Electronic & Dance CD 702 Items

CD | 2024 | EU | Original (Planet Mu)

Release: 1999 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy is close to NM!

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µ-Ziq

Grush

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Mike Paradinas, veteran producer and Planet Mu label owner has written a new album called ‘Grush' and it's full of weird bangers that reclaim the 'dance' part of the woeful term IDM. A back-to-first-principles record, inspired in part by the group of artists IDM was coined for; melodic dance music that didn't come out of urban scenes, but interpreted them from a distance.

The tracks on ‘Grush’ are all road-tested live favorites developed with feedback from Mike's touring partner and visuals guy Mora (Jan Moravec). It's a detailed and energetic journey which replicates the flow of a live gig. A lot of the tracks have been made in hotel rooms in response to shows, ‘Imperial Crescent’ is named after a Japanese Hotel, as is ‘Belvedere’ in Prague, while some tracks such as ‘Hyper Daddy’ were created specifically to play live.

Drums are confidently at the fore here and the album feels like it traces Mike's musical history and interests neatly around his sweetly nostalgic melodies, with atmospheres and structures which twist and turn with a charming softness which contrasts with the tension in the drums. Take ‘Hyper Daddy’s’ spiralling notes and twinkling piano which remind one of early Black Dog or Omni Trio rushing alongside splashy jungle drums, or the aquatic acid footwork of the title track with its drums softly bubbling and kicking. Elsewhere there's territory which harks back to his Tusken Raiders pseudonym, like the heads down Drexciyan funk of ‘Windsor Safari Park,’ which transforms from moody electro into a sunny hardcore track midway. The album is interspersed with Reticulum A, B and C at the start middle and end of the album which suggest a theme which carries across the music in an effortless and joyful way. ‘Grush’ is a strong album that works both for listening and DJing and a great snapshot of where Mike Paradinas musical head is at in 2024.

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CD | 1994 | DE | Original (Plastic City)

Plastic Spirits

22,99 €*

CD | 2006 | DE | Original (Harthouse Mannheim)

Release: 1994 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

very close to NM

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Roland Bone

Electronic Injection

CD | 1996 | DE | Original (Candyland Entertainment)

Release: 2006 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

very close to NM

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Project Pitchfork

En Garde!

CD | 2012 | DE | Original (4MPO)

Release: 1996 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

very close to NM

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Aandra

Origin

30,99 €*

CD | 2007 | DE | Original (International Deejay Gigolo)

Release: 2012 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

very close to NM

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Princess Superstar

American Gigolo III

CD | 2016 | DE | Original (Morr Music)

Release: 2007 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Copy close to NM

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Isan

Glass Bird Movement

CD | 2024 | UK | Original (Stone)

Release: 2016 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

digipak

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Akio Suzuki

Stone

Bright Bars From The Stars

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Recorded in 1994 in Berlin, 'Stone' has been remastered by Lawrence English and sounds better than ever. The perfect introduction to veteran Japanese sound artist's raft of material, it's an exploration of sound, space and time using found objects and flute.

Suzuki's work is fiendishly difficult to describe - it's far better to experience. He became interested in sound after studying architecture, and quickly developed a fascination with spaces - specifically the echoes that existed within them. 'Stone' was a further development of his "throwing and following" technique, where he would cast sounds and gestures into space and catch whatever returned.

So, stationed in Künstlerhaus Bethanien, he used the vast studio to create unique atmospheres, alternating between flute and clattering rhythms from found objects. It's beguiling stuff, that on the CD version thankfully comes with photo documentation and notes from David Toop that should make Suzuki's process a little clearer.

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Pieter Kock

CD | 2024 | EU | Original (Meakusma)

Bright Bars From The Stars

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Producer Pieter Kock, active also as a DJ under his DJ Peacock guise, is known for being one of the people behind the legendary O Tannenbaum bar and club, a haven of sorts in Berlin nightlife for years, and the newly opened second O Tannenbaum called Schankwirtschafft O Tannenbaum. He has released some of his own music on labels such as Musikii, RIO, Full Body Massage, Fantasy Fiction Records, Moonwalk X, and Invisible Inc, and has extensively collaborated with people and projects such as Meeuw and De Fabriek.

His new Bright Bars From The Stars album on Meakusma is a dizzying amalgam of moods and influences. From ghostly and contemplative tracks to spaced-out and dubbed-out dark dancefloor psychedelia infused with melodics, phrasing, and percussive patterns reminiscent of pop and avant-garde alike, Bright Bars From The Stars features a full album on vinyl, with an extra CD included. Kock is a versatile chronicler of the night, capturing the beauty, loneliness, and endless possibilities of wide avenues pining for neon lights, futuristic descents into past moods and modes, and all.

14 tracks in total, Bright Bars From The Stars is a cosmic, at times gentle, at times confrontational affair that brims with ideas and influences. Combining sounds, rhythms, melodies, and textures from a wide variety of sources and meanings, Pieter Kock brings all of his influences together, intent on finding new paths of thinking and feeling. His pictures printed in the CD booklet give some kind of indication of his artistic process, without ever wanting to push things in any kind of direction. Cocktail bars of a dystopian future, unite! Bright Bars From The Stars is the soundtrack to a very encompassing and transformative night out.

All compositions by Pieter Kock except Bright Bars From The Stars by Pieter Kock and Dominik Peacho Noé Mastering & Cut by Rashad Becker Art by Pieter Kock and Meeuw

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Pieter Kock

LP+CD | 2024 | EU | Original (Meakusma)

25,99 €*

CD | 2024 | EU | Original (Public Possession)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Nice Girl

Yummy

3-D Der Katalog Deutsche Version

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Ruby is back only 6 month after her last Album “UPP” she is delivering another amazing full length titled “Yummy”. Currently putting extra focus on her productions she is keeping busy (already working on another follow up = ))
Dive into her sonic world that is getting more & more refined. You can hear it’s Nice Girl: the playfulness, the humour, the melodies and the omnipresent fun vocal bits all make her sound stand out. As usual Yummy is a wild mix of fast, driving, uptempo songs and more relaxed, dreamy bits that can be filed under “lounge” in the best possible way. Dig it!

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Kraftwerk

Box | 2017 | DE | Original (Parlophone)

52,99 €*

Release: 2017 / DE – Original

Genre: Electronic & Dance

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CD | 2024 | UK | Original (Room 40)

Final

What We Don't See

LP+CD | 2012 | DE | Original (Bureau B)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Inspired by childhood fantasies of being invisible, Broadrick’s latest in a 40+ year line of recordings extinguishes any semblance of his ruder, rhythm-driven self, in favour of puristic tonal expression. He’s still there, albeit as a quietly incandescent presence, dematerialising detuned oscillators into elemental pressure and shadowplay.

In his own words: “The theme of this recording is the invisible world, and one's (my) need for it. It's necessary for me, this idea of the invisible world, if I am to function on a daily basis. I find comfort in knowing that this is all not just us here and now, that there's something else around us. That there's something within us, that isn't just this frail skin and bones and the immediate environments we drag ourselves around. I am sure since I was a child, that within me I am many, I am more than this. I surely can't be just this, so I am motivated by the fantasy and/or promise of more…”

Where too often work in this paradigm can fall into anodyne torpor or overbearing conceptualism, ‘What we Don’t See’ burns with a ferocity that swerves tired quiet/loud tropes, instead leaning into the spaces between solemnity, melancholy, and frailty with emotional nuance. Broadrick seems to always channel lived experience in a way that feels convincing rather than contrived, negotiating spiritual pluralities with an elemental grasp of ambiguity that guides his transition from the sustained glower of ‘Bodyless’ to the fugged resolution of ‘Behind Me’ via the stately sweep of ‘Only in Dreams’ and into the keening, microtonal, ‘Inbetween You’.

Powerful stuff from a bit of a living legend.

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Camera

Radiate!

Remember I Was Carbon Dioxide

Release: 2012 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Includes CD

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Camera

LP+CD | 2014 | DE | Original (Bureau B)

23,99 €*

Release: 2014 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Without CD! Vinyl close to NM

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Live At The Knitting Factory · Volume Two

CD | DE | Original (Enemy)

Release: DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | 2022 | EU | Original (Elypsia)

Fabrice Lig

The Mental Bandwith

23,99 €*

CD | 2024 | EU | Original (Karl)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Fabrice Lig has melody running through his veins. On his quest to explore his deep love for the bitter-sweet yearning of Motor City techno, his tracks transcend trends. Over his three-decade spanning career he has refined his blend of soul-infused dance music to striking effect. His gift for a catchy hook is unmatched. His new studio album ''The Mental Bandwidth'' shows his musical range as a producer once again. On the album's twelve tracks, he effortlessly traverses, cosmic house, funkified techno and electronica, combining his trademark quirky melodies with playful songwriting and dance floor focused beats. The album format is giving Lig enough space to explore his musical ideas from different directions while staying true to the overall atmosphere. ''The idea for the album was to go back to the fundamentals of the original Detroit sound and to find new ways of expressing that soul in my music - as I've been doing for years'', explains Lig. With Ann Saunderson and the former Kraftwerk-member Wolfgang Flur, the album features two heavy-weight collaborations that connect the ''The Mental Bandwidth'' to Detroit's musical legacy, too. Slikk Tim aka Garry Grittness also has a cameo in the form of a funky bassline on ''Healing'', the pop-infused Ann Saunderson collaboration. The title of the album is inspired by Lig's lecture of Sendhil Mullainathan and Eldar Shafir book ''Scarcity: Why Having So Little Means So Much'' which explores new approaches to reduce poverty. ''The authors discovered that the mental bandwidth of poor people is sometimes really low because of short term issues they are facing and are forced to solve'', explains Lig. Those issues are reducing the mental bandwidth for long term thinking capacities, which in turn has consequences for the decision making process. An example: before the quality of education of poor kids is increased, the quality of life they have must be increased. This increases the capacities of the kids to learn more than solely better educational programs.

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Wolfgang Seidel

Friendy Electrons

13,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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“Friendly Electrons” presents the electronic side of the original TON STEINE SCHERBEN
drummer, book author and longtime CONRAD SCHNITZLER friend / collaborator
WOLFGANG SEIDEL.
Born in winter 1949 in a grey and gloomy post-war Berlin, WOLFGANG SEIDEL’s first encounter
with electronic sounds was at the cinema: the music for “Forbidden Planet“ by LOUIS and BEBE
BARRON sounded like the promise of a bright, exciting future ... but in the 1960‘s, the biggest
thing for young musicians was to play in a rock band, and as the friends around him all already
played guitar, SEIDEL chose the drums and later co-founded TON STEINE SCHERBEN, the
legendary German anarchist band. Around the same time, SEIDEL regularly attended the Zodiak
Free Arts Lab, the birth place of so-called “Kosmische Musik / Berliner Schule“ (TANGERINE
DREAM, CLUSTER, MANUEL GÖTTSCHING etc), and became close friends with CONRAD
SCHNITZLER. Realizing how much more artistic freedom electronic music offers, he grew tired of
playing the same songs night after night, left the band after their debut album had been released
and started experimenting with contact microphones and tape delay (and later, when he could
afford one, with a Buchla synthesizer). SEIDEL joined SCHNITZLER’s group
ERUPTION and
worked with him till his death in 2011 (sometimes credited as WOLF SEQUENZA) on several
albums, and also toured some art institutions presenting SCHNITZLER’s “cassette concerts” (who
had dropped his suitcases with the tape machines in front of SEIDEL’s flat door and appointed him
the “future conductor”).
In the 2000s, SEIDEL started playing drums again, this time in the free jazz / improv scene (a.o.
others with ALFRED A. HARTH and HANS JOACHIM IRMLER), wrote books about his former
band (“S
cherben – Musik, Politik und Wirkung der Ton Steine Scherben“) and Krautrock („Wir
müssen hier raus! Krautrock, Free Beat, Reeducation“) ... and continued his sonic explorations
with his Buchla in his studio in Berlin-Wedding.
When we met at a birthday party, Wolfgang told me about his electronic pieces - I was interested
right away – so he browsed his archive and sent me a selection of tracks. These are often based
on older ideas and sketches that he had completed during the pandemic when there were no
concerts to play. The result is „Friendly Electrons“ – a collection of 18 tracks, inspired by
SCHNITZLER’s collage technique and SEIDEL’s own experiences with improvisation. With the
exception of 2 pieces that are actually composed there were no fixed ideas – simply start from
KR114_W.SEIDEL_infosheet.pdf
scratch and see what happens, review the result from different angles and refine the tracks where
necessary. Whereas electronic music is often considered dystopian, the album title mirrors
SEIDEL’s positive attitude towards modernism, so his electrons are of a friendly kind!

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CD | 1999 | US | Original (Emperor Norton)

Pop Romantique

Release: 1999 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Lorenzo Dada / Luciano Michelini

Lucifer

CD | 2024 | EU | Original (Kompakt)

Umoja Joaquin Joe Claussell Sacred Rhythm Music & Cosmic Arts Remixes

Release: 2024 / EU – Original

Genre: Electronic & Dance

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With Lucifer, Kompakt presents an album of rare beauty from two masters of modern music. A family affair, it’s a collaboration between the Italian father-and-son duo of Luciano Michelini and Lorenzo Dada, whose combined histories bring to Lucifer a depth of experience alongside clarity of vision and a finely tuned, neatly developed combined compositional voice. A lovely, beguiling suite of music that combines the electronic and the acoustic, the urban and the pastoral, its gorgeous night-eye vision and tender melancholy sits neatly within the Kompakt universe, while offering the curious listener some rich new perspectives.

There is already plenty to know both artists by. Lorenzo Dada creates across multiple fields – a techno producer and DJ who has already worked with the likes of Jay Haze, Fete, Leo Benassi, and Der, he’s released a small clutch of stylish, smartly designed EPs, and a solo album, Second Life (2018). His complementary background in classical music and composition informs his ensemble project, Tears Of Blue (who appear on Lucifer), where Dada paints with neo-classical tones for a quartet of violin, viola, cello and grand piano, supplemented by electronics for live performance.

Luciano Michelini’s history is yet richer. He may be best known, to many, for his piece “Frolic”, the theme to Larry David’s Curb Your Enthusiasm series; it was also sampled by Snoop Dogg for 2022’s “Crip Ya Enthusiasm”. But there’s much more to Michelini’s story. A successful soundtrack composer, Michelini both studied and taught at the Conservatoro di Santa Cecilia, and worked for RCA from the sixties to the eighties; his soundtracks from this period are gorgeous examples of the form, particularly his work for Il Decamerone Nero (1972), L’Isola Degli Uomini Pesce (1979), and the devastatingly gorgeous Dimensione Donna (1977).

In the eighties, Michelini and his wife Anna Gutling founded the Electronic Music Division studio and academy in Rome, which is where the majority of Lucifer was recorded. Dada reflects on the experience: “We never worked together before, so it was all new for both of us,” with Michelini adding, “I truly love this experience with my son. He’s a talented pianist and composer. I am not very familiar with electronic music nowadays, but we did it fluently.” There’s certainly a familial energy at play through Lucifer, and you can hear how Dada and Michelini, through exploration and experiment, find a shared language, balancing Dada’s tendency toward minimalism, and Michelini’s composerly voice.

Lucifer flows as a suite that interweaves electronic music with acoustic instruments: the lonely sigh of saxophone; Michelini’s lush, verdant piano; the weeping strings of Tears Of Blue (recorded at the studio of Michelini’s friend, the late Maestro, Ennio Morricone). These multiple voices are located within the electronic sighs and swarms from Dada’s kit; there are moments of propulsion, and passages of lambent drift, where the album revels in its tonal sweetness. If it flows so effortlessly, that’s because Lucifer was designed that way, as a suite or a sonata of sorts.

And the title? Dada reflects, “Lucifer was an angel who decided not to be one anymore. The miracle of life is that we can decide what we want to be, even if we are born as angels or vice versa.” This feels somehow apposite: there’s certainly something of the transformative, and the transportive, in Lucifer, a unique family collaboration of rare poetry and sensitivity, where two generations meet in the modern crucible that is the electronic music studio.

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Nicola Conte

CD | 2024 | EU | Original

CD | 2004 | EU | Original (Columbia)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Renowned New York City house music icon Joaquin Joe Claussell has embarked on an electrifying project of ecstatic, spiritual club music with his latest endeavor: a double album worth of reinterpretations of the music from Italian jazz master Nicola Conte's 2023 album Umoja.

Claussell's collaboration with Nicola Conte and Far Out Recordings helps mark the label’s 30th anniversary, as Claussell joins fellow producers such as Theo Parrish, Ron Trent, Kenny Dope and 4hero in remixing music from the label’s catalogue.

Extending the tracks from Umoja for full length, dance-floor focused mixes, Claussell has accentuated the original music’s global, afro-futurist vision with comprehensive rearrangements - featuring additional percussion, guitars, keyboards, synthesizers and drum programming - excavating the source music and re-recording many of its parts under the auspices of his Sacred Music & Cosmic Arts banner.

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DJ Krush

寂 -Jaku-

11,99 €*

Release: 2004 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

12" | 2024 | EU | Original (Kulture Galerie)

The Jaffa Kid

Phemeral EP

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-06-28

I am happy to present our first tape release by The Jaffa Kid as part of the brand new Digital Artefacts series.

The series is an ode to the sound of the 90s, from Electro, IDM and Jungle to further different experimental stuff and sounds. The choice of tape as format seemed fitting for the aesthetic of the series.

The first EP comes from UK based The Jaffa Kid (previously on 030303, Dischi Nottetempo, Gated Recordings and more) and is a solid mixture of Electro, Techno and beyond.

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CD | 2004 | US | Original (Pi)

Juncture

Release: 2004 / US – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | 2001 | DE | Original (Tourette)

Format 5

Release: 2001 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Free Psychedelic Poster Inside

Intersystems

CD | 1994 | DE | Reissue (Streamline)

11,99 €*

Release: 1994 / DE – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | 1991 | ES | Original (Nova Era)

Miquel Jordà

Josie Bliss

Release: 1991 / ES – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | 2004 | UK | Original (Leaf)

Delivery Room

7,99 €*

Release: 2004 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | 2006 | US | Original (Kranky)

Benoit Pioulard

Précis

7,99 €*

Release: 2006 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

CD | 1994 | DE | Original (Playtime)

Georg Sehrbrock

Belgium

Release: 1994 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 2002 | US | Original (Shadow)

DJ Spooky

Modern Mantra

Release: 2002 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 2000 | DE | Original (Tresor)

Tobias Schmidt

Destroy

11,99 €*

Release: 2000 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Infiniti Feat.: Juan Atkins

Never Tempt Me

CD | 1999 | DE | Original (Tresor)

Release: 1999 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | 2006 | EU | Reissue (Cheeky)

Faithless

No Roots

Release: 2006 / EU – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

As The Veneer Of Dumbness Starts To Fade

Braun (And The Mob)

CD | 2005 | DE | Original (Nonplace)

Release: 2005 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Ein Königreich Für Eine Handgranate

Beige

CD | 2001 | DE | Original (Nonplace)

Release: 2001 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | 2003 | DE | Original (Columbia)

International Pony

My Mouth

Release: 2003 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | 1997 | UK | Original (Regal)

Boymerang

Balance Of The Force

Release: 1997 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | FR | Original (Odd Size)

Maybe Mental

Lotuses On Fire

Release: FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 2007 | DE | Original (Kompakt)

Hug

Heroes

Release: 2007 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | 2000 | BE | Original (Sub Rosa)

David Shea - Scanner

Free Chocolate Love

Release: 2000 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | 2003 | US | Original (Thirsty Ear)

DJ Wally

Nothing Stays The Same

Release: 2003 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

The Machines Will Know Who You Are

DJ Slip

CD | 2000 | DE | Original (Kanzleramt)

Release: 2000 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | 2002 | DE | Original (Raum...musik)

Dick Richards

Amanecer

Release: 2002 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 2005 | DE | Original (Kitty-Yo)

Jahcoozi

Pure Breed Mongrel

Release: 2005 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | 1999 | BE | Original (Sub Rosa)

Tone Rec

Coucy Pack

Release: 1999 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

The Rudy Schwartz Project

Salmon Dave

CD | 1994 | DE | Original (Musical Tragedies)

Release: 1994 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 2002 | UK | Original (ReR Megacorp)

Lauren Weinger

Silo

Release: 2002 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | 2002 | UK | Original (Hidden Art)

Muslimgauze

Dar Es Salaam

Release: 2002 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 2003 | DE | Original (Disko B)

Susanne Brokesch

So Easy Hard To Practice

CD | 2005 | DE | Original (Karaoke Kalk)

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Includes booklet.

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Donna Regina

Slow Killer

Release: 2005 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | 2003 | DE | Original (Ministry Of Sound)

Hacienda

This Very Moment

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Incudes booklet.

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CD | 1997 | BE | Original (Sub Rosa)

Underwood Two

Release: 1997 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

CD | 1994 | UK | Original (Cheeses International)

Doc Wör Mirran

The Music Of Blood

Release: 1994 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 1993 | UK | Original (UtterPsalm)

John Wall

Fear Of Gravity

Release: 1993 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 1993 | US | Original (Vetco)

Blacklight Braille

Zauzomank Castle

Release: 1993 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

System Error. Al-Yamamah Mix

DJ Spooky

CD | 2006 | IT | Original (21st Records)

Release: 2006 / IT – Original

Genre: Hip Hop, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

CD | 1999 | DE | Original (Popular Tools)

The Modernist

Explosion 1999

Release: 1999 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

CD | 2004 | PL | Original (Arka Sound)

Suns Of Arqa

Magiczna Miłość

Release: 2004 / PL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Popdeurope² (Sounds: Afropean-A-Licious)

CD | 2004 | DE | Original (Peacelounge)

Release: 2004 / DE – Original

Genre: Hip Hop, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Christian Marclay, Thurston Moore, Lee Ranaldo

Fuck Shit Up

CD | 2000 | CA | Original (Les Disques Victo)

Release: 2000 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Niels Lyhne Løkkegaard & Quatuor Bozzini

Colliding Bubbles

CD | 2024 | US | Original (Important)

Stephen Ruppenthal And Gary R. Weisberg

Release: 2024 / US – Original

Genre: Electronic & Dance

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»Colliding Bubbles« is a composition for string quartet and harmonica quartet, meaning that Quatuor Bozzini is playing string instruments while playing harmonicas. The title refers to different kinds of bubbly matter which are set to collide within the composition, leading to different ruptures and possible release of surface tension. The collision of bubbles unfolds partly in relation to sound, where small fluctuations appear in the encounters between harmonicas and string instruments and partly in relation to a more performative or conceptual bubble where instruments representing different systems, or bubbles, will collide; the very celebrated instruments within the classical string quartet and the perhaps more prosaic harmonica.

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Strange Times

CD | 2024 | US | Original (Important)

Release: 2024 / US – Original

Genre: Electronic & Dance

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»Strange Times« is a virtuosic realization of contemporary electroacoustic soundscapes composed and performed by Stephen Ruppenthal and Gary R. Weisberg. With masterful employment of electro-acoustic techniques and tools, including the original 70's Buchla Music Easel Ruppenthal used in the Electric Weasel Ensemble, these two artist create an essential, psychedelic, electro-acoustic experience. »Strange Times« explores the ability of sound to alter consciousness, creating sonic environments, mental and physical states where one can allow the experience of listening to become transformative.

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John Gomez & Nick The Record Present Tangent

2CD | 2024 | UK | Original (Mr Bongo)

2CD | 2011 | EU | Original (Ticker Tape Ltd.)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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To celebrate 10 years of one of London’s most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gómez and Nick the Record, it aims to transmit a taste of Tangent’s spirit. A party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties.

Friends for close to 20 years, music lovers, record obsessives and internationally renowned DJs in their own right, John and Nick have two lifetimes worth of musical knowledge to draw from. John a long-standing NTS Radio resident and compiler for Music From Memory. Nick one of the UK’s go-to record dealers, resident DJ since the ‘90s at one of Japan’s pioneering parties, Life Force, and co-captain / co-edit-expert of Record Mission with Dan Tyler (Idjut Boys).

In 2014, the pair decided to bring some of Life Force’s grassroots principles to the UK, whilst channelling underground clubbing institution Plastic People’s meticulous attitude to sound. Tangent grew from being a small gathering of friends, to an established fixture in London’s nightlife, whilst always maintaining a strict no guest DJ policy. “As London’s clubs have become increasingly reliant on international guests, we wanted to emphasize the importance of a club night growing through its residents”, John and Nick reflect. With 10 years of the duo at the helm, an intimate connection between DJ and dancefloor has been built, allowing for freedom of expression on both sides of the decks.

Tangent reaches around the globe and across different eras to make connections that stimulate emotional reverberations in the unfamiliar. Where the blissfully Balearic ‘Laberinto’ by Miguel Perikás, goes hand-in-hand with the Cameroonian hip-house of King B.’s ‘Love is Crazy’. The thundering ‘Amek Amek’ by L'Innovateur Djoe Ahmed et le Zoukabyle, rubs shoulders with the soulful Caribbean-influenced touch of Champagn’s ‘Bel Ti Négress’. And Pellegrin El Kady’s afro-cosmic ‘Seiva de Carnaval’, crosses paths with Kajou’s Kompa disco anthem ‘Tet Chajé’.

Tangent’s longevity is in part down to it having always embraced contemporary sounds. The sub-rattling bass of Srirajah Sound System’s stunning Molam dub stepper ‘Si Phan Don Lovers Rock’ and the slow, woozy mantra of leftfield dancehall explorer Androo’s ‘Lyriso’, are two shining examples.

This compilation represents an ongoing dialogue between past and present, transporting listeners to the heart of a pure musical experience, where open minds and open hearts are eager to follow the tangent.

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Radiohead

TKOL RMX 1234567

Release: 2011 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 2016 | EU | Original (XL)

Radiohead

A Moon Shaped Pool

CD | 2023 | DE | Original (Sonic Pieces)

Release: 2016 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Includes booklet.

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Erik Skodvin

Nothing Left But Silence

29,99 €*

| 2023 | US | Original (Rvng Intl.)

Release: 2023 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Includes booklet.

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Pauline Anna Strom

Echoes, Spaces, Lines

29,99 €*

CD | 2024 | EU | Original (Raster)

Release: 2023 / US – Original

Genre: Electronic & Dance

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4x CD boxset collecting the albums Trans-Millenia Consort, Plot-Zero, Spectre, and the previously unreleased Oceans of Tears. Includes 16 page booklet.

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Frank Bretschneider

Pounding

CD | 2024 | US | Original (Youngbloods)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Unequal cycles searching for synchronous experiences: On his new album »Pounding«, Frank Bretschneider tells of distance, convergence and congruence in a continuous, ever-changing flow of events. What is often considered to be an unquestionable dogma in club music (for which Bretschneider has provided significant impetus since the 1990s) – the groove – appears precarious, unstable, and in motion. Pulse and accent are volatile encounters and have to be found again and again for short, delightful moments. Music becomes a constant process of negotiation.

In search of new sound spaces, Bretschneider has recently worked a lot with modular synthesizers, both solo (for example on »abtasten_halten«, 2020) and in collaborations, including the project Beispiel together with Jan Jelinek. »Pounding« was created using similar means – conceived in 2020 for the Pochen Biennale in Chemnitz, subsequently developed further and recorded in March and April 2023 on a sample-based modular system. And in fact, Bretschneider is once again exemplarily scanning his own sound material, for example Dub effects that listen to themselves crumbling. But also the human voice, or more precisely: the stuttering of fragments of speech, far in the distance but omnipresent, like a mysterious narration. Aesthetically, the eleven pieces form part of a series of works with a focus on percussion. Bretschneider has already perfected this approach with albums like »Rhythm« (2007) and has been shifting the perspective ever since, for ever new results.

Shifting is the basic principle of »Pounding«. Bretschneider combines elements that are in different aggregate states, changing their relationship to each other and thus ensuring the complex overall movement. He lets one to two-bar loops run against each other and through manipulations, develops a network of rhythms that creates a hypnotic state in the counterplay of repetition and mutation, between clearly recognizable meter and disorientation. There are comparable approaches in aleatoric music. Bretschneider combines them with sounds and patterns that are reminiscent of step sequencer logic and at the same time go far beyond it. The result is relational techno. Never clear, constantly restless and exciting.

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The June Carriers

Equanimity

The Grass Is Always Greener

Release: 2024 / US – Original

Genre: Electronic & Dance

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Introducing The June Carriers: a project by Portuguese artist Francisco Silva, also known musically as Old Jerusalem. The full length album "Equanimity" is a departure from previous efforts, turning from traditional folk to experimental instrumental guitar works that are warm in tone, measured in pace, and ponderous in structure. "Equanimity" casts a series of aural still lifes that reflect the wisdom (and namesake) borrowed from an ancient 10th century collection of Zen riddles. Silva points to one in particular: a pilgrim is asked what the purpose of his pilgrimage is, to which he claims he does not know, he is merely following the wind. Silva, finding himself in similar circumstances, found inspiration in the riddle’s conclusion that not knowing is most intimate. Based in the northern coastal city of Porto, Silva has spent his career recording under the alias Old Jerusalem-a nod to the concluding work from Will Oldham’s (Bonnie Prince Billy) 1995 album Viva Last Blues. As Old Jerusalem, Silva’s recordings are vivid, lyrical, and poetic, balancing similarities with Paul Simon, Art Garfunkel, M. Ward, and Mark Oliver Everett, while sonically his recordings are contoured by earnestness and a sense of foreign nostalgia. Under his newly minted The June Carriers alias, Silva’s music is comparatively more abstract, spinning off from the stylistic clarity of his hitherto main creative endeavors into a rolling collection of meditative instrumentals. Stylistically, Equanimity inspires visual apparitions and open-ended story telling amidst a blend of staccato-led rhythms and waves of embracing chords, reminiscent of the Atlantic rolling along Porto’s western shores. Shades of Americana and traditional Portuguese folk stand alongside whispering recollections of endless afternoons and warm days. Compositionally, Equanimity stands atop individual snapshots of Silva in an unencumbered mode of creation, culminating and blooming into the intimate freedom of being unburdened. In this zen state of unknowing, we effortlessly become both the observer and the agent.

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Barbara Morgenstern

CD | 2006 | DE | Original (Monika)

Release: 2006 / DE – Original

Genre: Electronic & Dance

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Box Set | 2008 | EU (One Little Indian)

Björk

Innocence

24,99 €*

CD | 2024 | UK | Original (Oneirec)

Release: 2008 / EU

Genre: Electronic & Dance

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Box set featuring remixes of the song “Innocence”

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Izm

Oneirec02

12,99 €*

CD | 2024 | EU | Original (Noton)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Priori & NAP join forces to christen IZM, their debut outing full of scuzzy oddities & left-field club groovers.. Tip! Priori & NAP both need little introduction.. The Naff & Isla honcho's have releases under their belt on imprints such as Midgar, Trule, Animalia, 1080p & 3XL's Experiences Ltd! The duo now team up under the moniker IZM, fusing their influences of industrial noise & slewed metal with their trademark slinky beats & low slung dance floor swing. The new guise finds it home on oneirec, who continue to impress after 01 with DJ ojo.

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Alva Noto

Hybr:Id III

18,99 €*

CD | 2024 | UK | Original (Room 40)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.

The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB

more info to: Shuudan koudou

'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022

Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking

On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.

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Madeleine Cocolas

Bodies

CD | 2024 | UK | Original (É Soul Cultura)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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A companion album to 2022's restrained 'Spectral', 'Bodies' blurs the boundaries between bodies of water and human bodies, provoking presence by emulating wave cycles and heartbeats with deft electronic rhythms and obscuring vocals and field recordings with tense synths.

Cocolas headed to the Australian coast and explored the creeks and waterfalls of Far North Queensland to source environmental sounds for 'Bodies'. And although these recordings are mostly hidden, they provide the album with its backbone, over which Cocolas lavishes concealed chorals and orchestral waves of powerful, distorted electronics. There's a palpable tension to the material; we can hear Cocolas' cries on opening track 'Bodies I', but it's buried beneath saturated, cinematic washes that might be strings, and might be synths.

She wanted her collages to evoke memories and emotions rather than represent something more tangible, and handles this by drifting from digital to analog, electronic to acoustic, concealing everything almost beyond recognition. On 'A Current Runs Through', Cocolas turns her instrumentation into crashing, cinematic drones that emerge like bubbling waters, and on 'Exhale' it sounds as if she's sunk beneath the surface, her ensemble drowned by filtered bubbles and ominous groans.

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Transmission Towers

Transmission One

CD | 2024 | EU | Original (Discreet Music)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Aerials live, dials tuned, Transmission Towers broadcasting. On either side of the river Mersey, transcendental communications are traded back and forth. Two late-night revellers, one firing messages filled with music, the other returning them laced with lyrics. The result, a dopamine hit of oddball machine soul, melded with a highlife, Afrofuturist touch. Wonky and murky yet deeply emotional, Transmission One, is a debut album that also marks the first release on Luke Una’s É Soul Cultura label, encompassing expertly the off-kilter atmosphere the label sets to orbit.

A synthesised landscape with a Northern charm, Transmission Towers marry the musical worlds of two artists that last collaborated over a decade ago. 10 years have passed, lives have been led, but a gravitational pull has placed Mark Kyriacou and Eleanor Mante back in each other’s spheres on opposite sides of the city of Liverpool. Energised with a newfound desire to strip it all back to the sounds that influenced their formative years in the late ‘80s and ‘90s - astral travelling, intoxicated on Motor City techno, Black Dog IDM and mystical Sun Ra. Mark half Irish, half Greek Cypriot, Eleanor half Nigerian, half Ghanian, the music contained within is an alchemy of those roots and the pivotal acts that buried deep into their minds. A cosmic contrast, part machine-made, part distinctly human. Take the opener ‘up’, an ESG-channelling, sci-fi punk beatdown or the polychromatic hyperspace anthem ‘Roller Skater 23’. Transportive throughout, you ride the solar waves, pace and emotion ebbing and flowing. Tracks like ‘Go Slow Heart’ and ‘Cosmic Trigger’ step to a slower beat but hit with a punch. The former, a slo-mo blast of celestial tenderness, the latter an otherworldly, chugged-out lunar excursion, micro-dosing on whacked-out Wah Wah and Eleanor’s ethereal vocals. Beaming love letters to space and back, ‘Sparse’ marries the organic with the artificial, pianos and percussion circling around synth pads and broadcasting bleeps. Elsewhere, vibrations move faster. ‘Mega’ strikes, fusing sonic tribalism with psychedelic swirls, as ‘Everything’ sweeps you up in its extra-terrestrial new wave grip. Synth stabs and basslines fizzing from every angle. Demos of Transmission Towers music surfaced on Luke Una’s radar, making him stop in his tracks. Something magical was emerging, perfectly aligned with the E Soul guardian’s tastes. Guidance followed, quickly turning into conversations about Transmission One becoming the first release on Luke’s own label. Escapist and futurist yet grounded and relatable. Transmission One is synthesis meets sentiment with a deep, spine-tingling soul at its core.

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Sewer Election

Psychic Drama Volume 2

13,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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2CD | 2024 | EU | Original (Fördämning Arkiv)

Pumice

Miserable Poison

16,14 €* 16,99 € -5%

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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CD | 2024 | UK | Original (Domino)

Jon Hopkins

RITUAL

Release: 2024 / UK – Original

Genre: Electronic & Dance

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CD | 2024 | US | Original (Newretrowave)

Syst3m Glitch

The Brave Ones

13,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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CD | 2024 | Original (Mille Plateaux)

Neuro... No Neuro

Positive*

17,99 €* 19,99 € -10%

Mixmaster Morris, Jonah Sharp, Haruomi Hosono

Release: 2024 / Original

Genre: Electronic & Dance

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"Positive*" by Neuro... No Neuro is based upon thin slices of memory, and the disintegration of their existence. The day-to-day, with its 'ups and downs', all while operating/existing above and to the right of the body. When the day ends, and the separated is reunited; how does one collect what is no longer there?

Separating consciousness from the corporeal.

Memory and thought are being swept out to sea in granules that are imperceptible to those around you. Short term is riddled with inconsistencies.

Say "so long" to the granules.

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Quiet Logic

CD | 1997 | EU | Reissue (WRWTFWW)

18,99 €*

Kiasmos (Olafur Arnalds & Janus Rasmussen)

Release: 1997 / EU – Reissue

Genre: Electronic & Dance

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WRWTFWW Records is flying high as it announces the reissue of the 1997 ambient masterpiece Quiet Logic by electronic music visionaries Mixmaster Morris (The Irresistible Force), Jonah Sharp (Spacetime Continuum), and Haruomi Hosono (Yellow Magic Orchestra). For the first time ever, this iconic album is available on vinyl as a double LP with a heavy 350gsm sleeve, as well as on digipack CD and digitally.
Quiet Logic invites listeners to embark on a captivating sonic odyssey, blending intricate rhythms and celestial environments that push the boundaries of electronic music. Co-crafted at Haruomi Hosono's Tokyo studio in 1997, this album represents a time of rapid transformation in the genre, with these three artists at the forefront of redefining soundscapes.
With its unique blend of influences from Hosono's immense contribution to electronic, pop, and experimental music to Morris' worldwide chill out DJ performances and Sharp's pioneering label, Reflective, Quiet Logic remains a timeless piece of ethereal electronica. It was originally only released in Japan in CD format on the Harry Hosono-curated Daisyworld Discs label.
Remastered for 2024, this reissue is a must-have for fans of Haruomi Hosono / YMO, The Irresistible Force, Spacetime Continuum, Dreamfish, Tetsu Inoue, FFWD, H.I.A., Fax +49-69/450464, and mind-expanding musics.
Immerse yourself now.

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CD | 2024 | EU | Original (Erased Tapes)

Inventions For Radio Record Store Day 2024 Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Kiasmos - Icelandic composer Ólafur Arnalds and Faroese musician Janus Rasmussen – are returning, renewed and restored, with II. The triumphant follow-up to their universally acclaimed self-titled debut in 2014, which re-envisioned minimal techno with orchestral flourishes and weightless production. They’d made most of that album in just two weeks; this time it’s been 10 years. The making of II was a test of their friendship, but also testament to how great musical chemistry can always go the distance and be just the same as it ever was.

They worked on a lot of II during the lost year of 2020-2021, including a trip to Ólafur’s studio in Bali. “We spent a month there and wrote a few songs that ended up on the record,” says Janus. The pair sampled traditional Balinese percussion like the gamelan and incorporated Janus’s field recordings of their natural surroundings – the sound of birds, crickets and, on standout track ‘Dazed’, echoing the sunrise over the lush landscape.

Kiasmos have an enviable knack for conveying complex emotions and evocative visuals with instrumental music. But this time they’ve got more experience as producers to draw on. The album’s expansiveness can be linked to Ólafur’s intervening years as a Grammy-nominated composer and prominent soundtracker in film and TV. And they’ve subtly shifted from four-to-the-floor to the frenetic broken beats of UK dance music, experimenting more with BPMs, echoing Janus’s time spent DJing in major venues worldwide. There are still those aching melodies that fans know and love but they’re catchier too: tracks like ‘Laced’ and ‘Bound’ have an irresistible, elastic bounce beneath the ethereal palette.

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Delia Derbyshire

6CD | 2024 | UK | Original (Silva Screen)

41,99 €*

2CD | 2024 | UK | Original (Shadow World Archive)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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The BBC’s Third Programme aired four radio broadcasts between January 1964 and September 1965, collectively known as Inventions for Radio.
They were ground-breaking in both form and content, conceived by playwright Barry Bermange and consisting of the voices of the general public answering questions on four themes,
one for each programme: dreams, the existence of God, life after death and ageing. Delia Derbyshire was assigned by the Radiophonic Workshop to edit and add electronic music/ effects.
The collaborative result is dreamlike and mesmerising, an audial window to another era. For many years Derbyshire was not credited for her contribution, nor were the broadcasts available commercially,
although they still managed to acquire something of a cult following. This boxset duplicates the recent vinyl release on CD, with one disc for each broadcast and two further CDs of additional material.
The booklet includes notes by producer Mark Ayres on these extraordinary pieces which have been the most elusive of Twentieth Century classics until now.

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Kristen Gallerneaux

The Mcclintic Chorus

24,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Tag this as somewhere between “hospital ambient” and “backwoods industrial.”

Shadow World Archive is proud to present The McClintic Chorus, the second full-length LP from Kristen Gallerneaux. The follow-up to her critically acclaimed debut Strung Figures, The McClintic Chorus finds Gallerneaux in world-building mode, crafting a psychogeographic landscape of folkloric Appalachia through sound. Turning her inimitable, idiosyncratic ear to field recordings and sound sources recorded or re-recorded in and around Point Pleasant, West Virginia and the McClintic Wildlife Area's infamous TNT domes, Gallerneaux performs a sort of alchemy, teasing uncanny and unknowable deep-time histories from post-industrial rubble. Transforming the hyper-local and hyper-personal into something that can be universally felt - in your head, heart, and guts. Literally. 'Cause this gear bangs.

The McClintic Chorus is presented as a digital download and as a luxe 2xCD + zine. The second disc includes Where The Whistles Mingle, an album-length longform track only available with the physical release.

But enough from us. Let's hear from Gallerneaux herself: The McClintic Chorus is a 68-minute composition and multimedia performance created from recordings gathered at the McClintic Wildlife Management Area in Point Pleasant, West Virginia. From 1942-1945, this site was known as the West Virginia Ordnance Works or “tnt Area,” in reference to its history as a WWII-era explosives manufacturing facility. Over 720,000 tons of TNT were produced daily on the grounds. A series of concrete “igloo” storage huts were erected and covered with earth to camouflage them from potential enemy aircraft. These structures are the only architectural clues that remain of this landscape’s former life.

In November 1966, the TNT Area received attention in local newspapers as the place where a mysterious 6-foot-tall, winged humanoid with red eyes known as “Mothman” was first spotted. A flood of reports connected to the TNT Area described Mothman’s penchant to silently glide alongside cars and interfere with telephone calls by emitting shrill blasts of tinny static, beeping, and electronic pulses. Today, many paranormal seekers visiting the site believe the cryptid was a “harbinger of doom” who was attracted to the Point Pleasant area to observe or warn of the fatal December 1967 collapse of the town’s Silver Bridge.

The McClintic Chorus is a biography of place—exploring the tenuous collisions between industrial landscapes, ecological redemption, and contemporary legends embedded in rural Appalachia. While producing this work, the complicated oscillations between the bucolic and the vaguely threatening were visibly and audibly palpable. Searching for the overgrown entrances to abandoned ordnance huts—the deafening sounds of bullfrogs, redwing blackbirds, and other wetland wildlife compete with the rattle of gunfire from the nearby range.

Binaural, contact, and stereo microphones were used to capture the powerful echoes from inside and around the TNT domes. Recognizable recordings of these sounds permeate the work, blended with fragments of recordist stomps, gasps, coughs, and voices—which were transformed into several DAW-based drum kits and instruments.

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CD | 2003 | IT | Original (Innersound Records)

Perfect Evolution

Orbital (The Green Album)

Release: 2003 / IT – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese edition with booklet.

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Orbital

2CD | 1991 | Reissue (London)

20,99 €*

CD | 2024 | UK | Original (Cyclic Law)

Release: 1991 / Reissue

Genre: Electronic & Dance

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Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990

1. The album will be remastered and represented in multiple formats, to be released alongside the band's 'Green Album' UK tour (the band performing Green & Brown albums) starting on 24th April . They've just be announced for Coachella , as well as Miami's Ultra Festival & headline shows in New York & Chicago.
2. Last available on vinyl in 2015 - long time sold out. Back On Double Vinyl editions.
3. First repress on CD for over 20 years ! Back on Double CD - Bonus CD featuring rarities and classic remixes

BIOG / SHORT PR INFOS

Following on from the UK Top 20 success of 2022's 30 Something, and the Top 10 for 2023's Optical Delusion, London Records launch an extensive 2024 campaign for Orbital, revisiting 1991's seminal debut Orbital (aka The Green Album).

The Green Album heralded a brave new world for the UK musical landscape (DJ Mag would later decry that the album "rewrote the rule book for rave"). Brothers Paul and Phil Hartnoll eschewed formulas and clichés, choosing to explore wider textures, rhythms and stranger mind spaces within dance music. Their resulting album would enjoy both chart success and an enduring legacy, influencing and inspiring artists from Björk to Bicep, with the Hartnoll brothers going on to collaborate with artists as diverse as Madonna, Ennio Morricone, Kraftwerk, Sleaford Mods and Professor Brian Cox.

33 years since its original release the album is revisited, from black vinyl , limited colored vinyl and CD editions (long out of print), to special Record Store Day double Splatter Lp. In the digital space 'Tonight In Belfast' will be lauched on February 2nd, :a reworking of the band's seminal track 'Belfast', remixed by David Holmes and re-interpolated with new lyrics and vocal by acclaimed street poet Mike Garry.

Orbital will be supporting The Green Album with an extensive headline UK tour this April (performing both their Green and Brown albums). Ahead of that they've just been announced today for Coachella 2024, as well as Miami's Ultra Festival and headline shows in New York and Chicago.

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Stars Without Light

Beneath And Before

18,99 €*

CD | 2024 | EU | Original (Planet Mu)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The inaugural offering from composer and dark ambient veteran Harlow MacFarlane (Funerary Call, Sistrenatus, Havan...)’s mysterious, unheard of Stars Without Light provides the score to a yet-to-be discovered, disintegrating film reel of the unknowable. With masterful curation of sound and catharsis, this shadowy entity coaxes the aural observer into a spectral Otherscape. Over the course of the disquieting “Beneath and Before”, we attempt to follow this captivating sonic narrative through an ever-shifting apocalyptic landscape, waiting, hiding behind a thin veil of synthetic scrapings, rhythmic grinding, and hissing surface noise, lest we are discovered by what dwells beyond.

The churn of electronic howls, twitching clatter, and all-out scrap metal assault submerges beneath contrapuntal found sounds and manipulated past echoes, selectively relieved by an occasional eerie calm. An unexplainable agoraphobia begins to take hold within this ebb and flow. With just enough analog textures, decaying tape loops, and perceptible instrumentation to fleetingly ground the listener back to tangible reality, we are cruelly reset for the next bout of formless fear. Unexpected thundering percussion and suffocating sub-abyssal rumblings provide momentary stabs of angular rhythm that tear through the apparitional atmosphere. But, only to hold your attention long enough so as to not lose you completely in the tension swarm.

We cannot help but follow the pull of this entrancing and expertly wrought collage of cacophony. MacFarlane has orchestrated a viscerally affecting hauntology reminiscent of no real place and no real time. As breathtakingly dynamic as it is surreally cinematic, we are left with the soundtrack to a film that should not be.

CD Edition of 300 copies in LP like format with sleeve. 9 Tracks. Running Time 35:53

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Jlin

Akoma

CD | 2024 | EU | Original (Macro)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Jlin’s third album ‘Akoma’ s features guest appearances from Björk, Philip Glass and Kronos Quartet.

Jlin’s detailed and meticulous exploration of rhythm’s inner and outer reaches has made her one of the most distinctive and recognisable voices within both the electronic and classical music worlds. Her compositions are consistently appealing and have an accessibility to them, yet often defy expectations. She exists within her own locus solus - no matter the collaborator, no matter where sounds ultimately lead her. Whatever the situation – from composing the Pulitzer Prize shortlisted ‘Perspective’ for Third Coast Percussion, to ‘Godmother’ her AI-powered collaboration with Holly Herndon, Jlin always expresses her outlook to the fullest. Her new album ‘Akoma’ sets a new benchmark in her personal road map, not only since the album features guest appearances from Björk, Philip Glass and Kronos Quartet but for her continued sonic persistence and resistance. Jlin does what Jlin does and it’s beloved across genres, across scenes and across generations. ‘Akoma’ is a new entry point into her sound and a new approach for both those who have been following diligently and those who are just now entering her world.

So how did she get here? Here’s a rundown for those looking for the facts. She was both a math nerd and a steel factory worker. She got inspired by Footwork and started making tracks with mentorship assistance from RP Boo and DJ Rashad, but her music was far from typical for footwork from the get-go. In 2011, she released her first track ‘Erotic Heat’ on the Planet Mu anthology ‘Bangs & Works Vol.2.’ Fashion designer Rick Owens heard it and invited her to soundtrack his Paris Fashion Week show. Already before an EP or an album Jlin was in new cutting-edge territory. And it hasn’t stopped since. Everyday Jlin wakes up early and clocks into her home studio working hard on new music. Her discipline and craft-like approach means that those who would try to copy her sound simply can’t get to the level she is at. Since ‘Erotic Heat’ she has released two bold albums, 2015’s ‘Dark Energy’ and 2017’s ‘Black Origami.’ She has also released her soundtrack to Company Wayne McGregor’s dance piece ‘Autobiography’ (2018) and most recently (2023) the mini-album ‘Perspective.’ She’s remixed µ-Ziq, Factory Floor, Ben Frost, Max Richter, Björk, Martin Gore and others. She’s collaborated with Holly Herndon and the late Sophie. She’s worked with visual artists Kevin Beasley and Nick Cave. She composed a string quartet for Kronos Quartet and performed with them live in a tribute to Philip Glass. She also recently completed a tribute to Sun Ra with Kronos. ‘Perspective’, her very well received percussion work for Third Coast Percussion has further opened doors for her in classical music. She’s even thinking of one day writing an opera. She had a residency at MassMoca Museum earlier this year (2023). She’s performed live at Pitchfork Festival, Unsound Festival and too many others to mention. She’s also worked with Indian dancers, Company Wayne McGregor and renowned choreographer/MacArthur Fellow Kyle Abraham. There’s more but you get the picture - she’s working in contexts and in ways that few of her peers are able to.

‘Akoma’ is the next step - all these paths have led to this. We encourage you to tune in.

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Stefan Goldmann

Alluvium