Folk 3144 Items

Release: 2021 / EU – Original

Genre: Rock & Indie

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CD | 2011 | EU | Original (Project: Mooncircle / HHV)

Robot Koch

The Other Side

6,99 €*

Graciela Maria & Robot Koch

Release: 2011 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

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Many Places

CD | 2010 | EU | Original (Project: Mooncircle / HHV)

6,99 €*

Vom Bosphorus Bis Zum Rhein Colored Vinyl Edition

Release: 2010 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Mexican Singer/Songwriter Graciela Maria has been singing since she was a little kid. Having livied in Mexico City for many years, she was part of the mexican electronic music scene and made music with local producers signal deluxe.

In 2009 she met berlin based producer Robot Koch in New York at his show at Coco66 in Brooklyn.
They started making music together and Grace was featured on Robot's album “Death Star Droid” as well as on the Ep “Listen To Them Fade”. 2009 marked the beginning of a journey both musically and geographically for Graciela, as she moved from Mexico City to Berlin and started playing shows wolrdwide with Robot Koch.
They played everywhere from the Sonar Festival in Barcelona to some obscure art festivals in Bulgaria and Tunesia.

With Many Places, Graciela Maria's stunning debut album, she steps into the light as more than just a featured vocalist on Koch's electronica and dubstep driven compositions: Her own music breathes the vibe of classic singer/songwriters like Tim Buckley and Elliot Smith, with the music and the production being even more organic and live sounding than on the previous Koch tracks. The songwriting took place all over the world, as Graciela traveled and lived in many places recently, accompanied by her little notebook and her digital camera, which she uses to record song ideas on all the time. The topics she deals with are both surreal and personal and leave it up to the listener to be interpretated.

Producer Robot Koch teamed up with friend and fellow musician Sneaky (Fingathing / Ninja Tune) to create this organic and retro futuristic sounding album, that incorporates Double Bass, Live Drums, Cello and other String instruments and well as a subtle touch of cutting edge electronic production which Robot Koch is know for. The track "Many Places" features a string arrangement by Fiora Cutler.

Graciela Maria is an artist to watch out for in the future as she proves to create timeless pieces of music that are appealing to Indie/pop listeners and lover's of electronic music alike.

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Ozan Ata Canani & Karaba

7" | 2022 | EU | Original (Fun In The Church)

8,79 €* 15,99 € -45%

Rayland Baxter & Dylan LeBlanc

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Limited to 100 copies-

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Luck Mansion Sessions

8,79 €* 10,99 € -20%

Release: 2017 / US – Original

Genre: Rock & Indie

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Dessy Lemon/Ready For Drowning

Nuba Nour

7" | 2023 | UK | Original (30ips)

8,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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7" | 2023 | EU | Original (I Dischi Del Barone)

Eyes Of The Amaryllis

Lunchtime On Earth

9,09 €* 13,99 € -35%

7" | 2018 | EU | Original (Mo Stern)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Four new tracks from Philadelphia's Eyes of the Amaryllis recorded in 2021-2022. Following up their debut album Sift released on Horn of Plenty in 2022, the group continues in the same path with their intimate, earthly and very much homespun music. The sublime title track almost resembles a folky Dadamah while some of the other songs are somewhat looser compositions. Eyes of the Amaryllis consists of Goda Trakumaite, Esther Scanlund, Jesse Dewlow and Jim Strong. 45rpm, mastered by Lasse Marhaug. Edition of 200 copies.

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Mari Mana

Floating / Find Me

9,74 €* 12,99 € -25%

Nancy Sinatra & Lee Hazlewood

Release: 2018 / EU – Original

Genre: Rock & Indie

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Combine a single-malt voice, an acoustic guitar, songs from the heart and a touch of magic, and you have the music of Mari Mana. Her music possesses that nostalgic familiarity and that fresh wonder at the same time. Her performance is a unique and enchanting expression of wise melancholy and a poetic love for life.
Mari Mana was born and raised in Berlin. She wrote her first songs in the year 2000, and since 2008 has taken her performances to various concerts and festivals worldwide.
With arrangements consisting of strings, bass, drums and electronic elements, arranged and produced together with Mo Stern, we present Mari Mana’s music for the first time on vinyl.
The songs 'Floating' and 'Find Me' are influenced by Soul, Folk and Electronic Music, and feature various international musicians, including
Alex Trebo (ITA), Timo Lassy (FIN), Marlene Schuen (ITA), Lee Caspi (ISR) and Natasha Jaffe (USA).

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Nancy & Lee

Tape | 1968 | US | Reissue (Light In The Attic)

Angel Olsen / Karen Dalton

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Something In Your Mind

7" | 2022 | US | Original (Light In The Attic)

La Teinturière de la Lune

Release: 2022 / US – Original

Genre: Rock & Indie

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Angel Olsen covers “Something On Your Mind,” while Karen Dalton’s version is found on the flip The latest release in Light in the Attic’s 7" Covers Series Artwork by Los Angeles-based fine artist Robbie Simon Pressed at Third Man Pressing

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Jérôme Poret

12" | 2021 | EU | Original (La Belle 69)

9,99 €* 19,99 € -50%

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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7" | 2021 | EU | Original (Sofaburn)

Jeremy Pinnell

Nighttime Eagle

Hava Bekteshi & Love-Songs

Release: 2021 / EU – Original

Genre: Rock & Indie

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Pinnell Is All Shine And Sparkle On The Forthcoming Goodbye La. Produced By Texan Jonathan Tyler, The Tunes Buff The Wax And Polish The Chrome On Country Music's Deeper Roots. Rooted In His Steady Acoustic Guitar, Pinnell's Songs Are Shot Through With Honest And Classic Elements. The Rhythm Section, All Snap And Shuffle, Finds Purpose In Well-Worn Paths. The Pedal Steel And Telecaster Stingers Arrive Perfectly On Cue, Winking At Jp's World-Wise Couplets . Here Slippery Organ Insinuates Gospel Into The Conversation. You Can Feel The Room Breathe And Get A Sense Of These Musicians Eyeballing Each Other As Their Performances Are Committed To Tape. And Through It All Comes This Oaken Identity, The Devastating Centerpiece Of His Work. Honest And Careworn, Jeremy's Voice Can Touch On Wry, Jubilant, And Debauched - All In A Single Line. At His Best, Jeremy Pinnell Chronicles The Joy And Sorrow Of Being Human, Which Is The Best That Anyone Could Do.

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Bukuroshja e Lales / Delay

7" | 2018 | EU | Original (Hanseplatte)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Tape | 2014 | EU | Original (Project: Mooncircle / HHV)

Barrio Lindo

Menoko Purple Tape

CD | 2023 | EU | Original (BFD)

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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In the native tongue of the South American tribe Mapuche, there exists the word ‘MENOKO’. Deep within the Andean Forests there are sacred places, springs of purity known as Menokos. Hidden and untouched by man or animal, they are whispered, home of virgin water. Womb of the natural cycle from which plants and herbs of extraordinary medicinal abilities are nurtured.

Barrio Lindo feels a strong bond to the native tribes of his Argentinian home. Ancestral cultures are of great importance, providing a wealth of inspiration. An instrument maker by trade, using his bare hands he constructs many ethnical instruments like Andean flutes, African harps, string instruments from India and so on. This fascination with indigenous sounds is reflected within his music and themes with the use of samples and tribal instrumentation. While understanding his work is far from that of the native cultures, he finds ways to incorporate these influences through fusions of sounds. Drawing a parallel, worlds both old and new align.

‘Menoko’ comes on limited purple double vinyl (including download code) as well as a limited handmade and handpainted purple cassette edition (including download code).

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Tony Jackson

I've Got Songs To Sing

10,79 €* 17,99 € -40%

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 1976 | UK | Reissue (Seelie Court)

Dave Keir

Release: 1976 / UK – Reissue

Genre: Rock & Indie

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Bear's Sonic Journals: The Foxhunt 1973

The Chieftains

LP | 2022 | EU | Original (Decca)

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 2022 | EU | Original (Zephyrus)

Gaisha

Ghalat

Que Pasa / Georgia On My Mind Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited to 300 copies. Oriental Psychedelic Sounds and Funky Grooves. Gaïsha is a collaboration between the Belgian-Moroccan singer, Aicha Haskal, and Les Cerveaux Lents.

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John 5 & The Creatures

7" | 2022 | US | Original (Big Machine)

Release: 2022 / US – Original

Genre: Rock & Indie

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Friture Havasi - Le Cocek D'Anderlecht

Bernard Orchestar

7" | 2021 | EU | Original (Zephyrus)

7" | 2021 | US | Original (Third Man)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Active for a decade now and soon knocking at the gates of the Walhalla, the sportsmen of Bernard Orchestar present a new repertoire that is both juicy and greasy, just like samurai sauce.

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Bob Dylan

Blind Willie McTell

Release: 2021 / US – Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (Van)

Lindy-Fay Hella

Taag / Otherworld

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (Zephyrus)

La Panika

Anapse To Tsigaro

7" | 2021 | EU | Original (Martin Hossbach)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Balkan brass interpretation of the Greek Laiko hit song from '58 by Belgo-French orchestra La Panika. Dubby remix by French producer JB Hoste from Le Caravane Electro.

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Michaela Meise

Cemalim

Embla And The Karidotters

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Under the impression of the racially motivated murders on 19 February 2020 in Hanau, her hometown, the visual artist and musician Michaela Meise recorded the piece "Cemalim" by the Turk Erkin Koray in German translation. The production of the song was supported by the Städtische Galerie Nordhorn and the NS-Dokumentationszentrum München, both of which have included the work in their exhibition programmes this year. Erkin Koray is a representative of the psychedelic Anadolu-Rock and published "Cemalim" as an arrangement in 1973. The original composer, Rafik Başaran, came from the Cappadocian town of Ürgüp, which is also mentioned in the song. "Cemalim" means, translated into German, "My darling Cemal", and is a lament for the dead. Meise wrote the German text based on the translation by Fatih Alasalvaroglu, who also comes from Hanau.Besides the mourning of nine young people, solidarity with the relatives and friends of the murder victims is urgently needed. They have organised themselves in the "Initiative 19 February Hanau" - on their website you can find information about what support they would like to receive. Most of the concert programme of the last two years included anti-fascist songs and was a reaction to the increasing right-wing populism. Folk songs, hits and chansons of the 1960s, published in July 2018 on the album "Ich bin Griechin" (Martin Hossbach), dealt with the experience of the Second World War, told of the longing to leave home or the experiences of a seasonal worker. The songs were composed by the anti-fascist Mikis Theodorakis, the musician Barbara, who survived the Shoah with her family in the underground, and George Moustaki and Alexandra, who crossed both national borders.

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Howling

7" | 2021 | EU | Original (Die With Your Boots On)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Big Legal Mess)

Bailey Bigger

Let's Call It Love

Release: 2020 / EU – Original

Genre: Rock & Indie

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The Mystery Of The Bulgarian Voices

Shandai Ya / Stanka Black Vinyl Edition

LP | 2020 | EU | Original (Prophecy)

Release: 2020 / EU – Original

Genre: Rock & Indie

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I Can Go With You / I Am No Moon

Sam Burton

7" | 2020 | EU | Original (Tompkins Square)

Tales Of America B Sides Black Friday Record Store Day 2019 Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Sam Burton is a singer/songwriter from Salt Lake City, now based in Los Angeles. After several years circulating homemade cassettes on labels like Chthonic and embraced by blogs like Cassette Gods, Sam has recorded his first proper debut album with producer Jarvis Taveniere (Purple Mountains). Due in mid-2020, Sam's debut LP will be preceded by two limited edition 45s, one which will be available exclusively for Record Store Day in the UK. Sam is slated to tour the UK and Europe in 2020 with fellow Tompkins Square artist Gwenifer Raymond.

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J.S. Ondara

LP | 2019 | EU | Original (Verve)

Weakness / Just Like Love (Weakness EP 1/2)

Release: 2019 / EU – Original

Genre: Rock & Indie

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RSD Exclusive. Limitation: 2300. Born and raised in Nairobi, Kenya, J.S. Ondara fell in love with Bob Dylan and moved to Minneapolis when he was 20 to pursue a career as a singer-songwriter. His debut album, Tales of America, is an examination of the American Dream, but from the perspective of the outsider, the immigrant, the social commentator. This album made J.S. an NPR Slingshot Artist, a Rolling Stone Artist You Need To Know, and earned him a Best Emerging Act nomination from the Americana Music Association in 2019.

Tales of America: B Sides is a five track LP packaged exclusively for Record Store Day, and features a previously unreleased track, a demo, a remix, and two cover songs.

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Margo Price

Release: 2017 / US – Original

Genre: Rock & Indie

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Paper Cowboy / Good Luck (Weakness EP 2/2)

Margo Price

Release: 2017 / US – Original

Genre: Rock & Indie

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Gone / You're Gonna Make Me Lonesome When You Go

My Bubba

G. Rag & Die Landlergeschwister

Release: 2017 / US – Original

Genre: Rock & Indie

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Produced by Jack White, includes a Bob Dylan cover.

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Der Räuber Und Der Prinz

7" | 2015 | EU | Original (Gutfeeling)

Release: 2015 / EU – Original

Genre: Rock & Indie

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7" | 2015 | US | Original (Third Man)

Lillie Mae Rische

Nobody's / The Same Eyes

Release: 2015 / US – Original

Genre: Rock & Indie

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7" | 2014 | US | Original (Ramseur)

Langhorne Slim & The Law

Animal / Space Girl

The Other Side HHV Bundle

Release: 2014 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2014

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Robot Koch

CD | 2011 | EU | Original (Project: Mooncircle / HHV)

Tape | 2024 | UK | Original (Le Chatroom)

Release: 2011 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Agostino

Zona Sisri

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Preorder shipping from 2024-05-10

Tape | 2024 | EU | Original (Sucata Tapes)

O Morto

Lila

Nate Campany And The Serenade-The Serenade-Nate Ca

Release: 2024 / EU – Original

Genre: Rock & Indie

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O Morto, aka Mestre André now presents the full length version of his Lila composition, a collaboration with Moroccan musicians Ayoub ElAyady and Khalid Boulhamam.

Lila is the Arabic word for night and is also the name of the liturgic ceremony manifested in a trance, as a process of healing and therapy, through a ritual of sensory immersion conducted by music (gnawa), incense, colour and dance. From sunset to dawn, seven colours are revealed, associated with different rhythms and stages of ecstasy.

In Lila, Ayoub ElAyady, Khalid Boulhamam and O Morto summarily travel through the seven colours of the nocturnal ritual in all its scope – using both the form of tradition and electronic manipulation.

Limited to 100 units with artwork by Desisto.

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The Only Bridge I Need

LP | 2023 | EU | Original (Lojinx)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Anatolian Soul I Limited Edition Vinyl Edition

Ipek Yolu

7" | 2023 | Original (Sounds Of Subterrania)

Release: 2023 / Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (Loose)

Danny George Wilson

We've Got A Lot To Learn

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Universal)

Kenny Rogers

Life Is Like A Song

Release: 2023 / EU – Original

Genre: Rock & Indie

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Veda EP Red Vinyl Edition

Mustafa Kus & Imece

7" | 2021 | EU | Reissue (Ironhand)

11,04 €* 12,99 € -15%

The Nearer The Fountain, More Pure The Stream Flows

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Limited to 300 copies on red vinyl.

Ironhand Records is proud to announce the EP of Mustafa Kuş & İmece, musically at the crossroads of funk, jazz, and psychedelic, with Anatolian rhythms.
Mustafa Kuş, who went to Germany for his education and founded his band İmece in 1976, released three albums and one single until 1985.
Compiled from those, the 4 songs in this EP blend Anatolian rhythms with funk and jazz, entertaining bass lines, crazy drum attacks, saxophone, and keyboard solos.
Remastered from the original master tapes, limited to 300 copies exclusive for hhv.de on red vinyl. You will hear the idol of today’s many popular bands!

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Damon Albarn

Tape | 2021 | UK | Original (Transgressive)

11,39 €* 11,99 € -5%

Release: 2021 / UK – Original

Genre: Rock & Indie

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Tape | 2024 | EU | Original (Irrlicht)

Mats Erlandsson

28/4/23 Cs

11,39 €* 11,99 € -5%

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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"28/4/23" captures the atmospheric live performance of Swedish composer Mats Erlandsson at Fylkingen, Stockholm on the 28th of April, 2023. With exceptional delicacy, Erlandsson guides the audience through his signature electro-gothic soundscape of continuous tension; 40 minutes of processed field recordings, zither, feedback and Serge modular synthesizer.

Cyanotype prints and woodcut by Håkan Jonson. Released in an edition of 90 copies.

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12" | 2007 | UK | Original (Honest Jon's)

Migrating Bird Sampler

11,69 €* 12,99 € -10%

7" | 2022 | US | Original (Dead Oceans)

Release: 2007 / UK – Original

Genre: Rock & Indie

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6 tracks feat. Alasdair Roberts, Michael Hurley, James Yorkston ... heavy stock sleeve with beautiful screen print !

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Bill Fay / Julia Jacklin

Just To Be A Part

Release: 2022 / US – Original

Genre: Rock & Indie

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Michael Head & The Red Elastic Band

Velvets In The Dark / Koala Bears

7" | 2023 | UK | Original (Violette)

Charlie Feathers With Jody & Jerry

Release: 2023 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-05-10

A very rare jewel in the Michael Head canon of work. A two-song project recorded in 2014, pressed in France and packaged in a hand-made sleeve. This is a unique and original artefact, not a re-press. With no band name on the sleeve , this was a personal project exquisitely packaged.

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Get With It

7" | UK | Reissue

Release: UK – Reissue

Genre: Rock & Indie

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Bill Fay / Mary Lattimore

Love Is The Tune

7" | 2022 | US | Original (Dead Oceans)

In My Own Time 50th Anniversary Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Dead Oceans has announced the re-issue of Bill Fay's Still Some Light, a double compilation album made up of 70s album demos and 2009 home recordings. Released in two parts, pressed on vinyl and out digitally for the first time, `Still Some Light Part 2' is released 6th May, 2022. Alongside, Dead Oceans has announced plans of a special series of four 7" singles, consisting of different musicians' interpretations of Bill Fay classics. Number three ( a cover of `Just To Be A Part' by Julia Jacklin) and the fourth, Mary Lattimore's version of `Love Is The Tune') will also be released 6th May, 2022.

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Karen Dalton

Tape | 1972 | US | Reissue (Light In The Attic)

Tape | EU | Original (Relax-In)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

Both the CD and cassette editions feature 9 bonus tracks, including 3 alternate takes from the In My Own Time album sessions, along with 6 previously unreleased tracks captured during Karen’s 1971 European tour, including live at The Montreux Golden Rose Pop Festival and Germany’s Beat Club.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

1–10: Originally released as Just Sunshine – PAS 6008, 1971 11–13: Alternate Takes from album sessions, 1970/71 14–15: Recorded live at Beat Club, Germany, April 21, 1971 16–19: Recorded live at The Montreux Golden Rose Pop Festival, May 1, 1972

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Magida El Roumi

And The Children

Release: EU – Original

Genre: Rock & Indie

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Tape | EU | Original (Relax-In)

Walid Toufik

Release: EU – Original

Genre: Rock & Indie

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Tape | EU | Original (Relax-In)

George Wassouf

Release: EU – Original

Genre: Rock & Indie

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Tape | 1993 | EU | Original (Relax-In)

Ragheb Alame

Ya Hayati

Release: 1993 / EU – Original

Genre: Rock & Indie

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Warda

Dein Ayamak

Release: EU – Original

Genre: Rock & Indie

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Warda

Tabahn Ahbab

Release: EU – Original

Genre: Rock & Indie

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Maiyada El Henawy

Amr El Hawa

Release: EU – Original

Genre: Rock & Indie

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Samira Saeed

Kol De Eshaat

Release: EU – Original

Genre: Rock & Indie

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Mayada El Henawy

Ana Baashaak (Syria)

Release: EU – Original

Genre: Rock & Indie

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Aziza Galal

Mestaneyak (Morocco)

Release: EU – Original

Genre: Rock & Indie

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Tape | 1993 | EU | Original (Alam El Phan)

Mayada El Henawy

Gayart Hauate (Syria)

Release: 1993 / EU – Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (Mapache)

Cactus Lee

Angel / Train Song

Release: 2021 / EU – Original

Genre: Rock & Indie

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Cactus LEE presents his new single with two exclusive tracks. Angel is an alternate version of the song from forthcoming album Texas Music Forever and Train Song is a great cover of Vashti Bunyan. A welcome present to a great band that will bring their Texas songwriting style to Mapache Records. Let’s Welcome them with this special and very limited release. Limited to 200 records.

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Shout Brother, Shout-Trumpet Blues Rockers

7" | 2021 | EU | Original (Koko Mojo)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Rhythm & Blues House Party Volume 2

7" | 2021 | EU | Original (Koko Mojo)

Release: 2021 / EU – Original

Genre: Rock & Indie

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In Der Gegenwart Der Vergangenheit

Friedemann

LP | 2021 | EU | Original (Exile On Mainstream)

11,99 €* 19,99 € -40%

7" | 2021 | EU | Original (Saigon Supersound)

Release: 2021 / EU – Original

Genre: Rock & Indie

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With Three Full Studio Albums And Two Live Albums Under His Belt Friedemann Remains One Of The Most Truly Independent Figures In The German Music Underground. Just Recently Called To Be "The German Ian Mackaye" By No Less Figure Than Scott "Wino"Weinrich Because Of His D.I.Y.-Ethics And No-Compromise Attitude, Friedemann Has Earned Merits For Being Outspoken And A True Honest Voice Of Reason In N...

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Trùc Mai

Sài Gòn

7" | 2021 | EU | Original (Emotional Rescue)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Not many cities in the world are gifted with a timeless anthem of their own. We all know “New York, New York”, a song widely known across its city borders. For many Vietnamese, the beautiful Cha Cha Cha tune “Sài Gòn” has a similar reputation. The tune was written by Hanoi-born composer Y-Van. Like many of his generation, he moved to the South in 1954 after The Geneva Accords partitioned Vietnam temporarily into two states. There he became one of the most famous and prolifc songwriters in South Vietnamese pop music. His revered songs are still sung and covered to this day. “Sài Gòn”, which he wrote in 1965, was recorded for the frst time by Saigonese-born singer Trúc Mai for the Sóng Nhạc label. It is one of his most iconic compositions and has been recorded countless times since. Trúc Mai rose to prominence during the late 1950s as a popular headliner in the cabaret circuit of Saigon, earning her the title, "Nữ Hoàng Mambo" (the Queen of the Mambo). Her reputation helped make the 1965 recording of “Sai Gon” an instant hit. It was so successful that it was one of only a few songs to appear on multiple 7” vinyl releases. However, that same year, Trúc Mai took a seven-year hiatus from the music industry to take care of her family. But she returned in 1972 to record “Sai Gon” again, this time with another producer, Duy Khánh – also a successful singer and musician. They released this track on his “reel 2 reel” tape series, “Cỏ May”. After the war ended in 1975, Trúc Mai and her family left Vietnam to begin their new lives in the United States, where she continued her successful music career with the overseas community.The Sài Gòn sung about in the song refers geographically to today's Districts 1 & 3 in Ho Chi Minh City, the name given in 1975, after reunifcation. But colloquially, the city is still afectionately called Sài Gòn by many of its residents, and even the airport retains the ‘sgn’ designation as its abbreviation. Despite being recorded over 55 years ago, the unbroken popularity of this life-afrming ode to the city is proven when, whether in Sài Gòn or Hanoi; the south or north; whether young or old, when the song plays, everyone immediately joins in to sing along to the chorus…Saigon đẹp lắm Saigon ơi! Saigon ơi! (Saigon is so beautiful! Saigon oi! Saigon oi!) The two extensively restored mixes are supplemented with a 2021 edit by Saigon Supersound producer and DJ Jan Hagenkötter, who tries to preserve the vibes of the original and at the same time to wrap it in a contemporary garment.

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Michael James Pollard

Too Confusing

LP | 2020 | EU | Original (Caroline)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Emotional Rescue returns to early 1980s Manchester with the previously unreleased music of Michael James Pollard and his beautiful distillation of indie pop in Too Confusing and bedsit cover version of Ashford and Simpson's Surrender. While studying photography at Manchester Polytechnic, MJ) Pollard lived and played in a band in a ramshackle house in Walley Range. In the cellar studio he would write and record his own songs using their guitars, fretless bass and keys, as well as his own Casio VL-Tone Vl-1 and Simmons Clap Trap to augment his drums onto a 4 track Teac. By 1983, and now solo, he was recording out of Dislocation Dance's studio Erc111), had secured a Peel Session and via Factory Records' Lindsay Reade, was discussing with Fundacao Atlantica about releasing an album. Working with singer Sioux Goddard as a duo, they put down 8 songs in 2 weeks in summer '84. However, Fundacao Atlantica's financial difficulties and soon closure meant the songs were lost until now. Recovered off the original tapes and lovingly restored, Too Confusing captures the optimism of the sessions, a summer love melody of forlorn youth. Surrender accompanies, recorded back in that cellar in '81, with friend Stephanie Danziger on vocals, its lo-fi simplicity is a perfect take on an all-time classic, making this a newly prized gem of British indie pop history.

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Crystal Murray

I Was Wrong

Release: 2020 / EU – Original

Genre: Rock & Indie

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But I Might Die Tonight Light Blue Record Store Day 2020 Edition

Cat Stevens

7" | 1970 | US | Reissue (Island)

Gilbert Cohen & Ariel Kalma

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Record Store Day 2020 Release.
Limitation: 5000 copies.

7″ single of Cat Stevens songBut I Might Die Tonightfrom the album Tea For The Tillerman. Side A will feature the alternative version of the song from the film Deep End. The A-side was reworked specifically for the film (which starred Jane Asher and somewhat a UK cult classic) and is a previously unreleased in any form! Colour of the 7″ Single is Light Blue.

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Head Voices Remixes

12" | 2020 | EU | Original (Versatile)

7" | 2019 | EU | Original (Bongo Joe)

Release: 2020 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Reggae & Dancehall

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Versatiles presents a series of remixes of tracks from Head Voices, the late long format from Ariel Kalma & Gilbert Cohen: through dub manipulations, downtempo lazy atmospheres or electronic profusion of bleeps and kicks, each one opens a new interpretation of this crossover project.
On A Side, Australian producer Leo James turned indeed « De Luscious » into an epic 12 minutes monster dub version, in the vein of Moritz von Oswald & Mark Ernestus’ Rhythm & Sound. On The flip, Canadian producer Priori who recently released the great
On A Nimbus, gives here a deeper and minimal interpretation of « Tu Ne Peux Pas Savoir ». Finally, Versatile’s boss Gilb’R remixes an exclusive version of « Tribu Sauvage », previously only released on digital.

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Lalalar

Mecnun / Hata Benim

Release: 2019 / EU – Original

Genre: Rock & Indie

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If The Evening Were Drawn Black Vinyl Edition

Jim Sullivan

LP | 2019 | US | Original (Light In The Attic)

The Paradise Bangkok Molam International Band

Release: 2019 / US – Original

Genre: Rock & Indie

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Mastered from the original analog tapes
All tracks previously unreleased
Booklet with liner notes and rare archive photos
Deluxe die cut Stoughton “tip-on” jacket with embossed lettering
Vinyl pressed at RTI

On March 4, 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost. Some think the mafia bumped him. Some even think he was abducted by aliens.

By coincidence–or perhaps not–Jim’s 1969 debut album was titled U.F.O.. Released in tiny numbers on a private label, it too was truly lost until Light In The Attic Records began a years-long quest to re-release it–and to solve the mystery of Sullivan’s disappearance. Only one of those things happened, and you can guess which…

Light In The Attic’s reissue of U.F.O. introduced the world to an overlooked masterwork and won Sullivan, posthumously (presumably), legions of new fans. Those new admirers are in for a real treat: a lavish, first-time release of a previously unheard 1969 studio session.

If The Evening Were Dawn contains 10 acoustic solo recordings that have never seen the light of day. Whereas U.F.O. was bolstered by legendary sessioneers The Wrecking Crew, this is Jim Sullivan on his own terms, stripped down and soulful as ever. Recorded at a Los Angeles studio circa 1969, the session contains acoustic versions of a handful of U.F.O. tracks alongside a half dozen previously unheard songs. This, then, is the closest thing to those fabled Malibu bar performances at which Sullivan was first noticed.

According to his widow, Barbara, this was the album Jim always hoped to record. It serves as an unprecedented glimpse into the mysterious, larger-than-life figure who’s become the stuff of legends.

While Sullivan’s disappearance remains unsolved, his music endures and is finally gaining him the recognition he deserves, albeit long overdue. This recording serves as an unexpected missing piece of the puzzle; this is Jim Sullivan’s true swan song.

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Roob Lor Pu Tai Rootikal Re-Rub

7" | 2014 | UK | Original (Studio Lam)

Release: 2014 / UK – Original

Genre: Rock & Indie

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CD | 2008 | EU | Original (XL Recordings)

Adele

Release: 2008 / EU – Original

Genre: Rock & Indie, Pop

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Indecision Black Vinyl Editoin

Franka Oroza

7" | 2024 | FI | Original (Timmion Records)

Where's The Playground Susie

Release: 2024 / FI – Original

Genre: Rock & Indie

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Preorder shipping from 2024-05-10

The musical Oroza bloodline just seems to keep pumping soul music from Finland for the world to hear. Now it's time for Franka to step to the stage and she comes out from the gate swinging with a sublime beat ballad "Indecision". Backed by the faithful Timmion Records house band Cold Diamond & Mink, Franka's folk jazzy vocal stylings seep into fertile ground.Building from the intro drum roll to the rootsy organ-led groove Franka jumps on the beat with a Joni Mitchell twist and it's immediately apparent that we're in for a treat. The vocal glides effortlessly between firm and delicate tones, perfectly underlining the lyrical content. Franka takes her time in setting the scene, holding a veil before the fact that we're actually listening to a love song.If all you're looking for is good songwriting with a soulful backbeat, with Franka Oroza you'll get a unique voice to boot. This is another sure shot for all fans of independent downtempo soul from the Timmion stable.

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Glen Campbell

7" | 2020 | US | Original (Collectables)

Release: 2020 / US – Original

Genre: Rock & Indie

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Glen Campbell & Jody Miller

Let It Be Me

7" | 2020 | US | Original (Collectables)

Release: 2020 / US – Original

Genre: Rock & Indie

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7" | 2018 | EU | Original (Banjodad)

Trampled By Turtles

Wildflowers

Release: 2018 / EU – Original

Genre: Rock & Indie

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Genre: Rock & Indie

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Os Rouixinois / Wal Santana

Um Blanco Pra Voce / O Viajant

Genre: Rock & Indie

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Harmony Cats Theme / Seja Com

Harmony Cats

Genre: Rock & Indie

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Transito Livre / Por Favor

Guto / Tony Nunes

Genre: Rock & Indie

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Nao Nasci Jogador / Princesa Neg

Cesar Silvio / Bebeto

Genre: Rock & Indie

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LP | 2018 | EU | Original (Jelodanti)

Ladyboy

Rose Calamine

12,34 €* 18,99 € -35%

Release: 2018 / EU – Original

Genre: Rock & Indie

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12" | 2022 | EU | Original (Space Echo)

Randomized Coffee

Mariama Feat Kora Hero

12,59 €* 13,99 € -10%

LP | 2021 | EU | Original (Die With Your Boots On)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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The meeting of Alieu and Randomized Coffee gives light to this new project, in which the Roman duo tackles a production that skillfully links Mediterranean influence to ancestral Africa in a patchwork woven of typical African ethnic elements to those of house and electronica in a "groovy" body that enhances the classical side of the African country in a modern musical mood and rhythm. The story tells about the day before an arranged marriage ceremony. Masanneh is a handsome and well-known man in his village of the Mandinka Tribe, born and raised in the village of Kudang, near the river that flows through the entire country; the Gambia. Many in the village believe him to be charismatic and generous, others believe him to be a venal materialist devoted to money. Masanneh decides to consult Cherno Jallow, a wise Marabout, to figure out how to deal with his future. He therefore moves westward to the village of Bondali, in Foni, where before practicing his work as a skilled trader he talks to Landing Sawo, the district chief, from there he hears the sound of a Kora played by Jali, while across the road he sees a beautiful woman Mariama Gomez passing by.

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Ole Kirkeng

Rocking Chair

12,64 €* 22,99 € -45%

Release: 2021 / EU – Original

Genre: Rock & Indie

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12" | 2023 | UK | Original (83817 Echoe)

Francesca Lombardo

Remembrance The Remixes

Release: 2023 / UK – Original

Genre: Rock & Indie

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12" | 2023 | UK | Original (83817 Echoe)

Francesca Lombardo

Rememberance EP

Release: 2023 / UK – Original

Genre: Rock & Indie

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Eritrea's Guitar Pioneer, 1970-73

Tewolde Redda

Tape | 2022 | US | Original (Domino Sound)

The Country Side Of Harmonica Sam

Release: 2022 / US – Original

Genre: Rock & Indie

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From Asmara, Eritrea (formerly Ethiopia) Tewolde Redda revolutionized the sounds of traditional Eritrean music by amplifying his kirar, playing his Eko electric guitar, and recording six singles in the first part of the 1970s. Including the first Eritrean songs to use a horn section, traditional songs reworked into his new sound, and originals influenced by radio broadcasts from the United States military base in Asmara, Kagnew Station, these ten songs originally released on the Philips, Amha, and Yared labels show off his talents with stringed instruments, a talented back up band, and often the hand clapped beat shifting into double time near the song’s end. Tewolde’s thick, deep voice sings songs of love over somber and joyous tunes. Comes in a tip-on sleeve with extensive liner notes, lyrical translations, and unpublished photos. A co-release with Mitmitta Musika of Addis Abeba, Ethiopia.

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True Lieslookout Heart

7" | 2016 | EU | Original (El Toro)

Release: 2016 / EU – Original

Genre: Rock & Indie

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Quero Ver Voce Sambar / Mas Nao Deixe De Ir

Homero Franca / Silvinha

7" | 2022 | EU | Reissue (Mr. Bongo)

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Tape | 2022 | EU | Original (Sucata Tapes)

Babau

Stock Fantasy Zone

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Organic Music Tapes Volume 1

Tiago Sousa

Tape | 2022 | EU | Original (Sucata Tapes)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Pape Nziengui Et Son Groupe

Kadi Yombo

Tape | 2022 | US | Original (Awesome Tapes From Africa)

Release: 2022 / US – Original

Genre: Organic Grooves, Rock & Indie

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Kadi Yombo, published in 1989, is the most successful album in the quest for a fusion between tradition and modernity in Bwiti harp music of the Tsogho people of Gabon. Combining beating rattles with a layer of synthesizers, Papé Nziengui blends in a contrapuntal dialogue characteristic of harp playing: male song in appeal and female choir in response, male voice of the musical arc and rhythms of female worship. But above all it's Tsogho ritual music and modern studio orchestration. The result is an initiatory itinerary of 10 musical pieces which are all milestones likely to be simultaneously listened to, danced, meditated on, and soon acclaimed. In the years since, Nziengui has traveled he world from Lagos to Paris, from Tokyo to Cordoba, from Brussels to Mexico City to become a true icon, the emblem of Gabonese music. Like Bob Dylan, "electrifying" folk and Bob Marley mixing rock with reggae, some purists have criticized Nziengui for having distorted the music of harp by imposing a cross with modern instruments. They even went so far as to claim that Nziengui was just an average harpist covering his shortcomings with stunts that were only good for impressing neophytes; like playing a harp placed upside down behind his back or playing two or three harps simultaneously. Sincere convictions or venomous defamations, in any case, Nziengui never gave in to such attacks, imposing himself on the contrary to pay homage to the elders (Yves Mouenga, Jean Honoré Miabé, Vickoss Ekondo) while instructing the maximum of young people. He is thus the promoter of many young talents, the most prominent of which is certainly his nephew Jean Pierre Mingongué. In a conservative society where the sacred is confused with secrecy, exposing the mysteries of Bwiti in broad daylight can be punished by exclusion or even execution. Papé Nziengui has always claimed that he faces such risks because he never felt enslaved to a community that governs his life, that regulates his conduct, that has a right of censorship over his activities. Like Ravi Shankar, the famous sitarist, Papé Nziengui is a man of rupture but also of openness, a transmitter of culture. As proof, he has established himself in Libreville, Gabo's capital, as the main harpist for sessions and concerts, accompanying the greatest national artists (Akendengué, Rompavè, Annie-Flore Batchiellilys, Les Champs sur la Lowé, etc.) as well as foreign artists (Papa Wemba, Manu Dibango, Kassav', Toups Bebey, etc.). In 1988, he was the first harpist to release an album in the form of a cassette produced by the French Cultural Center (Papé Nziengui, Chants et Musiques Tsogho). At the same time, he created his own group (Bovenga), combining traditional music instruments (musical bow, drums, various percussion instruments, etc.) in the framework of a true national orchestra, which gave the first concert and the first tours of a traditional music that was both modern and dynamic, thus "democratizing" the harp, to the dismay of certain purists. On the other hand, in modern music, dominated by the logic of profit or even commercialism, artistic creation must often be adjusted for a specific audience based on reason rather than heart. But instead of allowing himself to be distorted, Papé Nziengui has always tried to produce music that is not a caricature, worthy in its expression as in its content, of the sacredness and transcendence of the music of the Origins. This is what makes Nziengui-not only the musician, but the man-someone whose age hasn't altered any of his freshness or authenticity.

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Ever Since We've Known It: More North Carolina Mountain Singing

Tape | 2022 | EU | Original (Death Is Not The End)