Drag City Vinyl, CD & Tape 172 Items

Release: 2024 / US – Original

Genre: Pop

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Attention, aficionados of sublime pop music! Jim is, in fact, the older brother of pop singer Gerry Rafferty. Following two albums of sophisticated, melodic material with strong emphasis on vocal harmonies (not dissimilar to his brother"s work), Jim entered the 80s with no record deal, but good new tunes to shop. His original demos provided chart fodder for Frida (late of Abba), Clannad and Ian Matthews, but Jim"s versions outshine them all!"I See Red" was picked up by Phil Collins for Abba star Frida"s 1982 solo album.The flip-side of Jim"s "I See Red" has its own cover history - "Fear Strikes Out" first appeared on Ian Matthews" 1984 LP, Shook. Now, some 40 years later, the superior versions of these two Jim Rafferty originals arrive on a 7" single.

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John Mulaney

"Baby J"

35,99 €*

Release: 2024 / US – Original

Genre: Pop

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The Emmy-winning Comeback Kid himself comes back yet again with a blunt, brilliantly quotable stand-up special. "Baby J" takes the form of a wide-ranging conversation between John Mulaney, a kid in the balcony named Henry, and the rest of the sold-out crowd at Boston"s Symphony Hall. And now, you!John dominates the chat, of course - and while his cautionary tales are a bit too convulsive to be functionally preventative, you probably aren"t here to be cautioned. So have at it!

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Nathan Bowles Trio

Are Possible

Release: 2024 / US – Original

Genre: Rock & Indie

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"Are Possible" is a spark-throwing, undulating fusion of styles played (mainly) on banjo, upright bass and drums, made possible by the individual perspectives of Nathan, double-bassist Casey Toll (Jake Xerxes Fussell, Mt. Moriah) and drummer Rex McMurray (CAVE) work together in an easy-rolling manner, but one that contains an expansive, ass-shaking confabulation of ideas.Music is time in redux: Are Possible"s many moments in time carry details from all over the place. Rex brought a rhythm to the table after drumming on buckets at work, Casey provided a bassline that redirected a previous jam, Nathan brought in a song he"d been fucking with forever and they figured it out together. Their diversity of sources moves easily within the arrangements, rendering a far-ranging set of feels, from transcendental to new country funk to good ol" jazz and the folk-rock, even - all of it drawn out exquisitely when they mixed at Electrical Audio in Chicago with the delicate hands of Cooper Crain upon the faders. The Nathan Bowles Trio have done their due diligence, passing their music through time and space on their way to now.

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Bill MacKay

Locust Land

Release: 2024 / US – Original

Genre: Rock & Indie

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Bill MacKay and Drag City are delirious with pride to announce the discovery of a new territory: Locust Land, a record which seeks to reflect the nerve-shredding consciousness run amok in our world today - and somehow allay it with sound. Bill"s music is a visceral crackling where it meets the air, and Locust Land can"t help but reflect its era more than any other in his discography.It"s been five years since the release of Fountain Fire - but in the interim, Bill has barely stopped moving, collaborating with artists across the spectrum, including cellist Katinka Kleijn, banjo player Nathan Bowles and keyboardist Cooper Crain. He"s also contributed to recordings by Steve Gunn, Ryley Walker, Bill Callahan & Bonnie Prince Billy (Blind Date Party), and Black Duck (on their self-titled record featuring Douglas McCombs and Charles Rumback). Forget five years - how"d he even get Locust Land squeezed out of his temporal lobes?Bill"s sense of music as art is constantly modulating - lifting off from where it is found and naturally migrating to some other place. Sometimes, that"s elsewhere - others, it"s simply to be found deeper inside the starting point. And so, the action of moving on informs the landscape of Locust Land. This manifests in several different ways.A restless energy and urgency is repeatedly felt - in the driving momentum of "Keeping in Time," "Glow Drift," and "When I Was Here" - while a dogged persistence radiates from the tone colors and percussion of "Oh, Pearl." Mating a dirge-like desolation with sparkling guitars, "Radiator" adds darkness and depth. The sense of searching, displacement and longing in vocal tracks "Keeping in Time," "Half of You," and "When I Was Here" speak literally to the tumult of current vibrations. Within the arrangements, there"s also departure from previous norms - in addition to the brilliant guitar work for which he is known, Bill plays a variety of keyboards, from piano to organ to synth, extending his music with the available voicings, while enri...

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Bill MacKay

Locust Land

Release: 2024 / US – Original

Genre: Rock & Indie

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Bill MacKay and Drag City are delirious with pride to announce the discovery of a new territory: Locust Land, a record which seeks to reflect the nerve-shredding consciousness run amok in our world today - and somehow allay it with sound. Bill"s music is a visceral crackling where it meets the air, and Locust Land can"t help but reflect its era more than any other in his discography.It"s been five years since the release of Fountain Fire - but in the interim, Bill has barely stopped moving, collaborating with artists across the spectrum, including cellist Katinka Kleijn, banjo player Nathan Bowles and keyboardist Cooper Crain. He"s also contributed to recordings by Steve Gunn, Ryley Walker, Bill Callahan & Bonnie Prince Billy (Blind Date Party), and Black Duck (on their self-titled record featuring Douglas McCombs and Charles Rumback). Forget five years - how"d he even get Locust Land squeezed out of his temporal lobes?Bill"s sense of music as art is constantly modulating - lifting off from where it is found and naturally migrating to some other place. Sometimes, that"s elsewhere - others, it"s simply to be found deeper inside the starting point. And so, the action of moving on informs the landscape of Locust Land. This manifests in several different ways.A restless energy and urgency is repeatedly felt - in the driving momentum of "Keeping in Time," "Glow Drift," and "When I Was Here" - while a dogged persistence radiates from the tone colors and percussion of "Oh, Pearl." Mating a dirge-like desolation with sparkling guitars, "Radiator" adds darkness and depth. The sense of searching, displacement and longing in vocal tracks "Keeping in Time," "Half of You," and "When I Was Here" speak literally to the tumult of current vibrations.Within the arrangements, there"s also departure from previous norms - in addition to the brilliant guitar work for which he is known, Bill plays a variety of keyboards, from piano to organ to synth, extending his music with the available voicings, while enric...

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Lee Underwood

California Sigh

EP | 2015 | US | Reissue (Drag City)

Release: 2024 / US – Original

Genre: Rock & Indie

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Drag City is excited to present the first ever vinyl pressing of guitarist Lee Underwood"s under-sung 1988 acoustic guitar opus, California Sigh.Guitarist Lee Underwood"s syncretic blend of jazz, folk, and blues was a tremendous force behind Tim Buckley"s genre-stretching late 60s/early 70s music - but his 1988 acoustic guitar opus California Sigh has remained a unsung footnote to his story. Until now! This first time vinyl-edition reveals Lee"s free-floating acoustic moods, with synths and co-production from ambient avatar Steve Roach, as a soulful work of tranquility and transcendence.In the years following the release of California Sigh, Lee wrote and recorded two solo piano CDs, Phantom Light and Gathering Light. Additionally, he wrote Blue Melody: Tim Buckley Remembered, a memoir of their time together, as well as three books of poems, Timewinds (2010), Diamondfire (2016) and Into Light (Poetic Matrix Press, 2021). He continues to live in Northern California.

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The Blue Jean Committee

Catalina Breeze EP

2LP | 2001 | US | Reissue (Drag City)

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Soft rock"s seminal band, The Blue Jean Committee, originated from blue-collar Chicago when the now legendary Clark Honus (Bill Hader) and Gene Allen (Fred Armisen) dropped out of sausage school to create the band of their dreams. With the help of famed music manager AlvinIzoff, the band reinvented their hard Chicago-blues image to instead transcend the laid-back essence of California. After studying bands like The Beach Boys, The Blue Jean Committee as able to find theirsignature sound and rise to the top of music charts. Despite Chicago"s resistance to their "vegetarian" facade and "hippy" vibe, the band became known for creating the quintessential California album. Theirdebut album, Catalina Breeze, spawned six consecutive hit singlesfor the band and for a moment it seemed like they would be a long-term fixture on the American musical landscape. However, some relationshipsare more complicated than they appear on the surface, and nowhere didthis ring more true than for Gene Allen and Clark Honus, as their infamous on-stage fight at the Hollywood Bowl Animal Rights Now Benefit and subsequent break-up has since become the stuff of legend.Fans of the "Chicago band with the California sound" can celebrate once more!After over 30 years apart, Gene and Clark were recently reunited for their induction into the Hall of Fame in April 2015.

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Faun Fables

Mother Twilight

2LP | 2004 | US | Reissue (Drag City)

Release: 2001 / US – Reissue

Genre: Rock & Indie

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Mother Twilight is the second Faun Fables album. It has since been noted by Scottish author R.J. Stewart as a work containing true artifacts of the oral underworld tradition. Dawn and Nils made a hand-assembled first pressing and peddled it to nearly every bar and rural hall across North America from 2001-2003. Drag City reissued the CD in 2004.Things are glowing outside, enough to bring any sun worshiper in for the night. But you must remain outside and begin walking. It"ll prepare you for the night, which otherwise comes as a chilling surprise. If you pay attention this time, maybe you"ll understand why you"re becoming invisible. When your memory began, it wasn"t startling, wasn"t a mistake. It came out of an old, dark and familiar thing, like a storyteller, like Twilight... so save us from fear, mother, and tell your story.Dawn McCarthy"s creative background was forged in oral tradition amidst a large musical family in Spokane, Washington; studying piano, music theater, rock bands, guitar, folklore and ethnomusicology. Dawn cut her teeth as a singer and performer with various bands and cabarets in Madison, Wisconsin and New York City, most notably as yodeler with the Bindlestiff Family Cirkus, who inspired her to want a gypsy life with a kindred spirit someday. Her focus took a pivotal turn in that direction in 1997 with a solo quest through the UK and Ireland and their bardic traditions; singing songs in clubs and homes, all the while undergoing a pastoral, psychological experience with the land. Upon her return to the States, a fateful meeting with Oakland, CA born-and-raised Nils Frykdahl (Sleepytime Gorilla Museum) moved McCarthy back to the West to begin a new creative collaboration in the thriving hills and art community of the San Francisco Bay Area.Since 1999, Faun Fables have released six albums and performed their animist, otherworldly folk music across North America and Europe, with shows in Australia, New Zealand and Israel, as well. Dawn"s writing and voice (described by The...

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Faun Fables

Family Album

Shackleton & Six Organs Of Admittance

Release: 2004 / US – Reissue

Genre: Rock & Indie

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Happy 20th birthday to Family Album, the third recording of Faun Fables and the first one released on Drag City. These songs belong to sons and daughters, entwined and orphaned, domesticated and feral; to all the family vines unraveling from a ball of yarn. In this family album, runaways graze the wild together, a mother finds her courage playing the piano, dogs become thieves and wolves, and a son is taken too soon. Fourteen-year-old nymphs sit dangerously at the crossroads, a younger brother tries to find his place, packs of girls defeat fear with a march, and the nightly adventures of the household mouse are spied upon.Dawn McCarthy"s creative background was forged in oral tradition amidst a large musical family in Spokane, Washington; studying piano, music theater, rock bands, guitar, folklore and ethnomusicology. Dawn cut her teeth as a singer and performer with various bands and cabarets in Madison, Wisconsin and New York City, most notably as yodeler with the Bindlestiff Family Cirkus, whom inspired her to want a gypsy life with a kindred spirit someday. Her focus took a pivotal turn in that direction in 1997 with a solo quest through the UK and Ireland and their bardic traditions; singing songs in clubs and homes, all the while undergoing a pastoral, psychological experience with the land. Upon her return to the States, a fateful meeting with Oakland, CA born-and-raised Nils Frykdahl (Sleepytime Gorilla Museum) moved McCarthy back to the West to begin a new creative collaboration in the thriving hills and art community of the San Francisco Bay Area. Since 1999, Faun Fables have released six albums and performed their animist, otherworldly folk music across North America and Europe, with shows in Australia, New Zealand and Israel, as well. Dawn"s writing and voice (described by The New Yorker as "one of the more compelling instruments in contemporary music") opens hearts and minds with a whisper to a rallying battle cry, further animated by Frykdahl"s adventurous musicality and vocals. Da...

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Jinxed By Being

LP | 2020 | EU | Original (Drag City)

Release: 2024 / US – Original

Genre: Rock & Indie

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What might appear to be the most unlikely collaboration of 2024 proves also to be one of the most invigorating listens of the year! Shackleton & Six Organs of Admittance are in full aural/metaphysical alignment in their mutual effort to become Jinxed By Being.On first listen, it becomes immediately clear that this fusion of Shackleton"s bass heavy cosmic dread and Six Organs" ritual folksong makes total sense. Longtime listeners know that both Shackleton and Six Organs of Admittance have been unafraid to pursue their muse into any and all encroaching depth of darkness or outer boundary of potential dissonance - in fact, that has always been their default mode, finding more of resonance way out there in the process.They also share that ol" maverick psychedelic ritual transcendental music vibe, don"t they? And a fascination with repetition and cycles. And a mutual inspiration drawn from alternative tunings and literature...all this considered, it"s been basically inevitable that Ben Chasny and Sam Shackleton would work together.It took a while for them to find each other-and once they did, it was almost eerie, how preordained it felt. When the music started coming, though-that"s when it got really eerie. The mood rises from the music like smoke, a sure signal of total integration. Jinxed by Being finds Shackleton & Six Organs of Admittance delighting in their synthesis. Reveling in the unique sonic textures found in the collage, they launch small details that unfold into a massive space and often multiply into lines of dimensional space, crossing the stereo spectrum with enervating motility.Here lies all the proof you need against the danger of categorizing by perceived genre rather than intention-encounters like Shackleton & Six Organs of Admittance might never have found the linear space in which they sit next to each other, beyond alphabets and other institutional organizing principles. Rearrange your libraries-or you might miss getting Jinxed By Being.

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Jackie Lynn

Jaqueline

16,99 €*

Release: 2020 / EU – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG+

LP | 2015 | US | Original (Drag City)

Jessica Pratt

On Your Own Love Again

44,99 €*

Bitchin Bajas And Bonnie "Prince" Billy

Release: 2015 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Gatefold cover with a small bent / stuffed corner! Record shows some scuffs!

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Epic Jammers And Fortunate Little Ditties

LP+12" | 2016 | US | Original (Drag City)

21,99 €*

Release: 2016 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2011 | EU | Original (Drag City)

Joanna Newsom

What We Have Known

Release: 2011 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2011 | US | Original (Drag City)

Gary Higgins

A Dream A While Back

Release: 2011 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2015 | US | Original (Drag City)

Simple Songs

18,99 €*

LP | 2020 | US | Original (Drag City)

Release: 2015 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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Espers

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2018 | US | Original (Drag City)

Eiko Ishibashi

The Dream My Bones Dream

Release: 2018 / US – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Cover with a dented corner.
Includes original inner sleeve.

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Wand

Vertigo

Alasdair Roberts , Amble Skuse & David McGuinness

Release: 2024 / US – Original

Genre: Rock & Indie

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Sliding between the bodies in the street, cutting across the contrails that bisect our sky, Wand find melody and the anxiety beats as they hum the soundtrack for a new gravitational center. Seeking connections against the plan of niche interest and anonymity, Vertigo is the sound of slippage, rocks of contradiction (in soft focus); feet lost, regained, lost again, a multi-chromatic swaying, more automatic, associative, directed, in time.Determining to work backwards (or at least insideout) this time, Wand recorded everything in their own studio; pieces cut from improvisations and reshaped, writing from within the performance, without the woodshed. Unconsciously, in the shadow of themselves, and turning round and round (and round), they kept finding that empty space and playing what it implied. Everybody took on a new position in addition to the old one. It was intuitive, strangely ego-less . . . going somewhere they"d never been and not knowing what they were doing, but committing and recommitting, unafraid to eject in a constant positive forward momentum.

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What News

LP | 2018 | US | Original (Drag City)

9,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Original inner sleeve. close to NM

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Wand

Vertigo

35,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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The Unborn Capilatist From Limbo (LP)

Cory Hanson

LP | 2016 | US | Original (Drag City)

Release: 2016 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Close to NM.

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No Age

People Helping People

Release: UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2017 | US | Original (Drag City)

Pangs

22,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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LP | 2015 | US | Original (Drag City)

Release: 2015 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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12" | 2009 | US | Original (Drag City)

The Wyrd Meme

14,99 €*

Release: 2009 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2020 | UK | Original (Drag City)

Magik Markers

2020

The Key (Became The Important Thing [& Then Just Faded

Release: 2020 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. With insert. Cover has tiny wear.

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Chris Corsano

LP | 2014 | US | Original (Drag City)

Release: 2024 / US – Original

Genre: Rock & Indie

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A feverish essay of transcendent drumming: Chris" solo approach, rooted in the exploration of elements of extended technique, sought another level, via possibilities facilitated by a self-made string drum! The Key (Became The Important Thing [& Then Just Faded Away]) brings his encompassing focus on free improvisation and noise into a granular fusion with acoustic experiments and hot-wired ideations of hard rock riffing and the post-punk sound.

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Laetitia Sadier

Something Shines

LP | 2020 | US | Reissue (Drag City)

Release: 2014 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Cover has a slightly bumped corner. Vinyl with scuffs and hairlines

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Espers

The Weed Tree

27,99 €*

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Includes original inner sleeve. Vinyl with a couple of light scuffs

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LP | 2013 | US | Original (Drag City)

Dream River

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Cover has tiny wear. Original inner sleeve.

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Grief In The Kitchen And Mirth In The Hall

Release: 2023 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Oren Ambarchi / Johan Berthling / Andreas Werliin

Ghosted II

Release: 2024 / US – Original

Genre: Rock & Indie

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Missing out on that super-chill, uber-jittery minimal groove thing? Let"s get real, real Ghosted again.Oren Ambarchi has been collaborating with the Fire! trio (Mats Gustafsson, Johan Berthling and Andreas Werliin) for over a decade - and both Johan and Andreas played on Oren"s Live Hubris as well. Oren and Johan began music-making together back in the early aughts - but it wasn"t until 2021 that the three of them got together to record music. That became the first Ghosted album. When they were done, it was clear they had founded a new group. A music of sustained tension and deep atmosphere marked by subtle, shifting dynamics, Ghosted was released in May of 2022 to psyched response everywhere; the trio embarked upon an ongoing series of concert bookings around Europe, with loads of other people in the world still hoping to have the chance to be in the room at the next show. Two years on, Ghosted has gone through several represses, now it"s time for the "dreaded follow up album"! Rather than go back to the well, the guys decided to tear everything down and start all over again, reimagining themselves from scratch.Just kidding! As we"ve noted, Oren, Johan and Andreas have been playing together for years and years, developing an essential telepathy within their shared space. They get each other and feed each other"s music processes on an elemental level. Why change that? What made the most sense was to go back to Daneil Bengtsson at Studio Rymden in Stockholm for a couple days, then have Oren and Joe Talia mix and Joe master it at Good Mixture in Melbourne again, then get Pål Dybwik to do some well-distinctive cover art, and once more, call it a record.That"s just what they did - and it should be no surprise at all that the new Ambarchi/ Berthling/Werliin album looks and sounds as engrossing as their debut, if not more so! Ghosted II has a definitively fresh quality radiating throughout. The mutual feeling among the three players goes deep, allowing for lots more to say every time they get toge...

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Six Organs Of Admittance

Time Is Glass

Release: 2024 / US – Original

Genre: Rock & Indie

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After 20 years of living on the road in different places, Six Organs of Admittance had returned home to Humboldt County - a far country, to some, but still part of the world through which creatures of all kinds are moving through and contributing to. And some of them are human. Alone together - forming connection and exchange out of thought and expression - no different from the people on the other side of the Redwood Curtain. It was there, where Six Organs had long ago emerged, in the name of everything cycling, of circles that spiral concentrically and remain unbroken, the new music was conceived. In moments, it was as if the future had somehow wrapped around 360 degrees; elsewhere, the systems and patterns inside the writing and recording only became evident later - like a recognition that cumulus and nimbus clouds which passed through the sky the day before contained familiar shapes. Informing the songs accordingly as he went, Ben picked up on modes both musical and lyrical, threading backward through the time of Six Organs of Admittance. Almost marinating in it as a way of life. Working on the music and the vocals, then spending some time with them while stepping away from them. Walking the dog and coming back to them Time is Glass is made of that kind of time. Alone time. Recorded in the visceral environs of home, Time is Glass is sharply focused, even as misty impressionist mountains float through the background. Sweet and spiny, "The Mission" sings its purpose, before turning abruptly to the orchestral rumble of "Hephaestus": rural industrial psychedelia, ecosystem goth, synths arcing to lift a helplessly earthbound community into the firmament above. Winding almost imperceptibly back into song with "Slip Away", the time of the record becomes clear, moves fluidly, relaxed but aware, from event to event. People and things coming around again. The intuit, passing through wormholes and time, sounding deep then dissolving into the universal. The acoustic sounds ringing, layered suddenly, then clear again. Explosions of a new kind of distortion. Ecstatic melodies. Communing. The space of a day. The space of a season. Time is Glass, and Six Organs of Admittance is here and will be here, again.

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Eiko Ishibashi

Evil Does Not Exist

Release: 2024 / US – Original

Genre: Soundtracks

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Following their collaboration on 2021"s Oscar winning Drive My Car, Eiko Ishibashi & filmmaker Ryusuke Hamaguchi up the ante with a deeply inspired synergistic exchange: music for images, visuals for sounds. Eiko"s score initiated the project that has become his celebrated new film (Best Picture - BFI London Film Fest, Asian Film Awards, Silver Lion - Venice Film Fest, Best Score - Asia Film Awards). Eiko"s compositions are scored for violin, cello, guitar, drums and keyboards. Her longtime partner Jim O"Rourke played the guitar and mixed and mastered the recordings when they were done, eliciting further the necessary nuances of atmosphere and mood that one would expect in one film, much less two!

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Jim White

All Hits: Memories

Release: 2024 / US – Original

Genre: Rock & Indie

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This is long overdue. A solo album by Jim. The trap kit - so straightforward, so mysterious. What"s inside those things? Air and light - from which century? Which continent? Which planet? Depending on how and when you hit them it can be a vibration sent through a prehistoric breath, particles of Saturn"s atmosphere, the dead, wet leaves you walked through on the way to the first day of school. These are the memories of the drums on this record. Infinite and personal. Editing each other as they muscle to the front or soft shoe to the shadow. Cymbals can override/cancel everything out - wipe your memory clear or make the memory clearer. Drums are the instrument where you can feel the presence of the player the most - the full body - and sense the thoughts of the player the most. The instrument with the most choices to be made sends out the most brainwaves. A bouquet of brainwaves is on this LP. Jim oversees it all, surveys from the lost place we"re in, the void - the drumless song. We trust. We trust, Jim. His big green eyes search for the right tool (mallet, brush, etc), eyes that search you like you"re a song he wants to join, wants to see if he can add to or understand. Before humans, drums were playing - these drums. Genesis was a solo drum piece. After humans, these drums, this album. Someone - the last man - is out in a spaceship at the edge of space. He plays a single chord on a synth to set time free from its bind and then lets go. This album sets time free, lets it frolic, lets it graze, lets it remember. This is a record of thoughts, memories, surgery. A deft surgical operation you may not even realize is happening as it"s happening but you"re back on your feet when it"s over. Memories refreshed. Did you really even listen to it? -Bill Callahan, November 2023

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Jim White

All Hits: Memories

Release: 2024 / US – Original

Genre: Rock & Indie

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A River Ain't Too Much To

Smog

LP | 2016 | US | Reissue (Drag City)

30,39 €* 31,99 € -5%

Release: 2016 / US – Reissue

Genre: Rock & Indie

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High Llamas

Hey Panda

Temple Stone Clear Green Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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High Llamas present Hey Panda - a modern pop music/deep listening experience that could only issue forth from their personal quadrant of the galaxy. Hey Panda projects soulfully through an enervating abstract of today"s popular music; the sound of the Llamas" stately melodies and expressive ditties laid open - blissfully shattered - with drums and vocals hitting different, burning sounds and contemporary production twists pulling the ear at every turn. For the past few decades, High Llamas have trafficked in contemporary pop sounds directed toward the avant end of the spectrum as much as not. But here the message was clear. Llamas" composer-in-residence Sean O"Hagan was determined to let go. Hey Panda does just that, with a set of tunes reflecting on multiple levels how definitions change over the course of a lifetime, radiating an optimism derived from the diverse conundrums of today. Eight years since their last release, the pop musical Here Come The Rattling Trees, High Llamas have reinvented themselves again, mixing their peerless harmonic voice with what Sean regards as the "extraordinarily good" production sounds of today on Hey Panda. Choosing not to look backward to former golden ages celebrated in earlier Llamas eras, Sean"s instead found himself opened up by the sounds of music brought into the house by his adult children and the sounds encountered at sessions for which he"s recently written arrangements. In addition to the more traditional contributions he made to The Coral"s Sea of Mirrors album, plus his score for the Safdie brothers" 2022 film production, Funny Pages, Sean"s drawn great inspiration through working with Fryars, Rae Morris, King Krule, Pearl and The Oyster, while also soaking up the work of Tierra Whack and Chicago"s Pivot Gang, and being cheered on from a distance by longtime admirer Tyler The Creator. Thus, Sean"s producer procedural has evolved again, with upgrades first detected in his 2019 solo effort, Radum Calls, Radum Calls. With a cover of Billie Eilish"s "Wish You Were Gay" arranged for Bill Callahan and Bonnie Prince Billy"s Blind Date Party, along with his COVID-era solo single, "The Wild Are Welcome", Sean has leveled up again and again, leading to the delirious revelations of Hey Panda. Hey Panda"s wide reach is aided by two co-writes from Bonnie "Prince" Billy, (who bonded with Sean over a shared love of gospel soul during writing sessions), guest vocals from Rae Morris and Sean"s daughter Livvy, production twists from Fryars and the stalwart, flexible presence of High Llamas. For all of its sense of departure, Hey Panda is a movement in the High Llamas oeuvre that"s been a long time in development. Aspects of soul music were addressed at the time of Can Cladders; similarly, aspects of electronic dance music were in the mix in the late 90s, around the time of Cold and Bouncy. But nothing up to now has refocused the music of High Llamas so completely. Sharing the impulse of late-period Miles Davis and Quincy Jones, with further inspiration from Steve Lacy, SZA, Sault, No Name and Ezra Collective, among many others, Sean O"Hagan and High Llamas are living joyfully in the new and the now, with Hey Panda.

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Ghost

LP | 1994 | US | Reissue (Drag City)

32,29 €* 33,99 € -5%

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Second Time Around Clear Blue Vinyl

Ghost

LP | 1992 | US | Reissue (Drag City)

Release: 1992 / US – Reissue

Genre: Rock & Indie

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Ghost Clear Coke Bottle Green Vinyl Edition

Ghost

LP | 1990 | US | Reissue (Drag City)

Release: 1990 / US – Reissue

Genre: Rock & Indie

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LP | 2020 | Original (Drag City)

Gold Record

18,99 €*

LP | 2017 | US | Original (Drag City)

Release: 2020 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Near Mint

Vinyl with scuffs and hairlines. Still in shrink, but opened

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Chris Gantry

At The House Of Cash

Release: 2017 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2020 | US | Original (Drag City)

Bill Nace

Both

36,99 €*

Release: 2020 / US – Original

Genre: Electronic & Dance

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Free guitar for the new age: improv with intention, construction and destruction, all with the grain and air of performance captured and telescoped in a sonic particle collider. Makes sense, and not just because of the chaotic times. With Both, terminal collaborator Bill Nace (Body/Head, Thurston Moore) has found a stimulating, chiaroscuro-stubbled path back to the electric guitar's anarchic promise, drawn through eight colorful pieces that are equal parts sound, noise and music.

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Tape | 2014 | US | Original (Drag City)

Manipulator

Release: 2014 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Nehan

An Evening With Nehan

Release: 2024 / US – Original

Genre: Organic Grooves

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nehan is a Japanese free improvisation & avant-garde rock quintet formed in August 2022. Their performances are initiated by a 9hz brain wave emitted from a testee who has been brought into a deep meditative state via either hypnosis or acupuncture - a very relaxed but very alert state. nehan doesn"t begin until the testee has gotten into the state of "nothingness." It is only then that the improvisation can begin.The role of improvisation has been key to all the musical projects of Masaki Batoh. In 2010, as Batoh was winding down the activity of his long-standing "heavy chamber folk" group, Ghost, he became involved in the design of a machine to generate sonic data based on brain waves. An acupuncturist as well as a musician by trade, his interest was spurred by the rhythms of the body and the brain, and a desire to access the "pulses" of brain waves to initiate improvisations. Following the release of Brain Pulse Music, Batoh toured Japan, the US and Europe, making demonstrations of his process using a local volunteer and guest performers, when available. Today, nehan arrive at their performance space prepared with a Brain Pulse testee, bringing a wide array of instruments including gongs, timpani, tabla and other drums and percussion, Crumhorn, bagpipes, mellotron, oscillators and additional sound effects. Their performance is a transformative electro-acoustic display that passes through the prism of music styles, from east to west, from traditional folk and classical to rock, jazz, and avant electronic.While nehan"s performance presentation invokes a sense of ritual, they understand their process as being far removed from any type of spiritual endeavor - it has nothing to do with eastern thinking or any kind of religious ceremony - this is an action of improvisation, occurring in reality between the five musicians on stage, in response to the brain waves of an individual.For the personnel of nehan, Masaki Batoh asked players with whom he had good previous experiences in improvisation: Fu...

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Three Bells

Release: 2024 / US – Original

Genre: Rock & Indie

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Ty Segall follows 2022"s acoustic introspection opus "Hello, Hi" with a deeper, wilder journey to the center of the self. With Three Bells, he"s created a set of his most ambitious, elastic songs, using his musical vocabulary with ever-increasing sophistication. It"s an obsessive quest for an expression that answers back to the riptide always pulling him subconsciously into the depths. Questions we all ask in our own private mirrors are faced down here - and regardless of what the mysterious "Three Bells" mean in the context of the album"s libretto, you can be assured that Ty"s ringing them for himself, and for the rest of us in turn.

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Three Bells

38,99 €*

Tape | 2023 | US | Original (Drag City)

Release: 2024 / US – Original

Genre: Rock & Indie

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Bcmc

Foreign Smokes

Release: 2023 / US – Original

Genre: Rock & Indie

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Moments of eternity: the first plucks at the strings, a bass note cementing the drift into place a little more than a minute in. The organ drones, iterating unrelivable ancient history, a chiming note of the church. Guitars strings, climbing that stairway to heaven. Gossamer-light when viewed from a distance; up close, the gears grind with a visceral physicality. With Bcmc, Cooper Crain and Bill MacKay unite to create Foreign Smokes: provocalogues, equal parts avant-garde noir and fire-and-icy jams to recall bright shades and warm stretches of infinity drawn through the buzzy overdrive of this side of life"s strange and sunny days. Cooper"s organ and synths and Bill"s guitar draw songs from spontaneous statements and elegiac scraps, floating closer, then farther, and closer again to the sounds of the other. Starting with a melody, as set of progressions or even as little as a scale or just a key, gives room for either one of "em to take the lead, depending on where they are or are going at any given time. The reigning motif most often seems to be, to melt and wind around each other"s sound, part of a singular undulation, handed back and forth, a slowly emerging trip up into and through an ideal of exuberance.

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CD | 1997 | US | Original (Drag City)

Bad Timing

14,99 €*

Release: 1997 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Tashi Dorji

34,99 €*

Meets The Mighty Flashlight

Release: 2023 / US – Original

Genre: Organic Grooves

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The initial cassette-only releases of Tashi Dorji turned lots of heads, including Six Organs of Admittance and Hermit Hut - now over a decade later, this release makes its full-album debut on vinyl."It really was a formative time for me because it felt like everything opened, as far as the possibilities of what music-making meant. Like improvisation walked in and then there was a volcanic eruption" - Tashi Dorji"The self-titled session was recorded at a nice studio at the local university here in Asheville. I had some friends that were studying music there and had access to studio time. This session focused more on extended/prepared guitar ideas. My interest in percussive elements of sounds, timbre, harmonics, and dynamics plays a lot in this recording." - Tashi Dorji

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Mike Donovan

Release: 2023 / US – Original

Genre: Rock & Indie

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Since 2011, Mike"s been a Drag City stalwart, first with Sic Alps, then as a solo and with The Peacers - but Mike "The Mighty Flashlight" Fellows has been a behind-the-scenes figure at Drag City since the early early days, playing live and on record with Royal Trux, Silver Jews and Will Oldham. Mike D"s music, in all phases, takes the form of a next-phase roots-pop: soaked in the traditional waters of rock and roll and passed through a variety of after-punk sonic sieves, highlighted with DIY and lo-fi values, and making a jolly hallucinatory racket, at that! He prefers a particular density of obtuse angles colliding sweet and hot noise, an arrangement he has perfected over all his Sic Alps/solo/The Peacers years; his innate understanding of the mechanics of a pop song wends purposefully through the junk-strewn landscape, sharing secrets with cipher in hand. Playing in this cracked kingdom of sound/garden of verse, Mighty Flashlight alternately accents and balances Mike"s eccentricities with his playing and knob-spinning - and with the Flashlight shining bright upon him, Donovan"s serpentine path becomes ever so much more elastic, heightened from line to line, change to change, its motility creating different shapes in our ears. Mighty"s own kind of stereo imagining informs Donovan"s smoky subterranea with additional depth of field, while still allowing all the wayward details within the arrangement to diverge as one. Mike and Mighty wind it all together: art punk utterance and top 40 radio junk of yore, the primitivity that formed recorded music in its youth, honkytonk romanticism, liminal chamber-folk and ever-present disassociated psychedelia, transformed via self-medication into a gleeful, extramusical ennui while giving the listener impetus to sing along with Mike"s patented unlikely combos of melody and lyric.

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Grief In The Kitchen And Mirth In The Hall

Seasonal Depression Suite

Release: 2023 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Critically-acclaimed, criminally-overachieving Glasgow-based singer and guitarist Alasdair Roberts is known as a superlative original songwriter as well as an interpreter of traditional songs from Scotland and beyond. For the past twenty years, his recordings have alternated between these two complimentary poles, with "pop" records such as The Amber Gatherers and A Wonder Working Stone nestling in his expansive back catalogue alongside "folk" albums such as No Earthly Man and What News (with Amble Skuse and David McGuinness). Additionally, all of these records possess a further dimension, derived from their collation of songs together into one album-length statement. This is part of Alasdair"s great achievement in his career - for him, this thing of music and song hasn"t come the eons it"s travelled to simply entertain.These impulses fully present and well honed, Alasdair returns to his roots with Grief in the Kitchen and Mirth in the Hall, his fifth full-length collection of traditional song. Recorded live in the studio, it is an entirely solo collection of twelve traditional ballads and songs sparsely arranged for acoustic guitar, piano and voice. The majority of the songs originate in Alasdair"s homeland of Scotland, with a couple from Ireland and one from Prince Edward Island on Canada"s eastern seaboard too.The record takes its title from a line in the final verse of one of its songs, "The Baron o" Brackley" - a ballad of feuding clans and matrimonial betrayal from the north-east of Scotland. Grief in the Kitchen and Mirth in the Hall: it"s a title which goes some way towards encapsulating many of the record"s themes. Collectively the songs treat of various conflicts and tensions - those of gender; of class, status and position; and of geography and tribal belonging - and the roles and responsibilities expected at the various intersections of these constructs. That we should never forget!As with many of Alasdair"s recordings, Grief in the Kitchen and Mirth in the Hall contains ballads aplenty...

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Neil Hamburger Presents

LP | 2018 | US | Original (Drag City)

Release: 2023 / US – Original

Genre: Pop

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Neil Hamburger presents a new work from the songwriting team of Gregg Turkington and Erik Paparozzi. Seasonal Depression Suite is an album-based musical, sung by an all-star cast whose voices embody various guests stuck in a perfectly average chain-hotel, wallowing in self-pity and paranoia, re-living personal catastrophes both real and imagined, or simply trying to use the hotel vending machine. Expert music played by an all-star band, to boot!To sing these parts, a once-in-a-lifetime all-star cast was assembled - including Neil Finn (Split Enz, Crowded House, Fleetwood Mac), Annabella Lwin (Bow Wow Wow), Alan Bishop (Sun City Girls), Bonnie Prince Billy, acclaimed singer/performance artist Puddles Pity Party, voice actress Natalie Peyser, J.P. Hasson (Pleaseeasaur), enigmatic vocalist (and Frank Sinatra"s granddaughter) A.J. Lambert, Paparozzi himself and, of course, Neil Hamburger.Among the many musicians accompanying the cast were Scarlet Rivera (Bob Dylan"s Rolling Thunder Revue), Danny Heifetz (Mr Bungle), Bär McKinnon (Mr Bungle), Prairie Prince (The Tubes), Atom Ellis (Dieselhed), Jason Schimmel (Secret Chiefs 3), and Alex Jules (The Monkees band) - an international assemblage whose talents give Seasonal Depression Suite its epic sweep.With all hands on board, Turkington and Paparozzi created their own kind of masterpiece, like Sinatra"s late-period concept album Watertown fused with the misfit comedy of Neil Hamburger - a work that looks at a cast of characters both ordinary and bizarre, as they make their way from one grievance to another, traveling from place to place, hoping to live, while waiting to die.

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John Renbourn

Live In Kyoto 1978

Release: 2018 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Francois J. Bonnet & Stephen O'Malley

Cylene Ii

38,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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Cylene II is the new materialization of the collaboration between François J. Bonnet & Stephen O"Malley, initiated in 2018 and continued without interruption since then, taking form in a myriad of contexts ranging from common practice to recording sessions, concerts and tours.Cylene II bears witness to these different contexts, offering a multifaceted sound signature developed on different occasions (artist residencies in La Becque, Switzerland and Modena, Italy, live performance excerpts, a studio session at INA-GRM Studios in Paris).The epic opening track "Four Rays (Anti Divide)" welcomes, for the first time, other musicians - in this case a wind quintet - expanding the duo"s sonic palette without betraying the fundamental component of their music, namely the driving of sonic energy. Elsewhere, Bonnet and O"Malley propel the energy between themselves, extending the singular climate that has characterized their musical development over the past five years. Among their minimal presentation of tones and resonances, as glacial harmonic intersections slowly elevate with massive physicality to an orchestral degree, new refinements become evident: the music"s relationship to silence, and a brightening of the fine metallic edge glowing at its core.For the listener, Cylene II is a sound that reaches from the deep and scales up to the far firmament in its careful motion, drawing emotions viscerally from the chest, giving rise to the suggestibility of the soul. A séance of sorts for all who witness it, whether playing or listening.

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Tashi Dorji

Guitar Improvisations

34,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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The initial cassette-only releases of Tashi Dorji turned lots of heads, including Six Organs of Admittance and Hermit Hut - now over a decade later, this release makes its full-album debut on vinyl."Guitar Improvisation and Tashi Dorji are the first physical releases of my guitar improvisations. They were put out by a small local, now defunct, label called Headway Recording in 2012 and 2013.The friends who ran the label had heard some of my guitar music and reached out to me about doing a cassette release.Guitar Improvisations was really my first recording of improvisation - in a semi-studio setting at my friend"s basement space. It really was a formative time for me because it felt like everything opened, as far as the possibilities of what music-making meant. Like improvisation walked in and then there was a volcanic eruption . . ." - Tashi Dorji

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CD | 2009 | US | Original (Drag City)

Spoils

3,99 €*

Release: 2009 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case.
All booklets included.

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CD | 2013 | US | Original (Drag City)

A Wonder Working Stone

4,99 €*

2LP | 2023 | US | Original (Drag City)

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case.
All booklets included.

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Prison

Upstate

46,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Straight outta Rockaway Beach, Queens, New York City, USA, THE World, Prison is a state of mind, an experience, a loose collective, a band, a jam band and a bunch of psychedelic dudes who aren"t your average bunch of jambanders. All that, all at once, ALL THE Time. You get what you"re dealing with here? No...you don"t. The only way to Really get it is to go to Prison -- and if you"re not from greater NYC and haven"t showed at any of the shows, here"s your best bet: their breakout album, Upstate. And whatta breakout! So high, you can"t get under it; so wide, you can"t get over it! How wide? Every song has two titles, that"s how wide. And almost everybody sings, like, all the time. That wide. Sure, you can break down the numbers -- five guys, five songs and four sides of vinyl in one gatefold sleeve -- but that won"t get you Upstate, either. Prison is the sound of everybody in the room figuring out where to go, individually and collectively. As they go through it, the meaning changes, the destination changes, the words mean something different. It"s meaning and no meaning, rising and falling, sinking and flying on the back of something massive cacophonized by three guitars, four vocals, a bass and drums. A lot of information bouncing around and enough time to really get you out of yourself! Take a look at the titles: each one a dichotomous inquest that the assembled Prison-ers march upon with fervor, glee, vengeance -- a whole spectrum of feels and perspectives woven into the jam for you to see. The Prison population changes with the seasons, and during the season this album was recorded, Sarim Al-Rawi, Mike Fellows, Sam Jayne, Matt Lilly and Paul Major were in Prison. Sarim you might know from Liquor Store, Mike"s made a bunch of scenes and records as Mighty Flashlight, Sam, who passed away in 2020 (R.I.P., brother) was in Love as Laughter -- and Paul Major you know from Endless Boogie, who Matt had roadied for -- and despite being "just a skateboarder who loves music" with no previous experience on the drums, he and Sarim inaugurated the Prison experience, like, seven years ago. Since then, it just fell together and it keeps doing so. A free thing called Prison.

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Bcmc

Foreign Smokes

Release: 2023 / EU – Original

Genre: Pop

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CD | 2021 | US | Original (Drag City)

Harmonizer

14,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

John Fahey

Proofs And Reputations

Release: 2023 / US – Original

Genre: Rock & Indie

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Recorded in 1995 and 1996, mostly in John Fahey"s room at a Salem, Oregon boardinghouse, the performances on Proofs and Refutations prefigure the ornery turn of the page that marked Fahey"s final years, drawing another enigmatic rabbit from his seemingly bottomless musical hat. Cloaked in the language of dogma - what is he proving? refuting? - this is Fahey dancing a jig in the Duchampian gap, jester cap bells a-jingling. True believers? He"s got something for you: an uncompromising vision that you can sneer at ("guy can"t play anymore and refuses to concede!") or embrace as evidence of his genius ("the reinventor does it again!"). Skeptics? He"s there with you, too: sending up the fallacy of certitudes altogether. Institutions, systems, accepted wisdoms. Heroes. Alternative facts, indeed. Right out of the gate, Fahey re-materializes before us, somewhere between Oracle of Delphi and Clown Prince at Olympus. Mounting a thundering dialectic from on high, "All the Rains" resembles nothing else in his extensive discography - betraying roots in everything from Dada to Episcopal liturgical chant - and contains nary a plucked guitar note. You can"t fool him! When the lap steel of yore appears on "F for Fake," it serves more as soundbed for an extended sequence of vocal improvisations, running the gamut from wordless Bashoian caterwauling to free-form (but decidedly fake) Tuvan, even revealing a burnished falsetto in the process. Fahey takes on a different kind of provocation in the two acoustic guitar-based tracks closing Side 1 - "Morning" parts 1 and 2 - the first of 4 recordings in this session that have him wrestling with the ghost of Skip James, perhaps Fahey"s effort to wrench the "bitter, hateful old creep" (his words) back into the grave. Anchoring Side 2 is the two-part "Evening, Not Night," the second half of his extended cathexis on James (and the latter"s avowed castration complex - another story for another day, perhaps). Bit of a chill in the air - where"s the impish Fahey from earlier? Unmistakably working through some psychic wounds here, we might think: the unheimlich rendered in glistening viscera. Or is he playing with our notions of authenticity, of his reputation as troubadour of raw emotional states, a pilgrim of the ominous, the simmering unconscious? These cards are kept decidedly close to the vest. The opening and closing pieces again feature Fahey"s guitar as drone soundbed - employing distortion, oscillation, and an altogether absurd quotient of reverb to create texture and harmonics that are - if we wanna go there - not dissimilar to the sustained tonic clusters of Tibetan singing bowls, the hurdy gurdy, Hindustani classical music, or La Monte freaking Young. Portions of this material appeared on obscure late "90s vinyl in the 7" or double-78 rpm format, but as a "session" it has lain dormant more than a quarter century now. Taken together, we can now see these tracks as secret blueprints to latter-day Fahey provocations, several years prior to records like 1997"s City of Refuge and Womblife.

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P.G. Six

Murmurs & Whispers

Release: 2023 / US – Original

Genre: Rock & Indie

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Whispers is the first proper P.G. Six album since 2011"s Starry Mind. Time passes slowly, as they"ve been known to say out in the country, and before you know it, there"s a bunch of it behind you. After five releases in the first decade of P.G. Six, it may seem a bit of a surprise to have not heard something new in the past twelve years - but a cursory listen to Murmurs & Whispers will answer why, as the deep acoustic focus of the tracks imply an investment of the type of compassion and understanding that takes time and concentrated effort to conjure. Additionally, Pat Gubler"s always got a few pots going at once in his ever-expanding musical universe. He"s been active since the mid-90s, first with Memphis Luxure and Tower Recordings, then as P.G. Six, and as a member of Metal Mountains, Wet Tuna, Garcia Peoples and Weeping Bong Band. Additionally, some time was spent making collaborative records with Dan Melchior (in 2019) and Louise Bock (in 2021). Pat"s been playing the harp for more years than he"s been in bands, but when he realized that he was writing a set of songs centered around harp compositions, he spent some time in the woodshed with his instrument, a late 80s model Triplett Celtic 34 String Harp (which replaced a lovely Paraguayan harp he"d played for years previously). After the previous P.G. albums of electric band arrangements, he was in a place of writing songs with more silence in them. He ended up playing a lot of the parts himself on Murmurs & Whispers, adding guitar, bass, keyboards, recorder and hurdy gurdy, in addition to his harp and vocals. Clark Griffin and Wednesday Knudson, who Pat plays with in Weeping Bong Band, played and sang a bit themselves, and the record was recorded piece by piece in houses around upstate New York by Mike Fellows. Returning to the quiet acoustic sound of the first couple of P.G. Six albums, Parlor Tricks and Porch Favorites (which has seen a much-needed reissue in the past year after too many years Oop) and The Well of Memory, Murmurs & Whispers is more straightforward in expressing its vision of rural celestial wonder. Bucolic and comfortably lived in, Murmurs & Whispers nonetheless projects the transcendent heart of P.G. Six once again, and as ever, it is magnificent to hear it passing through us.

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Emil Amos

Zone Black

LP | 1995 | Reissue (Drag City)

Release: 2023 / US – Original

Genre: Rock & Indie

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Emil Amos (Grails, OM and podcaster plus) decommissions pieces originally bound for the KPM library. A personal interpolation of "music for films (& television)" expounds upon diverse sounds: synthy 80s soundtracks, contemporary hip-hop beatmaking, ambient music, and The Hulk"s "Lonely Man Theme". Emil"s dark visions are full of noirish shadows and eerie neon glow - mood music for drug trips spent dreaming up new soundtracks to take drugs to! Emil Amos" forthcoming Zone Black album is a fully inhabitable world, its episodic narrative divided into an improbable balance between morbid ambient anthems and insouciant hip-hop instrumentals. Emil hadn"t heard it done quite this way before, so he took it upon himself And it sounds real! Straight out of Madlib"s kitchen sink, and with a sense of brooding dread, "Jealous Gods" features throbbing beats, low synth paired with high vocal melody, layered together into something even more impossibly bizarre than the sum of their parts - like say, monks singing from on high, over a battleground littered with remnants of the old guard. Emil warps evocative tones, taking familiar sounds into new dimensions, reaching for the kind of depth and resonance that defines moments with an almost invisible touch.

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Smog

Wild Love

29,99 €*

Release: 1995 / Reissue

Genre: Rock & Indie

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OST Hands That Bind

27,99 €*

Tape | 2023 | Original (Drag City)

Release: 2023 / EU – Original

Genre: Soundtracks

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Repressed. "In addition to his day job transforming pop music with his own records, as well as those of Gastr del Sol, Loose Fur and Sonic Youth over the past few decades, Jim O'Rourke has been contracted for several dozen film scores over the years as well. It makes sense -- his abilities as an improviser, composer and producer allow him to interpret cinematic moments with a unique understanding for their construction and how they work. It doesn't hurt that Jim's a well-versed cineaste, a complete and total fan of watching films, which has given him a preternatural understanding of the role of music in movies. What doesn't make sense is how Hands That Bind is the first film soundtrack of Jim's to ever receive worldwide release! He's worked with filmmakers of international repute, like Olivier Assayas, Allison Anders, Werner Herzog and Kôji Wakamatsu! He served as music consultant on Richard Linklater's 2003 laff-fest, School of Rock! He's played in ensembles of award-winning documentaries and films alike! ... Made for an indie film that's been seen by festival audiences and not enough others, the soundtrack for Hands That Bind is a moody, atmospheric delight. Jim's roots in composition via tape-editing have evolved into a sophisticated assembly of found-and-processed sounds that achieve highly musical, near-orchestral majesty as they hang in the very air of the drama that unfolds in Kyle Armstrong's Hands That Bind. Described as a 'slow-burn prairie gothic drama' set in the farmland of Canada's Alberta province, and starring Paul Sparks, Susan Kent, Landon Liboiron, Nicholas Campbell, Will Oldham, and Bruce Dern, Hands That Bind is a spellbinding trip to the existential bone of rural working life in North America. As conflict rises over the hard-worked patches of land that provide a mere and mean existence, a desperate air settles in, as a series of mysterious, often supernatural occurrences rock the small community. O'Rourke's vaporous, serpentine musical backdrops and atmospheres reflect the obsessions and distractions of the film's principles; moods of all sorts seen or otherwise implied. Additionally, the music highlights cinematographer Mike McLaughlin's closely observed accounting of the farmers' environment, as well as the striking widescreen images of the big sky country with unnerving flair. For fans of Jim's ongoing steamroom series as well as collectors of soundtracks, Hands That Bind will provide hours of engrossing listening..."

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Cory Hanson

Western Cum

Release: 2023 / Original

Genre: Rock & Indie

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Cory Hanson

Western Cum

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Drag City)

The Fucking Champs

III Reissue

46,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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7" | 2023 | US | Original (Drag City)

Gebel Barkal

18,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Limited pressing reissue of the 2008 Sub Pop single, the first OM recording featuring Emil Amos on drums. B-side features the band’s first dub version.

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Matt Espy

Hawksworth

LP | 2013 | EU | Reissue (Drag City)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Born in Dayton, Ohio, Matt Espy spent his youth playing every genre of music he could find, starting out in clubs at age 14 and launching his touring career at 18. He moved to Chicago in 1996 and continued his journey drumming and performing rock, avant-garde, jazz, and performance art pieces. Over the past decade, he"s found his home with Dead Rider, also on Drag City.Hawksworth is Matt"s first solo adventure. In the field of solo drumming albums, it"s an avian psychedelic percussion trip all of its own. A dialogue between birds, electronics, and drums, Hawksworth operates along precise degrees in the vastness that exists between the diverse poles of Terry Riley and Martin Denny. It captures one particularly memorable morning walk from long ago, a time immemorial in Matt"s life. In this new musical rendering, that fateful morning is ridden with wormholes throughout the piece, like hyperspace links that travel to motifs from his 30-plus years music career with every step along the way. Like a bolt from the blue, the sonic and the visual design for Hawksworth came whole cloth, completely evident to him in that moment.On Hawksworth, Matt started with the birds, locating a variety of hi-definition free source samples of their song. He chopped and scattered them into a new state of nature, collapsing the hemispheres and the regions within, to allow the birds of all nations the freedom to flock together. Once the editing work was done, drumming to this sound was almost simple compared to that process. He brought forward some licks - perennials - and other things worked up over time that had or hadn"t found a place with the different bands he"d been in - with room allowed for improvisation. And for Matt, drums were the only way to fly.Working at the studio of Dead Rider frontman Todd Rittmann, Matt found - or was it that he refound? - his happy place. Hawksworth comments upon a life in music as a space where the firmament is ever vaulting above our head, and Matt uses the world we too often take for gra...

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Suarasama

Timeline

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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2023 marks the twenty-eighth year of Suarasama; it is also the first year for this reissue of their 2013 masterpiece, Timeline. Irwansyah Harahap and Rithaony Hutajulu, Ethnomusicology lecturers at University of Sumatera Utara, founded Suarasama in 1995 after graduating from the University of Washington Ethnomusicology program. Their music, as expressed on both Timeline and Fajar Di Atas Awan (first issued in 1998, reissued by Drag City in 2008) is hypnotic and joyful; progressing ancient North Sumatran music concepts while referencing the music of adjacent ethnic traditions. "Dukkha," for example, was written combining Mandailing and Eastern European musical inspirations. Playing this song on African jembe, Indian sruti box and a European lute known as the mandolin, Suarasama instigate a musical synesthesia in the listener that may honestly earn and truly deserve the title of "world music." Throughout Timeline, this is largely due to Irwansyah Harahap"s master playing on a variety of stringed instruments including acoustic guitars, Malaysian gambus, mandolin, and an invention of his own design, the saz-guitar. Suarasama"s spirit and intention is further elevated by Rithaony Hutajulu"s vocals, as well as the skilled rhythm playing of Muhammad Amin and Horas Panjaitan, with additional percussion and singing from several others. The sound of Suarasama is the sound of people engaged in a deeply spiritual, constantly moving recital in open space. Suarasama"s conception of Timeline was a multifaceted one from the start. It grew from the concept of hemiola, a metric rhythmic structure involving the juxtaposition of a 2-beat time signature upon 3-beat time within the same line. The song "Timeline" itself addresses the history of musical lutes around the world as a means of debuting their custom-made lute, the aforementioned saz-guitar. Finally and perhaps most significantly, a "timeline" charts the passage of time, and therefore references Suarasama"s musical path over the years of their existence. This is especially significant since founder and leader Irwansyah Harahap passed away in 2021 at the age of 60. As difficult as this loss is for his family, friends and fans alike, the reissue of Timeline is seen as a celebration of the vitality and importance of his music career and journey.

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Xylouris White

The Forest In Me

Release: 2023 / EU – Original

Genre: Rock & Indie

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More in tune now with the rhythm of the sun and moon, Xylouris White (Dirty Jim White and George Xylouris) speak to each other across great distances with the intuition and fellowship that can only be found over years in each other"s company. With fewer distractions, appreciative of the freedom to play with new sounds and spaces, they carve The Forest In Me from unbelievably thin air.Once you set the needle down on the record and hear for yourself, the intimacies and impressionism, abstraction and unfiltered emotion found in The Forest In Me, you may wonder what was the mood of the room in which this music came to be. George, Jim and long-time producer (and secret third member) Guy Picciotto share their thoughts:Guy Picciotto: "In late 2019, we had begun taking steps to working on new material. In a haphazard fashion, Jim and I started tracking drums in my basement, cutting them up into shapes with no set landing in mind. Some of it we sent to Giorgos in Crete - he responded with his lyra and his lute. Without intention we had initiated a process that would soon become more ruthlessly mandated by the world events that separated and isolated us to three corners of the globe in the following year."Giorgos Xylouris: "While we were recording, I noticed that the music had a certain solitude about it, both from the title and from inside. That led us to find more music from within that we had not yet discovered."Jim White: "The idea emerged, naturally nourished and nourishing a record with none of our usual angles and themes, no verbal language, no angst nor sudden dynamics, a more subtle structure. And we found The Forest In Me."The first revelation from The Forest In Me is "Latin White", in which Jim"s jaunty pattern sets the stage for George"s Cretan lyra and lute figurations, giving this short dance piece the feel of a welcome hoedown around the campfire, warding off the encroaching darkness of an emptied world. The repetitions, gathered to induce joy, have a glassy-eyed mechanical drive to them;...

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J.T.Iv

The Future

Suicide Of Judas / Akeldama

Release: 2023 / US – Original

Genre: Rock & Indie

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Outsider freekz, make with the haste! It"s time to get back to The Future - the one promised back when rock and roll was king, remember? J.T. IV believed in the promise - and now, the mystery man behind barely-released private press 7" records of the "80s like "Destructo Rock" and "Cosmic Lightning" and a film holding the Guinness record for worlds-longest - 85 hours! - has been called back to our mortal coil, to live out his glittering, rapacious dreams once again.The 2009 comp LP Cosmic Lightning cast his tragic silhouette up on the big screen for all to see: the lost boy, alone in the world, standing before the mic and releasing his inner star with glee and vengeance, his antisocial visions flying high atop a raging funnel of distorted guitars and blunt rhythms. Or couched, childlike, within a heartbreaking billow of acoustic guitars - a schizophrenic split that only magnifies the display of his deep emotions. The Future goes even further, excavating fifteen recordings from a previously unheard-of cassette entitled, The Best Of Johnny Zhivago Retrospective 1979-1993, and adding four more uncollected tracks from his slim (and impossible to find anyway) discography. Of these nineteen tracks, eight are covers - and J.T. IV"s picks, from Velvets to Mott the Hoople, Roxy Music, Lee Hazlewood, The Kinks, Eno and Stephen Sondheim, sharpen our image of the misfit adrift; on the outside looking in, but maybe just a few steps away from his goal. The Future unfolds like an epic, as both sides of J.T."s persona - the street-smart, damaged rocker and the heartstruck poet of the scene - live on together in the best performances of his short career.

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Al Cisneros

7" | 2023 | US | Original (Drag City)

18,89 €* 20,99 € -10%

Release: 2023 / US – Original

Genre: Reggae & Dancehall

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As Al Cisneros continues to move through the dub zone, a journey over a decade in length, his music and production continue to evolve and deepen. The sinew of the bass strings sets the pocket with ever-focused raw and relentless drive, while the rhythm section lays out an elaborate series of movements to roll in perfect accord with its multi-segmented melody. As melodies of the ancient world emerge prayerfully from the mist above the fray, all is right in all of the worlds that we can hope to know. On the "Akeldama" version, the mixing desk becomes its own instrument.

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Meg Baird

Furling

LP | 2012 | US | Reissue (Drag City)

Release: 2023 / US – Original

Genre: Rock & Indie

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Meg Baird"s songs are rarely made up of tidy stories. In fact, for Meg, mystery itself is often the medium. With Furling, Meg"s fourth album under her own name, she explores the breadth of her musical fascinations and the environments around them-the edges of memory, daydreams spanning years, loose ends, loss, divergent paths, and secret conversations under stars. Furling moves through these varied spaces with the slippery, misty cohesiveness of a dream-guided by an ageless, stirring voice that remains singular and unmistakable.Since co-founding the beguiling and beautiful Espers in the mid-aughts amid Philadelphia"s fertile underground music community, Meg"s solo recordings have constituted just a fraction of her work.Yet Furling is the album that most irreverently explores the span of her work and musical touchstones. It showcases her natural tether to "60s English folk traditions. But it also reveals her deep love for soul balladry, the solitary musings of Flying Saucer Attack and Neil Young shackled to his piano deep in the foggy pre-dawn, dubby Bristol atmospherics, the melancholy memory collage of DJ Shadow"s Endtroducing, and the delicious, Saturday-night promise of St. Etienne.Furling was primarily recorded at Louder Studios by Tim Green (Bikini Kill, Nation of Ulysses, Melvins, Wooden Shjips). Additional piano and vocal recording were captured at Panoramic Studios in Stinson Beach, CA with Jason Quever (Papercuts). It was mastered in Brooklyn by Heba Kadry, who mixed Bjork"s Utopia and mastered LPs for Slowdive, Cass McCombs, and Beach House.

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Silver Jews

Early Times

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Flow on, silver juice, flow on...into the vein-streams of the nu generation via 90s classics like American Water and Starlite Walker and thence to the new century. They say time has no meaning, but we know otherwise. The pages of history condense eons and epochs into the stuff of mere chapters - sometimes as little as paragraphs - but how many lifetimes have we lived since the salad days and nightz of the original Silver Jews, when they walked the back-alleys of the earth just a scant couple decades ago? Since we"re asking pseudo-rhetorical questions, who knows how many fans of the arena-rock Silver Jews (circa Tanglewood Numbers and Lookout Mountain, Lookout Sea) even know of the humble-yet-powerful origins of the band captured in the hiss-laden boombox mics of 1990-91?Just a few guys in a room, that what makes these recordings: muppet baby versions of the David Berman, Stephen Malkmus and Bobby Nastanovich that we know today. There wasn"t much going on back then, though we"d hardly call it nothing. Still, these young post-collegiates were footloose and fancy-free, to say the least - working dayjobs with all the impermanence that implies - and not just working for the weekend, but trying to live the weekend every day of the week! Tough guys at a party; quick studies, quicker still with the wit. Legends of their own minds...prophets even. If only six-packs worked the way they did back then, then we might get together with them and see the light they saw on those endless nights-into-dawns. The stupid little laws they broke. The archaic little drugs they took. All these things that might not hardly mean anything anymore added up to make these songs, to make these moments in a room, captured so incredibly imperfectly! The air is still locked inside them; the space in the room has depth and definition, defying all laws of audio science. Now these moments feel like they"ll last for centuries, growing stranger all through time.The songs lodged here are the tracks from the original 7" EP "Dime Map of the R...

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Grief In The Kitchen And Mirth In The Hall

30,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Purling Hiss

Drag On Girard

Release: 2023 / US – Original

Genre: Rock & Indie

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It"s 2023, and even the turn of century seems a long time ago now - but oddly, Purling Hiss"s guitar-band ethos feels ever more timeless. The Hiss aren"t just a simple part of the tradition going back 50-odd years Their DNA, pulsing in waves of punk and classic radio rock, grunge and slacker, is ineffably, re-singably music - but their signature crushed guitar harmonics, fused with deep soulfulness, meld into something that cuts us with fresh heartbreak, an eternal recurrence that seems to be happening right now today, as it pours off the turntable and runs down the street. Drag On Girard, the first Purling Hiss album in six years, cruises through these states of mind and places in time. As before, but with new twists, Mike Polizze and his gang let loose with the chaos and noise implied by their name, applying high-end splatter and slow-rolling low end to eight vehicles, running the gamut from gleaming pop gems to head-cleaning epic jams before they"re done. One of the unique qualities of Drag On Girard is a specific lead-rhythm arrangement of the guitars, emitting the expected formidable roar while setting a certain type of rhythmic strut for the band. The two guitars style also trips power-pop impulses in the tunes, with sung-along harmony vocals that evoke classic collective magic and burnish the tunes one by one. Once this vibe"s established, side two turns around and stretches out with the molten flow of Purling Hiss at their very most epic; couched within loose improvisatory structures, the title track and "Shining Gilded Boulevard" play further with the yin/yang of nostalgia and truth as they trade places looking meditatively back to them old days and all their harshness and beauty.

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2LP | 2023 | US | Original (Drag City)

YTI⅃AƎЯ

35,99 €*

LP | 2017 | US | Reissue (Drag City)

Release: 2023 / US – Original

Genre: Rock & Indie

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“You do what you’ve got to do / To see the picture” Bill’s got a full band sound going on this one, with him and Matt Kinsey on guitars, Emmett Kelly on bass and backing vocals, Sarah Ann Phillips on B3, piano and backing vocals and Jim White on drums. Jim and Matt sing on one song, too, and some other singers come in, too. Bill plays some synth here and there, and Carl Smith drifts in and out of the picture with his contra alto clarinet, as do Mike St. Clair and Derek Phelps on brass. Somehow in between them all, you might think you hear the distant sound of a steel guitar. And you might — but you might not, too.

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Circuit Des Yeux

Reaching For Indigo

Release: 2017 / US – Reissue

Genre: Rock & Indie

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"Reaching for Indigo" is the 5th album from Circuit des Yeux. It references a moment that fell down in the life of Haley Fohr on Jan. 22, 2016."Reaching for Indigo" adds to the definition of Circuit des Yeux, as she realizes her goal of becoming one of the most distinctive voices of this time.

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Russ Waterhouse

1 Minute 2 Midnight

38,99 €*

Release: UK – Original

Genre: Rock & Indie

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Singing Death Chants To The Stars

The Sundowners

7" | UK | Original (Drag City)

13,99 €*

Release: UK – Original

Genre: Rock & Indie

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12" | 2012 | US | Reissue (Drag City)

Halfway To A Threeway

25,99 €*

12" | 2023 | US | Original (Drag City)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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It seems like it was only a few months ago that Jim O'Rourke changed everything with the release of the incredibleEureka. And if you actually think that, then by George, you're the Rip van Winkle of 90s rock! It hasn't even been a few months since Jim's big comeback record The Visitor, his first record in the mold of classic "pop music" O'Rourke albums like Bad Timing, Eureka and Insignificance. The Visitor was Jim's first solo e"ort in that arena in eight freakin' years too! Even if you're not an O'Rourke freak, if you're losing that much time in your life, you'd better have your head examined. Well, never mind-as long as people love it, here's another few sides of long-ago and far-away O'Rourke back on vinyl for the first time since way back in the mid-aughties. It's the "Halfway to a Threeway" 12"ep back to set turntables a-spinnin'! Fans of Eureka and Insignificance (not to mention Jim's tomfoolery as part of the Loose Fur band) will appreciate the analog pressing of these four slices of the pop music party-pooper combination of folk, classic rock, smooth jazz and a bit of the old avant-garde to help communicate the twisted ways of the misanthrope that made Jim such a perennial in the fickle world of record sales. A quick listen to the title track will hip you to our meaning: "Halfway to a Threeway" exposes our sweet soul-crusher as a lustful man-beast on the make. The song is a straight folk number-straight, that is, until you listen through the haze of those 6-string overtones and chirpy harmony vocals to hear the true perversity of O'Rourke's fantasies. The decadence of stardom seems to have turned Jim into not only a sex freak, but also a man who loves women of all persuasionsparticular the crippled and brain-dead kind! Don't listen to this song alone-at least, not with the drapes open. The whole record's a blast, and it hasn't really aged that much in the-what'th! elevenish years since it first spread like the strangely appealing odor that it is was and is. And now that it's back, the whole O'Rourke "There and Back Again" pop saga is available on LP once again, which brings us up to date-but not for long. Later this year, we're going to be bringing new O'Rourke tunes your way-possibly the greatest thing since he first sliced white bread way back on Eureka. You remember that? Ah, nevermind...

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Ty Segall & Emmett Kelly

Live At Worship

2LP | UK | Original (Drag City)

Release: 2023 / US – Original

Genre: Rock & Indie

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It seems awhile ago, but it wasn"t - not in days and months... whatever time is. But in terms of phases - we"ve been in and out of all kinds of bags since last summer, right? There"s the us before we heard the rest that 2022 had to offer, and then there"s us today. And coming on seven months later, fresh as it still is, "Hello, Hi" is disappearing in the rearview, like everything else that"s going down the road.But July 2022, it was in the headlights, dead ahead. We weren"t there yet, we couldn"t know what it would mean, but we were excited to find out. And in L.A., with the release show at Teragram coming up, Ty and the Freedom Band were working and playing to get it together. There"d be a little acoustic set to open things up, which was something different, so a last minute show was drummed up, for Ty and Emmett to work it out in front of some people. And that kind of became the REAL record release show.Word went out afternoon of the 21st - free show tonight in Highland Park - YEAH! A crowd showed up that evening and crammed in among the vintage clothes to hear some music and share some times. And most of us missed it! But nobody missed it quite like your present scribe did - I went down, stopped in, said hi - my lady-friend bought a hat - and then we split, regretfully, a previous engagement to attend.What suckers we were! This show clearly ruled, just hearing the five songs included here. With the incredible feelings of the crowd and the spontaneous play in the songs we now know from the album almost miraculously captured to tape (by the capturer himself, Mike Kreibel) at FULL WARMTH, none of us can say we missed it at all anymore -- drop the needle and you"re there, at the launching of sounds that added to the evolution of the world we"ve been living in ever since!So that"s the story -- "Hello, Hi", goodbye

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Your Food

Poke It With A Stick

Release: UK – Original

Genre: Rock & Indie

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Sound Mind Sound Body (30th Anniversary Edition)

Rafael Toral

2LP | UK | Original (Drag City)

34,99 €*

Release: UK – Original

Genre: Rock & Indie

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Alasdair Roberts, Amble Skuse & David Mcguiness

What News

2LP | UK | Original (Drag City)

Release: UK – Original

Genre: Rock & Indie

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The 4th Movement

27,99 €*

Release: UK – Original

Genre: Rock & Indie

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No Age

People Helping People

Release: UK – Original

Genre: Rock & Indie

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She's A Beam / Milk Bird Flyer

Ty Segall & Cory Hanson

10" | UK | Original (Drag City)

20,99 €*

Release: UK – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Drag City)

Wand

Spiders In The Rain

46,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Drag City)

YTILAER

LP | 2022 | US | Original (Drag City)

Release: 2022 / US – Original

Genre: Rock & Indie

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Bitchin Bajas

Switched On Ra

39,99 €*