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180g 2LP 45rpm

180g 2LP 45rpm

Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

First Genesis album to feature drummer/vocalist Phil Collins!

180-gram 45 RPM double LP

Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Genesis' album Nursery Cryme, released in November 1971, marked a significant moment in the band's evolution and showcased the burgeoning talents of their new drummer and vocalist, Phil Collins, plus guitarist Steve Hackett.

Nursery Cryme saw the band take a more aggressive direction of some songs, with substantially improved drumming. The opening piece, "The Musical Box" combined the band's trademark mix of twelve-string guitars with harsh electric guitars and keyboards. The song, a macabre fairy story set in Victorian Britain, became the inspiration for the album cover, and went on to be a live favorite.

This album played a pivotal role in establishing the band's progressive rock sound and laid the foundation for their future success.

Although Peter Gabriel remained the band's primary vocalist, Collins' distinctive voice began to shine through on tracks like "For Absent Friends" and "Harlequin." Collins' vocals added a new dimension to the band's sound, blending seamlessly with Gabriel's, and hinting at the vocal prowess that would later define his solo career. His emotive and versatile singing style contributed to the album's overall charm.

Nursery Cryme is regarded as a crucial stepping stone in Genesis' discography, and with time, became recognized as a progressive rock classic. The album received acclaim for its adventurous and intricate compositions, combining elements of folk, rock, and classical music. Genesis' signature storytelling lyrics, often filled with surreal and whimsical imagery, captivated listeners and added depth to the music.

Critics praised the band's musicianship, with particular attention to the intricate guitar work of Steve Hackett and the melodic basslines of Mike Rutherford.

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

THE FIRST LIVE RENDITION OF THE WORLD FAMOUS TUBULAR BELLS! Mike Oldfield was a member of rock-band Barefoot for a while, and then became bass player for Kevin Ayers’ backing group The Whole World. He also played on an album by the Edgar Broughton Band, worked as reserve guitarist in the London production of Hair, and gigged with Alex Harvey. Then he met Richard Branson. Working at Branson’s recently acquired Manor studios as a backing guitarist, Oldfield played some of his own tapes to Branson’s engineer Simon Draper, who played them to Branson – Branson then offered Oldfield a six-album deal with his new label Virgin Records. Tubular Bells was released on 25 May 1973 as the first album on the Virgin label. The title track became a top 10 hit single in the US after the opening was used in the 1973 movie The Exorcist. Virgin now decided to organise a live performance of Tubular Bells at London’s Queen Elizabeth Hall to promote the LP. Oldfield assembled a line-up to perform the music that on record he’d all-but single-handedly created. Mick Taylor, then still with the Rolling Stones played, alongside David Bedford, Robert Wyatt, Steve Hillage and members of the band Henry Cow – all of whom, save for Taylor, ended up making records for Virgin subsequently. At a later date Mike was to comment that he was unhappy with the performance adding, “I stood on the stage at the end of the concert and looked at the audience, and they looked at me. And do you know what they did? They actually applauded. I was amazed. I hated that concert”. However, the assembled masses who witnessed the first live rendition of this ground-breaking record disagreed, and Mike Oldfield’s preconceived ideas about the project not working were totally unfounded. The concert was recorded for live radio broadcast both in the UK and across the US, where it was synched by a number of networks and is now at last available on vinyl! SIDE A1. Tubular Bells Part One SIDE B2. Tubular Bells Part Two 3. The Sailor’s Hornpipe

The third studio album "Pyramid" by The Alan Parsons Project was originally released in May 1978. As with other APP albums, the focus was on very high-quality studio sound production. "Pyramid" was a worldwide hit, achieving platinum and gold status in numerous territories including the USA, Germany and Canada.Limited edition 180g Heavyweight Clear Vinyl LP Half speed remastered by Miles Showell at Abbey Road studios.

Only a decade ago Leong Lau remained a well-hidden Malaysian-Australian treasure, known only to small circles of Australian record collectors. In 2013 we met Leong in person at the Brisbane state library, where after a long and somewhat transcendental ‘conversation’, received his blessings to re-release his music.

In 2014, we reissued his sophomore album ‘That Rongeng Sound’ and later in 2021, his sole single ‘late Night Flyer. In 2024, we are going back to finish the triangle of Leong releases, with a repress of his debut 1976 album ‘Dragon Man’. A raw and electrifying album that continues to stand the test of time.

Dragon Man might best be described musically as psyc/rock, however the significant use of soul/funk and jazz melodies adds a unique musical depth that makes it hard to categorise. However, what truly sets Leong apart is his distinct vocal style, delivering half sung/half spoken lyrics in a stereotypical Aussie accent that comes across more like a sermon than what might be conceived as ‘traditional’ songs.

Moreover, in a time where the Australian music industry and its performers’ musical styles were dictated by major labels, Leong began to break down those barriers by self-releasing his music. This rewarded Leong creative control, where he was able to dictate the musical and cultural themes, with songs like ‘Dragon Man’ and ‘Deep In The Jungle’ that both pay homage to his unique Chinese/Malay heritage. That said, Dragon Man is both a significant musical and cultural statement that’s just as poignant today as it was then.

EXCELLENT BROADCAST FROM LED ZEPPELIN’S 1972 NORTH AMERICAN TOUR1972 was the first year since 1969 that Led Zeppelin didn’t release an album. The highly praised Led Zeppelin IV had come out in November ’71, and their next LP, Houses Of The Holy, was released in March ’73. Instead, Zeppelin spent the majority of ’72 on the road.Having spent February in Australia, they then spent June touring North America. Kicking things off on June 6th in Detroit, followed by a quick hop over the Canadian border to play the following night in Montreal, by the 9th of the month the band were in North Carolina, at the state’s most populous city, Charlotte. Performing at the city’s Coliseum venue, Led Zeppelin performed one of the finest shows of the entire tour. Playing a number of cuts from their latest record, including a superb version of the ubiquitous ‘Stairway To Heaven’, alongside a fine selection of back catalogue classics, the concert remains a fan favourite to this day.Recorded for live radio broadcast, the gig has not previously been released on vinyl, but that changes with this new two-instalment which now houses the complete show for the first time. SIDE A:1. Dazed And Confused 24:42Total side length – 24:42SIDE B:2. What Is And What Should Never Be 5:313. Moby Dick 19:12Total side length – 24:43SIDE C:4. Whole Lotta Love 8:05Total side length – 8:05SIDE D:5. Rock And Roll 4:436. Communication Breakdown 4:30Total side length – 9:13

EXCELLENT BROADCAST FROM LED ZEPPELIN’S 1972 NORTH AMERICAN TOUR1972 was the first year since 1969 that Led Zeppelin didn’t release an album. The highly praised Led Zeppelin IV had come out in November ’71, and their next LP, Houses Of The Holy, was released in March ’73. Instead, Zeppelin spent the majority of ’72 on the road.Having spent February in Australia, they then spent June touring North America. Kicking things off on June 6th in Detroit, followed by a quick hop over the Canadian border to play the following night in Montreal, by the 9th of the month the band were in North Carolina, at the state’s most populous city, Charlotte. Performing at the city’s Coliseum venue, Led Zeppelin performed one of the finest shows of the entire tour. Playing a number of cuts from their latest record, including a superb version of the ubiquitous ‘Stairway To Heaven’, alongside a fine selection of back catalogue classics, the concert remains a fan favourite to this day.Recorded for live radio broadcast, the gig has not previously been released on vinyl, but that changes with this new two-instalment which now houses the complete show for the first time. SIDE A:1. Dazed And Confused 24:42Total side length – 24:42SIDE B:2. What Is And What Should Never Be 5:313. Moby Dick 19:12Total side length – 24:43SIDE C:4. Whole Lotta Love 8:05Total side length – 8:05SIDE D:5. Rock And Roll 4:436. Communication Breakdown 4:30Total side length – 9:13

EXCELLENT BROADCAST FROM LED ZEPPELIN’S 1972 NORTH AMERICAN TOUR1972 was the first year since 1969 that Led Zeppelin didn’t release an album. The highly praised Led Zeppelin IV had come out in November ’71, and their next LP, Houses Of The Holy, was released in March ’73. Instead, Zeppelin spent the majority of ’72 on the road.Having spent February in Australia, they then spent June touring North America. Kicking things off on June 6th in Detroit, followed by a quick hop over the Canadian border to play the following night in Montreal, by the 9th of the month the band were in North Carolina, at the state’s most populous city, Charlotte. Performing at the city’s Coliseum venue, Led Zeppelin performed one of the finest shows of the entire tour. Playing a number of cuts from their latest record, including a superb version of the ubiquitous ‘Stairway To Heaven’, alongside a fine selection of back catalogue classics, the concert remains a fan favourite to this day.Recorded for live radio broadcast, the gig has not previously been released on vinyl, but that changes with this new two-instalment which now houses the complete show for the first time. SIDE A:1. Immigrant Song 3:452. Heartbreaker 7:033. Celebration Day 4:48Total side length – 15:36SIDE B:4. Black Dog 5:255. Since I’ve Been Loving You 8:59Total side length – 14:24SIDE C:6. Stairway To Heaven 9:277. Going To California 5:44Total side length – 15:11SIDE D:8. That’s The Way 7:579. Tangerine 4:0310. Bron-Yr-Aur Stomp 6:09Total side length – 18:09

EXCELLENT BROADCAST FROM LED ZEPPELIN’S 1972 NORTH AMERICAN TOUR1972 was the first year since 1969 that Led Zeppelin didn’t release an album. The highly praised Led Zeppelin IV had come out in November ’71, and their next LP, Houses Of The Holy, was released in March ’73. Instead, Zeppelin spent the majority of ’72 on the road.Having spent February in Australia, they then spent June touring North America. Kicking things off on June 6th in Detroit, followed by a quick hop over the Canadian border to play the following night in Montreal, by the 9th of the month the band were in North Carolina, at the state’s most populous city, Charlotte. Performing at the city’s Coliseum venue, Led Zeppelin performed one of the finest shows of the entire tour. Playing a number of cuts from their latest record, including a superb version of the ubiquitous ‘Stairway To Heaven’, alongside a fine selection of back catalogue classics, the concert remains a fan favourite to this day.Recorded for live radio broadcast, the gig has not previously been released on vinyl, but that changes with this new two-instalment which now houses the complete show for the first time. SIDE A:1. Immigrant Song 3:452. Heartbreaker 7:033. Celebration Day 4:48Total side length – 15:36SIDE B:4. Black Dog 5:255. Since I’ve Been Loving You 8:59Total side length – 14:24SIDE C:6. Stairway To Heaven 9:277. Going To California 5:44Total side length – 15:11SIDE D:8. That’s The Way 7:579. Tangerine 4:0310. Bron-Yr-Aur Stomp 6:09Total side length – 18:09

Svart Records is proud to reissue the production of Argentinian blues rock legend Pappo's Blues as vinyl versions. Guitarist-singer Pappo aka Norberto Aníbal Napolitano (1950 – 2005) is one of his country's biggest rock legends, who also managed to make a career outside his home country. He was there right from the beginning of Argentine rock, as guitarist of the first version of Los Abuelos de la Nada, Conexión Nº 5, Engranaje and Los Gatos, the band that made Argentine rock a household name thanks to the success of their first single, “La Balsa”, which sold more than 200.000 copies in 1967.

Jorge Álvarez (co-founder of the first Argentinian independent rock label Mandioca) encouraged Pappo to develop his own music. What followed was the formation of the first version of Pappo’s Blues in 1971, a trio that had Pappo himself on guitar and vocals, David Lebón on bass and Black Amaya on drums. Their self-named debut album was an unqualified success among the ever-growing audience of Argentine rock. It contained a bundle of all-time classics such as “El hombre suburbano” (The suburban man), “El viejo” (The old man) and “Adónde está la Libertad” (Where is freedom?).

Pappo’s Blues (1971, also known as “Volume One”) introduced a new element to Argentine rock: a harder rock and blues sound, combined with intelligent and sensitive lyrics with centered on the vicissitudes of a typical young man trying to live life according to his own rules, surrounded by the mores of an intolerant society. The arabesques of Pappo’s guitar, complemented by a solid and yet elastic rhythm section, made for an exciting and daring sound, where his trademark rock and blues sound also extended to embrace blues ballads and even excursions into psychedelia.

Svart Records is proud to reissue the production of Argentinian blues rock legend Pappo's Blues as vinyl versions. Guitarist-singer Pappo aka Norberto Aníbal Napolitano (1950 – 2005) is one of his country's biggest rock legends, who also managed to make a career outside his home country. He was there right from the beginning of Argentine rock, as guitarist of the first version of Los Abuelos de la Nada, Conexión Nº 5, Engranaje and Los Gatos, the band that made Argentine rock a household name thanks to the success of their first single, “La Balsa”, which sold more than 200.000 copies in 1967.

Jorge Álvarez (co-founder of the first Argentinian independent rock label Mandioca) encouraged Pappo to develop his own music. What followed was the formation of the first version of Pappo’s Blues in 1971, a trio that had Pappo himself on guitar and vocals, David Lebón on bass and Black Amaya on drums. Their self-named debut album was an unqualified success among the ever-growing audience of Argentine rock. It contained a bundle of all-time classics such as “El hombre suburbano” (The suburban man), “El viejo” (The old man) and “Adónde está la Libertad” (Where is freedom?).

Pappo’s Blues (1971, also known as “Volume One”) introduced a new element to Argentine rock: a harder rock and blues sound, combined with intelligent and sensitive lyrics with centered on the vicissitudes of a typical young man trying to live life according to his own rules, surrounded by the mores of an intolerant society. The arabesques of Pappo’s guitar, complemented by a solid and yet elastic rhythm section, made for an exciting and daring sound, where his trademark rock and blues sound also extended to embrace blues ballads and even excursions into psychedelia.

HHV Exclusive edition on orange wax, limited to 200 copies worldwide.

A full tank of gas, the gentle glow from the radio dial, & stretches of open highway await, Forever Gamblin’ On You meanders through miles of soulful AOR, funky folk, & dusty soft rock obscurities. A follow up to Sky Dust Drifter, this compilation was gleaned from American private press oddities & rarities of the 70s & 80s, all of which are seeing their first official reissues on this album. A celebration of love, rebirth, and exploration radiating like the warmth of a loved one from the passenger seat.

Featuring “Feeling The Fire”, a jazzy, AOR grooving declaration of love and desire taken from the sole release from The Mad Brother. The compilations’ title track “Forever Gamblin On You” by Petroc And Pals, features an echo-laden folk rock recollection of hard feelings delivered with swelling guitar in a mournful soft psychedelia. Angie Pepper’s “Miss You Too Much” dwells on a past love, rolling along with an effortlessly cool rhythm section, while Roy McComas croons of his manifested “angel of love” on the swirling psych folk cut “Girl Of My Dreams”.

Forever Gamblin’ On You unfolds as a hopeful yet equally melancholic collection of nomadic anthems, primed for a memorable journey along the back roads of familiar American landscapes.

Original artwork by Arina Kokoreva. House in a case wrapped style jacket for a period correct look & feel. Includes a 12”x24” fold out poster insert.

The treasured Japanese soft rock album produced by Haruomi Hosono is finally reissued in analog LP format! The only album "Aiiro no Kisetsu" (The Season of The Color of Love) (original release date: July 1975) by the group "Kaze Chorus Dan" (Wind Chorus Group) from the Yamaha Popular Song Contest is reissued on analog vinyl. Haruomi Hosono participated fully as producer, lyricist, composer, arranger, and player. The beautiful chorus work of mixed voices, the tight performance by the Tin Pan Alley family, and the Western taste and groove that is like A&M are the best kept soft-rock treasures.

"Graveyard Club Music" Moku. Selected and edited two self-produced EPs, and announced the first nationally distributed album "MokuROKU / MokuROKU 2". The four-piece band "Moku" sings pure Japanese lyrics that are strongly influenced by folk music over a gloomy dance beat that makes ghosts dance. The dub elements, which are as deep as the roots in the ground, seem to take them in a completely different direction from the artists who came before them, while still retaining the dim but tasteful psychedelics of Shintaro Sakamoto and Kikagakumoyo.

Motoaki Masuo, known for his active role as a guitarist in the 1970s and 1980s, debuted his album on Polydor in 1973. This album, a hidden gem of Japanese soft rock, showcases his talent as a songwriter, arranger, and singer. Notable guests on the album include Masami Tsuchiya, who later formed Ippudo, as well as Takeru Sato and Tetsuji Hayashi.

Drummer Kinichi Motegi, currently with the Tokyo Ska Paradise Orchestra, curated a selection of tracks for this album based on the concept of "Kuchu (Aerial)" and "Uchu (Universe)," featuring music from two labels in 2005. The album has been highly requested by Fishmans fans for an analog version and is available as a limited edition on clear sky blue 2LP.

Drummer Kinichi Motegi, currently with the Tokyo Ska Paradise Orchestra, curated a selection of tracks for this album based on the concept of "Kuchu (Aerial)" and "Uchu (Universe)," featuring music from two labels in 2005. The album has been highly requested by Fishmans fans for an analog version and is available as a limited edition on clear sky blue 2LP.

Yasuhiro Usui and Katsuaki Komiya recorded live in Nagoya Nanya in 2023. The live recording album "undulation" is now available on vinyl!! Yasuhiro Usui is a guitarist/composer/producer living in Nagoya, Japan, and active in the eclectic genre of improvisation in Japan and abroad. He considers improvisation as the origin of music, and performs around 100 gigs a year. Katsuaki Komiya is a drummer with a unique background as the former editor-in-chief of Rhythm & Drum Magazine. With a unique style that makes full use of not only drum sets but also ethnic percussion instruments such as the djembe, he is active in a variety of fields ranging from improvisation to jazz, rock, and singing.

The duo unit Samuel Purdey, consisting of Gavin Dodds and Barney Harle, both former members of Jamiroquai during its early tours, released their only album "Musically Adrift" in 1999. This album, which involved talents from the Steely Dan circle such as producer Elliot Scheiner and guitarist Elliot Randall, continues to shine even a quarter-century after its release, serving as an enduring masterpiece in the realm of contemporary AOR. P-vine is delighted to reissue this work on colored vinyl.

The album features standout tracks like "Lucky Radio," which was also released as a 7-inch single, along with the enchanting chord progressions and vocal harmonies of "Whatever I Do," the disco-infused number "Only When I'm With You" with memorable talkbox phrases, and a cover of Carole King's "Bitter With The Sweet." Each song is a masterpiece that allows you to savor the subtleties of songwriting within a mellow groove.

The name of Jarmo Hynninen’s and Tuomas Metsberg's instrumental album Telecaster Master Blasters tells both the guitar model played on the album and the talent of the musicians itself.The recognizable tone of the Fender Telecaster became a hallmark of country music in the early 1950s, and the instrument's stylistic and virtuosic control became one of the kingships of electric guitar playing. Jarmo Hynninen and Tuomas Metsberg are among the masters of this demanding genre, whose skills can withstand international comparison.In addition to borrowed songs from old generation country artists, the album consists of the guitarists' own compositions. 1. Leon & Buddy2. Nashville Palace Swing3. Cold Cold Heart4. CPAP Breakdown5. Honey Fingers6. Stumbling7. November Waltz8. C-Swing9. Steel Guitar Rag10. Tacos for Thomas11. Western with a Twist12. Nashvantaa West

One of the furthest experiments in library music, first official vinyl reissue under Sonor Music Production license. ‘Chitarre Folk’ was conceived in July 1974 and produced by the small publishing company Nike, the album is brilliantly propelled by the two six-string players Bruno Battisti D’Amario and Silvano Chimenti (long-time collaborator of I Gres, Pulsar and Piero Umiliani E La Sua Orchestra), touching avant-folk themes surrounded by Maestro Sandro Brugnolini’s lush arrangements and Edda Dell’Orso’s ghostly vocals. Ethereal psych-folk melodies akin to the imaginary landscapes of John Fahey and Robbie Basho.

In 2023, downt showed further expansion of their activities by collaborating with many overseas artists such as Gestalt Girl (Taiwan), Grrrl Gang (Indonesia), Pswingset (us), and deathcrash (uk), and releasing the epic single "Undecember", which showed a new direction as a band. The long-awaited full-length album will finally be released in March 2024 from P-vine! The new album also features re-recorded versions of their iconic songs such as '111511', 'mizu ni naru' and 'AM4:50', which were included in previous eps and beloved by fans.

Stain monsters was founded in 1988 by Stein Monstad and HP Gundersen, who were both working at the legendary Bergen hangout-spot Cafe Opera at the time. They were good friends who came from two completely different worlds when it came to music. Stein was into early synthesizer music like Gary Numan & John Foxx, HP was more into polished pop a la Steely Dan. What they had in common was the love for some sixties and early seventies acts like Electric Light Orchestra, Tyrannosaurus Rex, late Beatles and Flying Burrito Brothers. They started a band called Stain Monster band and performed songs from mainly that period with a personal twist. Their first album was released in 1991 and has a great cult status today. 2 years ago, they decided to record a new song to see if the magic still were there. And it absolutely was, big time!

The norwegian group Boastein was founded by Are Storstein and Øistein Boassen in 1970. Boastein's debut album "Jeg har min egen luke" became something of a holy grail within alternative music in Norway. This is DIY rock from the anarchist basement with a sound and lyrics that was quite groundbraking when it came out. It was also one of the very first independent releases in Norway. The album can be described as free and progressive underground rock filled with dark humor, political sting and a good amount of weirdness. The record was first released in 399 copies in 1977.

Norwegian outsider artist Arvid Sletta started his musical career in the band Easy Riders in the mid 80s. When the band broke up, Arvid continued as a solo artist, and recorded the album "Statement" in 1990. A record that gave him comparisons to artists like Daniel Johnston and The Shaggs, and has since become a sought-after collector's item with great cult status. Now reissued on vinyl for the first time since its release in 1990.

Módulo 1000 were not messing around when they made 'Não Fale Com Paredes’. It holds its own, not just as a raw, heavy, experimental “Brazilian” psychedelic rock album, but as a raw, heavy, experimental psychedelic rock album, full-stop!

Formed in Rio de Janeiro in 1969, Módulo 1000 honed their craft as the house band in clubs and resorts in São Paulo where they predominantly covered American artists such as Jimmy Hendrix as well as British giants, Led Zeppelin. After acquiring a taste for fame following the performance of one of their tracks at the Rio International Song Festival, the band focussed their attention on composing original material. Their manager, Marinaldo Guimarães, encouraged the band to explore their experimental and creative sides. This, in parallel with the explosion of experimental music in Brazil, resulted in the band performing alongside heavyweights such as O Têrço; there was a happening in the air.

Módulo 1000 recorded just one album. Released on Top Tape records in 1972, it featured Eduardo Leal on bass, Candido Faria on drums, Daniel Cardone on guitar, violin and vocals, and Luiz Paulo Simas on organ, piano, and vocals. 'Não Fale Com Paredes' was produced by the popular DJ, Ademir Lemos, and came housed in a fold-out cover featuring tripped-out artwork and design by Wander Borges. However, due the uncompromising nature of its wild, heavy psychedelic rock sound, the album was destined not to be played on the radio in Brazil. Rumours suggest that the label didn't understand the album, and as a result, it wasn't promoted or marketed. Thus, like many other underground cult classics, it was lost in the ether, only later to be rediscovered by a new audience at a different time.

One thing is certain, you definitely know when you've heard Módulo 1000. The sound is raw, heavy and at points quite aggressive, more Black Sabbath than Os Mutantes. It floats between psychedelic rock, prog rock, early metal, and dare we say, displays elements of proto-math-rock.

The band’s discography includes a 7" single, as well as their music being featured on several compilations for Odeon Records, additionally they released a 7" single under their alias 'Love Machine' for Top Tape Records. These compositions are included as bonus tracks on the CD version of our reissue.

The follow up to The World album, 1994’s The Window Of Life secured Pendragon as one of the main progressive rock contenders.Mixed by world renowned musician and conductor Gavin Greenaway [Gladiator, Spirit and dozens of other Hollywood films].This amazing CD is packaged in a reworked booklet by the original illustrator, Simon Williams.The release also includes a reworked live version of The Last Man On Earth.The double vinyl is packaged in a luxurious soft touch gatefold with colour card inner sleeves with further artwork by Simon Williams and rare photos from the 1994 Window Of Life tour. The Walls Of Babylon GhostsBreaking The SpellThe Last Man On Earth NostradamusAm I Really Losing You? The Last Man On Earth [live reworked]

The Third Sound is the solo project of Icelandic singer-songwriter Hákon Aðalsteinsson, formerly of Singapore Sling and currently touring in Brian Jonestown Massacre. Now residing in Berlin with a fleshed-out live line-up, The Third Sound are gearing up for the release of their fourth album ‘All Tomorrow’s Shadows’ - arriving via Fuzz Club Records on May 11th. Recorded by the band themselves over the harsh Berlin winter, the new record is their most refined yet – offering an expansive exploration into krautrock-tainted post-punk and dark psychedelia.

Following on from their 2016 LP ‘Gospels of Degeneration’, the new album takes a much more sparse and rhythmic approach than we’ve seen before, combining hypnotic guitar drones, motorik rhythms and haunting vocals – the last track boasting a guest feature from Anton Newcombe, who released the band’s debut album on his own imprint A Recordings.

Limited to 100 copies on green vinyl. Only available at hhv.de

Enchanting and sunny 1969 psych folk by San Francisco teenage sisters Wendy & Bonnie Flower. A cult album that would later inspire bands like Stereolab, with dreamy vocal harmonies as the main attraction, laced with Brazilian splashes and soft-rock strains. Pure timeless psychedelic pop perfection, awash in serenity and haunting reverie floating in the ether above airy soundscapes that convey a sophistication that belies the artists' tender age: 15 and 18. Alongside them are top-notch musicians such as guitarist Larry Carlton, drummer Jim Keltner, bassist Randy Sterling and organists/pianists Mike Melvoin and Mike Lang. Originally produced by Gary McFarland, Gábor Szabó and Cal Tjader.