Electronic & Dance Vinyl LP 9621 Items

LP | 2023 | EU | Original (Fat Possum)

Release: 2019 / EU – Original

Genre: Hip Hop, Electronic & Dance

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We are super excited to present Al Dobson Jr.'s second "Sounds From The Village" issue on almighty Kutmah's Izwid imprint on vinyl. 23 tracks in total. Artwork by Kutmah. Sleeve design by Brandy Flower of the Hit+Run Crew.

Volume 2 in the series unearths more drum tracks and abstract musical curation from the Dobson Jr. archives. Fonk tales & movie scene interludes from a span of 2006-2016 compiled by Kutmah.

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Al Green

Call Me

33,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Al Karpenter & Cia Debutante

LP | 2023 | EU | Original (Ever/Never)

39,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Al Lewis Music)

Al Lewis

Fifteen Years

22,49 €* 29,99 € -25%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2020 | EU | Original (Bigamo)

Al Pagoda

Lucky Veil

We Have Come To Banish The Dark

Release: 2020 / EU – Original

Genre: Electronic & Dance

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From his longtime association with Osunlade’s Yoruba Records imprint, Melbourne DJ/producer Mike Steva now delivers a quintessential cut of his own organic rhythms for Innervisions with The Sound Of The Sun EP. Draped in timeless sounds throughout, the EP opens with the unmistakable birdsong of the early hours atop a deep, chugging rhythm. The hypnotic minimalism of “Dawn Of A New Day” is sustained with floating key chords, before an unexpected turn at the halfway point blooms into thrumming synths, handclaps and murmurs. “The Sound Of The Sun” captures and keeps rich golden beams, guiding them to refract and resonate against glassy percussion and an urgent tech-infused beat. Distorted acoustic notes are stretched and warped, adding noirish desert tones in contrast to rising fever-pitch cymbals. “Time Of Light” then charges into view, raising the heat with peaktime energy as insect sounds are looped and transformed into a pulsing accompaniment. Bringing things to a steamy conclusion, “Baba Himalaya” borrows from tribal traditions to pay tribute to cross-cultural sounds, pulled forward by sweeping vocal solos and harmonic choruses.

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Al Wootton

2LP | 2023 | EU | Original (Trule)

LP | 2024 | Original (We Are Busy Bodies)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Al Wootton returns to his label Trule with his second album “We Have Come To Banish The Dark”. The record is a product of dystopic times, taut with energy and restrained violence, yet never oppressive or nihilistic. The theme is one of unity, liberation and resistance to a darkening world, against the rising tide of fascism, hypercapitalism, and right wing politics. Yet there remains a constant hope and light, most evident in the downtempo roller “Devarim” and the closing bars of “May Your Angels Of Light Accept Him”.

Wootton brings to the fore his youth experiences playing in post-punk bands and his longstanding appreciation of Metal to this swung, robust techno album. “We Have Come to Banish The Dark’’ recalls the industrialism of Chris and Cosey, Coil and Throbbing Gristle, while the ghosts of the UK Hardcore continuum through Jungle and UK Garage remain an ever haunting presence. The rhythms maintain a flexibility and lightness of touch that provide contrast to the monochrome industrial sound palette.

Over nine tracks Wootton explores a variety of rhythmic styles, from techno steppers such as “Descender” and “A Pox Cast”, to the 4x4 house of “A Cruel Sun Over Catalonia”, the minimal Drum and Bass-esque “Number, Weight , Division” and the loopy techno of “The Norman Yoke”, while eschewing typical genre tropes to maintain a cohesive sound over the whole album.

We Have Come To Banish The Dark is an album that rewards both ecstatic club moments and repeated deep listening with its high energy and detailed, textured sound design.

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Aladean Kheroufi

Studies In A Dying Love

31,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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2LP | 2022 | EU | Original (On The Corner)

Alai K

Kila Mira

Voyage Aux Fonds De La Mer

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The Kenya born, Berlin based percussionist, vocalist, DJ, producerand "musical witchdoctor" Alai K releases his red hot debut album'Kila Mara', via On the Corner Records. Sonically speaking, this vivacious collection of frenetic, polyrhythmic and percussive workouts link the spirit of Jeff Mills, DJ Rush, DJ Bone and K Handwith beats from The Bajuni Islands, Mozambique, Malawi and the maritime Swahili coastline north of Mombasa. On moving to Berlin, Alai went raving regularly and became enamoured with underground dance music culture. "I love techno and believe that African drums influenced the percussion and programming: lt'scoming from the same place; with both you get extended periods with no chorus or verse, just occasional chanted or chopped vocals. In Africa people play drums and dance for hours, which is the same experience as western electronic music", says Alai.

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Alain Meunier

LP | 1979 | EU | Reissue (Wah Wah)

LP | 1979 | UK | Reissue (Finders Keepers)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Issued on le Kiosque d'Orphée in 1979, Voyage aux fonds de la Mer is the only LP by Alain Meunier (not to be confused with French classical music cellist of the same name), and is one of the most elusive collector pieces of the 1970s electronic experimental French scene.

This rare sought after album starts with an instrumental guitar introduction but from the second track onwards it becomes a totally electronic experimental psychedelic trip that can be aligned with the most kosmische side of kraut rock, and of course also with other works by French experimentalists of the era like Pascal Comelade's Fluence or Richard Pinhas' production (including Heldon). Guitar comes in now and then showing also a certain Robert Fripp influence.

Instruments used according to the insert sheet that came with the LP are a Korg 800 DV synthesizer, a K.O. Welson Clavinet, effects like a Fender Echo or a Electroharmonix Small Stone phaser and a fuzz pedal, plus Meunier also used a Gibson Les Paul Custom Guitar, a 12 string acoustic Eko guitar and a 6 string Morris guitar.

First ever vinyl reissue. Limited edition to 500 copies only. Remastered sound.

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Alain Pierre

Des Morts (Of The Dead)

23,74 €* 24,99 € -5%

The Upper Cuts 2023 Black Vinyl Edition

Release: 1979 / UK – Reissue

Genre: Electronic & Dance

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Expanded reissue of mega rare 1979 unknown vanity pressing LP that blends ethnological field recordings, musique concrète principles, and introspective synthesizer music from this cult European studio maverick and historic collaborator of COS, Philippe Druilet, Marc Moulin, and John Surman. Alain Pierre's Mondo movie soundtrack to the controversial Des Morts shares very few stylistic rivals, but fans of Jodorowsky's The Holy Mountain soundtrack and some of the more eldritch early sampling experiments of Jean-Pierre Massiera will certainly draw fragmented comparisons herein. Other listeners might file this album at the weirder end of your Smithsonian Folkways shelf, just before the Video Nasty soundtracks. Presented in remastered form comprising extra vintage studio outtakes (in accordance with the films morbid narrative), Des Morts serves as a would-be sequel to Finders Keepers' previous Ô Sidarta release witnessing Pierre balance his allegiance to the Belgian bandes dessinée scene and Thierry Zéno's shock cinema oeuvre from the heart of his uber-legendary Brussels based experimental recording studio through the 1970s. Presented in remastered form comprising extra previously unreleased vintage studio outtakes. Edition of 750.

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Alan Braxe & Friends

2LP | 2005 | UK | Reissue (Domino)

29,99 €*

Release: 2005 / UK – Reissue

Genre: Electronic & Dance

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2LP | 2021 | EU | Original (Anjunadeep)

Alan Fitzpatrick

Machine Therapy

33,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Favorite)

Alan Shearer

Dark Is The Color

LP | 2022 | EU | Original (Bordello A Parigi)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Favorite Recordings presents Dark Is The Color, the first LP by Alan Shearer reissued on vinyl for the first time. Despite being initially composed and produced for the French library label PSI, this rare and obscure in-demand gem from 1985 sounds retrospectively like a proper album with great coherence and sophistication all along. Indeed, these 11 tracks will delight synthesizers addicts. Expect deeply emotive instrumental compositions, with ingenious analogue sequencing on stimulating chord progressions. The result is a highly retrofuturistic album, sometimes almost anticipating 90's videogames scores. Just imagine Wally Badarou in a bunker with Talking Heads watching New York 1997 from John Carpenter. Composed mostly step by step on a Sequential Pro-One synthesizer, Dark Is The Color is the product of the exciting state of mind from the 80's era with new sounds, new tools and new trends on the music spectrum. Influenced by bands like Talking Head or Japan, the sirens of the new wave scene strongly resonate here with Alan Shearer's familiarity and craftmanship with synthesizers. Back in the days, Alan Shearer aka Frédéric Viger was working for his father’s music label, “Musique Pour L'image”, and their sublabel “psi”. He started with Marathon Life under his real name before taking the Alan Shearer monitor. These records were produced for radio, TV and cinema industries but as well for companies’ internal communication. They represented a real investment from the label and these catalogues are usually full of amazing music from great artists such as Martial Solal, Vladimir Cosma, Joël Fajerman, Harlem Pop Trotters and even Manu Dibango. About his musical illustration process, Alan Shearer tells: "Soundtracks are indeed my biggest influences and I'm a real fan of American composers as Jerry Goldsmith or Elmer Bernstein. I've always considered soundtracks as the new classical music or classical music of our century. There is a real state of mind producing music for illustration: you have to stick to the video. You should not tell what the image is saying but accompany what it is saying. You have to find a unique link, people always told me music should not be noticed for itself in a movie, that's what makes it good.”

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Alan Strani

Apocalypso

2LP | 2024 | US | Original (In The Red)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Born in the Alps in a small house spreading between the Italian and Swiss border, Alan Strani is a transdisciplinary artist exploring music and visual arts. For his new album, he invited artists Saeko Killy, Dasho Utochka (Love Object) and French singer Tessa Martin to join him in his attempt to musically make sense of the current Zeitgeist while questioning our relation to the digital world. The result is the album carried by its homonym single Apocalypso, a wordplay suggesting that, in the face of a possible emerging Apocalypse, like Ulysse during his Odyssey, the entire world is being distracted by the charms of the Calypso nymph.

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Alan Vega

Insurrection

41,99 €*

2LP | 2016 | EU | Original (Munster)

Release: 2024 / US – Original

Genre: Electronic & Dance

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In The Red Records is proud to announce a previously unreleased new album by Brooklyn-born master of minimalism Alan Vega, Insurrection. The eleven songs here showcase the unparalleled vision and uncompromising force from one of the most influential artists of all time.

Alan Vega was born in Brooklyn in 1938. He co-founded the legendary New York City punk band Suicide with Martin Rev in 1970. Suicide’s groundbreaking 1977 debut is considered one of the most influential albums of all time. Vega considered his solo records the audio counterpoint to his visual art that reflected the world around him while simultaneously exploring universal themes. It makes his work as relevant today as it was when he created them. It was during his highly experimental period beginning in the late ’80s that he began working with Liz Lamere, who became the most crucial collaborator of his solo career until his death in 2016.

Lamere, along with Jared Artaud, resurrected these newly unearthed collection of lost recordings, which they co-produced and mixed. Lamere and Artaud spearhead the Vega Vault project, which aims to bring rare, unreleased and back catalog work spanning Alan Vega and Suicide’s career to the public for the first time.

On Insurrection, Lamere says: “Insurrection was created in the time period around 1997/98, after Mutator and prior to Vega’s 1999 release of 2007 and captures the intense energy of NYC in the ’90s rife with crime, killing, hate, fascism, racism, and moral bankruptcy. You can hear the tortured souls floating through this album. Post-Gulf War angst still enveloped Alan. He was having premonitions about a major terror attack in the US, well before 9/11. The upcoming birth of his son raised further awareness of the state of our world. All these emotions are mirrored in the sounds he magnetized. And true to Vega form, there remains hope and empowerment coursing through the tracks. In the almost three decades of going into the studio with Vega, we recorded significantly more material than the seven albums released. Vega’s intention was to experiment with sound which would become the canvas for the poetry that reflected his vision of the universe. Because the goal wasn’t to make albums, he had no timeline or constraints and would freely follow new paths uncovered along the way.”

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Alan Vega & Marc Hurtado

Sniper

19,99 €*

2LP | 2018 | Original (Digging Diamonds)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Limited edition for Record Store Day 2016!

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Alan Vega of Suicide

Power On To Zero Hour

LP | 1982 | EU | Reissue (Libreville)

Release: 2018 / Original

Genre: Electronic & Dance

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Most of the lyrical themes on Power On were influenced by political unrest and the Persian Gulf War. The intention for being in the studio was to create sounds and then after a critical mass of tracks began evolving into songs, Alan and Liz would put them together to create a record.

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Albert Alan Owen

Following The Light

LP | 1979 | EU | Reissue (Libreville)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Lovely crafted tip-on sleeve. Remastered from the master tapes. 600 copies.

Recorded in 1982, Following The Light is the third album british composer Albert Alan Owen recorded for the Apollo Sound Label.
Originally a Library oriented Music label, Apollo Sound by the mid 70s commissioned contemporary musical pieces from new composers, aiming presumably to provide atmospheric backgrounds for film, television and advertising, and to feed the burgeoning demand for ‘New Age’ music. Therefore comes Following The Light.
While certainly melodic, Owen’s music makes no concessions to mid-afternoon mindfulness or commercial use and reuse. Instead, Following The Light - whose title is taken from the Tao. Number 27 - is a deep and immersive listening experience, clearly the work of a singular musical imagination following its own rules in its own way.
With the help of Katherine Sweeney on violin and Milada Polasek on electric piano and organ, Albert Alan Owen recorded Following The Light in “live” conditions, taking profit of a strong use of the digital effects which were in its infancy at this time; the music was written to make the most of what technology was available, resulting a singular piece of music of sheer beauty
The record demands to be considered as a stand-alone unit, its three sections unfolding elegant and propulsive by turns, as reoccurring themes answer each other through the layers. There are echoes of Reich and Riley in the use of delay, that warm rolling repetition and those bass pulses. But this is not in the service of a system. There is something more lyrical, more humane at work in the music.
With Following the Light, Albert Alan Owen has given us a record that stands outside of time and place, it’s familiar elements made strange and new, all bathed in magic hour light.

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Albert Alan Owen

Keyboards & Strings

Albert Witchfinder & Laja Aijala

Release: 1979 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Albert Alan Owen was born in Wales in 1948 to parents of Welsh and Latvian heritage. His family later moved to Zimbabwe, where his father took up a teaching position. There, Owen was deeply influenced by local music and culture, while also exploring American RnB and jazz. It was during this period that he became acutely aware of the harsh inequalities under British colonial rule, which instilled in him a lifelong aversion to discrimination and racism.

In 1967, Owen returned to Europe to pursue his studies and enrolled at the Royal Academy of Music in London. He went on to spend time in Paris, studying composition with the eminent Nadia Boulanger and piano under Jacques Février, a favorite pianist of Ravel’s and Poulenc’s. Owen's focus shifted almost entirely to composition, and the acquisition of a Fender Rhodes electric piano marked the beginning of a divorce from his classical Western training. This transition allowed him to merge his passion for African and African-American music with the impressionistic styles of Ravel and Debussy while exploring the innovative realm of electroacoustic composition. These formative experiences framed Owen’s career as a composer and educator at the Royal Academy of Music and London’s Working Men’s College. He eventually returned to Wales, where he continues to reside. In 1979, 29-year-old Albert Alan Owen released “Keyboards & Strings”, a light magical chamber music masterpiece. Transcending the formal conventions of its era, “Keyboard & Strings” is an acoustic and electric piano piece, where the violin is met by synths and electronics.

As is often the case in Albert Alan Owen’s most intimate works, there is a sense of ethereal beauty that emerges from the music, akin to the emotional state one might experience while contemplating a Félix Vallotton landscape or the unfathomable mystery of dawn’s first light. Quiet, profound, and immersive, “Keyboard & Strings” stands out as an electronic-age tone poem, a rare gem that transcends time and place.

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Centuries Of Youth

LP | 2021 | EU | Original (Svart)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Rockmantico Red Vinyl Edtion

Alberto Camerini

LP | 1982 | EU | Reissue (Catalog)

34,99 €*

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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LP | 2024 | EU | Original (Krakenduft)

Albinobrothers

Goliath Awakes

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2000 | EU | Reissue (Music On Vinyl)

Alcazar

Casino

Release: 2000 / EU – Reissue

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Mylja)

Alchi

Full Of It

LP | 2023 | EU | Original (Alga Marghen)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Krijn Moons aka Alchi emerges as a new voice in instrumental electronic music with his debut ‘Full of It’ released with Mylja. Inspired by artists such as Nicolás Jaar, Boards of Canada, Sigur Rós and James Holden, Alchi produces and performs music that is rooted in experiment rather than a single genre, flowing between and weaving through alternative dance, instrumental electronic postrock and neoclassical influences. Playing with imperfections and disarray, Alchi’s work honours emotional ambiguity, cultivating a sound that can be equally euphoric as it can be melancholic, a feeling that words cannot - and do not have to - articulate. This is also the approach to composition and production for ‘Full of It’, Alchi explains. “More than the sum of its parts, the sound of a song creates a space that it starts to exist in, an intangible context shaped by the details that come from zoomed-in sound design and production or even working with old or broken instruments. At a certain point, in this space that feels somewhat unknown and familiar at the same time, everything comes to life.” Within this ambiguity, Alchi finds a place to liberate himself from instrumental boundaries, creating landscapes that value coincidence, playful sound choices and a little bit of chaos. ‘Full of It’ portrays an uncommon kind of music that, in its abstraction, layers and linear structures, will balance both the familiar and the surreal.

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Aldo Clementi

Collage

31,99 €*

LP | 2021 | JP | Original (Silent River Runs Deep)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Two previously unreleased collages for magnetic tape, both realized at the Studio di Fonologia Muisicale RAI in Milan. These pieces are precious testimonials to Aldo Clementi's intense and ongoing interest in electronic music in the 1960s. The electronic composition »Collage 2« from 1960 was his first experiment with electronic music. »Collage 3« dates back to 1966. It's an electronic collage on »Michelle« by The Beatles.

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Alejandro Franov

Opsigno

2LP | 2023 | EU | Original (Antinote)

Release: 2021 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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The legendary Argentinean composer and multi-instrumentalist Alejandro Franov's masterpiece from 2004 is going to be out on vinyl for the first time! Mastered by Kuniyuki Takahashi. Alejandro Franov has been surrounded by music since he was a child and became a multi-instrumentalist as he should have. In this work, he plays a wide variety of percussion, piano, synthesizer, and sitar. Guest performers include Marco Cabezaz on marimba, vibraphone and tabla, and Emiliano Rodrguez on guitar. His close friend Luis Alberto Spinetta, one of the biggest names in Argentine rock, joins him in the chorus on "Ayodhya". His colorful rhythms, lyrical and meditative melodies weave an orientalism of his own.

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Alek Lee

You

LP | 2020 | EU | Original (Sincere Sensation)

Release: 2023 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Alek Lee is back on Antinote to release his debut LP ‘You’. Covering 16 songs and crafted in theproducer’s studio over the past few 4 years, the Tel Avivian has swapped the misty aura of his first two EPs for a smoked out haze. ‘You’ effortlessly blends digi-dub, boogie, and yacht rock to create a washed out, dub-pop sound befitting of its place of recording sat at the edge of the desert and the sea. If Lee’s earlier works were defined by brooding downtempo beats with kids television vocal samples sprinkled amongst them, then the album hears the producer open himself up to the process of the singer-songwriter, getting behind the microphone and optimistically speaking words of his own.

But perhaps that may be put too bluntly. Fankly, Lee fluidly moves between crooning, whispers, gasps all the way to full on ballad style singing effortlessly and with ease. His newly develop vocal experiments are too supported by an impressive array of collaborators which can be found in the LP’s liner notes. These collaborations also help to mix far-flung musical styles into the LP. For instance, take Kol Hayom featuring Keren Ilan. It’s a laid-back tune that would sit comfortably beside Rita Lee tropicália. Or Love To Puff You Baby featuring $hkuru, which upends Donna Summer’s bodily groove into a heady bop.‘You’ is a testament to Alek Lee’s prolific exploration of his own brand of dub: shimmering off-beat guitars, low-fidelity beats and deep grooves. Oh and always a melodica line found somewhere amongst it.

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Aleksey Vishnya

Heart

15,99 €*

Dark Days Feat. Tapani Rinne

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Aleksey Vishnya is known for producing some of the most iconic Soviet rock albums, perhaps overshadowing his work as a solo artist. On this masterfully produced album Vishnya lays out his ode to the heart using what synths and drum machines could be found around the USSR at the time—a technological and poetic achievement. Vishnya’s cherry sweet vocals float smoothly over dancey electronic rhythms. This is the debut release of Sincere Sensation, a label for 'nostalgic sounds from the east of somewhere'.

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Aleksi Myllykoski

2LP | 2020 | EU | Original (Signature Dark)

LP | 2023 | EU | Original (Signature Dark)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Minimal, melancholic and deeply spirited noir jazz with an electronic twist! This is the extraordinary and original sound of Aleksi Myllykoski on his novel album Dark Days.

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Aleksi Myllykoski

St. Virus

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Aleksi Myllykoski / Tapani Rinne

Signature Dark Remixes

2LP | 2023 | EU | Original (Signature Dark Grey)

23,24 €* 30,99 € -25%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2LP | 1985 | EU | Reissue (Rotorelief)

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Alesia Cosmos

Aeroproducts

39,99 €*

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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Preorder shipping from 2024-07-05

LP | 1983 | US | Reissue (Dark Entries)

Alesia Cosmos

Exclusivo!

LP | 2016 | EU | Reissue (Mannequin)

Release: 1983 / US – Reissue

Genre: Electronic & Dance

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Alésia Cosmos was a collective of musicians led by Bruno de Chénerilles formed in the early 1980s in Strasbourg, France. The group consisted of Pascal Holtzer (guitar, synthesizer, tapes, drum machine, vocals), Pierre Clavreux (vocals, gong), Marie-Berthe Servier (vocals), Bruno (guitar, tapes, synthesizer, drum machine, vocals) and Tunisian percussionist Lotfi Ben Ayed (darbukas, bendir). In 1981 Bruno composed and wrote some sci-fi radio plays for French state radio channel France Culture. Under the influences of William Burroughs, John Cage, Pierre Henry and others, he developed tape music studio work. By 1982 he appeared for the first time under the name Alésia Cosmos Furi Show. It was a solo performance on guitar, voice, analog synth and tapes. This experimental show lead to a music project based on Bruno and Pascal's compositions to be performed and recorded with other musicians in the beginning of 1983.

Exclusivo! was the group’s debut album recorded and self-released in 1983 on Planetarium. Pascal and Bruno would compose tunes in their personal home studios. Then they would bring the tapes, electronics, guitar lines and lyrics to experiment and rehearse with the other members of the group. Improvisations and adaptations brought more ideas and the album was recorded in a few days. The result was a musical mixing of electronic music, field recordings, North African and Asian percussion, electric guitars and voices, compositions and free improvisations. All four musicians take turns singing onomatopoeic phrases and backing vocals, even sometimes in an unknown language, a sort of mixed bag between Breton and Japanese. All songs have been remastered cut by George Horn at Fantasy Studios in Berkeley. Each LP is housed in a replica of the 1983 cover and includes a 6-page insert with photos, lyrics, reviews and liner notes by Bruno de Chénerilles.

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Alessandro Adriani

Montagne Trasparenti

2LP | 2019 | EU | Original (Stroboscopic Artefacts)

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 2016, 'Montagne Trasparenti' is now repressed on Mannequin Records with a full new graphic design. The album was recorded between Adriani’s native Rome and adopted Berlin, “in various years of travelling, composing, fighting with cables and machines.” In the last years Alessandro contribute to shape the new EBM and Techno sound with productions for labels like Stroboscopic Artefacts, Jealous God, Pinkman and Mannequin. Curator and resident DJ at Berghain/Panorama Bar and guest curator at Berlin Atonal 2018, Alessandro presented many of the tracks included in this LP with an audio-visual interactive 3D premiere live show in collaboration with Nuova Astrazione.

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Alessandro Adriani

Morphic Dreams

Sintesi Feat. Lee Ranaldo

Release: 2019 / EU – Original

Genre: Electronic & Dance

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This 2LP comes in a gatefold cover.

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Alessandro Baris

LP | 2022 | EU | Original (Otono)

2LP | 2022 | EU | Original (Holidays)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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“Sintesi”, out on Mexican label Otono records, is the debut solo album of Alessandro Baris, Italian-American multi-instrumentalist, composer and electronic music producer based in Bologna, Italy. The release of the Ep has been anticipated by three singles: “Last Letter to Jayne” featuring Lee Ranaldo of Sonic Youth with a video by french visual artist Luigi Honorat, “Embers” with vocals by Emma Nolde and “Nival” with vocals by Lisa Papineau (eclectic american songwriter, collaborators of Jun Miyake, Air e M83 amongst others). Conceived between 2018 and 2020, the album is a new point of departure for Alessandro from his previous works with other projects and collaborations, in Italy and abroad, such as L’Altra, Collisions and Comfort. In “Sintesi” Alessandro has performed, recorded and produced every track, using an electronic gear with some acoustic elements such as a few drums (his main instrument), processed concrete sounds and his own voice on the song Lifetime, along with an accurate work of sound design and sound processing. The result is a melancholic and introspective album surrounded by a detailed and evocative scenario, with rhythms that sometimes flow free and sometimes stumble, as it happens in real life.

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Alessandro Bosetti

Plane/Talea 31-34

Alessandro Cortini of Nine Inch Nails

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Since a few years Alessandro Bosetti has been collecting voices that become part of the Plane/Talea archive. The creation of the archive stems from dozens of individual meetings and recording sessions, in which each voice is detached from its owner or originator and anonymized. With each new iteration and performance, Bosetti plays the archive as if it were an instrument. He searches for hidden details and correspondences through exploration, immersion and contemplation. Each re-activation of the archive results in a dense and swarming polyphony made up of thousands of short utterances - shorter than any word bearing a meaning - recombined and interwoven into complex textures. The particularity of the grain of Plane/Talea lies in the autonomous and darting life that each of these fragments lives in a teeming community of voices. Such polyphonies are rich in microtonal detail emerging from the incessant juxtaposition of vocal objets trouvés. Harmonic relationships are sometimes rough and chaotic, other times surprisingly just. The voices are never treated electronically but only recombined and musical tension is provided by the particular grain, inflection, energy of each one of them in counterpoint to the others and to a frugally used instrumentarium (Harpsichord, Ondes Martenot, Cristal Baschet, grand piano, analog synth, Hammond organ). Implicit reference goes to ancient, modern and postmodern forms of vocal polyphony. "Plane/Talea 31-34" - the continuation of the homonymous 2016 LP - is a work of sampling that projects an imaginary community and a disembodied choir. The four arching and extensive tracks were created between 2017 and 2018 and bear the trace of two specific moments: August nights in a country house in Vicobarone, in the hills of Piacenza (31-32) and a week-long residency at the "Studio Venezia", an environment created by French artist Xavier Veilhan in the French pavilion at the 2017 Venice Biennale (33-34). « Encounters of this sort did happen, with the voice still clinging onto its own origin, and then seen, as it were, coming out of the original mouth and caught saying other things, with a slightly different intonation, a slightly different timbre, maybe due to a little aging, an extra cigarette, a cold. At that point we would come out unsettled, or maybe convinced that it was not the same voice anymore, but another. »

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Forse 1

2LP | 2013 | US | Reissue (Important)

41,99 €*

2LP | 2015 | EU | Original (Credo)

Release: 2013 / US – Reissue

Genre: Electronic & Dance

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Alessandro Cortini (Nine Inch Nails/How To Destroy Angels) composed the Forse series using a Buchla Music Easel. Forse, meaning "maybe" In Italian, is a series of 3 double LP releases Cortini recorded for Imprec to release in 2013.

"All pieces were written and performed live on a Buchla Music Easel, in the span of one month. I found that the limited array of modules that the instrument offers sparked my creativity. Most pieces consist of a repeating chord progression, where the real change happens at a spectral/dynamic level, as opposed to the harmonic/chordal one. I believe that the former are just as effective as the latter, in the sense that the sonic presentation (distortion , filtering, wave shaping, etc) are just as expressive as a chord change or chord type, and often reinforce said chord progressions.

Of all the years with Nine Inch Nails the period spent writing and recording the instrumental record Ghosts I-iv is probably the one which changed my approach to music making the most. After that record I started getting more into instrumental composition, although I tried to approach it in a different way. While we had a vast array of tools and instruments at our disposal then, I decided to approach my pieces limiting myself to one instrument only, as I found myself being more decisive when faced with a limited creative environment."

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Alex Bau

Musick

17,99 €*

LP | 2021 | EU | Original (Because Music)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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2015 will see alex baus new album “Musick” to be released end of april showcasing his definition of slightly dark shaded, organic sounding and intelligent modern techno. A clear statement, free of hi-res artistpics or diverting elements, just the music in a very pure and straight way. After 5 years it seems to be more than overdue that one of the most respected producers throughout the technoworld delivers a new full-length album after far more than 100 productions and remixes on well established labels like chris liebing`s clr, technasia`s sino, uk top notch label sleaze records, legendary harthouse or most recently also synewave and sven väth`s cocoon recordings.

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Alex Beaupain

Love On The Beat

LP | 2023 | EU | Original (D7)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Built around the successes of his soundtracks and songs for the movies of Christophe Honoré, Alex Beaupain’s profile in the ‘chanson française’ landscape is quite unique. Beaupain alternates between soundtracks, songs he writes for others (mainly great French actresses) and his own solo albums. In march 2021, Beaupain paid tribute to the late Serge Gainsbourg for the 30th anniversary of his passing during a special live on air event where he covered in full, with the Radio France Philharmonic Orchestra, Gainsbourg’s penultimate shocking album from 1984 : Love On The Beat. This experience led him directly in the studio with Saint DX as producer, the French American duet Faux Real singing backing vocals and a full string section to re-record this cult album with a 2021 twist. He had also dreamed of covering that particular album that had so much impact on him, musically and lyrically, when he first discovered it. The 80s funky sound of the record, produced by Billy Rush, was a new start for Gainsbourg and at the time, the lyrics schocked everyone but achieved to avoid any censorship.

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Alex

Brennende Fragen

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2LP | 2017 | EU | Original (blundar)

Alex Cortex

Untitled

19,99 €*

LP | 2016 | UK | Original (Tempa)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Over two decades past his Source Records 'tubed' appearance, Alex cortex is back at it with a full length portraying electronica range as he knows how. This time trough Malmo based imprint blundar and it's #mutantexture arrays.

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Alex Coulton

Ambush / Direction

11,99 €*

Release: 2016 / UK – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Jam)

Alex Fain

Parsec

15,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | US | Original (People's Potential Unlimited)

Alex Fernet

Lucidanotte

3LP | 2023 | EU | Original (Minimaler Factory)

Release: 2023 / US – Original

Genre: Electronic & Dance

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The debut LP from Italy's own Alex Fernet, just another taste of the italo renaissance.

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Alex Font

Cross The Limits

62,99 €*

LP | 2022 | CA | Original (Return To Analog)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Limited box edition. Alex Font is the essence of this new label Minimaler Factory, besides being a precious friend whom with it was overdue to create a story on vinyl together. Being as much impressive as a stunning performer, as an ace producer, as a fantastic musician, a dedicated mastering engineer as well as a fascinating music teacher, this is nevertheless first and foremost by his incredible human side that he is even more standing out. This first album from Alex Font has been imagined since 2020 as a collector item in and out, it is a significantly meaningful release for us which will be available as a very limited boxed gatefold 190g edition.

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Alex Mcmahon

Expat

Release: 2022 / CA – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 2023 | EU | Original (Al Dente)

Blue Ecstasy

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Including The singles Weekend At The Club Paradiso and Rock mMy Disco

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LP | 2024 | EU | Original (Al Dente)

Deliria

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Preorder shipping from 2024-09-16

Multi-instrumentalist, composer and producer Alex Puddu (Al Dente/Schema Records) with a solo release discography of 16 albums, among which stand out the three original volumes of the red-light soundtracks of Danish films ” The Golden Age Of Danish pornography", and also known for his collaborations with Edda Dell'Orso (Maestro Ennio Morricone's legendary vocalist,) Joe Bataan, Lonnie Jordan of L.A funk band War, and Gene Robinson Jr of Breakwater.

Alex Puddu will follow the previews singles Texas Blonde and Pullover Grigio releasing after the summer, for the first time a brand new album in Italian language, called ”Deliria” proposing a new sound that drags us into the Italian funk music of the late seventies and early 80s, and the new music from the italian indie pop and new disco scene, within names like, Nu Genea, Pellegrino. Viscardi & Il Duo Magnetico, Frah Quintale, Marco Castello and up to the electronic sounds, between adult oriented soul and disco that are part of the unmistakable style of Alex Puddu's writing and production.

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LP | 2011 | EU | Original (Al Dente)

Hell Is Other People

Release: 2011 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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When first I got to know that I was going to create the score for this short, I was pretty excited about the idea behind the film, and especially the story of the character Jens, who suffers from schizophrenia.I started inventing sounds to depict the character’s visions and hallucinations and I knew right away that I was going for a style more experimental than the two previous scores, Eastern Army and Mosaic, both written during the same year. The working process of the soundtrack for Hell is Other People (Helvede er de Andre) has perhaps been the most creative I have ever done. I just started recording sounds, effects and handmade percussion with no idea as to where I was heading, only the sense that I was going somewhere else, somewhere I had never been before. Somewhere where I felt very comfortable. All of the sounds are performed and recorded at night in my home studio Easy Beat Evil Bite and I used everything I could at home, everything I could get my hands on: wine glasses, chimes, shakers, African percussion instruments, angel harp, tambourine, sitar, hand drumming on a paper box or on naked skin, cymbals, synthesizer, effect pedals, the Rhodes, the piano and a lot of reverse recording from my old Revox tape recorder as well as electric and acoustic guitars. The title song “Every Missing Beat of Your Heart” and ”Falling Papers from a Staircase” are both very calm and reflecting tunes, characterized by a dreaming acoustic guitar arpeggio and a persuasive hypnotized tempo from an old metronome. On the track ”Metal Me” is a lot of psycho-blues; the strumming of an acoustic Yamaha is evident on three monotone chords and the 'sloppy' beat makes everything sound so heavy. I love the production of the song ”At the Clinic” where I chose to do a swing beat playing on the glasses to generate a more defined sound, like something you just can’t get rid of; like an annoying sound , and together with electric guitar playing in surf mood I really did something cool and easy there… I pictured the boy Jens walking up and down the corridors at the hospital and having trouble thinking clearly, or maybe seeing what other people couldn’t see. I think that all in all, I was most inspired by the sound of the 50’s in the making of this album; the warmth of the tremolo of in ”My Room” and the dark and psychotic mood of “Perspective” and ”Second Moon”. From time to time there is a touch of emptiness, death, agony and the feeling of loneliness behind those moments in tunes such as ”One of Us”, “No More Dead Flies” and ”She Suicide”. The second part of ”Every Missing Beat of Your Heart” I wrote on an acoustic guitar in Berlin during a short vacation. I remember having written the chords and the lyrics for the melody in half an hour and was very happy with the result. Signe Isager, who recently sang live with the band Alex Puddu and The Butterfly Collectors, sings in this song with me and I thought it would be a good choice to go with the end credits. For the making of the songs on this album I have been searching for the clinical, cold aesthetics of the rooms and corridors of a hospital and the warm sound of the sea from a house on the beach and I do believe this is what inspired me. It has been a great experience working on this album and the production, from the very start to the very end of the process, and being able to give what I felt was right for this picture at this moment.

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LP | 2022 | EU | Original (Al Dente)

Night People

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Alex Puddu will be releasing the brand new album ”Night People” with his record label Al Dente Music. A great record written and produced by Alex Puddu that follows his latest album ”Love After Dark” Night People is a truly soulful piece of work in style with classic R&B groove and retro 80’s synth-pop. The Album was recorded in Rome in Italy at the Tube Recording Studio where Alex Puddu collaborated with legendary session musicians from the pop and Italo-disco scene from the early 80’s such as bass player Dino Kappa (Libra, Franco Micalizzi, Alan Sorrenti, Loredana Berté) and drummer Agostino Marangolo (Goblin, Pino Daniele, Enzo Carella, Mike Francis).and Giovanni Guerretti one of the best italian Piano and keyboard player of the new musicscene. Night People includes the six singles that had allready a great airplay across the nations ” If You Desire” featuring Vincent Bates, ” Leaving This Town” and Don’t Stop The Music” Feat. CaiNo, ”Call Me” feat. Simone Miller and ”Victim Of Love and Future Woman” Feat . James Knights. Agostino Marangolo: Drums Dino Kappa: Bass Giovanni Guerretti: Piano Synthesizer, clavinet., electric piano Alex Puddu: Synthesizers, piano, electric guitar, organ, drums, percussion with Hendrik Jørgensen (Trumpet) Mikkel Fleron (Sax) Morten Grønvad (Vibrafon) Bburny Pelsmajer Synthesizer strings,Moog Gavino Congiatta : BassRecorded in Italy at Tube Recording Studio, engineered by Francesco Lupi , and recorded by Alex Puddu at Sexy Lady Studio Copenhagen, all tracks mixed by Kamilo Kratc exept track A2,B2,B3 mixed by Morten Trøst, mastered by Kamilo Kratc in N.Y.C - Horns arrangements on B1,B3 by Hendrik Jørgensen exept b4 horns arrangement by Hendrik Jorgensen and Alex Puddu Music and lyrics by A. Puddu Produced by Alex Puddu

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LP | 2022 | EU | Original (Al Dente)

Private

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The journey gives your senses a taste of a future groove, erotica and nu-disco exploitation. With Private Alex is stepping forward musically into a new club direction, bringing a fresh sound to the production with retro drum machines, synthesizers, house piano, and killer funky basslines. Open the door and walk through the secrets of the night with ”Submission”, ”Blue City Club”, ”Dark Room”, ”The Visitor” and the singles ”I Feel You”, ”Attraction” and ”Odyssey 9000”.

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The Gambler Feat. Edda Dell Orso

LP | 2018 | EU | Original (Al Dente)

Simulations White Vinyl Edition

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Alex Puddu pulls an ace from up his sleeve with the new album The Gambler On his 10th solo album Alex Puddu is back and surprises with a strong set of songs, inspired by a mixture of the early 60’s sound of doo-wop vocal harmonies, together with R’n’B and a hint of jazz og surf references. It’s clear that one can unmistakably hear Puddu has a true love for the music of this period; unapologetically his sound references Dion and The Belmonts ,Vince Taylor and his Playboys, The Marcels and classics Movie scores such as West Side Story, The Wanderers, The Incident and Music To Read The Pretenders by Joe Rene Complex. Morricone’s string musicians and the legendary voice of Edda Dell’Orso On The Gambler there are numerous special guest appearances: First and foremost Ennio Morricone’s legendary vocalist Edda Dell’Orso, well known for her singing on the 60’s og 70’s Western soundtracks The Good, The Bad and The Ugly, Once Upon a Time in the West og Giù la Testa. Dell’Orso sings on three songs on the album, while her husband, Giacomo Dell’Orso, has orchestrated the album and conducted a small group of Ennio Morricone’s string musicians under the name of Piccola Orchestra Cinefonica di Roma. With Alex Puddu on guitar, organ and piano, he is joined by Heidi Luke on drums, Henrik Mathiassen on contrabass, Mikael Fleron on saxophone, with Lukas Sherfey (The Movement) Stefan Moulvad (The Sandmen) and Anders Bruus (The Breakers) on electric guitar. Participating on lead vocals are: Steffen Westmark (The Blue Van - on two tracks), Peter Sandorff (Hola Ghost), Jess Møller Rasmussen (Taggy Tones), Duane Hobson (The Moonfires) and the Italian crooner Max Locci.

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Alex

LP | 2019 | EU | Original (Playmaker)

Youth Orange Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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This release comes on 180g vinyl. Comes with A3 poster of cover art. Alex new album ‘Simulations’ sees this artist in his most versatile synth pop game, ever. He really knows how to pick features with these beautiful, provocative, and sensual sounding female vocalists, mixed with his signature driving dark electronic sound, he succeeds yet again. This time with rapid-fire synths and dance beats that worm their way into your brain and get stuck there.

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Alex

LP | 2022 | US | Original (New Retro Wave)

Alex Zhang Hungtai, Pedro Alves Sousa, Gabriel Ferrandini, David Maranha

Release: 2022 / US – Original

Genre: Electronic & Dance

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‣ It's Official....SEXY Neon Orange with sleek finishing in limited 200 copies (180g). ‣ Audio remastered for vinyl. ‣ High duty jacket with spine ‣ Vinyl will be shipped inside protective wrapping and padded with bubble wrap.

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Ketu

LP | 2022 | EU | Original (Futuro Familiar)

Alex Zhang Hungtai, Pedro Alves Sousa, Gabriel Ferrandini, Júlia Reis, David Maranha

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A longform piece, performed by saxophonist Pedro Alves Sousa (who also runs the label Futuro Familiar) with Alex Zhang Hungtai (also known as Dirty Beaches) Gabriel Ferrandini, Júlia Reis & David Maranha, recorded at Galeria Zé dos Bois, Lisbon, 2017, by Cristiano Nunes. Mixed by Pedro Alves Sousa, Edited and co-edited by Pedro Alves Sousa and Gabriel Ferrandini, Mastered by James Plotkin.

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Rahu

LP | 2022 | EU | Original (Futuro Familiar)

Young Gods Run Free Clear Orange Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A longform piece, performed by saxophonist Pedro Alves Sousa (who also runs the label Futuro Familiar) with Alex Zhang Hungtai (also known as Dirty Beaches) Gabriel Ferrandini, Júlia Reis & David Maranha, recorded at Galeria Zé dos Bois, Lisbon, 2016, by Cristiano Nunes. Mixed by Pedro Alves Sousa, Edited and co-edited by Pedro Alves Sousa and Gabriel Ferrandini, Mastered by James Plotkin.

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Alex Zhang Hungtai

LP | 2024 | UK | Original (Modern Love)

LP | 2018 | EU | Original (Little Beat Different)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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For 46 minutes Alex Zhang Hungtai punctures our perception of linearity, working like a conductor, encouraging percussive flurries to trip and fall over each other, sometimes tempered by contact mic feedback to help skewer the chronology. He’s assisted by three additional percussionists - Wet Hair’s Ryan Garbes and Shawn Reed, and Leonard King - while Signal Decay’s Nick Yeck-Stauffer plays trumpet, with each extra voice blurred into the middle distance, curling like pipe smoke into convulsive whorls. The piece is frankly astonishing in its grasp of the maelstrom. Initially tentative, searching, with higher register hits like moths butting lone lightbulbs in an abandoned apartment block, the distant, plangent peal of twin brass wafts between rooms to impart a distinctly floating, Oobe- like feel for space. The brass recedes while the drums’ low end thickens and roils like a gamelan tempest, blurring impressions of knackered buildings or the temple rituals of ancient epochs, with sounds wafting in from other rooms to mess with the stereo field like ghosts of worshippers doing their thing. Remarkably, it conjures a fever dream miasma of ricocheting, thunderous polymetric clatter and proprioceptive fuckry without ever losing its head. Hungtai’s canny use of contact mic feedback drone and cymbal saw gives the whole thing a sense of gauzy delirium that unites the grouches like mildewed grout and cobwebs, coarsely gelling the elements in a way that resonates with Pauline Oliveros and co’s Deep Listening band acousmagique as much as Basil Kirchin’s keeling ‘World Within World’ classic, the ghosts of Sun Ra’s ‘Nuclear War’, the possessed atmosphere of the cabin where Harley Gaber recorded ‘Wind Rises in the North’, and no doubt Harry Bertoia’s massive metallic sculptures, agitated at midnight. Humid, menacing, and wraithlike, the album’s’ sense of keening chronics belies a visionary hand at the tiller, here tightened by Rashad Becker’s mastering, which faithfully brings to light, and shadow, the depth of perception and wild but concentrated energies at play, sealing in place a truly staggering session for adventurous ears, cineastes and Lynchian acolytes alike.

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Alexander Goldscheider

LBDISSUES002

16,99 €*

Robotus Black Vinyl Edition

Release: 2018 / EU – Original

Genre: Electronic & Dance

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This LP samples Alexander Goldscheider’s music produced for records, films, TV and even an art exhibition in the space of 25 years starting from 1975. In its second venture into reissuing hidden gems of electronic music produced in Eastern Europe in the 20th Century, Little Beat Different Issues focuses on the work of a Czech composer, musician and producer, Alexander Goldscheider. Born in Prague in 1950, Goldscheider started as a music correspondent in New York in 1968/69, went onto reading Music at Charles University whilst continuing as a music critic and radio/club DJ, before becoming a record producer at the top Czech label, Supraphon. As a composer, he pioneered the use of synthesizers in his songs for major Czech pop/rock singers as well as in his own instrumental tracks. After moving to London in 1981, he first recorded two albums at the renowned Red Bus Studios, then proceeded to work at the legendary BBC Radiophonic Workshop, before co-founding and establishing Romantic Robot, a software and hardware design and manufacturing company which later moved into music recording and publishing. Of the many original products, The Music Typewriter was ground-breaking software enabling the writing and printing of real notation on the Sinclair ZX Spectrum. Similarly Terezin: The Music 1941-44 was the first ever release of CDs with music written in the Theresienstadt Concentration Camp during World War II.

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Alexander Marcus

LP | 2023 | EU | Original (Kontor)

21,24 €* 24,99 € -15%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Light Sounds Dark)

Alexander Melzak

LP | 1984 | EU | Reissue (Materiali Sonori / Spittle)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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New music on Light Sounds Dark from Alexander Melzak!

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Alexander Robotnick

Ce N'est Q'un Debut

Computer Sourire Clear Vinyl Edtion

Release: 1984 / EU – Reissue

Genre: Electronic & Dance, Pop

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Raised from the ashes of eighties new wave (when Materiali Sonori debuted the Fuzz Dance series), Problemes D’Amour soon began a disco and electro classic all over the place. Florence born producer and musician Maurizio Dami - with co-conspirators Giampiero Bigazzi, Arlo Bigazzi and Marzio Benelli – created a mysterious character, a so called “modular structure born out a soviet calculator and promptly runaway". He was singing in french and was supported by primordial digital machine, using at the same time the more classical electric guitars, sax and sensual female voices. A handful of evergreen are still played all over the world by many international deejays, while “Problemes d’Amour” was even featured on influential Strut compilation Disco Not Disco 2. American label Sire (home of Talking Heads and a young Madonna) published a Fuzz Dance Ep in 1985 with the Robotnick masterpiece and several contribution from Mya & The Mirror, Gina & The Flexix and Naïf Orchestra. Maurizio Dami is still performing worldwide as a dj and is still composing new music. After 40 years Spittle Records in joint venture with Materiali Sonori re-issues the mini album and the 12” with its original artwork. "Once I was in Chicago, it was around 2010, I was just finishing my set and went outside the club to light a cigarette. Suddenly a police car stops nearby. I thought the policeman was here to fine me (I was more than 20 meters outside the venue), but he just lifted a poster of mine and asked to sign it. Then I realized that "Problèmes d’Amour" has been for a longtime the opening theme for a popular radio broadcast well-known between the black community (hence the policeman was black)”. Maurizio Dami

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Alexander Robotnick

LP | 1985 | EU | Reissue (Lantern)

14,99 €*

2LP | 2023 | EU | Original (Quirk)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance, Pop

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Fully remastered and licensed, ltd to 500 copies on clear vinyl Yet another chapter in the ongoing Alexander Robotnick saga. Electronic wizard Maurizio Dami licensed his second single in 1983 on Materiali Sonori ‘club series’ Fuzz Dance. After the surprising and astonishing success of the debut - Problèmes D'Amour – Robotnick became a sort of cult figure even in the United States and soon was labeled as a forerunner of the electro movement.

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Alexander Skancke

Kingdom Couch

LP | 2023 | EU | Original (Raster)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The eccentric beat ambassador Alexander Skancke showcases his sound once more on his Quirk label, diving into spring with his debut LP, â€œKingdom Couchâ€. The Norwegian has crafted a versatile yet cohesive body of work between 2020 and 2023, parallel to when he began attending sessions with a therapist. The 10 track double 12â€ traverses between meticulously arranged minimal moods, shuffling jazz rhythms and ethereal experimental textures. In its few years of existence Quirk has become a safe haven for a freedom of expression as Skancke and his affiliates share their wild side on the label, but the LP marks a milestone on the imprint and for Alexander himself whose lifelong dedication to sound has built towards this moment, utilising the vast influences has absorbed over the years. â€œTherapy Session Iâ€ teases you into the LP, shimmering blissfully as it grows, blossoming into a dream-like world, tuning your ears for the trip you are about to encounter. Constructed upon slick jazzy drums is â€œLost In Timeâ€ loosening your senses as the pulsating bass swallows up your train of thought. â€œDumbo Moveâ€ blurs the lines perfectly between the atmospheres the Berlin based producer has captured within the album. Dark, mysterious and mind bending material in â€œPurple Lucyâ€ a chugging sub heavy bass driving the track forward as precise beeps and bleeps whirr throughout. On a more playful note is the B2, â€œExtravaganceâ€ animated drum patterns converse with the elastic groove perfectly. Closing off the first vinyl is â€œTherapy Session IIâ€, another extended exploration of otherworldly ambience, drifting deeper in the world of Quirk. â€œThe Magnificent Tree Hutâ€ stirs consistently throughout, crisp percussion combined with the psychedelic vocal samples which continue to flash in and out. Transitioning now into â€œTherapy Session IIIâ€ sophisticated sounds, enticed further into the full bodied experience by the storytelling sounds of a female voice. Your eyes begin to close and you wake up in a hazy club setting, immersed in the after hours; thatâ€™s the immediate impact of â€œNew Dawnâ€, pensive and hypnotic as it rumbles quietly in the realms of the underground. At just over ten minutes long Alexander Skancke brings you down for landing with the final â€œTherapy Sessions IVâ€, transcending movements crammed full of raw emotion, floating you calmly out of the seventh outing on the label, and the thriving talents finest work to date. The â€œKingdom Couchâ€ is an amalgamation of Skanckeâ€™s undying passion and burning desire to create outside of the norm, this can be heard throughout this masterpiece and will undoubtedly inspire its listeners to search for the bigger picture. Artwork: Johann 3000 Mastering: Mike Grinser, Manmade Mastering

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Alexander Tillegreen

In Words

Alexander Tucker & Keith Collins

Release: 2023 / EU – Original

Genre: Electronic & Dance

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»In Words« is the first solo album by the Danish musician, composer, and visual artist Alexander Tillegreen. The album represents a series of varied electronic music pieces while also carrying examples of ongoing work with psychoacoustic phenomena. Composed partly of material taken from his artistic practice as an installation artist and his ongoing interdisciplinary artistic research into psychoacoustic phenomena, Tillegreen investigates subjective sonic perception and the negotiation of language. Particularly, these investigations are done through the use of the phantom word illusion, originally discovered by music psychologist Diana Deutsch. Parts of the album were conceived when Tillegreen was the first artist ever in resident at the Max Planck Institute for Empirical Aesthetics. Triggering the brain’s tendency to interpret language-based auditory illusions as meaningful information and as words within the mind of the listener, Tillegreen’s unique sound works unfold like a kaleidoscope of phonetic mirrors which render possibilities to reflect upon the listener’s own psychological and culturally situated linguistic embeddedness. Gender-distorted voice perception, speech and language borders are all challenged and thematized throughout Tillegreen’s work. The listener’s head and bodily movement drastically affect the listening and the word interpretation. Their psychological subconsciousness, recent events, memories, and expectations as well as the listener’s motion in space all become co-creative and co- composing factors in a reactive and choreographic process of listening. The polyrhythmic seriality of spatialized syllabic structures is accompanied by elements of heavy bass drops, high-frequency tensions, undulating synth lines, and hypnotic effects. Some of the many compositional potentials of the phantom word illusions are exercised and unfolded in selected tracks throughout the album. The notion of language borders is approached from an entirely different and even more “anti-logocentric” perspective on the “eponymous” closing track »Assimilate (in Words)«, where the listener experiences the struggle and collapse of interpersonal communication through conversation. Other parts of the album represent more diverse approaches to abstract electronic music. »In Words« morphs soundscapes into glacial, spherical passages of ambient backdrops, while at other times emphasizes raw tectonic blocks of hyper-panning drones that erupt into high-velocity outlets of energetic, granular fields. Tillegreen is alternating between cyclical, minimalist, hypnotic approaches and complex, glitchy polyrhythmic melodic structures that shift and melt into evocative ambiences. The phantom words and the nature of Tillegreen’s musical visions progressively demand more of the listener’s attention and represent the artist’s ongoing artistic work and scientific research into psychoacoustics and language. While »In Words« is a highly conceptual album, the musical bandwidth is extensive.

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Fifth Continent

LP | 2023 | UK | Original (Subtext)

LP | 2021 | EU | Original (H42)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Alexander Tucker has announced details of a new album, Fifth Continent, a posthumous collaboration with Keith Collins (1966-2018). The album, which pays homage to Keith Collins, his partner and collaborator Derek Jarman (1942-1994), and the Kentish headland, Dungeness – will be released on Subtext Recordings on February 24th, 2023.

An accompanying anthology, Fifth Quarter, will be published on the same day. The book will collate new and archive work by artists, photographers and writers reflecting on Collins, Jarman, one of England’s most unique landscapes, Dungeness and Prospect Cottage, their former home and sanctuary.

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Alexander Von Wieding

Magir-Klangspiel

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Martin Hossbach)

Alexander Winkelmann

Danke Der Nachfrage

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Rhythmic Brutalism Volume 2

Alexandra Atnif

LP | 2017 | UK | Original (EM)

LP | 2022 | EU | Original (BMG Rights Management)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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"Rhythmic Brutalism" is the title of this release, available as two CD set or two separate 12 inch vinyl LPs; the title is also a very apt description of the music itself. Romania-born Alexandra Atnif is fascinated by the harsh, grey concrete beauty and minimally repetitive force of the brutalist post-war architecture of her homeland, and this fascination has given rise to the music here.

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Alexandra Hamilton-Ayres

Play Echoes

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Alexandre Babel & Latifa Echakhch

The Concert

LP | 2023 | UK | Original (Shelter Press)

LP | 2024 | EU | Original (Discrepant)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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When Latifa Echakhch was tuning the concept for her presentation at the Swiss Pavilion during the 59th Venice Art Biennale, she wondered how it might be possible to alter her visitors’ perception of time. She invited Berlin-based drummer and composer Alexandre Babel to come up with a response to her silent exhibition, held inside a striking multi-room building designed by Bruno Giacometti and originally intended for the display of classical art. Babel assembled field recordings captured at the Pavilion alongside pre-recorded viola, contrabass, flute and percussion sounds contributed by Jon Heilbronn, Rebecca Lenton, Theo Nabicht and Nikolaus Schlierf, combined to construct an immersive slow-creep of detailed micro-sounds designed to gradually alter your temporal and spatial bearings. Opening with echoing footsteps over a discomposing whirr of modern machinery, our attention is drawn to the physical space and the natural rhythm of walking. Pinprick clicks add an extra layer of microscopic grist, as water droplets form an incoherent pulse that eventually turn to woodblock clacks and toms. Resembling the innards of a clockmaker’s workshop as though heard from the central hall of a vast gallery space; Babel’s rhythms are so finely drawn that they’re hard to grasp at first blush, demanding multiple listens in order to fully comprehend their abstruse latticing. Spray can blasts and white noise bursts dance in tandem, ushering in low-end rumbles that cautiously mutate into the album’s central segment, where a bass drum slowly ushers in a pressure shift. It’s at this point where the music begins to fully betray its influences, linking the freeform heartbeat-led expression of Milford Graves and his under-sung student Jake Meginsky with crys cole’s lower-case sonic journeying. When more traditional instrumentation rings out from the rafters, it’s to reinforce the piece’s rhythmic thrust, not drown it out with buttoned-up respectability. At its peak “The Concert” sounds lost between genre and temporality, both electronic and astonishingly biotic. It’s the rare site-specific installation piece that truly meets its brief, forcing listeners to consider not just the three-dimensional space it’s responding to, but also the constant rhythms that surround them in day to day life.

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Alexandre Centeio

Panorama

Alexei Borisov / Sergey Kasich / Giovanni De / Donà / Gianluca Ghini

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Part of a (very) loose but somewhat like minded kaleidoscope where one can trace something like a Portuguese hauntology, centred around labels like Russian Library or Prisma Sonora Records, Alexandre Centeio joins Discrepant with the surefire release of 'Panorama'. A multi-instrumentalist and sound artist based in Porto, Centeio - who is also part of Stellarays and The Murmurous Playground - delivers his second album under his own name after 2022's 'Movanta'.

Signalling a departure from the intimate synth driven beautifully soothing landscapes of 'Movanta' while still working within a realm where space and memory play a significant part of both escapism and connection, 'Panorama' opens itself up to a "surrealistic soundscape filled with real and dreamt sound", perfectly illustrated by Ruca Bourbon’s artwork. A sonic fiction conjured from a variety of sources - hand drums, disembodied voices, scraps of unknown realities, skewed loops, oneiric collages, flutes, spectral synths - that float freely between disruption and continuity but within their own internal logic. A very particular and hallucinatory one at that, mind ya. Collapsing notions of time and geography in an aural canvas totally aligned with Discrepant's ethos. 'Panorama' indeed.

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Moscou Aller-Retour

LP | 2023 | EU | Original (Koo Editions)

LP | 2022 | EU | Original (Strange Therapy)

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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An imaginary train journey between Bologna and Moscow. The original recording of the entire experimental electronic session performed at the audiovisual festival "Geometry of Now," Moscow (2017) curated by Mark Fell, reworked in Bologna (Italy) with custom analog equipment in 2022. Alexei Borisov, the Moscow underground legend who has spanned new wave, electronic noise and constructivist experimentation, measures up with artist and curator Sergey Kasich, a sound and media artist originally from Sevastopol, Crimea, founder and main curator of the Sa)) community for experimental sound artists from the post-Soviet regions (https://soundartist.ru), as well as the Sa))_gallery and Sa))_studio in Moscow. The deconstruction of that live performance is meant to underscore the evidence of the lie of the end of history and the inadequacy of theories produced by the relativist burden of postmodernity with its illusory recombinations, revivals and remixes, lead to the search for a misaligned and alt-modern subjectivity that concretely emerges from an imaginary journey into the era of the materialization of the unexpected, like the sudden concreteness of a window that no longer squeaks, but slams... The “Petroni apartment session” was recorded in Bologna, by also mixing concrete elements of environmental recording to emphasize the sudden impending immediacy of the real dimension.

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Alexey Volkov

Monotonic Impermanence

14,69 €* 20,99 € -30%

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Soda Gong)

Alexi Baris

Support Surfaces

LP | 1998 | EU | Reissue (DWA)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Soda Gong presents the new record by Alexi Baris, a musician hailing from Vancouver, British Columbia. Baris’ methods are patient and deceptively rigorous, trading in sonics that are at once organized and organic. Synthetic and acoustic elements are presented in sonorous states of perpetual flux, carefully amalgamated into structures of fertile ambiguity. His is a diligent and painterly approach to sound design and arrangement, in which tiny events are magnified and brought up close, and expansive gestures are repurposed and shifted in scale.

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Alexia

The Party

29,99 €*

Alexis Georgopoulos / Jefre Cantu Ledesma

Release: 1998 / EU – Reissue

Genre: Electronic & Dance

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Alexia (real name Alessia Aquilani) was born in La Spezia (Italy). In 1990 she joined the DWA Team, first as a studio vocalist, singing on the hit song "Please don't go" by Double You, then she took part in the "ice MC" project, a musical project with a rapper and Alexia as singer. All of Europe was dancing and singing to the songs "Take away the colour", "Think about the way" and "It's a rainy day" and everybody became familiar with Alexia's beautiful clear voice. In 1995 Robyx decided to compose a song especially for her. "Me and you" was her first single and within just days of its release, its presence was felt across Europe, reaching no.1 in Italy and in Spain. As a follow-up to "Me and you", the new single, "Summer is crazy", came out in 1996. The song reached the top of the charts and became the signature tune for "Festivalbar", the most popular Italian summer music festival, followed by her third single, “Number One”. It proved to be a smash hit, going to no.1 in Italy and many other countries. “Fan Club” was released in 1997 together with a new single, "Uh la la la”. It reached no.1 in Italy, Spain and Finland and made top ten throughout the rest of Europe. The second album "The party" was released in Italy in 1998. It contains fourteen tracks including the hits “Gimme love” and “The music I like”. This album sold over five hundred thousand copies worldwide and to date has been awarded several platinum discs. ”Gimme love" and "The music I like" both having been no.1, were almost simultaneous hits, selling a total of over one hundred thousand copies, creating a record in the Italian market. During the summer of 1998 Alexia dominated the music scene and occupied the charts more than any other Italian dance artist.

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Fragments Of A Season 2022 Repress

LP | 2017 | EU | Reissue (Emotional Response)

Alexis Taylor of Hot Chip

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Emotional Response celebrates it's 10th Anniversary in repressing a label's long held favourite - Jefre Cantu-Ledesma and Alexis Georgopoulos wonderful Fragments Of A Season - coming together perfectly for an album of laconic story-telling and atmospherics.

Over the past decade, Cantu-Ledesma and Georgopoulos have been frequent collaborators. With one another - Jefre's recent ""On The Echoing Green' Mexican Summer), Arp's "The Soft Wave" Smalltown Supersound) and The Alps "Le Voyage" Type) - and with others. Jefre has worked with Grouper aka Liz Harris), filmmaker Paul Clipson and has released music by Harold Budd, Oneohtrix Point Never and Keith Fullerton Whitman on his Root Strata imprint, while Alexis has worked with visual artists Tauba Auerbach and Doug Aitken, scored dance for Merce Cunningham, choreographer Jonah Bokaer and made liminal classical music with Canterbury composer Anthony Moore Frkwys 3 / Rvng Intl.).(Emotional) Especial

In all of their projects, the two have always been masters of atmosphere. Veering between romantic abstraction, filmic ambiguity and suggested narrative, their music draws on personal and collective memory, letting things surface. Fragments Of A Season represents a new and distinct chapter in their ongoing work together, continuing this lineage of understated but resonant work.

Arising from conversations wherein each revealed that they'd been working on tracks with a similar feel in mind, the two quickly realized their songs fit together quite effortlessly. The goal was to do something immediate and spare - most songs simply use an old drum machine and a few chorused guitars, featuring live performances with minimal editing. The result, and indeed the goal of the project, was not to make an album that would simply sounds like what one would expect of the two - there are no modular synths or sequenced basslines, no motorik rhythms or overdriven distortions. Rather, to pursue a tangent of simplicity and clarity.

The result is an album of warmth and cool, sparse but evocative, earthy and luminous, narrative and abstract, taking influence from Les Disques Crepescule and early Cherry Red artists i the duo also cite Eric Rohmer's "A Summer's Tale" and the photography of Luigi Ghirri, whose image graces the cover.

Song titles provide narrative hints. As does New York-based writer Leigh Gallagher's short story enclosed within. Each song finds the story advancing - on the beach ""Marine""); at a discotheque ""Madagascar""); sleeping in the afternoon "Mirror The Sky"). Memory of cobblestone streets and a recent relationship ""Cleo"", "The Streets Are Filled With Rain"). A sense that this temporary idyll will end casts a shadow. Ultimately, for reasons unclear, it does ""Lost Summer"").

There is the sense that a distinct arc has taken place. On some faraway beach, the buildings are white, the skies and sea turquoise. Waves rise and crest. A shaft of light crosses an empty room. A discotheque can be heard in the distance. A mist burns off. Over the course of the ensuing astral summer weeks, an encounter sets the world known previously in relief. Days stretch out and the nights hum.

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Rubbed Out

LP | 2018 | EU | Original (Treader)

18,99 €*

LP | 2023 | EU | Original (Fixt)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Hot Chip frontman Alexis originally presented these recordings on Treader in 2008- his debut solo recording. Finally available on LP, this set of intimately recorded, bespoke songs and instrumentals is dedicated to his partner, Keri Darn. Charming and Disarming.

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Algorithm

Data Renaissance

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Signature Sounds)

Ali Mcguirk

Til It's Gone

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Koo Editions)

Ali Phi

Elemaun

LP | 2023 | Original (Other People)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The electronic audiovisual project, inspired by ritual & regional music from the Iranian plateau The term "elemaun" (loanword from French) is equivalent to the English word element, commonly used in mathematical terms of the surface integral in Persian. The components and smaller surfaces that are selected to study the whole surface are called "elemaun." Such elements can contract in size to a considerable degree to estimate the limit value of the intended surface. The set consists of six compositions of digital and analog synthesizers, field recorded samples, ambient soundscapes, and synthesized drum machines referencing different cultures, music, and narratives and the same approach has been taken for computer-generated motion pictures and real-time edited video footage. The tunes are sampled as abstract, minimal, and repetitive motifs from different cultures of Baluch, Azeri, Southern Iranian Arabs, Khorasan, etc. After teh Linz Ars Electronica premiere of 2016 it was presented in Poland, Iran, United Arab Emirates, Qatar, Germany and finally in Canada in 2019, where the artist is based, and just perfomed at Mutek festival 2022.

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Ali Sethi & Nicolas Jaar

Intiha

Release: 2023 / Original

Genre: Electronic & Dance

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2LP | 2021 | EU | Original (Finest Hour)

Aliana

Universal Voyage

Synthetic Memory Systems Volume I

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Finest Hour delivers its first 2 x LP, “Universal Voyage”, courtesy of Ukrainian up and coming producer Aliana, seamlessly matching the label’s aesthetics with her non-conformist sound offering hints of minimalist neo-detroit house and early 90s electro as well as UK tech-house influences. After a little sabbatical year, Finest Hour comes back with a subtle bang, presenting its first full cover artwork cover in the process.

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Alien Communications

3LP | 2021 | EU | Original (Alien Communications)

34,99 €*

2LP | 1995 | US | Reissue (Puzzlebox)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Synthetic Memory Systems - Volume I' is the debut LP from Alien Communications - a 1.5 hour long audio-visual experience and the first in a series of forthcoming concept albums. Follow E-8190 as she uses 'sms' technology to transcend dream states, travel through dimensions and visit realms beyond what we currently know as 'reality'.

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Alien FM

Original Broadcast

27,19 €* 31,99 € -15%

LP | 2021 | EU | Original (Alina Valentina)

Release: 1995 / US – Reissue

Genre: Electronic & Dance

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Repress of Keith Tucker and Black Tony's classic Alien FM album which was originally released on 430 West in 1995.

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Alina Valentina

Works And Days

13,59 €* 16,99 € -20%

The Love Invention Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Emerging from a stylistically varied collection of recordings made during the ongoing global pandemic, “Works and Days” is Alina Valentina’s debut album. Grounded by home confinement, she found herself back in the studio with generous time to reflect on the different directions taken in her previous work. Inspired by 70s horror, sci-fi and film noir, her work blends synth heavy darkwave and pop with misanthropic and playfully aloof lyrics. Lyrical themes vary in dealing with escapism, providence and existentialism; laying bare the struggle of maintaining a healthy balance between livelihood and creative output as an artist. “Works and Days” opens up like Pandora’s box, revealing a myriad of reflections on Valentina’s existence. The title refers to Hesiod’s poem ‘Works and Days’ which, like this debut, is filled with a vivid feeling for the rhythm of human life and the forces of nature.

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Alison Goldfrapp

LP | 2023 | EU | Original (Skint)

The Love Invention Purple Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Alison Goldfrapp has set a towering bar for British synth-pop in the 21st century and she’s only just getting started. The magnetic London-born singer, songwriter and producer’s seven albums with Goldfrapp were fuelled by an unfailing modernity and a sixth sense for sounds that were more timeless than any trend. With the release of her debut solo album The Love Invention—an electrifying dance-pop suite—her multi-faceted musicianship reaches a new peak.

The Love Invention marks Alison’s reawakening as a dancefloor priestess, in an intoxicating showcase of the disco and house influences that have always been at the heart of her musical DNA. “So Hard So Hot” bottles the ephemeral joy of a dancefloor with its anthemic house beat, disco handclaps, and an exquisitely alluring vocal from Alison. The sense of uninhibited liberation courses through album highlights like “In Electric Blue,” a yearning synth-pop confection with a chorus as blissful as love’s first butterflies. On “Never Stop,” she is flooded with the rush of an all-encompassing love over a buoyant, rubberised beat; the sublime synth-pop of “Fever” is an ode to the intoxicating majesty of the dancefloor, with a chorus that explodes as if setting off a glitter cannon.

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Alison Goldfrapp

LP | 2023 | EU | Original (Skint)

31,99 €*

The Love Reinvention Record Store Day 2024 Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Alison Goldfrapp

2LP | 2024 | Original (Skint)

40,99 €*

Sounds From The Book Of Bean

Release: 2024 / Original

Genre: Electronic & Dance

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With her debut solo album ‘The Love Invention’, pop auteur Alison Goldfrapp delivered an intoxicating cocktail of synth-pop innovation with the disco and house touches that are an integral part of her extensive musical DNA-all capped with her enigmatic and ever alluring voice. Now Alison takes those songs deeper into the dancefloor as she releases ‘The Love Reinvention’ on vinyl for the first time with a very limited run. It sees two of the original album’s key contributors, Richard X and GhostCulture (aka James Greenwood), reimagining its acclaimed songs through a sonic prism of techno, electronica and deep house.

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Alison Knowles

LP | 2021 | EU | Original (Recital)

2LP | 2023 | US | Original (FXHE)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The first vinyl LP release from Fluxus pioneer Alison Knowles (b. 1933). Sounds from the Book of Bean is an assemblage of noises and texts related to The Book of Bean (1982), Knowles’ 8-foot tall walk-in book constructed at Franklin Furnace in New York. This recording, the sounds of making the big book, was continually played back inside of the installation. Echoes of Yoshi Wada hammering together the circular spine of the book, other collaborators mixing ink, feeding a horse, the flowing waters of the Hudson Valley... all superimposed with texts and poems read by Knowles and her daughter Jessica Higgins.

On the second side of the album, the piece Essential Divisions features Knowles performing with red, black, and white beans. Recorded in Annea Lockwood’s underground studio, Knowles sounds the beans in glass, ceramics, wood, as well as in her mouth. Further bean histories and sound poems are recited, concluding with “Popular Bean Soup” – an ancient recipe translated by George Brecht.

Knowles’ big books are, as she describes them, transvironments: a transformationally experienced environment. The phenomenological nature of her book is distilled aurally in the case of this record. As Knowles describes the end of her book, “the reader leaves via a ladder or out the window and through a muslin panel printed with contradictory wisdom concerning beans and dreaming… one can begin again either by going on or turning back.”

Originally published as a cassette in 1982 on the New Wilderness Audiographics label, this remastered edition has been transferred from original tapes. An expansive 20-page booklet is included, holding graphics and writings from Alison Knowles, George Quasha, and Charlie Morrow.

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Alister Fawnwoda

Fun House

26,09 €* 28,99 € -10%

LP | 2021 | US | Original (Akp Recordings)

Release: 2023 / US – Original

Genre: Electronic & Dance

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This album shows Alisters multi range for urban dance music working with John F.M. Mitchell Yoshida,Super Cool Wired, Troi Alexis,Tyesha Blount and Many More!!! Produced,Lyrics,Mixed and Engineered by Omar S.

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Alister Fawnwoda

Milan

LP | 2023 | CA | Original (Constellation)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Alister Fawnwoda melds an abundance of influences into a sound that is expansive, ambitious, and authentic to its core. With a creative practice that flows between painting, production, DJ’ing, and beyond, Alister is committed to exploring the boundaries of his talents and potential. Working with an impressive array of unexpected collaborators, including most recently the legendary Omar S., his upcoming collaboration with Suzanne Ciani and Greg Leisz to be released through AKP Recordings as an album, “Milan” furthers the very timely discussion of new ambient composers and how they are reflecting our presently tumultuous world through sound experimentation. Alister is persistently building his repertoire as he makes a name for himself as one of the most promising artists in the City of Detroit. For lovers of classic house, experimental ambient, and everything in between, Alister’s music presents the possibilities of creative exploration.

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ALL HANDS_MAKE LIGHT

Darling The Dawn

LP | 2023 | EU | Original (Compost)

Release: 2023 / CA – Original

Genre: Rock & Indie, Electronic & Dance

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ALL Hands_make Light is the recently minted duo of Ariel Engle (La Force, Patrick Watson, Broken Social Scene) and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion). Longtime friends, collaborators, and stalwarts of the Montréal post-punk community, this is their first full-fledged project together. Ah_ml weaves these two unique voices through lustrous tendrils of blown-out tones and drones, expanding on Menuck's eponymous modular and analog synth-based work of recent years, now imbued with an additionally searing, soulful warmth and melodicism through Engle's singing. "Darling The Dawn" is a spellbinding album of preternaturally genre-bending sonics and songwriting: a sort of electronic shoegaze suffused with freak-folk, kosmische, darkwave and post-industrial, flowing from ambient minimalism to pulsing maximalism, conjuring traditionals sung in the haze of earliest light accompanied by overdriven circuit boards powered with ungrounded wires. Engle and Menuck see ALL Hands_make Light in a folk lineage traced through the likes of Pentangle and Trees to White Magic and Amps For Christ. While there's no discernable guitar or acoustic instrumentation on the album (warm distorted synths provide the palette, along with signal-processed violin from fellow-traveller Jessica Moss), off-kilter drone incantations like "A Sparrow's Lift" and "A Workers' Graveyard (Poor Eternal)" perhaps sit most overtly within these seams of the skewed-folk substratum. The dichotomic ritualism of Can is an adjacent signpost, where methodical longform soundscaping combines with a feeling of extemporized immediacy. The album's tremendous 10-minute centerpieces "We Live On A Fucking Planet And Baby That's The Sun" and the motorik-driven "The Sons And Daughters Of Poor Eternal" also make this influence explicit thanks in part to the resplendent drumming of guest Liam O'Neil (Suuns), who helps propel both tracks to their spiralling peaks. Above all it's the singing and lyrics, in method and melodic delivery, that conjure certain freak-folk furrows. Engle calls this "music inspired by ancestor music, sea shanties for seas we've never sailed" and the duo have indeed forged a collection on "Darling The Dawn" where vocals often feel strangely rooted in traditionals, while the instrumentation resonates out-of-time, in a liminal space at once glisteningly synthetic and oxidized in analog patina. As the album title suggests, sleepless anxiety/euphoria and a sense of somatic channeling is vital to these songs: "I mostly kept the first thought I had, like a cold read, I wanted the melodies to be immediate and to surprise me, not a laboured process; it's about being a weather vane, guided by preconscious impulses" says Engle. For Menuck, the record started "with an idea of making a long thing about `the Dawn', the different weights of its radiance, the way it kisses our dumb faces when we rise and leave the night behind, the heaviness of that light when you haven't slept." "Darling The Dawn" captures a wholly compelling collaboration between Engle and Menuck in an album of genuine thematic power, thrumming with alternately tender and serrated beauty as only their combined strengths and sensibilities could conjure. Thanks for listening.

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All Is Well

A Break In Time

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | UK | Original (Miasmah)

All That We See Or Seem

LP | 2021 | EU | Original (Natural Sciences)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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“Is all that we see or seem but a dream within a dream?” This quote from a poem by Edgar Allan Poe sums up the lamenting, primal work that is "All That We See or Seem"; a project conceived between Finland, England and Brazil. The self-titled album consists of two long-form pieces of droning mysticism hailing from the trio of Gruth (concept, production, electronics), Ellen Southern (vocals, field recordings, percussion) and Johanna Puuperä (violin, modular synthesizer, additional vocals). The album opens straight into a thousand yard stare with “Myrskymielellä", adapted from a 1891 poem by the Finnish national poet, Eino Leino, who wrote it at the tender age of 13. Here a blank distant droning of synths and the sounds of flowing water hover underneath like a dark river observed from the air. This is a sound and feeling that will stay constant for the entirety of the piece´s thirty minute duration. It is a trance-inducing composition that slowly unfolds elements of pagan ancestry into its own life. At first, faint female vocals are introduced as distant spatial elements, which gradually advance into waves of cries and anguish as the piece progresses and moves further into the storm. The tranquility of the first half is slowly morphed into a full blown ceremony as driving ritualistic percussion and a foreboding witch-like presence shifts the piece into a Dead Can Dance-like territory. Here a constant enveloping mixture of violins, modular synths, field recordings and vocal screams creates the feeling of a grande finale. It is an astounding piece of music that develops like a drone symphony for the beginning of time. With the second piece, “A Dream Within A Dream”, from Edgar Allan Poe´s 1849 poem, you are transported to the shores of an undisclosed island; a place where it´s only you, your thoughts and the endless emptiness. The continual sound of waves is soon brought together with a cloud of synths and mourning violins that will keep a steady dreamlike state during most of the piece´s duration. This time the wordless vocals feel almost angelic in their pageantry. The composition flows like a slow caress of the soul and feels like the spirit twin of Gavin Bryars' “The Sinking of the Titanic” with its lamenting slow movements towards the unknown. Truly a ghost of a record, “All That We See or Seem” is an experience hard to shake and feels like entering sacred ground. We are in a place surrounded by earth, both ancient and present. "Let loose, Vanha, the rage of an earthly storm! Detach the elements, completely open the sky! In the Earth, let an incessant storm prevail, so that in my chest I would not feel the miserable pain” - Eino Leino

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