Electronic & Dance Vinyl 10 Inch 406 Items

On One / How It Is Sometimez is a special Japan import 10'' that corresponds to the ''A good place...?'' LP. Mr.G's new full length album.

Not long after the release of Peter Broderick’s seventh solo album ‘Partners’ in August of this year, the composer closes the year with his equally exceptional ‘Grunewald’ recordings.

Born in just one night inside the four walls of the discrete yet majestic Grunewald Church, situated on the outskirts of Berlin, this five-track EP is an exploration of the alluring partnership between the acoustic space and Broderick's solo performance on piano and violin. Reflecting the grandeur of the room and the natural interaction between the instruments and their surrounding environment, 'Grunewald' pays homage to a very unusual space that's become a haven for an entire generation of contemporary
composers.

Taken from the acclaimed "Migration" album, "Kypoli" sees Poirier sharing production duties with fellow Ninja Tune alumni and hot property Machinedrum. Taking vocal samples from Aleisha Lee (co-writer of Tinie Tempah's recent smash "Girls Like" amongst others) and twisting, chopping and manipulating them into a completely new composition, the pair create a brooding post-dancehall/soul fusion, gaining the perfect balance between ethereal beauty and heavy dancefloor menace. Bukem-esque pads and deep dub elegance give way to pounding kicks and floating harmonies, relentlessly building a wall of sonic beauty.

Remixes come from France's dub mad scientist Moresounds, who ups the jungle influence with a classic Reese-style bassline and signature rolling snare chops, whilst retaining the balance between dark & light and Montreal-based newcomer Thomas White who flips the vibe completely for a slo-mo Soulection style builder.

The first-ever dedicated album release by pioneering female Italian film music composer/arranger/multi-instrumentalist Giulia De Muittis (aka Mrs. Alessandro Alessandroni). Rare undercover pseudo-ethnological studio sessions made under her experimental alter ego Kema (The Pawnshop/Abnormal Sensations) combining the ethos of Can’s Ethnological Forgery Series (EFS) with the studio trickery of Delia Derbyshire and unshakable credentials as one of the founding figures of Giallo film music and Italian psych soundtracks.

Perhaps best known amongst fans of Italian production music and Giallo movie soundtracks as the wife of the legendary Alessandro Alessandroni, composer, vocalist and multi-instrumentalist Giulia De Muittis was an equally formidable force who emerged from the formative years of the aforementioned anti-genres and rose to a monarchic status within the country’s vibrant, and seldom rivalled musical secret society. The cliché “behind every successful man, there is a strong woman” might not do Alessandro and Giulia’s long-running creative unison justice but one thing that rings true that in the shadows of Senor Alessandroni’s limelight (illuminated by his work with Ennio Morricone for the films of Sergio Leone and Dario Argento) remained a darker musical feminine force which in time has come to represent the duo’s finest and most sought after sonic artifacts. In a career that spanned four decades until her untimely death in 1984 Giulia’s collaborative work as a reliable creative all-rounder and pop polymath has stood the unshakable test of time like few other musicians resulting in projects like The Pawnshop, Femina Ridens, Revolver, Questo Sporco Mondo Meraviglioso, The Night Evelyn Came Out Of The Tomb, Angoscia, Inchiesta Giudiziaria and Witchcraft ‘70 (Angeli bianchi Angeli neri) earning increasing “Most Wanted” status on the collectors’ market. It is of no coincidence that Giulia’s nom de plumes, Kema and De Muittis, have in recent, more educated years, become trusted seals of approval which connect top choice composers such as Raskovich (aka Sorgini), Stelvio Cipriani, Morricone, Braen (aka Alessandroni) Amedeo Tomassi, Piero Umiliani and Bruno Nicolai amongst select others. It is, however, De Muittis’ seldom heard self-initiated solo work for small independent Italian library music imprints that reveal a unique multi-instrumentalist female composer working at her most intimate and uncompromised best.

Our favorite Boyband with 8 new diamonds!

The Organ Grinder / Detroit Swindle / Max Graef / Frits Wentink / Nachtbraker

The Roundup part 1 is the first part of an annual recurring event: the big Heist family remix EP, where all artist names get put in a big bowl, and by luck of the draw, find themselves remixing (and remixed by) another Heist artist.

Stip plays a piano interpretation of his debut album Sigh released last February on Other People. One-sided 10"

Revealed last year as a side project by UK producer Shifted, Covered In Sand now returns with a new EP: Crescent Shaped Scars will be released on the sister label of his own Avian imprint Mira, which serves as an outlet for the more experimental and duskier side of electronic music.

The release features three abrasive noise workouts. Thud of drums and ritualistic rhythms define the opener Luarica on the A-side alongside a near-melodic whine that stays present throughout the tracks. Orapa (An Interview) on the flip swallows and evokes scuffed voices of a conversation, striving into isolation, while Venetia resumes the haunting rhythm and layers of distortion.

Limited edition for Record Store Day 2014

Limited black vinyl re-press due to popular demand.

"It sounds like wood, metal and microchip." - that's how Italian producer Godblesscomputers describes his own music. With the follow up to his successful "Swanism" EP, released in early 2012, "Freedom Is O.K." is his debut on Equinox Records from Berlin and offers an amazing spectrum of organic electronic sounds and feelings with stand out tracks like "Green Flowers" and "Fire Extinguisher". Powerful reworks by Error Broadcast's B-Ju and Digi G'Alessio additionally bring more bass flavour to the digital release.

Limited Edition, 300 copies! Special gloss lacquer print. Comes with download card for all tracks including the remixes.

Kommune1 successfully merges Warehouse-Techno vibes with the accessibility of House. Both tracks are displaying the loyalist replications of everything that makes a head-nodding, foot-stomping, wall-shaking track.

A very special track, somewhere between deep House & Boogie! The Yuri Shulgin remix is outstanding aswell!

Limited edition for Record Store Day 2012!

4 track E.P. from the Dutch producer Jameszoo. A perfect blend between spiritual sounds and modern experimental beatmaking!

Another collab between Content Label and Ooohh! That's Heavy, limited to 350 copies!

‘Carving Away The Clay‘ impresses upon the idea of an ongoing process in which raw material is stripped off of anything superfluous or impeding until the essential parts of ourselves are exposed. It is a never ending process of striving for perfection in all areas of life.

HHV exclusive for the "Berlin Record Store Day 2011"" November, 5th at our SelectedStore!

feat. Georgia Anne Muldrow ... incl. Floating Points Remix

Engineered for the klub by Sraps & Keymono.