Delusions Of Grandeur Vinyl, CD & Tape 75 Items

Incl. Remix by Trickski.

Now?s the time for Part Two containing four more cuts of the good stuff and by now you know what we?re talking about here; deep, sample-heavy, rough around the edges but smooth in all the right places. Basically good oldfashioned instrumental moods and grooves which will appeal equally to those old enough to remember the golden era of Pork Recordings as it will to the hip young vinyl heads with a nose for anything disco.

Recloose is back! On Delusions Of Grandeur! With 2 bouncy tracks! And a Tornado Wallace Remix! Essential!!!!

A very special and limited pressing of Session Victim’s first album ‘The Haunted House of House’ in Translucent Orange vinyl.

Containing SV classics such as Good Intentions, Zionks, Dark Sienna and Cow Palace.

Time to welcome Soul 223 to the label with his debut Delusions EP entitled Fear Of Stopping. Something of a complete legend in our eyes and ears, Steve Pickton has been releasing top drawer tuneage for over two decades both as Stasis on influential labels such as B12 and Peacefrog and more recently as Soul 223 on equally well regarded imprints like Delsin, Soul Jazz and Neroli. Always one to shy away from any limelight or self promotion it?s true to say that this underrated British producer remains something of an anomaly, staying true to his underground roots where faceless, shadowy and obscure reigns supreme over the latest over-exposed cover star. This ethos naturally carries through into his music where you will always find both expansive beauty and unrefined rawness in equal measures ensuring his tracks always sound fresh rather than over produced or contrived. With remixes from Maxi Mill and Hoist Covert!

Toby Tobias coming through with the fresh raw s**t for Delusions! Two original tracks here absolutely loaded full of old school analogue machine funk and crazy dub tricknology. It?s Burning builds around a beautiful chiming synth while a filtering acid bass line and 808 snares add a distinct bit of B-Boy to the mix. I Give You love heads for a more rugged house vibe complimenting the intense, loosely timed vocal hits perfectly. On the flip we have London Housing Trust bringing serious heat on their remix, jacking up the tempo but adding some decidedly tripped-out synth tweaks resulting in a show stopping reworking primed for freaking people out on the dancefloor. Finally we have that man Lauer working his magic on It?s Burning, building up the track around some beautifully euphoric synth stabs and bassline. The perfect close to an EP in which it?s very difficult to try and find words to justify. We think Toby Tobias has turned in some of his best ever work here and absolutely love this whole record so really hope you share the same admiration for the release as we do!

6th Borough Project are all set to release the follow up to their 2011 debut LP One Night In The Borough at the start of March. A hectic couple of years have been lived out by Graeme Clark and Craig Smith during the making of their Borough 2 Borough LP with Graeme continuing to play week in and week out as Revenge and setting up his new imprint Roar Groove whilst Craig has established the brilliant Fifty Fathoms Deep label. Studio time has been tight to say the least but that hasn’t stopped the duo from pulling out all the stops and ensuring that this LP surpasses the already sky-high benchmark set by it’s predecessor. As a taster for the LP we present you with this sampler single containing three gems that’ll whet your appetite and leave you gagging for more! Kicking off we have In Your Arms which sees the duo deliver some classic 6BP business with a party-starting house track laced with Philly strings and a heavy dose of soul. Next up things take a slightly darker direction on U Know U with this heads-down track incorporating a crisp, stripped-back beat joined by filtering pads and a distant vocal for company. Flip over for Read My Mind which brings some deep and brooding warehouse vibes to the table. This is the sound of 6th Borough Project doing techno with just a hint of 909 ride adding to the layers of bouncing stabs and off-kilter vocals.

6th Borough Project are back with the follow up to their 2011 debut One Night In The Borough. A hectic couple of years have been lived out by Graeme Clark and Craig Smith during the making of this LP with Graeme continuing to play week in and week out as Revenge and setting up his new imprint Roar Groove whilst Craig has established the brilliant Fifty Fathoms Deep label. Studio time has been tight to say the least but that hasn’t stopped the duo from pulling out all the stops and ensuring that this LP surpasses the already sky-high benchmark set by it’s predecessor. Followers of 6th Borough Project will be pleased to hear that all the low-slung, loopy, hypnotic vibes we’ve come to expect are present and correct whilst the duo have still made sure to push things forward with their sound, bringing a minimalist, housier edge to many tracks. Things kick off with the Intro setting the mood, coming on like a bizarre dream that’s over in a flash but seems to include an entire episode of your life and succeeds in encapsulating the sentiment of the entire LP in 40 seconds! Soul, Beach, City, Gig, Party, Energy, Relaxation.... It’s all here. On Our Love we find a brilliantly lop-sided shuffling groove laying the foundation for some classic 6BP-style vocal chops, easing us in gently with the warm up vibes. Things take a slightly darker direction on U Know U with this heads-down track, a crisp, stripped-back beat being joined by filtering pads and a distant vocal for company. Think It Over and In Your Arms follow seeing the boys building things perfectly and increasing the party atmosphere with two floor-friendly tracks which look set to be just a couple of the DJ’s favorites from the LP. Dropping things down a notch we’re treated to the beautiful slow-mo gem entitled Through The Night before heading deeper still on the tripped out, dark and dubby The Call Back. Back 2 Black picks up the tempo again for a percussion heavy workout with just a hint of Africa emerging through the echoing stabs and sub bass. The party continues with Read My Mind which brings us some brooding, up-tempo warehouse vibes to get immersed in before F.E.E.L and a brand new LP version of previous single The Vibes pushes further still in a darker, more abstract and clubby mood. Finally, we wind down with Walk Away, making the perfect close for a brilliant, fresh and original LP from a highly talented couple of producers whose passion and knowledge of music shines brightly here. Difficult second LP clearly not an issue with 6th Borough Project!

6th Borough Project have just dropped their second LP Borough To Borough to a great reaction with the vinyl holding pole position on the Juno LP chart (knocking Moodymann off the top spot) and garnering much praise from DJ’s and press alike. You know we like a good remix at Delusions Of grandeur and here we present not one but three very different takes on three of the LP tracks. Opening up the A side we have rising star Cuthead serving up his trademark scratchy, swinging MPC beats with clattering percussion and stabbing chords on his excellent remix of Back 2 Black. Perfect, leftfield house music with depth and flair and a perfect example of why the Uncanny Valley regular is picking up so much praise right now. Next up Fantastic Man gets to grips with Read My Mind, bringing a lovely bit of proto-house flavour to the release on this James Mason ‘Nightgruv’ inspired remix. Chiming DX7 synths and lush pads are the order of the day here, creating a lovely warm up vibe before going heads down and dubby for the final 3 minutes. Flipping over we’re treated to some lush, slo-mo-lo-slung vibes on the Ben La Desh remix of Walk Away, the Dutch producer teasing things out with a chugging 7 minute workout which will sound dreamy and creamy on a big system.

Nebraska is someone who’s tracks we’ve been loving for a good few years now and finally managed to pin him down for a release here on Delusions Of Grandeur. The UK producer is something of an enigma, and despite some amazing releases on Rush Hour still remains resolutely underground and seems to keep his releases to a minimum, focusing on keeping the quality high rather than flooding the market with average material. Once again, he brings the real deal with three drum-heavy warehouse jams to nice-up the dancefloor.

For our 50th release on Delusions Of Grandeur we’re pleased to bring you seven exclusive tracks from a mighty-fine collection of both existing DOG artists and veritable newcomers alike.
Kicking off Part One we have Rush Hour regular Nebraska who manages to successfully combine elements of wait for it... trance and broken beat into an altogether more exciting and amazing way than that actually sounds on paper. Organic, sampled drums with plenty of grit and dirt lay down a groove whilst spacey synth arps and an almighty break (in a subtle way) make this something of an epic which all of us here have fallen for in a big way.
Quintessentials and Kolour LTD favourite Ugly Drums steps up next digging deep in his seemingly bottomless collection of brilliant of disco and soul to mine some killer samples and conjuring up a masterclass in deepest ravehouse in the process.
Rounding off Part One DOG mainstays and bona fide Retreaters Session Victim do what they do best on Came To Be Alive, turning in a completely blissed-out, dusty soul jam tailor-made as much for cozy nights in front of a log fire as for antipodean BBQ’s under a hazy sun.

Aroop Roy has been making waves with his unique sounds for the past few years, with a wealth of successful releases and a busy gig schedule at the helm of some of the best clubs around the world. By fusing elements of Jazz, Afro, Latin, Funk and Soul with the deeper end of House and Disco, Aroop has forged his own style with EPs on revered labels including G.A.M.M, Basic Fingers, Freestyle and Lazy Days. For his Delusions Of Grandeur debut he pulled out all the stops, delivering three original tracks which further show his diversity as an artist and ability to produce left of centre, quality underground music without losing sight of the dancefloor.