Drum & Bass | Jungle Vinyl LP 168 Items

doHn on WeMe

Kicking things off with ‘Don’t Run’ pulsating sonar drops explosive rolling breaks with a killer vocal sample that evokes the heinous sub-bassline igniting all around. ‘Raver’ an elevated frequency that drives the tempo to panned out beats echoing dancing in fields and warehouses all-night long. Surrender to ‘Amazon’ kaleidoscopic break patterns morphing throughout heed the vocal warning. Futuristic stylings of ‘No Responsibilities’ paired with naughty skanking breaks orchestrate this classic roller. ‘Broadcast’ a uniquely exclusive collaboration between Outrage, Amit & Digital A calling to all Bass lovers cinematically scaped b-lines that stimulate every sense awash with hertz frequencies, mesmerising ragga vocal & tribalistic beats leading you into unknown territories... Welcome to Dubageddon!!! The augmented dimension of ‘Power’ draws you closer and unleashes its almighty break-laden weaponry. Collaborating with Digital on ‘Equality’ hypnotically dubbed-out riddims & vocals cascading over foundations of warm bass flipping techy-breaks. Signing off the Vinyl format with another collab featuring one of the Drum & Bass scenes signature vocalists Ayah Marar on the beautifully arranged dancefloor tear-out that is ‘All I Ever Want’. LP title track ‘Behind the Eyes’ intros and questions altered states of existence... gloriously uplifting chords that weave through the vocal sample snippets fuse critical levels of beats & breaks intrinsically wrapped in lashings of sub-bass creating a tidy slice of Drum n Bass! Signature flavours from Outrage on the LP outro with ‘Fusion’ and ‘Stop, Look & Listen’

With over 20 years of experience in the scene, Digital World will mark Break’s fifth solo album amongst a stack of anthems across the years. The Top D&B Artist of all time on Beatport, Break has built a huge reputation for crisp breaks, heavy bass, and strong melodies with stellar D&B cuts like Last Goodbye with Celestine, as well as I Got You with SHY FX, Breakage and Tyler Daley. His output of killer remixes and singles have to led to this latest project for 2023, which looks to be a big year for Break and Symmetry.

Break continues his legacy with this flawless body of work which truly encapsulates his timeless, forward-thinking sound that continues to push the limits of the genre. The album contains a stacked line up of features, boasting vocals from legends MC Fats, Charli Brix, Fox, Liam Bailey, Lorna King and SP:MC, all amongst that signature Break production of crisp drums and huge, system rattling basslines.

Virginia’s Stimulator Jones channels all things jungle on ‘Valley Center’ for his debut album on Craigie Knowes. Sam Lunsford is multi-talented genre-spanning artist; from song writing to singing, programming drum machines to drumming, performing live to DJing. ‘Valley Center’ showcases Lunsford’s seamless genre-hopping skills with the outcome an LP packed with tracks that wouldn’t sound out of place on LTJ Bukem’s ‘Logical Progressions’ series or in the Metalheadz archives.

After touring the globe showcasing their A/V moshpit-inducing live show, they are revealing their new musical creations to an unsuspecting public. Never Sleep are proud to present a landmark moment in the Japanese hardcore new rave scene. The blinding lights of Death Rave point to an untraveled journey, a sci-fi fusion of black metal, gabber, cyberpunk, performance art and techno. It’s their first for the Berlin label (founded by Gabber Eleganza) following 2021’s EP Principle of Light Speed Variance. Full description VMO aka Violent Magic Orchestra break through the darkness and herald a spectacular mould-melting sound on their forthcoming album Death Rave.

After touring the globe showcasing their A/V moshpit-inducing live show, they are revealing their new musical creations to an unsuspecting public. Never Sleep are proud to present a landmark moment in the Japanese hardcore new rave scene. The blinding lights of Death Rave point to an untraveled journey, a sci-fi fusion of black metal, gabber, cyberpunk, performance art and techno. It’s their first for the Berlin label (founded by Gabber Eleganza) following 2021’s EP Principle of Light Speed Variance.

Ahead of the release VMO have brought their digital harcore to festivals around the globe, including Roadburn Festival, Bang Face Weekender, Brutal Assault extreme music festival, Le Guess Who?, CTM Berlin and Dark Mofo. Their performance is the ultimate extreme visual music project in which techno, black metal, and industrial unite to create a ritual from the near future, 2099. All visual art and stage setting is provided by non-touring member, artist and programmer Kezzardrix (who has been visual director for millennium parade and Babymetal previously).The power consumption of a VMO show is equivalent to 56 guitar amplifiers, 5000w, a mind-expanding supreme noise and light experience.

The band members all go by the names of classic black metal bands rendered in the Japanese katakana script; “ダークスローン”; “メイヘム”, and “エンペラー”. Their new LP is the first to feature lead vocalist ザスター. The record features guest vocals from extreme metal icon Attila Csihar, known for singing with Mayhem and Sunn O))). Other featured artists include Dylan Walker, singer of Full of Hell, punk-techno artist Infinity Division (aka Ash Luk), Icelandic darkwavers Kælan Mikla and Ican Harem of Gabber Modus Operandi.

The result is a leap forward from their 2016 debut, where they have found a singularity where death metal meets Kraftwerk, or Rephlex goes black. Dressed in corpse paint and other hell-raising looks, onstage they are like “Shinigami (death gods) from the Death Note manga”. Singles Venom, Supergaze and Martello Mosh Pit featuring Gabber Eleganza have been released in the lead up to the record and have been shocking techno dance floors too with their hi-NRG-symphonic doom-gaze. They have shared their video for Planet Helvetech (here), created by Berlin-based Patrick Defasten. Helvetech combines the Norwegian word for hell (hevlete) with techno and is a reference to the infamous black metal shop founded by Mayhem’s Euronymous. It’s a song that imagines time travel from 2099 on the planet Helvetech (where VMO comes from) to 1990s Oslo. In 2023, they performed at the CTM festival in Berlin, as well as at Berghain, receiving rave reviews. At Sydney’s leading multi-sensory Soft Center festival they drove the crowd into a frenzy on the 17 metre X 30 metre jumbo screen. They have also collaborated with artists, performing at the two day installation by the trailblazing Tianzhuo Chen - The Shepherd - at the Kyoto International Performing Arts Festival in 2021 here. At Sónar 2023, VMO provided the music for Taiwanese visual artist Yuen Hsieh’s work about virtual life after death Digital Afterlife Agency here. VMO will tour the world again for the new record, with appearances at Roskilde and media art and music fest Sónar 2024 announced so far and the Death Rave experience getting bigger and bigger.

Let's celebrate 20 years of WeMe records!

Bank NYC is very excited to present the definitive statement of Collector, "No Prospects". Collector is the solo guise of Jason Campbell, resident of Newcastle, Australia. Since 2014, Campbell has been channelling the industrial malaise of his hometown through his unique take on heavy electronics. After a series of releases on global-spanning labels such Steel City Dance Discs (uk), Nice Music (aus), Clan Destine (sco) & Night People (us), the debut long-player for Bank NYC finds Collector embracing true album form for the first time in his discography. Across eight pieces, Collector delivers a bleak sonic narrative via a hardware-only approach to production: Analog drum machine patterns are intricately intertwined with menacing synth lines, and driving bass is met with the unrelenting clatter of tightly-sequenced field recordings taken straight from the heart of local industry.

Thematically, "No Prospects" navigates the downfall of Newcastle's BHP Steelworks at the end of the 20th century. Acknowledged widely as the largest de-industrialisation event in Australian history, the closure of the Steelworks in 1999 marked a dramatic cultural shift where blue-collar vocations were vanquished due to an economic slump, and were consumed by the trending cosmopolitanism seen in adjacent cities. "No Prospects" draws on Campbell's family lineage in the Newcastle's steelworks, providing a rich, personal context to an industry that both gives and takes away. The sharp intensity of the album is sustained by dramatic shifts in pace: the devestating slow burners of 'Two From Five' and 'Ricochet' are instinctually offset by the frenetic 'cft' and 'Workers Club Collapse', which showcase Campbell's no-nonsense approach to shaping an almost club-ready breed of modern industrial techno. Although diverse across both sides, cohesion is found in Campbell's toolkit of samples that are unmistakably Collector. The album's eponymous track, 'No Prospects', serves as an introspective centrepoint - a largely arrhythmic excursion shrouded in familiar brooding, textural drones, and underpinned by the chug of machinery on the brink of collapse.

Although forever indebted to the spirit of local electronic outcasts, Bloody Fist Records, Collector's "No Prospects" is a remarkably distinct statement straight from the heart of Australia's Steel City. The complexity of arrangements speak to Campbell's long association in experimental music communities, whilst the persistent feeling of dread conveys a uniquely regional story of decay and futility. Pure Novocastrian industrial electronics.

Fluxing between ambient, mutant-idm and swashes of bass, ‘Luvaphy’ is a drift through the morass that arrives at a leafy plateau. An album that tickles your inner sentience and supplies endless indulgence for the inquiring-mind.

Available on limited edition 12” vinyl, with special embossed print-work.

LSB returns with another EP on his imprint, Footnotes. His first solo release since his mini-album project in 2022, this time Luke returns with a few regular vocalists in store. MC Sense follows up the track ‘Pandora’ with ‘World of Ours’, while Bazil of Kinross and Luke work together for the first time since the multi-million time streamed ‘Roots’, this time with Sydney Bryce providing a female compliment. The title track ‘Home’ and first track ‘Give You Up’ have been regulars in LSB’s sets now for over a year, and are sure to delight those who love Luke’s mix of piano, strings and melancholy at 174bpm!

The scenic artist and multi-instrumentalist Claraguilar moves from performing arts to cinema as a composer and live performer. Over the last few years he has created soundscapes that blend electronics and sampled elements with orchestral arrangements, becoming one of the main names of the Spanish theater scene when it comes to soundtrack and sound design creation. After her acclaimed EP 'Mystery is All' Lapsus is proud to present 'Figura', Claraguilar's debut album, a heartfelt tribute to her connection with the scenic world, and especially with the operatic universe. The starting point of this project was born with the concept of an "invisible orchestra", an imaginary that aesthetically becomes a reality on stage thanks to the collaboration with the Barcelona studio Oscila, as well as with the help of the stylist Joan Ros, who has been in charge of the costume design. 'Figure' is a space in which electronica, ambient, and chamber-pop coexist; all under an operatic halo full of drama. Once again, the producer locked herself down from late 2022 to the beginning of 2023 to compose all the tracks in a very intimate and closed composition process. The album dives into the melodic landscapes, merged with orchestral samples and chopped voices containing mysterious messages inside. Each track is a pixelated lightshow and a live electronic instrumentation, presented onstage as an elegant performance with an expansive emotional range.

For album number four on Rezpektiva we once again turn to our man Quaid. After his magical representation of intelligent music for REZLP2two this time we present an album featuring music recorded before those sessions. Ben Naylor aka Quaid (The OG btw) quickly became disillusioned with the music industry and made a career change of direction leaving behind hours worth of studio sessions on DAT. We have managed to put together another 8 tracks from those unreleased sessions and present them here on a 2x12".

The final volume of this mammoth collection of music from Bristolian electronic music pioneer Krust is finally upon us, and like the previous parts of this collection it boasts an assemblage of music of different energies, vibes and feelings. The music contained within spans decades yet somehow refuses to be locked to one 'era' or 'style'. This is what makes this release unmissable for the hardcore fan, newcomer or completist.

'Irrational Numbers' is a meticulously curated collection of five parts, available on both vinyl and digital formats. The compilation is a treasure trove of hand-picked records and archival gems from Krust's extensive discography, thoughtfully remastered and presented anew for both devoted fans and newcomers.

'Irrational Numbers' features a dizzying array of self-released 12" cuts, exclusive unreleased VIPs and dub-plates, alongside epic major label widescreen classics. It's an unmissable journey through the sonic output of one of the UK's most distinctive and forward-looking producers.

Featured on part 5 are some groundbreaking entries into Krust's massive back catalogue. The live bass driven jazz inflected 'Second Movement' from his acclaimed 'Coded Language' LP jostles alongside the speaker smashing machine funk of 'Break Ya Neck' as well as a couple of more recent productions including the sleek and sinister 'The Portal', which is undeniably the man at his best, in full electronic stealth mode.

For longtime Krust enthusiasts, this project serves as a fond reminder of the boundless creativity and originality that flourished during the early 1990s and beyond. For those new to his work, it presents an enthralling introduction to innovative electronic music that has comfortably set the tone for generations to come. Get ready to experience the evolution of sound and immerse yourself in the visionary artistry of Krust.

Analogical Force is kicking off 2024 with a stellar "all things Electronix" album from well known producer Vertical67 (who also runs the Vortex Traks label)! It's hard not to have heard of Thomas Pahl in the electro underwater depths after multiple appearances over the course of more than a decade and under a ton of aliases. With the illuminating title of 'Changes', Thomas gets rid of corsets and presents an entrancing voyage into post-euphoria, displaying a radiant and emotive side which the artist's new discordant sound emerges. A defiant cry in the face of existential angst. Navigating between breaks, dreamy melodies and reflective landscapes 'Changes' could be defined as a deep introspective journey into the machines. Cop while u can.

Hot as f*ck Ghettotech from Detroit's very own djkage

Qui Existe isn't just an album, it's a kaleidoscopic journey through Mézigue's soul. Each track is a chapter, a glimpse into the artist's life, blending raw energy, rhythmic eloquence, and fearless experimentalism.

This release solidifies Mézigue's status as a visionary, unshackled by genre constraints.

Exit Records proudly heralds a monumental achievement in its legacy with the advent of Exit 100 - a celebration of innovation and creativity. Following the success of Part 1, we are proud to present Part 2 of our 4-part album series.

This instalment features a diverse array of tracks from both established and emerging artists. Their contributions not only redefine our sound but also embody the future trajectory of Exit Records. Thank you for being a part of our journey.

Belgian artist Jennifur is a bit of an enigma in today’s
contemporary music climate. While most bend over
backwards to satisfy the algorithm’s constant need for
content, Jennifur (real name Hector Devriendt) has been
quietly crafting spell-binding music that stands the test of
both time and decreasing attention spans, blurring genre and
emotion seamlessly through a sonic DNA that is diverse and
colourful. Having locked himself in his basement for
eighteen months in order to produce the soundtrack for
PS5 and XBOX ONE snowboarding game Shredders – which
was later released by Jennifur himself under the title
Nowhere, Now Here – the Ghent based artist is preparing the
release of his next full length; Things Don’t Change Until
They Do on Supreems’ new label Sweet Sun. Tears-on-thedance

Volume 4 of Krust's career spanning collection is here, boasting some serious deep dives into his archives alongside some serious classics that every DJ and listener should own! Once again, this collection shows the breadth of Krust's anachronistic style and original flavour. Often imitated, but never bettered, this latest instalment once again shows it should be done. Truly original and engaging music from the streets of Bristol.

'Irrational Numbers' is a meticulously curated collection of five parts, available on both vinyl and digital formats. The compilation is a treasure trove of hand-picked records and archival gems from Krust's extensive discography, thoughtfully remastered and presented anew for both devoted fans and newcomers.

'Irrational Numbers' features a dizzying array of self-released 12" cuts, exclusive unreleased VIPs and dub-plates, alongside epic major label widescreen classics. It's an unmissable journey through the sonic output of one of the UK's most distinctive and forward-looking producers.

Volume 4 offers up the dubplate only mix of 'Asian Love Dance' for example, the anthemic 'Jazz Note II' for the heads and futuristic roller '21st Century' as well the groundbreaking 'Coded Language' featuring the stellar vocal talents of NYC poet and MC Saul Williams.

For longtime Krust enthusiasts, this project serves as a fond reminder of the boundless creativity and originality that flourished during the early 1990s and beyond. For those new to his work, it presents an enthralling introduction to innovative electronic music that has comfortably set the tone for generations to come. Get ready to experience the evolution of sound and immerse yourself in the visionary artistry of Krust.

For Maya, this EP is a reflection on what it means to be home and the relationships which make it so, written over a two month period of some difficult transitions and changes. After struggling with some memories around what home meant to her in the past, some large personal life changes triggered and shaped how she feels about home now, after having been away from the US and living in the UK for nearly a decade.

She explains that the music on this EP is also very much a love letter to her friends and family who share their stories with her, who make her time here worthwhile, and who ultimately make her feel at home.

Musically the record spans seven tracks each with their own style. Some up-tempo breaksy cuts along with more delicate down-tempo melancholic moments, all of which are influenced by her upbringing in the US and also the UK. She uses sounds that she was listening to back when living in the US and other things that make her think of home such as pool field recordings and piano-lead indie music, as well as 00s RnB samples, all united by soft pads and vocal samples.

New from Innerground Records (co-founded by DJ Marky), also the home of Calibre, BassBrothers, Random Movement and Blade, comes the highly anticipated Vinyl LP from DJ Marky, XRS & Makoto, ‘Soul Samba (DJ Marky & Makoto 2024 Remix)’. Breathing new life into the 2004 hit from DJ Marky & XRS, the Remix from DJ Marky and Makoto does not disappoint. This special collaboration between some of the most important figures in the genre creates a ground-breaking Single, that marks 20 years since the release of the 2004 Single ‘Soul Samba / Breeze Vip’, and the 21st birthday of Inneground Records - founded in 2003.

It should come as no surprise that the EP packs a punch, when looking at the combined experience of its contributors. ‘Soul Samba (DJ Marky & Makoto 2023 Remix’ begins as a bold statement from veteran D&B duo DJ Marky & Makoto, laying down the foundations of what’s yet to come. We’re taken on a ride through morphing tempos and enchanting vocals that hammer home what this immense vicennial EP is all about - a special milestone that represents the unwavering support of loyal Innerground fans over the past two decades.

Is a digital music file a less existing work than a vinyl record of the same content? Does bringing digital music into the physical realm make it more real by offering it the tangibility of physical matter? The PERCEBES MÚSICA collective furthers the long term discussion on the relationships between medium and message, truth and illusion, worth and validity.
“Conversor” is a various artist compilation that at first glance feels like a single artist album. The cover does not explicitly state individual authors (only track titles, lengths and BPM are provided), as if to dilute the importance of self and ego, though the listener can attain said information when accessing the download codes inside. It is content from the ether pressed to matter through a Digital-to-Analog conversion process; selected tracks picked from the label’s recent digital catalogue, cleverly edited and placed together onto a record, made to create an introspective - yet physical - electronic soul LP with clear canonical undertones. The trickling down of information from binary code to material existence into a limited edition slab of vinyl.
The offerings range from classic sounding deeper house (by the likes of Daino, Larry Quest, Poko Poko and label head Ka§par) to a wider reaching selection of african riddims (Hélder Russo, Moreno Ácido and Terra Chã), UK Garage (Cyclonix) and even golden age drum’n’bass (Al:X). An exploration of mood and cohesion through variety, the artistic result will resonate with the timeless approach of eclectic labels like the profound Guidance or Peacefrog, the cutting edge Metamorphic, or Reflective or even the widely known WARP or R&S.

Dom & Roland's award-winning debut LP is remastered and recut for a 2023 edition which adds an extra plate with the two Dom & Optical Tracks - Anaesthetic & Time which were not on the original pressing.

Did you know that Iceland had its own rather influential rave scene back in the 1990s? Whatever the answer to that question, you will want to check out this first-ever collection of anthems from that era which is now on vinyl for the first time. This collection came on Thule offshoot label TMT Entertainment as a CD in 1992 and features memorable and timeless tracks from back then, many of them now with cult status. It's called Alsaela, which translates as "ecstasy" and gives you some idea of what to expect from it. It features a non-stop selection of old school rave alongside some lost and previously unavailable classics by Agzilla & DJ L.S.K and some unreleased gems from Ajax. A great bit of history that still does the trick.

For us at 1985 Music, our Various Artists series are extremely important. It not only provides a great platform to celebrate music from a wide range of artists, but it also enables us to push the parameters of underground music. We are very excited to share the third and final part of our Atlas series which includes both new and familiar faces.

Adam Baker has released Electronic music as Adred for over a decade. His rich creative family legacy, the diverse New York environment and his huge plethora of sonic taste has shaped his sound into one of the most innovative producers today.

His debut album for Inperspective is a sumptuous smorgasbord of future classics, epic dancefloor destroyers and deep, complentative rollers that were crafted by this incredible artist in the lead up and during that period when we all stayed indoors for 2 years.

"The album Tempo Robato comes from the Italian expression "Stolen Time." Fashioned in 2020, a year that seemed to whisk away valuable moments, it mirrors the significant societal upheaval we were experiencing. Embedded within its tracks, I've shared my personal reflections and battles with the distinctive challenges of that time. Notably, you'll discover the talents of Frank Carter, Dave Owen, Chaca, Robert Manos, and Danny Rhodes, who have contributed their vocals and production to this musical exploration."

This album also showcases a world class group of collaborators. Dave Owen, Robert

200 copies only..
The album takes the listeners on a sonic journey through a landscape of various interwoven styles. The music primarily moves within the realm of hip-hop and naturally pushes the boundaries into jazz, drum and bass, lo-fi, and improvised music. YAMUNA invites you to question your own perception and explore the intersections between human and machine. The fusion of electronic elements with freely improvised passages creates a unique atmosphere that is both challenging and captivating.

A much requested repress of the debut Homemade Weapons LP for Samurai

Polish artist Satl is one of the most diverse and prolific artists to break through in the Drum & Bass realm in the last decade. After a multitude of music on Amsterdam label The North Quarter he is now set to release his most ambitious and eclectic project: Gloom.

This is a project that sees a more mature artist, one that has developed and refined his sound. In what is a clear departure from his previous material, Satl has managed to craft his own exciting take on dark electronic music taking influences from UK Bass music, Techno and beyond.

“I never wanted to be boxed in to one style/genre, but I think I just wasn’t brave enough as an artist to really push this agenda forward until now,” Satl explains. “I think this collection represents where I am at the moment, a ‘new me’, and I’m definitely planning to stay here for a little while, while always looking to the future.”

Gloom has been a mostly solitary creative undertaking for Satl, who explored the boundaries of his Waldorf Blofeld, Elektron Digitakt, FL Studio, Reason, VCV Rack and a handful of plugins over the course of about two years. The album is entirely produced by him and sees just a handful of vocal collaborators: Tru Thought’s own Rhi, New York’s Frank Carter III and L.A.-based vocalist Saigo.

A coming-of-age project, Gloom is the end product of Satl honing his craft and exploring the limits of his own creativity.

Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you'd soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon. wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s. wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game's original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt. These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven't, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged -and also remixed by cutting edge producers such as Kode9, ?-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette- are some of the most important, thrilling, innovative and most fun songs ever committed to game release.

The latest offering from Astral Black comes in the form of the 'Metropolis N' LP, courtesy of Queens, New York's number premier importer/exporter of Jungle & D&B, Nigelthreetimes. Having initially garnered a name for themselves as one of New York City's most versatile club DJ's, with the release of their 'Call Of The Void; project in 2020 Nigel also began to build a reputation as a producer in their own right. Resulting in residencies on Rinse FM & The Lot Radio, radio support from the likes of Tom Ravenscroft & Uniiqu3 and press support from Resident Advisor, OkayPLAYER & Mixmag – amplifying their talents throughout New York City and beyond. With 'Metropolis N' Nigelthreetimes distills their eclectic influences through the lens of rolling 160bpm breaks – taking in Jazz, 8-bit game soundtrakcs, science fiction & jump up D&B. Starting off the LP with the rhodes tinged double header of 'tsq Meltdown' & 'early Morning From 103rd Street', the latter featuring some of the best double bass work heard on a jungle track since 'Brown Paper Bag'. Elsewhere, on 'road2rails' and 'phantom Shores', the producer ditches the instrumentation in favour of oscillated square waves, dubbed out vocal FX & 8-bit melodies, without ever losing site of the projects underlying sense of optimism. On the album closer 'international Space Station', 3X manages to bring together the influences heard throughout the project, tying together a muted rhodes chords, squarewave basslines, flutters of alien melodies and finely tuned, slices breakbeats into a 5 minute symphony. The consistency and exacting production skills heard throughout the offering elevate this project from another drop in the digital ocean to a landmark opus, from a producer carrying the torch for this timeless sound and making the project worthy of a spot alongside some of the classics this genre has produced. 'Metropolis N' is available Oct 13th on digital and limited edition vinyl via Astral Black.

Phoenix is Coco Bryce's third full length album in a single year and was made solely on a Teenage Engineering Po33 pocket sized mini sampler.

Recorded between 2018 and 2022 it features 11 tracks ranging from bleep techno junglism to crusty rap beats, via toned down minimalist juke to the wavvy house vibes of its title tune.

Tempo Records' 2nd release and debut long player 'Ability II Corrupt' by Mancunian 'Owen Brothers' aka Response & Pliskin. Mesmerizing long tracks that explore the boundaries of drum and bass, breakbeat jungle tekno. Images of a far dystopian new world order are found. On Repetitive Future the pioneering & legendary producer Digital co-ops with Response in true functional form the realms of the drum and bass spectre which results in moody ambient deep pads, boldly constructed heavy beat structures, and blissfully melodic liquid breaks to full effect. The Mancunian duo explores the ability to corrupt. All tracks mastered by the legendary Stuart Hawkes at Metropolis Mastering. This beautiful crafted Crystal Clear Limited Edition 3x12"vinyl (NO Crystal Clear Repress) comes in a new designed Tempo Records high quality outer sleeve + a white innersleeve and completely sealed.

Putting a pigeon amongst the cats we are back with that good shit. An out of step, incidental artifact of peaceful sophistry: YS - Brutal Flower (2 x “12 LP). A no airs and graces piece of cool future-proof ambience. A modern ballad for brave young clubbers, local pubbers, slipstream warriors, and emotional doggers. The distinctive aesthetic hallmarks of YS are all here: slabs of urban flavor from emotional interior; raw data straight from the interface. ‘Untethered’ and ‘Down’ are chopped-up cuts of searching R’n’B - jaded jams of lustful erasure. On the flipside, blunted desire lingers in ‘Fading Memory’. Both hopeful and mourning: this is the lay of the land in Brutal Flowers sharing that rare strain of underground synesthesia best located in dark undercurrents of early Mo Wax. The orchestral ambience of ‘Autumn Ost’ is a potent stupor of end credit cinematics. Coming up for air. It feels young in an ancient sort of way: pure as first snow. And from here in the album unfolds with the patience, tranquility and the expansive poise of a work that is for now and always. Pulsating gently to assured ending with ‘Be Together’ - a flickering skyline, swarming with warm memories. In between there’s flashes of heartbreak reminiscent of Beltran's Ten Days of Blue and Blunt’s Stone Island (‘Look Up’ feels like a sort of spiritual successor to ‘Wake up’), that being said, when push comes to shove it only it ever flirts with its own reality. An aesthetic reflection of a creative process that is delicate and restless. Created in the edges, where long distances, fast cities and global melancholia are wrought large. Burning the midnight oil Berlin-Singapore style: from real to reel. A sentimental exercise of modern faith by old friends. With a nudge and a wink, Brutal Flowers is a (de)coded map of memories wavering with familiar intrigue. Patient listeners and the already initiated will be rewarded on re-visits - as playful & profound as you please, as deep as the heart. The scathe that cuts is clean and deep. There are no sleight of hands to be found in this opus, only hearts are worn on the sleeve here. A hill we’d gladly die on. Pace & luv,

Following a string of beautiful digital albums and cassette titles. We get our first Glo Phase long player on vinyl. “Soft Gems” captures Joseph’s up-tempo arrangements for fans long pining to see and hear more of his sound presented on wax. Your record collection will immediately thank you.

Prspct Recordings and Redrum Recordz are a match made in the underground. They bring you another groundbreaking release, this time building sonic bridges between the UK and The Netherlands.

Dutch Jungle legend Mike Redman is known for internationally spreading the Hardcore Jungle gospel as Deformer, Voodoom and under his own name since the early 90's. Recently his well received 'Roffadamn Jungle' track set international dance-floors on fire while paying tribute to the nightlife connoisseurs of bygone times, mixing UK inspired Jungle with uncompromising Rotterdam Hardcore.

This time around he's supported by the most legendary artists in the field providing stunning remixes. Such as UK Drum 'n Bass heroes Bizzy B and Ed Rush, both founders of the genre, providing remixes that knock you off your socks. He's also teamed up with hardcore legends Akira, Rotterdam Terror Corps as well as Mackadena providing that original sound of Rotterdam. Not to mention Redman's own ear-shattering remix under his alias Deformer, making this album a must-have for anyone that likes it ruff. By the way, the cover art by legendary graffiti artist Cosh is worth framing too!

Welcome to the music of a true outlier in UK creative culture, an artist that has helped change the landscape of electronic music, Krust.

Introducing 'Irrational Numbers,' a meticulously curated collection of five parts, available on both vinyl and digital formats. This compilation is a treasure trove of hand-picked records and archival gems from Krust's extensive discography, thoughtfully remastered and presented anew for both devoted fans and newcomers.

'Irrational Numbers' features a dizzying array of self-released 12" cuts, exclusive unreleased VIPs and dub-plates, alongside epic major label widescreen classics. It's an unmissable journey through the sonic output of one of the UK's most distinctive and forward-looking producers.

For longtime Krust enthusiasts, this project serves as a fond reminder of the boundless creativity and originality that flourished during the early 1990s and beyond. For those new to his work, it presents an enthralling introduction to innovative electronic music that has comfortably set the tone for generations to come. Get ready to experience the evolution of sound and immerse yourself in the visionary artistry of Krust.

"Existences" is the highly anticipated first album by Neurocore, a talented French artist known for his thought-provoking compositions. This album is a culmination of years of introspection and exploration into the complexities of human existence. During the Covid lockdown, Neurocore found himself with the precious gift of time, allowing him to delve deep into his creative process and tackle profound questions through music.

Each of the 13 tracks on the album tells a story, evoking emotions and painting vivid sonic landscapes. The cover art, meticulously crafted by Urru, captures the essence of the album's concept - a mesmerizing blue vortex symbolizing the unknown and the powerful energy that draws us towards it.

Neurocore breaks free from the confines of being labeled solely as a "speedcore producer." Instead, he presents a diverse array of electronic compositions that transcend trends and embrace the full spectrum of human emotions. Rejecting the notion that hardcore music is only dark and brutal, Neurocore sees it as a representation of the inner beauty within every human being.

"Existences" invites listeners to interpret and create their own stories, as music has the power to evoke personal experiences and emotions. With this remarkable album, Neurocore celebrates the diverse facets of existence and invites us to embark on a profound sonic journey.

3x12" album + digital release Including an A5 insert with a personal note from Neurocore

"Good things come to those who wait", says Matt Harris aka Hyroglifics about the theme of his debut album, 'I'll Wait, I Guess', a personal journey to hope and healing reflected through 16 tracks of ever-evolving music and the stories that lie within them. "I believe that good things happen with time, however, I also wanted this album to depict the realities of waiting for something and how seemingly hopeless it may seem at times".

After committing to music full time after getting picked up by RBMA for 2016's Montreal academy, Hyroglifics has released key tracks and EPs on Critical Music, 20/20 LDN, Hooversound, and System. Written and recorded in Bristol before sessions in London and Los Angeles, where he now lives, 'I'll Wait, I Guess' is his most diverse body of work so far. Though led by the detailed drum and bass he's best known for, the album also includes tracks leaning towards grime, half-time, hip hop, techno and ambient music.

"I really wanted to create something that shows my range as a producer and artist", Hyroglifics explains. "My taste is always evolving, so it's hard to pin down a specific 'sound', as I really enjoy exploring the process of trying to create hybrids of genres."

Rule of Thirds is the debut album from Nine Windows, a collaborative project between Kid Drama & DJ Trace.

The album pulls inspiration from the golden era of atmospheric jungle with the focus on labels like Good Looking, Deejay Recordings and Lucky Spin.

Expect deep nostalgia and euphoria as the pads wash over you and breaks skitter over subsonic 808 basslines as these two veterans take you on a journey into 90s bliss.

To top it off there are features with the Pioneer of the new Jungle movement - Tim Reaper and the legendary Skream making an appearance on the album.

So sit back, reminisce and listen to the sounds of Nine Windows.

An explorative sonic landscape with the beautifully eclectic sounds of drum and bass at its core, Sustance’s debut album is every bit as thought-out, polished, and innovative as we’ve come to expect from one of drum and bass’ brightest prospects.

Having grown up listening to seminal Shogun albums like Spectrasoul's 'Delay No More' and Icicle's 'Under The Ice', ‘Perceived Connections’ acts as a full circle moment for the producer, who now finds himself following in the footsteps of the artists who profoundly influenced his approach to creating music.

Written between London and Berlin across a twelve-month period, 'Perceived Connections' encapsulates both of the alluring sides of Sustance's sound. In the same fashion that the album's writing process pivoted between two capital cities, Sustance's debut album presents both deep and expressive tracks such as 'I Want You' and 'Sweet Relief', as well as showcasing heavy, sound system-destroying tunes like 'Undercurrent' and 'Ten Ton’.

“The album title comes from the Zen idea that everyone perceives the world through their own perspective. Two people can listen to a record side by side and have totally different experiences. I really liked that idea as music is inherently so subjective. Sustance

Accompanying Sustance on this LP voyage is a plethora of D&B’s hottest talent, with Pola & Bryson, Visages, Flowdan, Strategy, Duskee, T-Man, Catching Cairo & Zara Kershaw all sprinkling their own flavours across the album.

Traversing an array of sounds, styles, and genres throughout, 'Perceived Connections' is nothing short of an exceptional extended body of work from a producer whose razor-tight approach to music has seen him emerge with one of the crispest and most captivating sonic palettes in drum and bass music.

Pinecone Moonshine's latest dnb album spotlights Greenleaf. Greenleaf's musical roots from New Orleans influence the rhythm, creating a live drummer feel out of programmed breaks. And mixing different drum kits as if multiple drummers are in the same studio. Science-fiction, funk, and soul set the atmosphere for drum and bass ranging in styles from drumfunk to techstep.

The second entry on Dance Data is the debut album by Izapa, who has been a fixture in LA’s modular synth community for some time now, so it’s a treat to get a glimpse into the sounds he’s been honing in his private world. The record showcases his sensibilities for a wide variety of rhythmic structures / styles, from angular hi-tek drum-n-bass to half time electro zoners, there is a little something for anyone that’s looking for dance music that prioritizes feel over function (while still retaining the latter). Featuring a swirling acidic remix from Buttechno.

After the release of 'Right Here' in Summer 22, Fava returns with his debut LP "Lifetracks". With plenty of releases and memorable performances under his belt, Fava is taking the next step with this 16 track album.

Fava is a true Sunandbass veteran and family member; always one to bring positive energy and raw entertainment to his sets.

Each of the 16 tracks on "Lifetracks" tells its own story, inspired by Fava's life, the pandemic, politics, nature, and the daily emotional rollercoaster that is life. The album features collaborations with top DJs and producers, offering a musical snapshot of significant moments, places, and relationships that have shaped Fava's journey

In a booming Swiss rocksteady and ska scene, Cosmic Shuffling is once again affirming itself as a rising star of the genre on a intergalactic scale. The band's first album, Magic Rocket Ship, released in the midst of the pandemic, was a huge hit with fans of the Jamaican sound of the 1960s. Three years later, the Geneva-based septet is back in force with a new album, Cosmic Quest, featuring eleven vocal tracks ranging from fiery ska worthy of the best years of the Skatalites and Soul Brothers ('Eclipse', 'Walk On By'), to exquisitely melancholy rocksteady ballads ('Birds of Spring', 'Dusk Till Dawn'), to bright early reggae with a touch of 1950s mento ('By The Rivers').

Fans of vintage sound will be delighted by the sound of this new album elaborated in the raw and warm aesthetics of analog saturation that made the beauty of the golden age of Jamaican music. Under the guidance of Swiss producer Mathias Liengme, the renowned Spanish sound engineer Roberto Sánchez has mixed this superb opus with class and character. The sound is just like the cover of the album: against a lunar backdrop, in the glowing light of the setting sun, Cosmic Shuffling’s magnificent seven delight the hearts of the convinced as well as the undecided with the exhilarating sound of their irresistibly danceable Cosmic Quest. Let yourself be carried away!

Hot on the heels of dropping a double LP's worth of downtempo shenanigans for Fresh 86, Coco Bryce serves up another full length album, this time for his own Myor imprint.

Computer Love sees the bpm's being turned up a notch again, mainly operating within the 160 realm, whilst taking the occasional side street into UKG and breakbeat house.

Although the jungle and D&B vibes are still clearly present on tunes such as House Music and the previously released singles Night Safari and Trust Issues, Coco opts for slightly more off-kilter and genre-defying drum programming on the album's title track and the pleasantly subdued Eye New.

All in all the rhythmic, and stylistic, diversity on display here makes for an album equally suited for dancefloors and home listening alike.

5 x 12" Vinyl Boxset

Vision proudly presents Icicle's third and final album 'Post'.

"Its been a long time since I announced any music let alone an album. Containing 12 tracks, it comprises modern production with raw 90's inspired tech dnb, some techno hybrids and a little brain-melter here and there. It's been a strange journey, writing it largely during the pandemic and hard to finish in near isolation. But I'm really proud to see it released and for it to be heard!"

Since 2005 Spearhead Records have been well known for providing the absolute best in liquid and uplifting drum & bass. Soul Warming Sonics is a celebration of the sound that had Spearhead has championed over the last 18 years. Bringing together a perfect blend of long established artists such as Seba & BCee to the new school sounds of artists like Lens & Emba, each and every track selected is a demonstration of just why after all these years Speahead Records are still at the top of their game.