Be With House | Deep House 3 Items

FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.

These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.

The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".

Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.

These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.

The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.

These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.

Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.

"Siri, what's 'Balearic'?"
Be With present the first ever reissue of the ultra rare double pack DJ promo of Malcolm McLaren & Bootzilla
Orchestra's "Call A Wave". Originally slipping out in 1989 to a select few, there were rumoured to be only ever 300
copies pressed. Indeed, the entire package never got a proper release and now goes for a small fortune.
Say what? Bootsy Collins, Jeff Beck and Malcolm McLaren, all in one band, composing over a Barry White sample?
And that's just the original. But you can forget about that for now. Here we have the incredibly sought-after "DFC
Dance Mix", mixed by Massimino Lippoli of Morenas / Sueño Latino fame for the legendary DFC Italy. It's a throbbing,
vital, dramatic slice of dreamy ambient house. A deep, entrancing track that's both blissful and dancefloor dynamite.
It features the iconic, disaffected female vocal chopped up over elegant piano snatches, Beck's ace guitar stylings
over rolling, heavy drums and a killer, hypnotic bassline with sparkling harp coming and going. It's exotic,
otherworldly and brimming with that very special late 80s/early 90s Mediterranean vibe. Yes, it's Balearic, it's House.
Above all else, it's a pure uncut slice of halcyon summer days, pressed on wax.
But on side B we also have the mesmeric "Breakdown Mix", again mixed by DFC Italy. For some, *this* is the mix to
have - and who are we to argue? This time, the vocals are treated so they're uttered backwards, contributing to the
wonderfully disorienting magic of this particular mix.
And how could we forget the equally iconic "Orbital Mix"? Not by the actual group Orbital, but courtesy of S'Express's
Mark Moore & William Orbit, no less. A brilliant, beautiful remix that's perhaps more musical. They make more
obvious use of the sample from the original Barry White track ("I'm Gonna Love You Just a Little More Baby") that
Malcolm was inspired by. Flip over to Side D to find the duo's uber-horizontal "Return To The Deep Ambient Mix", a
floaty, beatless gem that'll leave you swooning.
To round out this quite astonishing package, the "New Age Mix", again coming from the DFC Italy camp, elegantly
sends us off into the cosmos with minimal percussion and maximum vibes.
Every mix on this DJ double pack is truly killer. Simon Francis remastered the original audio for this release and
Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 2x12" well and truly pumps. The immaculate
Record Industry pressing will ensure this incredibly sought-after masterpiece finds a home in many more DJ boxes
this and every summer. For the artwork, we've recreated the original DJ promo, a plain white gatefold sleeve
complete with the iconic burnt orange hype sticker. Hold tight. Roof down, tops off

Jon Tye and Pete Fowler have been making music as Seahawks for a decade now. Given the sounds they’ve been exploring over those ten years it was a cosmic inevitability that they would be asked to contribute to the catalogue of the legendary library label KPM. They replied with Island Visions, an exploration of sound for vision where they construct “audio micro-worlds to explore and inhabit”. A way to transport the listener away from the everyday without the bother of getting on an aeroplane. Mind travel is space travel after all, and much better for the environment. Mostly recorded at The Centre Of Sound in Cornwall, with additional recording at Studio 34 in London, Jon and Pete’s travelling companions on this particular trip were boogie wunderkind Sven Atterton on fretless bass and keys, Nick Mackrory on percussion and the Seahawks live team of Dan Hillman and Alik Peters-Deacon.