Electronic & Dance 5001 Items

LP | EU | Original (Sony)

Release: FR – Original

Genre: Electronic & Dance

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This new release includes Brawther takes his added interpretation of “Chez N Trent “ Don’t tryit/Happy” while keeping its original production. Creatively done in good classic dub taste. Included in this remix package a new remix of the underground techno cut “Le Voyage” which has now been given the house treatment. It keeps getting better as Brawther also add to this smash 12” inch his own interpretation of the current Balance release of “Saint Sebastion / Wipe the Needle “Life” and a added bonus and remix of “Asteroids and Stardust” by Chez Damier!

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Jean-Michel Jarre

Zoolook

26,99 €*

Release: EU – Original

Genre: Electronic & Dance

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Full Time Woman: The Lost Cotillion Album

Irma Thomas

LP | US (Real Gone Music)

32,99 €*

Release: US

Genre: Electronic & Dance

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2LP | UK | Original (Honest Jon's)

Pinch & Shackleton

Release: UK – Original

Genre: Electronic & Dance

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12" | UK | Original (Reel People Music)

Reel People

Vinyl Sampler Volume 3

Release: UK – Original

Genre: Electronic & Dance

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Genre: Electronic & Dance

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LP (Bmg Rights Management (Uk))

Wilkinson

Afterglow / Perforation

Genre: Electronic & Dance

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Technicolor Paradise: Rhum Rhapsodies & Other

2LP | Original (Numero)

96,99 €*

Release: Original

Genre: Electronic & Dance

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12" | EU | Original (Apocalypse)

Fiend / Nevermind

Apocalypse 2020

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Brain Distortion)

D4go

Maiden In The Moor

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Cenobite)

Humans From Nowhere EP

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Dedicated To The Core)

Welcome To Raver's Land

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Gabbadome)

Gabbadome 6

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Little Magic Bastard)

Atomic Compressor

Demon's Touch

15,99 €*

Release: EU – Original

Genre: Electronic & Dance

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2x12" | EU | Original (Little Magic Bastard)

Underground Protectors

Blow The Chaos

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Musical Mayhem)

Old But Gold Part 1

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Musical Mayhem)

Old But Gold Part 4

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Nordcore)

Nordcore G.M.B.H.

Nordcore Records

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Passionate Music Label)

Stingray & Sonicdriver

As Cold As Ice

Release: EU – Original

Genre: Electronic & Dance

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7" | EU | Original (Passionate Music Label)

DJ Isaac

I Wanna Be A Gabber Baby

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Passionate Music Label)

Terror Traxx

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Scantraxx)

Devin Wild

The Vinyl Collection 01

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Speedcore Worldwide)

Auf Die Harte Tour!

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Traxtorm Revamped)

The Stunned Guys

Traxtorm Revamped 010

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (United Speedcore Nation)

Ausnahmezustand

14,99 €*

Release: EU – Original

Genre: Electronic & Dance

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Usn 25 : 25 Years Of Hardcore, Terror & Speedcore

12" | EU | Original (United Speedcore Nation)

Release: EU – Original

Genre: Electronic & Dance

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LP | EU | Original (Kommun2)

Melody Fields

21,99 €*

Release: EU – Original

Genre: Electronic & Dance

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The Original Battle Weapon

Release: UK

Genre: Electronic & Dance

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RFXN kicks off life with a new single from David Agrella that comes with a bunch of great remixes. First off he offers up his own Acid Mix of 'Perro Balearico' and it's a supple, deep and dubby track with liquid synths and prog chords that sound both retro and future all at once. The orange is a more dreamy and spaced-out sound for 5 am sessions. On the flip is a more punch but still silky and warmly melodic remix from Mario Liberti before last of all, Gabriel Rai gets darker. His drums hit harder and the synths are moodier as he takes dancers down a late-night path of mystery and intrigue.

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DJ Rectangle

12" | US | Original (Sincenter)

13,99 €*

12" | FR | Original (L'ADS Records Syndicate)

Release: US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

White vinyl.

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Deviine Ki...

LS9 005

29,99 €*

Release: FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.
Ships in a brand new plain sleeve.

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12" | FR | Original (Night School)

Night School 3

7,99 €*

Release: FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | DE | Original (Modular Music Channel)

Kwass

Osaka Sequels Part 3

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | DE | Original (Construct Rhythm)

Andreas Krämer

Totgesagte Leben Länger

12" | DE | Original (Decktronics)

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Promo.
Record has some hairlines and a few superficial scratches.
Sticker on label.

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Pimpie Jackson

Homecoming Queen

Release: DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+.

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Live At The Knitting Factory · Volume Two

CD | DE | Original (Enemy)

Release: DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Leash Called Love

12" | US (Not On Label)

Release: US

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Einstürzende Neubauten

Grundstueck

LP | EU (Werkzwei)

24,99 €*

LP | 1969 | EU | Reissue (Spoon)

Release: EU

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Clear Vinyl.

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Can

Monster Movie

Exotic Moog Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Martin Denny

LP | 1969 | US | Reissue (Jackpot)

LP | 1970 | EU | Reissue (Spoon)

Release: 1969 / US – Reissue

Genre: Electronic & Dance

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The Inventor of Exotica/Cocktail Music goes Electronic/Moog. First time ever reissued. Originally released in 1969. ‚ Exotic Moog‚ starts off our reissue campaign of Martin Denny classics coming out in 2020. Audiophile pressing at RTI.

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Can

Soundtracks

LP | 1970 | DE | Original (Fa, Henkel-Khasana Düsseldorf)

Release: 1970 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Unknown Artist

Exotic Sounds

2LP | 1972 | EU | Reissue (Culture Factory)

Release: 1970 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Tangerine Dream

Zeit

41,99 €*

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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LP | 1972 | DE | Original (Bellaphon)

Brainticket

Psychonaut

36,99 €*

LP | 1973 | UK | Reissue (Panegyric)

Release: 1972 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: G+

Tear in front cover, besides that VG. Hype sticker on front.

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Fripp & Eno

No Pussyfooting

25,99 €*

Release: 1973 / UK – Reissue

Genre: Electronic & Dance

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LP | 1974 | EU | Reissue (Real Gone Music)

Soul Searchers

Salt Of The Earth

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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12" | 1974 | EU | Reissue (CBS)

Elkin & Nelson

Jibaro Red Vinyl Edition

Have You Heard This Story?

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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A true Balearic classic. One of a handful of records that can comfortably boast this title, Elkin & Nelson's 1979 classic 'Jibaro' sits in the canon of selections that enlightened the ears of the jet-set and globe trotting music fanatics in the heady and much storied years of the White isle in the 1980's. The Colombian brothers Javier and Leon Marin Velez brought their own rustic brand of folksy-Rock-Psychedelia to the listening public in 1974 with their debut LP 'Angeles Y Demonios' on Columbia records. The brothers had relocated to Spain, snared a major label deal and ran with it. The first of 3 LP's it proved a big hit in later years with adventurous DJ's and selectors. A cult record you might say. Of course, this LP featured 'Jibaro' in all it's forms, but it is this 1986 reissue 12" promo pressing with it's iconic, distinctive jacket that was the coveted slab sonic adventurers were seeking. Fully sanctioned and legitimately remastered from the original sources and packaged in it's original Columbia promo sleeve 'Jibaro' is back on the shelves, still an incredible record that gets pulled by the most discerning selectors across the globe. A true classic, featured here in it's long and short versions as per the '86 release. Absolute top-shelf stuff here, essential, must own and classic.

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Swamp Dogg

LP | 1974 | EU | Reissue (Alive)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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Be Thankful For What You Got

William DeVaughn

12" | 1974 | UK | Reissue (Demon)

Release: 1974 / UK – Reissue

Genre: Electronic & Dance

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LP | 1975 | US | Reissue (Speakers Corner)

Vangelis

Heaven And Hell

32,99 €*

Radio-Activity English Version Translucent Yellow Vinyl Edition

Release: 1975 / US – Reissue

Genre: Electronic & Dance

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Technical innovations in musical instruments and the development of tonal language have been continual subjects for deliberation from the 19th century onwards at the latest. Additional brain power is necessary to conciliate the two elements with the endless possibilities of electronic sound. In the end, the two factions cannot resolve on a conclusive opinion and the question remains as to whether art always results from skill.
Evángelos Odysséas Papathanassíou, or Vangelis for short, always worked with the newest synthesizer equipment and pushed his cascades of sound to the very edge, right up to the point of electronic overkill. In contrast to many other electronics experimentalists of his time, Vangelis likes to »create important melodies and to develop them further, without going under in the technical equipment« (Stereo Review). Distant human voices, siren-like lost calls lead into oriental dance. A song – far removed from its era – somewhere between Gregorian music and antiphony – a will-o‘-the-wisp, shimmering sound. Polyphonic playing on the Bösendorfer reminds one that every form of musical expression from over the sands of time is welcome. Each listener must discover for himself what sounds heavenly or hellish. But let it be said: musically speaking, the one cannot be imagined without the other.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: September 1975 at Nemo Studios, London, by Alan Lucas
Production: Vangelis

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Kraftwerk

LP | 1975 | EU | Reissue (Parlophone)

30,99 €*

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Sammy Burdson, Klaus Weiss & Larry Robb

Dramatic Tempi / Larry Robbins Background

LP | 1975 | EU | Reissue (Be With)

24,99 €*

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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C-l-a-s-s-i-c library breaks and beats set of heavy drums and louche funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Dramatic Tempi / Larry Robbins Background Rhythms, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. As a single LP, Dramatic Tempi / Larry Robbins Background Rhythms is two distinctly different collections of music. The first side, Dramatic Tempi, is made up of four tracks each from Sammy Burdson and Klaus Weiss. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. About as cult as it gets when it comes to library music legends (German or otherwise), he produced essential records on German library labels Coloursound, Selected Sound and Sonoton.

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LP | 1975 | DE | Original (Deutsches Rundfunk-Museum)

Vom Kopf - Zum Hörer

4,99 €*

I Wanna Be With You DJ Harvey Edit

Release: 1975 / DE – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Lamination is coming loose.

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Doc Severinsen

12" | 1976 | EU | Reissue (Epic)

11,99 €*

LP | 1976 | US | Reissue (Superior Viaduct)

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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Monstrous mid-tempo Disco groovings on this one, giving the Avergae White Band a run for their money. Doc Severinsen, the renowned Jazz hornsman dropping some tight ass Funk on this rare as hens teeth Epic white label promo. This is a fully legit reissue borne out of an Above Board / Sony music collaboration, repressed from the official sources. The original 1976 promo 12" had the same track on both sides as promos often did back then so we've decided to include a special version on the flip, a lovingly tweaked re-edit from the cult leader himself - DJ Harvey. Harv's edit has been around for a minute, but this version backing the OG 76 Disco mix makes this 12" a bonafide 'must grab' for all Disco enthusiasts

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David Cunningham

Grey Scale

23,99 €*

»1-2-3-4« (We Ain't Got Much Time)

Release: 1976 / US – Reissue

Genre: Electronic & Dance

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David Cunningham was born in Ireland in 1954. His work ranges from pop music to gallery installations including several collaborations with visual artists. His first significant commercial success came with The Flying Lizards' single "Money," an international hit in 1979. Originally released in 1976, Cunningham's first solo album Grey Scale has become a landmark statement of DIY minimalist composition – continuing in the vein of the wild explosion of arthouse experimentation from the early '70s. Cunningham, then a student at the Maidstone College of Art in Kent, drafted fellow student non-musicians and (using whatever instruments available) crafted an endlessly shifting sonic palette with an improvisor's keen sensitivity to space, texture and tone. As Cunningham states in the liner notes, his approach was to "pursue something (which may appear trivial or meaningless) so rigorously or relentlessly to the point that it reveals something new." Cunningham was influenced by live performances he was attending at the time by English composers Cornelius Cardew, Gavin Bryars and Michael Nyman as well as free improvisors Evan Parker, Derek Bailey, David Toop and Paul Burwell. The inaugural release on Cunningham's own Piano label, Grey Scale was indeed "something new" in 1976. The artist quickly integrated his experimental sensibilities to produce art-rock pioneers This Heat, whose debut appeared on Piano in 1979. His popular success performing as The Flying Lizards (with two electro-punk albums on Virgin during the New Wave era) was presaged by this seminal work of fascinating sound collage and tonal freedom. First-time reissue.

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Mandy B. Jones

7" | 1977 | DE | Original (CBS)

8,99 €*

Release: 1977 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1977 | PL | Original (Polskie Nagrania Muza)

Party Dance

Release: 1977 / PL – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

A Real Mother For Ya White Vinyl Edition

Johnny Guitar Watson

LP | 1977 | EU | Reissue (Music On Vinyl)

Sunshine: Rosemary Bailey Plays Everyone's Favorite On The Hammond Organ

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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180 GRAM AUDIOPHILE VINYL
FEATURES THE INTERNATIONAL ORIGINAL HIT VERSION OF “A REAL MOTHER FOR YA”,
“NOTHING LEFT TO BE DESIRED”, AND “TARZAN” A.O.

INCLUDES THE BONUS TRACK “A REAL MOTHER FOR YA (BEN LIEBRAND OLDSKOOL MIX)”,
NOT AVAILABLE ON THE ORIGINAL ALBUM

LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON WHITE COLOURED VINYL

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Rosemary Bailey

LP | 1977 | JP | Original (CBS/Sony)

7,99 €*

LP | 1978 | EU | Reissue (Time Capsule)

Release: 1977 / JP – Original

Genre: Organic Grooves, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Il Guardiano Del Faro

Oasis

The Man-Machine English Version Translucent Red Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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Time Capsule is a new reissue label that unites the record collectors and DJs of the brilliant corners and Beauty & The Beat communities in London. For each release, Kay Suzuki works alongside one co-curator to reinstate and repackage the music they hold dear into perfectly restored historic artifacts.
For the first release, brilliant corners regular and Meda Fury signing Ryota OPP curates the reissue of Il Guardiano Del Faro’s 1978 album Oasis.
Born 1940 in Milan, Federico Monti Arduini was a child prodigy who studied piano and was already performing at concerts from the age of eight. He composed pop songs for other artists which sold millions of copies, but his own solo success came after he encountered synthesizers in the early 70s. Viewed as a precursor of New Age sound art, Arduini was one of the first producers in Italy to use the Moog synthesizer and a meeting with Bob Moog in New York only added to this obsession. He was also an early adopter of the tradition among electronic producers to use a moniker to disguise his identity. Il Guardiano Del Faro (translated as “the guardian of lighthouse”) is a nod to the small Italian fishing town Porto Santo Stefano, where Arduini created his studio in the mid-70s.
He produced a number of albums from this seaside idyl of electronic instruments and tape recorders, but Oasis stands out from the pack. Released in 1978, it became a cult classic for its experimental sounds and emotional expressions. Spiritual synth sounds cover the album in a dreamy haze, oscillating between ambient and psychedelic. Sparing deployment of the Roland rhythm box gives dance floor favourites ‘Disco Divina’ and ‘Oasis’ touches of space disco and even teases proto-house elements like the great Sun Palace.
“The passionate and dramatic sound of Il Guardiano Del Faro made me fantasise about so many romantic aspects of Italian culture. Oasis is sonically more interesting than his other albums and these exotic, eccentric rhythms sound quite familiar to the modern music fans.” Ryota

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Kraftwerk

LP | 1978 | EU | Reissue (Parlophone)

32,99 €*

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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LP | 1978 | CS | Reissue (Supraphon)

Mahagon

14,99 €*

Release: 1978 / CS – Reissue

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1978 | JP | Original (Philips)

Ultra Disco Dynamite

Sheila & B. Devotion = Sheila & B. Devotion

Release: 1978 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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Singin' In The Rain = 雨に唄えば

7" | 1978 | JP | Original (Victor)

4,99 €*

Release: 1978 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1978 | DE | Reissue (Asylum)

Michael Bundt

Just Landed Cosmic Kid

39,99 €*

Release: 1978 / DE – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 1978 | US | Original (Marlin)

Voyage

Release: 1978 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1979 | EU | Reissue (Everland Yu)

Misa Blam

Secanja

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Chance Meeting On A Dissecting Table Of A Sewing Machine And An Umbrella

Nurse With Wound

LP | 1979 | EU | Reissue (Rotorelief)

37,99 €*

12" | 1979 | DE | Original (Polydor)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Official reissue. New remastering vinyl of the 1979 LP by Colin Potter + "silver edition" Gatefold cover + complete NWW list on Gatefold inner.

Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella is the debut album by British industrial music group Nurse With Wound, released on their own United Dairies label in 1979. An unusual record which blends noise and jamming.

The album's equally unusual title is a quote from the surreal, poetic novel Les Chants de Maldoror by Uruguayan-born French author Isidore-Lucien Ducasse, written under the pseudonym Comte de Lautréamont.It has been included in the "100 Records That Set the World on Fire (While No One Was Listening)" by TheWire in 1998, and is one of the records that have had a lasting impact on avant-garde, experimental and psychedelic music.It was on this record that the famous "nww list" appeared for the first time, featuring dozens of names of musicians and groups who had influenced Nurse With Wound - a list that now serves as a treasure map for many collectors of the genre and fans of outsider music. It's been replicated here in the innersleeve of the gatefold.

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Wardell Piper

Captain Boogie

5,99 €*

Release: 1979 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

The Fine Art Of Surfacing

The Boomtown Rats

LP | 1979 | DE | Original (Mercury)

Release: 1979 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1979 | EU | Reissue (Libreville)

Albert Alan Owen

Keyboards & Strings

12" | 1980 | US | Reissue (Dark Entries)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Albert Alan Owen was born in Wales in 1948 to parents of Welsh and Latvian heritage. His family later moved to Zimbabwe, where his father took up a teaching position. There, Owen was deeply influenced by local music and culture, while also exploring American RnB and jazz. It was during this period that he became acutely aware of the harsh inequalities under British colonial rule, which instilled in him a lifelong aversion to discrimination and racism.

In 1967, Owen returned to Europe to pursue his studies and enrolled at the Royal Academy of Music in London. He went on to spend time in Paris, studying composition with the eminent Nadia Boulanger and piano under Jacques Février, a favorite pianist of Ravel’s and Poulenc’s. Owen's focus shifted almost entirely to composition, and the acquisition of a Fender Rhodes electric piano marked the beginning of a divorce from his classical Western training. This transition allowed him to merge his passion for African and African-American music with the impressionistic styles of Ravel and Debussy while exploring the innovative realm of electroacoustic composition. These formative experiences framed Owen’s career as a composer and educator at the Royal Academy of Music and London’s Working Men’s College. He eventually returned to Wales, where he continues to reside. In 1979, 29-year-old Albert Alan Owen released “Keyboards & Strings”, a light magical chamber music masterpiece. Transcending the formal conventions of its era, “Keyboard & Strings” is an acoustic and electric piano piece, where the violin is met by synths and electronics.

As is often the case in Albert Alan Owen’s most intimate works, there is a sense of ethereal beauty that emerges from the music, akin to the emotional state one might experience while contemplating a Félix Vallotton landscape or the unfathomable mystery of dawn’s first light. Quiet, profound, and immersive, “Keyboard & Strings” stands out as an electronic-age tone poem, a rare gem that transcends time and place.

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impLOG

Holland Tunnel Dive

LP | 1980 | JP | Original (Polydor)

Release: 1980 / US – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

2014 reissue.

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Sweet People

American Gigolo (Original Soundtrack Recording)

Release: 1980 / JP – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG, Cover: VG+

Includes OBI and insert.

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Giorgio Moroder

LP | 1980 | US | Original (Polydor)

LP | 1981 | US | Reissue (Celluloid)

Release: 1980 / US – Original

Genre: Organic Grooves, Electronic & Dance, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Original US pressing

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Irmin Schmidt of Can

Toy Planet

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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LP | 1981 | EU | Reissue (Epic)

Electric Light Orchestra

Time

26,99 €*

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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LP | 1981 | US | Reissue (Superior Viaduct)

Ike Yard

Night After Night

LP | 1981 | DE | Original (Warner Bros.)

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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New York no-wavers Ike Yard are perhaps best known for being the first American band signed to Factory Records, and it isn't difficult to hear why: the group's music has much in common with the existential frigidness of Joy Division and early New Order as well as the mutant noise-funk of Section 25 and A Certain Ratio. That said, the sound of Night After Night, the band's debut EP, is one that could only have emerged from the lawless dystopia of '70s New York City.

Vocalist/percussionist Stuart Argabright, guitarist Michael Diekmann, vocalist/bassist Kenny Compton and synth player Fred Szymanski traffic in a particularly foreboding rhythmic tension, creating in the process an unlikely amalgam of minimal wave, industrial and post-punk.

Recorded shortly after forming in 1980 and originally released on seminal Brussels imprint Les Disques Du Crépuscule, Night After Night suggests an alternate history in which Tobe Hooper and Jah Wobble provided the soundtrack to The Warriors. The atmosphere throughout is thick. Every cymbal is dubbed-out and spacey; every vocal utterance treated, alien and detached.

Fans of Chrome's damaged ice machine-guitar or Suicide's menacing, anything-can-happen m.o. will rejoice in the siren-sounds, metal clanging and metronomic death-pulse of "Sense of Male," while “Infra-ton" evokes the cacophonous rattle of gates being pulled down over bodega storefronts and the screech of subway brakes. Side two kicks off with "Motiv's" mechanical dread, and the squelchy din of "Cherish" recasts The Residents as streetwise, urban punks.

Night After Night remains primal evidence of the dank, uncompromising narcotica of Ike Yard's embryonic period.

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Roger Troutman

The Many Facets Of Roger

LP | 1981 | DE | Original (Virgin)

Release: 1981 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: G+, Cover: VG

Vinyl close to VG

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Japan

Tin Drum

LP | 1981 | EU | Reissue (Holidays)

Release: 1981 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Cover with stickers, closer to VG+

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Henry Krutzen

Silances

20,99 €*

7" | 1981 | JP | Original (Casablanca)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Edition of 500 copies, screen printed cover. Includes two inserts: a replica of the original insert and the english translation.

Henry Krutzen is a relatively shadowy figure in the history of experimental sound. Between the early 80s and the 2010s, there are only a handful of albums that bear his name, and very little information about them. A multi-instrumentalist and composer who studied percussion, saxophone, and harmony in various schools and jazz clinics across Belgium, over the years he played in a diverse range of musical projects across the idioms of jazz, new wave, heavy metal, experimental, chanson française, world music and progressive rock, before relocating to Brazil during the early 2000s.

“Silances”, originally released by Igloo Records - the Belgian imprint founded in 1978 by Daniel Sotiaux - sitting alongside astounding and remarkably unique albums by Leo Küpper, Jacques Bekaert, Henri Chopin, Arthur Pétronio, André Stordeur, and numerous others, is an entirely singular gesture at the borders of sound poetry, musique concrète, and radical electroacoustic practice that draws upon disparate elements of drone, jazz, minimalism, ecstatic tribalism, and various traditions of music from across the globe. Decades on from its original release it remains as striking, unique, and compelling as it did upon its release.

In a note that Krutzen penned in 2022 when he was contacted for the reissue of “Silances”, Krutzen recalls: “Since I was 16, I had been experimenting with concrete music with a technician friend and we used all a teenager’s room could offer to make sounds into music: faucets, glasses of water, metal springs on ladders, objects of any kind… I had hours of recordings I pitched to Daniel [Sotiaux], to see if he was interested in making an album. I also had other ideas I wanted to be able to develop. What a joy when he accepted to work on the project! So I got to work. First, I set up a vocal improvisation quartet, and we spent long afternoons rehearsing using input I provided… We went into the studio and recorded almost two hours of improvisation, from which I then chose the best moments for the final product”.

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Village People

Fireman

7,99 €*

Release: 1981 / JP – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1981 | DE | Original (Ata Tak)

Pyrolator

Ausland

LP | 1982 | US | Reissue (Palace Of Lights)

Release: 1981 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG

small tear from sticker removal on front.

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K. Leimer

Land Of Look Behind

20,99 €*

La Marca de Anubis + El Cantor de Jazz

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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The Land of Look Behind soundtrack returns to vinyl in a remastered and expanded edition that includes a download of three previously unheard and unreleased tracks from the original sessions. Alan Greenberg, who wrote and directed this film documenting the funeral of Bob Marley, provided K. Leimer with location tapes which were used to originate many of the rhythmic patterns for Land of Look Behind. Loops of the monologues and phrases that exhibited more distinctive cadences and pacing, the words, glottal stops, clicks and coughs of witnesses were used as cues for the percussion instruments. In effect, speech became the organizing principle of the musical score. By eliminating the accuracy of click tracks, musicians were prompted to rove through the inconsistent intervals of the voice-derived patterns. Also included is a four-page insert featuring an essay by Paul Dickow.

K. Leimer founded Palace of Lights in 1979. Leimer’s early work has recently been reissued by Autumn and RVNG, and his early cassette work is in the critically acclaimed VOD box set American Cassette Culture. Leimer has been actively producing music since the mid 1970s — his current catalog includes seventeen albums plus two collaborative albums with Marc Barreca.

Leimer’s work is included in the collection of The British Library.

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Los Inicados

LP | 1982 | EU | Reissue (Mental Experience)

24,99 €*

LP | 1982 | EU | Reissue (Allchival)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 1982 on the DRO label, "La Marca De Anubis" was the debut album by LOS INICIADOS, an obscure project related to legendary Spanish synth-pop band AVIADOR DRO. Always shrouded in mystery, Los Iniciados decided to hide their identities behind masks. The only visible and confirmed member was Arco Iris (aka Marta Cervera, also on Aviador Dro) and according to rumours, behind the other nicknames we find Biovac N (Servando Carballar, founder of Aviador Dro and the DRO label) plus members of Alphaville (the Spanish post-punk band).
On "La Marca De Anubis" we also find Jesús Arias (of punk band T.N.T.) on electric guitar. The album was produced by Servando Carballar (Aviador Dro). Dark & eerie MINIMAL SYNTH / DARK WAVE sounds with a POST-PUNK edge, highly influenced by THE RESIDENTS, Dadaism, performance art and ancient Egyptian cults. Including cult classics like “Peter Pan”, “Soy el vacío” and more!

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Michael O Shea

22,99 €*

12" | 1982 | EU | Reissue (Isle Of Jura)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Having sold his instruments to fund a nomadic 1970s lifestyle, eccentric Irish experimentalist Michael O’Shea was forced to create his own handmade answer to the sitars and zelochords he’d become accustomed to playing on his travels around the globe.
Using an old door, 17 strings, chopsticks and combining them with phasers, echo units and amplification, the new device was to become his signature sound, mixing Irish folk influences with Asian and North African sounds in a mesmerising and soulful new way that brought him to the attention of the leading improvisers of his day - Alice Coltrane, Ravi Shankar, Don Cherry and more.
A logical follow up to AllChival’s recent reissue of Stano's debut LP, Michael O’Shea’s self titled LP was originally released on Wire's Dome Imprint in 1982.
The background to the album is as interesting and inspiring as the artist who created it - born in Northern Ireland but raised in the Republic, O’Shea was keen to travel and escape the troubles of his home.
Wandering throughout Europe and the Middle East, O’Shea found himself living and working as a relief aid in Bangladesh in the mid Seventies where he learned to play sitar while recovering from a bout of hepatitis. A later period spent busking in France accompanied on zelochord by Algerian musician Kris Hosylan Harp led to O’Shea’s idea of combining both instruments as a homebuilt instrument - Mo Chara [Irish for "My Friend"].
He later described the process on the back of the LP himself saying:
"Having sold my sitar in Germany and being desperate for money to travel to Turkey, I conceived of the idea of combining both sitar and zelochord. The first Mo Cara was born, taken from the middle of a door, which was rescued from a skip in Munchen"
A combination of dulcimer, zelochord and sitar, O Shea would play it with a pair of chopsticks, striking the strings softly using Irish folk rhythms mixed with the rich, nostalgic sounds of of the many Asian artists he’d encountered on his travels.
It was a pan cultural sound standing at an unusual crossroads of folk, traditional, rock, progressive, jazz, electronic and post-punk worlds without hesitation.
Perfecting the instrument on the streets, there were further spells spent busking in the underground stations and cafes of London's West End and Covent Garden during the heady days of the 1970s when they were full of eccentric street entertainers, jazz improvisers and musical pioneers.
His work with Rick Wakeman never saw the light of day but O’Shea’s contact with the world of post-punk London ensured his name would live on.
Introduced to Wire's Bruce Gilbert and Graham Lewis via cartoonist Tom Johnston, O’Shea eventually acquiesced to an open invite to record at their studio. Turning up unannounced in the summer of 1981 the LP was recorded in a day in the legendary Blackwing Studios and released on Dome the year after.
The first side features the fifteen minute masterpiece "No Journeys End" with the B side featuring more input from Wire in processing the Mo Chara sound.
Lewis himself said years later of the forgotten masterpiece: “I always said it was the best job we ever did.”
After an aborted LP with The The's Matt Johnson the following year, O’Shea quietly disappeared from the formal recording world and his brief but unique contribution to the music world came to a sad end in 1991 when O’Shea was struck by a post van and died a few days later in hospital in London. This repress on All City’s AllChival imprint has been remastered and reissued with the approval of both Dome and his surviving siblings.

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Bella Vista

Mister Wong

LP | 1982 | EU | Reissue (Knekelhuis)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Bella Vista was a one off project from Michel Esteban, founder of seminal New York Disco/Electro/New Wave imprint ZE Records. Originally released in 1982 ‘Mister Wong’ is a Pop oddity that sits between French Synth Pop and Leftfield Disco. The 12” includes the sought after Disco Dub version that lets the bassline work its magic alongside some heavy dub delays, on the flip Jura Soundsystem provide an extended version with added live percussion.

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Jimmy Smack

Death Is Certain

25,99 €*