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A long-awaited analog version of the gem of Japanese mellow fusion, which has been receiving a lot of attention from the City Pop~Balearic side of the music scene! The album contains many masterpieces such as "Ka Ri Bu No Yu Me", a Balearic/light fusion song with the scent of the ocean, "Manhattan Blue," a popular number that she also arranged, and "Click My Heart," a techno-pop song with a lovely and catchy electric organ. This is a piece that overflows with a unique sense of floating and loveliness, fully showcasing the diverse charms of the electronic organ known as the "Electone". The cover illustration by Tom Akamine is also excellent!

Brand-new RP material on SCHARNHORST delivering some dubby magic! Only on vinyl.

From House To Disco is a hotly tipped all-female duo known for their fine taste in records, in-depth research into house history and fresh productions. They have been tipped as ones to watch by Brazilian tastemaker Renato Cohen and have released on his Massa Records as well as Get Physical's COCADA Music. Now they tap into the esteemed Definitive Recordings catalogue and add their own spin to four tracks which make up this EP, which will also be included on the 12-track 'Disco House For All' compilation which includes more key selections from the label.

First up, they tackle Blunted Dummies's 'House For All' and flip it into a thumping house cut with old-school synth stabs and a low-slung bassline. Their remix of Las America's 'Look, Listen, Love' brings jacked-up drums with plenty of original Chicago swagger, seductive vocals and a raw analogue bassline. The duo then bring a deep and stylish twist to Wax Fruit's 'Be Yourself', which has rueful pads that encourage you to gaze off into the distance, lost in thought, while the tender piano chords bring extra soul. Last of all is their fresh remix of Barada's 'Gasoline', which is a driving deep house gem with neon chord vamps and another timeless bassline.

Two certified club bangers finally available on wax, super lmtd. Edition!
Finally Ttwo highly acclaimed Session Victim Remixes for high profile artists Bellaire and Sweatson Klank are being released on vinyl for the first and only time.

To experience Justin R. Cruz Gallego's pulverizing Sub Pop debut is to get burned down to ashes and burst forth, born anew. Grim Iconic...(Sadistic Mantra), the Tacoma-based artist's second album, is driven by opposing forces: noisy abstractions and tightly structured beats, anguish and dissolution at the outside world and empowerment within, apathy and catharsis. Grim Iconic...(Sadistic Mantra) weds scouring electronics to hooky songs and Gallego's powerful drumming in a way that feels visceral and new. It's his most personal statement to date, at once playful and intent, driven and combustible, total fucking chaos mixed into glints of broken-glass beauty. Born in Tucson, Arizona, Gallego experienced culture shock as a child after relocating to the frigid climes of the Pacific Northwest. He found solace in the Seattle punk scene centered around Iron Lung Records and has since remained a fixture in the underground community. "I see this record as first and foremost a musical statement," Gallego says. "I grew up in punk and DIY subcultures, but before that I had Latin music playing in the background through my childhood and every phase of adolescence. It was surprisingly natural to incorporate. I realized I wanted to go deeper into these rhythms. I wanted to make a record that felt as experimental as much as it felt from the perspective of a Latino. When I got a glimmer of that possibility, it felt exciting." Lead single "Dogear" is a face-melting party starter that sounds like someone forced Talking Heads and Rudimentary Peni to share a practice space. "I wanted a song that felt playful in the way it attempted to be dissonant without taking itself too seriously," Gallego says. "Cholla Beat" is even more ambitious, an anthemic mix of WAR and Wire led by unruly synthesizers spiraling down a labyrinth of production. Gallego's influences for the album are vast, ranging from British documentary filmmaker Adam Curtis to electric Miles Davis to audio miscreants like Demdike Stare and Oneohtrix Point Never. But it's Gallego's assured sonic vision that resounds the loudest. And, while J.R.C.G. is a solo project, conceived and executed primarily in Gallego's home studio, he found strength in opening the project to others, starting with Seth Manchester as co-producer. Manchester's penchant for bone-rattling frequencies, as seen in his production work with The Body, Battles, and Mdou Moctar, made him a natural fit for Gallego. Together, they retained the intimacy of Gallego's home recordings while taking advantage of the hi-fi stylings of his Machines With Magnets Studio in Rhode Island. The closing song, "World i," offers a glimpse into the live experience of Grim Iconic...(Sadistic Mantra), with upwards of seven band members blasting off. The album features a fascinating mix of supporting players, many of whom cycle through J.R.C.G.'s live lineup: Morgan Henderson (The Blood Brothers, Fleet Foxes), Jason Clackley (Dreamdecay, The Exquisites), Jon Scheid (Dreamdecay, U Sco), Erica Miller (Casual Hex, Big Bite), Veronica Dye (Terminator) Phil Cleary (U Sco), and Alex Gaziano (Dreamdecay, Kidcrash, Science Amplification). Taken as a whole, G.I.S.M. is a whirlwind of sound, pummeling, and cleansing. It's a sweaty, thrilling aural adventure and, like a great basement show, it'll leave you breathless, exhausted, and wanting to repeat it all over again. As any good mantra should.

Taeko Onuki's 1st album "Grey Skies" will be released on white collar vinyl! (Originally released on September 25, 1976) After Sugababes disbanded, he signed a solo artist contract with Crown Records.

Recorded between June ~ August 1976, Tatsuro Yamashita, Ryuichi Sakamoto, Makoto Yano, and Tin Pan Alley (Haruomi Hosono, Shigeru Suzuki, Tatsuo Hayashi) participated in this masterpiece of city pop.

The treasured Japanese soft rock album produced by Haruomi Hosono is finally reissued in analog LP format! The only album "Aiiro no Kisetsu" (The Season of The Color of Love) (original release date: July 1975) by the group "Kaze Chorus Dan" (Wind Chorus Group) from the Yamaha Popular Song Contest is reissued on analog vinyl. Haruomi Hosono participated fully as producer, lyricist, composer, arranger, and player. The beautiful chorus work of mixed voices, the tight performance by the Tin Pan Alley family, and the Western taste and groove that is like A&M are the best kept soft-rock treasures.

2xLP on Pretty Patrick Pink & Wizard Green vinyl Music by Will Wiesenfeld Album Art by Show Creator Natasha Allegri Let’s face it: Your early twenties can be pretty tough. Meeting new people, carving out your place in the world, and somehow finding the time to make rent in between is challenging stuff. It’s helpful to have a grumpy little space-faring best friend by your side, someone to guide you through your intergalactic oddjob adventures — or to just be a pal who can share a snack with you on the couch after a long, long day.

Nobuo "Hara", whose real name is Nobuo Tsukahara, is a Japanese saxophonist who became known in 1951 with his big band, the Sharp & Flats. Together they recorded more than a hundred album during their career. Hozan Yamamoto is, for his part, a Shakuhachi player, a traditional Japanese flute, enjoying such recognition in his country that he was awarded a Living National Treasure in 2002. The first record bringing together the two musicians is a live recorded in 1967 during the Newport Jazz Festival. It was a year later, in 1968, that New Jazz in Japan, their first studio recording, was released. Accompanied by the ower of the Sharps & Flats, Nobuo Hara"s tenor sax and Hozan Yamamoto"s shakuhachi respond subtly to give this record, which had not been reissued since 1971, a completely unique style.

We are pleased to announce the release of an encore press of the highly acclaimed "Symphonic Suite Dragon Quest XI: Echoes of an Elusive Age." This blockbuster, released in November 2018, has been analog cut at Abbey Road Studios in London and is now available as a 3LP set. The heavy 180g high-quality vinyls have been mastered by Miles Showell of Abbey Road Studios from the original masters using half-speed mastering. This unique opportunity to experience the world of Dragon Quest music on vinyl offers a different listening experience from CDs and high-resolution sound sources.

Horse Jumper of Love thrive on patient and pummeling songs.Since 2013, the Boston trio of singer-guitarist Dimitri Giannopoulos,bassist John Margaris, and drummer James Doran haveslowly stretched the fringes of indie rock across five full-lengthLPs. Their music unwinds with gutting emotional intensity thanksto Giannopoulos' impressionistic lyrics and how the arrangementsviolently lurch from delicate to bludgeoning. Disaster Trick, theband's new album out August 16 via Run For Cover, is their mostdirect and uncompromising LP yet. Its 11 songs tackle self-destructivenessand healing with jolting lucidity.Where the band's last LP 2023's Heartbreak Rules excelled withquiet, bare-bones songwriting, Disaster Trick cranks up the volumeand boasts some of the most expansive arrangements of theband's catalog. Recorded at Asheville, North Carolina's Drop ofSun Studios with producer Alex Farrar, the recordings soar withsearing guitars and a thunderous rhythm section. "I tried the quietthing on the last album and I realized there's definitely two parts ofme: I like really heavy music, and I like really gentle music," saysGiannopoulos. "The two albums I was listening to the most, whilewe were in the studio were the Leonard Cohen's Songs From aRoom and Hum's Downward is Heavenward."Disaster Trick is a dark record but it's never dour. There's a glimmerof hope and humor throughout these 11 songs, written with thegrace that only time and growing up can bring. As he sings on"Death Spiral," "I know it sounds dramatic / But I must describe /The way that it felt." There's catharsis when it's needed most. "Thisalbum is a reflection on destructive behavior from a lens of moreclarity," says Giannopoulos. "A lot of the songs came out of thispoint where things in my life were going well but I couldn't accept it.I was being a brat. Disaster Trick is me cleaning up my act a bit andreflecting on it."

“I want it to feel like you’re right there in the room with us.” And in 10 songs and 40 minutes, Wunderhorse capture the raw power and energy that has set them apart as one of the most formidable live acts of recent years. With rugged hooks, unfiltered noise, and fierce melodic sensitivity, Midas rips up the script of traditional second albums and establishes the band as an endlessly addictive and rousing generational talent. In late 2022, the release of their debut album Cub saw singles ‘Purple’ and ‘Leader of the Pack’ dominate radio airwaves. Landmark performances filling Glastonbury’s Woodsies Tent (fka John Peel Stage) and selling out London’s Kentish Town Forum months in advance followed tours with Pixies and Fontaines D.C. and stadium appearances with Sam Fender, signalling the band’s arrival as one of the most prominent and exciting new guitar acts in the UK. With Grammy Award-winning producer Craig Silvey (The Rolling Stones, The National, Florence + The Machine) on board for their sophomore record, the band looked to do something different. Their goal – in the very same studio that Nirvana put In Utero to tape and PJ Harvey recorded the Mercury Prize-nominated Rid of Me – was to push themselves outside of their comfort zones. “There’s absolutely no faking on this record,” ends Slater, “it's not supposed to be perfect; it’s supposed to be a snapshot, even if it is a bit of an ugly portrait. That's how it was then, and that's how you're gonna see it.” And it sounds like you’re right there in the room with them.

The soundtrack for “The Legend of Zelda: Tears of the Kingdom” on Nintendo Switch, which has sold over 20 million units worldwide by December 2023, is now available on CD.

Containing 344 tracks spread across 9 CDs, it includes music from the game and trailers, exceeding the soundtrack of its predecessor, “The Legend of Zelda: Breath of the Wild”. The total recording time is around 11 hours.

83 remastered tracks from the 2018 hit action RPG
- Music by Tadayoshi Makino, Akihiko Narita, Yuko Komiyama, Masato Kouda, and Zhenlan Kang
- Rigid board slipcase with Wibalin textured wrap
- Printed spined inner sleeves
- (Standard Edition) Six heavyweight black LPs

Description:
As the series celebrates 20 years in the hunt, Capcom and Laced Records have squadded up to bring the stirring music of Monster Hunter: World to vinyl.

This Standard Edition 6LP box set features 83 tracks specially mastered for vinyl, pressed to heavyweight discs in traditional black. Printed, spined inner sleeves — adorned with artwork of the Elder Dragons — are housed in a rigid board slipcase with Wibalin textured wrap. Sleeve art is by the Monster Hunter team.

The Monster Hunter: World music team comprised long-time series contributors Tadayoshi Makino, Akihiko Narita, Yuko Komiyama, and Masato Kouda, alongside Zhenlan Kang (Resident Evil series). From the Ancient Forest to Elder’s Recess, the sometimes soaring, sometimes playful soundtrack is full of memorable moments. Thunderous, layered percussion, aggressive brass, and sweeping string motifs push and pull players through their tense struggles with Teostra, Bazelgeuse, and the like. Whether a hunt has gone very right or very wrong, the music of Monster Hunter: World always serves to immerse hunters in the wilds of the New World.

Edoardo Barbi is an alias of Gledd, the label head at Saint Wax, co-owner of Radio Mundo Records and a prolific producer who hails from Italy but is based in Mexico City. For this new EP, he taps into his love of 70s church funk and classic gospel and serves up a quartet of emotionally intense cuts that each tell a unique story. They all have their own moods and subtly uplifting grooves and are defined by the famously meticulous production style of Gledd. When you want to make the dance floor move in a different way than usual., these four cuts should be your go-to.

42 tracks from the latest title in the legendary fighting game series
- (Standard Edition) Five black heavyweight LPs
- Deluxe 3mm spined disc sleeves
- Rigid board slip case
- Artwork by Bandai Namco Entertainment Inc. and Samuel Donato
- Music by mifumei, Hiroshi Okubo, AJURIKA, Yoshihito Yano, Go Shiina, sanodg, Rio Hamamoto, Sho Okada, Yuu Miyake, Shogo Nomura, Ayako Saso, Mitsuhiro Kitadani, Shinji Hosoe, Yoshinori Hirai, and Qing Yan

Description:
Bandai Namco Europe S.A.S. and Laced Records have formed a tag-team to bring the music of the brand-new entry in a legendary franchise, TEKKEN 8, to vinyl.

This complete OST box set features 42 tracks specially mastered for vinyl. These will come in spined inner sleeves, all housed in a rigid board slipcase. Stunning sleeve artwork is by Bandai Namco Entertainment Inc. and illustrator Samuel Donato, depicting Jin and Jun Kazama, Kazuya Mishima, and newcomers Azucena, Victor Chevalier, and Reina.

The TEKKEN 8 music team smashed out banger after banger for the soundtrack, retaining the series’ trademark sound of hard-hitting dance music and electronica. Many of the composers are long-time series contributors, with the full team consisting of mifumei, Hiroshi Okubo, AJURIKA, Yoshihito Yano, Go Shiina, sanodg, Rio Hamamoto, Sho Okada, Yuu Miyake, Shogo Nomura, Ayako Saso, Mitsuhiro Kitadani, Shinji Hosoe, Yoshinori Hirai, and Qing Yan.

Through solid and unique gameplay on top of an epic storyline, the TEKKEN franchise has sold over 57 million copies, reigning as the best-selling 3D fighting game franchise of all time.

TEKKEN™8 & ©Bandai Namco Entertainment Inc.

Drummer Kinichi Motegi, currently with the Tokyo Ska Paradise Orchestra, curated a selection of tracks for this album based on the concept of "Kuchu (Aerial)" and "Uchu (Universe)," featuring music from two labels in 2005. The album has been highly requested by Fishmans fans for an analog version and is available as a limited edition on clear sky blue 2LP.

Nail Tolliday aka Nail is a house music don who rose to prominence back in the 90s with the cult DiY collective out of Nottingham, but also worked as one half of downtempo pair Bent. He disappeared for a while but then return a decade or so ago and since then has been turning out the jams on a regular basis for several different and respected labels. Now he takes matters into his own hands by launching his own imprint In The Dance. Four effective, stylish cuts mark its debut, from the raw, stripped-back sound of 'Grumble' to the more light and airy drums of 'Highly', the punchy kicks and balmy chords of 'No Windows' and on to closer 'Pretty Thing' with its mix of hefty grooves and more whimsical pads.

The long-awaited CD release of the OST for “The Legend of Zelda: Tears of the Kingdom” on Nintendo Switch is finally here. With over 20 million units sold globally by the end of December 2023, including both physical and digital versions, fans can now enjoy the music from the game on a new format.

Featuring 344 tracks spread across 9 CDs, this soundtrack surpasses even that of its predecessor, “The Legend of Zelda: Breath of the Wild”. With a total runtime of approximately 11 hours, it's a comprehensive collection that includes not only in-game music but also tracks from trailers.

The limited edition comes with an original USB shaped like the Master Sword. This USB boasts high-resolution and 5.1 channel sound sources, promising players a more immersive, high-definition experience of the game's vast and majestic world, spanning both sky and land.