Funk | Soul 645 Items

Release: 2022 / UK – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Soul Has No Tempo)

Laneous

Monstera Deliciosa

Waiting On The Sidelines / You Can Count On Me

Release: 2019 / EU – Original

Genre: Organic Grooves

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“A genius” - Nai Palm (Hiatus Kaiyote)
“One of the most incredible live performances I’ve seen” - Gilles Peterson (BBC)
“He's like a human centipede sewn out of all the greatest musicians from the past 80 years’” - Liam Pieper

Emerging from Brisbane’s music-art bohemian West End in 2008, self-taught, prodigious musician Lachlan Mitchell aka Laneous, began his eclectic and colourful journey in music as the leading member of funk band KAFKA, stamping his trademark falsetto croon on an Australian music landscape that wasn’t quite ready for an artist whose standout influence was D’Angelo’s ‘Voodoo’. Word of their talent soon reached UK’s perennial tastemaker Gilles Peterson who featured the band on his compilation, Brownswood Bubblers Four alongside other breakthrough acts at the time, Mayer Hawthorne, Floating Points and Lone. A world-class guitarist, vocalist, composer, visual artist and – significantly - muse, Mitchell’s unique ability to shine, create and inspire across genres was his obvious forte, even then. Regularly sought after to provide features for other bands and cover art for Hiatus Kaiyote albums Tawk Tomahawk and Choose Your Weapon, he worked diligently to support his community. But while Hiatus’ Nai Palm told media Laneous was “a genius” he often credited music and drawings to pseudonyms.

In 2016, after 8 years of humbly dominating the Australian underground art, soul and jazz scene [with ‘mutant-soul/croon punk’ cult group Laneous & The Family Yah, reggae band Kooii and improv-jazz-beat trio, Vulture Street Tape Gang] Mitchell relocated to Melbourne - a move that would instigate and inspire the long-awaited debut solo LANEOUS record that fans and peers had been craving for nearly a decade. Excited to create new music with an artist they’d previously referenced as an inspiration, Paul Bender and Simon Mavin (Hiatus Kaiyote) came on board swiftly, joined by Hudson Whitlock (Cactus Channel) on drums and Donny Stewart (Jazz Party) on vibraphone and flugelhorn - a key element in bringing Mitchell’s vision of an exotica/soul infused album to life. In classic Laneous fashion, the musical references for the record run deep, winding through an eclectic array of artists from Martin Denny, Burt Bacharach and The Beach Boys to Shuggie Otis, Wild Cookie and Wu-Tang.

The debut single Modern Romance was unleashed in October 2018 with a kinky, captivating visual accompaniment that marked the return of the Laneous legacy. After selling out the Melbourne launch of the single, the band was invited to headline Gilles Peterson’s Worldwide FM x Northside Records live Melbourne broadcast, teasing exclusive album cuts and drawing high praise from Peterson, stating it was “..one of the most incredible live performances I’ve seen’.

Out May 10 via Soul Has No Tempo, Mitchell’s MONSTERA DELICIOSA stands as a sublime genre work, peerless in Australia - his magnum opus bears the name that’s backed him from day one:

LANEOUS.

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Lee Fields

7" | 2023 | US | Original (Daptone)

LP | 2024 | Original (Coast to Coast)

Release: 2023 / US – Original

Genre: Organic Grooves

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Since the release of the Sentimental Fool, Lee Fields has been touring relentlessly, playing to capacity crowds all across the US & EY with the drive and determination of an artist a fraction of his age. The fruits of which have culmi-nated in his song "Forever" being featured in 2023's top rated Super Bowl commercial, further solidifying Lee as the king of soul. In keeping with the momentum it is our pleasure to announce the release of his brand new single "Waiting on the Sidelines". Written by Thomas 'tnt' Brenneck (msb, Charles Bradley, Diamond West Records) this beat-ballad grooves low and slow, giving Lee ample room to unleash a heart-breakingly soulful display of vocal acrobatics - an absolute must-have for fans of the Penrose sound. On the flip you'll find "You Can Count On Me", an in demand, upbeat moover previously only available on a limited edition 12" EP. Now bow to the king!

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Leif De Leeuw

Mighty Fine

30,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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Another Side Black Vinyl Edition

Leo Nocentelli

LP | 2021 | US | Original (Light In The Attic)

LP | 1978 | UK | Reissue (Expansion)

Release: 2021 / US – Original

Genre: Organic Grooves

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“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet alongside hand-written lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960’s and early 1970’s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard...Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

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Leo's Sunshipp

We Need Each Other

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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Heartbreak / Cut Both Ways

Leon Dinero

7" | 2024 | US | Original (Daptone)

Release: 2024 / US – Original

Genre: Organic Grooves

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Why I Came To California / Rockin' You Eternally

Leon Ware

7" | 2015 | UK | Original (Expansion)

10,99 €*

LP | 1975 | UK | Reissue (Acid Jazz)

Release: 2015 / UK – Original

Genre: Organic Grooves

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2 of Leons signature tracks on a handy 7" donut!

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Leroy Hutson

Hutson

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Reverie Black Vinyl Edition

Les Imprimes

LP | 2023 | US | Original (Big Crown)

LP+CD | 2015 | EU | Original (Schema)

Release: 2023 / US – Original

Genre: Organic Grooves

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Big Crown Records is proud to present the debut full length offering from Les Imprimés, Rêverie. The stirring and ethereal sounds of Les Imprimés have been making fans of anyone who hears them since their first 7" single hit the speakers. Morten Martens is the man behind the band. Born, raised, and working in Kristiansand, Norway, he keeps a low prole while making his heart felt, highly infectious, and unique music. This album is a long time coming for Martens and it is sure to make him a name to be reckoned with. The first thing you notice listening to Les Imprimés is the high level of musician-ship. Martens plays nearly every instrument on the recordings and handles the production and arranging. He has been making records for decades, winning a Spellemann Award (aka, the Norwegian Grammy) in 2006 for producing a HipHop album as well as getting nominations across three other genres. While awards and accolades speak to the level of his talent, this new album really shows who he is an artist on his own terms. Moving away from being a hired gun on the touring scene naturally led him to start doing more studio work. Slowly collecting gear and getting more experi-ence behind the boards he built his own studio on the island of Odderoya and was making a living playing with and recording other people's music. As the story goes, after those sessions would end he would work on his own project into the wee hours of the night. From these late night sessions, Les Imprimés was born and Rêverie began to take shape. However, "it wasn't until COVID, when things locked down, that I was really able to nd the time to focus on Les Imprimés" Morten says about creating and leading his own solo project. "It was a scary time. But I knew I had to do something with it." He took the sum of his inuences, combined them with his own vibe and got busy writing the music, playing the instruments, and singing the songs. "It's soul music, but I don't exactly have the soul voice," Morten explains humbly. "But I do it my own way, in a way that's mine. "It is his sound, his fingerprint, his sensibility, that makes his music hard to put in a box. The album showcases both Martens' range and his ability to make a cohesive album. The lead single "Falling Away" starts with a raw drum break and turns into a lushly arranged tune that paints the picture of love when it slips away. On "Still Here" he professes his resilience through life's twists and turns over a thundering track that puts a new spin on the B side ballad genre. Songs like "You" and "Our Love" mix tones from 60s and 70s Soul with arrangement nods to Doo Wop records while Martens' lyrics and delivery leave you singing the melodies long after they finish. "Love & Flowers" finds Martens in a moment of clarity with a song that ts the niche sub genre of happy break up tunes, the four on the floor track will move the dancefloor or while the message will resonate with anyone who put too much effort into the wrong situation in their lives. However, it is songs like "Muse" and "Chess" that really encapsulate the uniqueness of Les Imprimés as they push the boundaries of genre, one a profession of love for music and the other a cover of an electronic record respectively. Martens' lyrics, emotion, and delivery truly make the whole thing come together and stand out from any of his peers. There's an infectiousness and a pop sensibility in the writing that is done with the utmost class and taste giving Les Imprimés the rare quality of immediate attraction that only deepens the more you listen.

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Lesiman

Here & Now Volume 2

Lester Tipton / Edward Hamilton & The Arabians

Release: 2015 / EU – Original

Genre: Organic Grooves

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Funky and abstract atmospheres, dark and dramatic moments, exotic solutions and soul
drifts - everything contributes to create a unique music soundscape - 70s library music by
the Italian soundtrack composer Paolo Renosto, who released his library music
compositions under the alias "Lesiman".

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This Won't Change / Baby Don't You Weep

7" | 2019 | EU | Original (Deptford Northern Soul Club)

Release: 2019 / EU – Original

Genre: Organic Grooves

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In The Music......The Village Never Ends

Letta Mbulu

LP | 1983 | UK | Reissue (Be With)

Please Love Me / On My Mind

Release: 1983 / UK – Reissue

Genre: Organic Grooves

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Originally released in South Africa in 1983, In The Music......The Village Never Ends is one of those holy-grail African records that barely needs any introduction. Featuring the enormous 'Nomalizo', it's a record that aficionados around the world have been waiting many years for. Now, Be With Records proudly presents the hugely anticipated vinyl reissue of this bonafied classic.

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Liam Bailey

7" | 2012 | US | Original (Truth & Soul)

9,99 €*

7" | 2024 | UK | Original (Fantasy Love)

Release: 2012 / US – Original

Genre: Organic Grooves

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Truth & Soul is proud to release the second single from uber-talented UK artist Liam Bailey.

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Liason

Life / Disco Party

Rooster Blues Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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Introducing the limited 7" re-release of the single by the legendary Bay Area group, Liason. Led by Morris 'Skid' Clay, Liason made their mark on the music scene with their distinctive sound and unforgettable performances. Recorded at Freeway Studios in Oakland back in 1977, this single captures the essence of the era and the spirit of the band.
Originally released on their independent imprint, 'A.L.C.' - named after three of the group's members astrological signs: Aquarius, Libra, and Capricorn - this single quickly became a cherished gem among fans and collectors alike. Now, decades later, it's being brought back to life for a whole new generation to enjoy.

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Lightnin' Slim

LP | 1960 | EU | Reissue (Blues Joint)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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12" | 2022 | US | Original (Albina Music Trust)

Lights Out

25,99 €*

2LP | 2024 | EU | Original (Enchante)

Release: 2022 / US – Original

Genre: Organic Grooves

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"There was no internet, no cell phones. We didn't have streaming services, cable television, or even VCRs. People in Portland were out to see music seven nights a week"

In 1982, it seemed club nightlife in downtown Portland had reached its zenith. Musicians could make a living in a multitude of clubs throughout the city. And they made music on their own terms. Calvin Walker's recollection above speaks to the sovereignty of an independent community devoid of the recording industry's bottom line.

Lights Out gained traction when Pleasure wasn't in the studio or on the road. They were led by Pleasure's trumpeter Tony Collins, whose agenda involved prodding his group with gnarled fusion covers, complex horn arrangements, and masterful wardrobe flexing. "We wanted to be better at what we did," claims Collins. "Everybody grew."

But even with platinum level players holding recording contracts a la Fantasy Records, Lights Out struggled to find bookings in Portland's white-owned club circuit. "There were rules to these things and you had to play by them," remembers Walker. "They had to push up against that."

"I remember it being tough to get this band booked on the West side of the Willamette River back then," remembers bassist John Mazzocco. "When Peter Mott at Last Hurrah called to book us on a Tuesday, I was elated."

Knee-deep in the jazz fusion sound made popular throughout the city, Lights Out soon evolved into a synthesizer-fueled funk group fronted by vocalist Andy Stokes and featuring guitarist Greg "Gee Mack" Dalton. It's this era of Lights Out that made converts of the haters and annihilated 800-capacity dancefloors. It’s this era of Lights Out that is being celebrated on this release.

Recorded in 1982 at Wave Sound Studios - a facility that housed local punk acts such as The Wipers and The Rats - the material on this LP was intended as a demo for Solar Records. As a touring trumpeter for The Whispers, Collins was to pass the reel up the chain. When Solar fumbled it, Collins and Dalton left Portland for Los Angeles signaling the end of the group.

Forty years later, the legacy of this canonical Stumptown act has been remembered in devastating detail. The vinyl package includes a 12-page booklet of the band's oral history and deluxe archival photography. With tape restoration and mastering by Gus Elg, this painfully obscure recording has been waxed and buffed by one of the reissue industry's greatest.

Lights Out personnel have since made waves beyond the Pacific Northwest. Collins founded NDN Records in Atlanta. Andy Stokes has received the Grammy nod, releasing singles with Snoop Dogg and Battlecat. John Mazzocco toured with John Lee Hooker and was recently inducted into the Oregon Music Hall Of Fame. Damian Dillon went on to a successful radio career in Germany. And Greg Dalton has sessioned relentlessly, working with everyone from Patrice Rushen to Kamasi Washington to Tupac.

As Stokes puts it, "Being in this band gave me the strength to branch out. You don’t just do that by yourself. You have a family. This a family.” credits released July 15, 2022

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Linda Lee Hopkins

Spirit & Soul

42,99 €*

Little Ann / The Turn Arounds

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Linda, you already know her, without really knowing her. Because in 2002, she piloted The beat goes on, DJ Bob Sinclar's house hit. because she directed Gospel pour 100 voix, an XXL choir that filled Bercy several times. It's a big difference, in keeping with the way she embraces music: a matter of emotions and feeling, not labels. A deep love that goes back to the childhood of this American native of North Carolina. When her father's amateur gospel group rehearsed at home, when the microphone was a hairbrush in front of a mirror reflecting a little girl imitating Aretha, Otis and Michael. As a young adult, winning a singing contest in a Pennsylvania club gave her confidence. Linda is gifted at embodying songs and drawing audiences along with her. Word of mouth opened doors for her. Under her spell, several bands recruited her in the seventies, until she set up her own band in 1980. And then she was hired by a musical that ran for several years in Atlantic City. A few years on the Caribbean island of Saint-Martin followed, before a guardian angel extricated her from a nightlife that was beginning to burn her wings. Off to Paris. In June 1991, Linda settled in for good. A godsend for France, its studios and touring artists. Nino Ferrer, Bernard Lavilliers, Gloria Gaynor, Percy Sledge, Ray Charles and many others called on Linda's expertise. As did Ben l'Oncle Soul in 2013 for Hallelujah!!! (J'ai tant besoin de toi), the lead single from his second album "À Coup de Rêves". Ben knew that this treasure of a voice deserved a new light. He introduced her to his great guitarist & accomplice Christophe Lardeau. The collaboration is immediately crystal-clear, naturally fruitful, and the compositions are deep and meaningful. For the first time, Linda has her own album. Drawing on the rich roots of Afro-American music and her own personal experience, "Spirit & Soul" encapsulates all the vitality of a hidden gem that we are at last truly discovering. With a repertoire like this, upcoming concerts promise to be particularly intense moments.

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Deep Shadows / Stay Away

7" | 2015 | UK | Original (Deep Soul)

Release: 2015 / UK – Original

Genre: Organic Grooves

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Little Barrie & Malcolm Catto

Quatermass Seven

LP | 2020 | US | Original (Madlib Invazion)

25,99 €*

7" | 2023 | US | Original (Dynamite Cuts)

Release: 2020 / US – Original

Genre: Organic Grooves

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Little Barrie And Malcolm Catto Team Up For Seven Tracks Of Breaks And Sci-Fi Fuzz For Maverick Producer Madlib's Label

Quatermass Seven, the meeting of minds between guitarist Barrie Cadogan, bassist Lewis Wharton and drummer Malcolm Catto represents a re-birth of sorts for Little Barrie, with these their first recordings since 2017’s Death Express and the untimely passing of their gifted drummer and friend Virgil Howe. As Lewis explains, the sessions played a part in the healing process, a way to re-connect through music without any intentions to necessarily come away with a finished record. “It was good to get in the studio again after such a long break especially as we didn’t go in with any agenda or expectations,” he explains. There was no preconceptions that we would make a new Little Barrie record, it was just an opportunity to work on some things Barrie had written for fun with zero pressure.” With most tracks recorded live with minimal overdubs, and produced by Malcolm at his Quatermass studios, The Heliocentrics’ main man brings new flavour to the band’s rhythm section by blending his power behind the drum kit and his expansive skills behind the mixing desk to take Little Barrie’s music forward into new territories. Recorded on Catto’s treasure trove of analogue gear, and mastered onto ¼” tape, the overall effect is guitar, bass and drums finding a sweet spot where genres collide, delivering a record that takes the influences of the past and pushes them towards somewhere more contemporary. “I definitely hear in Barrie’s songs a lot of common musical ground’” explains Malcolm. “It felt like a great thing to do, work with Malcolm while we’re figuring out what we wanna do,” Barrie concludes, “let’s just go in and do some playing and see what happens, and we came out with more than we ever intended.” Quatermass Seven delivers a dark, deep and expansive set of grooves, layered with frazzled and flawless guitar and flowing melodies, as well as pointing toward a future of exciting new musical opportunities. “Still here, so fine, just a little darker state of mind” sings Cadogan on ‘Steel Drum’, words which sum up hope in times of uncertainty, whilst unintentionally offering a perfect description of Quartermass Seven.

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Little Beaver

Concrete Jungle

London Is The Place For Me

Release: 2023 / US – Original

Genre: Organic Grooves

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Dynamite cuts 45s series is proud to release this classic rare groove dancer by the one and only Little Beaver. "Concrete Jungle" & "I Just love the way you do your thing" both taken from the "When was the last time" album and first time on 7" vinyl. The iconic sleeves and release are now added the our amazing 7" series of Muiscal delights

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Volume 5: Latin, Jazz, Calypso & Highlife From Young Black London

2LP | 2013 | UK | Original (Honest Jon's)

LP | 2021 | UK | Original (Hyperdub)

Release: 2013 / UK – Original

Genre: Organic Grooves

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As then, calypso carries the swing. There are four more Lord Kitchener songs — in consideration of his wife leaving him for a GI, cricket umpires, a fling onboard an ocean-liner and West Indian poultry — besides a hot mambo cash-in, cross-bred under his supervision, and an uproarious, teasing Ghanaian tribute to him in Fanti by London visitors The Quavers.
Other calypsos range compellingly from the devaluation of the pound through jiu jitsu, big rubbery instruments, football fans, heavyweight champ Joe Louis and the sexual allure of English women police. The Mighty Terror contributes the woe-begotten, cautionary tale of his beloved Patricia's change of heart: 'I cannot believe, not for one moment / She gone with Millicent... / You may think I am jocular / But this really happened in Manchester / I felt so ashamed, my friends laughed at me / I had to take a train for London city.'
Ambrose Campbell is back, with six more shots of prodigal, limber, melancholic, visionary West African highlife. Also the Rolling Stones' favourite Ginger Johnson, with a percussive Latin scorcher; and Mona Baptiste, with some wonderful, soulful exotica.
Jamaican mento makes its first entry in the series, with a brace by Tony Johnson: a drily witty drinking-song, and a love-letter to Marilyn Monroe. Also finally getting some dues, the path-breaking Latin-African-jazz experiments of Ghanaian drummer and percussionist Buddy Pipp, with spine-tingling playing by the great Jamaican saxophonist Joe Harriott.
Expert jazz idioms course sophisticatedly through all the selections, which include a straight-up, South London version of Duke Jordan's Jordhu, something from Dizzy Reece's soundtrack — brokered by Kenneth Tynan — to the British crime film Nowhere To Go, and a trio of magnificently hybrid, hard-swinging instrumentals led in turn by master-guitarist Fitzroy Coleman, Kitch's innovative arranger Rupert Nurse, and trumpeter Shake Keane — named after Shakespeare because of his love of poetry — from St. Vincent.

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Loraine James

Reflection

Lorenzo Morresi E Le Isole

Release: 2021 / UK – Original

Genre: Organic Grooves

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Made During Summer 2020, Loraine James' Second Hyperdub Album, `Reflection', Is A Turbulent Expression Of Inner-Space, Laid Out In Unflinching Honesty, Offering Gentle Empathy And Bitter-Sweet Hope. `Reflection' Further Develops A Unique Pop Sensibility Realised On Last Year's `Nothing Ep', While Tones Of Drill And R&B Seep Through Into This Collection Too. In Contrast To The Brash Splashes Of 2019's `For You And I' Lp And The Grimey Anger Of `Nothing', `Reflection' Is Pared-Down And Confident, Taking The Listener Through How Last Year Felt As A Young Black Queer Woman In A World That Has Suddenly Stopped Moving, The Arc Of The Album Peppered With Loraine's Diaristic Confessions. Starting Positively With The Gentle Pop-Trap Of `Built To Last' Ft Xzavier Stone, Into The Bumpy Instrumental Of `Let's Go', The Album Switches Tone With `Simple Stuff', Followed By Regular Collaborator Le3 Black Amplifying Loraine's Vulnerability On The Downcast Drill Of `Black Ting', Then `Insecure Behaviour And Fuckery' Is A Techno Glide Which Pairs Nova's Confrontational Plea For Respect, Delivered In Monotone Autotune, Against Deep Drexciyan Chords. With Baths On Vocals, The Weightlessness Of `On The Lake Outside' Soothes Numb Feelings, And Eden Samara Explores The Shadow World Of Anxious Dreams On The Airy R&B Of `Running Like That'. Closing Track `We're Building Something New' With Manchester Rapper Iceboy Violet Brings The Album Together, Confidently Suggesting A New World Is In Reach. `Reflection' Is A Brave Step Forward For A Unique And Creative 21st Century Musician.

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Pop Flop

LP | 2023 | EU | Original (Space Echo)

LP | 2019 | EU | Original (Vampisoul)

Release: 2023 / EU – Original

Genre: Organic Grooves, Soundtracks

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We can safely say that some of the past Italian library music masterpieces will hardly reach the export levels of mainstream Italian pop music. However, there is no doubt that the recent rediscovery operation led by some record labels such as Schema, Sonor, Four Flies, Intervallo and many others, has helped to create a lively and passionate record collectors’ market where names such as Umiliani, Brugnolini, Torossi, Tommasi, Braen, Iacoucci, Alessandroni are the watchwords for entering a wonderful and relatively unknown musical territory. It is probably better to avoid comparing library music to the world of movie soundtracks, even if most of the aforementioned names were working across both fields. A prestigious name like that of Ennio Morricone is the perfect example of someone involved both in library music and soundtracks - but his imprint is too established to give the idea of the purpose of Italian library music, which was mainly to add sonorization to television programs that were lacking visual substance. For a great number of years these compositions were placed in artistic oblivion and only in recent times a group of enthusiasts around the world started sharing their passion for Italian library music. Among these enthusiasts the main character of this (our) story is Lorenzo Morresi, Italian producer, musician and DJ working between Milan and London where he collaborated with several artists from around the world. Driven by a strong passion for jazz, funk and disco, Lorenzo met Italian record producer and musician Luciano Cantone (aka ‘Le Isole’) many years ago. Luciano played Lorenzo some rare Italian library music gems that he was repressing; laying the first bricks of their mutual passion for this genre. Soon after Lorenzo started producing music in that genre; combining jazz and funk grooves, Italian synth melodies and vintage electronic sounds. Last year, to much critical acclaim, he released the album ‘Cosmica Italiana’, made in collaboration with British multi-instrumentalist, producer and DJ Ed ‘Tenderlonious’ Cawthorne, and released via his record label 22a, one of the most respected contemporary jazz labels. In March 2022 Lorenzo and Luciano started pre-producing ‘Pop Flop’ at Schema Records headquarters in Milan. Part of the album has also been produced at ‘Museo Del Synth Marchigiano & Italiano’, an incredible collection of rare Italian vintage synthesizers located in Le Marche region where Lorenzo was born. These Italian synthesizers (manufacturers such as Farfisa, Crumar and Elka) were very popular in the 1970s for library music and soundtracks, and they were also used outside of Italy by the likes of John Paul Jones from Led Zeppelin, Keith Emerson, Jean-Michel Jarre and Ray Manzarek from the Doors. As Morresi himself explains, “I tried as a form of respect and love to avoid an album that simply imitates those fifty year old masterpieces, so my idea has been to add contemporary musical elements and genres together with modern production techniques to create something original”. Pop Flop has a warm, cinematic and philological feel; well balanced between tradition and innovation, fusing elements of funk, classical, acid jazz, afrobeat, trip hop - to name a few - and all whilst paying homage to those fantastic years. The song titles sound like we’ve been transported back to 1972 in a time machine: “Odeon," "Slalom," "Savana Urbana", "Beta Erotica”, “Allegro Funerario," "Rio De Janeiro Filter," and so on. We are sure that masters like Umiliani, Tommasi and Brugnolini will be pleased with the end result and will undoubtedly be smiling down from the sky.

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Los Afroins

A Gozar Salsomanos

2LP | 2022 | EU | Original (Brainfeeder)

Release: 2019 / EU – Original

Genre: Organic Grooves

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By 1974, salsa was taking Colombia by storm and so the directors of the INS label decided to create a band that would appeal to salsa fanatics and be able to compete with labels such as Discos Fuentes and Codiscos. Thus was born Los Afroins, an obscure, short-lived combo that would release two LPs and six 45s.Their first album, "A gozar salsomanos", is a sought-after collector's item and contains ten brassy, heavy-duty salsa gems: covers of salsa hits by Ismael Rivera, Los Ahijados, Roberto De La Barrera, Cheo Marquetti and even the smash pop hit by the French modern classical and electronic music composer Saint-Preux (a great instrumental descarga version of `Concierto para una sola voz'). In addition, there are two originals that are equally hot. INS artistic director Alfredo Linares, the famed Peruvian keyboardist and composer, oversaw the project and guested on piano for several tracks, doing some arranging as well.Presented in facsimile artwork and pressed on 180g vinyl, part of a new Vampisoul reissue series of classic LPs from Colombia's INS label.By 1974, salsa was taking Colombia by storm and so the directors of the INS label (Industria Nacional Del Sonido Ltda), based in Medellín, Colombia, decided to create a band that would appeal to "salsómanos" (salsa fanatics) and be able to compete with the area's two larger labels, Discos Fuentes and Codiscos. Thus was born the oddly named Los Afroins (a contraction of Afro, indicating the roots of the music, and "-ins", for the label name), an obscure, short-lived combo that would release two albums and six 45s. The repertoire focused on cover versions of hit Afro-Antillean tunes both classic and contemporary. Pianist Agustín Martínez "El Conde", who would later work with Joe Arroyo and Juan Piña, led the group and did some arranging. INS artistic director Alfredo Linares "El Inca", the famed Peruvian keyboardist and composer, oversaw the project and guested on piano for several tracks, doing some arranging as well. The vocals were handled...

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Louis Cole

Quality Over Opinion

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2024 | UK | Original (We Stay True)

Louis Fontaine

Enigma Part 1 & 2

LP | 2021 | FR | Original (RCA)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Fresh from his two full length releases on Broc Records (L’Obsession & Ritmi Moderni) the Italian born, Paris dwelling, composer and multi instrumentalist Louis Fontaine brings WST a

double wammy in the form of Enigma Part 1 & 2.

Inspired by Italian horror/mystery movies, progressive rock and Krautrock of the late 70s. The main theme is arranged in two different ways, like classic film soundtracks and library music. Side A is fast and dramatic with a motorik gait and side B is slower, more moody affair with a

nod to the classic library track ‘Night Moves’.

All tracks written, produced and performed by Louis Fontaine (Drums, percussions, bass, piano, Solina string machine, Arp Odyssey, Mellotron, Chroma Polaris Synthesizer)

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Lucky Daye

Painted

Release: 2021 / FR – Original

Genre: Organic Grooves

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Lucy Kruger & The Lost Boys

Transit Tapes

LP | 2021 | EU | Original

Release: 2021 / EU – Original

Genre: Organic Grooves

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7" | 2013 | EU | Original (Black Cat)

Luis Bacalov

In Lounge

8,99 €*

Beautiful You / Can I Come Over

Release: 2013 / EU – Original

Genre: Organic Grooves

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4 classic cuts from the number one of spaghetti western composers, with an exclusive featuring from Italian 60’s R&B legend Rocky Roberts. Originally out along with the ‘Il giaguaro’ magazine, we just acquired a few dozen MINT copies from Black Cat Records’ warehouse.

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Lynn Davis

7" | 2024 | WW | Original (Izipho Soul)

Release: 2024 / WW – Original

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Today)

Madhouse

Serve 'em

14,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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7" | 1975 | UK | Reissue (Mr Bongo)

Magalhaes / Os Panteras

Xango / Lambada Pauleira

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Space Walking / Down At The Disco

Maggabrain

7" | 2021 | EU | Original (Cordial)

LP | US | Reissue (Delmark)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Maggabrain were from Atlanta, Georgia who were regarded as one of the best local bands of the time. Between 1975 and 1984 they released three singles on various labels. During the 1970s they recorded a session for GRC Records that remained in the vaults until two songs were included on a BGP Records CD only compilation in 2018. We regard both songs on our 45 as being of the highest quality with the hot stepper of 'Space Walking' on the A side and the dancefloor jam of 'Down At The Disco' on the flip. These songs were both written by the magical genius Sam Dees.

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Magic Sam Blues Band

Black magic

Release: US – Reissue

Genre: Organic Grooves

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LP | 2018 | EU | Original (Légère)

Mama's Gun

Golden Days

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2000 | EU | Original (Cree)

Mansa Musa

Hold On To The Faith

Release: 2000 / EU – Original

Genre: Organic Grooves

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LP | 1970 | EU | Reissue (Vampisoul)

Marie Queenie Lyons

Soul Fever

12" | 2024 | EU | Original (Memme Vaev)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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A real soul gem from 1970 on the James Brown affiliated Deluxe label, the first and only album by this mysterious singer: Marie Queenie Lyons. It is perhaps apropos that Queenie Marie Lyons's best known song is titled 'See And Don't See.' For all the acclaim that song has accrued, and all the times it has been compiled, reissued and, yes, bootlegged - for all the times it has been seen - Queenie herself has somehow remained unseen. Queenie was a natural performer and a gifted singer. At the age of fifteen, she was doing three shows a week at a local venue. In early 1962, Queenie moved to Queens and was soon playing gigs across the city - an early engagement was with Gene Krupa at the famous Metropole Café in Times Square - as well as touring with established acts like Fats Domino and Ray Charles. The following year, Queenie made her debut recording, for a subsidiary of RCA called Groove, credited to an entirely fictitious "Shelley Shoop and the Shakers." It remained Queenie's only presence on wax until early 1968, when a Nashville-based label called Sims gave her her first accurately attributed single, "A Minute Of His Goodtime / Good Soul Lovin'." Although the 45 is now a highly collectible part of the Northern Soul and Lowrider Oldies pantheons, it made no impact at the time, as Sims was focused on more typical Nashville sounds. A few months later Queenie was back in New York City, performing R&B and pop covers with her band when a man passed her his business card at a performance. The card read James Brown Enterprises. James Brown "was my idol," she says, and someone whose business acumen and stage presence she strove to emulate. Although Queenie ended up on tour with James Brown for only a month or so, when the group reached Cincinnati in mid-'68 she entered the King Records studio there to record what would become the album you hold in your hands. The songs were a combination of covers, some of which she'd been doing in her live shows, like 'Fever' and 'Try Me,' and originals...

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Mariko Katsuragi

Aoyama Nights

Stay With Me LTJ Xperience Remix / Never Stop

Release: 2024 / EU – Original

Genre: Organic Grooves

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Surfing on the wave of 1980’s Nippon’s bubble of electronics and economics, fashion and the femme fatale, explosion of its pop culture and computerized technopop, and the world’s sudden fascination with everything Japan, a group of young studio musicians stemming from Tokyo’s downtown of Akihabara and Kanda came together for ad hoc recording sessions between 1982-1986. Their goal… produce the next domestic hit album, a travelogue of city pop inspired by the urban yet lonely sprawl of now globally admired Asia. Yet their vision of the concept album under the City Heights moniker never came to see the light due to the group’s sudden disbandment after the tragic loss of love.

Led by the guitarist come arranger-producer Hasegawa Joe (Jô) and keyboardist Katsurag Mariko, the City Heights sessions drew form Tokyo’s musical melting pot of early 1980s with a distinct blend of jazz, funk, boogie, spiced with a local touch of Nippon’s finest electronic instruments.

Now, restored, remastered and occasionally redubbed by Japanese music connoisseur Sten Saluveer aka Mildhans, this second, highly anticipated volume will take you on a journey through the love-longing nights of Aoyama, to the festive matsuri bustle of Jô’s hometown of Kanda, the Jasmine dreaming of Taipei, and a quirky nod to a then legendary musical superhero.

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Mario Biondi

12" | 2017 | EU | Original (Schema)

Release: 2017 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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7" | 2019 | UK | Original (Cordial)

Mark IV

I Knew It Wouldn't Last

2x7" | 2024 | UK | Original (Jazzman)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Mark IV were from New York and released one album on Mercury Records in 1974 until we released their second in 201b called 'Signs Of A Dying Love,' which was a collection of unreleased songs recorded in the mid 1970s. There were two versions of the song 'I Knew It Wouldn't Last.' We featured the midtempo version on the album and the other was an exclusive play for Soul Sam, Lars Bulnheim and Steve Clancy for the past eighteen months.

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Marlena Shaw

Marlena Shaw EP

LP | 2017 | US | Reissue (Dais)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Not so long ago Marlena Shaw was a forgotten figure. The talented vocalist had made several LPs for respected labels such as Cadet and Blue Note, and she'd performed regularly throughout the '60s and '70s. But she hardly had what you might call diva status. Falling into the unfortunate category that slips uneasily between soul and jazz, she was accepted - but not especially admired - by aficionados of either genre. Then came the '90s, and an open-minded enthusiasm for soul and jazz - and more importantly - everything in between - soon changed that. Marlena Shaw became an icon, and the diva status soon blossomed amongst her new-found soul-jazz fans.

Respect is a word that means much to any singer. The artist who stands up in the bright lights before an audience that has handed over their hard-earned cash has only their physical presence and naked voice to rely on. There is no hiding when you're on stage, you're the focus of attention and everybody is gawping at you. The singer yearns to communicate and entertain, and in return not only asks for appreciation and acceptance, but respect. To this end Marlena Shaw has endured decades of singing in the shadows, and she has only recently finally found her niche.

On Disc One we have 'California Soul', probably the most enduring and well-known of her many songs, but just a few seconds listening will tell you that it is much more than that. It's already a classic amongst those who have already seen the light and have danced and swayed to its timeless swing. Upon hearing it all lovers of soul, jazz – or any other kind of good music - will feel an aural glow as warm as the Californian sun. The song 'Liberation Conversation' on the flip was only ever available on her highly revered 1969 LP 'The Spice of Life'. This is where the 'Blues ain't nothing but a good woman gone bad' launches into an irresistible, relentless uptempo funk groove.

Disc Two showcases 'Wade in the Water', an ancient song rumoured to have been developed and popularised by slaves in the American south. The message is to pass on the notion that by fleeing in a bid for freedom through streams and rivers, the scent that bloodhounds use to follow their victims will be obscured. Marlena's version has long been a favourite dancefloor filler since its 45-only release back in 1966.

'Woman of the Ghetto' is one of her best-known songs and ends the set on the other side. The opening number from 'The Spice of Life', it's since been recognised for the classic it is, and as such has been afforded anthemic status. We release the original 45 version here, as used to promote the LP back in the day.

This special 2x7" product from Jazzman is dedicated to the memory of Marlena Shaw, b. 22 September 1939, d. 19 January 2024.

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Martial Canterel

Lost At Sea

Alive In America Gold Vinyl Edition

Release: 2017 / US – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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The past few years have found Sean McBride, the artist behind Martial Canterel, in a state of flux, ebbing back and forth between material displacement and musical aestheticism. His expert pedigree in electronic sound and arrangement bridges the gap created by an undecidability between life at home and abroad His new album, Lost At Sea, is an attempt for the artist to locate this elusive common ground.The album's introductory track, Giving Up, has all of the hallmarks that Martial Canterel has utilized in the past_melodic chorus, upbeat rhythm and classic sequential dynamism. Where the song diverges is in its core theme of nature: nature's return to a period of restoration after the failures and recklessness of humankind.The slower pace of songs like Scampia and Puszta yearn for McBride's complex love affair with far flung destinations. Re-evaluating the political strife and social unrest in these historical locations, McBride delves deeper into political and geological reference points creating symbolic representations using mechanized percussion, white noise and various sine waves.The conceptual nature of Lost at Sea reaches even deeper depths within the waveforms of Astralize, a track based upon academic Donna Haraway's pre-civilized theories of human neglect after the `azstralization'.

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Marvin Gaye

2LP | 2024 | EU | Original (Renaissance)

36,99 €*

LP | 1973 | EU | Reissue (Motown)

Release: 2024 / EU – Original

Genre: Organic Grooves

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This album features a culmination of hits, showcasing an impressive array of musical accomplishments. Recorded in 1983, months prior to his death, it serves as a poignant testament to the artist's talent and marks a significant chapter in their illustrious career. As it nears the end of the artist's musical journey, the collection becomes a retrospective exploration of their legacy, loaded with chart-topping tracks that encapsulate the essence of their artistic evolution.Pressed on double180-gram colored vinyl!

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Marvin Gaye

Let's Get It On

Marvin Gaye / Shorty Long

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Limited 180 gram vinyl pressing of this 1973 album from the soul icon. Let's Get It On is the 13th studio album by Marvin Gaye. Serving as Gaye's first venture into the funk genre and romance-themed music, Let's Get It On incorporates smooth soul, doo-wop, and quiet storm. It has been noted by critics for it's sexually suggestive lyrics, and was cited by one writer as "one of the most sexually charged albums ever recorded." Following the breakthrough success of his socially conscious album What's Going On (1971), Let's Get It On helped establish Gaye as a sex icon and furthered his mainstream appeal. It produced three singles-the title track, "Come Get to This", and "You Sure Love to Ball"-that attained Billboard chart success. Let's Get It On became the most commercially successful album of Gaye's recording career, and it further expanded his creative control during his tenure with Motown.

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This Love Starved Heart Of Mine This Love Starved

7" | 2023 | EU | Original (Deptford Northern Soul Club)

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Motown)

Marvin Gaye

Trouble Man

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Marxist Love Disco Ensemble

Mlde Red Vinyl Edition

LP | 2022 | UK | Original (Mr Bongo)

23,99 €*

Turkish Delight Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Sounding simultaneously from the past, the present, and the future, the debut album 'mlde' by Marxist Love Disco Ensemble seeks to eradicate both the trite from disco and the sobriety from political music. Half poetic, half tongue-in-cheek, this stunning compact eight-track album is influenced by Eastern European and Mediterranean 70s disco records. In the words of band member Paolo, ''it was written in response to hearing 'I love America' by Patrick Juvet. The song prompted the question: why does disco, a genre originally created by oppressed minorities, eventually become synonymous with American capitalist excess?" Mlde seeks to break this connection.

Merging disco, post-disco 80s pop, and boogie into the fold, 'mlde' was recorded using only analogue instruments, giving it warmth and space. Recorded on cassette, ¼ and ½ inch tape, this gives moments of lo-fi abstraction between the beats of an aggressive, tight drum kit. Instruments used for this recording range from saxophone, trumpet, harpsichord, guitar, and rare analogue synthesisers. The bass sound is shaped by early 80s boogie records, whilst the influence of artists such as Hamlet Minassian can be heard in some of Mlde's more driving-disco outings, such as 'Hues of Red'. In the tradition of Soviet vocal group records, which the band has studied, some songs are sung by a vocal quartet in homage to this tradition.

Tracks such as '1905' and 'Brumaire' have a greater pop aesthetic, with Paolo's vocal style on these more pop-driven songs evoking early 80s bands such as Orange Juice and Chas Jankel.

The format and message of pop and disco are commonly viewed just to entertain and move bodies around a dancefloor; however, lyrically, the subjects range from dialectical and historical materialism, class struggle, Marxist theory and praxis, as well as the concept of Marxist disco music.

Adding the icing to the cake, mastering don Joker aka Liam McLean dusted the album with his magic, giving the songs space where the room is needed, as well as the kick and punch demanded by the modern dancefloor.

Yes, this is a press release, and they are always full of hype, but we were blown away when we heard this album, and we hope it enriches you too.

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Matao With Atilla Engin

LP | 1979 | EU | Reissue (Arsivplak)

21,99 €*

LP | 1977 | EU | Reissue (Out-Sider)

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Some hard-hitting rhythm section blending into a prime example of the swingin' sound of the cool influences of Jazz, Funk and Folk music, with a Turkish flavor.
It's fantastic funk jazz groove built on a titanium synth bassline!
An instrumental library of traditional Turkish Jazz session reaching a great climax in drums and percussion sets + electro-bass break with moog and synthesizers from the beginning to the end.
Traditional Turkish songs are based on drums and synth bass over moody 5/8 fuzz guitars...
Album recorded & released in Denmark, 1979, and it has never been released in Turkey.

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Matthew Larkin Cassell

Pieces

21,99 €*

Maurice Moore And Family Affair Band

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Originally from San Francisco, Matthew Larkin Cassell is a talented songwriter, vocalist and multi-instrumentalist. During the ‘70s-80s, Cassell fronted a trio in the Bay Area, opening for major acts like The Tubes and Sylvester. Playing a particular fusion of funk, R&B, soul-jazz and 70s pop, he self-financed and released his first album, "Pieces", in 1977.
Distributed only locally at the time, the album remained buried until it was discovered in the '00s by beat makers and crate diggers which led to some of the tracks being sampled and included on mixes by people like Kon & Amir, Madlib and M.F. Doom. Reputed labels like Stones Throw and P-Vine reissued Casell’s music at the same time that the original album was sought-after by funk collectors and reached outrageous prices.
Here’s a straight reissue in original artwork with master tape sound and including a lyrics insert.
Mellow & laid-back FUNK/SOULFUL/JAZZY SOFT-ROCK recommended if you like STEELY DAN, ROY AYERS, LAURA NYRO, YACHT ROCK, private press AOR...

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Everything That Shines Ain’t Gold

12" | 2017 | EU | Original (Melodies International)

19,99 €*

Release: 2017 / EU – Original

Genre: Organic Grooves

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A few years ago, Melodies family members Floating Points and DJ Red Greg got their hands on a couple of original 70s obscurities. While these standout records shone brightly in their own right, the two DJs saw the potential to create their own edits behind the scenes, finely attuning the original versions to modern-day dancefloor standards. Of these new recordings, they cut only five copies for themselves and a few DJ friends of theirs.

Today, Melodies International is very proud to bring you MEL006 and MEL007. Fully licensed, lovingly mastered to the highest possible standards and carefully edited to dial up that dancefloor enjoyment, these two ‘You’re A Melody’ classics weren’t originally meant to get official releases. But due to popular request, they are now available to play and share in very special moments at parties around the world.

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Genre: Organic Grooves

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Lover To Lover / Walk Softly

Maxi

7" | 1977 | UK | Reissue (South Street Soul)

LP | 2023 | EU | Original (ADA)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Seriously sought after, classic rare groove 2 stepper from Maxi, ‘Lover To Lover’ gets its first ever official reissue on vinyl with this also being the first 7 inch pressing of this oasis of joy, courtesy of South Street Soul. Previously only ever available on Maxi’s self-titled 1977 LP, released on Blue Note. With originals of the album selling for over £160+, South Street give these glorious grooves space to breathe with a 7 inch reissue of two choice cuts. Soaring vocals, top drawer production, sumptuous instrumentation, with a string section to melt any heart out there – all arranged to perfection. The sort of track that will sweep you off your feet before you even know what’s hit you. Famously sampled by Tom & Jerry aka 4 Hero for their ridiculously rare Jungle anthem ‘Maximum Style’. To complete the package, another hand-picked hit from Maxi’s one and only LP with a cover of the Van McCoy penned soulful serenity ‘Walk Softly’.

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Mayer Hawthorne

For All Time

Release: 2023 / EU – Original

Genre: Organic Grooves

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So Far So Good Cloudy Clear Vinyl Edition

Meernaa

LP | 2023 | CZ | Original (Keeled Scales)

Chicken Fat Clear Vinyl Edtion

Release: 2023 / CZ – Original

Genre: Organic Grooves

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Cloudy Clear Vinyl.Meernaa's So Far So Good travels perfectly with a glistening night out or a drive to a secret hideaway. It exists somewhere betweenR&B, jazz, psychedelic rock, art rock, and pop. As a genreless artist, it mirrors her constant struggle to balance a vibrant day to day of falling in and out of love, writing and recording music at her studio and the intensity in the back of her mind - her familial struggles concerning death, drugs, and instability. Meernaa's previously released singles "Another Dimension" and "On My Line`' introduce a celestial and soulful album. The weather of these songs is varied, the poetry shifting its winds from tender playfulness to desire. For fans of: Aldous Harding, Khruangbin, The Weather Station, War on Drugs, Kali Uchis, Perfume Genius, Cate Le Bon, Sade, Lucy Dacus."as intriguing as it is beguiling and mysterious." - The Line of Best Fit

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Mel Brown

LP | 1969 | US | Reissue (Jackpot)

29,99 €*

Mel Day With Tito Lopez Combo

Release: 1969 / US – Reissue

Genre: Organic Grooves

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The 1967 Impulse Records legendary Funk/Soul Instrumental masterpiece album Chicken Fat. If you haven’t heard Chicken Fat yet, get ready because the LP won’t leave your turntable until your jaw stops hitting the floor. Sourced from the original analog master tapes by Kevin Grey. All Analog Process (aaa) Initially working as a guitar player for such greats as Sonny Boy Williamson & Etta James, Impulse Records eventually offered Mel Brown the chance to record his own material. Recorded in 1967 in Hollywood, CA, for the Impulse record label, Brown amassed a group of session musicians who had played with Charles Mingus, Marvin Gaye, and Dizzy Gillespie. Much of the album was arranged by Oliver Nelson, who worked with Thelonious Monk, Sonny Rollins, Jimmy Smith and more. His touch is felt all over the record and helps solidify the journey. These recording sessions also reflected the Sunset Strip and the energy of late ‘60s Los Angeles so incredibly, you can almost hear the go-go boots hit the floor to dance til they drop.

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Everyday I Try / Baby Girl

7" | 2024 | WW | Original (Izipho Soul)

Release: 2024 / WW – Original

Genre: Organic Grooves

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Mel Day With Tito Lopez Combo

Everyday I Try / Baby Girl Yellow Vinyl

7" | 2024 | WW | Original (Izipho Soul)

Release: 2024 / WW – Original

Genre: Organic Grooves

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LP | 1982 | EU | Reissue (Sabura)

Mendes & Mendes

29,99 €*

Miguel de Deus / Boogaloo Combo

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Brothers Gerard Mendes (also known as Boy Ge Mendes) and Jean-Claude Mendes display the intriguing combination of Creole Portuguese-African polyrhythms, American boogie, and Brazilian samba; the duo became massive stars among the Cabo Verde diaspora.

This LP includes the killer boogie anthem “Mitamiyo”

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Black Soul Brothers / Hot Pants Road

7" | 2014 | UK | Original (Mr Bongo)

Wagamama Riso (Xl Middleton Remix)

Release: 2014 / UK – Original

Genre: Organic Grooves

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Mastered and cut at 45rpm for high quality and loud sound, these 7"s are packaged in lovingly produced Brazil45 sleeves. Dancefloor essentials for all DJs and collectors!

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Milk Talk

7" | 2024 | UK | Original (Mofunk)

13,99 €*

It Hurts So Good Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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Japanese vocalist Q.i & producer Hair Kid, originally from New Jersey and now also based in Japan, are the duo known as Milk Talk. Their off-kilter brand of synth funk sits somewhere between modern funk & city pop but is sure to please fans of vaporwave, future funk, disco & deep house as well. Their recently-released album is still an elusive find outside of Japan but “Wagamama Riso,” a digital-only loosie released during the early days of the pandemic, has now been unleashed in physical form on Los Angeles-based MoFunk Records. MoFunk's head, XL Middleton, remixes the track and adds his own retro-electro/R&B flair to the leftfield boogie feel of the original version. Both versions on a single 7” make this a top choice for anyone who loves their funk loaded with analog synthesizer action.

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Millie Jackson

LP | 1973 | UK | Reissue (Southbound)

12" | 2023 | US | Original (Albina Music Trust)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Millie Jackson’s first single was released on the MGM label in 1969 but her career took off when she signed to Spring where she teamed up with producer Raeford Gerald.

The single ‘A Child Of God (It’s Hard To Believe)’/ ‘You’re The Joy Of My Life’ was a Top 30 R&B hit and ‘Ask Me What You Want’/‘I Just Can’t Stand It’, ‘My Man, A Sweet Man’/‘I Gotta Get Away From My Own Self’ and ‘I Miss You Baby’/‘I Ain’t Giving Up’ not only did more damage on the R&B chart but also entered the Hot 100.

All four singles appeared on her debut LP “Millie Jackson”, issued on Spring in 1972.

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Milton Davis

Let Me In

7" | 2019 | UK | Original (Reed)

Release: 2023 / US – Original

Genre: Organic Grooves

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In 1977, the Portland Trailblazers were at the peak of their game. Anticipating the team’s meteoric rise toward an NBA championship, songwriter Ron Stassens assembled his own dream team. Featuring members of Pleasure, Transport, and Slickaphonic, Stassens penned a theme song to amplify the team’s ascent and wound up with an album’s worth of soulful, disco-funk material.

Centering on Slickaphonic frontman, Milton Davis, the band was hopeful. But like the vast majority of Portland's musical output, the reels received a dose of regional airplay before being shelved. Davis left town. Stassens and the backing band moved on. Years later, we now this artifact, featuring a who's who in the Portland's musician community - banded together on this sole release.

But the album stretches beyond the confines of “Blazermania” with a deep connection to this era in Albina. "Let Me In" signifies Davis' yearning to be seen by his peers at a time when local musicians’ aspirations for fame and fortune were all too unlikely in Portland’s gatekept club scene - a quaint industry both culturally and geographically isolated from national access. Few musicians made it out. And Black musicians redlined in the city’s Albina district were disproportionately affected. Buried within a love song, Davis’ crooning on “All I Wanna Do” spells it out:

‘Some people want to drive a cadillac car / Some people want to be a Hollywood star / Oh no, not me / My poor heart just can’t break free / All I wanna do is think about you.’

Mystery surrounds Davis' background and why this tremendous suite of recordings has remained unreleased. In its time, the “Blazermania” single was successful enough that the band performed it on repeat during the team’s championship celebration (images of this can be seen on ESPN’s recent “30 For 30” featuring Bill Walton, as well as on the album’s back side jacket). What we do know is that Davis came of age in the Houston area where in high school he joined The Four Tempos - a soul group that would make their way to Los Angeles, cutting a few 45s for Rampart Records. When the group disbanded, he steadily worked his way up the West Coast Chitlin Circuit before landing in Portland. There he would fall in step with Albina's finest, fronting Slickaphonic for a short time. It is believed he would later front Doc Severinsen’s big band on European tours throughout the 1980s and produce R&B singles for major label artists throughout the 1990s. Davis passed in late 2020, having remained largely disconnected from Albina’s musician community since the time of this recording.

As with all releases in our catalog, listeners may now appreciate a piece of Albina’s legacy otherwise buried by selective history producers and the ensuing memory-making that has occurred in our region’s popular culture. These recordings document an important albeit buried moment. Its fleeting impact has been obscured in such a way that even Stassens, engineer Bob Stoutenburg, and the participating musicians on these takes can’t fully recall the entire cast of players on the three sessions that make up the record. Years of interviews and sleuthing the highest quality tape dub have produced the record we have here - a recording that all these years later demands, “Let me in.”

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Mohawkestra

Mo Heavy / Buffalo Bill

9,99 €*

12" | 2014 | UK | Reissue (Mofunk)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Mo Heavy is the first Mohawkestra single to feature one of their original compositions as the A Side and it’s a belter! Replete with the signature Mohawkestra heavy organ working alongside driving guitar chops and the percussion gets plenty of time to shine.

As the a-side is a Mohawkestra original on this one the B-Side is ‘Buffalo Bill’ which is a rather unique funk fuelled take of ‘The Continuing Story of Bungalow Bill’ from The Beatles’ White Album. The hint of the title and the melody are the only similarities though as Mohawkestra take the groove far out into the Funk spectrum and stripped back to raw elements.

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Moniquea

Yes No Maybe

LP | 1972 | US | Reissue (Paula)

Release: 2014 / UK – Reissue

Genre: Organic Grooves

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Moniquea's Yes No Maybe is an album that is steeped in the synthesizer-heavy aesthetics of 1980's R&B funk (often referred to as "boogie") but is modern enough to move past the "retro" label into something that builds a fresh sound upon the blueprints created by seminal 80's acts such as Prince, Midnight Star, or Evelyn "Champagne" King. YNM was released at the height of the 'modern funk' movement, as championed by Dam Funk & carried on by a small but dedicated cadre of artists such as Moniquea herself, & album producer XL Middleton. Having been out of print and growing evermore scarce in the second hand market, a reissue was all but inevitable.

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Montclairs

Dreaming Out Of Season

Release: 1972 / US – Reissue

Genre: Organic Grooves

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2LP | 2018 | UK | Original (Confunktion)

Mr. Confuse

Only A Man

LP | 2020 | EU | Original (Favorite)

Release: 2018 / UK – Original

Genre: Organic Grooves

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This album is about the depths of Mr. Confuse and therefore a very personal album in a way. The way he produces his music is inspired by growing up with the '90s hip hop producer technique of creating something new by referring unheard funk and soul. This from of appreciating '60s and '70s music in order to bring it on a new level of musical expression is a clear trademark of Mr. Confuse. This time he re-funked the well-known freestyle electro classic 'Let The Music Play' by Shannon.

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Mr President

One Night

7" | 2018 | UK | Original (Outernational Sounds)

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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We don’t really know Bruno “Patchworks” Hovart’s secret but we’re always thrilled to get a taste of his proven production skills. After two acclaimed LP’s as Mr President released over the last decade, the Disco ruler is back with some groovy ideas to put the country into clubs again. One Night is indeed a shiny celebration of the genuine spirit of Soul and Disco, always coming with Bruno’s modern touch, fitting all the criteria to become an instant club classic.
From start to end, Mr President’s blend of grooves and subtle jazz harmonies brings a definitive Roy Ayers’ feeling to the compositions. Developing his vision along six titles, Mr President certainly knows how to produce hits for modern dancefloors. Just like on his previous albums, Bruno plays most instruments, when not even singing catchy vocals. One more time, he also brought incredible lead singers in the studio, some you may know from different projects already released on Favorite Recordings, like Jennifer Zonou (Hawa), Cindy Pooch & Celia Kameni (Saving Coco) and Sabba MG (Mr President’s previous releases). Thanks to exciting arrangements, they carry the songs to a certain climax which reminds the great US era of disco and house divas. Along the original compositions, Mr President also tackles the challenge of covering Roy Davis Jr. & Peven Everett’s house anthem “Gabriel”, bringing the track into even deeper jazz territories. Of course you may know Mr President from his previous LPs, Number One (2011) and Hips Shaking
(2014), however you might also know him under many of his other projects, such as Voilaaa, The Dynamics, Uptown Funk Empire, Metropolitan Jazz Affair or Taggy Matcher to name just a few. Patchworks has been a ubiquitous artist since more than 25 years now, from the House years in the nineties to his recent involvement on different Favorite’s releases like Joao Selva, Pat Kalla, or the last EP of Leroy Burgess & Saving Coco. More globally, through all these years and various projects, Bruno “Patchworks” Hovart’s established himself as an unequalled producer, both in term of quantity and quality, fulfilling his wide passion for music and groove. Some could compare his path to famous predecessors such as Patrick Adams, Pierre Jaubert, Patrick Cowley
or Jean-Pierre Massiera, who like him, have all stayed quite underrated and in the shade of the many classics and hits they gave birth to. Who knows where the future will bring him, he’s not finished yet feeding our ears!

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Muhavishla Ravi Hatchud

Bombay Palace

3LP | 2021 | UK | Original (Leaf)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Sensational early-seventies funk bomb by Muhavishla Ravi Hatchud and The Indo Jazz Following. Super-rough organ funk, like a dream combination of Mingus, Jimmy Smith and Zigaboo Modeliste from The Meters — plus Ravi’s ramped-up sitar, like a tripping, undercover Bo Diddley. In a numbered, limited edition, to launch a new series of Outernational 45s.

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Murcof

The Alias Sessions

37,99 €*

Release: 2021 / UK – Original

Genre: Organic Grooves

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If You're In Need / Spoiled Like A Baby

Mystique

7" | 2017 | UK | Original (Expansion)

14,99 €*

Release: 2017 / UK – Original

Genre: Organic Grooves

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Nai Palm of Hiatus Kaiyote

Needle Paw Pink-Splatter Vinyl Edition

2LP | 2017 | UK | Reissue (Brainfeeder)

34,99 €*

Sunshine / The End Of Our Love

Release: 2017 / UK – Reissue

Genre: Organic Grooves

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2023 re-issue of Nai Palm (of Hiatus Kaiyote)’s debut solo album.

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Nancy Wilson

7" | 2023 | UK | Original (Expansion)

18,99 €*

Release: 2023 / UK – Original

Genre: Organic Grooves

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12" | 2015 | US | Original (Peoples Potential Unlimited)

Napoleon Cherry

When You Had The Chance

13,99 €*

LP | 2023 | UK | Original (Lrk)

Release: 2015 / US – Original

Genre: Organic Grooves

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N.C.M. is the independent production company/label Napoleon Cherry has been working under since the late 80s with releases as Cool Waters and Station To Station. "When You Had The Chance" is from an unreleased slo-jam session from a few years back.

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Natasha Watts

Music Is My Life

I Think I'm Falling In Love With You

Release: 2023 / UK – Original

Genre: Organic Grooves

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Natasha Watts Returns With HER Long-awaited Fourth Studio Album ON Vinyl
'music IS MY Life'.
Having had huge success on the UK soul scene for over ten years, Natasha's live performances and vivacious personality have made her one of the leading UK female soul independent artists in the UK.
Her new album delivers a gritty, mature, and well-rounded soul sound that is unique. So, buy and enjoy the beautiful voice and that is Natasha Watts.

The album got to Number one in the UK soul chart
Regularly played on all the soul stations (Solar, Starpoint, Soul Groove Radio etc)
Songs of the Album Played on BBC Radio London , BBC Radio Two, Jazz FM, MI-Soul, London Music Radio
The 7" Which includes Brighter Days / I Do, I Did, I'm Done sold out in the Pre-Orders stage.
Support from Chris Philips, Sly, Mickey D, Kyodai, Michael Linney, Dj Pope, Pete Haigh, Timo Maas, Simbad (Yoruba Affil), Dan Montuschi, Tim Spurrier, Martin Lodge, Steve KIW, Superfly FM, Claus Mitterhuemer, Osric, Daz I Kue, Paul Miller, Craig Smith (Yoruba Affil), Cee ElAssaad, Satoshi Fumi, DJ Rahdu, Jan Kincl, Kenny Carpenter, Bill Bucks, Opolopo, Ahmet Gunes, Mr V, Ridney, Klaus Wing, Ian Friday, Eddy Ramich, and Marcus Agerman Ross

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Natural High

7" | 2015 | Original (Soul Brother)

9,99 €*

Release: 2015 / Original

Genre: Organic Grooves

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Move On Up Feat. Mizuki Kamata (DJ Jin Re-Edit) / Beyond The Redemption

Nautilus

7" | 2024 | JP | Original (Urban Discos)

We're Gonna Make It / Help The Man

Release: 2024 / JP – Original

Genre: Organic Grooves

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"Move On Up featuring Kamata Mizuki" has been re-edited by DJ JIN (rhymester) for a long-awaited re-release in response to many re-release requests!! This killer cover of Curtis Mayfield's "Move On Up", released in early spring of 2021, has been reissued in response to numerous reissue requests. The B-side features "Beyond the Redemption," an original jazzy funk song in full Nautilus verse that also appears on the latest album, "A Story About You".

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New World

7" | 2023 | UK (Soul Brother)

Release: 2023 / UK

Genre: Organic Grooves

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Nico Gomez And His Afro Percussion Inc

Ritual Black Vinyl Edition

LP | UK | Reissue (Mr Bongo)

Nico Gomez And His Afro Percussion Inc

Release: UK – Reissue

Genre: Organic Grooves

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Belgium, not the first place you'd think of when it comes to Latin or Afro funk. Yet one of the greatest records to blend both styles came from the small northern European country, masterminded by Nico Gomez and his Afro Percussion Inc.

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Ritual Red Vinyl Edition

LP | 1971 | UK | Reissue (Mr Bongo)

23,99 €*

Dirty Disco White Vinyl Edition

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Nikka Costa

LP | 2024 | EU | Original (Go Funk Yourself)

LP | 1967 | EU | Reissue (RCA)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-08-16

Known for her powerful vocals, dynamic stage presence, and diverse musical influences, LA-based soul and funk singer Nikka Costa returns from a musical career break with future-forward disco-inspired sounds on ‘Dirty Disco’.

The lyric “Everyone is welcome, everyone’s an Avatar” denotes a place where anyone can go to be themselves and let their freak flag fly! and sets the tone for her disco and soul fused, progressive album, which is recorded with and produced by Justin Stanley (Prince, Jamie Lidell, Beck etc). Along with the talents of versatile musicians such as Brandon Coleman (Kamasi Washington, Thundercat, Donald Glover, Flying Lotus), Greg Phillinganes (Michael Jackson, Stevie Wonder) and Kaveh Rastegar (John Legend, Beck), Nikka Costa invites you to immerse yourself in her “Dirty Disco” world.

“Dirty Disco is about a place anyone can go to be themselves and let their freak flag fly! It’s about a place where no one is looking, no one cares what you're doing or what you're into. It could be a disco, but it could also be another planet or headspace or vibe. It's dark and sparkly, blue and purple. Gritty, raw and sexy. Whatever you want it to be.” - Nikka Costa

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Nina Simone

Sings the blues

35,99 €*

LP | 1970 | US | Reissue (RCA)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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180 gram high quality pressing vinyl!

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Nite-Liters

Nite-liters

Release: 1970 / US – Reissue

Genre: Organic Grooves

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sampled by Cali Agents

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Release: UK

Genre: Organic Grooves

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7" | 1967 | EU | Reissue (Record Prayer)

Norma Lee

Hurt / Rolling On

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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She's Gone / Mr C Record Store Day 2024 Edition

Norman Connors

7" | 1981 | UK | Reissue (Arista)

LP | 1967 | US | Reissue (Backbeat)

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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Norman Connors' 'She's Gone' is a timeless blend of Soul and R&B from his 1981 album, 'Mr C'. 43 years since its initial release, 'She’s Gone' still endures as a masterpiece, showcasing Connors' musical prowess and ability to create unforgettable compositions. Lush arrangements, masterful instrumentation, and heartfelt vocals define the track with Norman Connors seamlessly fusing horns, strings, and rhythm instruments for a rich sonic experience. This 7'' heavyweight vinyl single, presented here exclusively for RSD is the first time this single has been available since 1981 & gives fans old and new the chance to own a slice of this classic, in demand Norman Connors production. remastered, but with slick early 80's aesthetics as was.

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O.V. Wright

8 men and 4 women

19,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Our Lives Are Shaped By What We Love / Battened Ships

Odyssey

7" | 2023 | UK (Soul Brother)

Release: 2023 / UK

Genre: Organic Grooves

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LP | 2023 | CZ | Original (EMI)

Olivia Dean

Messy

Release: 2023 / CZ – Original

Genre: Organic Grooves

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LP | 2024 | US | Original (Roonis)

Omar Apollo

Friends

Release: 2024 / US – Original

Genre: Organic Grooves

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7" | 2024 | UK | Original (Mukatsuku)

Omar

It's So

7" | 1985 | US | Reissue (Prime Time)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Back in 2004 a 4 track 12'' EP appeared from Omar's own label to wide acclaim with one track in particular, a driving heady slice of peak time broken beat soul receiving global appeal and mass attention. Championed by the likes of Gilles Peterson, Patrick Forge & IG Culture 'It's So' went on to become a highlight in the live sets and remains as fresh today as it did over 20 years ago. An instrumental version was never released so this completes the package on the flip as a Mukatsuku exclusive. 'It's So ' featured on the Mukatsuku Records feature on Gilles Peterson's Worldwide show in January of this year. 500 hand-numbered copies. Strictly no repress. As played by DJ Koco, Dom Servini, Rob Luis, Kevin Beadle, Shuya Okino, Smoove & more

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On Tap

Rug Burns

18,99 €*

12" | 2022 | UK | Original

Release: 1985 / US – Reissue

Genre: Organic Grooves

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Reissue of an obscure SoCal funk song originally released in 1985 by ISY Martin. The b-side redux is by modern funk pioneers XL Middleton & Zackey Force Funk. Already a certified Orange County, California classic. Out on Prime Time Records.

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Opolopo

X Machine

14,99 €*

Orchestre Poly-Rythmo De Cotonou Dahomey

Release: 2022 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Right on, right on! The Godfather of Soul gets a fresh feeling of funk courtesy of the main man Opolopo with these two exquisite edits. On one side the extended, on the flip the instrumental, Opolopo’s ready to get up and do his thang, giving a modern twist to this funked up dancefloor bomb.

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Le Sato

LP | 2021 | UK | Original (Acid Jazz)

Release: 2021 / UK – Original

Genre: Organic Grooves

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La Vem Salgueiro / Tenha Fe, Pois Manaha U Lindo Dia Vai Nascer

Os Originais Do Samba

7" | 2014 | UK | Original (Mr Bongo)