Gray was freed from the detached unearthly premise of Captain Scarlet and able to bring back a playful sensibility and a more mature musical palette which are amply illustrated in this 24 track collection.

'Waxwork Records is thrilled to announce the release of GET OUT Original Motion Picture Soundtrack Music By Michael Abels. Written and directed by Jordan Peele, GET OUT is a critically acclaimed 2017 American horror film starring Daniel Kaluuya and Allison Williams. The film received numerous accolades and won the Academy Award for Best Original Screenplay. It was also nominated for Best Picture, Best Director, and Best Actor for Kaluuya.

GET OUT is the directorial debut of accomplished actor and long time horror-fanatic, Jordan Peele. The film’s music was scored by composer Michael Abels, and it also features his debut as a film composer.

Included in the new deluxe double LP release of GET OUT are exclusive liner notes in the form of an in depth essay by Peele that illustrates the director’s first meeting with Michael Abels, their approach to the film’s music, and how it all came together to conjure a new sound. “I had some ideas. I envisioned distinctly black voices harmonically creating an unnatural sound. The absence of hope. The void of the voiceless. A disembodied Negro spiritual. The Sunken Place.”

GET OUT Original Motion Picture Soundtrack features the complete soundtrack by composer Michael Abels, deluxe packaging, new artwork by Leslie Herman, a printed insert with exclusive liner notes by Jordan Peele, 180 gram “The Sunken Place” Black with White Splatter colored vinyl, and old style tip-on gatefold jackets with satin coating.

* Transferred from the original master tape reels * Pressed on 180 gram hand poured marble vinyl with deluxe gatefold jacket * Includes full color printed inner sleeve liner notes and Roberta Findlay interview * Score has never been released on any format ever until now / Soundtrack to Roberta Findlay's NYC action exploitation film “Tenement”(1985), music composed by Walter Sear, recorded at Sear sound recording studio NYC. Features music spanning from heavy prog rock to 1980's NYC rap theme by Kool Krew, with horror synth score throughout.

Oscar winning Director Hayao Miyazaki and composer Joe Hisaishi’s popular songs will be released on vinyl in a brass quintet piece By performance “Ueno No Mori Brass” Featuring music from Castle In the Sky, Porco Rosso, Kiki’s Delivery Service My Neighbor Totoro, Nausicaä Of the Valley Of The Wind…

Double LP on recycled & random-coloured "Re-Vinyl Brand new gatefold design with UV spot varnish Soundtrack by James Primate, Lydia Esrig, Intikus, Ongomato, Connor “12lbs” Skidmore and Progfox Return to the unwavering wild in Downpour, where you explore new, harsh lands and survive new predators. As time passed, the slugcat has evolved. With five variants of the species - take advantage of various skills that they possess and explore their own personal tales.

Ainhoa, daughter of Manex and Amanda, will embark on her journey of initiation in the mid-80s. In our country, when we talk about the 80s, how quickly words, images and a certain atmosphere come to everyone's mind (even to those of us who were born almost twenty years later). And between words, images and atmosphere, something else, pieces of a puzzle that would later help us to take a picture of the era, among other things: sounds, melodies, songs. Music, after all. Every step Ainhoa takes will be followed by a melody. The music will be, also in this case, the common thread to stitch together the different parts of the story. Needless to say, knowing the director of the film, it was foreseeable that the music would be in the foreground or very close to it. A collection of songs that will also put us out of our village. Perhaps it is more difficult for us to connect with languages and forms of music that touch us further away and to represent only with them the streets of Afghanistan or Lebanon in the 80s, for example. Most people will listen to these songs from an etic perspective, until we come to think that the last three songs are the same and the alarm of that perspective goes off. Redskins tell us about power from the UK and The Pogues combine traditional Irish melodies with Turkish flair. We will travel through Lebanon with the sweet melodies of Soapkills and Taniah Saleh, friends of Muguruza during his months in Beirut. The fundamentalists silenced the voices of the Afghans Bakht Zamina and Khan Qarabaghi, ending their lives, but as long as a people sings, you know, death is far away. The first sounds of Qarabaghi's singing brought to my mind the melodies of the bard of Itzaltzu. How far away but how close at the same time. We will approach Palestinian folklore accompanied by the voice of Amal Murkus and we will smell the streets of the south of France with the Marseille band Massilia Sound System, the sound system that performed in Pamplona in 1992 alongside Negu Gorriak. And we w...

Digitmovies presents Jesus Franco’s “Count Dracula” (aka “Il conte Dracula”) OST, on CD & LP. Our series “Bruno Nicolai for Jess Franco” comes back, years after, with this divine soundtrack composed and directed by Bruno Nicolai. Although the film was released in theaters in 1970, it was only in 1982 that Edipan released a LP record (CS 2013) containing twenty stereo tracks selected by the author. In 1994 that same material was released on CD (cds 2502). Thanks to the stereo master tapes of the original recording session, one unpublished track were discovered. The soundtrack opens with Dracula's theme called “Processo”, epic and suggestive piece with the intervention of the Hungarian harpsichord played by Leonida Torrebuono, which is then brought back in several tracks, such as “Sparviero”, “Incubi” and “Magia”. Dramatic music takes turns with classical music, like “Concerto variato”. This edition is a new chapter in the ever growing discography of Maestro Nicolai, a musician much loved by his fans all over the world. Ltd to 300 copies

Ship to Shore PhonoCo. is proud to announce the release of Darius II - Original Video Game Soundtrack on vinyl!

It was inevitable that a successful game like Darius would receive a sequel, and in 1989 lucky gamers were treated to Darius II cabinets in their arcades. It has since gone on to become a fan favourite, and rightly so: you can’t mention scrolling shooters without mentioning Darius II.The game was ported over to gaming consoles in Japan the following year, and reached U.S. shores in 1991, under the title Sagaia, with a re-arranged soundtrack and different level layouts. But for purists the arcade version remained top dog, and it is with this in mind that we have pressed the original arcade version soundtrack for Darius II onto vinyl, making this its debut on the format!

Featuring liner notes from composer Hisayoshi Ogura and journalist Anthony John Agnello, and decored with rare production artwork within, this gatefold release of a bona fide shoot ‘em up soundtrack classic is not one fans of video game music and quintessential cabinet gaming will want to miss!

Black Screen Recordshas teamed up withModus Gamesto releaseTyson Wernli's beautiful soundtrack toCris Tales-a gorgeous, indie love letter to classic JRPGs developed byDreams Uncorporated & Syck - on limited edition gold/white marbled & translucent curacao double vinyl and 2xCD this year. The vinylcomes in a beautiful gatefold sleeve and includes a Bandcamp Code for the full digital soundtrack (70 songs!)

ComposerTyson Wernligrew upinspired by the music ofYasunori Mitsuda,Nobuo Uematsu, andKoji KondoandwithCris Tales,Wernliset out to create a soundtrack which paid homage to the games of his childhood while also establishing his own voice in the genre through use of leitmotifs, strong rhythms, and lyrical melodies.

Experience Past, Present, and Future simultaneously in this gorgeous, indie love letter to classic JRPGs.Discover a unique combination of branching stories, innovative combat, and classic RPG gameplay inCrisTales’ exciting and unforgettable exploration of how our actions echo through time.Join the newly awakened Time Mage, Crisbell,and her fantastical companionsin afantasyworld facing a grim future.The powerful Time Empress and her forces threaten to bring about a cataclysm tearing apartCrystallisand the other fourKingdoms of the region. For more info about the game check outhttps://modusgames.com/cris-tales/

Composer Alan Howarth (Star Trek, They Live, Halloween series) with Andrew VanWyngarden of MGMT
Limited Edition Red Vinyl
Soundtrack to Jefferson Moneo’s 2022 film, Cosmic Dawn

Ship to Shore PhonoCo. is proud to announce the release of Cosmic Dawn: Original Motion Picture Soundtrack by Alan Howarth & Mgmt’s Andrew Van Wyngarden! After her mother is seemingly abducted by aliens, a disturbed young woman seeks answers by joining a UFO cult… but all is not as it seems.

Alan Howarth (best known for his collaborative work with John Carpenter on soundtracks such as Big Trouble In Little China, Prince Of Darkness and Halloween III: Season of the Witch) teams up with Andrew Van Wyngarden of Mgmt to create a 40 minute opus of unsettling moodiness. A unique mixture of ominous synthwave & dark ambience (occasionally blended with some psychedelic funk rock) and mixed with audio samples from the movie, the score invokes an uneasy dreamlike atmosphere that you will want to return to again and again!

Limited edition for Record Store Day 2022.

Since its creation in 2007, Hifiklub has led more than 150 collaborations which have allowed the Toulon trio to open its music to multiple artistic experiences revealing a constant desire for research and novelty. From unprecedented encounters to unique projects, Hifiklub has developed over the years a now substantial discography whose musical proposals range from pop to jazz through the most experimental sounds and even traditional music. One path, however, remained unexplored: contemporary music."Last Party On Earth" is organized around the association of three energies: contemporary composer Jean-Michel Bossini, singer Duke Garwood and the instrumental ensemble Hifiklub. Surrounded by mysticism and darkness, the creation has cinematographic dimensions. It positions the listener in a depth and disposition of soul where the voice - and the poetry - of Duke Garwood is carried by Hifiklub and Jean-Michel Bossini around cold and tormented atmospheres. The album seduces by the detail of its sounds, its apparent tranquility and its intimate atmospheres thwarted by harsh flashes. Mixed by Alain Johannes (Queens of the Stone Age, Them Crooked Vultures, Eleven), the album sees the exceptional participation of the string trio Anpapié (Alice Piérot, Fanny Paccoud and Elena Andreyev) who magnificently perform the score by Jean-Michel Bossini. All songs performed by Hifiklub, Duke Garwood and trio Anpapié (conducted by Jean-Michel Bossini)

“Musiche per un Telefilm” by A.R. Luciani and Paolo Renosto is an exclusive release by Redi Edizioni Musicali, an historical company from Milan that, in addition to curating the digital catalogue of Edizioni Leonardi’s library music and sonorizzazioni, is also re-printing faithful vinyl reproductions of the most prestigious titles from Leonardi’s catalogue. These records were originally released in very limited editions, often as not-for-sale promotional material, and many of the original LP’s are now very rare and collectibles almost impossible to find!

“Musiche per un Telefilm” is the second title in the Redi Edizioni library music LP reissue series. Originally released in 1970 on Leo Records label, this musical masterpiece consisting of 19 tracks for 19 different musical themes, completely immerses the listeners in an ambience of both tension and anguish but also fun and relaxation, just as if they were in their very own television show! Antonio Riccardo Luciani, composer and keyboard player, was one of the most prolific artists in the Italian television and soundtrack world. His “Chanson Balladée” written in 1976 was the theme song for “L’Almanacco del Giorno” (rai) for 15 years. He is best known and remembered for “Tecnica di un Colpo di Stato” (1978). Paolo Renosto, composer, maestro, lyricist and pianist, wrote and released synchronization records under the pseudonym of Lesiman. He was a pioneer and one of the best interpreters of library music.

Four Flies 45s Serie strikes back with this unmissable Piero Umiliani double-filler, featuring the only two tracks survived from BABA YAGA's score, a pop-mystery movie inspired by the comic books of Guido Crepax, Valentina. Limited edition: 250 copies with cyan sleeve and purple label + 250 copies with gold-cover and label.

Ltd Edition.

Alessandro Adriani marks his comeback on Mannequin Records with an impressive body of work on this 2xLP 'Program & Rhythm', inspired by the Italian library music and soundtrack composers.

Italian composers from the 60s to the 80s seemed limitless in their experiments and endlessly colorful, despite being a hidden part in the history of music. Library music takes weird and fantastic detours, between garish drum machines, seedy guitars, synthesizers gone haywire, and fractious brass sections. The scene’s big names included Ennio Morricone, Piero Umiliani, Alessandro Alessandroni, Giampiero Boneschi, Egisto Macchi, A.R. Luciani and Bruno Nicolai, just to name a few.

After spending weeks on end in an improvised-by-covid home studio recording hours and hours of music every day, Alessandro was turning and shaping his analog machines into an experimental synth pop, psychedelic funky jazz and weird ambient fusion, making up six different releases called simply 'Program & Rhythm' from the Roland Cr-78 programming buttons.

The final selection of 42 tracks out of the six releases - originally intended to be put out as tapes - would finally compose the tracklist of the double vinyl presented here, with the catalog number PR and roman numerals used for the track titles.

An exceptional document of music in Alessandro's discography, 'Program & Rhythm' enters into an ultimate unknown journey, creating music for films that do not yet exist, putting his steps deeper into a faceless obscure music.

2xLP 400 copies, black vinyl. Graphic design by Trevor Jackson. Mastering by Rude 66.

Remastered for vinyl, ltd edition of 300 copies on 180g transparent pink vinyl. Previously released digital only via Lakeshore Records in 2020. Recorded and performed by Kid Moxie at her studio in Downtown L.A. Produced by Kid Moxie and Serafim Tsotsonis Mixed by Serafim Tsotsonis Mastered by Ekelon

Taken from the 1993 movie directed by Pupi Avati. Riziero Ortolani (25 March 1926 – 23 January 2014) was an Italian composer, conductor, and orchestrator, predominantly of film scores. He scored over 200 films and television programs between 1955 and 2014, with a career spanning over fifty years. Internationally, he is best known for his genre scores, notably his music for mondo, giallo, horror, and Spaghetti Western films. His most famous composition is "More," which he wrote for the infamous film Mondo Cane. It won the 1964 Grammy Award for Best Instrumental Theme and was nominated for the Academy Award for Best Original Song at the 36th Academy Awards.[3] The song was later covered by Frank Sinatra, Kai Winding, Andy Williams, Roy Orbison, and others. Ortolani received many other accolades, including four David di Donatello Awards, three Nastro d'Argento Awards, and a Golden Globe Award for Best Original Song. In 2013, he received a Lifetime Achievement from the World Soundtrack Academy. In the early 1950s, Ortolani was founder and member of a well-known Italian jazz band. One of his early film scores was for Paolo Cavara and Gualtiero Jacopetti's 1962 pseudo-documentary Mondo Cane, whose main title-song More earned him a Grammy and was also nominated for an Oscar as Best Song. The success of the soundtrack of Mondo Cane led Ortolani to score films in England and the United States such as The Yellow Rolls-Royce (1964), The Spy with a Cold Nose (1966), The Biggest Bundle of Them All (1968) and Buona Sera, Mrs. Campbell (1968). He also scored the 1972 film The Valachi Papers, directed by Terence Young and starring Charles Bronson. Ortolani scored all or parts of over 200 films, including German westerns like Old Shatterhand (1964) and a long series of Italian giallos, Spaghetti Westerns, Eurospy films, Exploitation films and mondo films. These include Il Sorpasso (1962), Castle of Blood (1964), Africa Addio (1966), Day of Anger (1967), Anzio (1968), The McKenzie Break (1970), The Hunting Party (1971), A Reason to Live, a Reason to Die (1972), Seven Blood-Stained Orchids (1972), The Fifth Musketeer (1979), From Hell to Victory (1979), the controversial Ruggero Deodato films Cannibal Holocaust (1980) and The House on the Edge of the Park (1980), and the first series of La piovra (1984). In later years he scored many films for Italian director Pupi Avati. His music was used on soundtracks for Grand Theft Auto: London 1969 (1999), Kill Bill: Volume 1 (2003), Kill Bill: Volume 2 (2004), Drive (2011) and Django Unchained (2012).

About a Boy is the second album by English singer-songwriter Badly Drawn Boy (Damon Gough), released in 8 April 2002 under XL Recordings, as the Soundtrack to the Film About a Boy. Gough was chosen to compose and perform the entire soundtrack. Film and the Soundtrack were extremly successful with 6 Weeks in the German Charts. By far the best selling Album from Badly Drawn Boy.

As the debut title of SNK’s most iconic fighting game franchise, KOF ‘94, composed by Masahiko Hataya as part of the SNK NEO Sound Orchestra, laid the groundwork for the KOF series’ beloved music.

As a Generation Series releases, the Kof94 soundtrack will both feature newly remastered analog and digital tracks, as well as a booklet containing archival artwork and liner notes by former development team members.

Quantity: 5000
Release type: RSD Exclusive Release

The Guardians Of The Galaxy Holiday Special is the soundtrack to the television special released on Disney+ in November 2022. The album features an original score composed by John Murphy, plus two songs performed by Old 97’s and Kevin Bacon. Available for the first time on vinyl, this color splatter LP is being released exclusively for RSD Black Friday 2023.

On Electro Records' ''Sci Fi Electro'' series, each artist has created a 15 minute track for each side of the record, taking you from pure electro tracks to very experimental compositions, sounds and atmospheres. Each side is divided in ''movements'' in a continuous morphing process without any pause between different tracks. The series is a collection of seven releases inspired by the following films created in the 20th century: THX 1138, 2001 A Space Odyssey, Blade Runner, The Thing, Akira, Terminator and Tron.

he music for the film Inu-Oh, including the song in the film, was composed by Otomo Yoshihide, the composer of Hanabutsukana na Koi wo Shitatta and other films. The original soundtrack is sung passionately by Avu-chan (Queen Bee), who plays Inuoh, and Mirai Moriyama, who plays the biwa master Tomofuji, in a colourful original soundtrack.

The magic 80s nostalgia is here! Sonor Music Editions in collaboration with Beppe Savoni and Giuseppe Giammetta, respectively known in the digital space as Disco Bambino and Sovraimpressione announce a special release by the Italian queen of silver screen, actress Eleonora Giorgi. The limited edition 7-inch includes a rework of the 1981 soulful disco track "Quale Appuntamento...", written by Bipap, Cristiano Malgioglio & Pino Presti, originally released on the iconic Ricordi label; on the B-side, restored and for the first time ever on vinyl, "Magic", taken from the 1980 original soundtrack of the film "Mia Moglie È Una Strega", with music arranged and directed by Detto Mariano.

Black Friday Record Store Day 2022 Reissue. Color: Gold. Limitation: 50th anniversary release celebrating the John Wayne western with a score composed by the living legend, John Williams. The Cowboys was the maestro’s biggest pre-Star Wars score. A much needed restoration job featuring a complete rebuild, remix and remaster was done for a 3000 unit limited edition CD re-issue that came out in 2018 and sold out. This double LP is the first ever official LP release and is pressed on gold vinyl exclusively for Black Friday 2022

Fatima Yamaha's soundtrack for the Dutch documentary 'Onzichtbaar' directed by Gabrielle Provaas is temporarily available on limited LP and was only for sale during the live show at ADE 2023. Only a handful of LP's are available for sale and won't be repressed. The documentary sheds light on the invisible heroes who tirelessly keep the Netherlands clean day and night. From schools and offices to hospitals and streets, they work tirelessly and humbly. Their hard work keeps society running smoothly. 'Onzichtbaar' challenges viewers to reflect on their own involvement and unveils the price we pay for the facade of cleanliness we hold dear.

Taken from the soundtrack to an obscure 1975 Italian film, Elio Bartolini’s L’Altro Dio, these two killer disco-funk instrumentals might have remained in oblivion were it not that Four Flies rescued and included them in the comps Esterno Notte and Esterno Giorno, both of which sold out quickly and have become almost impossible to find. It seemed more than proper now to release them for the first time ever on 7”.

The unique soundtrack created under the direction of an award-winning composer Marcin Przybylowicz (The Witcher 3, Cyberpunk 2077) together with Magdalena Urbanska, Maciej Dobrowolski and Piotr Musial (Frostpunk) features orchestral, classical music accompanying the noir-themed cyberpunk RPG based on Marcin Przybylek's saga. Features many minutes of the original score. The unique collaboration of the mentioned artists results in a great mix of electronic and EDM sounds, resembling Cyberpunk 2077. The classic approach suggested by other artists adds a new system to the futuristic sounds, combining orchestra records with virtually generated layers.

Listen: https://youtu.be/DciM0J2GMhA

Intermission Music is the soundtrack to An Intermission, an artists film by Edwin Mingard made in collaboration with a group of young people experiencing homelessness in Stoke-on-Trent, England. Like the film, the soundtrack was made collaboratively by the group, working with Edwin and composer Tom Haines.

ALL Profits from the soundtrack go to a dedicated fund to support the young people as they take their next steps in life. All partners have worked for free or at cost to make sure this is as much of the cover price as possible.

The film won Jury Special Mention at Idfa, the world's most prestigious documentary festival; was selected for New Contemporaries, and longlisted for the Aesthetica Art Prize. In 2021 it is screening at the London Short Film Festival; Future Now Symposium; and is being exhibited at South London Gallery from May 2021.The soundtrack is being showcased on all these platforms.

The Guardian are releasing the film in 2021. Their documentaries consistently receive tens of thousands of views, and the release of Intermission Music will be highlighted here also.

Doctor Who – Revenge Of The Cybermen was the season 12 finale first broadcast on April 19th, 1975. As with so much television music of the 1960s, ‘70s and ‘80s, the original master tapes of Carey Blyton’s score for Revenge of the Cybermen were not retained. The only surviving copy is a set of four 7”, 7.5ips “composer’s copy” domestic 1/4-inch tape. It is from those digital transfers that this release is taken. Sadly, and to Carey’s obvious and understandable disappointment, the completed music did not meet with the complete approval of the production team, and much of it was not used. Peter Howell of the BBC Radiophonic Workshop added some electronic embellishments and arranged some additional cues for parts two and three but some of that was also left on the proverbial cutting room floor. For this release, Carey’s original score is presented (and heard here for the first time) as written. This is followed by the additional, alternative, and “enhanced” cues, all of which were also on Carey Blyton’s tapes.