Classic Rock Sale 265 Items

Multi-Platinum rock band Candlebox releases Live at the Neptune, a The LP has hit songs from Candlebox’s self-titled release, as well as their sophomore release Lucy. Live at the Neptune was mixed and mastered by Candlebox’s very own Peter Klett and is available through Pavement Entertainment. Founding guitarist Klett says, “Not only was it a special night for all of us to get back together, it was also an opportunity to indulge in my new passion of music production by mixing the record. Mixing this record was a challenge, but it’s what I love to do now.” Candlebox formed back in 1990 in Seattle, WA. The band garnered plenty of praise during the grunge era and continues to be a dynamic driving force in today’s rock scene.

Recorded 01 & 10 April at Caffeine Studios, São Paulo, Brasil.

Record Store Day Italia 2021 Drop 2 release.

A collection dedicated to Garage USA 1965-1968 featuring rare tracks from a particular state: Florida, Mississippi, New York and Ohio.

Powerful downtempo ballad with heavy emotions from Louisiana based guitarist Chris McCaa. Originally released as a 7” promo oriented record in 1983, the band had hopes of it leading to bigger projects but most of the pressing probably ended up in someone's basement with very few copies available online. 40 years later, “If I Had To Say Goodbye” is back again to bless your ears at the ending sets of special dancefloors. Featuring a sound that is highly reminiscent Chris Rea's aesthetic, both in terms of vocal and guitar use, yet still breaking new ground in the power ballad department. Now in 12” 45rpm format with an extended edit by Castro on the B-side, remastered at Berlin's finest manmade mastering.

One of three cover 7" titles by Kotaro Furuichi, who has been actively working as a solo artist and actor in addition to being the guitarist of THE Collectors. "Taisetsu na Hito" (Precious One) by Smile, released in 1999, coupling with "Ookami ni Naritai" (I want to be a wolf) by Miyuki Nakajima, released in 1979.

Limited to 300 copies on red vinyl.

Ironhand Records is proud to announce the EP of Mustafa Kuş & İmece, musically at the crossroads of funk, jazz, and psychedelic, with Anatolian rhythms.
Mustafa Kuş, who went to Germany for his education and founded his band İmece in 1976, released three albums and one single until 1985.
Compiled from those, the 4 songs in this EP blend Anatolian rhythms with funk and jazz, entertaining bass lines, crazy drum attacks, saxophone, and keyboard solos.
Remastered from the original master tapes, limited to 300 copies exclusive for hhv.de on red vinyl. You will hear the idol of today’s many popular bands!

Les Marquis were an Austrian band active in the 1967-1971 period. Their debut single - Fire Horses - released in 1969, is one of the best Garage/Folk-Rock European gems of the late sixties. Limited edition of 400 copies.

Summoned by the elders of Krautrock and re-defining their sound through occult rituals and old witchcraft, Hodo Gaia 保土谷化 gives a first glimpse into a captivating soundscape with their debut single Collarbones. Motorik rhythm and gut punching bass forms the cauldron that holds a psychedelic brew with bewitching vocals floating on the surface. Influences of non-western sounds and musical concepts enrich the taste and round up the intoxication. The more delicate side that lives from haunting minimalism is the other part of the experience. Get high and calm down.

Ruphus’ third album “Let Your Light Shine” marked a new direction for the Norwegian prog rock legends. Keyboard player Hakon Graf had done a stint with a jazz group called Moose Loose, and took inspiration from there back to the newly re-grouped Ruphus. Armed with new, refined jazz compositions, an excited band entered the studio with legendary Terje Rypdal as producer

Limited edition release of this project featuring Chris Braide of The Producers (Trevor Horn Chris Braidqe Lol Crème), Andy Partridge (ex-XTC) and Tim Weller (Divine Comedy) • Chris Braide is also producer and co-songwriter with Marc Almond and Asia’s Geoff Downes • Recorded in Los Angeles and London, this release will appeal to fans of all three artists as well as being a strong release in its own right. Chris Braide - British producer & songwriter who has co-written, produced and collaborated with a wide array of artists, including Sia, Hans Zimmer, Beyonce, David Guetta, Lana Del Rey, Adele, Baz Luhrmann, Nicki Minaj, Selena Gomez, Halsey, Madonna, Starrah, Demi Lovato, Robin Schulz, Yuna, Elle King, Afrojack, Wrabel, Paloma Faith, Britney Spears, Christina Aguilera, Bibi Bourelly, Kylie Minogue, Zendaya, Bebe Rexha, Theophilus London, LP, Natalie Portman, Celine Dion, Kate Hudson, Beth Ditto, Toni Braxton, Tate McRae, Snoop Dogg, Big Sean, Jason Mraz, Donna Missal, Julia Michaels, Kali Uchis, Jessie Reyez, Lucy Hale and many more

Solar Project don´t try to impress with technical craftsmanship, fast licks or complex passages, but concentrate with a Pink Floyd-like overall sound. This overall picture is filled with excellent keyboard and guitar parts, various singing voices, mysterious sound effects and nice solos. The fact that Solar Project are heavily influenced by Pink Floyd only contributes to the overall idea. On Here I am, you hear that Solar Project do have a sound of their own. The core of the band is formed by keyboardist Robert Valet and guitarist Peter Terhoeven, two German musicians with a progressive heart of gold. They are assisted by several guest musicians, who are the backing band for Solar Project. Complex art rock, sometimes heavy, sometimes floydian-style filigrane, sometimes psychedelic, this perfectly describes the musical spectrum.

Repress of the Josiah third album in new coloured vinyls !!! Like a long lost British heavy rock classic from 1970 on the Vertigo label. Josiah has that sound down cold. Think Sabbath, Motorhead, Uriah Heep, and Josiah! These guys rock hard and take no prisoners, and it's just three of them. The songs are potent slices of that point in time where the harder they rocked, the better the world was for it. Echoes of days long gone, when prog rock didn't have that name yet, and the established heavy metal sound was still a decade away. Josiah is certainly capable of shredding with the best of them, and the compositions have enough sharp corners, labyrinths and switchbacks to keep it interesting all the way through. Vocals are powerful and commanding, always dead on key and right in your face. Add to it all some authentic sounding late 60s/early 70s production, and there will be no doubt about it: You've gone back in a proto metal time machine. - Expose

If you are looking for raw, psychedelic hard-rock, look no further! We present the complete recordings (1968-1972) from Wicked Lady, the legendary UK underground power trio leaded by ace guitarist Martin Weaver, later a member of Dark on their "Round the edges" album.

Disco Segreta teams up again with Miro (b. Mario Baldoni) in the re-release of his 1970s-80s productions, after the italo-disco burner Stranamore by Brina (DS M 002) and the tropifrutti balearic italo-house smasher Tobago by Pat & Pats (DS M 006), we are back introducing to italo-disco connoisseurs a truly atomic jam ! “Passion Night” was originally written by Miro in 1985. Story goes that envisioning a release by 1987, Miro teamed up with legendary south-african sound engineer Allan Goldberg, in light of their previous Vedette Records disco-infused collaboration for the “Slang“ studio project and the “Real Life Games” LP. The team featured also track co-writer Gregorio Puccio, ready to unleash the synths (Roland Jd800 + D50, Yamaha DX7, Oberheim 12, Prophet 5), along with two young vocalists, Giulia Fasolino and Silver Pozzoli, later to become household names for the italo-disco heads. As a special feature on the track, Miro brought in the studio contribution of the top italian jazz contralto saxophone virtuoso of the era, Massimo Urbani. In September 1987 a session at Pomodoro Studio had the track recorded on a 24 tracks tape, where has been sitting unreleased for 35 years, until now ! Within its cross-genre blend of synth-pop, italo-disco and jazz, “Passion Night” is an outstanding musical time capsule, a picture-perfect vivid snapshot of year 1987, with the additional historical value as a document itself: it’s the only strictly non-jazz project in Massimo Urbani’s repertoire, in a revelatory performance shedding a light over an unusual facet of Urbani’s versatile talent, regardless of boundaries, a few years before his untimely passing.