Dub Vinyl 12 Inch 213 Items

Another killer and rare Reggae reissue by French imprint Jamwax !!!

Late 70s and early 80s productions from legendary UK rocksteady producer Sir Collins, rolling his musical wheel into the echo chamber.

Get ready for a double dose of roots fire with the next Jack Ruby reissue! This 12" packs a serious punch on both sides. First up, the legendary Tyrone Taylor with "Move Up Black Man." Originally recorded in 1976, this anthem for empowerment is finally getting its rightful release as a single. Next up, for an absolute deep roots experience, we have "Free Rhodesia" a monumental instrumental on the "Rockfort Rock" rhythm featuring the full lineup of the Black Disciples backing band. Jack Ruby himself introduces the band one by one, and for those who remember, this track gets a mention in the iconic film "Rockers," where Ruby requests the drumming talents of the one and only Leroy "Horsemouth" Wallace.

Barry Biggs hit song from 1976. On the flip, Clarence Wears guitar version. Both (vocal & guitar) followed by its dub.

Joseph White aka Joe White is a foundation of Jamaican music. He started singing in the late 50's and did his first recordings for Duke Reid in the early 60's. He moved to Sonia Pottinger's label later and get a first success in 1965 with the song « Every Night ». He also recorded for Prince Buster, Coxsone Dodd and Rupie Edwards. In the 70's, Joe White was one of the only melodica player in Jamaica with Augustus Pablo, Peter Tosh and Bobby Kalphat. He released beautiful melodica instrumentals like « Kenyata », « Call Me Trinity » for Derrick Harriott and « Cheer Up » for Glen Brown. Joe White was also a member of the famous BB Seaton's backing/studio band « The Conscious Minds ». In the mid seventies, he moved to London and released his classic album « Love For Every Family ».
Joe White formed the group Roots, Trunks & Branches to release several tracks on the label Splendour Heights. “Forward To Zion” was released in 1979 and became a truly reggae roots stepper banger for sound system across the globe. Probably electronic music fans will appreciate the futuristic dubwise. “Forward To Zion” is a song of peace, love, freedom and emancipation of people. Uplift your selection, listen to the words of the prophet, it's time for us to get together; we are going forward to Zion. Jah don't care whether you are a natty dread or you're a baldhead, just as long as we unite and stop the fight, we are going forward to Zion!

Delroy Williams over "555 Crown Street" rhythm. Arranged by Augustus Pablo in 1979. Reissue on the brand new Delroy's label "Prosperity" Records. Jah Bull DJ version on the flip.

* A classic roots instrumental from the late 1970s from legendary trombonist Vin Gordon, who played on numerous Studio One classics, as part of the in-house band Soul Vendors as well as countless sessions with Joe Gibbs, Lee Perry and many more.

* Vin played on Aswad’s classic `Warrior Charge’, which from that recording session, `Kojo Hoy’ was born.

* Featuring Aswad Riddim Section - Tony Gad on bass & keys, Angus Gaye on drums and “Bammie” Rose on flute.

* Previously released by Partial in 2015 on 10” (prtl10005) which rapidly sold out. This issue features an extended dub version.

* Tracklist: A Vin Gordon – `Kojo Hoy’ B Vin Gordon – `Kojo Dub – Extended Mix’

The next official reissue oozes the feelgood factor, a reggae disco cover of ‘Ain’t Nobody’ by Jamaican artist Yvonne Archer. For the first time since the original release in 1980 the full length original 12” mix gets the reissue treatment along with the Lovers Rock leaning ‘Checking Out The Way I Feel’.
On the flip Jura Soundsystem provide 2 edits, a main edit that pulls back on the electric guitar from the original and a Dub adding subtle delays and sparse use of the Vocal to let the groove work its magic. This is the first of two 12”s licensed from producer John Rubie that will appear on Isle Of Jura in 2020.

Diggin deep, two treasured cuts from the John Collins vaults, remastered, reissued and sounding oh so weighty. The lush Lovers vibe of Victor Romero Evans - At The Club and the mind-bending, cosmic, space-echoed dub from The Detonators - Lift Off. Both written and produced by the mighty John Collins, producer of some seminal tracks from the likes of Janet Kay and Rick Clarke, it was his production prowess on these two tracks that led Jerry Dammers to get Collins in to produce The Specials - Ghost Town / Why? / Friday Night, Saturday Morning after hearing the magic of this EP. With originals trading hands for £70 it's high time a reissue came around.

Same tune as "I Hold The Handle" which appears on the "Life Style" album. Here it comes with an extended version on the first side. Dub on the flip. Produced by Alvin "GG's" Ranglin in 1981.

The concluding 12” in The Pearls trilogy shows the origins of the band with two playful Rootsy numbers, ‘No Follow Bad Company’ and ‘Duke Street’ backed with the essential Dub versions. Both tracks went on to feature on The Pearls debut LP ‘The War’ released on Sly & Robbie’s Taxi label in 1981.

Wade "Jimmy" Dyce was an original member of Cultural Roots. He was a vocalist and played a key role in shaping the sound of the group. Cultural Roots emerged as a four-part harmony group for producer Donovan Germain in the late 1970s, releasing « Revolutionary Sounds » and « Mr Bossman » which counts among ‘Jah Shaka's favourite tunes’. Then they released « Hell A Go Pop », one of the Greensleeves label’s lesser-known classics. In the early 80's, Wade Dyce produced alone three songs at Chris Stanley's famous Music Mountain studio. Wade Dayce surrounds himself with the best musicians of the time, namely the Revolutionaries, but does not remember the exact formation apart from Sly Dunbar on drums and Bongo Herman on percussion. « Humble », « Money Mare » and « Hide & Seek » are three forgotten songs that can be described as killer roots from the middle of the 80s and which you can (re)discover again through this reissue on the original Moving On label. For this release, Jamwax worked with Parade Studio for this original and unique Disco 45 cover graphic creation. Today, Wade, now sixty-seven years old, is living in Salem, Massachusetts, where he graduated in 2010 as a mental-health specialist. Long live to the Cultural Roots !

Emotional Rescue and Jamwax come together to present the first of three essential 12's from NY/Jamaican label Capo Disco, all officially licensed and remastered for the first time. The brainchild of reggae vocalist, musician, producer and label owner Glen Adams, the label married disco with his Caribbean roots to perfection. TIP! Born and raised in Jamaica, Adams story is a similar one to the performers of the golden period post-Independence. Initially discovered as a vocalist by Coxsone Dodd, he went on to work with such luminaries as Ken Boothe and Stranger Cole before co-founding The Heptones and working Duke Reid, Bunny Lee and Lloyd Charmers.
As a session organist he worked for The Hippy Boys, The Reggae Boys and later with Lee Perry's The Upsetters. Here he came in to the orbit of The Wailors, touring England with them in the early 70s and with Perry co-wrote Mr Brown. When most of The Upsetters became Marley's rhythm section, Adams stayed with Perry before making the move to Brooklyn in 1975.
There he started Capo Records, running it and it's sub-labels, successfully until the mid-80s. During these later years he ventured in to mixing Reggae with Boogie and Disco rhythms and released just four 12's under Capo Disco as well as recording boogie and hip-hop influenced releases with T Ski Valley and as Glen Adams Affair for SAM and Moonglow Records.
Here then the spotlight is on Adam's nascent disco releases and the series starts with the wonderful, uplifting A Beat For You. Actually appearing on a one off sister-label, Top Secret, this is a beautiful 'Lovers' anthem from Adams over a laidback dub-bass riddim. Backed with a simple instrumental Version, the space and interplay of the keys and guitar over drum and bass is superlative. 'There is a beat in my heart, just for you...just for you.'

Tony Clarke is from Waterhouse, St. Andrew Jamaica. At the tender age of 10 he started following sound systems like Sir Mike The Musical Dragon with the great toaster Prince Ruff at the controls, and King Tubby's with the legendary U-Roy. Tony Clarke did his first recording in New York in 1971 at Hugh Hendricks recording studio called "Righteous Man" of which he played both bass and lead guitar. The band was later managed by the legendary band leader/trombonist Carlos Malcolm.
Tony Clarke decided to write the song “Going Home” to reference the roots of his music. In those days and even now good reggae music that was being recorded in the United States was not receiving the approbation from home because, in Jamaica they felt that the best reggae music could only come from and be created in Jamaica to substantiate the true feeling of the genre. So he decided to go back to Jamaica and record “Going Home” at Harry J Studio with Sylvan Morris as engineer.
The rhythm track was played by Lloyd Parks (Bass), Devon Richardson (Drum), Andy Bassford (Lead Guitar), Winston "Bo-Pee" Bowen (Rhythm Guitar), Franklyn "Bubbler" Waul (Keyboard), David Madden & Junior "Chico" Chin (Horns). He also recorded the cover version to “Hey Little Girl” originally done by Dee Clark. For this 12'' vinyl edition, the artwork was done with a vintage photo of Tony Clarke in front of his house at Waterhouse and extended liner notes on the back cover.

Jahlin, whose real name is Colin Pitter, was born in Clarendon, Jamaica and moved to Canada in 1975 for his education. He graduated from high school majoring in welding in 1979 and began working as a welder in Toronto while pursuing his musical career. In 1980, Jahlin joined the reggae band Joshua on the recommendation of a fellow musician, Gregory Frank. Later, he recorded his first single "Roots Reality" under his own label, Black Echo. Jahlin's "Roots Reality" is a roots reggae song that was originally released on the Roots Reality label in 1983. Overall, "Roots Reality" is a powerful roots reggae song that showcases Jahlin's talent as a singer and songwriter, as well as his commitment to spreading messages through his music. Its particularity is the addition of violin which is rarely heard in roots reggae music.

Earl Lindo production from 1984...

An extended 12” ‘Club Mix’ of the 1980’s classic covered in true lovers rock style by the late Melody Beecher. Produced by husband Paul and remastered from the original two track session tape. Jura Soundsystem delivers a ‘Lovers Version’ combining snippets of vocal from the original with the Dub mix, going heavy on the reverb to create a more dubbed out excursion.

The 12” is housed in a black and yellow IOJ Island Disco sleeve with sticker designed by Bradley Pinkerton.

The one arm keyboard luminary is well known in the entertainment circle of Western Jamaica. Born on the 2nd of March 1954, the accomplished singer and musician hails from Hayes, Clarendon. In 1969 he went to live in Kingston until 1973. Ancel's first effort in a recording studio was inside the popular Randy's in downtown Kingston. He did a single called 'Riding On' on the Musical Barber label out of Mandeville. In 1977 he joined a group called Solid Foundation and stayed with them for two years. After that he moved to Montego Bay to sing with Stamma and the Sounds of Mobay, with who he appeared on Reggae Sunsplash festival in 1980. Johnny made the move for the United States in 1982, and formed his first own band 'Uprisers' in Pittsburgh city. One of the things he likes to talk about is how he once reunited the famed Clarendonians with Peter Austin and Ernest Wilson. Both pioneer icons were at irreconcilable odds with each other for quite some time. When he came back to Jamaica in 1985, he invited Ernest Wilson to do back-up vocals for him. For the same studio session, he also invited Peter Austin for the same back-up duties, and that was how the reunion came about. Inside famous Aquarius studio, there was Burning Spear's personal Band called Burning. The songs recorded there were 'Moving Out' and 'True Love' with top musicians : Tony Green on the saxophone, Bobby Ellis on the trumpet, Dwight Pinkney on the guitar, Calvin on percussion, Nelson Miller on the drums and Maurice Gordon on bass. This was not the first time Ancel was working with Peter Austin. When the split came in the ranks of the Clarendonians, Ancel was asked to fill the breach. He thus teamed up with Peter Austin and their first single together was entitled 'Out Of Sight'. They later entered the annual Jamaica Festival Song competition in 1975. Their entry was entitled 'Paradise On Earth' which Ancel said was quite popular. However, it was not popular enough to prevent the late Roman Stewart from copping the award with 'Hooray Festival'. After the release of 'Moving Out', Johnny moved to Miami and continued his career as a solo artist, singing with different local bands. He did a number of singles, notably were 'Faith, Patience and Love' and 'Stand Back' for a producer called Jolly in Miami. In 1988 Powell formed his second band Benja, a band which gained increasing popularity in the time in South Florida. They have performed on several festivals, played in most major clubs and were a big success in Andros Island in the Bahamas for an audience who not necessarily consider Reggae their prime choice of music. The saddest part of his life was when he lost his left hand to what doctors termed as a cancerous situation in 1977. This did not, however, stop him from learning how to play keyboards. Initially he was taught by the late Bobby Vaugh in Montego Bay and also got further teaching from jamaican saxophinist Reuben Alexander. Now approaching 70 years old, Ancel is still very active in his music. In previous years he performed at the Marcus Garvey Celebration and is currently working with the “Synergy Band” at Royalton Hotel in Negril under the stage name “Ancel P.” Let the one arm keyboard luminary life and music live eternally !

Synth lovers rock at its best! Jamaican born and New-York based, Laury Webb is a singer, musician, producer, actor, former model and writer. He's been called both the Opera Dread and the Frank Sinatra of Reggae. Laury's musical career began with a role as keyboardist and later backing vocalist with the reggae vocal group The Meditations (with whom he continues to perform). Laury Webb posses a unique and eclectic vocal style. He has performed at some of New York city's premier musical venues, including Lincoln Center's Alice Tully Hall, The Village Gate, S.O.B.'s, The Ritz, The Lion's Den, Joe's Pub, Leopard Lounge, Kenny's Castaway, Central Park Summer Stage, The Baggot Inn and The Brooklyn Bowl. After enjoying years of being a back-up musician, Laury launched a solo career with his Tigerbone Band. During that period he recorded and releases singles "Woman My Queen" and "It Seems The Same". He was fresh out of college and touring with The Meditations, when he purchased a small organ for his girlfriend/mother of his two children for Christmas. By the time her birthday came around he was so broke and could not afford to purchase a birthday present for her so he gave her a writing pad and pen and told her to write down whatever came out of her mouth, and he sat at the keyboard and began playing and singing. “Woman My Queen”, was the result. “It Seems The Same” was begun in America but I did not finish writing it till the music was recorded. My cousin, Barry Biggs, worked with me on this one. We both sang on the backing tracks.

1 december 1944, Thiaroye military camp, right outside of Dakar, Senegal. 1600 French soldiers of West African origin (Benin, Mali, Ivory Coast, Tchad, Senegal , Gabon, Togo etc.) have been quickly evacuated by the French Army during what was subsequentially called the ‘whitening of the colonial troops’ that happened before the armistice signature. The soldiers are awaiting to be paid for their war effort. Things go sideways, protests erupt, and the French military staff decides to open fire. The official number of casualties is 35, although various sources claim several hundred people died on that fatal day. Since then, several artists have grasped that difficult topic, screaming for recognition and reparation. Such is the case with a young Senegalese musician and singer named Maxidilick Adioa, with his very first single ever released, ‘Toubab Bile’, in 1987. At that time, Adioa had been living in France for a few years. He was considered a master percussionist, playing, recording and touring alongside the great Ivorian artist Alpha Blondy. He had just written a beautiful tune, ‘Nao’, for Aminata Fall, one of the biggest actress and singers in Senegal. It seemed like a good time to launch his solo career. Toubab Bilé remains Adioa’s biggest hit to this day, and one of the best African reggae tune ever recorded. Adioa ended up signing an album deal with Chris Blackwell’s Island records and toured the world endlessly during the following years. In 2012, François Hollande was the first French President to officially mention and pay tribute to the Thiaroye massacre in a speech.

Originally released in 1988 ‘Hot Rock’ was the final single from Pennsylvanian based roots reggae band House Of Assembly. The band, comprising main songwriter Norman Bailey, Marc Campbell, Claver Campbell and Louis Putman, grew up in the Water House area of Kingston, Jamaica bonding over their shared love of Dub & Reggae. The 4 members moved to Pennsylvania in the US in the early 80’s and released one album ‘Confusion’ on the local Meadowlark label, touring throughout the Mid-Atlantic region and becoming stalwarts of the Pennsylvanian roots scene.

The band started their own Concrete label in 1988 releasing ‘Hot Rock’ complete with a Dub Version possessing a potent combination of punchy 707 drum programming, killer rolling bassline, stripped back lead guitar and a rising synth line. For the official reissue there’s an added ‘Rockapella’ version not found on the original 12” and a new full sleeve jacket designed by Bradley Pinkerton.

Emotional Rescue is at it again with another fully licensed and remastered offering, this time bringing to wax Mataya's Golddigger with a previously digital-only 'tape Mix.' Zimbabwe-born and later London-based Mataya "Clifford" Chewaluza was a core part of the vibrant West London music scene, using his songwriting, production and multi-instrumentalist skills on albums for RCA and Virgin. He also dropped a few 12"s and this one was released in 1988. It's a cult curio with crashing 80s production, disco-tinged grooves and plenty of subtle African rhythm which includes a standout dub mix from Jura Soundsystem.

Reissue from 1989, amazing leftfield Lovers Rock featuring extended dub version - emotional love bomb. Re-mastered and restored.

"Double releases are a tradition in the house of Krachladen Records, the home of the new Sublabel Krachladen DUB. The 12" split EP „Dub Rosin Vol. 01“ will be released at the same time with 4x 7“ vinyl release „normal dub“ from a rocket in dub. The Dub Rosin EP opens a series of split EPs and compilations, which are reserved exclusively for DUB musicians and will be released 2-4 times a year at irregular intervals. On Dub Rosin Vol. 01, A and B side will be shared by the Düsseldorf IDM masters Graph with two and a rocket in dub with three previously unreleased tracks. For 15 years the Düsseldorf IDM duo Graph (Stefan Jürke & Jens Beyer) has been engaged in the search for sounds beyond trends within electronic music. They experiment with sound and rhythmic structures that are constructed and deconstructed with the help of digital and analog tools. They constantly contrast the precision of digital music tools with improvised textures, surfaces and "beats", thus creating extraordinary and always danceable soundscapes. For Dub Rosin Vol. 01, Graph have provided two brutal but at the same time very peaceful and atmospheric tracks in which they experiment with Dub elements in a refreshing way and remain true to themselves despite all innovations. Deep and deepest subbasses fly around your ears, embedded in a trippy and organic soundspace. The three tracks of "a rocket in dub" form a kind of bridge between the old and the new tracks (if music could talk, italic 32 vers. normal dub, KLD 001). Themes and harmonic schemes of the old tracks are reworked to versions, provided with new drums and percussion and thus updated. The tempo is a bit slower, but the hypnotic effect of repetition is still the main focus. The third short track was created as a friendly homage to Düsseldorf (for F.S.), a hint of a theme."

Limited edition of 750 individually numbered copies on gold & black marbled 180-gram audiophile vinyl. The British shoegaze band Chapterhouse released two albums during their existence, Whirlpool (1991) and Blood Music (1993). Blood Music spawned the single "We Are The Beautiful", which was released during that same year and also appeared as a 12".

* In-demand slab of revolutionary dub that was originally released on the Boom-Shacka-Lacka label in 1994, featuring three mixes of an instrumental sound system shaker in the shape of `Dub Revolution’.

* Highly regarded for their custom built dubplate cuts for Jah Shaka. The Disciples have a sizable following worldwide, particularly in the UK, France, Germany and Japan.

* Tracklist: A. The Disciples - `Dub Revolution'

B. The Disciples `Dub Revolution - Innovation Mix', `Dub Revolution - Chambers of Echoes Mix'

/ Harzkrafthof remix

/ DJ Maxximus remix

/ extinguisher Karl Marx Stadt remix

Got to be Conscious’ was a massive underground hit back in 2002 and is well worthy of a reissue presented here by Partial Records.

Due to more repress requests and rising 'scogs prices, we've repressed the slab of Gorgon Sound remixes, incl the versions of O.B.F.s Echo Dub' and Ras Alla & Twilight Circus' 'No More Will I Roam' - this one comes in hand-stamped poly-lined paper sleeve and pressed up on a 12".

Rawax proudly welcomes Bandulu to the family! Together with Jamie Bissimire, John O'Connell & Lucien Thompson we came to the point that the time is right to present some of Bandulu's great productions on the Foundation Series. Stay tuned!

Everyone loves "Why Can't We Live Together" by Timmy Thomas: how could one resist such a strong music vibe coming with a message more relevant today than ever! It has been covered by the most creative artists more than a few times…
Recorded in Paris and Kingston, the Soul Sugar crew & Leonardo Carmichael make it their own with a sultry reggae groove. Jahno on drums and syndrums, Thomas Naim on guitar, and Guillaume "Gee" Metenier on keyboards and production duties, are delivering the classic hit in all its majesty, in the superior categories of both extended Discomix, and Dub version under the spell of Dubmaster extraordinaire Dennis Bovell!
What to say about the breathtaking interpretation of Leonardo Carmichael? Growing up in Jamaica, Leonardo learnt many a song from his father Glendon Joseph McFarlane, who would sing to his mother Geraldine, who sang in a choir. Leonardo grew up as a drummer and a singer in churches. Through a mutual friend, he met Nastassja Hammond, daughter of Beres Hammond, with whom he started writing and releasing music for various artists including Courtney John and Kreesha Turner. Leonardo has a wide appreciation for diverse genres but keep an International Reggae and Dancehall feel at the core of his music. It can be said Leonardo has faith & soul to the bone...

Emotional Rescue looks back again with a 2022 repress, digging deep in to the early 80s Bristol post punk scene of Pig Pag, the Wild Bunch and the Dug Out club. A short lived project of just 3 releases, Mouth trail-blazed leftfield percussive jams in the rich vain of Liquid Liquid and ESG but in their own jazz-infused way. Centered round the cultural melting post of the St Paul's district, it's pubs, clubs and blues parties threw together young and old to the sounds of dub, funk, jazz and soul and took the spark lit by punk rock and new wave and spawned music that still resonates today. Consisting of a floating line up based around main members Andy Guy and Rob Merrill, alumina included a young Nellie Hooper before he would go on to be a founding member of the Wild Bunch and on to produce the likes of Bjork, U2 and Madonna. Based around a hard tribal drumming, mixing guitar, trumpet, shouted vocals and effects, the thrown in the mix nature was inspired as much by avant-jazz than punk's do it yourself attitude. Here then, on one EP are their complete recordings, including as the title cut, their best and deepest, Voyage To The Bottom Of The Sea. Featured on a compilation LP from the legendary Y Records, its bottom heavy dub sound is augmented by female and toasted vocals riding a top a heavy stepper style riddim. This is followed by an increasingly dizzy array of percussion jams. Acab Part 2) is all skips and trumpets, while the versions of Take Your Coat Off perfect skat vocal / tom interplay, before the finale busts out the rockabilly influences in full effect with jagged guitar, skipping hats meets double bass punk style.

The original Mosca steps up on the LavaLava imprint, with two wicked&wild Firehouse style excursions.

One of two hand-etched runic 12"s - designed by Yaqup Oxbjr -Steppers dubs from 2000F, who has previously released on Hyperdub.

Mennesker, named after a Nordic Rune, means man, people or mankind.

Danish dub is dark and deep, like the cold Nordic winters. With bass deeper than Mimer’s Well, militant rhythms harder than the Einherjer of Valhal, and never-ending echoes from beyond Ni heim.

2000F is the postal code of Frederik Birket-Smith’s hometown of Frederiks-berg. Since the early 1990s he has worked under the alias as producer, composer, promoter and DJ. He is now the CEO of Strøm, Denmark’s official electronic music organisation, co-owner of the Jolene Bar club, the event organisation OHOI!, and the Fyraftensboogie sound system.

One of two hand-etched runic 12"s - designed by Yaqup Oxbjr -Steppers dubs from 2000F, who has previously released on Hyperdub.

Mennesker, named after a Nordic Rune, means man, people or mankind.

Danish dub is dark and deep, like the cold Nordic winters. With bass deeper than Mimer’s Well, militant rhythms harder than the Einherjer of Valhal, and never-ending echoes from beyond Ni heim.

2000F is the postal code of Frederik Birket-Smith’s hometown of Frederiks-berg. Since the early 1990s he has worked under the alias as producer, composer, promoter and DJ. He is now the CEO of Strøm, Denmark’s official electronic music organisation, co-owner of the Jolene Bar club, the event organisation OHOI!, and the Fyraftensboogie sound system.

Released in 2017, the much-talked-about Yasuyuki Horigome & THE NEW Shoes "Aliens (Lovers Version) (12")" will be re-released by Urban Discos in limited quantities! The flip side features a dub version of the song, as on the first pressing. It was re-cut from the original master and retains the 12" 45rpm spec.