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1972 Vinyl, CD & Tape 11 Items

Vinyl, CD & Tape 11 Rock & Indie 11 Electronic & Dance 1 Used Vinyl 1
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1972
The Outsiders - Calling On Youth
The Outsiders
Calling On Youth
LP | 1977 | US | Reissue (1972)
28,99 €*
Release: 1977 / US – Reissue
Genre: Rock & Indie
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Before fronting classic post-punk group The Sound, Adrian Borland was a Wimbledon teenager enamored of Iggy Pop and the Velvet Underground. With friends, he formed The Outsiders. In 1976, they home-recorded Calling On Youth, a searching full-length that straddles nihilo-punk argot (“Terminal Case” and “I’m Screwed Up”) as well as smudged glam balladry (“Start Over” and “Weird”). Its release in 1977, on the group’s own Raw Edge label, with Borland’s cityscape abstraction on the cover, marked the first independent punk full-length in the United Kingdom. The Outsiders, featuring bassist Bob Lawrence and drummer Adrian “Jan” James, were punk in the moment before punk cut ties with solos and five minute songs. (Close Up, released in 1978, is more streamlined.) Like the Saints or Crime, they still trafficked in rock ’n’ roll. Calling On Youth, though, announces Borland as more than a precious teenage bandleader. The nervous introspection, wiry leads and negative space that he would refine solo and in The Sound, Second Layer and Witch Trials glistens throughout Calling On Youth, beckoning rediscovery.
Second Layer - World Of Rubber
Second Layer
World Of Rubber
LP | 1981 | US | Reissue (1972)
22,99 €*
Release: 1981 / US – Reissue
Genre: Rock & Indie, Electronic & Dance
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Adrian Borland and Graham Bailey might be better known as members of legendary post-punk group The Sound, but the two were childhood friends and had been playing together even earlier in The Outsiders, and continued their deep musical rapport as a duo, creating these intense and engaging songs as Second Layer at the same time as their higher profile band output. Following the release of Courts Or Wars, combining their early material, 1972 reissues their only full length album, »World Of Rubber«.
Felt - Gold Mine Trash Brown Vinyl Edition
Felt
Gold Mine Trash Brown Vinyl Edition
LP | 1987 | US | Reissue (1972)
26,99 €*
Release: 1987 / US – Reissue
Genre: Rock & Indie
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Hot on the heels of their third album Forget The Curse (Mammas Mysteriska Jukebox, 2023), Fördämning Arkiv presents a Troth anthology compiling early non-album material and other odds and ends from the Australian duo. A massive 15-track retrospective, Uncut Flowers consists of the tracks from the Our Opaque Wreath cassette (Moontown Records, 2019), The Optimist (Essential Minerals, 2019), the Garland And Gauze 7" (Altered States Tapes, 2020) as well as various compilation contributions. 74 minutes.

"In evidence throughout is Troth’s penchant for capturing and collecting sounds from their environments, transforming field recordings, organic and non-organic sonic sources into textures of a palette that they then compose and improvise with. There’s a virtuosity of sampling and sound manipulation. The recurrent sounds from Besseny and Bowman’s intrepid field and bush explorations often verge on an indistinguishability between the synthesised and the concrete-organic. Permutated hand percussion or the throbbing of a waterfall; xylophonic melody or the tape loop of a bird call. The clank and tings of unidentified objects, matter itself writhing in the veggie garden. An environment starts speaking from iron gates in a paddock anywhere, close to the damp leaf and loam of a forest floor far below unseen birds and their cacophony of song and chatter. Tracks often collapse into a grey zone stretched between composition and improvisation." - Chris Colla

Digipack in an edition of 500 copies including a 8-page booklet with liner notes, photos etc. Mastered by Joakim Karlsson. Artwork by Charlott Malmenholt. Fördämning Arkiv 10.
Primal Scream - Sonic Flower Groove
Primal Scream
Sonic Flower Groove
LP | 1987 | US | Reissue (1972)
24,99 €*
Release: 1987 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Felt - Bubblegum Perfume Pink Vinyl Edition
Felt
Bubblegum Perfume Pink Vinyl Edition
LP | 1990 | US | Reissue (1972)
26,99 €*
Release: 1990 / US – Reissue
Genre: Rock & Indie
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Felt - Bubblegum Perfume Black Vinyl Edition
Felt
Bubblegum Perfume Black Vinyl Edition
LP | 1990 | US | Reissue (1972)
26,99 €*
Release: 1990 / US – Reissue
Genre: Rock & Indie
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Felt - Bubblegum Perfume
Felt
Bubblegum Perfume
LP | 1990 | EU | Reissue (1972)
40,99 €*
Release: 1990 / EU – Reissue
Genre: Rock & Indie
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Following a run with Cherry Red Records that featured a potential major label jump, guitarist Maurice Deebank quitting and rejoining multiple times, several pop stardom carrots just out of reach, mixing battles with Robin Guthrie, and a shocking entry into the record charts, Lawrence (just “Lawrence”, like “Cher” or “Madonna” thank you very much) knew he would be making a change with his band Felt. He would be seeing out his plan of ten albums and ten singles in ten years alongside a new partner in Creation Records. This compilation beautifully captures those years. Creation was beginning a rapid ascent at the time, with Alan McGee serving as its hyperactive mouthpiece and focal point. McGee was all in on the band. “Lawrence achieved pop perfection, a breathless rush of sensitivity and intelligence. It was too understated to be commercial, too art to go pop, too pop to go art—in other words it was a perfect combination of all the music I loved at the time.” McGee was thrilled to have what he considered a real star on the label, and Lawrence was equally thrilled to have such an enthusiastic cheerleader. He funneled that enthusiasm into some of the most focused songwriting of his career, as well as some of his wildest experiments, all of which are on display here.
The Sea Urchins - Stardust Black Vinyl Edition
The Sea Urchins
Stardust Black Vinyl Edition
LP | 1992 | US | Reissue (1972)
26,99 €*
Release: 1992 / US – Reissue
Genre: Rock & Indie
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Sea Urchins - Stardust
Sea Urchins
Stardust
LP | 1992 | EU | Reissue (1972)
40,99 €*
Release: 1992 / EU – Reissue
Genre: Rock & Indie
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Cutting their teeth as teens in a West Bromwich bedroom, The Sea Urchins were nothing like the heavy metal that seemed to fill every bar in the UK Black Country. Fringe haircuts, perfect trousers, suede jackets and infectious tambourines gave plenty of hints as to their youthful ambition, but nothing could fully prepare you for just how utterly spellbinding these songs would be. Compiling their fanzine-only flexi material with the full complement of singles for Sarah Records, Stardust runs chronologically from late 1986 to the middle of 1989, beginning with the singles split for Clare Wadd’s Kvatch and Matt Haynes’ Sha La La, before hitting the first of what would be an even hundred releases from the new label Wadd and Haynes would form - Sarah. The song that launched a legendary label and defined a sound, a scene, a place and time; “Pristine Christine” still rings out as immediate and magical today as it did on first listen. What a glorious jangly rush racing around the corners of pop’s history! The band would reach such heights time and again over the course of this three year burst. The melancholy swinging folk of “Everglade” and it’s wonderfully yearning vocal; the organ-fueled british invasion garage rock sing-a-long of “Solace”; the playful psych pop of “A Morning Odyssey”; the acoustic sweep of “Wild Grass Pictures”; the perfectly named “Summershine” leaving you with a ramshackle smile out on the dancefloor. All of it is just so filled with delicate humanity, yet somehow absolutely perfect. As Bob Stanley said about the shimmering ballad “Please Rain Fall” while bestowing it with NME Single Of The Week (an honr also bestowed upon “Pristine Christine”), “think of some variations on the word marvelous and you’re most of the way there.” In their time, they might have seemed wildly out of step, but it’s not crazy to say that things could have been very different for the likes of Radiohead, The La’s, and Oasis without The Sea Urchins.
Arab Strap - The Week Never Starts Round Here
Arab Strap
The Week Never Starts Round Here
LP | 2019 | US | Original (1972)
17,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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The Gordons - The Gordons + Future Shock
The Gordons
The Gordons + Future Shock
LP+7" | 2021 | US | Original (1972)
28,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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The Gordons crashed upon the do-it-yourself scene of early 1980s Christchurch with torrential force, self-releasing two foundational planks of the vibrant New Zealand underground. Future Shock, a three-song 7-inch released in 1980, is a wild-eyed rampage, as staggering as any feedback-addled punk then being recorded at Southern Studios. The Gordons LP, which followed in 1981, matches the abandon with motorik churn and livewire dissonance, evoking New Zealand antecedents as divergent as This Kind Of Punishment and the Dead C. Brought together on this release, they’re a noise-rock landmark anticipating fans such as Sonic Youth. Flying Nun Records, the storied Christchurch label and symbol of the island nation’s rich independent music scene, re-released The Gordons and Future Shock together in 1988 following the formation of Gordons outgrowth Bailter Space, which frontman Alister Parker founded with Clean drummer Hamish Kilgour. Bailter Space, which would also come to include founding Gordons members Brent McLachlan and John Halvorsen, settled on a droning shoegaze sound, drawing comparisons to Dinosaur Jr. and the Pixies. The Gordons and Future Shock, however, represent the trio’s unreformed id, as startling today as upon release.
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