Electronic & Dance 330 Items

Limited Edition 12″ LP Double Vinyl In nature, dunes are sand formations often formed by wind that sculpt elegant and dynamic silhouettes in constant transformation. As in nature the concept of constant evolution and movement will be the cornerstone of “DUNA”. “Desert Flowers” is the first strong statement of the label. The LP 12″ Double Vinyl contains 10 tracks composed by new and established artists that show and already have shown constant evolution and experimentation in the past whilst staying uncompromisingly true to their musical identity. CREDITS: Written and produced by Mike Parker, Giuseppe Scaccia, Mirko Porta, Simone Scardino, Stanislav Tolkachov, Danilenko Dmitriy, Sciarhiar Tavakoli, Lino Monaco e Nicola Buono, Alberto Pasqual, Frederic Lindeman. Mastered at LRS Factory Rome Artwork by MIRUEL – Produced by DUNA 2022 Berlin

Iner compiled another kind grooving music from around the world. A lot of sunny house and deep vibes.

Partout goes on with its series dedicated to Various: Everywhere. Limited edition: 200 copies.

“Fleischberg” is the 2nd vinyl iteration of Berlin’s body focused Fleisch collective, following hot on the heels of last year’s highly acclaimed release by Schwefelgelb. This 12” starts with a relentless six and a half minute assault by Australian native and Berlin based Halv Drøm, a fitting vinyl debut for the talented producer. DSX follows up with a finely tuned EBM track tactfully layered with obscure vocal samples and paired with piercing, frenetic drum programming. The B side starts with a slightly different approach, recalling a more classic techno and electro tone without losing sight of the release’s progressive focus; Privacy’s catchy “Work” recalls late 80s Chicago masterpieces without becoming overly nostalgic. Sekunde rounds out the compilation fully with a plodding and minimal piece that would be best appreciated while being blasted driving 300 km/h down a moonlit back road somewhere in the Black Forest.

Global Amnesia brings together a diverse collection of driving club sounds from producers spanning 4 continents. Squarely aimed at DJ's who aren't afraid of high BPM's this no bullshit debut VA is only the beginning.

White vinyl!

*Record Store Day 2024 Official Release*

Celebrating 30 years of legendary Henry Street Music with this special double vinyl released for the Record Store Day 2024. A piece of 90s House history, influenced by the magical classy vibes of those unique retro-house alchemy moments. Deep hip-hop, electro and funky influences into the unstoppable timeless flavor of these magical bangers.

Clear wax!

Awesome line up for the first part of the Khidi anniversary series. James Ruskin Yanamaste Tensal Phase Fatale and Reka

My Own Mirror To Stay is a brand new and first-ever compilation from the Sure Thing label. It finds them carefully curating six new artists and welcome them to the family, each with their own personal reflections of the dance floor. Lukas Urban kicks off with supple, seductive and stripped back techno while Soreab layers up prickly percussive layers and Sanguine sinks you into a dream state with his lush ambient pads and skeletal rhythms. The flip side features three more elegantly designed and meticulous bits of techno sound sculpture. The always exceptional Neel has mastered this one too.

Inspired by the winter sunrises in the city of Porto, Murk AT Dawn VA marks the beginning of a new chapter in the electronic music scene, embracing the passion for the obscure and its intrinsic beauty. The first release by the newly established Rapture label consists of a spatial composition from Maria Callapez that inherits the melancholy from those foggy mornings, followed by the intensity and vigor from two renowned Georgian artists, Hecate Legacy and Downwell. To fulfill the work from the previous producers, Alessandro Adriani presents us some of his dark hypnotic finest art, preceded by the industrial and vibrant pace of the Portuguese Dust Devices, a sonority already considered his trademark. Artwork crafted by Serafim Mendes. Tracks written and produced by Aleassandro Adriani, Downwell, Dust Devices, Hecate Legacy and Maria Callapez Mastering by João Rodrigues @ Tema Mastering Artwork by Serafim Mendes

Limited to 100 copies. These funds will be used to cover a bed for residence at the orphanage, food and water for the child, educational classes for the year, medicine and psychiatric support, clothing, stationary and transport to the orphanage. The remaining funds will be directed towards Olive Kids’ ‘Gaza Emergency Appeal’, a project seeking to purchase 6000 hygiene packages, 600 food packages, 2,000 Covid-19 tests and fuel for hospital generators. Includes unlimited streaming of Palestine via the free Bandcamp app, plus high-quality download in MP3, Flac and more.

Anything Goes Vol.7,' the latest vinyl release EP from Rollover Edit service is back. Delve into the Italian music scene of the '70s and early '80s with four meticulously edited gems. Grab it before it's too late.

Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988 hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed Japan Archival Series—Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 and Pacific Breeze: Japanese City Pop, AOR & Boogie 1976–1986. All three albums showcase recordings produced during Japan’s soaring bubble economy of the 1980s, an era in which aesthetic visions and consumerism merged. Music echoed the nation’s prosperity and with financial abundance came the luxury to dream.

Sonically, Somewhere Between mines the midpoint between Kankyō Ongaku’s sparkling atmospherics and Pacific Breeze’s metropolitan boogie. The compilation encompasses ambient pop, underground electronics, liminal minimalism and shadow sounds—all descriptors emphasizing the hazy nature of the nebula. Out–of–focus rhythms wear ethereal accoutrements, ballads are shrouded in static, and angular drums snake skyward on transcendent tones. From the Avant–minimalism of Mkwaju Ensemble and Yoshio Ojima, to the leftfield techno-pop of Mishio Ogawa and Noriko Miyamoto (featuring members of Ymo), and highlights from the groundbreaking Osaka underground label Vanity Records, these are blurry constellations defying collective categorization.

These tracks also exist in a space of transition when the major label grip on the Japanese recording market began to give way to the escalation of independents. Thanks to the idyllic economic climate and innovations in domestically–manufactured music gear, creators on the edges were empowered to focus on satisfying their artistic visions in the open headspace of home studios. While labels like Warner Music and Nippon Columbia explored new sounds through traditional channels, it was possible for Vanity, Balcony and other indie labels, not to mention self–released artists like Ojima and Naoki Asai, to publish their work via affordable media such as cassettes, 7" vinyl, and flexi–discs.

Expertly curated by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab), Somewhere Between is a collection of music, much of it released for the first time outside Japan, that is bound more by energetic vibration than shared history, genre or scene. They are the sounds of transition and searching—a celebration of the freedom found in floating.

Note: The track “Days Man” by Yoshio Ojima is only available on the LP and Cassette versions.

Very Limited 100 copies Only!! The London label continues to innovate with their biggest release to date. 10 tracks – 10 incredible artists adding to their string of solid releases by new and established art-ists. Setting fire to the rage of acceptance. – Sublime Creatures, defiant of society’s cages, its definitions of power, beauty and status. A higher stance above bitter re-sentment. A pro-active community of thin- kers. A patch-work of empowered souls, ideas and experiences. Directly related to one of the sentences in our manifesto, Sublime Creatures is a call to our most powerful selves. – The name of the label itself is about us working on bettering ourselves and being united in all our differences. “Reptile” is about our relationship with the reptilian brain and our efforts to understand what truly means to be human (tools to perfect your instinct), becoming aware of our-selves and the others around us. “House of” is a direct allusion to the “house and ball culture” movements in NYC in the early 80s. The sense of a real family of strangers coming together around a shared sense of purpose. 1. Rommek - Cloak and Dagger 06:39 2. Polanski - Chthonic Deity 05:08 3.Samot - Proactive Society 06:10 4.Burden - Circuit Bender 05:50 5.Kursk - Ghosts and Shadows 05:37 6.Angel Attack - Créature Irréelle 05:26 7.Tullia Benedicta - Oval 03:57 8.Restive Plaggona - Zra Mra 05:55 9.Fairground Of Tears - Fall 05:05 10.Halv Drøm - Currency 04:52