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Dean Blunt & Inga Copeland of Hype Williams - Black Is Beautiful

Dean Blunt & Inga Copeland of Hype Williams Black Is Beautiful

CD
UK – Original
New
Playlist
01 Track 1
02 Track 2
03 Track 3
04 Track 4
05 Track 5
06 Track 6
07 Track 7
08 Track 8
09 Track 9
10 Track 10
11 Track 11
12 Track 12
13 Track 13
14 Track 14
15 Track 15
Open in external Player: Player | RealMedia Tracklist
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Dean Blunt & Inga Copeland of Hype Williams - Black Is Beautiful
Dean Blunt & Inga Copeland of Hype Williams - Black Is Beautiful
Item-Details
About Label
Artist Dean Blunt & Inga Copeland of Hype Williams
Titel Black Is Beautiful
Label Hyperdub
Catalog-No HDBCD012
Format CD
Pressing UK – Original
Release Date 2012
Genre Electronic / Dance
Style Downbeat / Electronica / Leftfield
Available since 20.04.2012
Item-No 271826
Condition New
Availability Ready for Shipment
Price 16,95 €
Weight 100g (plus 250g Packaging)
Dean Blunt & Inga Copeland of Hype Williams - Black Is Beautiful
Black Is Beautiful' is full of crunched eurovision lullabies, kinetic drum machine jams, unsettling funk, smeared walls of synth, moments of unadulterated opiated bliss, mogadon rap, infinite coughs and insights into the odd sexual behaviour of crackers.
Hyperdub
Hyperdub Recordings is a London-based record label, founded in 2004 by Steve Goodman. »Hyperdub is a mutation of British electronic music, infected by Jamaican soundsystem culture: from dub and reggae, through jungle, right up to grime, dubstep and funky«, explained Steve Goodman (aka Kode9) in an interview with The Guardian. In his mind Hyperdub is less a record label rather than a virus. This also explains how the releases of the label from Burial, Kode9 & the Spaceape, Ikonika, to Darkstar, Hype Williams and Cooly G) spread in recent years and shaped our imaginations of dubstep and on bass based dancing music. Hyperdub started in 2001 as a web magazine that dealt with the Jamaican influence on electronic music in Great Britain (dub, reggae, jungle, grime, UK funky). In an interview with Kevin Martin (aka The Bug), that Goodman conducted for XL8R, the musician encouraged the reporter to give his productions a platform.

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