Disco | Boogie 133 Items

Following the acclaimed first album of Al Sunny released in 2017, Favorite Recordings proudly presents this single remix package of “Open Up Your Eyes”.
Al Sunny is a young composer emerging from the French soul music scene. Soon after learning the guitar, he started composing and became involved in numerous projects and collaborations. He quickly discovered deep inside himself the music that he truly loves, inspired by artists such as Tim Maia, America, Al Green, and Al Jarreau. During his studies he met musicians including Florian Pellissier, and it's then thanks to Florian that he met Pascal Rioux, founder and A&R of Favorite Recordings. Together they produced Time To Decide, a first album acclaimed by many tastemakers and gaining a solid success in Japan.
One of the highlights of the LP was the track “Open Up Your Eyes”, which disclosed the premise of Al Sunny music style, infused with Blue-Eyed-Soul, Pop and Folk. Also tainted with a funky dancefloor color, “Open Up Your Eyes” was a perfect match to build a nice remixes package for DJs. On the A side, Bruno “Patchworks” Hovart delivers again a hot Soulful/Disco version of the song with his famous touch. As for the B side, Favorite Recordings asked the Canadian producer Jex Opolis (Good Timin’ Records), with a Disco style slightly more oriented in Electronic and House vibes.

4th pressing.

Medical Records presents the 2nd pressing of their second release (MR-002)! This Mini-LP was originally released on Materiali Sonori in 1984 in Italy and is long out of print. The 1st pressing on Medical was released in 2010 and is also now long out of print. Alexander Robotnick (aka Maurizio Dami) is an Italian electronic musician. He made his debut on the Italian music scene as the founding member of Avida, a dance-cabaret band featuring Daniele Trambusti and Stefano Fuochi.In 1983 he attained international popularity with his track “Problèmes d’amour”, published first by the Italian label Materiali Sonori and then by Sire-Wea. “Problèmes d’amour” went on to become a “cult track” of the disco scene. It became quite an import hit in America’s underground club scene, and sparked the mini-LP “Ce N’est Qu’un Début” that same year (originally released on Materiali Sonori in 1984 (Italy). It consists of 6 captivating tracks including the hit “Problèmes d’amour” as well as the track “Dance boy dance” which has appeared on other cult disco compilations. “Ce N’est Qu’un Début” will appeal to lovers of Italo disco, early new wave, and minimal pop. Presented on high-quality 160gram black vinyl this time in a limited edition of 500 copies.

Heavy South African cut, unearthed by Dene from LCT, All about the massive title track ''Got My Magic Working''... Phat bassline, machinegun claps dipped in acid! The origins of Amajika is a tale of two worlds colliding at the perfect moment and begin in KwaMushu Township outside Durban. Here would be where a young Tu Nokwe would set up a school to help teach other aspiring youngsters like herself in music, dance and acting. This would become known as the Amajika Youth and Children’s Art Project and would be run from the Nokwe home, a common hangout for artists at the time. Some boast 2000+ pupils going through this program while others claim it wasn’t more than a backyard dance group, but for the lucky group of kids that were members in the mid 80s it would be their chance at stardom. It was during these years that a young aspiring playwright and musician Mbongeni Ngema had come across Tu and her group of gifted youngsters at the Nokwe family home. Although he was touring extensively at the time with the plays Woza Albert and Asinamali, the latter which eventually ended up on broadway, he would spend any time off from the tour with Tu and her dance troop. After being inspired by the American group New Edition, Mbongeni envisioned Amajika as the South African answer and decided to bankroll a studio session. The session would take place in a private studio in Durban.The release of the first single would follow very shortly. The lead track, Tomati-So is a fun swinging groove over some basic programmed drums. The song is dedicated to Tu Nokwe sings of her unique style and kind heart. On his next tour Mbongeni would take the remaining masters with him to the US and had the track remixed. Although it never materialized in a release States side he did return with the remixed tape and release it in South Africa the following year. Much like Tomato So the song was an ode and would be dedicated to the man who was making all their dreams come true. Got My Magic Working sings of going overseas and being a star on Broadway and TV and the man who is making it all happen. All these true predictions are sung on top of a groovy acid bass by a clearly matured troop of artists. During these years of working with Amajika, Mbongeni became very impressed with the exceeding talent of one of the members and decided to cast her in his upcoming musical Sarafina. The other children also wanted to be a part of the Broadway show but not everyone would get a role. This would be the end of Amajika as the next years would be dedicated to creating success on the musical stage. The growing kids that formed Amajika became young adults and pursued their own careers after the fact. Tu Nokwe would leave the country to return years later as the wife of Shaka Zulu on the big screen. To this day she is still very active both on stage and screen while Mbongeni is still writing and adding to the South African Musical Theatre catalog. Fast forward 30 years from the original release to a smokey club where ESA hears Got My Magic Working played by Rush Hours Store’s own Bonnefooi. Instantly he inquires about the track from his homeland and feels it a perfect addition the repertoire of the Afro Synth band he is quietly cooking up. The band’s instrumental take ended up as the B side on a mysterious and limited white label released by Rush Hour in early 2020 but quickly sold out. Here you have compiled the two title tracks from original Amajika singles along with the instrumental version by ESA’s Afro Synth Band for The complete Amajika experience, past to present.

The much anticipated album by Another Taste released on Space Grapes — an eclectic ooze of boogie, funk, and obscure disco. Comes in a Tip-on sleeve and with a download code.

Another Taste's debut brings together a blend of boogie, 70’s funk and obscure disco - birthed from unearthing forgotten sounds and reinventing them for the modern era. A recipe they’ve been cooking up successfully over the last years in the studio, through their label Space Grapes and on tour through some of Europe’s finest stages.

Another Taste is a Rotterdam-born concept band formed by a group of longtime friends, consisting of Bobby van Putten (keys), Bob Roche (bass), Barend Lippens (keys) and Teun van Zoggel (drums).

Inspired by the obscurity and the do-it-yourself approach of private press culture of the late 1970s and 80s, their first releases were mostly a product of late night sessions between the four of them at the studio of their co-producer Danilo Plessow (mcde), leading to the founding of Space Grapes Records.

The band’s first songs were released under various pseudonyms such as Mad Honey, Galxtc or Jambonne and quickly gathered them a loyal following and support from the likes of Gilles Peterson, Kenny Dope and many more.

Another Taste ripples their sound beyond the studio and onto the stage. In their live performances they introduce additional band members in Sarina Voorn (Vox), Diogo Carvalho (percussion) and Florian Verhagen (guitar). A core group with whom they’ve played at prestigious festivals such as Worldwide or Kappa Futur and legendary venues such as Jazz Cafe London, New Morning Paris, and Tresor Berlin.

The March-scheduled album release is the latest iteration of the band’s evolution. From the A-side opener "Turn Up" to the B-side closer "Perfect Night," the album is a testament to Another Taste’s ceaseless creative exploration. Each of the 6 songs on the album presents a new invitation to experience their genre-defying sound and bring people together in delight!

Record Store Day 2021 Release. First official reissue of this much bootlegged and sort after 12" release from Arnie Love & The Loveletts. Having disappeared into obscurity shortly after it's release in 1981, original copies now fetching over £200 in part due to regular plays in DJ sets from Four Tet, Caribou, Palms Trax & Charlie Bones.

Dimitri From Paris remixes Space Talk! Naya Beat is proud to announce a historic Asha Puthli 12” disco single, "Space Talk: With Remixes By Dimitri From Paris", the first in a series of Naya Beat remixes and retrospective releases featuring the legendary Asha Puthli. Working with the original Space Talk stems and studio recordings, Dimitri From Paris does the impossible – delivering not one but two stellar versions of the original masterpiece. Two remixes that are destined to be classics in their own right. Be it the world of disco, rare groove or hip hop, Space Talk is one of those rare tracks that transcends time, genre and place. A track equally at home in David Mancuso’s The Loft as in the hands of afro cosmic pioneers Beppe Loda and Daniele Baldelli. A track that has been sampled by The Notorious B.I.G and P Diddy, 50 Cent, and Redman. A track that has seen countless bootleg disco edits but that until now has never been remixed. No stranger to working with iconic music, Dimitri’s two stand apart remixes deliver his trademark sound and more. This is Dimitri at his best. Beautifully dubbed out and magically lush production (with plenty of laser sounds to boot) builds on the original’s interplanetary excursions. While the remixes are quintessentially Dimitri, they also pay homage to greats like Tom Moulton, Patrick Adams and Larry Levan. Exclusive to this release (along with "Dimitri From Paris Spacer Dub") are a "2023 Mix" and "Extended Mix" of the original, lovingly mixed for the discerning DJ by Naya Beat cofounders Turbotito & Ragz using the original studio recordings. Their very existence the stuff of rumour and legend, Naya Beat and Asha have tracked down the original stems and studio recordings from her most seminal albums, including "The Devil is Loose". "Space Talk" is the precursor to a full length LP coming out in September 2023 featuring remixes by legends like Maurice Fulton, Yuksek, Kon, Psychemagik, JKriv and Black Devil Disco Club to name a few. This is a once in a lifetime opportunity for producers inspired by her music to honour Asha’s influence and legacy. This is Naya Beat’s third release in a series of reissues, reworks, remixes and compilations dedicated to uncovering electronic and dance music from the subcontinent and South Asian diaspora

Official limited edition reissue of Asso's Italo masterpiece from 1983. Featuring "Do It Again", a killer Balearic disco-style cover of the Steely Dan classic. On the flip side you get the wonderful boogie jazz-funker "Don't Stop", a track which is pure blissed-out dancefloor heaven and deservedly became a Loft and Garage classic as well as receiving heavy rotation on both the cosmic and Balearic scenes. With the coolest of laid-back jazzy piano grooves underpinned with driving funky squelching bass and superb syncopated drums.

Official reissue of the only full-length LP from Brit-funk masters, Atmosfear. Love for Atmosfear was born out of the underground UK dance scene of the early 1980s; from nightclubs, pirate radio shows and soul weekenders. A localised scene that went on to have a global influence. The band’s most notable track ‘Dancing in Outer Space’ – included here on the CD version as a bonus – is a certified classic. It was a chart hit in the UK and was also championed Stateside in clubs such as the mythic ‘Paradise Garage’ and 'The Loft' by the likes of Larry Levan and David Mancuso. An instantly recognisable anthem that is just as fresh today as it was when it was first released. Originally released in 1981 via Elite / MCA records, ‘En Trance’ is a joyous album that arguably represents the pinnacle of the Brit-funk sound. The band consisted of bassist, and keyboardist Lester J. Batchelor, drummer Ray Johnson, guitarist Andy Sojka, saxophonist Stewart Cawthorne, singer and guitarist Tony Antonio and producer Jerry Pike. The album captures the excitement of these
exceptional players demonstrating utmost originality in the studio. More Atmosfear and Elite Records reissues are available/coming soon on Mr Bongo, including ‘Xtra Special’ and ‘Dancing In Outer Space’ on 12”.
Official Mr Bongo reissue. Licensed from Chemical Discs.
!

An essential part of the European disco history... "Livin' Up" and "Stop" by B.W.H., these two tracks are true 'milestones' and Italo-Disco in the purest form. The sound that only the most virtuous and innovative young Italian DJs and arrangers were able to create in the early 80s. B.W.H is Stefano Zito (aka Black Way), Stefano Galante, and the late Carlo Favilli, "Stop" is dubbed "the best B-side ever!", but "Livin' Up" is also incredible, making this vinyl the hottest 12" ever assembled in the Italo Domain and for decades incredibly underrated. It was I-f's Mixed Up The Hague mix that brought this to the attention of a wider audience and have been considered one of the holy grails of Italo ever since. Here the 2 original versions from 1983 remastered with care and passion by Dom Scuteri and Claudio Casalini (Best Record) in two different editions: the classic one in black vinyl and the strictly limited one in gray vinyl. Two essential tracks available in a high quality edition. (Limited Grey vinyl)

Limited Edition 12" of the classic balearic disco burner : Turn Me Loose originally produced in 1983 by Peter Micioni (Traks, Mike Francis, Amii Stewart). Containing here the full extended version of 14 minutes on the side A plus the SIRS CUT on the flip side!
Being one of the main players of the german dance scene Daniel Klein became the 1st German Resident DJ in Ibiza at the famous Space Club, and supported by DJ Harvey who named SIRS as one of the most promising Producers, and so he is featuring mostly all releases from SIRS since the very beginning.

It's not because one might have worked with people like Jimi Hendrix, John McLaughlin and Rod Stewart throughout their career that Italo-Disco wouldn't get the best of your work. A great example of the Italian phenomenon's infectiously widespread grip is British rock keyboardist Brian Auger's path, when he found himself in a Milanese recording studio during the mid 80's and recorded his last known release in that decade. Powerfully fusing decades of rock and jazz education with the synthetic hysteria of the time (and culture), the result is a classic downtempo number that has found its way into some of our favorite DJ sets for a while now. Vocal and instrumental are featured on the A-side and in addition the B-side offers a new remix where things take somewhat of a catastrophic turn into what sounds like Brian getting on the wrong train to a K-hole, probably not for most dance floors. Meticulously remastered at manmade mastering in Berlin.

Originally released in 1978 on Greg Charmichael's Red Greg Records, "Lady Bug" and ""Love Bug"" are probably Bumblebee Unlimited's most recognizable hits. Much like Cloud One, Universal Robot Band and Inner Life, Bumblebee Unlimited was a studio-based disco unit
conducted by Patrick Adams and Gregory Carmichael. Their only album "Sting Like a Bee" was released by RCA in 1979 with contributions from longtime Adams & Carmichael collaborators Leroy Burgess (vocals), Norbert Sloley (bass), and Richard Taninbaum (drums). With an undeniable groove, signature keys and arrangements by Patrick Adams in addition
to the comically sped-up vocals, Lady Bug is considered by many to be one of the most important underground tracks of the Disco era. As with the original "Lady Bug" 12" Single, the John Morales and Frank Trimarco "Sunshine Sound" mix takes the A-side of the RCA release. A true Disco version in every sense of the word, this almost 10 minute mix brings out the Latin percussions to the front making
it a true dance floor classic and establishing John Morales as one of the best remixers in the industry.
The B-Side belongs to one of New York City's hottest DJs at the time: Larry Levan. Despite being a very early remix by the Legendary Paradise Garage DJ, the talent was evident and his understanding of a club mix in wide display. It’s no wonder Larry Levan would go to become one of the most respected and revered remixers of his generation. Similarly to the Morales/Trimarco version, the percussions are accented throughout the
mix making it ready for the discotheque. However the two mixes are undoubtely different with Levan’s bringing out more funk out of the Adams composition
focusing more on the keys and the infectious bass lines. No real point in arguing which is better, so let’s just be glad we have both.

Saft is proud to present a re-release of a sought after disco classic from 1979. Carlos Romanos' 1-2-1 is without a doubt one of the highly regarding dancefloor classics from the heydays of the genre. With a length of 5.30 this brass infused stomper is club friendly, positive and drenching with Latin influenced percussion sounds.

Some gorgeous soulful boogie tracks right here!! The French Philippe Lecauchois, better known as "Phil Boogie Times" and Claudio Casalini, the factotum of the Italian label Best Record, teamed up with the intention of carrying on their identical passion, being devoted to Boogie, Funk, Soul and " Old School Disco". There couldn't have been a better choice to start this conjunction of passions and sharing of ideals: the first 12inch, produced by Darryl Payne in 1983, sees two precious gems such as "What's the Deal" b/w "Have You for My Love" by the charming ex Salsoul artist, Carol Williams (btbs-12001). The other reissue of Phil and Claudio is 1984's "Come Back Lover" masterfully sung and arranged by Carl Smith (btbs-12002). Listening to these splendid 40-year-old productions again will do good to the hearts of all the followers and fans of true soul music made in the USA. Coming on a limited vinyl edition!

The mighty Modern Funk band from Annecy France hit one more time with this double sider. Two heavy electro funk tracks with creamy vocals from Mae Rojas on the A side, both track are fully made with analog synths and drum machines. Enjoy the vibes of that French Touch !!

With a mysteriously unknown release date, “Photochrome” could have been originally put out somewhere between the late 70's to early 80's on the Italian Idea label, which although only boasting a minuscule catalogue of mainly 7”s has gotten the attention of many collectors of European disco obscurities for releases such as “Flavio – Drum Explosion” and “Aleo's Band - Eoe”. “Photochrome” features a very organic sound with hints of early electronics that might have been making their way into studios at the time. A fast passed driving bass line layered with what almost sounds like an early 303 bass line and spacey/cosmic vocals. Dry drum recordings give it a naive DIY feel which coupled with the experimental tricks on the vocals results in a very unique sound that has put this release on the radars of diggers world-wide. Now available once again at an affordable price with a new two part bonus beats remix that starts off as a more DJ friendly tool but soon embarks into a questionable full-fledged acid house excursion. Originally only released in 7" format but now re-issued in remastered 12" format.

Record Store Day 2021 Release. Famously sampled in Modjo’s number one smash hit ‘Lady’, Chic ‘Soup For One’ is a tried and tested recipe for greatness. Tantalizing, trademark Nile Rogers funk strumming, sublime synthwork, vocals to die for and hooks for days. Coming up to its 40th anniversary with the original released on Mirage in ’82.

Claude François is one of the most mythical figures of French Pop music you might have never heard of. He was active from the mid 60’s until his sudden and untimely passing in a tragic domestic accident in 1978. While he was mostly known as a teenage sensation, he had proper groovy numbers too. Most importantly, he co-wrote and sang the original version of what would become “My Way”, one of the most enduring songs in history. in 1977, after hearing Lamont Dozier‘s ‘Going Back To My Roots’; “Cloclo” (as the french lovingly called him) saw the potential of this new Disco trend. This led to the recording of ‘Magnolia For Ever’ and ‘Alexandrie Alexandra’ under the direction of his long time band leader Slim Pezin, who also happened to be a Manu Dibango collaborator as well as a core member of seminal Disco studio outfits Voyage & Arpadys. ‘Alexandrie Alexandra’ was recorded in November 1977 at Trident Studios in London and featured a team of skilled UK players, all of whom were involved in Cerrone recordings. Back in Paris, Raymond Donnez AKA Don Ray added strings and horns, then sound engineer and keyboard maestro Bernard Estardy, AKA Universal Energy, L.E.B Harmony and La formule du Baron did the original mix. ‘Alexandrie Alexandra’ features an all-star studio cast, but unlike other French acts with same Disco pedigree, it never reached an international audience, mostly due to the very prominent vocals being sung in French. As Claude François last single and one of his most successful, it was never originally remixed for clubs, nor released as a 12’’. To this day, it is still the most played French song in the country’s Discotheques, transcending generations. Dimitri From Paris, being very familiar with this song, always felt the urge of lifting the vocal layer to unveil the beautiful orchestration. So, when finally entrusted with the original multi track stems, he turned the spotlight on Don Ray’s string and horns, bringing the great drums and percussion to the forefront, adding his signature tricks and breaks in the process. This very special 12’’ on Dimitri From Paris new Les Disques De Paris label, features a full vocal ‘Version Discotheque’ and a dubbed out ‘Version instrumentale’, on each side. With these new remixes ‘Alexandrie Alexandra’ finally sounds like a Cerrone Vs Claude François record. Something it almost really always was.

/ Loose feat. Dee Dee & Eugene Wilde

In a time where dancing has a kind of nostalgic feeling attached to it, Glossy Mistakes kicks off its brand new series of dancefloor-oriented EPs, Glossyfloor. The starting point of this adventure from the Madrid based label comes with the reissue of the highly demanded Cover Boys’ banger ‘Reality’, an absolute ode to one of human beings most basic instincts. Canadian producer Charles Biddle Jr. is the man behind the Cover Boys project, who arranged, wrote and sang ‘Reality’.

Originally released in 1984, this anthem seamlessly captures the 80s essence with an addictive bassline and a pop-infused chorus recalling a summery euphoric atmosphere. One of those tracks that sticks to your mind while having a strong power to move your body.

A2, the reggae version of the ‘Reality,’ is a refreshing cover with fantastic arrangements that flips the mood but holds the essence.
The B-side contains a remix from one of Australia’s finest producers, Hysteric, that provides brings his magical touch focusing his efforts in turning the original version even more dancefloor friendly, making it a perfect tool for DJs.

The frontcover artwork, Fluo Flowers, comes from Barcelona based painter, Jordi Aguilar, capturing with his painting the colorful soul of the whole release.

Back in! Limited edition 7inch single from the forthcoming album 'Saturday Night', the life's work of Cyril Walker. During the making of this record CYRIL passed away on December 31, 2010. He will be missed.

Finally available on single LP format! All 5 parts of Dam-Funks magnum opus!

Born Bangalter in 1947, Daniel Vangarde is a French songwriter and producer. In 1967, he met Jean Kluger who became his publisher. In the 1970s, their tandem stood out in those fields, for a plethora of popular French artists such as Petula Clark, Claude François, Joe Dassin, Dalida, Régine, Sheila and Ringo. 1975 saw the birth of Vangarde’s label, Zagora, and his first and only solo LP. Later on, Vangarde and Kluger were responsible for a number of hit songs by The Gibson Brothers, Ottawan and La Compagnie Créole. With or without Kluger, Vangarde also wrote and produced songs that remained underground, under several monikers (Starbow, Who’s Who, Soul Iberica Band, Yamasuki, Rocky & Vandella…) and for various artists. Let’s open these incredible cosmic disco funk vaults! Available on Double Vinyl (featuring 2 exclusive tracks) & CD .

Yet another highly in-demand 12" from the Philadelphia International stable and an artist whose records never go out of date! This is a killer double-sided beauty with the frenetic and jazzy "Life On Mars" from his debut 1976 album on the top-side and the mellow all-time classic and soul boy anthem "The Sweetest Pain" from 1979 on the flip.
Two very different sides of a great artist, both of which show the level of diversity that he was capable of producing. The last legitimate release of this was back 1999 and a Mint copy will currently set you back circa £50, if you can ever find one.
Fully remastered on limited edition 180 gram heavyweight vinyl.

No one pushed the boundaries of Dance music quiet like the late
Arthur Russell. On “Go Bang,” in his Dinosaur L persona, Russell’s
unique falsetto-esque vocals are layered over a pulsing disco
thump with a flourish of Fender Rhodes keys establishing the
downtown feel of this solid groove.
Get On Down is proud to present this classic single, featuring the
complete “Go Bang Part 1” and “Go Bang Part 2”.

Dave Lee has tackled the legendary Brazilian disco cut 'Que Tal America' by Two Man Sound, originally released back '78.. Dave subtly adds new breakdowns, live percussion and even some additional vocals to give his version extra pizzazz, whilst making the most of the insistent flowing groove that made this a sure fire floor filler. On the flip things get more more echo heavy, whilst the sharp jazzy musicianship shines through. There was never an instrumental version on the original 12". Add an acapella and bonus beats then you have an essential disco package for every Disco DJ's record box.

Star Creature drops another mixtape featuring a 90 minute mix of private press disco, soul and boogie records from the Windy City. Selected and mixed by Boogie MUNSTER's own DJ Kool Hersh. A party banger AND an audio history lesson--some of these cuts ain't even on Youtube!! Get it!

Don Blackman is an iconic, cult artist. A pianist, songwriter, producer, and vocalist from New York he is a mystical figure for record collectors, one of those artists where if you found an old dusty record with Don's name on it, you'd buy it on sight. He is best known for his 1982 magnum-opus, the eponymous album that featured the all-time classics 'Heart's Desire' and 'Holding You, Loving You’. He also collaborated with other greats such as Bernard Wright, Weldon Irvine, Roy Ayers, and Lenny White.

We couldn't believe it when Chicago DJ/digger/producer, Marc Davis, told us there was a vault of unreleased Don Blackman material. Marc had reached out to Don’s children, Irene and Kyle, in 2019, building a relationship with Kyle with whom he shared a musical affinity. To Marc's delight, Kyle confirmed that there was indeed a treasure trove. As Kyle described it, “In 2013, shortly after my dad’s passing, my sister and I collected all of his possessions and put them in a storage unit. I came across forty years’ worth of music history. Hundreds of cassettes, CDs, Disks, reel-to-reels, paperwork, photos and VHS tapes. It took about ten years to organise and digitise everything. All of this magic was almost thrown away in the trash, never to be seen, never to be heard forever.”

Two tracks were selected, 'Your Love Makes Me Crazy' and 'Say You'll Be Mine'. 'Your Love Makes Me Crazy' is as funky as it gets, with infectiously catchy vocal hooks, and a serious jam, whereas ‘Say You’ll Be Mine’ is a classy, soulful boogie, instrumental number, that shows off Don’s masterful piano playing. Both tracks warrant full attention and capture a master at work. He was also a one-man show when it came to production, playing all of the instruments when recording these tunes in his home studio in South Jamaica, Queens.

On first hearing the tracks, Marc knew he wanted to extend the songs and enlisted fellow Chicago legend, Tone B. Nimble, to work on the project with him. Their extension/edit of the songs was conducted in a way that was respectful and true to how the tracks were originally recorded by Don. They extended and re-sequenced the groovy parts of the songs organically for the DJs and dancers.

The final words on this release are best coming from Kyle, “We are very excited and thrilled to continue to share all of this unreleased magic with the world. We hope that this music will help, heal, and inspire a new generation of artists to never give up, and to strive for what their hearts desire.”

DONNELL PIMAN of "LOVE EXPLOSION" & "YOUR LOVE IS DYNAMITE" returns to STAR CREATURE for his second modern 7" on the hometown connection label. Features production duties from WINGS OF SUNSHINE and Japan's LIQUID PEGASUS. Both tracks are 120 bpm plus and both slap!

The third release 2020 of Best Record Italy is finally coming out with the 12" Vinyl De-Luxe of Dr. TOGO "Be Free" . Two untouched and untouchable original versions from 1982 produced by Gigi Figini and mixed by unforgettable Leonardo "Leopardo" Re Cecconi. Vocals by great Glen White, born Glenn Edritch White, fantastic performance!

The two glorious 80s Boogie tracks written and produced by Roy Ayers here on 7” for the very first time, originally released back to back on 12” single with copies exchanging hands for over £400, this was also much sampled on the Hip Hop scene.

We weren’t too familiar with this 1984 Release on Sleeping Bag Records until reading Tim Lawrence’s Book Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992. What we learned, was the “behind the scenes” drama that went on during the recording of this single. Arthur Russell and DJ Nicky Siano contemplated working together once again after their first collaboration in 1978 lead to a successful 12” single called “Kiss me Again” on Sire under the Moniker Dinosaur where David Byrne even played lead guitar. Their second collaboration “Tiger Stripes” came as the result of Siano convincing the father or a then girlfriend to fund the venture. Arthur wrote the lyrics, and while Siano remembers remembers the Demo tracks being promising, problems began to emerge as Studio time began ticking. Russell became annoyed by Siano’s hyperactive personality in the Studio, while the former Gallery/Studio 54 DJ grew impatient of his collaborator’s constant changes and money spent in studio time. However according Author Tim Lawrence the feud escalated when Arthur wanted to introduce a drum machine after the session drummer could not keep the time. As a result, he ended up scrapping the original tracks which included vocals recorded by Evelyn Thomas. However the nail in the coffin came when Siano assumed the role of lead vocalist at which point Russell quit appalled by how terrible he sounded. Although a perfectionist, Russell also suspected Siano had been using the project as a platform for himself as a vocalist. In any case their project went on with Siano as lead and newly recorded backup vocals by Maxine Bell. Released on Splash Records in 1984, Siano is credited as the artist and sole-producer while Russell only agreed to be credited under the alias Killer Whale. Not too long after, Sleeping Bag released a 7” promotional copy of “Tiger Stripes” featuring only Bell as the sole vocalist, a different B-Side and Felix as the artist name. Although Russell did not credit himself by his real name, he credited the Killer Whale alias for all the writing and production on the single. There is a 12” on Sleeping bag which credits Siano for production on Tiger Stripes” but it’s clear from the release of the 7” that Russell wanted to make a statement. Beyond this peculiar story however, the music itself is worth the note. In a 2014 piece for The Vinyl Factory, Peter Zummo, one of Arthur Russell’s closest collaborators best describes this release: Side A: ‘Tiger Stripes’, is a crazy editing job with lots of disparate elements. The opening beats give little sense of what key it will be in. Side B: ‘You Can’t Hold Me Down’, is drum machine and conga, rhythm guitar, keyboard, female refrain and lead vocal, and male chant on “bad little kitten – pounce on you.” There’s no real bass. I like it not only for the way it sounds but also that it shows that you don’t have to follow the rules.

As head of Italian (centric) Slow Motion label (and international artist sister imprint, Wrong Era), and through his own productions and remixes, Franz Scala has been pioneering the retro-futuristic aesthetic of club culture weaving together elements of proto-house, wave and Italo for the nuovo contemporary dancefloor long before it’s current vogue. Now alongside Bordello A Parigi, and supported by Sameheads, Slow Motion presents Scala’s Mondo Della Notte. This is part 1 of the album, which is also available as 2LP bundle.

Official remastered reissue from the original tapes of The Fresh Band's highly sought-after 1984 classic 'Come Back Lover'. Produced by The Strikers' Darryl Gibbs and mixed to maximum effect by the one and only Tony Humphries, this super cool disco boogie floor-burner made it big in the Underground dance clubs of Chicago & New York, receiving heavy rotation from legendary DJs like Mancuso, Larry Levan and Ron Hardy. This special re-release from Best Italy contains for the first time all the four versions mixed by the legendary Tony Humphries : including the astounding Tony Humphries Vocal, Dub, Remix and the rarest Dub Remix which moves towards a deeper, headier groove, with atmospheric echoing vocals and mind-blowing piano breaks.

Limited edition remastered reissue of Funky Family, the italo disco studio project from 1984. This production features Nicola Nicolosi from Nicolosi Family
we can remember him on Amnesie by Turas) and represents a real example of proto-house that became a Chicago classic regularly played by Ron Hardy at Muzic Box and during WBMX radio shows. This edition has the full instrumental cut on the side two instead of the short radio edit available on the original one.

A brand new cut and remaster for 2023 of the multi genre-busting release 'Don't Send Me Away', that transcended most dance scenes from Modern Soul, Rare Groove, Crossover and Boogie to become perhaps the most in-demand '80s record on the current collectors scene.

A certified classic from a Philly soul legend, Garfield Fleming, that never fails to hit you right in the heart. Already one of the most sought after 12 inches out there, the popularity of 'Don't Send Me Away' was cemented when a video of Garfield himself signing the track at a Paris record stall in late 2018, went viral with nearly 3,000,000 views to date.

With original 12 Inch copies trading hands for £300+ it was high time a remastered reissue hit the shelves, giving a whole new generation of listeners the chance to bask in the glory of this unquestionable anthem.

Exact replica repress!! George gave us his orginal metal stampers and we were able to press a limited run of these before the plate broke! Best sound quality here.. don't miss this sought after modern soul masterpice. Perfect for all the still clubbing moms on the dancefloor.

The story about the lost recordings of Ghia continues: Following the recently released "At The Hilton" single, our label is extremely proud to present "Curaçao Blue", the band's first full-length album. And it is simply mind-blowing, to say the least! The LP features 10 unreleased tracks in a similar Balearic vein as featured on the single.

Incredibly, it was only just a few months ago that these tracks were rediscovered on some old tapes by band members Lutz Boberg and Frank Simon. Could anyone imagine that two physics students from a small German town could create such beautiful, thrilling music in their home studio? Although the technical aspects in the creation of the band's earliest tracks may have been straightforward, the outcome is high-quality, creative, modern jazz-funk, with one step in the electro-funk genre due to the use of a drum machine and synthesizer basslines. The album features mostly 4-track recordings, based mainly on the musicians' weapons of choice: a Dx21 keyboard (later updated to the legendary Dx7) and a guitar. Many things had to be done live in just one take, though the artists were unafraid of using overdubbing techniques to weave their instrumental journeys. The DIY aesthetics just add more beauty and uniqueness to the songs and compositions, and the result is an extremely harmonic work of undeniable musicality. Ghia delivers Balearic jazz-funk at its finest.

Though the music was recorded in Germany, Ghia had a true relationship with the Balearic region and effortlessly applied the vibes to their compositions. As a side note, one track on their earliest demo tapes was called "3 AM at Moëf Gaga" and we did not know what it meant. The band explained that Moëf Gaga is a nightclub on the Spanish coast that is actually still active today. Boberg and Simon, the two original band members of Ghia, visited the club in the early 80s and spent their holiday close to the sea. With their music, they intended to create a summery vibe, capturing a relaxed and soulful view of the seashore, likely with a drink in hand... Perhaps a Blue Curaçao?

The album starts with a revised version of the title track. The drums in this take are much punchier, and we thought that it would fit just perfectly as an introduction. We continue with the already classic "Down At The Hilton" that was featured on the single, but like us, we are sure you could happily listen to this track on repeat. Next up, "Jump In The Water" opens with a catchy delayed melody, which develops into another perfect jazz-funk piece with an extended guitar solo. Another remarkable song might be "In The Fast Lane". As the name suggests, an uptempo number, now with an electro-funk beat combined with speedy keyboard solos that almost sounds like a marimba. On side B, the album keeps the relaxed seaside vibes flowing. To round out the album, we are treated to two pieces that originated after the return home, with memories of the Spanish coast fading but still lingering, likely recorded between 1986 and 1988. Both are instrumental versions of songs to be used later for studio sessions with their new band member, singer Lisa Ohm (who you will hear on Ghia's next album!). On "Crystal Silence In Dub" we get a perfect downtempo groove, positively reminding us of the sound of the 1980s UK funk scene. The album ends with "Keep Your House In Disorder", here as an earlier, rougher, and funkier take than on the final vocal version, which could be found on the B-side of the "What's Your Voodoo" single.

We hope you love this album as much as we do! Nothing like this has yet been released out of Germany. We hardly can recall any privately produced, home recorded jazz-funk/fusion from the 1980s as free, creative, and uninhibited as Ghia's Curaçao Blue. The playful and creative approach, coupled with those nostalgic tones should make this LP an essential pick for any record collection, whether you are a DJ, a home listener, a music lover, or a modern jazz-funk/synth-funk aficionado.

The album is out now on The Outer Edge, the new label by record collector DJ Scientist, aka John Raincoatman. We also want to thank Frederic Stader for his awesome work mastering and sound restoration of the material on this LP.

Glass Pyramid hails from Oklahoma City, with their unique blend of country meets 80s synth funk!

We are proud to announce another belter of a double-sided monster. Welcome to the brilliant Herbie Hancock with the always in-demand slinky groover Stars In Your Eyes on the much coveted 11.21 "special disco remix".
This is quite simply one of the smoothest Disco rides you will ever take with a production made in heaven and a vocalist supreme with Gavin Christopher taking it to another level. Find an original U.S. promo of this if you can.
There's lookalikes about which are inferior quality! As if that wasn't enough, we've only gone and paired it with the hugely rare U.S. promo-only 12" "special
disco remix" of the scintillating Saturday Night.
This is as rare as hens teeth and you'd be lucky to find a mint one for less than €50.
Featuring an extended percussion break from the fantastic Sheila E, this a very different mix to the original album version and was never widely circulated at the time.
So another nice rare gem. As double-siders go, this really takes some beating. Order with confidence because this will still be selling for years to come.

Super-obscure oddball disco funk goody by French studio wizz Jean-Pierre Massiera, re-released to celebrate the 50th release on Favorite!

A much welcomed reissue of the 1978 Idris Muhammad gem 'Boogie To The Top'. Released a year after, arguably, Idris' most well-known anthem, 'Could Heaven Ever Be Like This' the similarities in style and composition are clear. Expertly produced, rich instrumentation, expansive drum fills, gospel tinged full-bodied vocals, all the while epic and life affirming in it's nature - what more could you want?
Young Pulse steps up on the b-side, to add his own subtle touches and tweaks to the original. Looping the guitar and echoing out the vocals whilst working in more of the synth lines. The addition of a crisp clap and extra percussion add an element more vibrancy into this mix, keeping the original feel intact whilst revitalising it for 2018.

long overdue reissue with rock city pioneer Billy Jones.. here's what he had to say about his crew.

...in the early 80's Billy Jones was the lead guitarist for an outstanding group of touring musicians who called themselves 'The Incredible Rock City Band'. They performed on military installations all over the United States for the U.S. Dept. of MWR for more than ten years during the 80's and 90's. ...I'm sure that there are many veterans out there who remember seeing this band at NCO and Officer's clubs back in the day.

'The Incredible Rock City Band' members :
Justice "Jay" Little ...drums/vocal
Karl "Drac" Lane ...bass/vocal/keyboards/guitar
Morris "Mo" Moore ...percussion/vocal/synthesizer
Jerry Herd ...mini-moog/trumpet/keyboards/vocal
James "Whimpy" Cross ...sax/vocal/keyboards
Jerrold Lewis ...vocal/keyboards/bass
Billy Jones ...guitar/vocal

Back in! Proper boogie from Initials!

Two classic Jackie Stoudemire gems, ‘Flying High’ and ‘Guilty’ get a long overdue reissue, the former of which has never been available on vinyl before.

Picked up by Tap Records impresario Jeremiah Yisrael, Jackie spent the lion’s share of 1982 in the studio with Yisrael, the prolific Gene Redd and dozens of musicians, including purportedly Barry White’s Love Unlimited Orchestra.

Ten songs were recorded over the course of the year, and two of the standouts are pressed loud and proud on either side of this limited 7 inch. First up the funk-fuelled, slick and stylish disco number ‘Flying High’, pressed for the first time ever to vinyl. ‘Guilty’ takes the B, one of the last songs Gene Redd would ever pen and some of the finest production work in a career that spanned four decades. Disco at its brilliant best. Yellow label version white sleeve.

Favorite Recordings presents this new official album reissue of Sunshine by Junior Byron: A real Modern-Soul/Disco masterpiece, originally released in 1981 by Canadian label Formula Records, and very hard to find today.
Based in Canada, Junior Byron had quite a short career as a singer and recorded only a few singles and this stunning album between 1981 and 1985. Produced by André Perry and Joe La Greca, two famous names in the Canadian music scene, Sunshine is not just a one track album, but a complete whole piece of music, including some brilliants highlights such as “Inch by Inch”, “Galaxy” or “Sunshine”, which are today must-haves in many DJ’s lists.
As another longtime favorite collectable piece for Charles Maurice, it’s a real honor and proud for Favorite Recordings, to finally officially reissue it for the first time on vinyl. In order to insure the best sound quality, the original tracklist has been dispatched on a double vinyl version, which should please all DJs and music collectors.

A cult 12″ EP from 1987 by legendary Japanese erotic actress Kaoru Kuroki, repressed for the first time on sexy picture disc vinyl.

A total of 4 tunes, including “小娘日和 (The Age Of Innocence)”; a strange synth-pop track based on an Okinawan folk song, “A Love Note For You”; an erotic poetry reading she wrote herself, “時からの誕生 (Birth From Time)”; a killer techno-pop track that could work as a hidden gem for DJs and ナタウン (Chinatown Love) 小夜曲; an erotic serenade dedicated to Chinatown.

Picture disc in the colorful cover.

Licensed by Teichiku Records CO.,LTD; original master tapes.

Kenny Lynch was a popular singer, songwriter, actor and all-round entertainer. A self-styled “black cockney”, Kenny was one of the few people of Caribbean origin prominent in the British entertainment industry during the ‘60s and ‘70s.

During his musical career, Kenny released a number of Top 10 singles, including a version of ‘Up on the Roof’ (1962), competing with the original by the Drifters. He composed and co-wrote songs recorded by Dusty Springfield, Cilla Black, the Drifters and the Everly Brothers. He also worked briefly as a songwriter at the Brill Building in New York.

Whilst probably best known as a prolific Pop Crooner during the earlier part of his acting and musical career, we must not forget his stomping disco success of the early eighties, released under British-borne Satril Records. “Half The Day’s Gone, and We Haven’t Earne’d a Penny” was a milestone moment for British Disco. Produced by Kenny himself at Satril Studios, London 1983, this record still encompasses that organic late-70s disco sound, with true instrumentation and minimalist electronic synth elements.

This is the album’s first ever repress since 1983 and has been remastered in high-definition from the original analogue tapes. Pressed on heavyweight 180g vinyl, this is one not to be missed. Limited to 500 copies only.

A slice of seriously sought after US disco from La She Ba on Heavenly Star Records that has been a firm favourite of master selector Hunee and trades hands for £125+ on the secondhand market, gets a fresh reissue and remaster for a new generation of listeners.

Formed of Catherine Miller on vocals, produced and written by Harvey Miller and arranged by the mighty Patrick Adams, La She Ba – You've Been Hunchin' hits in all the right spots. Exquisite instrumentation with swooning strings, enchanting chords and tight drums laying the foundation for Miller’s celestial vocals to be the star of the show. Heavenly by name, heavenly by nature this is a must have 12 inch for any collection.

Limited edition remastered reissue of a killer italian boogie classic! And one of the most sought after release from the now defunct "Eyes Records". It contains the additional Dub version found during tape transfer.

1979 Linda Williams gold from the Arista archives gets a much welcomed official, remastered reissue. With an intro that does exactly as its title suggests, ‘Elevate Our Minds’ became a huge rare groove record in the mid to late ‘80s. Produced by the late, great Richard Evans who worked with the very best in the business, from Gene Chandler and Marlena Shaw, to Ramsey Lewis and Ahmad Jamal, it’s supremely arranged, blending a Bossa Nova beat and trumpet trills with Linda’s distinctly New York authenticity that comes through in the vocals. Like a trip to the blissful beaches of Rio whilst bringing a touch of the New York disco glam along for the ride. Exotic yet familiar, all in the same breath. On the flip, ‘City Living’, a straight up New York disco killer - oozing with funk, dripping in brass blasts, off beat hats and spruced up synths, it’s a primetime ode to the hustle and bustle of the city. Williams’ glorious tones, assisted by a majestic troupe of backing singers, glisten alongside the classy drumming and polished bass badness that lays behind it.

Mike Maurro does it again. Another slice of Philadelphia International Records gold from the legend Lou Rawls, officially licensed, taken from the master tapes and given that signature Maurro touch. Two all-time classics ‘You'll Never Find Another Love Like Mine’ and ‘See You When I Git There’ re-worked for the modern dancefloor.

Fresh off the back of Philadelphia International Records 'Mike Maurro Remixes' digital release, comes a mighty 12" release featuring two never before released remixes from Brookside’s own Mike Maurro. The A side features a classic remix on MFSB's staple 'Love Is The Message'. Extended in all the right spots with loving care. On the B side the O'Jays classic 'Message In Our Music'….also extended and given the Maurro TLC treament. Pressed on HQ vinyl with vintage art sleeve.

Magic Source is a project led by producer Björn Wagner (The Mighty Mocambos, Bacao Rhythm & Steel Band, Mocambo Records), who is renowned for creating an authentic and hard-hitting raw funk sound. Following a few acclaimed single releases on Favorite Recordings over the past few years, the French label deeply wanted to collaborate further with the German combo, for a special and exclusive project bringing their music on new paths. This new project is a step towards a new style: Analog-Electronica, or so called Cosmic-Disco sound. Recorded on a 16-track reel-to-reel tape, EARTHRISING combines raw unedited live band recording, with the refined production aesthetics of the Disco era, including the use of vintage synthesizers, group chants and processed acoustic percussions, for an organic club feeling. While maintaining an un-edited, but highly hypnotic four-on-the-floor groove, Magic Source leaves the old beaten track of cheesy Disco-Pop and overheard Dance classics.

Markley, A Group is the sixth and final album by the American psychedelic rock group, the West Coast Pop Art Experimental Band, and was released in 1970 on Forward Records, owned by Mike Curb. The album was released under another group name, Markley A Group, as decided by the group owner, Bob Markley. It features compositions by Danny Harris, Michael Lloyd and Shaun Harris with lyrics by Bob himself. The content is simple and soft, reminiscent of the band's earlier work. A gently pop-psych stroke of genius.

Prime are delighted to announce the long-awaited OFFICIAL 12 inch re-release of probably the most revered Paradise Garage anthem of all time - M.F.S.B. feat The Three Degrees and the now legendary "Love Is The Message".

Originally released in 1973, "Love Is The Message" has sustained dance-floors across the world ever since and here we present the full original 11.28 mix from Tom Moulton which is always a £25-30 record if you've ever been lucky enough to find a mint one and copies of the rarer U.S. 12" with the long mix are like gold!

Worry no more as the quality on this 12" is from the best master and 100% sanctioned by Sony Music.

On the flip we are proud to re-release "T.S.O.P. (The Sound Of Philadelphia)" aka the official Soul Train theme, using Tom Moulton's full original 5.42 mix. Another piece of significant dance-floor history.

As double-siders go, it really doesn't get any better than this. There is already high-demand from lots of DJs needing to replace their battered copies so accept no substitute. This is the real deal.

Cult boogie funk release from Robbie M & The Midnight Express Show Band of Rock Island Illinois. A PPU follower's favorite, and after many requests the 7" reissue is now available..Includes the newly remastered 1983 7" version of "Danger Zone" and Robbie M's "I Need Good Lovin" from 1989.

Francesco Puccioni "born genius" in Florence, Mike Francis "becomes legend" in Rome. Deeply inspired in his adolescence by the emerging movements of North American soul, country and West Coast music and by artists such as Marvin Gaye, Stevie Wonder and James Taylor, Francesco began to compose refined songs with radiant energy every day. From the first acoustic gestures performed with the guitar, always keeping compositional creativity and improvisation under his arm, he enters the unexplored waters of Italian disco music. This slow and inexorable transformation allowed him to create in 1981 with the Metropole group (with Al Festa and Claudio Giusti, all still in their twenties) the international disco hit "Miss Manhattan", a true piece of proto-Italo-Disco! A year later the young Florentine singer-songwriter wrote two evocative soul-disco songs produced by Paul & Peter Micioni, published by Best Record and performed by a certain Mike Francis (!). This is the birth of the stage name which will forever accompany the musician who became a fundamental reference of the experimental Italo-Disco "scene", then soon recognized worldwide. This coveted 12" vinyl reissue comes out with the same Best Record commercial cover as 40 years ago and with the same 'red sticker'. And finally we have the juicy reissue of "Nightime Lady" and the more appetizing and danceable "Love Has Found You", both perfectly remastered by Dom Scuteri, excellent in obtaining an impeccable sound recording, even eliminating some imperceptible defects of the original master tape. Therefore a super reissue (in limited edition) to listen to everywhere with the smart phone and to dance with joy and elegance at any type of party.