Brick US Hip Hop 19 Items

Czarface, Wu-Tang founding MC Inspectah Deck and veteran Boston duo 7L & Esoteric, isn’t concerned with the glitz and the B.S. that modern consumer culture is pushing. And neither are the group’s fans.

In 2013, the trio appeared relatively unassumingly with their self-titled debut, which was chiefly produced by DJ 7L and included guests ranging from Ghostface Killah and Cappadonna to Vinnie Paz, Action Bronson and Roc Marciano. The soon-to-be acclaimed group found out quickly that there was a groundswell of hip-hop fanatics thirsting for the lunchpail, lyrics-above-all-else rap they fell in love with in the ‘90s. Several pressings of the album on CD, 2-LP and even cassette later, they are back and ready to up the ante.

This time around the group is the same, but it’s fair to say that all three men have stepped up their game. “We knew how we felt about the last album, but weren’t sure how it would be received by listeners,” explains MC Esoteric. “But people really responded to it, even more than we had hoped. That gave us the confidence to really spread our wings and let loose on this one. The chemistry is even tighter this time around. We know exactly what lanes we are cruising in and what weight class we are fighting in for Round 2.”

Inspectah Deck adds, “Czarface is like the Danger Room for the X-Men, I can use all my weapons on there. When I’m in Wu-Tang, I have to come a certain way because we have a certain style of fan, when I’m here doing the Czarface projects, it allows me to actually be an MC, it allows me to actually just spit…I love that. I love when i can just spit freely and just be an MC.”

The fighting analogy – whether drawn from pugilism or ‘80s wrestling, both which figure into Every Hero Needs A Villain – is an apt one, considering the unrelenting lyrical attacks that Deck and Esoteric unleash on track after track, each trying to one-up the previous verse. Best of all, it is friendly camaraderie, based around a loose theme of renegade mutant MC talents running wild. DJ 7L explains, “All three of us are influenced by comics, sci-fi movies, TV, wrestling. Czarface encompasses all of that, and it helps with the visuals as well.”

On the production side, 7L shows yet again – as he did with the group’s debut – that he remains a formidable yet underappreciated musical force, constantly providing hard, funky and alternatingly ominous backdrops for the assembled MCs to use as lyrical luge paths.

Features Q-Tip, Talib Kweli, D-Block, M.O.P., Kool G Rap, Krs-One, Az, Cormega, Freeway, Royce 5’9”, Slum Village and many others!
It has been 10 years since Statik Selektah’s long awaited first official studio album landed, and now it’s available for the first time on vinyl. Red vinyl too.
It features a bona fide ‘who’s who’ in Hip Hop from underground celebs like Skyzoo, Termanology and Reks, to legends like Kool G Rap, KRS-One, AG, Q-Tip (A Tribe Called Quest),
Joell Ortiz, Freeway, Cormega, Royce 5’9”, AZ, Large Pro, M.O.P., Slum Village, Alchemist, Evidence, and more.. “Spell My Name Right (The Album)” has something for everyone,
with street anthems (“G Shit (Showoff Mix)”), underground bangers (“Did What We Had To Do”), straight battle raps (“Time To Say Goodbye”) and even the long forgotten DJ song
(“No Mistakes Allowed”). East to left coast, ALL the big dogs show up for this one, with all production by Statik Selektah. Receiving support from DJs worldwide, Kay Slay, Funk
Master Flex, Clinton Sparks and DJ Khaled to name a few, Statik has risen to an elite rank with his DJing and production skills, and is set to release his 8th solo album later this
year. he can be heard producing for the likes of Action Bronson and Eminem, and on his weekly radio show on Sirius/XM 'Shade 45' (Thursday Nights from 8PM - 12AM).
Hear where it all began with this limited red vinyl edition of “Spell My Name Right”!"

After the release of debut record Gris-Gris, Dr. John found himself in a strange and awkward position. The US was deep into the Vietnam War, and the assassinations of Martin Luther King Jr. and Bobby Kennedy were fresh in the public memory. On top of that, Dr. John was being pursued by various Los Angeles authorities for a handful of criminal offenses. It was, in his own words: "a heavy time for me." Much like Sly & The Family Stone's There's A Riot Goin' On, Dr. John's follow-up album Babylon would be a reflection of the chaotic and tumultuous time that he was living in. He and band dove deeper into the voodoo-inflected psychedelic rock and R&B of Gris-Gris, while touching upon elements of free jazz and Captain Beefheart-style avant garde. As with his debut record, production was handled by the legendary Harold Battiste, and much of the same session personnel who performed on it returned for Babylon, including Plas Johnson on saxophone, Alvin Robinson on guitar, and backing vocals from Jessie Hill, Shirley Goodman, and Tami Lynn. Babylon stands out as one of Dr. John's most overtly political albums, and is a singularly murky and darkly entrancing record in his discography. A psychedelic swamp of apocalyptic lyrical content, drunk, disorienting experimentation, and a fascinating entry into Dr. John's catalogue well-worthy of his expansive legacy. Get On Down is all too eager to reissue this unique record for Record Store Day Black Friday, which has not been repressed on vinyl in over 40 years. In keeping with the album's hallucinogenic sound, it is presented on trippy splattercolored vinyl, and housed in a deluxe gatefold jacket.Shuggie Diamonds is my ‘singing’ and ‘more soulful’ alter ego, so the title The Diamond Report is based off that. The nickname was given to me by my brother, the late, great Guru. My music is also a form of me dropping jewels; I have always been a diamond in the rough.” - Big Shug on his new album, The Diamond Report Boston rap stalwart Big Shug blends equal parts raw soul and grimy street rap on The Diamond Report, an album that’s bursting with life and character from an emcee who exudes longevity. With decades in the game, the Gang Starr Foundation co-founder continues to sound hungry and passionate with his art, and it’s led to one of his strongest album showings yet. After delivering smooth vocals on the opening track, Shug hits your ear like a freight train on the bombastic “EMF” that’s produced by longtime collaborator DJ Premier. A lyrical middle-finger to “every motherf*cker” who’s ever doubted or crossed him, the single also received the video treatment from director Myster DL. It puts the focus directly on Shug and his rhymes, and it actually sets the tone for the remainder of The Diamond Report. At 20 tracks deep, the album plays like a highlight reel of all of Shug’s artistic strengths. On “Doing My Sh*t,” he kicks back and oozes confidence as he croons over the Thir(13)teen-produced instrumental. And then on the Lil Fame-produced “Keep It Cool,” he’s back in bruiser mode alongside M-Dot, B.A.M and International Dreez. Shug also embodies the wise hip-hop sage on several cuts, including standouts “Old Man Rapper” and closer “You Ain’t About It.” But it’s on the lyrically charged “Stay The Course” that everything hits hardest. With Elevated Music’s snarling beat as his canvas, Shug takes aim at Trump, big ups Colin Kaepernick, and spits rewind-worthy bars like: “I still hustle, that’s how I was raised/ When I started out they said rap was a phase/ 20 years later, I still get paid/ While some of y’all clowns, still get played.” It’s a powerful reminder of exactly who Shug is, where he comes from, why he’s still here, and why everyone needs to be paying attention. To paraphrase the man himself, it may be 20 years later, but Shug’s pen is as sharp and necessary as ever.

Planet Asia helped jump-start the West Coast independent hip-hop movement, and has solidified himself as one of the most consistent and respected MCs in the game over his 20+ year career. He dropped his debut EP with producer Fanatik in 1998, and followed up quickly with the singles "Definition of Ill" (Stones Throw) and "Place of Birth" (ABB Records). In 2001, The Source Magazine gave him the ‘First Round Draft Pick’ and ‘Independent Album of the Year’ awards for ‘How the West Was One’, which was recorded with fellow CA rapper Rasco under the group name Cali Agents. This landed him a deal with Interscope Records, where he was signed until 2003 without releasing an album.
Planet Asia was nominated for a Grammy Award in 2002 for his feature on the song "W" by Mystic, and was later signed to Avatar Records, which released his official debut album, ‘The Grand Opening,’ in 2004. It earned him another ‘Independent Album of the Year’ award from The Source. Later, he started his own imprint Gold Chain Music, on which he has churned out multiple projects. He has also collaborated on albums with the likes of DJ Muggs (‘Pain Language’), Evidence (‘The Medicine’) and Madlib (‘Cracks In The Vinyl’), among others, and released songs with artists such as Linkin Park, Bun B, Talib Kweli and Ghostface Killah.
The Fresno MC is fresh off of a strong 2017 which featured well-received collaborative albums with producers DirtyDiggs (‘Dirty Planet’) and Apollo Brown (‘Anchovies’). For 2018, Asia teamed up with Bay Area producer izznyce for this true solo project, sure to be considered the next classic in his vast catalog.
‘The Golden Buddha’ was produced entirely by izznyce (producer for Superstar Quamallah and more) and features AZ, Hus Kingpin, Turbin, Marvelous Mag, Killa Kali, TriState, Xiomara and The Architect. Speaking on the project, Planet Asia says: “This album represents the foundation of what Planet Asia is about and that is ‘balance’. Me and izznyce also took our time with the record, and had a chance to really vibe out and make the type of music we personally like that will stand the test of time!”

Official Army Of The Pharaohs and Demigodz emcee Blacastan has been steadily staking his claim to the title of ‘savior of underground rap music’ since his debut mixtape Me Against The Radio and its key cut and video "Life Of A Tape" became an underground cult classic in 2007. The rapper turned his attention to the mic after the Hartford, CT street life, and his strong-arm style of handling business, left a then 16-year-old Blacastan serving a bid in the mid-'90s. He emerged from prison with a remarkable skill set, a throwback style, and an unrivaled drive.
His 2010 debut album Blac Sabbath boasted production & vocals from the likes of Statik Selektah, Blue Sky Black Death, Mr. Green, Esoteric and Celph Titled, and 2012’s The Master Builder Part II, which was mixed by legendary DJ Doo Wop, had features from Slaine and Reef the Lost Cauze, among others. He has since also racked up appearances on Jedi Mind Tricks Violence Begets Violence, the Army of The Pharaohs albums In Death Reborn and Heavy Lies The Crown, the Demigodz Killmatic album, Apathy’s Wanna Snuggle?, Mr Lif’s Don’t Look Down and Czarface’s A Fistful of Peril, plus toured extensively across Europe, North America, and Australia with Celph Titled and Block McCloud.
2014 saw Blac teaming up with producer and longtime AOTP and Demigodz collaborator Stu Bangas for the first installment of Watson & Holmes, which featured Esoteric, Apathy, Celph Titled and Vinnie Paz. Stu has been in the trenches since the early 2000s, producing heatrocks for Slaine, Esoteric, Tragedy Khadafi, Heltah Skeltah, Jedi Mind Tricks, Vinnie Paz, Blaq Poet, Copywrite, Chino XL, Cappadonna, AOTP and Sean Price, including the lead single “Definition of God” from Sean Price's upcoming posthumous album Imperius Rex.
The duo is back with The Uncanny Adventures of Watson & Holmes, a sophomore effort that improves on the first in every way. Stu gets completely brutal with the beats, and Blac ups the ante on the rhymes. Plus, they’ve enlisted Ill Bill (Non-Phixion, La
Coka Nostra), Nutso, Apathy (Demigodz, AOTP) 7L & Esoteric (AOTP, Czarface), and Tragedy Khadafi to lend their talents to the project.

"Modern Vintage" is the new collaboration album from veteran emcee John Robinson (aka Lil Sci of world renown Hip-Hop group Scienz Of Life) and prolific drummer, composer, producer and band-leader Pat Van Dkye (aka PVD). John Robinson and PVD originally met at a show in 2008 and since then their chemistry has grown organically and has developed into the duo performing
many formal shows together at venues like SOB’s, Blue Note NYC, LPR and others around the NY-NJ Tristate area.

16 tracks feat. Sadat X, El Da Sensei, Shabaam Sahdeeq, ID 4 Windz and others!

In music, timing is everything. When soon-to-be-renowned Boston hip-hop duo 7L & Esoteric collaborated with the Wu-Tang Clan's Inspectah Deck on the title track to 7L&E’s debut EP "Speaking Real Words" in 1999, the timing was perfect. The upstart duo was building a serious buzz on the East Coast and beyond, while Deck was still winning praise for his gold-selling solo disc "Uncontrolled Substance". As flashy pop-oriented rap was pumped on commercial radio stations, their natural chemistry and simpatico skills shone as a beacon to real hip-hop fans, a base of listeners who were soon asking about their next musical summit.
14 years later, the hunger for sharp lyrics and head-snapping beats hasn't dissipated. In the face of the ever-worsening status quo of watered-down and vapid radio rap songs, the call for something real has only gotten stronger, and once again the time is right for a call to action – for someone or something to come in and send wack rappers running for the hills in fear. Enter "Czarface", the upcoming, uncompromising full-length album from Inspectah Deck and 7L & Esoteric.
Not surprising, respect for real hip-hop runs deep, and "Czarface" brings an army with it — consider the star-studded guest list which includes Roc Marciano, Action Bronson, Vinnie Paz (Jedi Mind Tricks,) Oh No (Gangrene,) Mr. MFN eXquire and Deck's fellow Wu-Tang Clansmen Ghostface Killah and Cappadonna.
Aside from one track blessed by the almighty DJ Premier, production on "Czarface" belongs exclusively to DJ 7L, who provides the musical backbone which holds the album together. His ability to craft a hip-hop sound that's current and exciting with a classic feel left Deck impressed: “This is one of the first albums I've heard in a while that gives you so many different feels. You hear the ‘80s hip-hop style, ‘80s R&B and rock combined with what's going on now. That’s creating something new, in my opinion.”

Edo. G & Insight Innovates deliver that raw, jazzy, and true-to-life hip-hop on their self-titled debut album. It’s the culmination of decades of friendship and collaboration, birthed from childhood memories and the early days of the Boston rap scene. And with this 10-track project, both artists sound as hungry and passionate as ever while they deliver one of the year’s best releases to date. For Edo and Insight, that meant more than just “boom-bap” sounds or tight lyricism—it meant bringing everything to the table, including next-level lyricism. As Insight explains, “This project is focused on punchy drums, bass, attractive melodies, and a realistic life message and story from black men in a slowly changing world.” You can hear that mission statement on instant highlights “Choose Your Path” and “It Takes Progress,” with the latter serving as the album’s first leak. With good reason, of course, because Insight and Edo admit that it’s one of their favorites from the record. In addition to featuring some of their best rhymes, it provided a way for them to not just sound off on societal issues but also offer some solutions. But Edo G. & Insight Innovates also succeeds because of the way that simultaneously pays homage to and modernizes hip-hop’s past. There are cultural Easter eggs and outright tributes all over the album, like the absolutely banging “Set It Off (Long Live Kane),” which rightly gives flowers to hip-hop legend Big Daddy Kane. The two also show love to Edo’s own history by reimagining his classic Da Bulldogs joint, “I Got To Have It,” on the standout track “Unite & Let’s All Get Down.” As Insight says, it was part of their shared goal to “make a dope hip-hop album that reflects who we are and what we’re about.” He and Edo met that goal and then some with this release.

On his twelfth studio LP in nearly 20 years, Reks sounds just as hungry and passionate on T.H.I.N.G.S. (The Hunger Inside Never Gets Satisfied) as he did when Along Came The Chosen dropped back in 2001. Perhaps even more so. There seems to be a fire that gets lit under the Lawrence, MA native whenever he begins crafting a new album. “While my conceptualizing process has grown over the years, the actual approach to getting started has remained consistent,” Reks says. “There’s a youthful eagerness that comes over me every time I’m about to start a new record.” That feeling is palpable throughout T.H.I.N.G.S., an album bursting with everything you’d want from a Reks record, but also so much more. There are certainly instances of his trademark wordplay mixed with bravado on here, like the Apollo Brown-produced banger “King of the Town” featuring Lucky Dice & Chi Knox. But the real core of this record is Reks’ reckoning with bigger societal issues that have simply run rampant for far too long. And given his talents with the pen, he’s able to blend strong songwriting with deep, conceptual lyrics. Just listen to how he tackles white privilege on the otherwise catchy “Rachel Green” or the way he chronicles being Black in America on “White House.” That’s not even mentioning “The Complex,” a lyrically gripping look at Ptsd and Big Pharma featuring Pharoahe Monch, and his personal favorite track, “Nana & Grampy’s Song,” a heartfelt dedication to Black love. For Reks, it’s all about delivering the best possible music to his fans while staying true to himself. And he does exactly that not just through his own gifts, but also through collaborations with the likes of Pharoahe Monch, Lil Fame, Nottz, Apollo Brown, Statik Selektah, Evidence, and Marco Polo, among others.

On his twelfth studio LP in nearly 20 years, Reks sounds just as hungry and passionate on T.H.I.N.G.S. (The Hunger Inside Never Gets Satisfied) as he did when Along Came The Chosen dropped back in 2001. Perhaps even more so. There seems to be a fire that gets lit under the Lawrence, MA native whenever he begins crafting a new album. “While my conceptualizing process has grown over the years, the actual approach to getting started has remained consistent,” Reks says. “There’s a youthful eagerness that comes over me every time I’m about to start a new record.” That feeling is palpable throughout T.H.I.N.G.S., an album bursting with everything you’d want from a Reks record, but also so much more. There are certainly instances of his trademark wordplay mixed with bravado on here, like the Apollo Brown-produced banger “King of the Town” featuring Lucky Dice & Chi Knox. But the real core of this record is Reks’ reckoning with bigger societal issues that have simply run rampant for far too long. And given his talents with the pen, he’s able to blend strong songwriting with deep, conceptual lyrics. Just listen to how he tackles white privilege on the otherwise catchy “Rachel Green” or the way he chronicles being Black in America on “White House.” That’s not even mentioning “The Complex,” a lyrically gripping look at Ptsd and Big Pharma featuring Pharoahe Monch, and his personal favorite track, “Nana & Grampy’s Song,” a heartfelt dedication to Black love. For Reks, it’s all about delivering the best possible music to his fans while staying true to himself. And he does exactly that not just through his own gifts, but also through collaborations with the likes of Pharoahe Monch, Lil Fame, Nottz, Apollo Brown, Statik Selektah, Evidence, and Marco Polo, among others.

Termanology has been creating classic streetwise boom-bap hip-hop since the late 90s. One of the most prevalent figures of
the worldwide underground rap scene, Termanology has earned widespread critical praise and garnered a cult-like following
through his music, and has performed with acclaimed legends such as Kool G. Rap, Inspectah Deck, Ghostface Killah, and DJ
Premier, and is a frequent collaborator with his ‘Showoff Radio’ (on Sirius XM Radio’s Shade 45) co-host DJ Statik Selektah. He
has released over 30 highly-regarded albums across various formats, while his own imprint ST Records has produced records
for fellow underground-denizens like Shortfyuz, Ea$y Money, and Superstah Snuk.
Dame Grease, an NYC native, first made waves when he produced several songs on The Lox's Bad Boy Records debut album,
Money, Power & Respect, including the hit “We'll Always Love Big Poppa” featuring Puff Daddy and Faith Evans. He followed
that with work on Mase's quadruple platinum album Harlem World and on DMX's debut It's Dark and Hell Is Hot, on which
he produced thirteen of its nineteen tracks. The 2000s saw Dame establishing his own label, Vacant Lot, and making hits
for the likes of LL Cool J, Slick Rick, Ol' Dirty Bastard, T.I., Cam’Ron, Juelz Santana, Curren$y, French Montana, Riff Raff
and many more.
The two legends have collaborated on a full length album, Set in Stone, hitting the streets on Sept 13th 2019.
"Term and myself hooked up on the "Its Quiet" record (from Term’s More Politics album) a couple years back & that lead us to
creating Set In Stone. We wanted to make records that our fan base would respect, and have enough of a worldwide vibe for
the universe to appreciate," explains Dame Grease.
“The chemistry was just great. So one day while we were both on tour with The Beatnuts, Dame gave me the first batch of
beats and I began writing the album” says Termanology. “It was such a pleasure working with Dame- he makes so many
different styles of beats, I was never put in a box. I was able to just go wherever the beat took me. I really wanted to try
something different with this album. This is my most diverse project. Every song is different. I got boom bap joints, lyrical joints,
R&B records, political records, even a song about fighting alcoholism. There is something for everyone on this project.”

Dope KNife is a Liberian-American MC/producer and self-described “Rap Junkie.” Born Kedrick Mack, to a Liberian mother and American diplomat father, he spent his childhood hopping the globe before being taken by Hip-Hop and claiming Savannah, GA as home. As one of the founding members of the Dope Sandwich hip-hop collective, he gained a reputation as a formidable freestyle rapper, as well as honed his unique style of “Progressive Boom Bap.” His style was cultivated in Savannah's freestyle-heavy scene of the early 2000's, where he distinguished himself with a darker and more abrasive approach. He has officially dropped several well-received solo projects including 2017’s Strange Famous Records release NineteenEightyFour, and the EP Weekend At Brodie’s on Fake Four Inc. As he prepares a new body of work, his mantra has remained the same: “Dope raps, dope beats, dope songs, it ain’t rocket science.” After nearly two years of touring the country with the likes of Sage Francis, DJ Abilities, and Ceschi Ramos, he started to put the pieces in place for what would become Things Got Worse. A self-contained project (Dope Knife produced all of the songs as well as designed the artwork), KNife calls the album a “collection of visceral songs, crafted to serve as Rorschach that we can project or reflect meaning onto. From claustrophobic Black paranoia, to Grindhouse Hip-Hop references, Things Got Worse is whatever your mind hears it to be.”

Planet Asia helped jump-start the West Coast independent hip-hop movement, and has solidified himself as one of the most consistent and respected MCs in the game over his 20+ year career. He dropped his debut EP with producer Fanatik in 1998, and followed up quickly with the singles "Definition of Ill" (Stones Throw) and "Place of Birth" (ABB Records). In 2001, The Source Magazine gave him the ‘First Round Draft Pick’ and ‘Independent Album of the Year’ awards for ‘How the West Was One’, which was recorded with fellow CA rapper Rasco under the group name Cali Agents. This landed him a deal with Interscope Records, where he was signed until 2003 without releasing an album.
Planet Asia was nominated for a Grammy Award in 2002 for his feature on the song "W" by Mystic, and was later signed to Avatar Records, which released his official debut album, ‘The Grand Opening,’ in 2004. It earned him another ‘Independent Album of the Year’ award from The Source. Later, he started his own imprint Gold Chain Music, on which he has churned out multiple projects. He has also collaborated on albums with the likes of DJ Muggs (‘Pain Language’), Evidence (‘The Medicine’) and Madlib (‘Cracks In The Vinyl’), among others, and released songs with artists such as Linkin Park, Bun B, Talib Kweli and Ghostface Killah.
The Fresno MC is fresh off of a strong 2017 which featured well-received collaborative albums with producers DirtyDiggs (‘Dirty Planet’) and Apollo Brown (‘Anchovies’). For 2018, Asia teamed up with Bay Area producer izznyce for this true solo project, sure to be considered the next classic in his vast catalog.
‘The Golden Buddha’ was produced entirely by izznyce (producer for Superstar Quamallah and more) and features AZ, Hus Kingpin, Turbin, Marvelous Mag, Killa Kali, TriState, Xiomara and The Architect. Speaking on the project, Planet Asia says: “This album represents the foundation of what Planet Asia is about and that is ‘balance’. Me and izznyce also took our time with the record, and had a chance to really vibe out and make the type of music we personally like that will stand the test of time!”

"The Greatest X” features appearances and productions from Statik Selektah, Alchemist, Large Professor, Evidence, Nottz, Black Milk, Apollo Brown, Buckwild, Planet Asia, Guilty Simpson, Streetrunner and more. To say Reks took the underground Rap scene by Storm would be an understatement. As over the course of his first decade on the scene se was the definition of consistent. Unleashing three consecutive albums that firmly established him as one of Hip-Hop’s most revered new artists: “Along Came The Chosen”, “Grey Hairs” (primarily produced by Statik Selektah with additional production from DJ Premier & Large Professor), “Rhythmatic Eternal King
Supreme” (which debuted on the Billboard Charts and included production from Statik
Selektah, DJ Premier, Pete Rock, Hi-Tek, Nottz, Sha Money Xl & Sean C & Lv). Rather than resting on his laurels, Reks choose to take his artistic direction and vision in another direction, devoting his time and energy to embark on a new mission working on passion projects. All of which foreshadowed many of the societal ails that we as a country and now fully embroiled in. While Reks’ “The Greatest X” (pronounced as “The Greatest Unknown”) is not a comeback album. It is a return to force for the Boston wordsmith. As he did on his previous stand-out efforts, Reks is back working with the industries elite producers. As he sets out to take the next step in his progression. Reks has already set things in motion with the release of videos for the Streetrunner produced “Hands Up” (Wink Wink), the Nottz produced “The Recipe,” “Jump Shots” (Produced By Buckwild) and “B*Tch Slap” featuring R.A. The Rugged Man, which have all been favorably received.

2012 was a crazy year and album, that’s how hip-hop heads worldwide will remember it. Following in the footsteps of great DJ/Producer and MC duos like Eric B. & Rakim and GangStarr, Statik Selektah & Termanology once again combine to form the powerhouse group
1982. The formula is perfected and flawless as Statik crafts the perfect sonic landscapes for Term’s more mature and sophisticated delivery - see the uplifting first single “Shining.”
Holding Term down on the microphone side of things are great guest spots from some of the hottest new talent in the game, Mac Miller, Roc Marciano and Freddie Gibbs blend nicely with iconoclasts Bun B., Havoc of Mobb Deep and Lil Fame of M.O.P and Shawn Stockman
from Boyz 2 Men. 2012 has already garnered high praise as this month’s Source Magazine has given the full length it’s coveted “Independent’s Day” column and XXL has a great review ready for it’s May 22nd issue.