Downbeat | Electronica | Leftfield Vinyl LP 5780 Items

Release: 2023 / Original

Genre: Electronic & Dance

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LP | 2018 | EU | Original (Time Goes By)

Zwerm

Badminton In Tehran

LP | 2021 | EU | Original (Avian)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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A download code is included. Badminton in Tehran is Zwerm's first record in which all tracks are composed by Zwerm and it grooves like a Rube Goldberg-machine – DIY and slightly irregular. Songs by Zwerm, produced by Rudy Trouvé.

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Zvrra

Bizzaroland

Sh40 Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Zvrra debuts on Avian. The multifaceted artist and video game developer arrives on the label with a brace of glistening ambient Techno and Noise derivatives. The versatile producer, whose auteur approach to recorded output has yielded a wealth of dense and considered material over the years, marries melodic synthesis with glassy, effervescent sound design and considered polyrhythms to arrive at a cohesive but undeniably idiosyncratic nine track offering. Cinematic opener Bizzaroland combines vocal manipulations with phasing, noisy drones that stand in pleasing contrast to a mournful lead that delicately emerges at the midpoint. Follow up Society, offers a meditative take on stepping ambient Techno before Bizzaroland II treats the listener to a heady, stripped back slice of tripping beatless machine music. Tribal cut Figurine closes the A side and sees the material segue into more ominous territory with pulsing low end, percussive flourishes and harsh bursts of white noise. On the flip, B1 Inside sees the artist roll out another stripped back Techno experiment - this time dry and saturated and propelled by a single lead sequence that shifts about the high mids. Oracle returns to a more esoteric, undefined sonic palette - a cacophonous blend of heavily panning drones in line with the artist’s more experimental work. In the same vein Prohibited is a powerful noise cut that finds its contrast in subdued moments towards the end of its run time. As the record approaches its close, Tired Beetle settles the mood somewhat - an introspective, atmospheric ambient recording tethered with admirable low end, before off kilter invocation Untitled draws the collection to its logical end point.

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Zuwe

LP | 2022 | EU | Original (Hiraeth)

LP | 2022 | EU | Original (Hiraeth)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Venture out of earthly realms with Zuwe’s sophomore release “sh40”. Following up on an impressive debut on Seikomart, this new album follows a journey toward a sprawling human settlement in outer space.

Journey through neon-spattered streets and glide past gargantuan space freighters as Zuwe’s masterpiece blooms like a precious luminous flower. Melancholic electronic instrumentation swirls alongside organic sounds and field recordings to create a deep and palpable sci-fi soundscapes. Blossoming ambient melodies and distant echoing rhythms drive the listener slowly forward through an incredible space-age experience.

Sh40 is the sophomore release from Zuwe on European label Hiraeth Records. With the label’s penchant for dreamy ambience, the synergy could not be more perfect. The artist’s newest creation brings lashings of melodic euphoria together with recorded sound to present a man’s journey to a large human settlement far from Earth. This unabashedly sci-fi premise is undertaken with all the precision and patience of a well thought-out novel.

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Zuwe

Sh40 Black Vinyl Edition

LP | 2023 | EU | Original (Nashazphone)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Zuli

Digla Dive - Live

Before The Moon Disappears

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A central iconic figure in the ever thickening Cairo underground electronic scene, Zuli has crossed borders years ago with a relentless international touring schedule and releases on Lee Gamble's UIQ as well as Haunter Records, now considered as flagship works.

His meticulously crafted sound, located at the crossroads of IDM, Hip-Hop, Jungle and more has never stopped developing. It is characterized by power, precision and very elaborate arrangements.

»Digla Dive - Live« is an additional step further in his extended quest where Studio compositions are constructed in a live setup spirit.

Produced, mixed and recorded live at home in 2022 by Zuli. Vocals by Elvin Brandhi and Rhythms by Karim El Ghazoly on Alteration Jump. Zuli logo by Kareem Lotfy.

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Zru Vogue

LP | 2021 | EU | Original (Musiques Electroniques Actuelles)

LP | 2023 | EU | Original (Dauw)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The Zru-esque adventure takes its suite with a full-length LP recorded in adventurous (avant) times. No time left for the deliverance of these melodious flights, playful tribalistic cadences and surrealistic lyrics. Art-Funk duo Zru Vogue tackles avec grand-chic inner themes in order to let the listener get lost in the domain of dreams and spirituality. Surfing on Californian rocks, Andrew L. Jackson & Rick Cuevas affirm here their heretic talent in an non-angular form. Zru is a (post) 'beat' poet.

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Zonderwerk

Babel

3LP | 2013 | UK | Original (XL)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The debut album from Belgian duo Zonderwerk. »Babel« is an ambitious exercise in translating images into sound, initially created for the eponymous theatre piece by architect and artist Steve Salembier. The atmosphere on some tracks make for majestic, mysterious synths conjuring otherworldly visions, while other tracks like create multi- layered textured drones through the process of tape decay, a commentary on the cannibalistic nature of the city.

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Zomby

With Love

40,99 €*

LP | 2022 | EU | Original (Born Bad)

Release: 2013 / UK – Original

Genre: Electronic & Dance

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A 33 track monument, based on the rich history of recent dance music. Rave, Jungle, House, Techno & Grime are melted into a wild mixture!

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Zombie Zombie

Vae Vobis

Zoe Mc Pherson & Rupert Clervaux

Release: 2022 / EU – Original

Genre: Electronic & Dance

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w on Born Bad Records! French elektronica outfit Zombie Zombie is fifteen years old now, or 90 years in group-years (multiply by six: more than a cat, less than a dog). That would have been enough to rest on their laurels, with an Old Fashioned in each hand. But no: they went for full-on fat and a reverberated doomy elektro orgy. This time some choirwork hints at the arrangements of David Axelrod or Ennio Morricone, but still here's everything we love about Zombie Zombie, starting with their musical know-how, and the trio's musical tastes, which covers 95% of the styles listed by Discogs. Decidedly, Vae Vobis is not your average 122 bpm banger party soundtrack, although we are looking forward to seeing what DJs can do with Nusquam and Ubique" on a drunk crowd in tie-and-dye gowns. It's a well-balanced alum, worth listening to in one go, to let each trap-of-a-track work its magic. E.g. Ring Modulus, which, under its strong structure, houses extended-vocal-technique ornaments. Or Aurora, a megalomaniac jewel cut to open the circus games, the brass section of Dr Schönberg and Etienne Jaumet plays it peplum style. But let your ears marvel at Dissolutum, Consortium and the remainig tracks as well. Also digging backwards in the italo-disco crates, Zombie Zombie ended up in antiquity. As a result, they sing in Latin. Not the godforsaken mumbo-jumbo of the new age band era. Proper Latin, borrowed at Erasmus, by hiring a neo-Latinist to sequence the adages neatly. Until now, Zombie Zombie mostly pushed the song for covers (Iggy Pop, Sun Ra or New Order). For this new album, they built long harmonic progressions, along which sing Angele Chemin, a soprano familiar with contemporary music, and Laura Etchegoyhen, Swiss army knife of Basque origin. You know it, even if you haven't worn out your bottoms on the pews of a church: Latin sings well. "We wanted to remain mysterious, to send cryptic messages, to dive back into a language from another time, like the copyist monks of the Middle Ages". And like their hooded ancestors, they do whatever they want with the text, and add porn illuminations in the corners, for those who know how to listen closely. Riyl: John Carpenter, Cliff Martinez, Trentemoller, Darkside, Zombi, Goblin, Trent Reznor & Atticus Ross, 80s Synthwave, Soundtracks, Elektro Including forthcoming singles "Nusquam et Unique", "Consortium" & "War is coming"

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Plafond 5

LP | 2019 | EU | Original (Bakk)

15,99 €*

LP | 2021 | UK | Original (Pan)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Radically shapeshifting and surrealist, as spinning sonic prisms taunting the ears, 'Cercle Vicieux' and 'Cercle Vertueux' channel Fluxus artistry, straying past jazz-licked drones, avalanching low end and blood red scatting. Scenes both condescending and anxious -- this release is carried by its interwoven conflicts, where strange attractors reveal knots at each listen. The fifth Plafond is a special joint project tying the synchronicity of two contemporary minds. Both Zoe Mc Pherson and Rupert Clervaux are known to actively transgress art forms, reconstituting production methods through respective audiovisual and literary pursuits. The listener is relocated in their musical interzone, bordered by avant-garde experimentalism on one side, and bass-heavy club mutations on the other. This ambiguation lays out a gateway, one through which modern producers can re-adopt the revolutionary energy of those who unraveled conventions on music and sound in the first place -- a 'Cercle Vertueux', indeed. Comes in a hand printed sleeve with multiple tints grey and silver, including an Obi-strip, by the BAKK Interzone Alcazar.

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Ziur

Antifate

Lunatic Harness 25th Anniversary Black Vinyl Edition

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Ziúr's music has always been difficult to classify. A longtime fixture in Berlin's nightlife, the musician, producer and DJ has cut through decades of threads to arrive on a sound that accurately represents her journey. She's sung, played guitar and drums and reduced club music to a burning cinder; with "Antifate", her third album under the Ziúr moniker, she approaches electronic music without any preciousness or reverence to genre. 2019's acclaimed "ato" re-introduced songs to her canon, contorting her vocals over an undulating electronic backdrop. On "Antifate", she takes this idea further, pushing abstracted pop forms into mists of digital euphoria and extracting unexpected instrumental flourishes from collapsing clouds of distorted rhythm. Electronic instrumentation is melted into acoustic sounds and vice-versa, creating a breathing organic universe that's entirely Ziúr's. "Antifate" is an abstract reference to the mythical land of Cockaigne, a utopia where wine flows freely and houses are made of cake, that provided escapist fantasy for medieval peasants. As the space between our private worlds widens, this fantasy becomes alluring once more - a place where we feel free, with the people who allow us that freedom. With this in mind, Ziúr crafts a soundtrack that's fantastical and magical, hinged on the idea of closeness and connection at a time when distance is mandatory. Ghostly voices echo wordlessly over clattering beats and dubwise bass on opener `Alive, Unless?', while the album's title track sings a more epic fanfare, with a chorus of voices echoing into glittering synthesizer pearls and volcanic kicks. "Antifate" is almost even theatrical at times, something never more evident than on the Talk Talk-esque `Fringe Casual' with its dreamy piano and plucked bass and on closing track `The Carry', where flute is introduced into Ziúr's rapidly expanding narrative. It's tempting to say that this is the album Ziúr has been destined to make, but "Antifate" rejects this concept. Rather, this is the album that Ziúr needed to make now, surrounded by the people that have been able to offer her the place to do it. In mapping out her mythical paradise, Ziúr has produced an album that is deeply tender and inescapably human. It's an album about freedom, and she has never sounded so free. The album is mixed by James Ginzburg & mastered by Rashad Becker, featuring artwork by Stefan Fähler.

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µ-Ziq

4LP | 1997 | UK | Reissue (Planet Mu)

113,99 €*

Release: 1997 / UK – Reissue

Genre: Electronic & Dance

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LP | 2022 | UK | Original (Planet Mu)

µ-Ziq

Hello

20,69 €* 22,99 € -10%

2LP | 2024 | UK | Original (Planet Mu)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Planet Mu owner Mike Paradinas (a.k.a. µ-Ziq) wraps up 2022 with his 3rd release of new material this year. ‘Hello’ is the mirror image of the ‘Goodbye EP’. The intensity is heightened, the breaks more manic and melodies inhabit every corner. The material is the final chapter of the ‘Magic Pony Ride’ material and even includes another version of that track. 'Iggy’s Song’ has a slowed down sample of Mike’s son screaming, ‘Ávila’ is an ode to his father’s hometown in Spain and ‘Green Chaos’ even includes a nod to RP Boo. On Side B things get more interesting. ‘Pyramidal Mind Dispersion’ slows things down while amping up the tension, Modulating Angel is at drum & bass tempo but with a choir of angels from hell in the background, while the final two tracks recall the experimentation and melodies of Lunatic Harness.

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µ-Ziq

Grush

28,99 €*

CD | 2018 | UK | Original (Kitchen Label)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-06-14

Mike Paradinas, veteran producer and Planet Mu label owner has written a new album called ‘Grush' and it's full of weird bangers that reclaim the 'dance' part of the woeful term IDM. A back-to-first-principles record, inspired in part by the group of artists IDM was coined for; melodic dance music that didn't come out of urban scenes, but interpreted them from a distance. The tracks on ‘Grush’ are all road-tested live favorites developed with feedback from Mike's touring partner and visuals guy Mora (Jan Moravec). It's a detailed and energetic journey which replicates the flow of a live gig. A lot of the tracks have been made in hotel rooms in response to shows, ‘Imperial Crescent’ is named after a Japanese Hotel, as is ‘Belvedere’ in Prague, while some tracks such as ‘Hyper Daddy’ were created specifically to play live. Drums are confidently at the fore here and the album feels like it traces Mike's musical history and interests neatly around his sweetly nostalgic melodies, with atmospheres and structures which twist and turn with a charming softness which contrasts with the tension in the drums. Take ‘Hyper Daddy’s’ spiralling notes and twinkling piano which remind one of early Black Dog or Omni Trio rushing alongside splashy jungle drums, or the aquatic acid footwork of the title track with its drums softly bubbling and kicking. Elsewhere there's territory which harks back to his Tusken Raiders pseudonym, like the heads down Drexciyan funk of ‘Windsor Safari Park,’ which transforms from moody electro into a sunny hardcore track midway.

The album is interspersed with Reticulum A, B and C at the start middle and end of the album which suggest a theme which carries across the music in an effortless and joyful way. ‘Grush’ is a strong album that works both for listening and DJing and a great snapshot of where Mike Paradinas musical head is at in 2024.

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Zinovia Arvanitidi

Ivory

Release: 2018 / UK – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Astigmatic)

Zima Stulecia

Minus 30°C

ZGTO (Shigeto & ZelooperZ)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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What would have happened if Michael Dudikoff had gone missing in action, say – in Poland in 1987 – during the harshest freezing spell of the century? Would he have coped under these conditions like John Rambo has in the town of Hope? We shall never find out, but the soundtrack is already there. Latarnik and Cancer G (members of EABS and Błoto) would call this film Zima Stulecia: Minus 30°C.

When Twin Peaks debuted on Polish National Television with its oneiric music by Angelo Badalamenti, Poland could feel as eerie as the series. Seemingly nothing quite matched, but on the other hand, no one was surprised. Growing up in the 1990s inevitably brings back memories of stalls selling a variety of products. You could buy there cleaning products from Germany, some underwear, Haribo jellies and Jacobs coffee, and have access to the "latest" cultural releases, which would be arriving late in Poland. This is where one could obtain pirated copies of cassette tapes and VHS, the labels of which had typewritten film titles that transported kids' fantasies to another world. With such content distribution, many of these kids got their first glimpse of Predator, Terminator, Robocop, as well as Van Damme's stunts in Bloodsport and a plethora of other B action movies, which to this day - like American Ninja - are rerun on TV over and over again. The afterimages of these soundtracks nestled in the heads of Marcin Rak and Marek Pędziwiatr for years and found expression on their debut album.

The music of Zima Stulecia is difficult to label in terms of genre. It oscillates towards melancholic electronic music. For some it will be techno, others will hear elements of house, all accompanied by improvised synth and percussion music.

Zima Stulecia is a duo that was not supposed to have any chance of success. Many years ago, back in 2006, when they were still budding musicians they met for the first time at a jazz workshop. When they found out where they both came from and that they were separated by almost 800 kilometers, despite having great chemistry in playing, they jokingly said goodbye with the sentence: "it was fun playing together!". They figured they would never meet again. At the time, none of them imagined that in a few years' time in Wrocław they will form one of the most interesting contemporary jazz bands in Poland: EABS and Błoto. On top of that, they were both born in January 1987. The last of the historic "winters of the century" (eng. for "zima stulecia") occurred at that time in Poland, which ultimately determined their name as a band. Minus 30°C album is a recording of the non-verbal workings of these soulmates, and a fruit of a musical collaboration that has lasted for 16 years.

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A Piece Of The Geto

LP | 2017 | US | Original (Third Man)

LP | 2022 | EU | Original (White Skull)

Release: 2017 / US – Original

Genre: Hip Hop, Electronic & Dance

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In a city famed for its disparate and varied musical excellence, the Detroit-based alignment of feted electronic artist and producer Shigeto aka Zach Saginaw and rapidly rising Bruiser Brigade member ZelooperZ is an entirely natural thing. Introduced by mutual friends in the city, an instant bond was formed, and ZGTO was born. A Piece Of The Geto is out August 4th on Ghostly International, with a limited edition vinyl pressing by Third Man Records.

For Shigeto, this is the first time he's musically stepped out of the box of a solo artist and worked with a vocalist on a project. There is a ''less is more'' philosophy with the production where the vocals of ZelooperZ are seamlessly interlaced into the fabric of the beats. It's minimal in a sense, but the emotion felt through the words of ZelooperZ makes the songs as a whole intense and heavy with sentiment.

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Zero Netcost

Remixes

16,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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It's been a long journey for Romain Bezzina aka Zero Netcost ever since 2002 when he discovered the band that would become his favorite of all time: The British duo Bent through the amazing track "Always" remixed by Ashley Beedle. Twenty years later, the circle is complete with this compilation of remixes from all his idols including, of course, a beautiful atmospheric/downtempo remix from Bent, a cheeky mega drive mix from Simon Mills (one half of Bent), a chunky sunny remix from the legendary Ashley Beedle, and to complete this nice bunch of guys, a very nice sharp balearic remix from the amazing I:Cube. Enjoy!

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2LP | 2009 | EU | Reissue (New State Music)

Yeah Ghost

Release: 2009 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2004 | EU | Reissue (New State Music)

When It Falls

Release: 2004 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2004 | EU | Reissue (New State)

When It Falls

Release: 2004 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2006 | EU | Reissue (New State Music)

The Garden

Release: 2006 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2020 | EU | Original (New State)

The Garden

Release: 2020 / EU – Original

Genre: Electronic & Dance

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OST Splatter Vinyl Edition

Zer0

LP | 2023 | US | Original (Needlejuice)

18,89 €* 26,99 € -30%

2LP | 2015 | EU | Original (Ilian Tape)

Release: 2023 / US – Original

Genre: Electronic & Dance

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A familiar place that doesn’t exist, a soothing song from a distant nowhere. From Zer0 れい comes an enveloping slushwave experience where tangible reality meets the achingly ethereal. OST comes to vinyl, compact disc and cassette

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Zenker Brothers

Immersion

Cosmic Transmission 2023 Repress

Release: 2015 / EU – Original

Genre: Electronic & Dance

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Back in! We are very happy to present our first album on Ilian Tape. At the beginning of 2014 we moved our two separate bedroom studios into one and soon after started working on the album. All the tracks were made in about 6 months in our new Ilian Tape Space Studio in Munich. The time felt right to focus on this adventure, but without any pressure. Therefore the process became very natural and we felt free to go wherever the vibe led us. Our intention was to create a very personal and honest sound without any limitations or guidelines. It’s a reflection of all the years we’ve been growing up, working, traveling and playing together and it means a lot to us. But enough said music is not supposed to be described with words, so sit back, close your eyes, light one up and turn up the speakers!

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Zenker Brothers

2LP | 2020 | EU | Original (Ilian Tape)

20,79 €* 25,99 € -20%

2LP | 2020 | EU | Original (Ilian Tape)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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We are proud to present our second album “Cosmic Transmission”. In another time it felt like, only an unpredictable extreme event could change the way we choose to live together. Now it feels so crazy, it can be overwhelming, but always remember we are just a tiny micro spaceship traveling through a gigantic universe. When nothing is safe, all is possible. We are one - one love.

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Zenker Brothers

Cosmic Transmission

LP | 2022 | US | Original (The Bunker New York)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Zemi17

Gamelatron Bidadari

LP | 2021 | EU | Original (La Sape)

Release: 2022 / US – Original

Genre: Rock & Indie, Electronic & Dance

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The Gamelatron is many things; one could call it a sculpture, a multimodal installation, an instrument, a robot, a feat of engineering, a vision—and it is all of these things. More importantly, though, it is a concept sustained by Aaron Taylor Kuffner, aka Zemi17, whose Gamelatrons are “sound producing kinetic sculptures” designed to create an immersive, visceral experience for the listener. Not a small feat, and yet the ambitions of Zemi17 are absolutely realized in this long-standing project, culminating now in his third release for The Bunker NY: Gamelatron Bidadari.

The Gamelatron Bidadari is not just a name—it is one of seventy-plus musical sculptures that Zemi17 has conceptualized, designed, and fabricated. Therefore, it would be inaccurate to think of this release as simply a series of arrangements composed in a finite period of time. Rather, it’s a window into a project and a process that is much larger than any single album can encapsulate. Gamelatron Bidardi is the culmination of more than a decade of work, and is central to Zemi17’s evolution, not only as a musician but as an artist.

Having studied gamelan for many years in Indonesian villages and at the Institut Seni Indonesia in Yogyakarta, Kuffner is a musician, an artist, technologist, and craftsman. The gongs in his sculptures are co-created with master Indonesian artisans. Each Gamelatron composition is site-responsive, meaning its sounds are composed for the acoustics and intentions of the space it inhabits, whether it’s an art gallery, a wooded landscape, or the inner temple of Burning Man. The Gamelatron does not stand alone: it is in constant co-creation with its physical environment, and in dialogue with gamelan’s long-standing history.

Originally exhibited at the Smithsonian Renwick as part of a show entitled, No Spectators: The Art of Burning Man, the Gamelatron Bidadari produces sounds that are delicate yet strong, and deeply hypnotic. Textured chiming creates intricate polyrhythmic patterns that are both complex and simple, or in a word, elegant. On Gamelan Bidadari, Zemi17 refrains from adhering to the strict musical structures; his approach to composition is free flowing.

He says, “I want to evoke what the music tells me it has to offer. It is like following water to its conclusion (or non-conclusion).” The arrangements on this album, written by Zemi17 and performed by the robotic arms of the Gamelatron, leaves the listener feeling enchanted, nourished and enriched.

A sense of the mystical comes through in the tonal quality of the instrument, and is conceptually felt in the sculpture’s name: the Bidadari, which loosely translates to “forest nymph.” The music conjures up natural wonder, and the four sculptures that make up the Gamelatron Bidadari, in fact, resemble trees. They are four independent yet connected entities, each with a large gong situated at their structural base—the sonic “roots” of the sculpture—while smaller gongs branch off of a golden, trunk-like spine. The Gamelatron Bidadari is as physically stunning as it is mesmerizing to the ear. A kind of divinity is invoked through its sound, or a sacred cohesion between past and present, tradition and new form. Meant to be viscerally experienced, the sounds of the Gamelatron call for sublime togetherness. Gamelatron Bidadari is not just an album but the crystallization of Kuffner’s work; it is a condensed yet spacious glimpse into the sonic power of Zemi17’s Gamelatrons, which have already been heard and experienced live by over a million people.

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Zeitgeist & Tucceri

Jin Mu

Wat Ik Dacht Toen Ik Lag (Zea The Dub Remix Album)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Having worked together for several years on the project 'Zeitgeist Freedom Energy Exchange' Zeitgeist and Tucceri come together here in a very intimate and vulnerable setting. This recording offers a place of reflection and healing amongst an ever imposing and disposable pop culture. In a time where we fight for each others attention in 10 second social media grabs. The duo offer something of the opposite. An opportunity to tap out of the technological bombardment and allow the listener the place to reflect, to ponder, to imagine.

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Zea

LP | 2024 | Original (Krachladen Dub)

LP | 2024 | UK | Original (Udacha)

Release: 2024 / Original

Genre: Electronic & Dance

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It's the kind of project that brings the old mad scientist cliché out for an airing, "It's insane, but it just might work." The insanity in this case being a motley cast that features Andy Moor (The Ex, Amsterdam), Desmond Denker (Cologne), Phanton (Cologne), Yürke (Düsseldorf), Dubby King Knarf (Knarf Rellöm, Hamburg), Istari Lasterfahrer (Hamburg), Begritty (Cologne) laying down their versions of tracks from the demento-a-go-go-electro-pop-rock-mono-mind known as Zea.

How could we resist the spasmodic schizoid psychedelic menace of that devilish Dutch juggernaut called Zea. This bastardised twelve inch slab of wax has Zea sonically re-assessed, dissected and twisted in side out. And it had to happen, it had to be made.

"Standing up I forgot what came to mind when I was lying on the kitchen floor. Standing up I forgot what came to mind, something I tried to remember before." It's the punky pop intro of the song 'Staande ben ik vergeten wat ik dacht toen ik lag', the Dutch translation of the first sentence of the song that provided the title for this collection of remixes. Zea, a.k.a. Arnold de Boer, a musician who skips sitting down, who either jumps or lies on the floor fumbling with a dictaphone trying to remember the ideas that just came to mind jumping around from the couch straight into the kitchen, trying to write the next song while cooking spicy food that makes his head explode. It's all inthere, everyone is in there; shrinking people, growing people, dead people. And all "Sub specie ludens" (from the perspective of human play).

Andy Moor and Arnold de Boer are in a band together called The Ex, and with Michael Heiber, the Krachladen Dub label maker and idea creator for this project, they share a love of dub, grime, dubstep, drum & bass, breakcore and much more. Zea, with his obstinate breakpop sampler-guitar-voice combination, shared the stage with many off-kilter electronic music artist from 1-Speed Bike to Felix Kubin to Jason Forrest (who all remixed Zea back in 2004) to recently Japanese OLOLOLOP and Arakawa Atsushi. And with his friends Desmond Denker (Cologne),Knarf Rellöm, (Hamburg) and Istari Lasterfahrer (Hamburg). So the logic behind this album isn't far from a friendship being celebrated and the music is very close to a fundamental experience of wonder and joy. Lay this record down and see what comes to mind. Did we say it's essential? It's essential.
Arnold de Boer, November 2023

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Zdehvedo Gob

Saturday Daily

Zbigniew Preisner & Lisa Gerrard

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Zdehvedo Gob is a collective of musicians who all hail from various cities around the world. It consists of Udacha label head Alexey Kalik as well as drummer Roman Shestaev and Gamayun associates Anton Dvoenko and Stas Mitrofanov and they all got together in the studio in summer 2023 and the results are now presented on this new album. It's a gorgeous mix of world, jazz, spiritual percussive, experimental music that ride son nice loose and vibrant rhythms with a great mix of synthetic and organic sounds all offering plenty for the mind as well as the body to get excited about.

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It's Not Too Late

LP | 2023 | Original (Preisner Productions)

Release: 2023 / Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Mondoj)

Zaumne

Elevation

LP | 2019 | EU | Original (Second Circle)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Zaumne's new album titled Élévation is a multifaceted yet subtle work, an abstract collage that is equally entrancing and immersive. Quoting passages from Baudelaire’s “Flowers of Evil”, the Polish musician promises to elevate the soul and consciousness “Beyond the sun / Beyond the ether”. Yet simultaneously, the artist wants us to stay where we are and focus on the immediate surroundings in search of our personal attachment to the world.

Initially recorded for the WET (Weird Erotic Tension) online community the four pieces are an exploration of erotic aspects of the environment and uncanny intimacy with other beings and objects that dwell in our nearest proximity. Just like on previous releases for labels like Czaszka Rec. or Perfect Aesthetics, on Élévation Zaumne maintains his interest in emotional aspects of sound and internet culture – he builds his compositions from fragments of Asmr-whispered poetry, samples of natural phenomena and field recordings from his family home and its environ.

What starts as an escapist exercise driven by uneasiness and ennui becomes an individual healing process, in which the subject rediscovers the strangely intimate relationship with the world and opens up to almost magical methods of communicating with other beings. Asmr samples and sounds of the artist touching, playing with and exciting different objects are an experiment in establishing contact with the non-human realm and a method of attuning the body and the mind to the reality in which everything is interconnected.

Zaumne tests Einstein’s “spooky action at a distance” through radical, sensual intimacy with what’s near, finding a glimpse of the absolute in his own room, again quoting Baudelaire: “To a child who is fond of maps and engravings / The universe is the size of his immense hunger”.

Zaumne is the moniker of Polish musician Mateusz Olszewski. In the past few years, he has released music on labels like Magia, Perfect Aesthetics, BAS or Czaszka Rec. Élévation, released by Mondoj and initially commissioned by WET, is his first vinyl release. Blending elements of genres like ambient, dub, minimalism and tape music with Asmr samples, field recordings and spoken word, he creates work with deep emotional focus and impact.

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Zatua

Sin Existencia

16,99 €*

LP+7" | 2018 | EU | Original (Wah Wah)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Next up on Second Circle is the debut release of Indonesian outft Zatua, with their album ‘Sin Existencia’. Led up by Dea Barandana and Harsya Wahono, the seven track album was recorded in Jakarta and Bali over two years and grew out of improvised live shows the duo had put together.

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Zanov

Moebius 256 301

LP | 1983 | EU | Original (Ondes)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself an EMS VCS3 and started producing works into a 4-track Teac tape machine. French music was at its best, it was the time of Jean Michel Jarre, Didier Bocquet, Richard Pinhas and Heldon, Alain Meunier... Even Gong's Tim Blake was living in France at that time. By the time of his second LP, Moebius 256 301, issued also on Polydor in 1977, Zanov had already gathered a small collection of gear, including an ARP 2600 and an ARP sequencer, his old VCS3, an RMI Harmonic and a PS 3300. Again under the influence of both first and second generation of Berlin school musicians the LP will appeal to fans of Klaus Schulze or Tangerine Dream, but they will also find a big deal of Zanov's own personal sound on it, since as the musician himself reckons he had little contact with other peers of his generation, so besides a general love for the electronic gear used and the sounds you could make out of them the creative ideas behind his works were all his own. On his second album a richer sound is found, not only due to the use of the new gear, since some of its tracks where recorded using only his old EMS, but also due to his won experience after having taken his works to the life stages in the Golf Drouot boite, the Lase Olympia venue (on the basement of the famous Olympia), the Paris Planetarium or those for planned one month tour (of which in the end only four dates were accomplished).

Zanov's three albums met with unanimous critical acclaim for the sound quality as well as for the originality of this very personal universe.

We offer the first ever vinyl reissue of Zanov's Moebius 256 301 under license from Pierre Salkazanov himself and with his cooperation, in a limited edition of 500 copies that reproduce its original artwork, come with remastered sound and an 8 page insert with liner notes and photos courtesy of www.audionautas.com plus one bonus 7" with previously unreleased on vinyl format material.

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Zanov

In Course Of Time

Zake / Wayne Robert Thomas

Release: 1983 / EU – Original

Genre: Electronic & Dance

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Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself a VCS3 and started producing works into a 4-track Teac tape machine. French music was at its best, it was the time of Jean Michel Jarre, Didier Bocquet, Richard Pinhas and Heldon, Alain Meunier... Even Gong's Tim Blake was living in France at that time. And so Zanov soon caught the attention of Polydor, who released his first two LPs Green Ray in 1976 and Moebius 256 301 in 1977. In Course Of Time, his third LP was originally issued in Canada in 1982 and in France in 1983, although it contains works that he had began working in 1979. The material was originally shelved due to legal matters, although he continued to add some changes even after that. The Canadian edition came out in Les Disques Solaris, a recently created label that wanted to specialise in "cosmic" music. Zanov used the same equipment he had used on Moebius 256 301, albeit this time he gave more use to the RMI Harmonic Synthesizer.

Zanov's three albums met with unanimous critical acclaim for the sound quality as well as for the originality of this very personal universe.

Zanov's third LP was released in 1982 in Canada on Les disques Solaris and in 1983 in France on Ondes.

This is not a reissue, it is the original 1983 French edition on Ondes. Please note that these are mint unplayed vinyl copies, but they have been laying around in warehouses for long time so sleeves show the pass of time (some yellowing mainly, not bigger problems).

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To Those Who Dwelt In A Land Of Deep Darkness Metallic Green Vinyl Edition

LP | 2022 | UK | Original (Past Inside The Present)

35,99 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

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zake & Wayne Robert Thomas come together to serve up a thoughtful and healing deep dive into "what it means to continue living life in the face of loss and uncertainty." Their album is one of great depth emotional and full of subtle struggles that we can all relate to. 'To Those Who Dwelt in a Land of Deep Darkness' was first put out as a 10" lathe but now gets pressed dup properly to 12" vinyl with three extra tracks taken from the original recording sessions. They say the best art comes out of adversity and that is certainly true here.

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LP | 2024 | UK | Original (Past Inside The Present)

Veta

LP | 2023 | UK | Original (Past Inside The Present)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Here comes yet another vital album of enthralling ambient from the super prolific Past Inside The Present label head zake aka Zach Frizzell. This is a numbered audiophile vinyl version (including a download code limited to 150 copies) of Veta, which is a world of smoky half-tones that mix up modern ambient classical with analogue production. The artist himself describes the work as "exercise in knowing when to draw back the mix" which speaks to its perfectly reduced sound - a blend of the organic and the synthetic that is masterfully layered and laden with heavy emotions.

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Zake / Tyresta

Drift

26,39 €* 32,99 € -20%

Syntheticopia Purple Swirled Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Past Inside the Present label regulars zake and Tyresta at long last come together for a well-overdue collaboration. This collection of sounds is called Drift and is all about reflective mood music that will send you deep inside yourself. It's a typically immersive listen from two of ambient's finest practitioners with lots of wide open spaces for you to sink into, slowly shifting timbers to gaze at and poignant atmospheres that cannot fail to leave an indelible impression. As usual, the sound design is top-notch here and the attention to detail second to none. It was well worth the wait, then.

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Zake & Ossa

LP | 2022 | EU | Original (Past Inside The Present)

Syntheticopia Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Space is the place - at least, it's the place uppermost in the mind of midwest US label Past Inside The Present founder zake and his sonic partner Ossa - location given as the north pole according to his Twitter - as they embark on collaborative 10 tracks. The fact that that the National Aeronautics and Space Administration - Nasa to you and me - has supplied them with celestial sound emissions for the tracks is a bonus. But ultimately, the real headline factor once it's actually on your turntable is the vivid atmosopheres and gorgeous textures that the pair are capable of generating. The album's closer, 'Metric Expansion', is a tremulous glory, peaking and slipping away like rays of sunlight. 'Space & Time', meanwhile, is a simple, gliding analogue delight, and 'Drifting' proves you can carve imperceptible beauty from a couple of well crafted chords.

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Zake & Ossa

LP | 2022 | EU | Original (Past Inside The Present)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Orchestral Tape Studies II Transparent Rose Vinyl Edition

LP | 2023 | US | Original (Past Inside The Present)

23,24 €* 30,99 € -25%

Release: 2023 / US – Original

Genre: Electronic & Dance

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It has been some five years since US ambient maestro zake dropped the first volume of his Orchestral Tape Studies. We're glad to finally have the second instalment in the series available because there has rarely been music as cathartic and soothing as this on our shelves. It's made from drones, field recordings and richly layered movements of fragmented orchestral loops. It is heavily inspired by the sound of the greatest minimalist symphonic composers and orchestras of the last 100 years and comes in several different colours. This version is a transparent rose vinyl LP and download code.

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Orchestral Tape Studies II Random Colored Vinyl Edition

LP | 2023 | US | Original (Past Inside The Present)

26,34 €* 30,99 € -15%

Release: 2023 / US – Original

Genre: Electronic & Dance

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As with the first volume of his Orchestral Tape Studies series back in 2019, zake places a real focus on tone and recurrent murmurs in these magnificent arrangements. They are a mix of delicate repetition, sound treatments and subtle manipulations that pay homage to minimalist symphonic composers and orchestras in his own unique way. It is another adventurous and immersive listen from zake and one that comes in many different Colored Vinyl versions. This one is a coloured version, but what colour you will not know until you open it up.

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Orchestral Tape Studies II Black Vinyl Edition

LP | 2023 | US | Original (Past Inside The Present)

26,34 €* 30,99 € -15%

Zake / Marc Ertel / James Bernard / From Overseas

Release: 2023 / US – Original

Genre: Electronic & Dance

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Ambient innovator make seems to drop something new almost every week. But you won't hear us complain because few have a breadth and depth of sound that matches his lo-fi and absorbing output on his home US label Past Inside the Present. He dropped the first volume of his Orchestral Tape Studies way back in 2019, and finally follows it up now with a second volume. Once again this is a selection of richly layered movements of fragmented orchestral loops that all pay homage to minimalist symphonic composers and orchestras and makes use of field recordings as well as gentle drones to soothe your soul.

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Live At Gothic Chapel Black & White Vinyl Edition

LP | 2023 | UK | Original (Past Inside The Present)

36,99 €*

Beliefsystems Transparent Yellow Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Back in February, the prolific Past Inside The Present label boss Zake hooked up with Marc Ertel, James Bernard, and From Overseas at Crown Hill Cemetery in Indianapolis for a very intimate live show in a historic Gothic Chapel. A vast array of instruments were used including a Fender Telecaster, Meris Mercury 7, Eurorack modular synthesizer, Stingray bass guitar and literally tens more tools and toys and the resulting eight tunes of absorbing ambient are all presented here. It is another mystic and mystifying release from this label that reaches sublime new emotional highs.

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Zake / Isaac Helsen

LP | 2021 | US | Original (Past Inside The Present)

Release: 2021 / US – Original

Genre: Electronic & Dance

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A joint effort long past due, Pitp founders zake and Isaac Helsen team up to bring forth three arrangements that encompass textured ambient washes and drone-laden guitar work titled 'Beliefsystems'.

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Deep Into The Unknown We Shall Endlessly Roam White & Brown Vinyl Edition

2LP | 2023 | UK | Original (Past Inside The Present)

33,99 €*

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The ever inventive and always prolific zake is back on his own label Past Inside The Present with yet another new album. Deep Into The Unknown We Shall Endlessly Roam has already arrived with us on cassette tape and now it comes as a limited edition album on white and brown vinyl with just 200 copies pressed. It has been made from archaic tape machines such as a Sony M-570v microcassette voice recorder and obsolete VSC Soundpacer and then recorded to analogue tape for that levelly lo-fi and misty aesthetic. The artist himself says this record is "is dedicated to those who continue to yearn for greater understanding" and it is another sublime listen.

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LP | 2020 | EU | Original (Zake Drone)

Coppice Movements

28,99 €*

Frizzell & Duque: A Sorrow Unrequited

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Coppice Movements is an addendum to 'Carolina', an album released by Polar Seas Recordings. These five arrangements follow a similar formula as its predecessor; suffused with manipulated field recordings and persistent drones that gently flow. Mastered at Schwebung Mastering (Germany) by Stephan Mathieu, Coppice Movements is a continuation of solemn yet jovial paean to seclusion and quiet moments of self-reflection, bathed in shimmering reflections and a profound sense of stillness and serenity.

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Zake / City Of Dawn

LP | 2021 | UK | Original (Zake Drone)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Frizzell and Duque, better known as zake and City Of Dawn, further extend their already impressive catalogue of music with the sublime 'A Sorrow Unrequited'. The joy of ambient music is its ability to provide the listener with a pathway to quiet contemplation. These two musicians take the listener on an aural journey, a musical interpretation of the beautiful poem of the same name written by Julia Frizzell. A Sorrow Unrequited showcases the beauty of the modern classical/ambient genre, and the talent of these two artists is on full display. Music that is truly timeless and enduring.

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Carolina Opaque Purple Swirl Vinyl Edition

LP | 2021 | EU | Original (A Strangely Isolated Place)

LP | 2023 | EU | Original (Keroxen)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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According to the artist himself, zake's first solo album of 2020 was recorded and produced during "a four-day excursion in several secluded areas" in South Carolina. As a result, listeners can expect to hear babbling brooks, birdsong and the gentle rustling of leaves beneath Zake's alluring mixture of enveloping ambient chords, unearthly drone tones, opaque electronics and slowly-shifting, heavily processed neo-classical movements. The results are hugely immersive and undeniably enjoyable, with each of the four tracks delivering a head-in-the-clouds journey that ripples with becalmed, atmospheric intent. In other words, it's the kind of ambient music you can get lost in. More please!

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Za!

Za! & La Transmegacobla

16,09 €* 22,99 € -30%

LP | 2018 | DE | Original (Fun In The Church)

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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A retro-futuristic journey from folk to free exploring the shores of the Mediterranean, claiming its power as a living core, never as a deadly border. The TransMegaCobla fuses traditional Mediterranean culture –from bulería to kopanitsa, from gnaoua to sardana– with contemporary culture to create a fictional but deeply human and festive universe. Resurrecting the Phoenician language, the octet seeks common roots to fuse and remake them with contemporary molds such as rock, punk, free jazz and conducted improvisation. A timeless orchestra ready to invent, with real elements, a science-fiction Mediterranean in a parallel reality.

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Za!

Pachinko Plex

17,99 €*

Release: 2018 / DE – Original

Genre: Electronic & Dance

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LP | UK | Original (Hot Salvation)

Za!

Loloismo

Release: UK – Original

Genre: Electronic & Dance

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LP | 2020 | JP | Original (Sakura Wrechords)

Yximalloo

The West Of Yximalloo 3

28,99 €*

Release: 2020 / JP – Original

Genre: Electronic & Dance

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The world as we knew it may have unraveled before our eyes, but one thing remains constant, Yximalloo's singular, twisted musical visions keep coming. Here we all are, counting off The End Of Days with the one consolation, that his third volume is here. No, not The Book Of Revelations, but Yximalloo's self compiled bumper-car / helter skelter ride through his voluminous tape and CDr archive, realised over the last 40 years.

Yximalloo, pronounced Ishimaru, has produced over 70 CDrs & tapes since the early 80s, occasionally working with Sympathy Nervous (Vanity) and Jad Fair (Half Japanese), but mostly within his own universe.

An unknown track of his was released in 2013 by Kompakt, as "Wanted". An unknown artist - they had lost the details of the CD he'd sent them but were compelled to release it anyway. It was the only vinyl release of Yximalloo until "Best Of".

Expect more irreverant dialogue between Yximalloo and his musical menagerie, to ricochet the listener from diy rock to Residents-style ditties, to cranked techno, frenetic lost tribe drum workouts, and all the rest.

No herd immunity here, go West young non-binary, for the West is yet to come...

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Safe In The Hands Of Love

2LP | 2018 | UK | Original (Warp)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Yves Tumor shows the world that it's Safe In The Hands Of Love with his debut album for Warp.

Released into the wild with no fanfare or prior warning, Yves Tumor makes good on the audience following astonishing singles 'Noid', 'Licking An Orchid (feat. James K)' and 'Lifetime'. Whereas each of these showed a different side to his sound, one that arguably wasn't afraid to immerse itself in the close running interests of skinny-jeans 'n' all indie, heartfelt romantic ballads and soulful RNB bangers, Yves Tumor's seeming refusal to be creatively pigeonholed is the most vital and compelling cog within his musical identity. Walking a tightrope between being on the one hand, one of the most seductive, soulful musicians of modern times, while also being a serious aficionado of harsh n0!se, as made evident with his recent years' live sets which have become something of a legendary experience/assault for each audience that has entered into the high-intensity sound-field that his on-stage presence creates.

Safe In The Hands Of Love captures each and every side of Yves Tumor's musicianship with an elegant mix of pop numbers and more "experimental" de-constructions. With the spirit of Danish noise/synth/punk/tekno institution Posh Isolation running through the lifeblood of the music, so much so that in a perfect bonding two of the Posh Isolation crew's finest Loke Rahbek and Frederikke Hoffmeier both appear on the album in solidarity with Yves' vision. The recordings are uncharacterizable as anything other than Yves Tumor music. From the gothic cloak 'n' dagger cyberpunk punishment of 'Hope In Suffering (Escaping Oblivion & Overcoming Powerlessness)' featuring Oxhy & Puce Mary, through to the 'Economy of Freedom' produced with Croation Amor and moving along with all the sludgy heaviness of a thousand broken hearts, the feelings explored upon offer a kaleidoscopic union of classic songwriting and lobotomized sound experiments. Chapters like 'Recognizing The Enemy' and 'Licking An Orchid' capture a sense of near blissful introspective blues, sounding like Yves is rushing into the deepest moments of winter while his words that are seemingly spun out of tears, begin to freeze in the cold night air. Before 'Let The Lioness In You Flow Freely' could be the Whitehouse and Steve Albini post-rock record that never materialized back in the 1990's, while 'Recognizing The Enemy' further explores the gothic soundscape rock 'n' roll (original and authentic shades, slick back and leather jacket) of 'Noid', ensuring that his stadium-sized approach to crafting earworms is well and truly represented.

Repeatedly carving out a new path within the diamond cut musical trajectory of Klein, Dean Blunt, Radiohead, Coil and Kevin Shields, Yves Tumor's Safe In The Hands Of Love builds upon his recordings for PAN while setting the stage and informing anyone still unsure that Yves Tumor is truly one of the most visionary and singular artists of his generation.

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Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds) Yellow Vinyl Edition

LP | 2023 | UK | Original (Warp)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds) Deluxe Edition

2LP | 2023 | UK | Original (Warp)

38,99 €*

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds) takes us beneath all the bedazzled glam stardom as Yves journeys through the limbo of life and love, escaping toxicity to get higher and holier. From the raw, unapologetic drawl of 'God Is a Circle' comes a mercurially shifting tracklist where Yves picks apart their psyche, discerning lovers and enemies both spiritually devoted to. 'Lovely Sewer' captures the incendiary spark of love, heart racing to the red flags under sunset coloured new wave guitars; a total flipside to the later sultry sighs and strong shuffles of 'Echolalia', where heat rises from the spiralling synths and funky dance grooves.

As Yves explores the pulchritude of purgatory, they move through electrifying rock strains. The technicolour acoustic guitars of 'Meteora Blues' evolve into a high voltage headbanger as they plead, "I'll always pray to an empty sky," sauntering into a falsetto-powered, scathing examination of the popstar on 'Parody' and the cold wave-meets-emo thrashes of 'In Spite of War'. 'Purified By the Fire' is a plunderphonic gauntlet of alchemical transmutation, with shredded loops and cataclysmic beats leading up to the anthemic and heavenly last hurrah of 'Ebony Eye', where Yves Tumor finds glory and salvation, sitting on the throne as the righteous leader of rock music’s contemporary revolution.

The world needed a new rockstar, and Yves Tumor has the answer. From the chameleonic kaleidoscope Safe In The Hands Of Love, to the visceral fusions of Heaven To A Tortured Mind, and the theatrical power jams of The Asymptotical World, Yves Tumor has proved their prowess in any sound their punk spirit inhabits. Hot Between Worlds distills all of this into a masterclass of pop songwriting and rock captivation, with songs that carry a stadium shaking energy having been teased and refined with their band live across the globe.

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Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds) Black Vinyl Edition

LP | 2023 | UK | Original (Warp)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Heaven To A Tortured Mind Black Vinyl Edition

LP | 2020 | UK | Original (Warp)

LP | 2023 | UK | Original (Castles In Space)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Just over eighteen months on from the visionary success of 2018's Safe In The Hands Of Love, Yves Tumor pushes visceral sonic boundaries with his new full-length studio album Heaven To A Tortured Mind.
In a sense, Heaven To A Tortured Mind occupies the anthemic soundworld of the androgynous underworld that was explored in Safe In The Hands Of Love. Offering up a dozen pieces of vivid avant-pop (the days when he would fill an album with painterly, semi-concrete ambiences, as he did on 2017’s Experiencing The Deposit Of Faith, appear to have passed).

Co-produced by Justin Raisen (Sky Ferreira, Ariel Pink, Charli XCX) this selection also comes off as slicker than its predecessor, less prone to rupture and seemingly more comfortable with its poppier impulses. There are even moments here which present as a kind of variation on the neo-soul sound that has been turned murky and swampy at Tumor’s mephistophelian hand. As such, along with Tumor’s disruptive contemporaries like Dean Blunt.

Heaven To A Tortured Mind finds Yves Tumor growing into his position as an outsider popstar. The result is a beautiful, forthright LP from a supremely unique talent.

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Yves Malone

A Hello To A Goodbye

LP | 2022 | EU | Original (Maga Circe Musica)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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A Hello To A Goodbye was finished during the first throes of the covid lockdown of 2020 in Canada: whatever its initial genesis (a beginning long since forgotten) the results reflect the emotional terminus of that recording process – a person alone, terrified and waiting for the end. Recorded mostly with period hardware, this isolated paranoid landscape is mined with what-ifs and never-mores, a profound distrust of fellow humans, and is a belated goodbye to a naive innocence that was graced to linger far longer than it should have.

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Yves Jates

Trace: Sound Design Works 1986-1989

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Discrete consolidations of electronic and classical forms from Yves Jates, debuting on Donato Dozzy & Alicia Carrera’s Maga Circe Musica after Dozzy’s ‘Buchla & Marimba’ expo. Previously best known for his design work as Yko with the Meakusma & Time To Express labels, Yves Jates patently transfers his visual signatures into sound with the kinetic, colourful sound paintings of ‘M’. Hand in hand, electronic and classical structures melt into one another across eight iridescent movements variously conveying moods ranging from neurotic to psychedelic, each puckered into chamber-like scenes that feel like AI renders run off renaissance imagery. His canvas appears 3D and billowing omnidirectional, craftily lit from angles that encourage listeners to ponder them from all sides, and which lure us into beautifully ethereal headspaces. As far as first releases go, ‘M’ is neatly accomplished in a way that speaks to its creator’s classical pathos and feel for electronic ephemerality. With a minimalist palette of shimmering synth and organ tones he creates imaginary spaces with a wholly absorbing sense of light and shadow and natural reverbs that effortlessly suspend disbelief. From the pizzicato spirals of ‘Moment 1’ thru the swaying low register pulse of ‘Moment 8’ he elegantly weaves between hypnotic optimism and reflective states of mind, with passages of sky-kissing bliss turning inward to cloud chamber rumination and more intently future-primitivist metallic plucks, each puckered into concise time frames that keep the feels shaded in shadowy gradients to a real highlight in the lushly offcolour harmonics of ‘Moment 7’ for fans of Ora Clementi, Madalyn Merkey or Topdown Dialectic.

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Yutaka Hirose

2LP | 2022 | EU | Original (WRWTFWW)

30,99 €*

LP | 2023 | UK | Original (Will)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Wrwtfww Records couldn't be happier to announce the release of Yutaka Hirose’s never-heard before 11-track collection Trace: Sound Design Works 1986-1989, available on double LP and double CD, with liner notes from the artist.

Trace is a collection of 11 unreleased tracks produced by Yutaka Hirose between 1986 and 1989, during the Sound Process Design sessions, right after the release of his classic Soundscape series album Nova. Sound Process Design was Satoshi Ashikawa's label, home of the Wave Notation trilogy (Hiroshi Yoshimura’s Music For Nine Postcards, Satsuki Shibano's Erik Satie 1866-1925 and Satoshi Ashikawa's Still Way). Following Wave Notation, Sound Process Design worked with museums, cafes and bars to create site-specific soundscapes, starting with the sound design of the Kushiro Museum. Yutaka Hirose was called to work on these projects.

Rather than simply providing pre-recorded compositions, Hirose sought to create a "sound scenery". To achieve this, he participated in the conception of the space and paid particular attention to the accidental combination of sounds by placing the speakers, using a multi-sound source, and following the concept of "sculpturing time through sound".

The composer explains: "sculpturing time through sound means that time, the space itself, the sound played in it, and the audience all become one sculpture. It is close to the idea of a Japanese tea ceremony where you use all of your 5 (or 6) senses to taste the tea."

Trace: Sound Design Works 1986-1989 is divided into two parts. The Reflection segment is based on an ambient soundscape. It narrates "a sleep that starts with the sound of water droplets at dawn and slowly disappears into darkness" and feels like a natural and soothing progression of Nova. It was played in entrance halls, at events, in cafes and bars. The Voice from Past Technology segment expresses the dream world born out of that sleep and is based on what Yukata Hirose calls hardcore ambient, environmental music with a noise approach. It was played in museums and science centers.

All in all, Trace is a crucial addition to every Japanese environmental music fan’s collection, alongside Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, Satoshi Ashikawa’s Still Way, Motohiko Hamase’s Notes of Forestry, Inoyamaland’s Danzindan-Pojidon, and Yutaka Hirose’s very own Nova.

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Yusaku Arai

A Two

30,99 €*

Affable With Pointed Teeth

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The Kyoto-based musician Yusaku Arai is known for his production work in the avant-garde scenes of Japanese hip-hop and R&B. On this solo album, though, he offers more lengthy, piano-centric meditations that use the techniques of musique concrète. Arai’s compositions on the A-side emerged out of a reflection on the corporeal and interwoven relationship between his own body and things he encountered in the world—the ocean, a flower petal, a plastic sheet, a hand. His intent is to represent a process in which colors gently well up in inside of an object, pass through its entirety—and eventually permeate into the body itself. The B-side consists mostly of a long composition, which is about an unavoidable surplus that crops up in communication, whether of gestures or of language. This narrative work describes humans as beings torn between enthusiasm and emptiness. The album’s artwork is by photographer Azusa Yamaguchi and designer Hejiro Yagi. Mastering by Sean McCann of Recital. An 18x24 inch poster is included.

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Yungmorpheus & Eyedress

LP | 2022 | Original (Lex)

Release: 2022 / Original

Genre: Electronic & Dance

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LP | 2018 | UK | Reissue (Diggers Factory)

Yung Bae

B4E

Release: 2018 / UK – Reissue

Genre: Electronic & Dance

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2LP | 1985 | JP | Reissue (P-Vine)

Yuko Matsuzaki

Mother-Of-Pearl Box

51,99 €*

LP | 1986 | JP | Reissue (Universal)

Release: 1985 / JP – Reissue

Genre: Electronic & Dance

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Japanese composer Hiroko Matsuzaki began her classic music career as a flutist, and from 1985 to 1987 she worked as a studio musician as a flute/synthesiser player based in London, gaining an excellent reputation abroad without passing through the Japanese music scene. Simon Jeffs of the Penguin Cafe Orchestra heard this work and decided to participate in German electronic musician Rhodelius' Pink, Blue and Amber. This is the first time reissuing the lost work she produced only 100 copies before she left for the UK in 1985 , entitled Mother-Of-Pearl Box. This world-standard masterpiece was born in Japan during the rise of ambient music in the late 1980s, when house and techno were expanding globally with the rise of house and techno.

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Yukako Hayase

So Utsu

51,99 €*

LP | 2019 | US | Original (Leaving)

Release: 1986 / JP – Reissue

Genre: Electronic & Dance

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Yukako Hayase released her debut album on Sixty Records in 1986. Yasushi Akimoto handled the lyrics and production for all but one of her songs. With her laid-back voice, worldly-wise attitude, and European-inspired sound, this album has gained renewed appreciation in recent years for its ahead-of-its-time vibe.

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Yuk

Paraiso

Yuji Takahashi / Mamoru Fujieda

Release: 2019 / US – Original

Genre: Electronic & Dance

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o-founder & head chef of the buzzing fine dining restaurant, LASA, LA's Chad Valencia aka yuk. returns to LEAVING Records leading the ambient lo-fi revolution within LA's beat-scene - heralded historically within the production culture of LEAVING's community.

Speaking sonically & conceptually to the nuanced heritage of yuk.'s Filipino upbringing - the Paraiso EP marks the first of two installments in contemporary works of sound art forthcoming from the experimental beatmaker.

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Music For 'Cyber Cafe'

LP | 2024 | JP | Original (EM)

32,99 €*

Yuji Dogane & Mamoru Fujieda

Release: 2024 / JP – Original

Genre: Electronic & Dance

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The hidden history of Japanese electronic music, where contemporary music and cyber-occultism converge, makes a reappearance on a special edition LP! Reproduction of the print pattern of the flyer for the "Ikebukuro Cyber Cafe" event held in 1991 on the cover, a center hole on the back side, a reproduction of the original cassette index of "Computer Cafe Music" and an IC board for electronic devices (the real one) are pasted on the front cover. The disc was mastered by D&M and cut at 45 rpm. An insert is included. Standard black vinyl pressing.

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Ecological Plantron

LP | 2022 | JP | Original (EM)

LP | 2021 | EU | Original (Music From Memory)

Release: 2022 / JP – Original

Genre: Electronic & Dance

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Ecological Plantron was a CD released in 1994, the audio document of an installation held that year at a gallery in Tokyo. The Plantron is a bioelectric interface developed by botanist Yuji Dogane; it was designed to give voice to plants, using electronic means to make audible the energy of the natural world, prioritising the non-human aspects of nature. Dogane was assisted in the project by composer Mamoru Fujieda, who helped to convert the vegetal energies into audible sounds. Though they stress that this is not music, the recordings that Dogane and Fujieda released are actually quite musical and not at all unpleasant in the way that some other non-musical sounds might seem. There is an attractive gentleness and an intelligent flow here, a vibrant energy, and one can sense that the plants are communicating, waiting for us to understand. This re-release features original and new notes in Japanese and English. The CD includes a bonus disc featuring unreleased recordings from two related installations from 1995 and 1997, a fascinating glimpse into the world of our leafy friends.

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Yu Su

Yellow River Blue

26,99 €*

2LP | 2023 | UK | Original (Pace Yourself)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Music From Memory are excited to present the debut LP of Kaifeng born, Vancouver based artist Yu Su in collaboration with Chinese label bié Records. Titled 'Yellow River Blue' it is our first release of 2021 and the second collaboration between label and artist, following up on the strongly received EP 'Roll With The Punches' from 2019 on Second Circle. Named after the world’s most heavily silted river, 'Yellow River Blue' is Yu Su's personal musical autobiography, constructed around stories of chasing something inconceivable. Written and recorded in different continents in between August 2019 and March 2020, all songs seek to musically translate years of moving and touring, temporarily settling, and the feelings of both being turned away and accepted. In her own words, “The world is my home and it isn’t, but as long as there is generosity of water and mud...” It is an homage to her home beside the Yellow River. Yu Su's debut album consists of eight songs that are versatile in both writing and aesthetics. Versatile individually, consistent as a whole. Yu Su is in a class of her own, dodging the obvious while combining sounds and inspirations of various origins into a new destination that sounds like her home in the here and now. It's a release that is constantly in motion and moves fluently between contemporary pop, ethereal sound compositions and dance-floor experiments. 'Yellow River Blue' comes as part of a collaboration with Yu Su's co-founded new label bié Records and will be released as Mfm052 in vinyl format by Music From Memory on January 25th 2021, after seeing a full digital album release via bié on January 22nd in the new Year of the Ox, according to the Chinese zodiac. Both formats come in different exclusively designed artworks.

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Brutal Flowers

27,74 €* 36,99 € -25%

LP | 2024 | EU | Original (Antibaby)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Putting a pigeon amongst the cats we are back with that good shit. An out of step, incidental artifact of peaceful sophistry: YS - Brutal Flower (2 x “12 LP). A no airs and graces piece of cool future-proof ambience. A modern ballad for brave young clubbers, local pubbers, slipstream warriors, and emotional doggers. The distinctive aesthetic hallmarks of YS are all here: slabs of urban flavor from emotional interior; raw data straight from the interface. ‘Untethered’ and ‘Down’ are chopped-up cuts of searching R’n’B - jaded jams of lustful erasure. On the flipside, blunted desire lingers in ‘Fading Memory’. Both hopeful and mourning: this is the lay of the land in Brutal Flowers sharing that rare strain of underground synesthesia best located in dark undercurrents of early Mo Wax. The orchestral ambience of ‘Autumn Ost’ is a potent stupor of end credit cinematics. Coming up for air. It feels young in an ancient sort of way: pure as first snow. And from here in the album unfolds with the patience, tranquility and the expansive poise of a work that is for now and always. Pulsating gently to assured ending with ‘Be Together’ - a flickering skyline, swarming with warm memories. In between there’s flashes of heartbreak reminiscent of Beltran's Ten Days of Blue and Blunt’s Stone Island (‘Look Up’ feels like a sort of spiritual successor to ‘Wake up’), that being said, when push comes to shove it only it ever flirts with its own reality. An aesthetic reflection of a creative process that is delicate and restless. Created in the edges, where long distances, fast cities and global melancholia are wrought large. Burning the midnight oil Berlin-Singapore style: from real to reel. A sentimental exercise of modern faith by old friends. With a nudge and a wink, Brutal Flowers is a (de)coded map of memories wavering with familiar intrigue. Patient listeners and the already initiated will be rewarded on re-visits - as playful & profound as you please, as deep as the heart. The scathe that cuts is clean and deep. There are no sleight of hands to be found in this opus, only hearts are worn on the sleeve here. A hill we’d gladly die on. Pace & luv,

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YRLNG

Rbia Harsha Cinta

26,99 €*

LP | 2024 | UK | Original (Feedback Moves)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Rbia Harsha Cinta is a dark and experimental reworking of Gilles Aubry's recent film on seaweed and pollution in Morocco (Atlantic Ragagar 2022). The film's dreadful atmosphere of environmental devastation is transposed into a haunting soundscape of analog textures and naked rhythms. With its title referring to endangered seaweed species, Rbia Harsha Cinta comprises eight tracks that pulse and breathe with a post-natural intensity.

Yrlng is a new project by Gilles Aubry dedicated to ambient and deconstructed club music. Aubry's distinctive presence in the field of noise and experimental music is marked by his numerous contributions using field recordings, electronic manipulations and feedback processing. He is also known as a member of the Berlin based noise collective Monno who released five albums between 2003 and 2015. As a sound artist, his practice spans a broad range of media including film, installation, radio and performance works.

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yPLO

ob TRU

20,69 €* 22,99 € -10%

YOUSUKE YUK1MATSU & Friends

Release: 2024 / UK – Original

Genre: Electronic & Dance

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New on Conal Blake's Feedback Moves label which has already given us somer serious heat from Pat Thomas, Inga Copland and more.

yPLO (Paul Abbott & Michael Speers) is a project about imaginary drums and rhythms, using acoustic percussion and synthetic sounds.

ob TRU was performed and recorded live on 6/8/18 at Cafe OTO. During this live performance yPLO used amplified mylar, floor tom bass drum, mixers, audio recordings and microphones.

Radio support coming from BBC Late Junction, Kiosk Radio and NTS Radio.

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Midnight Is Comin'

2LP | 2022 | EU | Original (Midnight Shift)

LP | 2023 | EU | Original (An'archives)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Versatility does not even come close to describing how the humble Japanese ¥øu$uk€ ¥uk1mat$u is considered to be one of the best DJs in the world by many of his peers. From his debut at DJ Nobu’s Future Terror event to performing 3 years consecutively at Berlin Atonal Festival, Yukimatsu’s sets have to be heard for you to understand. In this special mix album, Yukimatsu gathers round his producer friends to build vessels of the story structure. Threading the pages together, interweaved by friendship and sine waves, he has crafted a masterful presentation from their individual messages. Pulling and stretching all sonic shapes and shades while exploring the farthest reaches of sound, the result is a frequency soup of twelve outstanding tracks that when sequenced together, become part of a greater, grander story: Midnight is Comin’. From the sound art experimentations of orhythmo – Nagel and wide yawning strings in Ryo Murakami – Reminiscence to the rhythmic slo-mo haze of Sapphire Slows – Hinotori and the exponentially pulsing colours from DJ Nobu - Yakou Gai. The DMT-like spacious virtual meditation hall of Keihin – Exhale follows the uneasy footsteps of YPY – MS to the intermissioning chapter of City – 9K. Fall into the wormhole of Compuma –Flowmotion (IN Dub) and be transported to the reverb-drenched, intimate experience of Coni – Ängelsbäcksstrand, the primal invocations of Gabber Modus Operandi – Kisah (which also means story in Bahasa Indonesian) to the transcendent notes of Spinnuts - Zweimal schlafen atmosphäre. The soaring universe of Albino Sound – Celestial Sphere wraps up the album with crystalline notes.

“Versatile is not even close to describing his music selection and mixing skills as he plays anything without prejudice and is purely music loving. He is extremely humble, can mix anything and make it sound interesting.” – nolens.volens (Bangkok, Thailand)

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Youri Kun

Renoir Of The Toys

35,99 €*

LP | 2019 | EU | Original (Bureau B)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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»Renoir Of The Toys« is a deep dive into the world of Youri Kun, the nom de plume of Japanese guitarist, singer and songwriter Hiroshi Nar. It follows a similar compilation, »Unheld Ball«, released in 2022 on Japanese label Inundow; like that album, »Renoir Of The Toys« draws from the rich catalogue of outsider psych-garage and rock recorded by Youri Kun over the past two decades. Deeply wired into the history of Japanese underground music, Nar was a founding member of legendary ‘70s outfit Datetenryu, and a member of both Brain Police (Zuno Keisatsu) and Les Ralllizes Dénudés (Hadaka No Rallizes).

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Young Scientist

Results, Not Answers

Release: 2019 / EU – Original

Genre: Electronic & Dance

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How To Disappear In America

Young Male

LP | 2016 | EU | Original (White Material)

13,99 €*

LP | 2023 | EU | Original (Liberation Hall)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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WM009 is the debut album from White Material co founder Young Male. A collection of dark ambient and textured experimental songs created as a personal soundtrack for life in uncertain times. Paranoia, lust, virtual experience, and tension/release are themes explored in this tour through a dystopian American landscape.

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Young-Holt Unlimited

Plays Super Fly

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Young Druid (John T. Gast)

Young Druid

LP | 2023 | UK | Original (5 Gate Temple)

23,79 €* 27,99 € -15%

LP | 1983 | EU | Reissue (Bureau B)

Release: 2023 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Limited copies of this John T. Gast (Apron, Planet Mu, Blackest Ever Black etc) project from 2017 - originally released on a hyper limited CDR. Now on vinyl for the first time featuring all the original tracks Special stuff from this shadow dwelling soul. Really killer.

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You

Time Code

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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LP | 2023 | CA | Original (Seance Centre)

You Can Can

26,99 €* 29,99 € -10%

LP | 2023 | EU | Original (Vaknar)

Release: 2023 / CA – Original

Genre: Electronic & Dance

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You Can Can is an echoed affirmation, an album which traces song forms around silence, field recordings, and degraded analog memories. This is folk music transmogrified and mutated, as if recorded and reconstructed in Pierre Schaffer’s GRM studio.

Not your typical Mariposa folk duo, the group is comprised of Toronto avant-music scene stalwarts, vocalist Felicity Williams (Bernice, Bahamas) and bricolage artist and synthesist Andrew Zukerman (Fleshtone Aura, Badge Epoch). The album feels like a somnambulant conversation, fragmented and half-remembered with Williams’ vocals traveling through a landscape of field recordings and Zukerman’s saturated concrète topographies. It is an electro-acoustic assemblage, both analog and digital, comprised of air, electricity, minerals, wood, and water. Although the album nods towards traditional forms of folk and musique concrète (if at this point it can be called a traditional form), it is outwardly and inwardly contemporary; non-linear, citational, opaque, and sui generis. In a way it feels like a sonic index of the narrative experiments found on the infamous Language school-related publisher The Figures, in the work of Lyn Hejinian, Clark Coolidge, and Lydia Davis. In the musical continuum, the album picks up where Linda Perhacs left off in the early 70’s—explored by Gastr Del Sol in the ‘90s—a convergence of rural acoustic idioms and urban avant-electronics. This is country music for the discerning cosmopolitan citizen of the 21st Century.

Riyl: Luc Ferrari, Brannten Schnüre, William Basinski, Oval, Eric Chenaux, Emmanuelle Parrenin About Everything In Time and Failure Figures, Felicity Williams says:

Everything In Time is indebted to the language of Brazilian author Clarice Lispector (as translated by Alison Entrekin). Drawing on insights from psychoanalysis, we trace the roots of melancholy to render them available to consciousness; words from the ghostly realm of the transpersonal filter through dreams and shine a beam of light onto a lone trillium in a forest at night. Other influences include the experience of not knowing, of being subject to a gestation outside of one’s control. This is an ode to the power of naming to obliterate, to set free.

Failure Figures is a meditation on the radical contingency of reality and the vicissitudes of the will. With Slavoj Zizek as my guide (think: “Hegel for dummies” - I’m the dummy in this scenario), I wander through the valley of the shadow of death, and take heart. The last verse refers to an experience I had recording at a studio in Brussels. I was singing in French, with which I have some fluency, and the producer was complaining to the artist whose song it was that my delivery was not convincing. Thinking I was out of ear shot, he said in French, “c’est comme elle n'est pas là”; I was pronouncing the words correctly, but I failed to express anything. So what or whom is responsible for conveying meaning, if not the form of the word itself? And if the connection between meaning and form is broken, how do we fix it?

Gratitude to Thom Gill (guitar) and Daniel Fortin (bass) who joined us on the recording of Failure Figures. Thanks as well to my old roommate Christopher Willes, who unwittingly left behind his hand bells deep in the hall closet. We unearthed them by accident, and the bells became an important sound element. Thanks to other past roomies Robin Dann and Claire Harvie, whose childhood piano and guitar respectively still reside with us, and were used in the recording. Field recordings were made in Toronto, Canada and Celestún, Mexico in 2020.

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Yosuke Tokunaga

8 Quadrants

Une Collection Des Chainons I: Music For Spiral

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Not much is really known about the production process behind the sprawling works of Japanese composer Yosuke Tokunaga, nor about the artist himself. Whatever the process may be, its outcome yields unique soundscapes that lunge and retreat in near mechanical movement, while warm volleys of low flung claps and thumps disperse over a bed of textural hums and lingering chords. At times, Yosuke’s work manages to somehow form an atmosphere that can both feel airy and yet dense simultaneously; it is this juxtaposed mélange of sonic fabric that is at the core of his unique creations, and once again it is beautifully displayed on Yosuke’s latest outing, »8 Quadrants«, where he continues his unique practice of figuratively interpreting language through a sequence of delicate sonic sculptures. »8 Quadrants« follows 2021’s »9 Mezzotints« and will be available digitally, as well as on vinyl, via the Berlin based Vaagner label, and its offshoot Vaknar.

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Yoshio Ojima

2LP | 2019 | EU | Original (WRWTFWW)

To The Forest To Live A Truer Life White Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A download code is included. WRWTFWW Records is insanely happy to announce the first ever vinyl reissue for both volumes of Yoshio Ojima’s superb environmental music project Une Collection des Chaînons I and II: Music For Spiral, originally released in 1988 on CD only. Each volume is sourced from original masters and comes as a double vinyl LP with liner notes in English and Japanese. This marks the inaugural release from the Esplanade Series by WRWTFWW Records which focuses on the works of Yoshio Ojima and friends. Une Collection des Chaînons I (along with its complementary part two Une Collection des Chaînons II) gathers selected music pieces conceptualized and produced for sound-designing the Wacoal Art Center in Aoyama (Tokyo) also known as Spiral, a hub for a wide range of sophisticated cultural proposals spanning visual arts, theatre, music, design, fashion, and lifestyle. Named after its superb curled-shaped structures laid in a vast atrium, Spiral is a monumental work of architecture by Fumihiko Maki, designed according to the principles of Metabolism, a movement advocating the fusion of the notions of megastructures and organic biological growth.

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Yoshimioizumikiyoshiduo

LP | 2023 | US | Original (Thrill Jockey)

34,99 €*

YoshimiO / Susie Ibarra / Robert Akiki Aubrey Lowe

Release: 2023 / US – Original

Genre: Electronic & Dance

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YoshimiOizumikiYoshiduO"s debut album To The Forest To Live A Truer Life combines the thrill and precision of masterful improvised music practitioners unearthing new sonic possibilities. Yoshimi P-We, now known as YoshimiO, is best known for her work as one of the founders and drummer in the Japanese rock band Boredoms alongside IzumikiYoshi (synthesizer, sampler, and programmed midi instruments on Vision Creation Newsun and Super æ), and multi-instrumental work in the all female group Ooioo. She has worked as a session player and vocalist on Yoshimi Battles the Pink Robots by The Flaming Lips. A balance of YoshimiO"s live improvisations and IzumikiYoshi"s correlated processed sounds give the pieces a sense of grounding and weightlessness in tandem. Being described by Wayne Coyne (The Flaming Lips) as "one of those strange genius musicians", YoshimiO uses the piano as her primary instrument in addition to her singular voice- every move is bent, stretched, and mutated by IzumikiYoshi"s modular synthesizer into cascades of brightly colored waves and dotted constellations of sound. Rather than taming YoshimiO"s spirited performances, IzumikiYoshi adorns every unique flutter with complementary otherworldly textures. Recorded primarily in a cafe nestled in a forest in Japan, To The Forest To Live A Truer Life is a celebration of pure potential, of music born of the moment expanding in every direction. YoshimiO has collaborated with and worked on numerous projects, most notably a raga band called Saicobab, an ambient project called Yoshimi and Yuka, the tribal drum OLAibi, and indie supergroup Free Kitten.

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Flower Of Sulphur

2LP | 2018 | US | Reissue (Thrill Jockey)

33,99 €*

Lament For The Rise And Fall Of The Elephantine Crocodile

Release: 2018 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Flower of Sulphur is a transfxing piece of continuous improvisation from three experimental luminaries : multi-instrumentalist YoshimiO (Boredoms, OOIOO, SAICOBAB), internationally acclaimed percussionist Susie Ibarra, and artist Robert Aiki Aubrey Lowe (Lichens). The trio’s jaw dropping performance was recorded in December 2016 at Roulette in Brooklyn. Flower of Sulphur documents a singular evening of exquisite sound and exceptional performance.
Absolutely an essential album, pristinely recorded, and capturing a rare performance. A must have for any fans of creative innovation and improvistation.

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Yoshi Wada

LP | 1982 | US | Reissue (Etats-Unis)

32,99 €*

LP | 2023 | UK | Original (Balmat)

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Yoshi Wada's Lament For The Rise And Fall Of The Elephantine Crocodile, originally released in 1982 on India Navigation, remains one of the most remarkable flowers to grow in the rarefied air of American minimalism – akin to Terry Riley's Reed Streams and Pauline Oliveros' Accordion & Voice, yet with a wild, liberated energy all of its own.

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Ylia

Ame Agaru

Crimson Poem Smokey Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Ylia—aka Susana Hernández—had a remarkably productive 2020. In addition to releasing her debut album, Dulce Rendición, on Barcelona’s Paralaxe Editions, she penned compilation tracks for Lapsus Records, Hivern Discs, and Super Utu/Stars on Earth.

But professional success can be deceiving: The following year was, personally speaking, terrible. Her grandfather died. Her father died. Her cat died. And she ended a relationship. “That’s a lot of things all at once, no?” she says.

Her second album, Ame Agaru, is not necessarily a record of that year, but it is, she says, a response to those life events—a record of grief.

The new album is clearly a continuation of the ambient investigations of Ylia’s debut, but it differs in key ways. Where Dulce Rendición was exploratory and faintly cosmic, Ame Agaru—a Japanese phrase meaning, roughly, “the rain lifts”— captures a melancholy sense of stillness. And where her debut was largely electronic, on the new album, Ylia has folded in a number of acoustic elements, even when they are not recognizable as such. Her partner, Alejandro Lévar, lends fingerpicked acoustic guitar to the glowing dronescapes of “Todos los Cuerpos”; multi-instrumentalist and bandleader Tete Leal adds flutes, clarinet, and soprano saxophone to “Ame Agari”—or “after the rain”—which opens the album with a moment of contemplative calm, the kind that follows an extended deluge.

One track, the dub techno-influenced “Flowers in June,” grew out of Ylia’s live sets, but the rest are the fruit of improvisational sessions at home in Málaga, five minutes from the beach—jamming and then refining, searching for the ideal expression of a feeling as it was first captured. Searching for the spontaneity behind the stillness. In places, Ylia even incorporates piano, an instrument she has played since she was 10, yet has never included on one of her recordings before. For the most part on Ame Agaru, she seeks ways to fuse piano with synthesizers and electronic processes. But on the closing track, “El Único Adiós Posible,” she leaves us alone with the instrument in all its stark, unadorned beauty. It is a profoundly moving conclusion to an album defined by its economy of means and purity of expression: a cycle

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Yikii

LP | 2021 | EU | Original (Danse Noire)

Yiannis Eliades & Panayotis Mina

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Inspired by ambient, gabber and post-club; contemporary composition, avant-pop and nursery rhymes. Influenced by horror games, nursery rhymes and gabber, Chinese producer Yikii’s first proper full-length is like Tim Burton on mushrooms - like a soundtrack to a Chinese reboot of “A Nightmare Before Christmas” rendered in luscious 4D. Bonkers and brilliant. Since 2017, Changchun-based Yikii has released over 20 albums and EPs, but “Crimson Poem” is her first fully developed statement. It’s an ambitious album that started life as an exploration of microtonality before evolving into a set of quirky, psychedelic songs that pull in ideas from across the spectrum of contemporary culture, from hard dance and avant-pop to traditional Chinese music and drone. But no influence looms larger on “Crimson Poem” than video games. The album sounds completely plugged into the fantasy realm, and uses disparate genre hallmarks with the fizzy abandon of Yuzo Koshiro’s “Streets of Rage” soundtrack or CoLD SToRAGE’s “Wipeout” score. Yikii has no intention of making functional dance music and instead channels pop ideas through a narcotic haze of abstract noise, gothic soundscaping, airlock club and chiming classical music. At any point in the album it’s like hearing multiple personalities communicating with each other, guided by Yikii’s sugar-sweet vocals. There’s trip-hop, trance and sadistic industrial noise on ‘Disillusionment’, Bernard Herrmann-style “Psycho” strings, ambient drone and traditional Chinese music on ‘Phantasmagoria!’, hardstyle and evil nursery rhymes on ‘Afterimage In Ruin’, gabber, punk, industrial and classical on ‘Scavenger’s Daughter’, and so much more. “Crimson Poem” is a unique record that perfectly encapsulates Yikii’s personal world and spectrum of interests. It’s surreal and cute, but never cloying and succeeds in being eclectic without ever losing coherence. Yikii’s world is often terrifying, but it’s never uninviting: imagine Björk, Danny Elfman, Pharmakon, Gabber Modus Operandi and Ziúr shaken into a viscous purple cocktail and you’ll have some idea where this one’s going.

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Brigitte

LP | 2021 | EU | Original (Honest Electronics)

15,94 €* 28,99 € -45%

LP | 2024 | UK | Original (All My Thoughts)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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This album was originally composed in October 2017, performed and recorded live in Kasteliotissa Medieval Hall, Nicosia, on the 19th of November 2017 as an accompanying soundtrack to Fritz Lang's two hour-long edit of the film Metropolis (1927). Commissioned by the the curators of the 'German expressionism in Cinema exhibition' to compose and perform a live soundtrack, Panagiotis and Yiannis employed a hardware heavy arsenal to produce one of their longest pieces. modular synthesizers, guitars, drum samplers and drum machines are all protagonists. The performance lasted for two hours and was recorded in its entirety. It was later edited down to preserve all sound design qualities and a somewhat live feel. The title is an homage to the main actress of the film.

Panagiotis Mina and Yiannis Eliades, longstanding members of 'do it together' collective Honest Electronics and producers of their own material as Panayotis and Isel respectively, often collaborate on projects such as Brigitte. Panagiotis Mina is a producer, musician and visual artist. He lives and works in Cyprus from Pyrgatory studios, his out in the country home diy studio project. Yiannis Eliades produces and performs music using a blend of analog and digital synthesizers, drum machines and twisted recordings, on his own or as part of duos (myhn, Carnal Throes).

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Yetsuby

B_b

19,99 €*

LP | 2021 | EU | Original (SVBKVLT)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-06-21

Prolific visionary Yetsuby makes her debut on all my thoughts with a celestial concept LP that chimes into the deeper, inner emotions.

Yetsuby is the solo project of South Koren artist Yejin Jang. Since 2019 she has carved out a reputation as something of a prolific visionary, with 6 albums, 7 EPsand a flurry of singles between her two projects to date. Her recent album “My Star, My Planet Earth” received the “best electronic album of 2023" award at the KoreanMusic Awards.

Beyond her solo work Jang is also one half of the critically acclaimed electronic duo Salamanda, which has been featured in Pitchfork, Crack Magazine, and Dj Mag. The duo also host a residency called “shadow dance” on NTS radio. Yetsuby’s debut release on Seb Wilblood’s all my thoughts label is a heartfelt and forward thinking mini LP.

Yetsuby’s debut release on Seb Wilblood’s all my thoughts label is a heartfelt and forward thinking mini LP. The 6 track release effortlessly chimes into the deeper, inner emotions whilst providing a window into her abundant breadth of skills through tantalising themes of sonic alchemy.

“I want to put comfort into the music and give some message to people who blame themselves” - Yetsuby

The resulting effect is a release that feels sincere and deeply personal but has a celestial magic about it that feels both kaleidoscopic and transcendent. It effectively creates a world for the listener to inhabit, whilst inviting them to connect with the album’s themes on a personal level.

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Yen Tech

Assembler

LP | 2002 | EU | Reissue (Roadburn)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Yen Tech’s second album is fully eye-popping cyber-theatrical medieval deconstructed nu-metal. Like Amnesia Scanner banging out Slipknot covers with Siri and Arvo Pärt in a distant space prison. ‘Assembler’ is a bizarre record, even for Svbkvlt. Yen Tech’s debut “Mobis” was a future-facing hi-tech party rap deconstruction, all blitzed trap and vaporwave shimmer. “Assembler” is completely different proposal, addressing the post-COVID world with growling anxiety and lavish, multidimensional digital fireworks. Hoarse semi-human vocals are meticulously painted over hydraulic, machine-gun kicks, drunken synth drones and simulated choirs. Techpilled harpsichord chimes burp and resonate over swirling, supernatural soundscapes, while alien chatter butts heads with disembodied artificial voices. “Herd immunity,” a voice echoes on ‘Leech’, as unsettling drones build through clouds of white noise. Yen Tech takes Amnesia Scanner’s dystopian deconstructed airlock club template and debones it to fit the actual dystopia of 2021. Jarring, fanged and packed with sneering nu-metal adjacent attitude, “Assembler” sounds as awkward and genre-allergic as an algorithmic playlist. It’s an uneasy listening experience that’s both familiar (‘Extinction Game’ is almost chart-ready future pop) and defiant all at once.

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Yen Pox & Troum

Mnemonic Induction

14,99 €*

Release: 2002 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2021 | EU | Original (Yellow Swans Archive)

Yellow Swans

Drowner

30,99 €*

LP | 2020 | EU | Original (Modular Mind)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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First ever vinyl pressing of Yellow Swans’ incredible 2007 noise tempest, practically bubbling the lacquer thanks to a damn fine remaster by Rashad Becker that presents Pete Swanson and Gabe Mindel Saloman right at the biting point. Originally deployed on ultra-limited edition of just 60 cassettes back in 2007, ‘Drowner’ was one of the legendary duo’s fiercest deployments of scorched earth noise-gaze. Originating at the mid-late point of their arc, it kicked at the embers of rock’s funeral pyre, scattering plumes of strung out psych riffage and charred amp distortion at the midst of the fecund ‘00s noise scene. Like the best Yellow Swans releases, it touches places that other bands and records simply don’t reach, overwhelming the senses with chokingly intoxicating levels of emotion that surely live up to the record’s title. When Swanson and Saloman cooked up ‘Drowner’, they were surfing on a wave of interest generated by the percussive noise surrealism of their acclaimed, politically-fanged ‘Psychic Secession’. ‘Drowner’ was more in line with the duo’s shows - all overdriven, tape-fraying melt and psychedelic, feedback warbling. Channelling everything from MBV to the most blistering ends of Fushitsusha with an apocalypse-baiting recklessness, they harnessed keening, magisterial levels of feeling in the process. Anguish, love, panic, the sheer pain of being; the feeling will alter from person to person and listen to listen, but it’s undoubtedly going to be a strong emotion, likely to be frighteningly intensified when consumed thru headphones. Between their slow, 11 min march into oblivion on ‘Sandwall’ and eventual collapse into tattered tape tekkers and muezzin-like plangency on ‘Disjecta’, the album feel akin to a religious experience, with atavistic psych echoes of ‘Velvet Water’ giving way to the crushing dirge of ‘First Drowner’ and uniquely elegant chamber noise of ‘Isolation Tank’, before ripping your guts out in the ravishing ‘Seafloor’. Almost 15 years after it was originally released, as the US basement noise scene fades into memory and many of its figureheads wash into the gutters of history, ‘Drowner’ feels more vital and needed than ever. An elegy for the end of days?

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Years Of Denial

Human Tragedy

14,99 €*