Funk | Soul Vinyl LP 3048 Items

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (The Sleepers Recordz)

Aaron Evo

The One

8,99 €*

7" | 2013 | EU | Original (Black Cat)

Release: 2019 / EU – Original

Genre: Organic Grooves

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After his song “Space Bella Coola” became one of the more recognizable modern funk tracks on the street dance scene, French producer Aaron Evo brings you his first release on vinyl, “The One.” Featuring a reworked version of “Space Bella Coola” entitled “Unstoppable,” the album displays Aaron’s recognizable sonic palette and slick funk touch. His synths wiggle unthinkably while drums and bass slap, forming concrete-hard foundations for his tracks. Somehow simple yet explosive, “The One” traverses through all territories in the land of funk, from the G to P. Also included on the album is the track “Gangstagram,” created for and played at the grand final of the most important street dance events at Juste Debout & KOD 2018. Future Classic.

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Luis Bacalov

In Lounge

8,99 €*

LP | 1962 | Reissue (Gm & Publishing)

Release: 2013 / EU – Original

Genre: Organic Grooves

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4 classic cuts from the number one of spaghetti western composers, with an exclusive featuring from Italian 60’s R&B legend Rocky Roberts. Originally out along with the ‘Il giaguaro’ magazine, we just acquired a few dozen MINT copies from Black Cat Records’ warehouse.

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Aretha Franklin

The Electrifying Aretha

8,99 €*

Release: 1962 / Reissue

Genre: Organic Grooves

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Athena Bronze Marbled Vinyl Edition

Sudan Archives

LP | 2019 | US | Original (Stones Throw)

9,99 €*

Athena Black Vinyl Edition

Release: 2019 / US – Original

Genre: Organic Grooves

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She first emerged as an avant-garde violinist who channeled her playing through loop pedals. Then songwriter, vocal performer, and beatmaker. She's captivated audiences at festivals around the world, touring her trail-blazing EPs Sudan Archives (2017) and Sink (2018). Sudan's many identity coalesces in her debut album, Athena: a psychedelic, magnetic take on modern R&B.

"When I was a little girl, I thought I could rule the world," Sudan Archives announces in the sparse, string-plucked opening bars of Athena, on the strident "Did You Know". Her musicality and sense of self-belief developed as a young child in the church. Born Brittney Parks, but called Sudan from a young age, she moved around Cincinnati, Ohio many times as a child; religion and music were the most stable forces in her life. It was in church that Sudan began learning to play the violin by ear, participating in ensemble performances. "I remember begging my mom to get me a violin," she says. "From there I just never let it go – it felt like I had a purpose."

Growing up with a twin sister, Sudan also learned young that she was the "bad twin". Her stepdad – a one-time music industry executive – tried to turn the two into a pop duo when they were teenagers, but Sudan would miss rehearsals and curfew so frequently that the project was abandoned. Still, the experience was valuable: "My stepdad basically planted this whole idea of artistry as a career," she remembers. Though she left the band behind, Sudan clung onto the idea of pursuing music when she moved to Los Angeles at age 19. While studying and holding down two jobs, she would spend her spare time "fucking around with some beats and making some weird shit", which she released tentatively under the name Sudan Moon – a combination of her childhood nickname and her love of Sailor Moon. The ethereal quality of those early lo-fi, G-funk-inspired beats would eventually make its way into Sudan's current sound.

It was once she discovered ethnomusicology, and learned to incorporate the violin into her beats, that she really unlocked a new level. Cameroonian electronic music pioneer Francis Bebey was an early inspiration: "His music is so simple, and the way he combines strings and electronic music is such a vibe.” From there, she educated herself about other artists and ethnomusicologists, learning about the history of one-string fiddling in Ghana, Sudan, and all over the world, which "blew my mind". Now a fervent crate-digger with ambitions of studying ethnomusicology, she changed her artist name to Sudan Archives.

After she met with Stones Throw A&R and Leaving Records founder Matthewdavid, Peanut Butter Wolf signed her to Stones Throw. Her self-titled debut EP introduced the world to Sudan's fusion of North African-style fiddling, layered R&B harmonies, and pared-back production. Her second EP Sink was a resounding six-track statement that, according to Jenn Pelly at Pitchfork, saw Sudan "level up as a songwriter" — especially true of the bold self-love song "Nont For Sale".

Those EPs, Sudan says, were "like a haiku of what the album is". Athena is "more in your face, more confrontational – and that's also how I've grown as an artist. I used to be a hermit who would make beats in her bedroom, but now I'm working with other writers, producers and instrumentalists, I've learned how to communicate. It feels like I'm almost back in church." At first, it was tough for Sudan to cede any control in her creative process, but as she got stuck into the sessions with producers Wilma Archer (Jessie Ware, Nilufer Yanya), Washed Out, Rodaidh McDonald (The xx, Sampha, King Krule), and Paul White (Danny Brown, Charli XCX), she opened up. The resulting album, whittled down to 12 taut tracks from around 60, is her most ambitious work yet.

On the album's cover, she poses as a Greek goddess sculpted in bronze. Simultaneously at her most powerful — channelling the energy of her princess warrior heroes Xena and Sailor Moon — and her most vulnerable, Sudan challenges the viewer to see what's under the surface. "I'm naked!" she says. "I don't have anything to hide at all, it's all out there."

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Sudan Archives

LP | 2019 | US | Original (Stones Throw)

9,99 €*

LP | 1980 | US | Reissue (CBS)

Release: 2019 / US – Original

Genre: Organic Grooves

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Sweat Band

Sweat band

9,99 €*

How Much Longer Must I Wait? Singles & Rarities 1965-1972 Red Transparent Split Vinyl Edition

Release: 1980 / US – Reissue

Genre: Organic Grooves

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produced and arranged by Bootsy Collins & Fred Wesley

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Lee Moses

2LP | 2019 | US | Original (Future Days / Light In The Attic)

10,99 €*

LP | 2024 | EU | Original (Crosscut)

Release: 2019 / US – Original

Genre: Organic Grooves

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Preorder shipping from 2024-06-14

The definitive collection of Lee Moses’ legendary non-album tracks available together for the first time
Contains three previously unreleased songs, plus the Southern soul classic "Bad Girl” (both versions)
Remastered audio
LP housed in a deluxe Kraft board jacket with insert
CD housed in a tube pocket digipak with booklet
Digital mockups are not an exact representation of the colors After reissuing his much sought-after Time and Place LP, many questions still remained (Lee was a mysterious man!) – but the one asked most was, “where’s “Bad Girl”?!” Not included on his lone LP, “Bad Girl” is an undisputed Southern soul classic – arguably the song Lee Moses’ legacy rests on. While we may never know all we wish we knew about the man behind the music, we can finally complete the picture of his work. You know – the tunes! And what tunes they are.

How Much Longer Must I Wait? Singles & Rarities 1965-1972 collects all of Lee Moses’ non-album singles and B-sides, plus three never-released tracks together for the first time ever. Most of the material here pre-dates 1971’s Time and Place, reflecting his initial bid for stardom via a series of now-legendary 45s recorded with Atlanta producer Johnny Brantley. As for the unreleased recordings – much like the man himself, little is known about them. What remains is an oeuvre that has become synonymous with raw and emotionally charged Southern soul. Essential listening for anyone with a heart.

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The Nighthawks

Live In Europe

10,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Crosscut)

Roy Rogers

Blues On The Range

10,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Love Letters Nine Through Six

96 Back

LP | 2021 | EU | Original (Local Action)

11,19 €* 27,99 € -60%

LP | 2023 | EU (Mad Butcher)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Following March's 9696 Dream Mixtape And July's Flex Time Ep, This New Album Sees 96 Back Shine The Spotlight On His Own Vocals For The First Time, At Points (Such As On Lead Single '9 To Find 6') Operating Fully In The Realms Of Experimental Pop. At Other Times, Such As On 'Teach Me Tenderness' And 'Feel Hard', 96 Back Stretches And Processes His Vocals To Almost Breaking Point, While Album Closer 'Melt You' Sees Him Duet With Past Collaborator Iceboy Violet, Ending Love Letters On A Sombre But Romantic Note. That's Not To Say Love Letters Is Fully Removed From The Dancefloor, However: Tracks Like 'Don't Die' And 'Love Compact' Are Precision-Tooled For The Club, While The Likes Of 'Felzin' And 'Vibrant Colours' Continue To Explore The Intricate But Emotive Electronics That 96 Back Has Been So Successful With In The Past. More Varied And Vivid Than Any Of 96 Back's Releases To Date, Love Letters Feels Like A Coming Of Age Moment. It Casts Its Net Incredibly Wide At Points, And It's An Album Full Of Ambition, But It Meets Every Challenge It Sets Itself - As Affecting In Its Quieter, Tender Moments As During Its Dramatic Peaks. In 96 Back's Words: "This Is A Record I Feel Like I've Been Trying To Write For Years, It Feels Like The Most Accurate Body Of Work To Match The Ideas In My Mind. Trying To Project A Lot Of The Records I Hold Very Dear To Me Through This Lens, Interpreting How They Sound To Me And Merging Them With Ideas Of Finding The Drama And Excitement In The Full Spectrum Of Emotions On The Tip Of My Tongue, That's What Ended Up Being Love Letters, Nine Through Six."

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Marcus Pepper Love Revue

11,39 €* 18,99 € -40%

LP | 2021 | CA | Original (Artoffact)

Release: 2023 / EU

Genre: Organic Grooves

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Italian new-Soul act that was formed for the occasion of a Curtis Mayfield Tribute (1 year of his death) in spring 2001. All members previous played in The Orobians, The Cosmics, and The Crashmen Vinyl version of the 2004 released CD.

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Ghost Twin

Love Songs For End Times

11,49 €* 22,99 € -50%

Funky Disco Tracks Of Cloud One (Missing Original Jacket)

Release: 2021 / CA – Original

Genre: Organic Grooves

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The Sophomore Album From Canadian Duo Ghost Twin Brings Pop Hooks, Romantic Ballads, Heavy Anthems And Club Stompers.Four Years After Ghost Twin's Debut For Artoffact Records, The Winnipeg, Canada-Based Duo Returns With Love Songs For End Times, An Album That Promises To Bring Some Much Needed Cathartic Release Through A Prism Of Pop Hooks, Romantic Ballads, Heavy Anthems And Club Stompers. Ghost Twin Explores The Darkness Of Nostalgia On The New Album, Due Out On Artoffact On June 4th, An Approach That Signals A Turning Point For The Band. Karen And Jaimz Asmundson, Longtime Artistic Collaborators And Husband-And-Wife, Take Turns Crooning Fatalistic Lyrics As Elements Of 80s Synthpop, Industrial, German Techno, French House, And A Knack For Writing Earworms, Competing For Your Attention.

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Cloud One

LP | 1978 | US (Queen Constance)

11,89 €* 13,99 € -15%

Release: 1978 / US

Genre: Organic Grooves

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LP | 2023 | US | Original (Color Red)

Dragondeer

If You Got The Blues

11,99 €* 29,99 € -60%

Release: 2023 / US – Original

Genre: Organic Grooves

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Another Side Black Vinyl Edition

Leo Nocentelli

LP | 2021 | US | Original (Light In The Attic)

11,99 €*

Patrick Paige II (The Internet)

Release: 2021 / US – Original

Genre: Organic Grooves

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“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet alongside hand-written lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960’s and early 1970’s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard...Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

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If I Fail Are We Still Cool? Coke Bottle Clear Vinyl Edition

LP | 2021 | EU | Original (Fat Possum)

12,80 €* 20,99 € -39%

Going Back To The Village Of Love

Release: 2021 / EU – Original

Genre: Hip Hop, Organic Grooves

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Limited to 500 copies worldwide.

The solo project of Patrick Paige II, the bass player in the Grammy nominated band The Internet presents If I Fail Are We Still Cool? via Forward and Up Entertainment and Fat Possum.

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Nathaniel Mayer

LP | 1963 | EU | Reissue (Honeypie)

Don't It Make You Feel Funky / I Gotta Be Free

Release: 1963 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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American Rhythm 'n' Blues singer Nathaniel Mayer (1944-2008) is mostly remembered for his raw vocal timbre and for his particularly wild live act. Originally released in 1963 on Detroit based label Fortune Records, "Going Back To The Village Of Love" still sounds like an incredibly explosive hyper-energetic irreverent piece of pure Detroit sound.

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Joe Hicks

7" | 2019 | EU | Reissue (Ace)

Underneath My Feet / Guilty (Cold Version)

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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At last a legal re-release of Joe Hicks’ Northern all-time classic ‘Don’t It Make You Feel Funky’; a record oozing adrenalin and sounding magnificent from the original master tape.

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Lady Wray

7" | 2017 | US | Original (Big Crown)

7" | 2016 | US | Original (Big Crown)

Release: 2017 / US – Original

Genre: Organic Grooves

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Following up on the success of Lady Wray’s solo debut album Queen Alone, we are
proud to give you another 45 offering, this time showing another side of Nicole.
Known worldwide for her early career as a Hip Hop / R&B singer, then more recently
for her more matured Soul inspired writing, the A side of this one “Underneath My
Feet” shows just how hard it is to put Lady Wray in a box. If you haven’t seen her live
show, you may have no idea that she has a healthy bad ass Rock and Roll side to her,
commanding crowds with a raucousness that likens Betty Davis. Underneath My Feet
is a tough blend of glam rock drums and guitar stabs that Nicole takes to like a fish to
water. A self proclaimed voodoo woman, putting a spell on the listener, warning all of
her unbridled power.
The B side is the heart wrenching Guilty, a song Wray wrote to cope with the
incarceration of her brother. One listen and it is impossible to doubt the sincerity,
again showing Cole’s songwriting prowess with imagery of no one to cheers with, and
not wanting to experience the comforts of home knowing her brother was locked up in
a cell. A solid 2 sider showing a different side of Lady Wray than she is typically known
for all wrapped up in a beautiful picture sleeve cover.

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Lady Wray

Smiling / Make Me Over

LP | 2016 | EU | Original (Penniman)

Release: 2016 / US – Original

Genre: Organic Grooves

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Big Crown Records presents the second single “Smiling” from Lady Wray’s “Queen Alone” album. The single is an instant feel good anthem, “Smiling” finds Lady Wray reminding us to keep our heads up and keep a smile on our faces through whatever life deals us. With production from Leon Michels and Thomas Brenneck that rides the line between bubblegum pop and lo fi tough grit, Nicole lays out with a voice as encouraging as the lyrics she is singing. Listeners will be hard pressed not to find themselves singing along after the first listen. A proper good vibe tune guaranteed to move dance floors the world over. The B-side “Make Me Over” is a lushly scored tale of letting your guard down and letting the one who loves you take care of you when you are down and out. A relatable tale of having expensive taste and empty pockets, Nicole finds herself asking for a little help so she can get a break from being strapped for cash promising to take care of her man as soon as her check comes in.

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The Excitements

Breaking The Rule

Release: 2016 / EU – Original

Genre: Organic Grooves

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No Longer Mine B/W Cry My Tears Away

Thee Heart Tones

LP | 2024 | US | Original (Big Crown)

Release: 2024 / US – Original

Genre: Organic Grooves

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Gentle Breeze Red / White Vinyl Edition

Piper

LP | 1983 | US | Reissue (Ship To Shore)

13,04 €* 28,99 € -55%

LP | 2022 | CA | Original (Telephone Explosion)

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Limited to 300 copies.

Piper continues their blend of groove-laden synth-pop funk with an LP so cool that the album cover itself depicts snow-covered scenery, yet is so warm to listen to you’ll believe that you’re at an 80’s themed pool party: Gentle Breeze!

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Badge Epoque Ensemble

Clouds Of Joy

13,19 €* 21,99 € -40%

LP | 2020 | EU | Original (Dackelton)

Release: 2022 / CA – Original

Genre: Organic Grooves

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The Badge Époque Ensemble return to Telephone Explosion Records with a new LP, Clouds of Joy. Featuring three vocal-led compositions, three instrumentals and three choral arrangements, this new album presents the Ensemble’s most ambitious, mature and engaging material to date. Clouds represents a shift from the group’s previous sonic excursions into the worlds of vintage soundtrack grooves and early electric jazz towards a more era-ambiguous, complex and all-encompassing approach to arrangement & production.

Undergoing a major shift of consciousness upon learning that he was expecting twins, BÉE leader Maximilian ‘Twig’ Turnbull found the spark to initiate the album within his reflections upon the nature of human joy. This shift in mindset also helped shape the record from an operational standpoint: Turnbull stepped away from his fixture on keys, leaving all of the musical performance on this record to his cast of collaborators. With Max assuming a more “directorial” approach to production and arrangement à la Barry White, David Axelrod, or Fagen & Becker, this album finds the Badge Époque Ensemble in its most collaborative mode to date. Vocalists Dorothea Paas, James Bailey and guitarist Chris Bezant all have co-writing credits here with Bezant contributing significantly to three compositions, including the album’s title track. The album was mixed collaboratively as well, as another joint effort between Turnbull, Steve Chahley and Tony Price, a trio who have teamed up behind the mixing desk for all previous BÉE albums, as well as U.S. Girls’ Heavy Light LP.

For the most part, the Ensemble on this record is made up of names familiar to anyone following the Badge cosmology: drummer Jay Anderson, bassist Gio Rosati, flautist Alia O’Brien, saxophonist Karen Ng, percussionist Ed Squires and guitarist Chris Bezant, with the new addition of young jazz pianist Edwin De Goeij, a perfect surrogate for Turnbull’s ideas on keys. (This in-demand collection of musicians represent a scattering of key cogs from a clutch of other premium Canadian exports; The Weather Station, Andy Shauf, U.S. Girls & Marker Starling). Clouds’ emphasis on the sound of the human voice finds its perfect outlet in vocal arrangements by labelmate Dorothea Paas and a return from lead vocalist James Baley. Their contributions find compliment by a choir composed of session vocalists, (including singers from Bernice and Bonjay) who come together to provide a series of show-stopping harmonic acrobatics.

Familiar Badge motifs are present through this album’s nine tracks: extended sections of dusty drum & conga breaks, swirling saxophone and flute flourishes, fleet-fingered guitar excursions, hazy Rhodes chords and lashing Clavinet stabs, but where Clouds excels is in its ability to weave tremendous vocal performances and choral arrangements into its dense tapestry of sound. The lilting melodies and multidimensional harmonies on tracks “Conspiring With Nature” and “All Same 2 Each, Each Same 2 All” bear the hallmarks of late sixties baroque AM-radio pop, while James Baley’s ecstatic, Stevie-esque lead vocal performance on “Zodiac” could light up the midnight sky, turning a nearly eight minute jazz-funk instrumental odyssey into a sure-shot dancefloor hit. Lyrically, Turnbull’s interest in an aphoristic spiritual mysticism condenses reflections on the complexity of human emotion into bold, succinct phrases, a quality most clearly communicated on the album’s three choral pieces, “The Greatest Joy”, “Let Breath Be The Sum”, and “Joy Flows” (upon first hearing these works Turnbull’s partner Meg Remy remarked that they sounded like “radio hits on the planet Dune”).

Clouds of Joy comes serendipitously as catalog number Ter0100 - the hundredth release for Telephone Explosion, the rapidly burgeoning Toronto label. It is the group’s third proper full length of five total releases for the imprint in only 4 years. It represents the Ensemble’s most fully realized presentation of a founding vision to create music as human, organic and alive as it is synthesized, produced and designed; music that transcends the notion of linear time, pulling in influences and ideas from the past and taking them far into the future.

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Heen

Steppin' Up

13,19 €* 21,99 € -40%

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Honeypie)

Mar-Keys

Do The Pop-Eye

13,29 €* 13,99 € -5%

LP | 2024 | EU (Primitiv Sounds)

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Here are the fabulous Mar-Keys, the Memphis based group, remembered to be the first house band at Stax Records. A bunch of talented, solid studio musicians who formed the foundation for the legendary Stax sound. Originally issued in early 1962, "Do the Pop-Eye" was the band's second album, a collection of minimal, infectious Soul-Funk-Rock instrumentals. Among the players: guitarist and composer Steve Cropper, bassist Donald “Duck” Dunn and organist Booker T. Jones. Just the right people to lay down the perfect groove for a quintessential album of instrumental music to dance to.

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Screamin' Jay Hawkins

At Home

13,59 €* 16,99 € -20%

Release: 2024 / EU

Genre: Organic Grooves

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LP | 2019 | EU | Original (Rhythm Bomb)

The Jelly Roll Men

Jelly Roll Shuffle

Release: 2019 / EU – Original

Genre: Organic Grooves

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Singles Volume 3 (1960-61)

James Brown

LP | 2021 | EU | Original (Honeypie)

LP | 1988 | EU | Reissue (Cool Cult)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Third installment in James Brown's early singles collections series. Another essential release covering the crucial 1960-1961 time frame, when Brown and his Famous Flames began to define their innovative R&B style especially through the release of the hit album Think!. Needless to add that the album includes immortal tracks such as You've got the Power, I'll go Crazy, Baby you're Right and Think!

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Harry Case

Magic Cat

Release: 1988 / EU – Reissue

Genre: Organic Grooves

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LP | 2019 | EU | Original (Musthave)

Mariama

Love, Sweat And Tears

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (Odion Livingstone)

Grotto

At Last

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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LP | 2024 | EU | Original (Les Disques Du Crochet)

Mosaïque

Tony Scott In South Africa

Release: 2024 / EU – Original

Genre: Organic Grooves

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This electric compilation features Sorg who showcases his house inspiration, Zerolex Trio who continues their journey into the world of jazz-infused club music, Kopow who blends kenyan trap with silky beats by collaborating with Killer Bas, and Flow-er who engages in a funk-imbued discussion. As an exclusive combination of unique and exciting artists, Los Cumbabas will fit perfectly in your summer playlist. It's also an opportunity for the label to unveil Pierre Chiffonnier, our flagship project, involving the sweet melodies of the young duo Poligone.

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Tony Scott

LP | 1957 | EU | Reissue (Honeypie)

LP | 1963 | EU | Reissue (Honeypie)

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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This is the incomparable Tony Scott, one of the greatest American jazz clarinetists of all times caught while touring South Africa in 1957. The album sees Scott joining a local Marabi dance band called Alexandra Dead End Kids and playing live with his jazz quartet in front of hyper-enthusiastic crowds. It's great to hear his masterful clarinet splitting between the penny whistle sound of South African folk tunes and the virtuosity of a real jazz performance. This disc reveals Scott's great versatility, high spirit and deep love for music and people.

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Ike & Tina Turner

It’s Gonna Work Out Fine

LP | 2023 | EU | Original (Talk Noise)

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Originally released on Sue Records in 1963 this was Ike & Tina Turner fourth album, the one that earned them a first grammy nomination and a further step in the consolidation of their international success. Most of the tunes here are highly energetic up-tempo numbers while the whole album comes as the fruit of a unique combination of raw R&B and highly energetic Rock n Roll.

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Computer Jay Feat Orfeo

Cocaine Kisses

14,69 €* 20,99 € -30%

Lonesome In The Moonlight Limited Edition Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Step into a cosmic journey with "Cocaine Kisses," an ethereal album that effortlessly blends spacey synthesizers, moody melodies, and loungey beats. This captivating musical expedition reflects the tumultuous emotions of love and trust issues, resonating with listeners on a profound level. Crafted during a period of personal transformation and isolation brought about by losing management and enduring the trials of quarantine for Covid-19, each track becomes a portal to both introspection and connection. From hauntingly beautiful melodies that mirror the depths of heartache to uplifting rhythms that evoke moments of hope, this album encapsulates the paradoxical nature of human relationships. As the celestial harmonies intertwine, listeners are reminded of the resilience of the human spirit and the power of forging meaningful bonds amidst adversity. Through "Cocaine Kisses," prepare to embark on an otherworldly sonic odyssey that transcends the boundaries of time, welcoming you to a universe where love, loss, and self-discovery collide in a symphony of emotions.

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B.B. & The Blues Shacks

LP | 2024 | EU | Original (Rhythm Bomb)

14,94 €* 22,99 € -35%

Release: 2024 / EU – Original

Genre: Organic Grooves

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OST Petey Wheatstraw - the devil's son-in-law

Nat Dove & The Devils

LP | 1977 | US | Reissue (Generation)

LP | 1972 | US | Reissue (Today)

Release: 1977 / US – Reissue

Genre: Organic Grooves, Soundtracks

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rare blaxploitation soundtrack album

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Madhouse

Serve 'em

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Cecil Holmes Soulful Sounds

Music for soulful lovers

LP | 1973 | US | Reissue (Buddah)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Hugh Brodie And The Real Thing

LP | 1975 | US | Reissue (Kheba)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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7" | 1988 | EU | Original (Jimmy's Production)

Cousin Brown

Sex's Machine

Release: 1988 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Honeypie)

Aretha Franklin

Singles 1960-62

Everybody Needs Lovin, Nows The Time / Hey Look At Me

Release: 2021 / EU – Original

Genre: Organic Grooves

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A fantastic collection focusing on Aretha Franklin hits from the period 1960-62. That's when she started to gain fame as a unique and powerful singer who later became world-known as the Queen of Soul. A great selection of songs full of all the essential ingredients that will inform the development of Soul, Gospel and R&B. The perfect introduction to the spirit and art of the unforgettable Lady Soul.

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Jelly

7" | 1978 | EU | Reissue (Fantasy Love)

September Jones / Pied Piper Players

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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In the Spring of 1978, Aaron McCarthy Jr, a.k.a. ‘Jelly’ was invited to Miami by local producer, Thomas Fundora to assist Herman Kelly with his forthcoming album, ‘Percussion Explosion!’. Herman, who was studying at the University of Miami at the time, had met Jelly whilst studying Music Theory together at Henry Ford Community College in Detroit. Both Detroit natives, Jelly had founded the group the Soulful Sonics, later to be known as Pure Pleasure whilst Herman transferred to Miami. The group Life consisted of Jelly on Vocals, Percussion & arrangement, Oliver Wells on Keys, John DeMonica on Bass, Michal Cordoza on, Guitar, Travis Biggs on Horn Arrangements and Keys. ‘Percussion Explosion!’, which included the infamous ‘Dance To The Drummer Beat’, was recorded at ‘Miami Sound Studios’, as a forthcoming release on Fundora’s Electric Cat label, distributed by RCA. On reviewing which tracks made the album, there was a track recorded during those sessions that Herman decided to leave out, a song Oliver Wells had been working on and completed once Jelly arrived called ‘Everybody Needs Lovin, Now’s The Time’. Originally known as ‘Now’s The Time’, Jelly finalised the lyrics and arrangement and cut a deal with Fundora to transfer the master for an independent release on a joint label ‘fu-ja’, made up of FU (Fundora) & JA (Jelly). Jelly had started performing professionally after joining the Navy in 1970. Stationed at Naval Air Station Glynco in Brunswick Georgia, he was part of the Navy band as well as working the clubs with local groups. ‘Hey Look At Me’ was written whilst in boot camp, a song that when he performed & won with at a Whcb talent show upon returning to Detroit. The song was recorded using a 4 track in 1976 at Richard Wells Studio, Detroit. During the late 70s, Jelly was pursuing a successful career in music locally in Detroit by hiring spaces and hosting cabarets. A graduate of local teacher & Motown Orchestra player Ernie Rodgers, Jelly would hire musicians from his class to perform with him at these events. The majority of players who would become Jelly’s group, ‘Skybirst’. Both ‘Hey Look At Me’ & ‘Everybody Needs Lovin, Now’s The Time’ were mastered by Greg Reilly at Super Disc in Detroit and sent to Nashville to get pressed as a quantity of 200. Jelly released his single in July of 1978 as part of a show he had lined up at ‘Mr Kelley’s Lounge’, an exclusive venue in downtown Detroit. Fast forward 30+ years, Jelly was reminded about this single after Brad Hales of Peoples Records played this track at a European Soul Weekender that, needlessly to say, saw a regained interest in this elusive single. Jelly’s currently working on his biography so be sure to look out for that, it’s a pleasure to be able to present to you these two timeless tracks.

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Chink A Chank Baby / That's What Love Is

7" | 2019 | EU | Original (Ace)

Release: 2019 / EU – Original

Genre: Organic Grooves

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7" | 2018 | US | Original (Soul Sauce)

The Zone Identity

Soul Food / Melting Pot

Times Three / Before It's Over

Release: 2018 / US – Original

Genre: Organic Grooves

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Fraternity Music Group is not messing around with the latest release on its Soul Sauce imprint. Featuring newly recorded covers of two drum-heavy breakbeat classics, this could pass for a long-lost outtake from 1972 but knocks just as hard as anything out now. Frankie Seay's "Soul Food" is a ridiculously rare Floridian funk cut that The Zone Identity—featuring leader J-Zone on drums with Ray May on congas and Ed Littman and Bennett Paster from The U.B.'S—really digs into, massive intro drumbreak and all. The flip, a take on the Booker T classic "Melting Pot" (with a percussive nod to the Boris Gardiner arrangement), has already been tested with the b-boys and received the highest accolades. Once again, a powerful double-sider that will be an essential addition to the funky DJ's box.

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Arabi

7" | 1977 | US | Reissue (Fraternity)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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High And Tight / Standing On Mars

Manzel

7" | 2017 | US | Original (Fraternity)

Funk-I-Tus / Let The Music Take Your Mind

Release: 2017 / US – Original

Genre: Organic Grooves

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Nearly 40 years after releasing two of the greatest funk 7-inches of all time, the breakbeat masterpieces "Space Funk" and "Midnight Theme," the legendary Manzel is back on Fraternity Records with another sureshot double-sider. Originally comprised of Manzel Bush on keys, Larry VanDyke on guitar and late Steve Garner on drums, the 2017 incarnation of the group adds powerhouse Jay Mumford, p.k.a. J-Zone, in the drum chair and is lean and funky as ever. "High And Tight" is a classic party jam, complete with chanted vocals and a couple drum breaks that establish the new man in the trio is no joke on the skins. "Standing On Mars" continues the favored space-related vibe of Manzel's past releases, an uptempo jazzy instrumental dancefloor mover that simply cooks, with Manzel doing double duty on electric piano and organ.

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The Zone Identity

7" | 2017 | US | Original (Fraternity)

7" | 2016 | US | Original (Fraternity)

Release: 2017 / US – Original

Genre: Organic Grooves

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In name, The Zone Identity sounds like a long forgotten band comprised of college students from the age of psychedelia that released one obscure 45 that lives on with a mortgage-busting price tag. It’s about 50 years too late for a story that cool – The Zone Identity is just the latest musical endeavor from producer, drummer, DJ, writer, multi-instrumentalist, (occasional) MC and music industry outsider, J-Zone.

After the unexpected cult success of The Du-Rites, J-Zone’s 2016 funk offering with guitarist Pablo Martin, the New York native follows with a different take on the funk for the inaugural offering of The Zone Identity. Working with a wide array of different musicians with different backgrounds for The Zone Identity makes for a more funk-jazz-inspired and solo driven take on J-Zone’s trademark drums and production. This debut 7” features jazz guitarist Ed Littman and Hammond B-3 organist Bennett Paster from Fraternity Music Group house band, The U.B.'s, as well as J-Zone’s go-to percussionist, Ray May, on congas. Littman and J-Zone split the bass playing duties. An avid funk 45 collector, J-Zone uses both sides of the release to pay homage to his musical heroes and favorite records with a spin on two of his favorite tunes. While the A-Side re-works “Funk-I-Tus,” an obscure late ‘60s offering from L.A.-based Warm Excursion, the b-side will be more familiar with its nod to “Let The Music Take Your Mind,” an early hit for J-Zone’s favorite band, Kool and the Gang. The original story is more exciting, but the reality is easier to believe. It’s also cheaper.

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Fenoms

Shakem / Mile 187

Food Stamps / How Do I Know Green Vinyl Edition

Release: 2016 / US – Original

Genre: Organic Grooves

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The Fenoms return to burn on Fraternity with a pair of hard-edged, break-heavy instrumental jams. "Shakem" on the A-side marries a classic b-boy get-down drum and bass groove with an exotic horn line that touches on vintage Ethiopian funk. Throw in some bongos and wah-wah guitar and you've got a dancefloor sureshot. "Mile 187" on the flip goes hard as well, with a fuzz guitar riff that adds a psych feel to the proceedings. An eerie synth lead sneaks in like a nastier Funky Worm, all leading to another crushing drum break. Another killer double-sider from Fraternity Music Group and the funky Fenoms!

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Leaf

7" | 1982 | US | Reissue (Fraternity)

Release: 1982 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Music Merchant)

The Smith Connection

Under My Wings

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Lalo Schifrin

OST Sol Madrid

LP | US | Reissue (MGM)

Release: US – Reissue

Genre: Organic Grooves, Soundtracks

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Fused jazz - a collection

Oliver Sain

LP | 1983 | US | Original (AVI)

Release: 1983 / US – Original

Genre: Organic Grooves

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Country Boy (Mr. Funkees)

Harry Mosco

LP | 1978 | EU | Reissue (PMG)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Don't let the floppy hat and rolling English countryside on the cover fool you. Harry Mosco's Country Boy is a certified floor-filler, bursting with Studio 54 era disco-funk as well as a token reggae monster, complete with its own dub version. Harry Mosco always had swagger. A founding member of The Funkees, he'd stride out on stage in tight pants and dark sunglasses, commanding the attention of a population distracted by war. When The Funkees split in London, it was clear that his star would rise the fastest. Released in 1978 by fledgling Taretone label, Country Boy went on to become one of the best-selling Nigerian records of all time. The first few bars of ‘It's Too Late' are guaranteed to get on the dance floor. Sam El'Salahi's slinky bassline on ‘I Feel Funky' will keep you there. And ‘Harry's Party' is a celebration you never want to end. The title track, and its dub doppleganger, are a reggae-tinged chance to catch your breath, before ‘The Wanderer' drags you back on the dancefloor until the house lights come on. Grab this PMG re-issue and enjoy the sweat and the swagger of Harry Mosco in his pomp all over again.

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It's Christmas Time Again

LP | 1982 | US | Reissue (Stax)

Release: 1982 / US – Reissue

Genre: Organic Grooves

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LP | 1981 | US | Reissue (Liberty)

Dayton

Cutie pie

Release: 1981 / US – Reissue

Genre: Organic Grooves

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LP | 1970 | US | Reissue (RCA)

New Birth

The new birth

Release: 1970 / US – Reissue

Genre: Organic Grooves

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LP | 1973 | US | Reissue (Fantasy)

Natural Essence

In search of happiness

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Cecil Holmes Soulful Sounds

The black motion picture experience

LP | 1973 | US | Reissue (Buddah)

LP | 1973 | US | Reissue (Perception)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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super fly, shaft, trouble man ... sampled by Brand Nubian

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Tyrone Washington

Roots

LP | 2013 | EU | Original (Favorite)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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used by Krs One for 'sound of the police'

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Trevor & Lisa

Clap N Hustle

Turn Back The Hands Of Time

Release: 2013 / EU – Original

Genre: Organic Grooves

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14 tracks feat. Raashan Ahmad, The Real Fake MC, Jehro & others!

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Tyrone Davis

LP | 1970 | US | Reissue (Dakar)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Just Another Way To Say I Love You

Barry White

LP | 1975 | US | Reissue (20th Century)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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LP | 1975 | US | Reissue (Handshake)

Revelation

Release: 1975 / US – Reissue

Genre: Organic Grooves

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LP | US | Reissue (Prestige)

Esther Marrow

Sister woman

Release: US – Reissue

Genre: Organic Grooves

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LP | US | Reissue (Weird World)

Blowfly

On Tour

Release: US – Reissue

Genre: Organic Grooves

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LP | 1970 | US | Reissue (Brunswick)

Hysear Don Walker

Complete expressions

Release: 1970 / US – Reissue

Genre: Organic Grooves

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LP | 1970 | US | Reissue (RCA)

Carolyn Franklin

Chain reaction

Release: 1970 / US – Reissue

Genre: Organic Grooves

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LP | 2022 | EU | Original (Laserlight Digital)

Sam Cooke

King Of Soul

Release: 2022 / EU – Original

Genre: Organic Grooves

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Dr. Orlando Owoh And His Young Kenneries Band Black Vinyl Edition

Dr. Orlando Owoh

LP | 2023 | US | Original (Tidal Waves Music)

14,99 €* 19,99 € -25%

Release: 2023 / US – Original

Genre: Organic Grooves

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A household name in Nigeria, Dr. Orlando Owoh enjoyed a durable popularity that has cut across generational lines in his home country and beyond. Leading groups such as the Omimah Band and the Young Kenneries, Owoh remained popular even as Nigerian tastes shifted to the newer Juju and Fuji styles! Before this transition, the hot style in Nigeria and Ghana was called Highlife. It developed from a traditional Yoruba genre called “palm wine music”, overlaid with danceable guitar rhythms, and, in the hands of many musicians, it also contained a strong element of Trinidadian calypso. Owoh combined this aesthetic with a traditionalist spin on things to make his own brand of excellent sound. His story, like that of many musicians, is a progressive journey in which we can see his choice in musical trends shaping in response to the events in his life. He travelled far in the music world before his passing in 2008 and is remembered to this day even outside of his devoted Nigerian fans. Dr. Orlando Owoh left us with a musical legacy spanning over forty years and he became one of the leading proponents of highlife music with over 45 classic albums to his name, including many hit singles. Owoh played drums and sang with the Kola Ogunmola Theatre Group (one of the most prominent ensembles in the country) when Queen Elizabeth visited Ibadan, Nigeria, in 1956. Performing with several bands, Owoh realized that music in West Africa was developing in a new direction and started taking lessons on the electric guitar. Owoh notched several hits in Nigeria in the 1960s, but his career was slowed between 1967 and 1970 by the country’s civil war. Owoh fought for the Nigerian government against the country’s Biafran rebels. After the war he recorded a major hit called “Oriki Ilu Oke,” and his fame spread to Nigerian expatriate communities. In 1972 he played in London, England and went on to play shows for large audiences featuring South African legend Miriam Makeba. After receiving a doctorate degree in music he was known as Dr. Orlando Owoh. In Owoh’s music, the sophisticated Caribbean-style horn arrangements of Highlife were deemphasized in favor of Owoh’s guttural voice, guitar, percussion, and down-to-earth lyrics. Owoh’s grassroots take on Highlife music and provocative lyrics led him into political realms in the turbulent Nigeria of the 1980s. Orlando Owoh entered each of his decades of performing with his prowess and popularity undiminished. Heard today, his music sounds distinctly more traditional than that of other Highlife bands and strongly evokes the music’s rootsier base. He also generally remained true to the small guitar-band format of Highlife, rather than adapting his style to the huge, kinetic ensembles. He sang mostly in Yoruba, but recorded music in English on occasion. His recordings, like those of other African musicians, consisted of long, dance-suitable medleys of connected pieces; they gave only a small slice of what would occur during an actual Owoh performance, which might last all night. Dr. Orlando Owoh left his mark on the world in multiple ways. To Nigerians and Ghanaians, he will not be forgotten for his contributions to their culture, and his reinvention of existing genres and trends. To the political world, he will not be forgotten for how he stood against the establishment. And of course to the music world, he will never be forgotten for how he united the planet under songs that Africa should be proud of. Like a proud canary, his songs elevated the world to a height that can never leave us. The album we are presenting you today (Dr. Orlando Owoh And His Young Kenneries from 1977) comes swinging right out of the gate with a set of no less than Nine monster tunes. Expect nothing less than some of the best traditional Juju, Yoruba and highlife tracks that will leave you captivated from start to end. This is a quintessential record that every serious collector or fan needs to have in his/her collection. Originally released in 1977 on Decca Records Nigeria, Tidal Waves Music now proudly presents the first official reissue of this seminal album. This is also the first time the album is being released outside of the African continent. This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip and featuring the original artwork.

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Rip It Up: The Best Of Specialty Records

LP | 2021 | EU | Original (Craft)

15,59 €* 25,99 € -40%

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2023 | UK | Original (Fallen Tree - 1 Hundred)

Searchlight

15,74 €* 20,99 € -25%

Release: 2023 / UK – Original

Genre: Organic Grooves

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At Last! Orange Vinyl Edition

Etta James

LP | 1961 | EU | Reissue (Dol)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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2LP | 2021 | EU | Original (Decca)

Diana Ross

Thank You

Release: 2021 / EU – Original

Genre: Organic Grooves

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Original Grooves: Ella In Berlin: Mack The Knife / Summertime Record Store Day 2021 Edition

Ella Fitzgerald

LP | 1960 | EU | Reissue

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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The Lost Tapes Volume 1 Black Vinyl Edition

Tony Cook

LP | 2021 | EU | Original (Happy Milf)

LP | 1961 | US | Reissue (Tamla)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Happy Milf Records are proud to present Tony Cook’s The Lost Tapes Vol. 1, a 4 track EP, consisting of all original Modern Funk/Proto-House previously unreleased songs. The legendary Tony Cook, one of the most influential artists of Funk music, and James Brown’s drummer, has produced many great records since the early 80’s, from Boogie, Electro Funk, and House Music. This EP showcases the versatility of Tony Cook’s creative repertoire and is a testament to his very unique style of production.

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Miracles

Hi We're The Miracles

15,99 €* 19,99 € -20%

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 2019 | US | Original (Peoples Potential Unlimited)

Wool & The Pants

Wool In The Pool

Release: 2019 / US – Original

Genre: Organic Grooves

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Trapped (Sixteen R'n'B And Early Soul Stompers)

LP | 2014 | EU (Pancho)

LP | 1973 | US | Original (Aware)

Release: 2014 / EU

Genre: Organic Grooves

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Repress! Sixteen never-before-reissued R'n'B and early soul stompers, compiled by Jordi Duro. Killer!

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The Counts

Love Sign

Release: 1973 / US – Original

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Paula)

Montclairs

Dreaming Out Of Season

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Pain In My Heart Gatefoldsleeve Edition

Otis Redding

LP | 2018 | EU | Original (Dol)

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 1974 | US | Reissue (UA)

Bobby Womack

Lookin' for a love again

Afro Latin Vintage Orchestra

Release: 1974 / US – Reissue

Genre: Organic Grooves

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10 tracks ... sampled by EPMD

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Morpheus

LP | 2017 | EU | Original (Officehome)