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Ace Rock & Indie 26 Items

Hip Hop 2 Organic Grooves 34 Rock & Indie 26 Indierock | Alternative 5 Classic Rock 6 Punk | Hardcore 1 Folk 2 Rock 'n' Roll 7 Electronic & Dance 3 Pop 17 Christmas 1
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Mighty Baby - Mighty Baby
Mighty Baby
Mighty Baby
LP | 1969 | UK | Reissue (Ace)
26,99 €*
Release: 1969 / UK – Reissue
Genre: Rock & Indie
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Mighty Baby evolved out of the Action, club favourites who released a number of poor-selling singles. Dropped by Parlophone, musical chairs saw Ian Whiteman (keyboards/flute) and Martin Stone (guitar) join and the music now blended progressive psychedelia with longer pieces dominated by instrumental prowess rather than Reggie King’s soulful vocals. King departed and guitarist Alan King and Whiteman began to share vocal duties on newly penned material like ‘Egyptian Tomb’ and ‘House Without Windows’ that, in retrospect, can be seen as reflecting light from the dark star of the Grateful Dead.

“Mighty Baby” was first released on the Head label on 7th November 1969 in a superb gatefold sleeve with artist Martin Sharp serving up the arresting front cover that looked like a lion being showered in blood. The album received positive reviews, with International Times stating “The music has a hundred characters… Eastern, Oriental, country, folk, rock, blues, pop etc. etc… At this moment in time Mighty Baby’s record is simply THE best thing in its class.”

The album is now seen as a progressive rock classic; cohesive, with no low spots, the inventiveness and musical prowess on a par with the equally revered, albeit jazzier, prog rock band Cressida. This latest edition from Ace, not only replicates the gatefold sleeve of the original but also contains an inner sleeve replete with memorabilia from the collection of Richard Morton Jack

“Mighty Baby” is a must-have purchase not only for fans of the band but those who want to discover this classic progressive rock album for the first time.
Link Wray - Early Recordings
Link Wray
Early Recordings
LP | 1978 | UK | Reissue (Ace)
20,99 €*
Release: 1978 / UK – Reissue
Genre: Rock & Indie
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Screaming Lord Sutch - Rock And Horror
Screaming Lord Sutch
Rock And Horror
LP | 1982 | UK | Reissue (Ace)
20,99 €*
Release: 1982 / UK – Reissue
Genre: Rock & Indie
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The Fire Escape - Psychotic Reaction
The Fire Escape
Psychotic Reaction
LP | 1983 | UK | Reissue (Ace)
27,99 €*
Release: 1983 / UK – Reissue
Genre: Rock & Indie
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V.A. - Hang It Out To Dry
V.A.
Hang It Out To Dry
7" | 2012 | UK | Original (Ace)
12,99 €*
Release: 2012 / UK – Original
Genre: Rock & Indie
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60s hard-to-find garage classics from the Downey label!
V.A. - Tres Chic! More French Girl Singers Of The 1960s
V.A.
Tres Chic! More French Girl Singers Of The 1960s
LP | 2013 | UK | Original (Ace)
24,99 €*
Release: 2013 / UK – Original
Genre: Organic Grooves, Rock & Indie, Pop
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180g Colored Vinyl! Hand-picked titles by Françoise Hardy, France Gall. Annie Philippe, Elsa, Violaine, Pussy Cat, Brigitte Bardot, Delphine and Liz Brady!
The Four Shades Of Rhythm - Bartender, Knock Me A Zombie Part 1 & 2
The Four Shades Of Rhythm
Bartender, Knock Me A Zombie Part 1 & 2
LP | 2019 | EU | Original (Ace)
10,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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"So the bartender probably took 1 ounce each of white, golden and dark rum, apricot brandy, pineapple and papaya juice, an optional jiggle of gin, added a dash of grenadine and put it all in a shaker. Poured the mix into a Tiki-style glass and then added ½ an ounce of 151-proof rum for good measure. No ice. Garnished with even more fruit and prepared his customer to “feel so far away”.

Recorded in around 1949 by Bernie Besman for his Detroit-based Sensation label, this ode to the high-powered cocktail by the Four Shades Of Rhythm lay undisturbed in the vault until recently unearthed and given an airing on Cerys Matthews’ BBC Radio 6 show.

There was an immediate demand to make it available to the public at large and so the Ace team sprang into action and here it is in a part one and a part two, the first Sensation release since 1950."
Bobby Jameson - Viet Nam / Instrumental
Bobby Jameson
Viet Nam / Instrumental
7" | 2019 | EU | Original (Ace)
11,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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‘Viet Nam’ was originally issued on Mira Records in 1966 but vanished without a trace. Far from radio friendly with its fearsome Bo Diddley beat, wailing harmonica and strong anti-war lyric, the track has gone on to become a much sought-after garage rock classic and is now almost impossible to find on 45 at any price. It made an appearance on 1967’s Mondo Hollywood soundtrack, the sort of record Quentin Tarantino might have in his collection. This 45 is mastered straight off the original 3-track tape and on the flip we have a fantastic instrumental version.
The Ace Of Cups - It's Bad For You But Buy It! 180g Edition
The Ace Of Cups
It's Bad For You But Buy It! 180g Edition
LP | 2019 | EU | Original (Ace)
21,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Selected tracks from the band’s Big Beat CD of 2003, plus a previously unissued version of ‘Simplicity’. Pressed on 180g black vinyl in a thick cardboard sleeve with copious notes on inner bag.
Tim Burgess & Bob Stanley present - Tim Peaks - Songs For A Late Night Diner
Tim Burgess & Bob Stanley present
Tim Peaks - Songs For A Late Night Diner
2LP | 2019 | UK | Original (Ace)
29,99 €*
Release: 2019 / UK – Original
Genre: Rock & Indie
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V.A. - Music From Jarvis Cocker's Sunday Service
V.A.
Music From Jarvis Cocker's Sunday Service
2LP | 2019 | UK | Original (Ace)
31,99 €*
Release: 2019 / UK – Original
Genre: Organic Grooves, Rock & Indie
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V.A. - Bob Stanley & Pete Wiggs Present Occasional Rain
V.A.
Bob Stanley & Pete Wiggs Present Occasional Rain
2LP | 2020 | UK | Original (Ace)
31,99 €*
Release: 2020 / UK – Original
Genre: Rock & Indie
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It’s the day after the 60s. You turn on the radio and there is news about John leaving the Beatles – or will Paul be the first to jump? There is insecurity and uncertainty. The rain filters into the post-psychedelic, pre-progressive sound; in times of upheaval, you always notice bad weather.

“Occasional Rain” is the sequel to Bob Stanley and Pete Wiggs’ highly successful “English Weather” collection (“Really compelling and immersive: it’s a pleasure to lose yourself in it” - Alexis Petridis, the Guardian). This is the sound of young bands experimenting in a period of flux, feeling for a new direction, exploring jazz and folk – as many songs are led by mellotron, piano and flute as they are by guitar. Lyrically, there are two themes that crop up regularly: the search for a home that isn’t there anymore – the certainties of the optimistic 60s, the physical reality of terraced streets – and the rain. For the former, there’s Cressida’s gentle, keening ‘Home And Where I Long To Be’, while Duncan Browne’s shape-shifting ‘Ragged Rain Life’ feels like a decent summary of Britain in both 1970 and 2020.

“Occasional Rain” puts the era’s bigger names (Traffic, Yes, Moody Blues) and the lesser known (Mandy More, Shape Of The Rain, Tonton Macoute) side by side. Like its predecessor “English Weather”, it evokes the turn of the new decade, a beautiful state of fuzzy confusion, and the feel of a wet Saturday afternoon at the dawn of the 70s spent flicking through the racks, wondering whether to buy the new Tull album or maybe take a chance on that Christine Harwood album in the bargain bin (go on, you won’t regret it).
V.A. - Bob Stanley Presents 76 In The Shade
V.A.
Bob Stanley Presents 76 In The Shade
2LP | 2020 | UK | Original (Ace)
29,99 €*
Release: 2020 / UK – Original
Genre: Rock & Indie
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Lonnie Mack - Fraternity Recordings 1963-1967
Lonnie Mack
Fraternity Recordings 1963-1967
LP | 2021 | UK | Original (Ace)
19,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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V.A. - Choctaw Ridge-Fables Of The American South 1968-73
V.A.
Choctaw Ridge-Fables Of The American South 1968-73
2LP | 2021 | UK | Original (Ace)
29,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie
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“Choctaw Ridge” explores a new country sound, one that emerged at the end of the 60s in the wake of Bobbie Gentry’s ‘Ode To Billie Joe’, a shock number one hit in 1967. When singers like Gentry, Jimmy Webb, Michael Nesmith and Lee Hazlewood moved from the south to Los Angeles to make it in the music business, they were not part of the Nashville in-crowd and they forged a new direction.

‘Ode To Billie Joe’ was the tip of the iceberg, and its success helped a bunch of singers and storytellers to emerge over the next three or four years. Some of the tracks on this collection bear that song’s stamp more clearly than others: Sammi Smith’s moody ‘Saunders’ Ferry Lane’ had a similar mystery lyric, and Henson Cargill’s ‘Four Shades Of Love’ is a portmanteau, with one (or possibly two) of the theoretically romantic situations ending in death.

Suddenly, character sketches of southerners became a lot more rounded – women didn’t have to stay home, or take abuse at the office, and darkness wasn’t only found at the bottom of a bottle. Storytelling is the link between all of the songs on this collection. We have cautionary tales about what could happen to someone who heads for the bright lights and doesn’t make it, ending up in the grasping hands of ‘Mr Walker’ (Billie Joe Spears), or on the ‘Back Side Of Dallas’ (Jeannie C Reilly), or on a mortuary slab in the case of the songwriter with the ‘Fabulous Body And Smile’ (Robert Charles Griggs). And there are stories about wanting to go home – Nat Stuckey’s ‘What Am I Doing In LA?’ and Charlie Rich’s ‘Feel Like Going Home’ – and others from Ed Bruce and Lee Hazlewood, who know that their home isn’t home anymore.

The tracklist and fulsome sleeve notes have been put together by Bob Stanley (Saint Etienne) and Martin Green (Smashing, The Sound Gallery), who have been collecting these records for decades.

The voices are resonant and relatable, and the productions take in the best of what pop had to offer in the late 60s and early 70s. Before the factionalism between smooth pop-conscious Nashville and the hedonistic ‘outlaws’ made it look inward again, this was a golden era for an atmospheric, inclusive and progressive country music. It began on the third of June, another sleepy, dusty Delta day.
The Damned - The Best Of Black Vinyl Edition
The Damned
The Best Of Black Vinyl Edition
LP | 2023 | UK | Original (Ace)
27,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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V.A. - In The Light Of Time - Uk Post-Rock And Leftfield Pop 1992-1998
V.A.
In The Light Of Time - Uk Post-Rock And Leftfield Pop 1992-1998
2LP | 2023 | UK | Original (Ace)
29,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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In the early 90s, a number of bands exploring the daring side of guitar pop and rock started to emerge in the UK. Most were new, some included members of 80s groups looking for new directions. They were supported by established independent labels such as Rough Trade and 4AD/Guernica and new ventures like Too Pure or Domino.

Influenced by the legacy of post-punk, minimalism, 70s art rock and a growing electronic scene, their first releases were enthusiastically received by the media. This included a 1994 article in The Wire where journalist Simon Reynolds used the term “post-rock” to refer to some of them: Bark Psychosis, Disco Inferno, Moonshake, Seefeel, Main, Pram, Insides…

Even though these bands didn’t sound alike, they seemed to share an ethos of deconstruction and were interested in the possibilities of studio manipulation. Calling their music post-rock meant that it still had a link with established rock music, even as it picked it apart and made something new from its component parts.

However, 1994 was also the first year when Britpop dominated the UK charts and music press, and the contemporary artists featured on this collection felt their already-small window of exposure shrinking. Still, away from the limelight, they released innovative records that were lauded worldwide and have since acquired cult status.

The second part of the 90s brought a new crop of groups and “bedroom” labels that carried on this forward-thinking attitude to music, unburdened by genre notions and open-minded.

“In The Light Of Time” is the first compilation to survey this period and scene of UK music. If they were released today, these tracks would probably be described as post-punk, art rock or leftfield pop. But beyond any tags or labels, they remain as inventive and captivating as when they first came out.
V.A. - Bobby Gillespie Presents: I Still Can't Believe Yo
V.A.
Bobby Gillespie Presents: I Still Can't Believe Yo
2LP | 2023 | UK | Original (Ace)
33,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Following on from the Primal Scream frontman’s brilliantly-received previous release for Ace, ‘Sunday Mornin’ Comin’ Down’ (accolades included being short-listed for Rough Trade’s compilation of the year), Bobby Gillespie brings us another slice of the music that soundtracks his life. And in this case, it’s his touring life. Drawing on the experience of ‘the way that the noise and clamour of the road can tire you out, wear you down and frazzle your nerves to shattered fragments of jangled exhaustion’, these are the records Bobby turns to for solace, for comfort, for empathy and for resourcefulness.

The compilation features an introduction from the man himself, talking us through his personal choices as though he’s sitting cross-legged on the carpet going through records with you in his lounge. Also long-time cohort of the band, Kris Needs has written extensive liner-notes, serving up an intensive track by track insight and analysis.

Titled after and kicking off with the Willie Nelson track of the same name, ‘I Still Can’t Believe You’re Gone’ leads us through a darker and deeper exploration than its predecessor, featuring Nick Cave’s funereal version of ‘By The Time I Get To Phoenix’ and Ry Cooder’s sparse and beautiful reworking of ‘Dark End Of The Street’. And we get there via such greats as Bob Dylan, JJ Cale, Donnie Fritts, Crazy Horse, Lee Hazlewood, Al Green, Thin Lizzy and so many more.

In Bobby’s own words: ‘These songs are soul savers to soothe frayed and battered nerves and to ease and settle the heart. They work on me like medicine every time. I would like to share this wonderful music that has given me strength, joy and inspiration over the years with you the listener, so that you too might get the same feelings of protection and inspiration that I do whenever I listen to these songs. We're all travellers on some kind of road through this life, and we all need respite from time-to-time - the music on this compilation is soul food of the highest order - I hope you enjoy it.’.
V.A. - Keb Darge Presents The Best Of Ace Rockabilly
V.A.
Keb Darge Presents The Best Of Ace Rockabilly
LP | 2023 | UK | Original (Ace)
21,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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Legendary international DJ, Keb Darge, fell under the spell of this music when his Japanese girlfriend forced him to go down to a ‘Rockabilly’ night back in 1989. As soon as the DJ dropped the needle on Johnny Burnette’s ‘Rockabilly Boogie’ Keb was mesmerized. He was soon hunting down the hideously rare top tunes and slipping thousands of pounds into specialist collectors like Boz Boorer’s back pocket, when the legendary guitarist was not recording or touring with Morrissey. Of course, Keb was then taking these records and introducing them to new audiences in his DJ sets worldwide.

Although it has taken an age to persuade him, Keb has now applied his perfectionist compiling skills to pick 14 killers to grace this fantastic collection. Ranging from the bopping Glen Glenn’s ‘Blue Jeans and A Boy’s Shirt’ to the almost hillbilly Jimmy Johnson’s ‘All Dressed Up’. This is a must-have compilation not only for those who have been oiling their quiffs for decades, but also those wondering what this “rockabilly” is all about. Keb drops you in at the deep end with no easy-going fillers, and you’ll be glad he did.

Keb has written the sleeve notes and with cover art by the legendary Robin Banks – this album looks as good as it sounds.
V.A. - Stanley & Wiggs Present Incident At A Free Festiva
V.A.
Stanley & Wiggs Present Incident At A Free Festiva
2LP | 2023 | UK | Original (Ace)
33,99 €*
Release: 2023 / UK – Original
Genre: Rock & Indie
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“Incident At a Free Festival” is a tribute to the mid-afternoon slots at Deeply Vale, Bickershaw, Krumlin, Weeley, and Plumpton – early 70s festivals that don’t get the column inches afforded the Isle of Wight or Glastonbury Fayre, but which would have been rites of passage for thousands of kids. Bands lower down the bill would have been charged with waking up the gentle hippies and appealing to both the greasy bikers and the girls in knee-high boots who wanted to wiggle their hips. And the best way to do that was with volume, riffs and percussion.

Compiled by the venerated Bob Stanley and Pete Wiggs of Saint Etienne, this is the heavier side of the early 70s they summarised on the acclaimed “English Weather” collection. There’s an air of menace and illicit thrills among tracks by Andwella, Stack Waddy and Leaf Hound (whose “Growers of Mushroom” album is worth well over £1,000). Bigger names include the rabble-rousing Edgar Broughton Band and kings of the festival freakout, Hawkwind. They are represented by their rare version of ‘Ejection’

For every mystical Tyrannosaurus Rex performance there was something like Atomic Rooster’s Tomorrow Night or Curved Air’s Back Street Luv to capture the spirit of the day and stir the loins of festival goers; the tracks on “Incident At a Free Festival” were inspired by both Chicago’s percussive wig-outs and the Pink Fairies’ anarchic spirit. The sounds were heavy and frequently funky, with a definite scent of danger. Their message was clear and simple: clap your hands, stamp your feet, hold on to your mind.

So, put on your wellies in your living room, drop the needle and enjoy...
Joyce Harris - I Got My Mojo Working / No Way Out
Joyce Harris
I Got My Mojo Working / No Way Out
7" | 2024 | UK | Original (Ace)
14,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Joyce Harris was born in Kentucky in 1939 and moved to New Orleans with her family when she was 13 years old. Harris learned to play guitar, write songs and was soon performing duets with her younger sister Judy. They released three singles – ‘He’s The One’ / ‘Hey Pretty Baby’, ‘Washboard Sam’ / ‘Nursery Rock (Beedle De Bop)’ and ‘Hey Little Baby’/ ‘Rock And Roll Kittens’ – as Judy and Joyce in 1958. When her sister got married, Harris spent a year singing in restaurants in Mexico and a first solo single ‘It’s You’ / ‘The Boy In School’ was released on New York’s U.T. Records at the end of 1959. A talent spotter saw her in Mexico and was impressed enough to secure her an audition with the Austin, Texas-based Domino label. Harris was soon in the studio with Tommy Kaspar and Don Burch of Domino’s vocal quartet, the Slades, to record ‘I Cheated’ / ‘Do You Know What It’s Like To Be Lonesome?’ (r-903) in October 1960. ‘No Way Out’ / ‘Dreamer’ (r-905) followed in January 1961 and sold strongly enough to be licensed to Infinity Records. On 7 April 1961, Harris performed ‘No Way Out’ live on TV on American Bandstand. Three more singles would be issued on different labels between 1963 and 1966.
Rodion G.A. - From The Archives 1981 - 2017
Rodion G.A.
From The Archives 1981 - 2017
2LP | 2024 | UK | Original (Ace)
37,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie, Electronic & Dance
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Rodion-Ladislau Rosca spent his lifetime creating music that was ambitious, groundbreaking and innovative. He was a pioneering composer, a talented multi-instrumentalist and producer. He pushed musical boundaries to their limits. This he did as a solo artist and with his group Rodion G.A.
V.A. - Girls With Guitars Got Eyes On You!
V.A.
Girls With Guitars Got Eyes On You!
LP | 2024 | UK | Original (Ace)
27,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Bona fide all-girl bands the Hairem, the Girls, the Debutantes, the Missfits, the Beat-Chics and the Ace Of Cups are stars of the show on this new vinyl volume in our ear-grabbing “Girls With Guitars” series, providing further confirmation that girls can do what the guys do.This collection opens with ‘Get Away From Me’ by the mean-sounding Angels (probably not the ‘My Boyfriend’s Back’ group of that name), a slice of feisty she-rock recorded circa 1965 that remained on the shelf at Philadelphia’s Swan Records until Ace rescued it about 40 years later, and closes with ‘Glue’ by the Ace Of Cups, a hippy outfit raved about by Jimi Hendrix in a Melody Maker interview back in 1967.Elsewhere, ballsy-voiced Joyce Harris (think Wanda Jackson meets Tina Turner) teams up with Texas bar band the Daylighters to tear the roof off ‘I Got My Mojo Working’, teenage ice skater Debbie Williams sings lead with male garage band the Unwritten Law, guitarist Chiyo fronts the Crescents on the instrumental ‘Pink Dominos’ and, well, you get the picture. Those so inclined can learn more about all the tracks on the swanky inner bag containing a picture-packed 3,000-word track commentary by series compiler Mick Patrick. SIDE ONE1.GET AWAY FROM ME - The Angels2.THE HOOCHY COO - The Fatimas3.ASK ME - Debbie Williams & The Unwritten Law4.GRAVE DIGGER - Unknown Group5.GIVE ME RHYTHM AND BLUES - The Mysteries6.BUS STOP - The Hairem7.PINK DOMINOS - Chiyo & The CrescentsSIDE TWO1.I GOT MY MOJO WORKING – Joyce Harris & The Daylighters2.CHICO'S GIRL - The Girls3.IF YOU WANNA BE HAPPY - The Debutantes4.DIMPLES - The Missfits5.SKINNY MINNIE - The Beat-Chics6.MARY HAD A LITTLE KISS - The Tomboys7.GLUE - The Ace Of Cups
V.A. - Keb Darge Presents The Best Of Ace Sixties Garage Punk (Damaged Sleeves)
V.A.
Keb Darge Presents The Best Of Ace Sixties Garage Punk (Damaged Sleeves)
LP | 2024 | UK | Original (Ace)
19,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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After the success of Keb Darge’s 2023 Ace Rockabilly compilation (chd 1637) the legend returns with another collection of music close to his heart.

On “Keb Darge Presents The Best Of Ace Sixties Garage Punk” the smooth-headed maestro pulls open his curtains to reveal a selection of US garage stompers from the 60s. “Though there are a couple of “never before on vinyl” tunes here for serious collectors, this compilation is aimed at those folk who are just getting into it,” states Keb “I have picked a selection of my favourites from the nice cheap and easy to find stuff up to the four figure and bloody hard to find stuff.” Artists like the Hooterville Trolley, the Litter, the Music Machine, the Venturie 5, the Lyrics and the Nightcrawers reflect back light towards British invasion bands like the Who, the Kinks and the Rolling Stones, home-grown garage flowers and the dark end of the psychedelic street. Laced with fuzzed guitar, enthusiasm, a driving beat and an attitude that was proto-punk this music remains fresh and is already being embraced by a new generation.

With liner notes from Keb and housed in a sleeve by Robin Banks −who also did the artwork for Keb’s Rockabilly compilation − this is an essential purchase.
V.A. - Keb Darge Presents The Best Of Ace Sixties Garage Punk
V.A.
Keb Darge Presents The Best Of Ace Sixties Garage Punk
LP | 2024 | UK | Original (Ace)
21,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
After the success of Keb Darge’s 2023 Ace Rockabilly compilation (chd 1637) the legend returns with another collection of music close to his heart.

On “Keb Darge Presents The Best Of Ace Sixties Garage Punk” the smooth-headed maestro pulls open his curtains to reveal a selection of US garage stompers from the 60s. “Though there are a couple of “never before on vinyl” tunes here for serious collectors, this compilation is aimed at those folk who are just getting into it,” states Keb “I have picked a selection of my favourites from the nice cheap and easy to find stuff up to the four figure and bloody hard to find stuff.” Artists like the Hooterville Trolley, the Litter, the Music Machine, the Venturie 5, the Lyrics and the Nightcrawers reflect back light towards British invasion bands like the Who, the Kinks and the Rolling Stones, home-grown garage flowers and the dark end of the psychedelic street. Laced with fuzzed guitar, enthusiasm, a driving beat and an attitude that was proto-punk this music remains fresh and is already being embraced by a new generation.

With liner notes from Keb and housed in a sleeve by Robin Banks −who also did the artwork for Keb’s Rockabilly compilation − this is an essential purchase.
V.A. - Bop Baby Bop - Meteor Rockabilly
V.A.
Bop Baby Bop - Meteor Rockabilly
LP | 2024 | UK | Original (Ace)
21,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-29
Housed in a former grocery store in an industrial backwater, Meteor records lived in the shadow of the Sun label in 1950s Memphis. It was run by Lester Bihari, the mild-mannered brother of Joe, Jules and Lester Bihari, as an outpost of their thriving Modern/RPM label in Los Angeles.Hoping to give Sun a run for its money, Meteor kicked off promisingly in 1952 with the R&B hit ‘I Believe’ by Elmore James recorded in Chicago. Though worthy, subsequent R&B releases proved less successful. However, a second hit, this time in the country field, ‘Daydreamin’ by Bud Deckelman in late 1954, gave Meteor a new lease of life and piqued Lester’s interest in recording rockabilly artists, especially now that newcomer Elvis Presley was breaking through on Sun. Soon they came calling: local honky-tonk bawlers like Bill Bowen and Brad Suggs, out-of-State rockabillies (Junior Thompson, Steve Carl), determined amateurs (Jess Hooper and Wayne McGuiness) and a smattering of Sun renegades (Charlie Feathers and Malcolm Yelvington). Each and every one had something cool to say and laid it down for posterity at Meteor, among the most collectable of post-war labels since few releases were distributed beyond Memphis and the surrounding area.The sign on the awning out front boasted ‘The Supreme Achievement in Recorded Sound’ but in truth the sound was quite the opposite – woolly, dark and mysterious, governed by whoever was closest to the mike in Meteor’s ill-equipped studio housed in a backroom with poor acoustics. Meteor’s studio was made to keep its secrets and herein lay the magic. No-one was ever paid and no-one was invited back for a second session.At some point in summer 1957, Lester Bihari turned off the lights, locked up Meteor’s storefront for the last time and walked away without bothering to take the masters and any documentation, mythologising the label with that last turn of the key. SIDE ONE1.TONGUE-TIED JILL – Charlie Feathers with Jody & Jerry2.RAW DEAL - Junior Thompson with The Meteors3.DON'T SHOOT ME BABY (I'M NOT READY TO DIE) - Bill Bowen with The Rockets4.YAKETY YAK - Mac & Jake with The Esquire Trio5.LATCH ON TO YOUR BABY – Jimmy Lamberth with The Saxons6.CURFEW - Steve Carl with The Jags7.CHARCOAL SUIT - Brad Suggs with The Swingsters8.SLEEPY TIME BLUES – Jess Hooper with The Daydreamers9.GONNA SHUT YOU OFF BABY – Jimmy Haggett with The Daydreamers SIDE TWO1.MAMA'S LITTLE BABY – Junior Thompson with The Meteors2.HAVE MYSELF A BALL – Bill Bowen with The Rockets3.ROCK, ROLL AND RHYTHM – Wayne McGinnis with The Swing Teens4.BOP, BABY, BOP - Brad Suggs with The Swingsters5.18 YEAR OLD BLUES - Steve Carl with The Jags6.GET WITH IT - Charlie Feathers with Jody & Jerry7.ALL MESSED UP – Jess Hooper with The Daydreamers8.BROTHER, THAT'S ALL - "Red" Hadley's Wranglers9.LONESOME RHYTHM BLUES - Wayne McGinnis with The Swing Teens
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