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Drag City

Drag City Pop 8 Artikel

Name: Oren Ambarchi / Johan Berthling / Andreas Werliin - Ghosted
Brand: Drag City
SKU: 906105v1
Price: 31.99 EUR
Availability: OutOfStock

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Alle Filter zurücksetzen Kein Used Vinyl Drag City

Oren Ambarchi / Johan Berthling / Andreas Werliin

Ghosted

LP | 2022 | US | Original (Drag City)

31,99 €*

Inkl. MwSt. zzgl. Versandkosten

Release: 2022 / US – Original

Genre: Pop

In den Warenkorb Coming Soon Ausverkauft Derzeit nicht lieferbar Nicht genug Coins

Ambarchi, Berthling and Werliin share a fascination with rhythm and the myriad of ways it can subdivide within the beat. Using aspects of jazz, world and experimental musics, each tune settles into a deep groove, digging itself via continuous minimal adjustments into an ever-deeper, eternal groove.The music of Ghosted exists in the intention of a shared moment of playing, a clearly delineated time, put forth with a steady flow of small details on bass, guitar and drums, in a remarkable display of rhythmic flexibility within a minimal framework.Rooting in the rich tonality and repeating figures of Johan's acoustic (and sometimes electric) bass, the four tracks that make up Ghosted act as variations on a theme, unspooling continuously over the course of 39 minutes with the terse flow of krautrock jams - closely observed percussive riffs and repetitions that build continuously with subtle shifts as they move forward, with the small details flying expansively in and out across the stereo spectrum. Oren's guitar often sounds with an organ-like tone, with notes of fire and glass wafting out over the percolation and permutation in Johan and Andreas' rhythms. These men have been playing long enough to, without any real words, shape their improvisations with short and long term goals. Performances that day ranged from almost five minutes to almost sixteen. With an eye toward further expansion, they'd invited the legendary Swedish reed player Christer Bothén, whose knowledge of the guimbri and donso n'goni was incisively shared with the great Don Cherry some fifty years ago. Christer plays donso n'goni on the first track, and his parts sync like cogs in a watch, revolving in fluid coordination with Oren, Johan and Andreas.Mixed and mastered by Joe Talia at Good Mixture, Berlin, Ghosted highlights the intimate dialogue between players, as well as the careful curation of space between them. It is rare to think of silence in relation to music where everyone is constantly playing.

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Jim Rafferty

I See Red

7" | 2024 | US | Original (Drag City)

22,99 €*

Inkl. MwSt. zzgl. Versandkosten

Release: 2024 / US – Original

Genre: Pop

In den Warenkorb Coming Soon Ausverkauft Derzeit nicht lieferbar Nicht genug Coins

Preorder lieferbar ab 24.05.2024

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John Mulaney

"Baby J"

2LP | 2024 | US | Original (Drag City)

35,99 €*

Inkl. MwSt. zzgl. Versandkosten

Release: 2024 / US – Original

Genre: Pop

In den Warenkorb Coming Soon Ausverkauft Derzeit nicht lieferbar Nicht genug Coins

Preorder lieferbar ab 24.05.2024

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Anthony Moore

Flying Doesn't Help

LP | 2022 | US | Original (Drag City)

28,99 €*

Inkl. MwSt. zzgl. Versandkosten

Release: 2022 / US – Original

Genre: Pop

In den Warenkorb Coming Soon Ausverkauft Derzeit nicht lieferbar Nicht genug Coins

40-plus years since its original release, the pop-punk-new wave inventions of Anthony Moore's Flying Doesn't Help are freshly remastered, blasting the sparkling, angular sounds into today with perfect vitality.After spending the early years of the 70s making experimental music first as a solo artist, then with Slapp Happy and Henry Cow, 1976's OUT sessions had reinvigorated Anthony's youthful love of the naive pop melodies of pop radio, the undeniable excitement of songs. While OUT ultimately went unreleased at the time, the iconoclasm clouding the late '70s air was addictive and transformative for Anthony. England seemed to be roiled as violently as it had been in counter-cultural days a decade earlier; the UK pop charts breathlessly reflected the changing spectrum with equal parts aging hippie and prog delicacies alongside new ascendant sounds: rough-hewn pub and punk rock, plus dub reggae and disco and ska and Stiff and Krautrock. . . . This proved to be an ideal environment for Anthony to make records by exploring, as he puts it, the "deep connection between minimalism, repetition, working with tape and celluloid and forming the modules of a three minute pop song."Caught up in a no-holds-barred era, Anthony was more than happy to play the out-of-his-head madman, raving through outrageous exchanges with the press, while "Judy Get Down" received Single of the Week honors from the NME (with review penned by Brian Eno). Represented by Blackhill Enterprises, Anthony did production work throughout '78-'79, on Kevin Ayers' Rainbow Takeaway, Manfred Mann's Earth Band's Angel Station and the first This Heat album, meanwhile cutting his own songs on a dead time deal at Workhouse Studio with engineer/producer Laurie Latham. Through the wee hours of countless nights, the two pieced together Flying Doesn't Help, with a little help from friends (an inspired bunch, including Bob Shilling, Charles Hayward, Chris Slade, Robert Vogel, Festus, Matt Irving, Sam Harley, Bernie Clark, Edwin Cross and Martine Moore on...

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Matchess

Sonescent

LP | 2022 | EU | Original (Drag City)

32,99 €*

Inkl. MwSt. zzgl. Versandkosten

Release: 2022 / EU – Original

Genre: Pop

In den Warenkorb Coming Soon Ausverkauft Derzeit nicht lieferbar Nicht genug Coins

Sonescent, the new album from Matchess, came to Whitney Johnson's mind while she was at the Dhamma Vaddhana Meditation Center just north of Joshua Tree, during a course of Vipassana meditation. As this practice settled in and around her, Whitney heard the things not always focused upon: first, tinnitus . . . then, breathing . . . the heartbeat, and another pulsing (something unknown, but familiar). So she listened to the sound of her body. After a time, her mind became involved, and she began to hear songs. It was after she'd returned from the desert that she wrote down what she'd heard, to the best of her ability.She decided to score the songs from the desert for other musicians to play, which was a departure from previous Matchess recordings, where she played and sang the music all herself. This process took a long while; first the scoring, drawing the pieces back out from herself based purely on memory. Then getting everyone together to play the music. Once she had them all finally fully captured, it seemed right to place the sounds back where they'd come from - a silent space, upon which the songs sometimes only barely intrude, as if heard from a great distance.In the past decade, Matchess' music has traversed outer and inner space, searching patiently for the unseen world that exists behind the world that we see everyday. When compared with the present work, the trilogy of albums released on Trouble In Mind from 2013-2018 utilized Whitney's writing and playing abilities with relative extroversion; her mixes actively deploying instruments and songs in what might be called a traditional manner, the music tapping magestically into classical, folk, electronic and psychedelic antecedents. To listen to these records is to hear someone deep in meditation making music.With Soncescent, the record is the sound of the meditation itself with the music existing in an atmosphere that would properly represent its fragile nature, the delicate sound of something almost completely disintegrated. Here, inspirat...

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Joel Vandroogenbroeck

Far View

LP | 2021 | US | Original (Drag City)

32,99 €*

Inkl. MwSt. zzgl. Versandkosten

Release: 2021 / US – Original

Genre: Pop

In den Warenkorb Coming Soon Ausverkauft Derzeit nicht lieferbar Nicht genug Coins

Far View is a compilation of tracks from Joel Vandroogenbroeck's series of library music releases for the Coloursound label - a uniquely trippy catalog of music vignettes long overdue for their day in the library music sun, remastered from the original analog reels!The late Joel Vandroogenbroeck was among that rare breed of musician who defy all categorization, using music conventions to explore the far reaches of human and cosmic consciousness. After passing through the jazz and rock worlds from the 1950s through the 70s, Joel found new outlets for his expansive vision in the 80s with the Swiss library music label Coloursound. Far View draws tracks from these releases, which form a unique entry in the genre of library music. For the uninitiated, this is just one way to begin a brilliant musical trip through Vandroogenbroeck's undersung career.A musical prodigy from youth, Joel arrived at Brussels' classical Music Conservatory in the early 50s, but his studies were curtailed by the revelation of jazz. Soon, Joel was touring in groups around Europe and beyond with luminaries like Eje Thelin, Stan Getz, Bob Brookmeyer and Zoot Sims. As time passed, his musical consciousness continued to expand: time spent in Africa sparked a deep exploration of the music of the Middle East. The new rock sounds from England, like The Beatles and Jimi Hendrix, were mind-blowing. And from Germany came the krautrockers, with something completely else again.Vibing on the eclectic energies of the day, Vandroogenbroeck formed Brainticket, whose approach to composition fused jazz, rock, and a mélange of global musical traditions, combining a western rhythm section and analog synthesizers with an astonishing array of acoustic instruments; ethnic flutes, sitar, harp, kalimba and all manner of percussion. Steeped in diverse approaches of playing and listening, Brainticket drew from prog rock and psych, traditional sounds and minimalist music, all of which passed through their hands like the tributaries that formed the basis of...

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