Electronic & Dance Preorder 198 Items

Hole In One is a classic progressive techno-trance track from the early nineties, created by Marcel “Hole In One” Hol. It was a massive worldwide dance hit and was supported by famous artists such as Paul Oakenfold, Ferry Corsten, Speedy J, and Tiësto. The song even reached #1 on the UK Dance Chart in 1997. The Live At Paleis Soestdijk Mix (also featured on the 12”) was the global dance version that utilized a simple and unmistakable modulated five-tone sequence Nord lead line, and the sounds of cheering crowds. Canadian DJ and producer Jerome Robbins brings the dance-floor heat with his more recent energetic, upbeat rolling bassline melodic house version.

“Departure Exotica” embarks on a Moon Mist journey through the unknown night into the Tiki Sunrise. A tropical, ambient, electronic escape for space age spice seekers. This is radiophonic jungle bird lounge music from Kava Kon.

Kava Kon was formed as a magical escape from the urban decay of Detroit. Inspired by Exotica records of the '50s and '60s, retro B adventure & sci-fi movies, taboo, voodoo, vintage synths, retro organs, unrefined percussion, and psychedelic sounds.

M.A.D have rounded up some friends new and old to bring you this stomping VA.

Real Tone Classics, a limited-edition vinyl collection featuring four timeless tracks from the legendary Real Tone Records vaults.

Michael The Lion and Natasha Kitty Katt began collaborating as Natasha found a second home in Philadelphia. The two have a mutual love of classic disco and found a kindred spirit in Suki Soul, who has been tearing up the scene the last few years in Northern England. I Found Peace features Michael on guitar and Natahsha on drum machines and synths alongside Michael’s long-time studio band mates. Classical composer and legendary Pittsburgh hip hop producer Jules Krishnamurti adds bass guitar and University of Pennsylvnia jazz ensemble leader Dan Paul plays keyboards on this incredible modern disco classic. Pontchartrain brings all the right touches to the club mix, along side some heavy house mixes by Tonarunur (aka B.G. Baarregaard) to round out the first Whiskey Disco release in several years.

Heavy support by Radio Slave, Sam Divine, Acid Pauli, Green Velvet and Maceo Plex to name a few, while also being played on radio stations world wide. The album marks the beginning of a new chapter for The Glitz as they embark on a journey beyond the world of electronic music. After a wide range of beautiful, inspiring, provoking and uplifting The Glitz-singles, we are now approaching the full album in all its might. The singles have shown us the diverse soundscapes you can find in Andreas and Daniels musical multiverse, with the genres ranging from the classic House and Techno genres, to also introducing their take on Trip Hop, Neo RnB, Hip Hop, Ballad and Electronica. This journey into their musical realm has resonated with fans and colleagues alike the last months, putting the first single on position 1 in the German Club Charts for four weeks straight (it is still in the Beatport top100 after 7 months). Born out of a desire to create a space to explore and expand their unique sound, their new album is a bold extension of The Glitz vision and purpose. It has been a long time coming and is the result of four intense years in the studio together with the unique and talented singer and songwriter Mulay. And now it is time to present the full album to the world. is the mesmerising product of one of their many jam sessions in the studio. It carries the unique The Glitz fingerprints all over it while also letting them shine in a new context. The slow flowing Hip Hop beat paired with Mulays raw vocals and incredibly poetical and personal lyrics is a must hear for old and new The Glitz-fans alike.

Clear Marbled Vinyl. A Sonic Journey Through Time. Kronert, a name synonymous with high production standards and innovative sound aesthetics in the electronic music scene, lends his distinctive sonic signature to this 4-Tracker. He weaves together fast-paced rhythms with nostalgic soundscapes, creating a symbiosis of past and future. This EP not only invites you to dance but also to reflect on the temporal nature of music. Characterized by deep basslines and complex rhythmic structures, this tracks proves to be an essential component of any sophisticated DJ session. Embark on a musical journey that challenges the boundaries of time and space, offering a forward-looking perspective on the house and techno genre.

Black Vinyl. A Sonic Journey Through Time. Kronert, a name synonymous with high production standards and innovative sound aesthetics in the electronic music scene, lends his distinctive sonic signature to this 4-Tracker. He weaves together fast-paced rhythms with nostalgic soundscapes, creating a symbiosis of past and future. This EP not only invites you to dance but also to reflect on the temporal nature of music. Characterized by deep basslines and complex rhythmic structures, this tracks proves to be an essential component of any sophisticated DJ session. Embark on a musical journey that challenges the boundaries of time and space, offering a forward-looking perspective on the house and techno genre.

Detroit techno as its best. Neurotron is back with a stunning 4 tracker. vinyl only!

Clear Yellow Vinyl. Matt Thibideau debuts on Kontakt with three innovative dub-infused tracks, pushing the boundaries of the genre to new heights. While Matt frequently collaborates with his brother Mark on different projects, this release is a solo project conceived from his own creative mind.

Black Vinyl. Matt Thibideau debuts on Kontakt with three innovative dub-infused tracks, pushing the boundaries of the genre to new heights. While Matt frequently collaborates with his brother Mark on different projects, this release is a solo project conceived from his own creative mind.

Be fast on this one as always on Hoove! The next Hoove record comes in diverse. For this one the label invited four of their close friends to contribute fresh tunes perfectly matching the cologne house sound. ? Limited Copies

yellow Marbled Vinyl! Kontakt presents an immersive dive into dubtechno by UK-based Silver Ash, showcasing a meticulously crafted, long-building filtered dub track. Berlin-based producer Shed elevates the original track by giving it a solid Waxed treatment, propelling it to higher levels. Limited Colored Vinyl. Vinyl! Kontakt presents an immersive dive into dubtechno by UK-based Silver Ash, showcasing a meticulously crafted, long-building filtered dub track. Berlin-based producer Shed elevates the original track by giving it a solid Waxed treatment, propelling it to higher levels.

Orange Marbled Vinyl! Kontakt presents an immersive dive into dubtechno by UK-based Silver Ash, showcasing a meticulously crafted, long-building filtered dub track. Berlin-based producer Shed elevates the original track by giving it a solid Waxed treatment, propelling it to higher levels. Limited Colored Vinyl. Vinyl! Kontakt presents an immersive dive into dubtechno by UK-based Silver Ash, showcasing a meticulously crafted, long-building filtered dub track. Berlin-based producer Shed elevates the original track by giving it a solid Waxed treatment, propelling it to higher levels.

Black Vinyl! Kontakt presents an immersive dive into dubtechno by UK-based Silver Ash, showcasing a meticulously crafted, long-building filtered dub track. Berlin-based producer Shed elevates the original track by giving it a solid Waxed treatment, propelling it to higher levels.

Pushing the boundaries of intelligent dance music higher into experimental-adjacent analogue territories, where abstract serenity and complex analogue developments entangle in an organic symbiosis of sorts, Noordens newest puzzle in sound comes courtesy of two label habitues, Orion Moustache and Panta Rex. Staying true to their genre-unbound DNA and innovative vision, both artists each contribute a trio of oblique sound equations, conjuring up both identifiable rhythmic patterns and off-piste downtempo digressions to shape a grammar truly their own - not quite your usual function-oriented DJ tool, but not floor-opposed either. Hybrid and agile, this co-op between Orion Moustache and Panta Rex oozes inspirational spaciousness and ascetic sophistication thru and thru.

Big Remix package on Ada Kalehs very own imprint. Gez Varley aka G-Man, Ohm & Octal Industries, H-Foundation and Crihan.

Limited colored vinyl. Big Remix package on Ada Kalehs very own imprint. Gez Varley aka G-Man, Ohm & Octal Industries, H-Foundation and Crihan.

Season by season, we raise a toast to our artists and guests by creating a new collection of sounds. Cafe Soda Selects Volume One captures all the memories of the past year. The A-side starts with Crymes . The track captures the essence of summer with its vibrant dub rhythms and sultry 90s vibes, featuring irresistibly sexy vocals that embody pure feel-good energy. A2 sets the stage for Ben Balances , a vibrant track that seizes the eclectic energies of people, weaving together dynamic rhythms and the deep essence of souls. It is a musical journey that celebrates the unique spirit and rhythmic soulfulness inherent in us all. On the flip, check out the two originals from FMN, the latest project by Frag Maddin and Najeh. is a catchy groove that easily grabs every dancer with its rolling bassline. The song has no breaks, allowing ravers to stay in trance. With , B2 celebrates a raw house anthem with a memorable theme, thick kick, banging clap, and a wild hi-hat swing. An homage to the 90s powerhouse era.

Barcelona-based street-techno artist Christiane delivers six tracks of anxious and grinding techno sound, infused with early gabber influences and shades of Nitzer-Ebb and early EBM. Cherry-picking the hardest vibes of early Detroit techno, Christiane blends them with abstract gabber synth sounds, squelchy 303 basslines, and dark ambient breakdowns. This EP serves as a platform for the artist to express both rage and dreams, pressure and release, embodying an involuntary exercise in reconciliation.

Wonderful minimal grooving release to shake your head and legs to. Incl. great Steve O Sullivan remix.

The third release on Multitone Recordings is FFF - Beast Remixed. This record features a re-release of the original version on side A, courtesy of Myor Massiv. On the flip, a top remix done by Rainboh features intricate drumwork and big basslines, followed by a special VIP from FFF himself. Get in on this future classic.

Barcelona's Oscar Escapa returns to Dcltd to collaborate with Linear Phase on a 3-tracker ‘Recoded’. ‘Recoded’ is a steaming cut made for the peak-time, propelled by crunchy drums, a head scrambling vocal and plenty of eerie effects to ensure impact. ‘Irrupción Beligerante’ is a rugged, barrelling dancefloor weapon that hits with terrific energy. ‘Controlled Damage’ takes on a different shade, metallic, bass-driven, a headier roller made for building atmosphere and shifting moods.

After the standout success of last year’s maiden edition, Drumcode returns with volume two of its acclaimed Elevate compilation featuring no less than seven label debutants. The compilation’s manifesto is simple. Platform a broader range of emerging artists on Drumcode and help elevate the next generation to make strides in their careers. At the same time, the project gives fans a taste of the future and a sneak peak of some of the names you can expect to see featuring on the label and at showcases over the coming year and beyond.

House music party rockers Natural Rhythm bring us 'Solo Tu' with the help of a sultry spoken word by Lyssa.

The title track 'Solo Tu' is an uptempo funky banger that shows why Natural Rhythm has been a go-to for top dj’s over the decades from Mark Farina, Dj Sneak and Derrick Carter to Phil Weeks, Saison and Mickey Moore & Andy Tee.

JT Donaldson brings us the A Side with his '90’s Rework'; and yes he did! JT puts together the vibes on his Sp1200 that you’re not going to hear replicated in a digital studio (nothing against em.

Hotmood brings the heat with his House Vibe Mix! From pool side fun, to sweaty warehouse business, and everything in-between. Hotmood’s mix get’s the job done! Sounds of Style Records brings music that will make your ears smile!

Next up we look forward to the Hotmood 'Baby Come Down EP' with remixes by DJ Sneak and Natural Rhythm.

Midi Mode Records, a new chapter begins for the label formerly known as Mini Man Records. A home for the unmistakable energy of electro and techno grooves.

The decision to rebrand to Midi Mode as a name came after the previously known label title was unexpectedly caught up in a weird trademark dispute. The label has adapted to survive and will provide tracks for true believers, made by true believers into the future.

As the label unveils its upcoming releases, it starts with the "Fake Reality EP", a 5 tracker with Electro & Techno Funk, housing a collaboration with Human Rebellion & Power.

Electro heads should already be very familiar with the unmistakable electro sonic sounds of Human Rebellion. Furthermore to this, a fusion with the stripped back Detroit electro sounds of Power means the senses are pushed to move in dark rooms with the fierce Techno cut of "I'm a Freak". All of this is combined with a haunting and unhinged remix from Nite Fleit that's mesmerising.

A new album is finally on Drivecom. A 2xLp full of new tracks recovered and rearrenged around 2022-23. No doubt the legacy of the past works are represented. Some arpeggios and melody lines will remember us to sonic landscapes from the “La Hora de las Máquinas” or “The Source” albums by Boris Divider but with a new and refreshed production sound, for sure this will be a must item for all the electro community and fans of the label.



The album opens with the intro track “The Way You Feel Me” a mix between electro and synthwave with a moog bass and arpegio reminiscent of some Arpanet’s “Wireless Internet” tracks. Then followed for the “Letters From A Sleeper” theme. As the track’s name reflects, it's a clear tribute to the synth era of David Harrow/Anne Clarke’s “Sleeper in Metropolis” just like a reply from a postnuclear future, with a big role carried out by the initial synthline. Then the first slow bpm track is for “Distante” where synthlines a la Tangerine Dream are crossed and mixed with vintage digital rhythm machine sounds and the pattern seems to be taken from those Dire Straits’ “Money for nothing” intro drum arrange in an infinite and repetitive way.



In the B Side “You Know What I Know” track is again showing an Arpanet-ish intro synthline followed by a sequential prophet's arpeggio which bring us back to the old “La hora de las máquinas” sound. Closing the first 12 inch is “Sin Mirar Atrás”. One of the most important tracks of the album for the author. A big dimensional and introspective track full of vintage synthlines and reverb. Time for “Your Light” track is again here. This song was already presented with its own reference on Drivecom. A future pure Electro classic which was announcing the album months before.



In the same side, we find another slow tempo theme called “Recursos Infinitos” an instrumental track which implements several synthlines that interlink themselves into an infnite Tangerine Dream’s soundtrack that serves as a little break to the power and darkness of “Cenital”. Electro rhythm patterns and dark arpeggio synthlines in the vibe of Vangelis’ Blade Runner are mixed in this cold dystopian agressive dancefloor track. Later we find the theme that gives name to the album: “ Memories From The Dust” a slower track which mixes sounds and melodies between “La Hora de las Máquinas“ and other 80's digital keyboard sounds. The last track is just an outro theme called “Out of Sync”. Its name is a clear statement of its own musical arrangement, synthlines are full out of timing and synchro, it was recorded in realtime from a modular synth to a digital device in one take.

Comprehensive, full-spectrum, sonic experiments build for clubs. Uncategorisable in all the right ways. Danny Daze and Jonny From Space team up for their joint Craigie Knowes debut. The ‘Tumbadora’ EP is a masterclass in technical production whilst retaining all the rhythm and power required to destroy dancefloors. It’s one of the listeners and the clubbers. Nick León steps in with a stripped back version of ‘Sweet Spot Radio’ that’s every bit as mind-melting as the 3 original tracks. Prepare for the freefall!

In 2018 Diagonal Records released an intriguing, three track, hand stamped, white label 12” of dancfloor sampledelia by Shit & Shine onto an unsuspecting world.

The lead track on this 12” ‘You Were Very High’ turned a lot of heads and became a club oddity, being played out by DJ’s around the world – and some movers and shakers have hailed the 12” as “Shit & Shine’s best ever release.” Strong words indeed, but one that some will find hard to argue with?

When speaking to Loud and Quiet in 2022 about this now legendary release, Craig Clouse, the man behind Shit & Shine said, “Humour is totally crucial, sometimes I want to throw in instantly recognisable reference points because it’s relatable, and just to bring a smile to people’s faces.”

So now in 2024, as the original 12” has become a bit of a collector’s item, trading hands for £60+ on Discogs – Shit and Shine and Rocket Recordings have decided ‘You Were Really High’ deserves a one off repress.

This expanded version of the EP, which is housed in new art and ltd to only 300 copies, also features a mighty extra track called ‘Dave, Have You Ever Been To London.’ A certified banger that is destined to be blasted out in Berlin’s, darkest and dankest techno basements.

So if you missed out before on acquiring this incredible release, or like many you simply collect everything the genius that Craig Clouse creates, then it is time to get high on Shit & Shine once again!

UK artist David Duncan recorded only one EP as Ability II and it recently got reissued and soon snapped up. Now, much to the delight of fans of the man behind the classic tune 'Pressure Dub' he is back. This album features an exclusive collection of tunes he made back in his heyday in the 90s, none of which were related at the time, and none of which you will have ever heard before anywhere. They feature his signature sound designs across seven cuts that sound as futuristic now as they ever could as they combine jacked-up house, techno and tech into scintillating and dub-weighted sounds for the club.

X2see is back with a rising talent ''Lara'' with a remix on A2 from Luis Malon!

Lukey is the mind behind ''Return of the Jedi'' EP bringing fresh burst of vibrant energy!

Across the EP's four tracks, listeners are treated to a symphony of elegant sounds, with each composition weaving together intricate basslines, percussion arrangements, and sharp drum sequences. The result is a delectable blend of flavors, perfect for igniting the dance floor!

Hypnotic sunrise starts comes back with Ian F and his ''New Home EP''.


Listeners can expect a mesmerizing blend of hypnotic rhythms, lush melodies, and otherworldly textures that captivate the senses and transport them to a realm of pure sonic bliss. "New Home" EP promises to deliver an immersive sonic experience tailored to every moment.

The trio we are hearing right now have emerged from Ecuador, Ter Bandits are here for an audio story which is filled with the unprecedented frequencies that has come together for this mission to take shape in the matter that it did. Therefore, without further ado let’s begin. Going to be using some letters typed up which in reality will not describe what is needed as deep to the point it deserves, everything already has been portrayed and created with the music you can hear.

WWM012 is Brenko's long-awaited release, a mini album that takes you on a musical journey through various emotions and soundscapes.
The project maintains a consistent feel, making it a cohesive work of art.
Brenko showcases a great talent for blending electronic and ambient elements, creating an album that’s both innovative and deeply engaging.

Wrapped in Latex, in Berlin, Alone is the latest EP coming from Pletnev. Its four tracks trigger a dooming introspective look in an increasingly isolated, digital world, while simultaneously providing an extraterrestrial escape route.

Welcome to a story in which love and heartbreak go hand in hand.

Falling in love dances beyond time's grasp,
Embracing the present becomes our steadfast task,
The skin's whispered language, an ancient story told,
We're free as waves, in their rhythm bold,
Arrivals and departures, part of love's grand scheme,
In music, writing, painting, love finds its dream.
So let me tell you about the Art Of Romantic Beings.

Reflex Blue debuts on Spectral Bounce with The Bleeps, a five-track EP that weaves a somber yet captivating late-night ambiance. Over a string of releases in recent years, Reflex Blue has been sculpting a distinct and evolving sound, blending the core minimal aesthetic of UK Tech House with influences from his homeland.

This homage to early 2000's Tech House captures its essence while infusing it with a fresh, pulsating perspective. The opening track, 'Dracula’s MPC', sets the tone with its club-ready elements: crisp drums, deep bass lines, and captivating vocal samples that command attention throughout. On the B-side, "Interlude" offers a glimpse into Reflex Blue’s large palette with its boppy and quirky breaks. It's a spectral record in every sense, making it the perfect sophomore release for the label.

Written and produced by Cooper Fraser
Artwork by Susanne Janssen
Words by Hervé Kacou

Diagonal welcome the return of Iranian composer and sound artist, Ata Ebtekar (sote), for his first outing for the label since 2019's "Parallel Persia" and "Artificial Neutrality". His catalogue runs to 15 albums (both under the Sote moniker and as Ata Ebtekar), plus a clutch of 12"s, remixes and a number of other projects via Mute, Opal Tapes, Warp and more. "Soundsystem Persepolis" is Ata's response to the iconic performance at Persepolis by Iannis Xenakis in 1971. It's a five track collection of a futurism, a pummelling, rhythmic and harmonically complex trench of computer music.

Classic South African house / Kwaito album on vinyl for the first time ! Originally released on CD in 1995, this album which is associated with the birth of South African street music genre – ‘Kwaito’ and dance/dress style ‘Pantsula’ is now remastered for vinyl from the original tapes – resulting in the best sounding version of the recording to date.

Regarded as one of the earliest full length Kwaito albums, ‘Sigiya Ngengoma’ was released just one year into South Africa’s new democracy in 1995. Characterised by ‘mid-tempo’ beats, heavy bass hooks, adapted breakdancing and vocals in informal Zulu and other South African languages; ‘Sigiya Ngengoma’ would form a critical part of the South African street music movement that now has its own fashion, crews and dance style.

It helped post-democratic South Africa define its own musical identity and would pave the way for other Kwaito releases that ultimately led to the emergence of Amapiano years later.

Mannequin Records boss Alessandro Adriani returns on his own label with four tracks that were previously available exclusively as digital releases.

Known for his unique blend of electro and synth wave sounds, Adriani has made a significant impact on the underground music landscape. With this new vinyl release, Adriani brings his distinctive musical vision to a vinyl audience, offering a tangible experience that digital formats cannot replicate. Each track is a testament to his ability to merge pulsating electronic beats with atmospheric synth melodies, creating a soundscape that is both nostalgic and innovative.

An exercise in control of auditory limitations and possibilities, GAEL redefines techno production with their comprehension of cold atmospherics and meticulous world building. Exemplified in their first solo EP ‘Frozen White Horse’ released on BITE Records, fervent, hurtling drums are underpinned by hopeful euphorics and circulating, breathy cybernetics. A culmination of sophisticated sonic dialects reared from the intersections of soundscaping and electronic music, the berlin-based DJ/Producer from Dagestan (by-way-of Kyiv and Odesa) commits their practice to the inclusivity of borderless, capricious and emotive dance- floor synergy. This energy was previously captured on BITE last year with their appearances on the Shedding Skin VA and The Soft Moon’s Exister Remixed. GAEL’s harmonic and organic approach to techno production echoes the heartbeat of dancefloor resistance,captivating audiences across venues from Berlin’s Berghain to Kyiv’s ∄ as a resident at the queer event series XITb. Delivering thunderous feeling through experimental sounds and masterful pacing, the 4-track-EP blurs the margins of moody techno exploration with remarkable attitude and a foreboding sense of uphill struggle. For the opening title track, a procession of stacked chords,synths and snares are met with a cyclone of galloping percussion building to maximum intensity until dispersing into echoey chimes. As the listener is able to catch their breath, the second track ‘prpttcxsstnc’ reignites - this time with trepidatious yet ethereal vibration, as the track continues to inject GAEL’s post-punk style of galvanised energy, rich layered drums maintain the undercurrent of resolute chaos into the following track ‘there is nothing left’. Sombre track titles are off-set by triumphant vigour for the third instalment, pushing through gale force drums and the clanging zaps and bleeps of electronic debris. Concluding with the final cacophony of collaged beats and drums, bellowing siren-like cold wails meld with GAEL’s calamity crescendo of crashing cymbals, the procession of rapturous drums slipping into a distant echo of warped hollow gleams.

L&F is back with 4 tracks for your clubbing pleasures...

Stereometrix is given the responsibility of taking care of the first release from the new label Tread A Measure and boy does he come through. His cultured Fall EP is a deep exploration of liquid techno landscapes that draw on cosmic energy, psychedelic colours and evolving synth patterns to melt your mind whether in the club or at home. There are downbeat and melancholic cuts like 'Fall', serene and soulful percolators like 'io' and twisted sonics for afterparty freakouts like 'a2', while 'Glitch' is a collage of ghostly sounds and warped pads to close out this top-class EP.

Federico Costantini aka Luminodisco is back on Hell Yeah having long since assured his legacy with the label. Over the years, the Italian has dropped many cult and still widely played cuts here from across the disco-sphere ('Ragazzini,' 'Diavolo di un Disco,' 'Oh Mary' and more all still bang) and now he is back with a newly moved sound. A compulsion to produce something with "a more adult approach" is what defines this latest era, and a fine one it is too. Opener 'Solero' will surely become as revered as those classics above with its irresistible grooves guaranteed to bring ultimate dance floor satisfaction. The punchy drums are peppered with percussion and drum fills while gloriously sugary chords add the heat and wispy pads take things into cosmic realms. 'Jazzclub' is an unhinged rhythmic interlude that chops up vocal stabs, screwy synths and whirring machines into stomping brilliance then 'Bigfoot' slows things to a dubbed out crawl that has you gazing at the twinkling star-like synths. Things then get wonderfully wild on closer 'Soko', a jumble of percussion and tribal vocals over swaggering drum loops. Playful leads bring the sun as the dumpy bass plods on, pixel thin pads squirm all around and a celestial carnival in the sky plays out with irresistible charm.

Series of taboo records present its third release a split EP featuring two artists. The first artist is the established Copenhagen producer Terry Tester, two-decade long career as a turntablist and beatmaker his eminent take on house, hip hop and soul has been commissioned by artists such as Gilles Petterson for his ‘Bubblers’ compilation series on Brownswood or for the BBE remix together with DJ Jazzy Jeff.

Terry’s latest outings has yielded spins from influential selectors such as Soulection, Carista, Alexander Nut (nts), Mr. Beatnick (nts), Marina Trench, EVM 128, James Rudie and Sassy J (Red light Radio).

The second artist is the talented producer Jay Sound, keyboardist and composer based in Detroit, known in the scene with productions played by artists of the caliber of Funkineven, Benedek and many others.

Black Dot lands on Italo Moderni with a cult futuristic gem on vocals by Le Chocolat Noir and hardware wizard Christian Kroupa, three obscure killers bangers ready for the dancefloor, last but not least with an epic remix by the king Marcel Dettmann. Mastered by Alden Tyrell.

Vertigini is the alias of a prodigious talent. To date, Arthur Mukharlyamov’s infectious hooks have only been available digitally. Bordello A Parigi are more than excited to give this analogue alchemist his full vinyl debut. Four tracks make up the aptly named Thunder. The title piece rumbles from speaker cones, thick banks of bass and crisp rhythms crack before smooth strings give way to flashes of melodic radiance. Inspiration lies in the heavens with this EP, he’s leaving the bonds of earth for “Galaxy Funk”. Textured percussion is cut with acid grooves while generous breaks fuel this expedition. A fierce arpeggiator immediately ignites the flip, lancing beats pierce this burbling bulwark as honeyed notes melt in the muscled sweetness of “Final Space”. The journey back to Earth is imminent, but not without one final fun-filled flurry. Rich drum patterns are the foundation for the sticky groove of “Space Trip”. Vocals echo skyward while Vertigini weaves a dancefloor delight to ease re-entry to reality.

Coming And Going is the fifth release from Mas Aya, pseudonym of acclaimed Nicaraguan-Canadian composer, producer, and musician Brandon Miguel Valdivia. Over the past twenty years Valdivia has emerged as one of the most prolific and respected musicians in Canada.

In 2021 Valdivia's breakthrough LP as Mas Aya, Máscaras, ushered in a new era. With warm reception from the likes of Pitchfork, Rolling Stone, the New York Times, and NPR it shed new and long-overdue light on his inventive compositional outlook.

Coming And Going is the follow-up to Máscaras and, much like its predecessor, it represents yet another colossal shift in Mas Aya's creative journey. The fact that its title is so evocative of flux is no mistake; it's an album that teems with subtle contradiction and restless intrigue, all the while carving pathways toward the reconciliation of these opposing sonic and thematic forces.

It's this very plurality that makes Coming And Going Valdivia's most intimate and personal effort to date. The music reflects upon community, family, the nature of home, and spirituality.

Coming And Going is the fifth release from Mas Aya, pseudonym of acclaimed Nicaraguan-Canadian composer, producer, and musician Brandon Miguel Valdivia. Over the past twenty years Valdivia has emerged as one of the most prolific and respected musicians in Canada.

In 2021 Valdivia's breakthrough LP as Mas Aya, Máscaras, ushered in a new era. With warm reception from the likes of Pitchfork, Rolling Stone, the New York Times, and NPR it shed new and long-overdue light on his inventive compositional outlook.

Coming And Going is the follow-up to Máscaras and, much like its predecessor, it represents yet another colossal shift in Mas Aya's creative journey. The fact that its title is so evocative of flux is no mistake; it's an album that teems with subtle contradiction and restless intrigue, all the while carving pathways toward the reconciliation of these opposing sonic and thematic forces.

It's this very plurality that makes Coming And Going Valdivia's most intimate and personal effort to date. The music reflects upon community, family, the nature of home, and spirituality.

Hausu Mountain continues the HausLive series of live show recordings that capture some of the headiest moments in Chicago underground music with a pair of Chi-town gigs from Kent, Ohio’s legendary carnival-core-free-jazz-noise duo Moth Cock — compiled together into HausLive 3: Chicago Twofer. The series channels the spirit of the informal bootlegging and tape trading of audience recordings as pioneered by the community surrounding the Grateful Dead, honing in on the raw live energy and in-the-moment emotions that make each show stand out in the stream of time. Selected as part of the label’s ongoing collaboration with the prolific Chicago taper and HausMo mega-friend Joel Berk, HausLive 3: Chicago Twofer documents two of Moth Cock’s sets at beloved DIY spaces in Chicago in 2023: one in May at Not Not, and another in December at DADS. Presented as a single release with two 40+ minute sets, HausLive 3: Chicago Twofer continues Moth Cock’s streak of continual evolution as an unpredictable live act whose loosely structured improvisations spiral off into confounding zones capable of inducing the deepest altered states of mind and body.

Brought to life by the Moth Cock’s stripped down rig of drum machine, guitar pedals, microphones, saxophone, and trumpet, the music captured on HausLive 3 completely defies the humble physical reality of its origin and blasts into the outer reaches of brain-scrambling electro-acoustic noise improv. Always delivered with a wink, or even the full-on grimace of a mutated clown, the duo’s music rejects notions of noise performance as an outlet for aggression or aural violence in favor of a sense of cartoonish whimsy and gonzo tomfoolery.