/
DE

Krink Print & Design 0 Artikel

Filter & Kategorien verstecken Filter & Kategorien anzeigen
Ergebnisse filtern
Label / Marke
Label / Marke
1984 Publishing
1UP
20|20|20
33 1/3
404 Eros
49
Abrams
adidas
Africadelic
Akashic Books
and wander
Anthology
Antilopen Geldwäsche
Ba Da Bing!
Baccala
Bamboo Dart Press
BBE Music
BETONAT
Big Crown
Big Takeover
Blank Forms Editions
Bloomsbury
Blumenbar
BOOKDREX2 SOFTCOVER
Browse Gallery
Cafe Royal
Canongate
Castle Face
Chopped Herring
Chronicle Books
Coalmine
Crosstown Rebels
Daisart
Dark Entries
Das Wetter
DCV
deadHYPE
Disco Pogo
Dokument
Don Giovanni
Drag City
Eden Books
Edition Olms
Efficient Space
Ele-King Books
Erased Tapes
Exact Change
eye_C
Fang Bomb
Fantagraphics
Flee Project
Fluke Publishing
Full One
Funko
Gazoo
GBV Inc.
Gestalten
Gingko Press
Goner
Goodfellas Edizioni
Goodwill
Grönland
Groove
Halvmall
Hardhitta Gallery
Hartcopy
Head Voice
Heartworm Press
HHV
Hidden Notes
Holuzam
Hozac
Hyperdub
Iikk
IIKKI
Innervisions
Kabul Fire
Kinfolk Magasin
Korbinian
Korero
Krink
Kunstmuseum Reutlingen & Druckkontor Saar
Lannoo
Lanoo
LARM
Lärm
Lodown
Love Injection
Luster
Macmillan
Maggot Brain
Maharishi
Masala Noir
Mechanical Reproductions
Minor Matters Books
Mint
Moof
Moon Juice Stomper
Moriarty Publishing
Mr. Bacon
MR.P GRFX
Mudpuppy Press
Musikexpress
Never Sleep
New Balance
Oi Jazz
Oldcastle Books
Orienteer
Ortofon
Other People
P.W. Elverum & Sun
Patagonia
Phaidon
Pop Trading Company
Possible Books
Possible Books / Menetekel
Präsens Editionen
Präsens Editionen / Motto Books
Presspop
Princeton Architectual Press
Publikat
Racoon
Rare Bird Books
Realia
Recital
Reckatz
Record
Record Culture Magazine
Record Time
Revelation
Rhymesayers
Rizzoli
Roland Lifestyle
Rolling Stone
Rotary Head
Ryland Peters & Small
Sacred Bones
Sea-Watch / Sichtexot / HHV
Seance Centre
Selfmadehero
Seltmann & Söhne
Seltmann Publishers
Sinecure
Smith Street Books
SNEEZE Magazine
Soul Jazz
Soul Jazz Books
Southside Circulars
Stepney Workers Club
Strzelecki Books
Subliminal Sounds
Suicidal Tendencies
Super7
Synth History
Taschen
Tau
TECHUNTER
Teenage Engineering
Testcard
Thames & Hudosn
Thames & Hudson
The Drexciya Empire
The state51 Conspiracy
The Wire
Third Man Books
Throbbleheads
Tresor
UGSMAG
Universal Works
V&A
Velocity Press
Ventil
Ventil Verlag
Verbrecher Verlag
Verbrecher Vrlag
Vinyl On Demand
Waxmann
Waxpoetics
We Jazz
[transcript]
Schließen
Krink
Es wurden leider keine Artikel gefunden

Krink Print & Design

If you combine KR with ink, you get KRINK. That’s the brand name of artist Craig Costello’s (also known as KR) company who started selling his own markers about 20 years ago in NYC-based store Alife. Since then, KRINK has collaborated with top brands such as Nike, Levi’s, Carhartt, Casio, Incase, Colette, Burton, and the list goes on and on. To tell the story of KRINK, you need to hear the story of KR, an entrepreneur who learned everything the hard way. KR grew up in Queens in the ‘80s surrounded by graffiti writers, skaters, punks and B-boys. Graf was a part of the attitude as much as it was the landscape. Everything was very DIY: steal paint, illegal spots, make markers, emphasize your style, experiment with multiple tools and methods. When train-bombing died in the late 1980s, writers became more mobile and so styles and tools changed accordingly. Homemade markers that had been the norm were too messy to carry and homemade inks faded in the sun. Pilot-brand silver paint markers became the tool of the trade yet in many ways couldn’t meet this new generation of artist’s very specific needs. In the early ‘90s KR moved to San Francisco. The scene he found there was thriving, yet different. Most writing took place in parking lots and specified spots. He arrived with a whole different attitude regarding materials and styles. Ignoring designated areas, he used the streets of SF as his very own research and development lab, experimenting with a lot of different tools and techniques to create bigger, drippy marker tags. He also began making his own inks, allowing him to get up bigger, bolder and, now armed with an endless supply of ink, much, much more. From these trials and errors, KR’s ink, or KRINK, was created. He shared his concoction with a few friends and soon its silver markings dominated the city. In 1998 KR returned to New York and brought KRINK back with him. Before long, its signature style was covering the streets of NY as well. This was around the same time writers began realizing they didn’t need to trade in their lifestyle in order to make a living. The Alife store had just opened and was quickly becoming a mecca for young artists…