Gift Ideas for Vinyl Lovers 177 Items

Motown: The Sound of Young America is the definitive, beautifully produced visual history of Motown, the most successful independent record company in the world.

Motown became a prolific and hugely successful production line of suave, sassy and sophisticated music through the 60s, 70s and 80s. This exceptional book features extensive specially commissioned photography of treasures gathered from the archives. It also captures the graphic and design iconography that underpinned Motown’s extraordinary creativity.

Packed with fresh insights gleaned from scores of interviews with key players, this revealing book delves into the workings of the Motown machine and details how a dedicated team of backroom believers, white and black, turned a small family business into a popular music powerhouse. This was the home of Stevie Wonder, Smokey Robinson & The Miracles, Diana Ross & the Supremes, Marvin Gaye, The Jackson 5, The Temptations and many more.

Motown: The Sound of Young America is a spectacular labour of love befitting an incredible story.

Awarded a Certificate of Merit in the category of Best Historical Research in Record Labels, from the Association for Recorded Sound Collections Awards for Excellence 2017

taunus 1.2 | com fi | deep blue

the larger version of our puristic and lightweight backpack
for vinyllovers, hunters and jockeys.

_additional spacious pocket on the inner backside
_easily holds 15inch+ laptops or up to 25 x 12" records
_comfortably cushioned
_unique adjustable buttons closure made from re-used genuine
leather
_wider straps (40 mm) for more comfort

material: water-repellent cotton canvas w/ leather buttons
colour: deep blue
size: 48 x 38 x 8 cm

made in germany

The inner lining is made of recycled material, which is processed depending on availability. This can lead to color deviations on some details of the bag.

pictures: airbagcraftworks.com

Nominated for a Grammy!

Following their hotly tipped 2018 debut album “On” – Altın Gün returns with an exhilarating second album. “Gece” firmly establishes the band as essential interpreters of the Anatolian rock and folk legacy and as a leading voice in the emergent global psych-rock scene. Explosive, funky and transcendent.

The world is rarely what it seems. A quick glance doesn’t always reveal the full truth. To find that, you need to burrow deeper. Listen to Altın Gün, for example: they sound utterly Turkish, but only one of the Netherlands based band’s six members was actually born there. And while their new album, Gece, is absolutely electric, filled with funk-like grooves and explosive psychedelic textures, what they play – by their own estimation – is folk music.

Welsh harpist Amanda Whiting returns on Jazzman Records following on from her successful debut album ’After Dark’ (2021).

New explorations and global changing events have led Whiting to ‘Lost in Abstraction’. The Reynolds/ Thorne/ Whiting trio is joined again by the mesmerising lines of flautist Chip Wickham, resuming their conversation reminiscent of Dorothy Ashby and Frank Wess.

‘Lost in abstraction’ was written during a period of the unknown when Whiting, like most, explored her own sense of self. The world paused, with no timeframe, and the fragility of life was laid bare. A time when humanity was left searching for purpose. Freedom and the dependable structures of familiarity were dissolved in most aspects of life. But music stayed constant. Creativity kept weaving its thread, connecting music and its makers in an indissoluble bond.

The album explores the questions and realisations whilst confined. The spiritual findings, the playful curiousness and the reflective moments of loss. Whiting’s writing indulges the listener with the spiritual ethereal washes of sound demanded of the harp, whilst also embracing her influences across many genres. Classically trained, her roots are evident. But with an emotionally charged energy and spiritual questioning, a new soundscape of modernity has emerged.

So often associated with Ashby and Coltrane, the harp finds itself in the hands of a new voice which tells the story of a period of time where the world was unified in reflection.

So what is that feeling when you resonate? When your breath steadies and you let go Lines no longer restrict or choke Energies envelop, yet set you free Are you lost or found?

Amanda Whiting - harp Chip Wickham - flute Aidan Thorne - bass Jon Reynolds - drums Baldo Verdú - percussion

About Amanda Whiting Following on from her sold out album ‘After Dark’ on Jazzman records, Amanda Whiting is making a name for herself on the British Jazz scene.

From Wales, the home of the harp, Amanda has taken her classical roots and forged them in the path of jazz harpist Dorothy Ashby and Alice Coltrane. Her unique style resulted in her nomination for the Jazz FM “2021 Instrumentalist of the Year.”

She has toured extensively with Matthew Halsall and the Gondwana Orchestra performing at Jazz festivals around the world. More recent collaborations have included touring with Chip Wickham, Greg Foat and Rebecca Vasmant. She also performed at the We Jazz festival, Finland in November 2021.

2022 will see the release of her new album ‘Lost in Abstraction’ and performances in Helsinki and other festivals throughout the year. She will also be performing at XJazz Berlin and We Out Here with the Rebecca Vasmant Ensemble.

760 g layer weight to stabilize vinyl records.
Ø 70mm

The vinyl dry cleaner is equipped with a sticky bottom, so it's easy to handle on a record player. Thanks to the ground cable, the adjustable Vinyl Trockenreinigungsarm eliminates static charge.

Not only the care of your records, but also that of the turntable needle makes a significant contribution to extending the life of vinyl and increasing the sound quality. With our carbon fibre needle cleaning brush, we offer you an important tool that helps you cleaning the record player needle effortlessly. The brush removes dust and dirt and prevents static charging of the needle. We recommend regular cleaning.

The Vinyl Care by HHV product series stands for best quality and an excellent price-performance ratio. The care products for records have been specially developed for the needs of passionate vinyl lovers and come in stylish Vinyl Care packaging.

The complete, definitive and never-before-published catalogue of Hipgnosis, Vinyl
• Album
• Cover
• Art finally does justice to the work of the most important design collective in music history, which, according to Roddy Bogawa, director of the documentary Taken by Storm (2011), ‘designed half your record collection’.

Founded in 1967 by Storm Thorgerson, Aubrey ‘Po’ Powell and Peter Christopherson, Hipgnosis gained legendary status in graphic design, transforming the look of album art forever and winning five Grammy nominations for package design.

Their revolutionary cover art moved away from the conventional group shots favoured by record companies of the day, resulting in the ground-breaking, often surreal designs which define the albums of many of the biggest names in the history of popular music: 10cc, AC/DC, Black Sabbath, Peter Gabriel, The Police, Genesis, Led Zeppelin, Pink Floyd, Paul McCartney, Robert Plant, Syd Barrett, Throbbing Gristle, T. Rex, Wings, Yes and XTC, to name but a few.

Arranged chronologically, Vinyl
• Album
• Cover
• Art features stunning reproductions of every single Hipgnosis cover – 372 in total – coupled with detailed information by Po and Storm Thorgerson on the artworks and the compelling stories behind their creation. Additional contributions by Peter Gabriel, Marcus Bradbury, and Pentagram’s Harry Pearce provide engrossing insights into the way these incredible artworks came into being; place the covers in context; and reflect on their enduring impact on album design.

AT-LP120X
Manual Direct-Drive Turntable (Analogue & USB)

• Direct-drive, DC servo motor
• Fully manual operation
• Adjustable dynamic anti-skate control
• Selectable 33/45/78 RPM speeds
• Convert records to digital files via the USB output
• Professional anti-resonance, die-cast aluminium platter with felt mat

Specs:
Turntable

• Type fully manual
• Motor DC servo-controlled
• Speeds 33-1/3 RPM, 45 RPM, 78 RPM
• Pitch Variation +/-8% or +/-16%
• Turntable Platter Die-cast aluminum
• Starting Torque >1.0 kgf.cm
• Braking System Electronic brake
• Wow and Flutter <0.2% WRMS (33 RPM)
• Signal-to-Noise Ratio >50 dB
• Output Level Pre-amp “PHONO”: 4 mV nominal at 1 kHz, 5 cm/sec
Pre-amp “LINE”: 240 mV nominal at 1 kHz, 5 cm/sec
• Phono Pre-Amp Gain 36 dB nominal, RIAA equalized
• USB Function PC or Mac with an available USB port (USB1.1 or higher)
Windows 7 or above, or Mac OS X or above A/D, D/A – 16-bit/44.1 kHz or 48 kHz USB selectable;
Computer interface – USB 1.1 Compliant Windows 7 or above, or MAC OS X or above
• Power Supply Requirements 115/230V AC, 60/50 Hz
• Power Consumption 3W
• Dimensions 141,6 x 452 x 352 (H x W x D mm)
• Weight 8.0kg
• Accessories Included AT-VM95E phono cartridge AT-HS6 headshell 1.9 m (6.2') USB cable dual RCA (male) to dual RCA (male) cable with ground wire counterweight felt mat; dust cover 45 RPM adapter

Cartridge & Stylus
• Replacement Stylus VM95 Series

Video: https://www.youtube.com/watch?v=eXcgF2SY35Q

AT-LP120X
Manual Direct-Drive Turntable (Analogue & USB)

• Direct-drive, DC servo motor
• Fully manual operation
• Adjustable dynamic anti-skate control
• Selectable 33/45/78 RPM speeds
• Convert records to digital files via the USB output
• Professional anti-resonance, die-cast aluminium platter with felt mat

Specs:
Turntable

• Type fully manual
• Motor DC servo-controlled
• Speeds 33-1/3 RPM, 45 RPM, 78 RPM
• Pitch Variation +/-8% or +/-16%
• Turntable Platter Die-cast aluminum
• Starting Torque >1.0 kgf.cm
• Braking System Electronic brake
• Wow and Flutter <0.2% WRMS (33 RPM)
• Signal-to-Noise Ratio >50 dB
• Output Level Pre-amp “PHONO”: 4 mV nominal at 1 kHz, 5 cm/sec
Pre-amp “LINE”: 240 mV nominal at 1 kHz, 5 cm/sec
• Phono Pre-Amp Gain 36 dB nominal, RIAA equalized
• USB Function PC or Mac with an available USB port (USB1.1 or higher)
Windows 7 or above, or Mac OS X or above A/D, D/A – 16-bit/44.1 kHz or 48 kHz USB selectable;
Computer interface – USB 1.1 Compliant Windows 7 or above, or MAC OS X or above
• Power Supply Requirements 115/230V AC, 60/50 Hz
• Power Consumption 3W
• Dimensions 141,6 x 452 x 352 (H x W x D mm)
• Weight 8.0kg
• Accessories Included AT-VM95E phono cartridge AT-HS6 headshell 1.9 m (6.2') USB cable dual RCA (male) to dual RCA (male) cable with ground wire counterweight felt mat; dust cover 45 RPM adapter

Cartridge & Stylus
• Replacement Stylus VM95 Series

Video: https://www.youtube.com/watch?v=eXcgF2SY35Q

AT-LPW30TK
Manual Belt-Drive Wood Base Turntable

• Teak effect wood veneer finish
• Connect directly to speakers at home with the built-in phono preamplifier
• Fully manual, belt-drive operation with two speeds: 33-1/3 and 45 RPM
• Adjustable dynamic anti-skate control
• Professional anti-resonance, die-cast aluminium platter with rubber mat
• AT-HS4 headshell and AT-VM95C Dual Moving Magnet phono cartridge

Video: https://www.youtube.com/watch?v=gmWsctJ8Kzk

AT-MG10
10G MAGNESIUM BODY HEADSHELL
Threaded headshell avoiding in use of nuts when fitting cartridge
7 pairs of installation screws (3mm, 5mm, 6mm, 8mm, 10mm, 12 mm and 14mm)
Includes gold plated terminals quad wire

A 10g adjustable headshell manufactured from magnesium, complete with gold plated terminal quad wire. The AT-MG10 has an adjustable overhang, as well as internal headhsell threads to avoid the use of nuts when fitting cartridges.

AT-VM95EN vormontiert auf Headshell AT-HS6BK
• Das Tonabnehmer-Set AT-VM95EN/H wird im Audio-Technica Werk in Fukui (Japan) vormontiert, getestet und verpackt.
Gesamtgewicht 15,5 g

Der AT-VM95EN besitzt eine nackte,
elliptische Diamantnadel mit Rundschaft,
die aus einem Stück geschliffen und
direkt in den Nadelträger eingesetzt
wird. Auf diese Weise lässt sich ein
leichteres, steiferes Übertragungssystem
realisieren als mit einer gefassten
Diamantnadel mit Titan-Rundschaft wie
beim AT-VM95E. Die nackte
Diamantnadel ist zwar um einiges
kostspieliger, bietet aber auch eine
hörbar bessere Audioqualität mit
besonders hoher Klangtreue bei der
Höhenwiedergabe und hervorragendem
Impulsverhalten.

Aluminium-Nadelträger
• Ausgangsspannung 3,5 mV
• Gehäuse kompatibel mit allen Abtastnadeln der Serie VM95
• Frequenzgang 20 bis 23.000 Hz

AT-VM95EN
VM95 SERIES ELLIPTICAL NUDE STEREO CARTRIDGE
The AT-VM95EN, features a Nude Elliptical Diamond. The construction of the stylus being a one piece diamond with a round shank inserted in the cantilever creates a lighter and more rigid transmission system than a diamond tip bonded on a round titanium shank such as in the AT-VM95E. Also the use of nude diamond implies a substantial difference in pricing, yet the quality of the reproduction will be immediately noticed, specifically in the fidelity of high frequencies and in the quality of the transient responses.

Aluminium cantilever
3.5mV output voltage
Compatible body with all VM95 Series stylus assemblies
20 to 23,000Hz frequency response

VM95 SERIES - STYLI COMPATIBILITY
Every cartridge diamond stylus becomes worn after a period of play.

Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus.

Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus.

The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible.

AT-VM9E SERIES COMPATIBILITY WITH THE AT-XP SERIES DJ CARTRIDGES
The electromagnetic engine-body of XP-Series, is fully compatible with all replacement styli of VM95 Series and will deliver more output voltage than VM95 Series cartridge. So providing improved compatibility with phono inputs of Professional DJ Mixers.
VM95 Series electromagnetic engine-body is also compatible with the three replacement styli of the DJ cartridge AT-XP Series, nevertheless, the electromagnetic engine-body of XP-Series, will deliver more output voltage than VM95 Series cartridge in order to provide better compatibility with phono inputs of Professional DJ Mixers.
Note that typical tracking force when using XP Series styli is three grams as opposed to two grams for VM95 Series styli.
The suspension design and compliance of XP-Series styli have been optimized for intensive DJ’ing, including possible manual cueing and back-cueing.
The VM95 Series suspension design and compliances of VM95 Series have been designed for optimum audiophile reproduction.

ELLIPTICAL NUDE STYLUS
Elliptical diamond stylus follows the groove modulation with greater precision compared to a conical stylus, offering improved frequency and phase responses whilst reducing distortion.

PREASSEMBLED WITH AT-HS6BK HEADSHELL
The AT-VM95E cartridge is fitted onto the 9g aluminiumdie cast body headshell

Model AT-VM95EN
Typ VM Stereo Dual Magnet
Befestigung 1/2” centres
Frequenzbereich 20 - 23,000 Hz
Kanaltrennung 22 dB (1 kHz)
Kanalbalance am Ausgang 2.0 dB (1 kHz)
Ausgangsleistung 3.5 mV (at 1 kHz, 5 cm/sec)
Vertikaler Abtastwinkel 23°
Vertikaler Auflagekraftbereich 1.8 - 2.2g (standard 2.0 g)
Nadelschliff Elliptical
Nadelabmessungen 0.3 x 0.7 mil
Schaftform der Nadel Nude Round Shank
Nadelträger Aluminium Pipe
Spulenimpedanz 3.3 kΩ (1 kHz)
Spuleninduktivität 550 mH (1 kHz)
DC Widerstand 485 Ω
Statische Nadelnachgiebigkeit 20 x 10 – 6 cm / dyne
Dynamische Nadelnachgiebigkeit 7 x 10 – 6 cm / dyne (100 Hz)
Spulendraht T.P. Copper
Empfohlene Lastimpedanz 47,000 Ω
Empfohlene Lastkapazität 100-200 pF
Gewicht 6.1g
Abmessungen 17.2 x 18.9 x 28.3 ( H x W x D mm)
Ersatznadel AT-VMN95EN
Beiliegendes Zubehör Two 11 mm installation screws;
Two 8 mm installation screws;
Two washers
Non-magnetic screwdriver

Der AT-VM95ML ist mit einem nackten
Microlinear-Diamanten ausgestattet, der
durch seinen speziellen Schliff und die für
Line-Contact-Nadeln typischen
geringeren Verzerrungen am Plattenende
(innere Rillen) eine doppelt so hohe
Lebensdauer gewährleistet und sich
zugleich durch einen erweiterten
Frequenzgang und eine bessere
Auflösung der mittleren und hohen
Frequenzen auszeichnet.

AT-VM95C/H
VM95 SERIES MICROLINEAR STEREO CARTRIDGE ON AT-HS6 HEADSHELL
AT-VM95ML mounted on AT-HS6BK headshell
The total set weight is 15.5g
Assembled and tested in the Audio-Technica Factory in Fukui-Japan

AT-VM95ML
VM95 SERIES MICROLINEAR STEREO CARTRIDGE
The AT-VM95ML, features a Nude Microlinear diamond, not only the Microlinear stylus will permit to double the duration of your stylus. The performance of a line contact stylus, will minimize the “inner groove distortion” as well as providing extended frequency response and maximize resolution in the medium and high frequencies of the audio program material.

material. Aluminium cantilever
3.5mV output voltage
Compatible body with all VM95 Series stylus assemblies
20 to 25,000Hz frequency response

VM95 SERIES - STYLI COMPATIBILITY
Every cartridge diamond stylus becomes worn after a period of play.

Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus.

Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus.

The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible.

AT-VM9E SERIES COMPATIBILITY WITH THE AT-XP SERIES DJ CARTRIDGES
The electromagnetic engine-body of XP-Series, is fully compatible with all replacement styli of VM95 Series and will deliver more output voltage than VM95 Series cartridge. So providing improved compatibility with phono inputs of Professional DJ Mixers.
VM95 Series electromagnetic engine-body is also compatible with the three replacement styli of the DJ cartridge AT-XP Series, nevertheless, the electromagnetic engine-body of XP-Series, will deliver more output voltage than VM95 Series cartridge in order to provide better compatibility with phono inputs of Professional DJ Mixers.
Note that typical tracking force when using XP Series styli is three grams as opposed to two grams for VM95 Series styli.
The suspension design and compliance of XP-Series styli have been optimized for intensive DJ’ing, including possible manual cueing and back-cueing.
The VM95 Series suspension design and compliances of VM95 Series have been designed for optimum audiophile reproduction.

MICROLINEAR STYLUS
Microlinear profile diamond stylus offers high frequency response with less wear and distortion than elliptical or conventional linear contact styli.

PREASSEMBLED WITH AT-HS6BK HEADSHELL
The AT-VM95C cartridge is fitted onto the 9g aluminium die cast body headshell

Model AT-VM95ML
Typ VM Stereo Dual Magnet
Befestigung 1/2” centres
Frequenzbereich 20 - 25,000 Hz
Kanaltrennung 23 dB (1 kHz)
Kanalbalance am Ausgang 1.5 dB (1 kHz)
Ausgangsleistung 3.5 mV (at 1 kHz, 5 cm/sec)
Vertikaler Abtastwinkel 23°
Vertikaler Auflagekraftbereich 1.8 - 2.2g (standard 2.0 g)
Nadelschliff Microlinear
Nadelabmessungen 2.2 x 0.12 mil
Schaftform der Nadel Nude Square Shank
Nadelträger Aluminium Pipe
Spulenimpedanz 3.3 kΩ (1 kHz)
Spuleninduktivität 550 mH (1 kHz)
DC Widerstand 485 Ω
Statische Nadelnachgiebigkeit 20 x 10 – 6 cm / dyne
Dynamische Nadelnachgiebigkeit 10 x 10 – 6 cm / dyne (100 Hz)
Spulendraht T.P. Copper
Empfohlene Lastimpedanz 47,000 Ω
Empfohlene Lastkapazität 100-200 pF
Gewicht 6.1g
Abmessungen 17.2 x 18.9 x 28.3 ( H x W x D mm)
Ersatznadel AT-VMN95ML
Beiliegendes Zubehör Two 11 mm installation screws;
Two 8 mm installation screws;
Two washers
Non-magnetic screwdriver

AT-XP7
DUAL MOVING MAGNET STEREO CARTRIDGE

• Excellent Tracking ability
• Superior sound without compromise
• Durable robust design for high-quality DJ playback
• Great visibility of stylus tip for instant positioning
• VM dual magnet cartridge with elliptical bonded stylus

The AT-XP7 is specially designed for the needs of DJs. This cartridge features a highly-rigid polyphenylene sulfide (PPS)/glass fiber body and a tracking force of 2 to 4 grams. It also offers a powerful output level of 6.0 mV, and its 0.3 x 0.7 mil elliptical bonded stylus tracks the record groove with high accuracy for outstanding audio reproduction. Plus, the cartridge is specifically designed to provide maximum visibility of the stylus tip.

• Durable robust design for high-quality specialist DJ playback
• Cartridges designed for DJ venue applications for their Hi Fi audio Performance
• Great visibility of stylus tip for instant positioning in dark environments
• Audiophile experience associated with DJ’ing environment with the signal output level and output impedance characteristics adapted to DJ professional mixing boards
• VM dual magnet cartridge with 0.3 x 0.7 mil elliptical bonded stylus
• Tapered aluminium cantilever
• Stainless wire suspension enables expressive higher frequency for clearer sound
• High-rigidity and Low-resonance cartridge housing
• Replacement Stylus: ATN-XP7

Specifications:
• Type: VM Dual Magnet
• Frequency Response: 20 - 20,000 Hz
• Channel Separation: 22 dB at 1kHz
• Vertical Tracking Angle: 20°
• Vertical Tracking Force: 2.0 to 4.0 g (standard 3g)
• Stylus Construction: Bonded Round Shank
• Recommended Load Impedance: 47,000 ohms
• Coil Inductance: 1.0 H (1 kHz)
• Output Voltage: 6.0 mV (mV at 1 kHz, 5 cm/sec)
• Output Channel Balance: Output Channel Balance
• Stylus Shape: Elliptical
• Cantilever: Aluminium tapered Pipe
• Static Compliance: 20 x 10-6 cm/dyne
• Dynamic Compliance: 8.0x10-6cm/dyne (100Hz)
• Mounting: Half-inch
• Dimensions: H17.2×W17.8×D28.3mm
• Accessories Included: Cartridge installation slotted screws 11.0 mm (0.43”) x 2 and 8.0 mm (0.31”) x 2, Washer x 2, Round nut x 2, Non-magnetic screwdriver x 1
• Recommended Load Capacitance: 100-200 pF
• Replacement Stylus: ATN-XP7
• Stylus Size: 0.3 x 0.7 mil
• Weight: 6.2g

User Manual: https://eu.audio-technica.com/resources/AT-XP7_UM_112301360_V1_11L_web_171018.pdf

AT617A - CARTRIDGE STYLUS CLEANER
- Specially formulated polyurethane gel removes dirt particles from stylus
- Gel remains tacky for years
- Surface is washable for repeated use

AT618a
Disc Stabiliser

• Holds record firmly in place stabilising the record
• Thick rubber construction
• 600g

VMN20EB
REPLACEMENT STYLUS FOR VM520EB
Elliptical Bonded stylus
Bonded Round Shank construction
Blue

Best of Soundtrack Covers. Feinstes Vinyl-Artwork der legendärsten Filmmusik-Klassiker. Vinyl Schallplatten und Record Stores erleben aktuell ein Revival und damit rücken auch die kunstvoll gestalteten Cover der vergangenen Jahrzehnte wieder ins Bewusstsein und präsentieren uns auf eine inspirierende Art echte Musik- und Designgeschichte. Für diesen Abreißkalender haben wir 365 der legendärsten Soundtrack Plattencover aus den letzten Jahrzehnten ausgewählt. Ein absolutes must-have für alle Filmfans und Soundtrack-Liebhaber! Und das Beste: mit den abgedruckten Spotify Codes kann jedes Album überall und sofort probegehört werden.

Direct Drive Turntable with Bluetooth® aptX HD

• Bluetooth aptX HD – Switchable Hi-Res wireless streaming. Place the turntable on a flat-surface that suits you.
• Built-In Phono Stage – Switchable phono pre-amp, direct connection to amp – keep your setup simple.
• Direct Drive – Consistent drive speed with pitch-perfect audio reproduction.
• Pre-installed High-Output MC Cartridge – Pristine musical detail, custom design. Easy setup.
• New Tonearm with Removable Headshell – Lightweight and strong. Tracks your records flawlessly.

Just Add Vinyl
You’ve spent years curating the perfect record collection, searching for hidden gems in record shops and online – because you love music. Our shared love means that we didn’t stop with Alva TT.
We pushed on to create Alva TT V2; with a direct drive system, bespoke MC cartridge, an all-new tone-arm, and Hi-Res Bluetooth with an integrated phono stage – both now switchable.
We believe that your records deserve to sound as fantastic as they look.

King of Convenience
Alva TT V2 is for people who want to listen to records at exceptional quality – without the need to choose or fit extra components. TT V2 comes with a bespoke designed cartridge pre-installed. It connects to pretty much any audio system too, thanks to a switchable integrated phono-stage. It even works wirelessly with high quality Bluetooth speaker systems.

Hi-Res Bluetooth
Built-in Bluetooth aptX HD liberates Alva from the rest of your hi-fi. With the freedom to place an Alva deck on any flat surface, your records take centre-stage. Music can be streamed to any compatible Bluetooth kit, including headphones, at up to 24bit/48kHz Hi-Res quality. Or, you can deactivate it and simply use phono cables – it’s your call.

Integrated Phono Stage
Alva TT V2 has an integrated phono stage (phono pre-amp), derived from our award-winning Alva Duo – to reveal incredible detail from your records. It means you can connect TT V2 to any amp or compatible speaker system. You can deactivate the deck’s phono stage, too – ideal if your amp already has one or to keep upgrade options open.

MC Cartridge Pre-installed
Alva TT V2’s bespoke cartridge is ready fitted – so there’s no tricky set-up, and its sound is perfectly matched to the other components in the turntable. We designed the high-output Moving Coil (MC) cartridge with an exposed cantilever. It reduces unwanted resonance and vibration, delivers high levels of gain and outstanding musical detail during playback.

Direct Drive
Alva TT V2 has a medium-torque Direct Drive motor, like its predecessor the TT. The 8 pole, 3 phase, brushless DC motor is quartz controlled to ensure accurate turntable speed. With precision control, and silent running, Alva TT V2 achieves just 0.06% wow and flutter. This means excellent pitch stability – particularly during longer, more sustained, musical notes.

Reassuringly Solid Platter
Complimenting the direct drive motor, Alva TT V2’s platter has the feel of finely polished stone. It’s made from Polyoxymethylene, a semi-crystalline thermoplastic used in precision engineering applications, where high stiffness and dimensional stability are demanded. The weight of the platter, coupled with our medium torque direct drive motor, ensures excellent speed stability during playback of records.

All-New Tonearm
After hours of testing, our engineers selected a new high-mass, low-resonance tonearm for Alva TT V2 and Alva ST. By minimising resonant frequencies, and in combination with the cartridge, it helps retrieve the maximum detail from your records. A detachable die-cast aluminium headshell makes swapping cartridges easy – then fine-tuned with greater precision thanks to a new anti-skating dial.

Designed for Life
A record collection can last a lifetime, so why shouldn’t a turntable? We built Alva TT V2 to endure, starting with a top plate hewn from 6mm aluminium plate, and layer of EVA to absorb vibration sitting on MDF. It’s cradled in a composite chassis and weighs an impressive 10.9kg. Reassuring solid construction, with great acoustic qualities too.

Timeless Style, from London
Finished with a lunar-grey aluminium top plate and matt black plinth, tapering to our trademark floating wedge base, Alva TT V2 celebrates our timeless house-style. It’s the perfect match for our best-selling CX Series hi-fi separates and shares the laser-etched brand logo with our premium Edge Series.

Dust Never Sleeps
Keep your new Alva turntable’s finely balanced tonearm and aluminium top-plate pristine when you’ve finished spinning discs for the day, with the hinged dust-cover. It’s easy to raise, lower, remove and re-attach – the choice is yours.

Technical specifications:
• TYPE: Direct Drive
• TURNTABLE SPEEDS: 33.3, 45rpm
• WOW & FLUTTER: <0.1%
• TURNTABLE PLATTER: POM (Polyoxymethylene)
• PLATTER DIAMETER: 305mm
• PLATTER WEIGHT: 2.2kg
• AUDIO OUT: RCA Phono/Line Level (Switchable)
• BLUETOOTH: SBC/aptX/aptX HD
• POWER SUPPLY: AC 100-240V, 60/50Hz
• POWER CONSUMPTION: 5.5W
• MAX POWER CONSUMPTION: 20W
• STANDBY POWER CONSUMPTION: <0.25W
• DIMENSIONS (W X H X D): 435 x 139 x 368mm
• WEIGHT: 10.9kg
• PHONO STAGE GAIN @1KHZ: 42dB
• PHONO STAGE NOMINAL OUTPUT: 250Vrms
• PHONO STAGE INPUT NOISE (A-WEIGHTED): 0.1u Vrms
• PHONO STAGE RIAA CURVE ACCURACY: *+/- 0.3dB 30Hz-20kHz
• PHONO STAGE SIGNAL/NOISE RATIO: >90dB
• PHONO STAGE THD+N 1KHZ: 0.0025%
• PHONO STAGE INPUT IMPEDANCE: 47Ω
• PHONO STAGE INPUT CAPACITANCE: 100pF
• TONEARM TYPE: Static Balanced Tonearm w/ detachable Headshell
• TONEARM EFFECTIVE LENGTH: 221.5mm
• TONEARM OVERHANG: 19mm
• TONEARM EFFECTIVE MASS: 19.6g
• TONEARM COMPATIBLE CARTRIDGE WEIGHTS: 4.5-12g
• CARTRIDGE: High Output Moving Coil
• CARTRIDGE FREQUENCY RESPONSE: *+/- 1dB 30Hz-20kHz
• CARTRIDGE STYLUS: Elliptical
• CARTRIDGE CANTILEVER: Aluminium
• CARTRIDGE OUTPUT LEVEL: 2mV @1kHz
• CARTRIDGE TRACKING FORCE: 2g
• CARTRIDGE RECOMMENDED LOAD: 47Ω

Manual: https://manuals.cambridgeaudio.com/en/alva-tt-v2

Integrated Stereo Amplifier with (Built-in) Phono-Stage

• 35 Watts Power per Channel – for detailed performance at all volumes, ideal for smaller/medium sized rooms
• Built-In Phono Stage – to plug & play a vinyl turntable
• Slim Timeless Design – classic hi-fi size, with Lunar Grey aluminium trim
• Tone Controls – fine-tune sound to compensate for room dynamics
• Digital Display – white LED, clearly shows; source, volume & menus
• Headphone Socket – full size socket for high-quality after-hours listening
• Front Aux Input – 3.5mm socket to easily connect compatible devices

Sound Comes First
Our AXA35 integrated amp offers 35 watts per channel and has a built-in moving magnet phono stage – perfect for vinyl enthusiasts. A white LED dot matrix display confirms listening source, and separate tone controls mean you can adjust the sound to suit your taste. There’s a large ¼” (6.35mm) headphone socket too, ideal for high-quality listening without disturbing those who might not share your great taste in music.

Your Journey into Sound
AXA35 is the ideal amp to begin listening to music and really appreciating it – hearing detail in familiar tunes you’ve previously missed. That’s down to the toroidal transformer it uses, a tech found higher up our range. Choose a pair of speakers to suit your taste, perhaps they’ve been in the family for years or maybe something from our SX Series.

Release the Wheels of Steel
The built-in phono stage is the ace up AXA35’s sleeve. It means that you can plug a turntable straight in without any extra kit. Moving magnet (MM) compatibility means AXA35 works with a wide variety of turntables – including that vintage one you’ve had your eye on. Soon you’ll be playing the records you’ve been saving for, and planning what to buy next.

Setting the Tone
With separate bass and treble controls, you can fine-tune AXA35’s sound to suit your taste, speakers and room dynamics. The volume level is shown on the LED dot matrix display, and with 35 watts per channel you’ll have plenty of kick for smaller to medium sized rooms.

Wired for Sound
AXA35 is a well-connected amp, with no less than 4 pairs of RCA inputs, plus a pair of phono sockets for a turntable and a pair of recording outputs. There’s a rear USB socket for technical upgrades. Hi-fi quality speaker binding posts (connectors), compatible for banana plugs, mean that thick cable connects securely for an authentic sound.

Designed for Life
As with the rest of AX Series, AXA35 shares our house-style of Lunar Grey minimalist fascia, black steel cabinet and ‘floating’ base. This timeless look enables an upgrade path through our range. A slim build, in the classic 430mm hi-fi width, also means that AXA35 can easily slot, and breathe new life, into a much-loved system.

Technical specifications:
• POWER OUTPUT: 35 Watts (into 8 Ohms)
• THD (UNWEIGHTED): <0.01% @ 1kHz, 80% of rated power <0.15% 20Hz - 20kHz, 80% of rated power
• FREQUENCY RESPONSE (-3DB): 5Hz - 50kHz
• S/N RATIO (REF 1W): >82dB (unweighted)
• INPUT IMPEDANCES: 47k ohms
• POWER AMP DAMPING FACTOR: > 50
• MAX. POWER CONSUMPTION: 260W
• BASS/TREBLE CONTROLS: Shelving, ultimate boost/cut +/- 10dB @ 100Hz and 10kHz
• STANDBY POWER CONSUMPTION: <0.5W
• INPUTS: 4x RCA, 1x Phono, 1 x 3.5mm Aux input (front panel)
• OUTPUTS: Speakers, Rec Out, USB 5V power
• DIMENSIONS (HXWXD): 83 x 430 x 335mm (3.3 x 16.9 x 13.2”)
• WEIGHT: 5.6kg (12.3lbs)
• IN THE BOX: AXA35 Integrated Amplifier, Power Cable, Remote Control, 2 x AAA Batteries

Moving Coil & Moving Magnet Phono Preamp

Squeeze every inch of detail from your record collection with our highest quality moving magnet and moving coil phono stage, with integrated headphone amp; the Duo Phono Preamplifier.

Vinyl as it's Supposed to Sound
Whether you’re dusting off your record collection or embracing analogue through the vinyl revival, there’s a unique experience to be had from the moment you drop the needle on your favourite album. To preserve the unique warmth of the vinyl sound, the Duo phono preamplifier has been carefully designed with a state-of-the-art switch mode power supply and a new surface mounted circuit board layout to reduce unwanted noise.

Why Choose a Dedicated Phono Preamplifier?
Due to the low-level signals created by a turntable, not all hi-fi amplifiers will let you connect directly to a record player. The phono preamplifier boosts this signal to something a power amplifier can work with. The challenge at this stage though is that noise can easily be added.
This is why we’ve designed the Duo around exceptional components that deliver the warm and detailed sound that’s synonymous with vinyl, all without distorting the signal from your moving magnet cartridge turntable. The switch mode power supply improves performance by switching outside of audible frequency to drastically reduce hum and new circuit board layout uses surface-mount components to reduce noise.

Vinyl. Just for You
Enjoy the warmth of vinyl privately thanks to Duo’s integrated headphone output. Uniquely, we integrated a 6.35mm headphone jack directly into the phono stage, so you can still enjoy your records when there’s no option to play out loud.
The integrated headphone output also means no need to turn on your amplifier just to power your headphones, resulting in a more eco-friendly listening experience.

Attention to Detail
If some records in your collection are a little worse for wear, the subsonic filter will help to eliminate low frequency rumbles that can be caused by imperfections within your vinyl. Combine this with the balance control for handling potential cartridge imbalances in your record player (that can cause a difference between the left and right channels) and the result is a detailed experience with accurate soundstage.

Eco Friendly
The Duo phono preamplifier is green at heart with less than half a watt standby power consumption and auto power down feature if the unit isn’t used after a 20 minute period. This in turn gives the unit the same worldwide voltage for compatibility wherever you are in the world.

Technical specifications:
• MAX POWER CONSUMPTION: 10W
• CARTRIDGE SUPPORT: Moving Magnet | Moving Coil
• GAIN @ 1KHZ: MM: 39dB | MC: 60dB
• NOMINAL OUTPUT: 300mV
• SENSITIVITY FOR NOMINAL OUTPUT: MM: 3.35mV | MC: 305uV
• EQUIVALENT INPUT NOISE (A-WEIGHTED): MM: ~0.09uV | MC: ~0.08uV
• RIAA CURVE ACCURACY: +/- 0.3dB 30Hz-50Hz
• SIGNAL TO NOISE RATIO GROUNDED INPUTS REF. 1V OUTPUT (20HZ-20KHZ BW): MM: >90dB | MC: >70dB
• THD+N 1KHZ (20-20KHZ BW): MM: <0.0025% | MC: <0.20%
• INPUT IMPEDANCE: MM: 47k Ohms | MC: 100 Ohms
• INPUT CAPACITANCE: 100pF
• OVERLOAD MARGIN: >30dB
• CROSSTALK @ 10KHZ: MM: >85dB | MC: 75dB
• DIMENSIONS (H X W X D): 48 x 215 x 159 mm (1.9 x 8.5 x 6.2")
• WEIGHT: 0.95kg (2.1lbs)
• WHATS IN THE BOX?: Alva Duo Moving Coil & Moving Magnet Phono Preamp, User Manual, Safety Guide, Mains Lead

Moving Magnet Phono Preamplifier

Enjoy every last detail from your vinyl collection with our highest quality moving magnet phono stage, the Solo Phono Preamplifier.

Vinyl as it's Supposed to Sound
Whether you’re dusting off your record collection or embracing analogue through the vinyl revival, there’s a unique experience to be had from the moment you drop the needle on your favourite album. To preserve the unique warmth of the vinyl sound, the Solo phono preamplifier has been carefully designed with a state-of-the-art switch mode power supply and a new surface mounted circuit board layout to reduce unwanted noise.

Why Choose a Dedicated Phono Stage?
Due to the low-level signals created by a turntable, not all hi-fi amplifiers will let you connect directly to a record player. The phono preamplifier boosts this signal to something a power amplifier can work with. The challenge at this stage though is that noise can easily be added.
This is why we’ve designed the Solo around exceptional components that deliver the warm and detailed sound that’s synonymous with vinyl, all without distorting the signal from your moving magnet cartridge. The switch mode power supply improves performance by switching outside of audible frequency to drastically reduce hum and new circuit board layout uses surface-mount components to reduce noise.

Attention to Detail
If some records in your collection are a little worse for wear, the subsonic filter will help to eliminate low frequency rumbles that can be caused by imperfections within your vinyl. Combine this with the balance control for handling potential cartridge imbalances in your record player (that can cause a difference between the left and right channels) and the result is a detailed experience with accurate soundstage.

Eco Friendly
The Solo phono preamplifier is green at heart with less than half a watt standby power consumption and auto power down feature if the unit isn’t used after a 20 minute period. This in turn gives the unit the same worldwide voltage for compatibility wherever you are in the world.

Technical specifications:
• MAX POWER CONSUMPTION: 10W
• GAIN @ 1KHZ: 39dB
• NOMINAL OUTPUT: 300mV
• SENSITIVITY FOR NOMINAL OUTPUT: 3.35mV
• EQUIVALENT INPUT NOISE (A-WEIGHTED): ~0.09uV
• RIAA CURVE ACCURACY: +/- 0.65dB 30Hz-20kHz
• SIGNAL TO NOISE RATIO GROUNDED INPUTS REF. 1V OUTPUT (20HZ-20KHZ BW): >90dB
• THD+N 1KHZ (20-20KHZ BW): <0.0025%
• INPUT IMPEDANCE: 47k Ohm
• INPUT CAPACITANCE: 100pF
• OVERLOAD MARGIN: >30dB
• CROSSTALK @10KHZ: >85dB
• DIMENSIONS (H X W X D): 48x176x132 (1.9x6.9x5.2”)
• WEIGHT: 0.68kg/1.5lbs
• WHATS IN THE BOX: Alva Solo Moving Magnet Phono Preamplifier, User Manual, Safety Guide, Mains lead

70W Subwoofer

• 70W integrated amplifier – for clean, immediate power to the driver
• 203mm (8’’) long-throw woofer – for smooth & even frequency response
• CAD modelled rigid MDF cabinet – reduces standing waves, keeping internal vibration to a minimum
• Individual vol., crossover & phase adjustment – for precise control
• Auto detect (on/off) – conserves power

SX120. Sub-Bass Comes First
Our SX120 subwoofer adds rich sub-bass textures to listening, when used in combination with other speakers in the SX Series. The integrated 70W RMS amplifier and custom designed 203mm (8”) driver, come into their own for home cinema applications. Films move from a passive to immersive experience, as SX120 brings deep atmospheric drama to soundtracks.

Power on Demand
SX120 benefits from an internal 70W amplifier that draws on our experience gained from designing award-winning amps over many years. Subwoofer amps should produce their power in a completely linear way to avoid distortion, which can trouble low frequencies. SX120 does just that, meaning that your movie soundtracks have the explosive power they need, when you need it.

Solid as The Rock
Home theatre speaker engineering starts with the cabinet. Computer-aided design (CAD) was used extensively to refine SX120’s internal structures, to ensure that while the driver is vibrating with your soundtrack, the cabinet isn’t. This means that every millimetre of movement from the sub-bass is directed where it should be.

How Low Can you Go?
SX120 has a large 203mm (8") long-throw woofer, made from specially treated paper. Audio manufacturers have been using it for years, as paper’s impressive strength-to-weight ratio is matched by excellent tonality – allowing movie soundtracks to hit new atmospheric depths.

One Driver, In Sync
Matching a subwoofer to the other speakers in your setup can feel complicated. Our team in London took great care and attention when designing the amplifier inside SX120. You can adjust the bass frequencies to mesh perfectly with the rest of your speaker setup. The result? Your films sound engaging, energetic and full of atmosphere.

Engineered, Front to Back
The attention to detail on SX120 runs from front to back. There are two neat bass reflex ports around the back, allowing you to adjust the sub-bass by relative position from the wall. You’ll also find switches and knobs to fine-tune the subwoofer’s performance (when you set it up) in relation to the other speakers in your setup.

Designed for Real Life
The new look SX120 subwoofer’s clean, understated design allows it to sit unobtrusively on the floor, tucked away in a corner. Leave the grille on to protect the driver from little fingers, or your vacuum cleaner – alternatively take it off to celebrate your great taste in movies (and speakers).

Technical specifications:
• SENSITIVITY: 180mV for full power output
• FREQUENCY RESPONSE: 34Hz - 150Hz
• RATED OUTPUT POWER: 70W
• DRIVE UNITS: 1 x 8" (203mm) long throw woofer
• CROSSOVER: 50 - 150Hz continuous/active
• MAX. POWER CONSUMPTION: 100W
• COLOUR: Black Matte
• DIMENSIONS (WXHXD): 300 x 300 x 310mm (11.8 x 11.8 x 12.2")
• WEIGHT: 7.7kg (17lbs)

Standmount Speakers

• 25mm silk dome tweeter – for refined presentation
• 165mm treated paper cone – for a smooth & even frequency response
• Precisely optimised crossovers – for a neutral, phase linear, response
• CAD modelled rigid MDF cabinet – reduces standing waves, keeping internal vibration to a minimum
• Refreshed clean design – designed to complement today’s interiors

SX60. Sound Comes First
SX60 standmount speakers build on the strengths of SX50, taking on a larger form-factor for an assured musical performance. They can work happily in bigger spaces, while still offering you flexibility in terms of placement. Speaker stands or a cabinet top, it’s your call. SX60’s combination of engineering, confident sound reproduction, and price makes them a winning combination.

Rock Solid Foundations
Hi-fi speaker engineering starts with the cabinet. Computer-aided design (CAD) was used extensively to refine SX60’s internal structures, to ensure that while the drivers are vibrating with your music, the cabinet isn’t. This means that every millimetre of movement from the drivers is directed where it should be – at you.

Stand and Deliver
SX60 speakers have a 165mm (6.5") woofer made from treated paper. Hi-fi manufacturers have used it for years, as paper’s impressive strength-to-weight ratio is matched by excellent tonality – so instruments sound rich, well defined, and real. 25mm (1") soft dome tweeters, made from treated silk, take care of the higher frequencies – with the same balance of realism and refinement.

Two Drivers, One Voice
Our team in London took great care and attention when designing the crossovers in SX60 – as they’re responsible for ensuring that each driver receives the correct frequency. Accuracy of timing and stereo imaging depend on phase remaining completely linear, from top to bottom. The result? Your music sounds engaging, energetic and real.

Engineered, Front to Back
Attention to detail on SX60 runs from front to back. There’s a neat bass reflex port, directly under the woofer, which emphasises lower frequencies to provide rich engaging sound. Spin SX60 around to reveal a pair of high-quality speaker binding posts (connectors), which can accept thick speaker cable – with or without banana plugs.

Designed for Real Life
New look SX60’s clean, understated design allows them to sit in a variety of spaces, and work well in all. Leave the grilles on to protect the drivers from little fingers, or to gain acceptance from your interior designer – alternatively take them off to celebrate your great taste in music (and speakers).

Technical specifications:
• SENSITIVITY: 89dB
• FREQUENCY RESPONSE: 41Hz - 22 kHz
• IMPEDANCE: 8 Ohms
• RECOMMENDED AMPLIFIER POWER: 20-100 watts
• DRIVERS: Tweeter: 1 x 25mm (1") silk dome tweeterMid/Bass: 1 x 165mm (6.5") doped paper cone
• CROSSOVER: 2 way
• PORTED: 1 front
• COLOUR: Black Matte
• DIMENSIONS (HXWXD): 340 x 200 x 272mm (13.3 x 7.9 x 10.7")
• WEIGHT: 5.0kg (11lbs)

Finally, a brilliant exploration of the German rock band Can's monumental 1971 album Tago Mago.
Tago Mago is a hugely unique and influential album that deserves close analysis from a fan, rather than a
musicologist. In this officially approved account of one of the most influential and powerful albums of the 1970s, Scottish novelist Alan Warner details the
concrete music we hear on the album as well as how it was composed,
executed and recorded—including the history of the album in terms of
its release, promotion and art work. Warner includes a backtracking of
the history of the band up to that point and also some description of Can's unique recording approach taking into account their home studio set up. Yet this tale of Tago Mago is more than just a history of the band; it is also the tale of a young man obsessed with record collecting
in the dark and mysterious period of pop music before Google.
Through a combination of Warner’s own experiences and interviews with the two surviving members of the band (drummer Jaki Liebezeit, keyboardist Irmin Schmidt and bassist Holger Czukay) Can’s Tago Mago
is a hilariously personal and illuminating picture of one of the biggest names in experimental rock.

160 pages, paperback.

Regular cleaning of a record ensures consistently good sound quality. Our carbon fibre brush is a practical must-have for record care and cleaning.

With the carbon fibre brush from our Vinyl Care by HHV series you clean your LPs before each playback. To do this, hold the brush without pressure over the rotating record.

The carbon fibres remove fine dust particles from the vinyl grooves. In addition, thanks to the antistatic effect, the record is prevented from attracting dust from the air.

The aluminum housing forms the handle; the folding handle prevents the fibres from bending during storage.

Limited to 500 hand numbered copies!

20 Years HHV: our team has selected an album from each of these years that is particularly relevant and precious to us. On a monthly basis, we release exclusive and limited pressings of these records in collaboration with some of our favorite labels.

It's taken just two short years for Dunham Records - an imprint of Daptone Records - to establish itself as one of the most captivating creative forces in soul music. The brainchild of guitarist/producer Thomas "Tommy TNT" Brenneck, Dunham's indelibly atmospheric sound is epitomized by its flagship artist, Menahan Street Band. After releasing a handful of crucial 45s, Dunham Records prepares to enter the next phase of its evolution with the debut album of its inaugural vocalist, Charles Bradley.

Charles Bradley’s voice has evolved from a lifetime of paying dues, having nomadically labored for decades at various day jobs from Maine to Alaska – singing and performing in his spare time – before re-settling in his hometown Brooklyn and eventually finding a musical home at Dunham. In his distinctively rough-hewn timbre one hears the unmistakable voice of experience – each note and gruff inflection a reflection of his extended, sometimes rocky, personal path. It’s only fitting that No Time For Dreaming’s producer Brenneck (also a member of The Dap-Kings and The Budos Band) would recognize in Bradley a kindred musical spirit – a singer whose performances exude both raw power and poignant beauty. Recorded at Dunham Studios, and mixed at Daptone Records’ internationally revered "House of Soul" Studios, No Time For Dreaming is the inspired sound of an awakening.

The nano phono V2 phonostage isn’t ruffled by anything.
External interferences are no longer an issue with this fine piece
of engineering. Its meticulously selected SMD components
are assembled by hand in Erlangen and tested several times.
The reward of these efforts is a signal to noise ratio of up to
84 decibels. The input impedance is set using plug-in links,
so there is no loss of quality when using different moving
magnet and moving coil cartridges. The nano phono
headphone V2 additionally contains a powerful headphone
amplifier within the solid aluminium housing for private
listening at the highest fidelity.

FEATURES
Technical Specifications:
• MODE: MM / MC switchable by jumpers (at bottom) / Subsonic filter switchable by jumpers (at bottom)
• AMPLIFICATION: 34dB (MM mode) / 54dB (MC mode)
• INPUT LOAD: 47 kΩ/ 220pF / MM mode / User MC mode
• RIAA ACCURACY: ± 0.4dB @ 20Hz - 50kHz
• THD: < 0.04%
• SIGNAL TO NOISE RATIO: 81dB (A) (MM mode) / 70dB (A) (MC mode)
• HEADROOM: 18dB / MC
• MAX. OUTPUT VOLTAGE: 10V eff (1 kHz)
• RIAA: Nach RIAA (Zeitkonst.: 75µs / 318µs / 3180µs)
• CHANNEL SEPERATION: > 80dB @ 1kHz
• OUTPUT IMPEDANCE: 75Ω
• INPUTS: unbalanced (RCA)
• OUTPUTS: unbalanced (RCA) / optional headphone output (Jack: 3.5mm)
• POWER CONSUMPTION: Max. consumption: 2.3 Watt / In operation: 2.3 Watt / Standby mode: < 0.3 Watt / Off mode: 0.0 Watt
• POWER SUPPLY: ±18V DC / 300mA / (external power supply)
• TOTAL WEIGHT: Approx. 500g (Preamp and power supply)
• DIMENSIONS (W/D/H): Approx. 3.35 × 4.17 × 0.98 inches
• DIMENSIONS (W/D/H): Approx. 85 × 106 × 25mm
• MANUFACTURER'S WARRANTY: 3 years*
* Provided the warranty card is fully completed and returned to Clearaudio within 2 weeks of purchase.

Manual: https://clearaudio.de/_assets/_pdf/manuals/electronics/CA_Nano%20P+%20Headphone%20V2_D+E.pdf?d=1670854434

A freshly-cleaned vinyl record has so much more to offer: more information, more detail and better sound. That's why audio experts advocate cleaning not only your latest flea market finds but also your brand new LPs fresh from the press.
Clearaudio's smart matrix SILENT record cleaning machine combines scrupulous cleaning with oh-so-gentle handling of your precious vinyl collection. No more dust, dirt or chemical pressing residues. And, as its name suggests, this 'vinyl whisperer' comes with an exceptionally quiet operating mode. What's more, in its new enhanced edition the smart matrix SILENT is smarter than ever, sporting a raft of intelligent upgrades.

- The multi-functional cleaning arm deftly handles cleaning fluid application as well as suction, and is easily adjustable to any size of vinyl or shellac record.
- To start the cleaning process, simply swing the arm into place. No need to even press a button.
- Key components such as the motor, pump, cleaning fluid reservoir and waste fluid tank are now identical to those in our top-of-range ‘Professional’ model.
- Selecting functions and features is more intuitive and effortless than ever, thanks to new high quality, tactile push buttons for all controls.
- For ease of maintenance and transport the cleaning arm can be removed without the need for tools.
- The smart matrix SILENT is now available in a choice of silver or black, and is supplied with a matching universal clamp designed to hold any size of vinyl or shellac record securely in place.

Technical Specifications:
CONSTRUCTION PRINCIPLE
• Bi-directional rotation of the platter
• Integrated fluid application
• Very rigid chassis
• Included record clamp and single adapter
• Multifunctional cleaning arm for LPs, EPs and singles
• Easy controls

POWER CONSUMPTION
• Max. consumption: Approx. 300 watts
• Off mode: 0 watt (by switching off at the rear of the machine)

WEIGHT Approx. 10.6 kg
DIMENSIONS (W/D/H in mm) Approx. 345 × 345 × 235 (with record clamp) / Approx. 345 × 345 × 250 (with dustcover)
WARRANTY 3 years*
* Provided the warranty card is fully completed and returned to Clearaudio within 2 weeks of purchase.

Manual: https://clearaudio.de/_assets/_pdf/manuals/cleaning/CA_smart%20matrix%20SILENT_E+D.pdf?d=1671461176

Roll this fresh scented glob of goo along the direction of the vinyl record grooves to safely remove dust and other debris without scratching.

vinyl cleaning gel:
• Dimensions: 6,35 cm (l), 6,35 cm (w), 7 cm (h)
• Weight: 160 gram gel

Give your turntable a home in your home. With the Manchester record stand your vinyl setup is ready to shine. Designed to fit all of the Crosley briefcase design record players and store up to 30 records between the wire slots. The Manchesters beautiful hardwood and veneer finish gives this mid-century modern turntable stand a craftsman's touch. Available in white and paprika.

• Handcrafted Hardwoods & Veneers
• Wire Slots for Record Storage
• Hand Rubbed Finish
• Wood - White Coloured Veneer
• Flatpack package
• Easy to assemble
• Light Assembly Required
• Dimensions: 45,7 cm (l) 33 cm (w) 63,5 cm (h)
• Weight 5,4 kg

Give your turntable a home in your home. With the Manchester record stand your vinyl setup is ready to shine. Designed to fit all of the Crosley briefcase design record players and store up to 30 records between the wire slots. The Manchesters beautiful hardwood and veneer finish gives this mid-century modern turntable stand a craftsman's touch. Available in white and paprika.

• Handcrafted Hardwoods & Veneers
• Wire Slots for Record Storage
• Hand Rubbed Finish
• Wood - Paprika Coloured Veneer
• Flatpack package
• Easy to assemble
• Light Assembly Required
• Dimensions: 45,7 cm (l) 33 cm (w) 63,5 cm (h)
• Weight 5,4 kg

When you start collecting records you don’t immediately need a cabinet that can hold hundreds of records. Start small with the handy and high-quality Wiltshire furniture piece. The black wire frame makes it a sleek and minimal design. The rack at the front of the Wiltshire has room for about 10 albums. The Mango wooden frame is sturdy for a stable positioning of the turntable.

Specifications:
• Real mango wood
• White washed wood
• Individually hand finished
• Black wire storage
• Holds up to 10 Albums
• Wire record slots for record storage
• No assembly needed
• Material: MDF with Mango-coloured veneer finish, steel slots
• Weight: 5,8 kg
• Dimensions (LxWxH): 48.26 cm x 35.56 cm x 50.8 cm

Limited to 1000 copies, only available at HHV!

Simply calling Curtis Harding a soul man feels reductive. Harding’s voice conveys pain, pleasure, longing, tenderness, sadness and strength—a full gamut of emotions. Today his voice takes on an optimistic lilt with his his new album, If Words Were Flowers. If Words Were Flowers is Harding’s first new music since 2018, a follow up to his critically acclaimed ‘Face Your Fears” album. It features songs like “ Hopeful” , where Harding croons with devotion over a classic soul groove, textured with infectious horn playing, background singers and modern psychedelic flourishes. Harding fuels his psychedelic sound with the essence of Soul but isn’t bound by it. Instead, his songs convey an eclectic blend of genres leaping from the many musical lives he has lived from following his evangelical Gospel-singing mother on tour around the country as a child to rapping in Atlanta, forming a garage band with The Black Lips’ Cole Alexander to singing back-up for Cee Lo Green. Through these experiences he fully embraces life’s darkest intricacies and conjures dynamic, addictive melodies.

Like a well-made playlist, the album covers in this volume combine to create a portrait of cool and culture desired by art, music, and record lovers alike. Art Sleeves is a time capsule of visual art and music culture as shown through the most important record covers designed by visual artists and graphic designers in the past forty years. This tightly curated collection of covers chosen includes works with significant cultural impact as well as collaborations that themselves created cultural fascination.The eclectic roster of visual artist-musician collaborations presented spans art and musical genres as well as generations, including Ryan McGinley for Sigur Rós, Kara Walker for Arto Lindsay, Peter Saville for Joy Division, Barbara Kruger for Growing Up Skipper, Jeff Koons for Lady Gaga, Tauba Auerbach for Glasser, and Stanley Donwood for Radiohead, to name a few. From postmodernist paintings and minimalism to collage and photography, as well as New Wave, emo, pop, and punk, the albums chosen present a bright and rich visual and cultural history.This inspiring volume celebrates this long creative tradition of visual artist-musician collaborations and, just like a perfect album, it will be treasured by art, and record lovers alike.

THE SHOW & LISTEN FLIP FRAME’S EASY OPENING MECHANISM ALLOWS THE CONTENTS TO BE CHANGED
WITHOUT REMOVING THE FRAME FROM THE WALL.
VINYL LP’S CAN BE DISPLAYED DUE TO THE “SPONGE FINGER” CUSHIONING BACKPLATE,
FROM 12” SINGLES, LP’S, DOUBLES AND EVEN TRIPLE ALBUMS.

Donald Byrd’s 1975 album Places and Spaces featuring the hits “Wind Parade” and “Dominoes” was the culmination of the great trumpeter’s fusion period.

It was the fifth consecutive Byrd album to be produced by visionary producer Larry Mizell, and the second to last session Byrd would cut for Blue Note, the label he had recorded for since 1958 that had followed him along his remarkable evolution from top-notch hard bop trumpeter to pioneer of R&B/Funk fusion.

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

The lauded krautrocking, global groove ensemble’s first album On maverick producer Madlib’s label. The late Christian Burchard, who founded the Embryo ensemble in 1969, loved the slogan Auf Auf, German for Up, Up, or Keep On Going. Anyone with anything more than a passing interest in the German Krautock scene of the 1970s and 1980s knows that Burchard followed that intent, all around the world, tirelessly seeking out new sounds and inspirations and creating a catalog of music unlike most anything else the world has ever heard. Madlib has often said Embryo is his favorite rock band. Of course the hip-hop-producer-with-the-deepest-musical-knowledge knows Embryo is more than just a rock band – but, for the purposes of these notes, let’s keep it simple. When Marja Burchard, Christan’s daughter, who grew up with Embryo and toured with them for years, took the reins of the ensemble after Christian’s death in 2018, she started recording what would become this album, over the course of two years, finishing it in the throes of the Covid pandemic in 2020. She approached Madlib and Egon, who had, years back, visited and jammed with Christian Burchard, and Embryo musicians Uve Mullrich, Roman Bunka and Jan Weissenfeldt, in a Bavarian wine cellar, with the idea to issue Auf Auf on Madlib Invazion. The reply was a resounding, definitive “yes.” So here is Marja’s take on the Embryo ethos, continuing with her father’s intrepid style, and leading the band in her own style. Auf Auf ranges from the deep, free-form jazz of “Alphorn Prayer” to modal music from Afghanistan on “Baran” to psychedelic-tinged jazz-rock of the title track Joining Marja are those like Embryo veterans Bunka, on oud and guitar, and Karl Hector and the Malcouns/Whitefield Brothers/Poets of Rhythm producer and guitarist Jan Weissenfeldt and others, including important players on the global scene from Afghanistan and Morocco.

The FLUX-Hifi VINYL-BRUSH is designed to free the record on the turntable from surface dust and static charging. A completely new design combines velvet pads with an integrated carbon brush. The special office ensures a flat cleaning of the plate surface, dust particles are completely removed. The carbon brush prevents static charging of the record. How crackling and crackling noises are minimized and prevents further dusting of the record. Only when the LP is free of dust can the pickup system control the record without noise and Scan distortions. For cleaning the needle, we recommend the FLUX-Sonic, the innovative electronic needle cleaner.

• special Office for Record Cleaning
• gentle dust removal
• integrated carbon brush
• prevents static charging
• ergonomic housing
• Combination of velvet and carbon fiber brushes
• Weight: 45 g
• Dimensions: 11,5 x 5 x 3,5 cm

The carbon fiber brush is primarily used to remove static from the record. Here it is very important that the fiber and the aluminum housing are electrically connected and the aluminum is not coated, otherwise the static dissipation cannot be realized.

The velvet takes the dust from the surface. Our velvet has a pile height of 1.2mm, the fiber is a multifilament yarn with a high basis weight of 500g/lfm.

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

The FLUX-Turbo is a unique, completely newly developed device to quickly and easily free the record from dust and dirt. The Vinyl Turbo combines a carbon brush with an integrated, extremely powerful suction system.

After more than a year of development, we at Flux HiFi are now presented with the FLUX-Turbo. A plate brush with integrated suction. Sounds simple, but it isn’t.

The enemy of record reproduction is dust. This consists of many components. Silicates, polymers, organic substances, everything is contained. With a plate washing machine that works with a fluid, I get most of it cleaned, even release agent residues are removed. But what then? As soon as the valuable disc is put on, the dust falls on the record like snow. This creates some problems. Particles and hair settle on the needle, making scanning virtually impossible. For this purpose, the dust particles on the plate constantly cause enormous crackling noises, which lead to considerable distortions.

With a commercially available plate brush, the dust is collected, but with the exception of a few coarse particles that the brush absorbs, it is rather pressed into the groove floor and distributed, the Flux Turbo quickly provides a remedy. The suction force is so strong that almost all particles are sucked in, already in 1-2 revolutions.

The interior of the turbo is very complex. In order to achieve a well-usable suction force in this small, lightweight housing, each item had to be specially developed. From the fan wheel geometry to the shape of the suction channel, it has been optimized where it went. At the slightly inclined suction channel end you can easily see the integrated guidelines, which ensure that the whole surface is evenly extracted. An elaborate filter construction, the cartridge of which can be easily replaced, absorbs the dirt. The capacity ranges far beyond 100 applications, as well as the durability of the batteries.

Everything was thought of here. Even the velvet skids, which ensure that the surface of the record is not damaged, are easy to replace.

The brush insert made of real carbon fibers is additionally grounded, so that the sound patter is removed from the static charge, which attracts even more dust. The large contact strip under the switch is responsible for this. This is electrically connected to the conductive brush fibers.

The effect on playback is surprisingly strong. The sound seems liberated. Even complex music with strong controls is played back much less distortionally. Scanning noises, previously characteristic of analogue playback, are reduced by up to 50 by the suction before hearing. This is not about achieving clinically pure reproduction, but to get everything that is contained on the record out optimally. And that’s a lot. More than one dared to hope !

Simplicity is crucial when using the Flux Turbo. Quickly sucked over the plate and the pleasure can start. Hearing better records than ever before !

The FLUX-Hifi Vinyl-Turbo is a unique, completely newly developed device to quickly and easily free the record from dust and dirt. The Vinyl Turbo combines a carbon brush with an integrated, extremely powerful suction system.
For this purpose, a special cyclone with replaceable filter was developed, which makes it possible to realize a strong suction performance despite the small housing size (dimension 125 x 122 x 64mm).
Surface dust, as well as the dirt that sits deep in the groove, is extracted without residue within a few revolutions.

Only when the LP is free of dust can the pickup system scan the record without interference and distortion.

With the Turbo, a new era in record maintenance has begun.

• cleans and maintains your valuable records
• works without liquid and without additives
• quick and easy to use on the turntable
• increases the life of the plate and needle
• increases sound quality
• Filter cartridge and sliding skids available in a cheap double pack
• MADE IN GERMANY
• 3-year warranty
• Weight 229 g
• Size: 11,5 x 14 x 6 cm

As featured in Wallpaper*, The Wall Street Journal, Monocle, and New York Magazine’s, The Strategist

The design, history, and cultural impact of turntables and vinyl technology: the twin powerhouses of the 'vinyl revival' phenomenon

Interest in turntables and records is enjoying a renaissance as analog natives and new converts find their enduring style and extraordinary sound inimitable. Revolution, a follow-up to Phaidon's beloved Hi-Fi: The History of High-End Audio Design, explores the design and cultural impact of the turntable, the component at the center of the 'vinyl revival'. An essential book for audiophiles, collectors, and design fans, Revolution showcases the fascinating history of turntables and vinyl technology from the 1950s to today's cutting-edge designs.

Written by Schwartz, author of Hi-Fi: The History of High-End Audio Design, who is an audio design expert and passionate about analog music, this book includes 300 illustrations from the world of turntables, from affordable to high-end, and everything in between. An essential addition to the bookshelf for analog natives and those new to the vinyl revival as well as music and design lovers.

About the author:
The founder of ultra-high-end audio equipment company Audioarts in New York City, Gideon Schwartz has been credited with conceiving and creating synergistic music systems for some of the most exacting creative individuals in the world. Though coming from wildly disparate fields of cultural influence, all of them have one thing in common – their love and appreciation for music and high-quality audio reproduction.

Schwartz is a former attorney who retired from law to pursue his passion for music and audio equipment. He has authored Hi-Fi: The History of High-End Audio Design and Revolution: The History of Turntable Design and has passionately promoted audio as a distinct expression of compelling industrial design and cultural impact and significance. His books highlight generations of audio equipment, while imbuing in the reader a sense that audio serves as an important conduit for the musical arts.

His work has led him to create home music systems for the likes of record company boss and Johnny Cash, Metallica, U2 and Red Hot Chili Peppers producer Rick Rubin; along with fashion house Supreme CEO James Jebbia; art collector and founder of the Maharam textile company Michael Maharam, in addition to many other high-profile individuals in the commercial and creative arts worlds.

His knowledge of the international hi-fi world is without equal. If you want to learn more about the quest for perfect sound, you need to read Gideon Schwartz.

Specifications:
Format: Hardback
Size: 270 × 205 mm (10 5/8 × 8 1/8 in)
Pages: 264 pp
Illustrations: 300 illustrations
ISBN: 9781838665616

Features:
• 3x vinyl cover frames for 12'' records
• Stylish interior design with your favourite records
• Easy to mount and exchange your vinyl art
• Wide frame border available in black, white and rosewood version
• Adjustable grip mount
• Robust plastic frame and glass cover

Technical Data:
• Outer dimensions: 370 x 370 x 15 mm
• Inner dimensions: 310 x 310 mm
• Weight: 875 g (1 frame)

The Glorious Vinyl Frame Set lets you display your vinyl cover artfully in any setting. The set consists of three vinyl frames and is suitable for all 7'' record covers. A vinyl cover is often more than just a sleeve for your record – many of them are designed with stunning artworks or were individually signed by artists. To avoid your favorite record covers collecting dust in record boxes, we have developed a suitable frame for them. The sturdy plastic construction with glass cover is designed for 7'' covers and is captivating due to its minimal and stylish design, which is available in three colour finishes. The vinyl frame can either be hung on the wall or placed on even surfaces, thanks to the hinged stand. Display your favorite records in style.

Technical Data
•External dimensions: 236 x 14 x 236 mm (L x H x W)
•Internal dimensions: 178 x 178 mm
•Weight: 378 g (1 frame)

Features
•3x vinyl cover frames for 7'' records
•Display your favorite records in style
•Easy mounting and swapping of your vinyl covers
•Sturdy plastic construction with an extra wide frame border
•Adjustable wall mounting bracket
•Additional stand for upright placement
•Available in black, white and rosewood design

The Glorious Vinyl Frame Set lets you display your vinyl cover artfully in any setting. The set consists of three vinyl frames and is suitable for all 7'' record covers. A vinyl cover is often more than just a sleeve for your record – many of them are designed with stunning artworks or were individually signed by artists. To avoid your favorite record covers collecting dust in record boxes, we have developed a suitable frame for them. The sturdy plastic construction with glass cover is designed for 7'' covers and is captivating due to its minimal and stylish design, which is available in three colour finishes. The vinyl frame can either be hung on the wall or placed on even surfaces, thanks to the hinged stand. Display your favorite records in style.

Technical Data
•External dimensions: 236 x 14 x 236 mm (L x H x W)
•Internal dimensions: 178 x 178 mm
•Weight: 378 g (1 frame)

Features
•3x vinyl cover frames for 7'' records
•Display your favorite records in style
•Easy mounting and swapping of your vinyl covers
•Sturdy plastic construction with an extra wide frame border
•Adjustable wall mounting bracket
•Additional stand for upright placement
•Available in black, white and rosewood design

The Glorious Vinyl Frame Set lets you display your vinyl cover artfully in any setting. The set consists of three vinyl frames and is suitable for all 7'' record covers. A vinyl cover is often more than just a sleeve for your record – many of them are designed with stunning artworks or were individually signed by artists. To avoid your favorite record covers collecting dust in record boxes, we have developed a suitable frame for them. The sturdy plastic construction with glass cover is designed for 7'' covers and is captivating due to its minimal and stylish design, which is available in three colour finishes. The vinyl frame can either be hung on the wall or placed on even surfaces, thanks to the hinged stand. Display your favorite records in style.

Technical Data
•External dimensions: 236 x 14 x 236 mm (L x H x W)
•Internal dimensions: 178 x 178 mm
•Weight: 378 g (1 frame)

Features
•3x vinyl cover frames for 7'' records
•Display your favorite records in style
•Easy mounting and swapping of your vinyl covers
•Sturdy plastic construction with an extra wide frame border
•Adjustable wall mounting bracket
•Additional stand for upright placement
•Available in black, white and rosewood design

Plain and solid storage system for 12'' records. These record boxes are made of quality MDF wood, available with black or white shrink-wrap finish.

Technical Data
•Material: MDF wood
•Dimensions: 705 x 355 x 340 mm
•Weight: 11.7 kg

Features
•Holds up to 230 12'' records
•Combination system: perfectly stackable with other Glorious Record Boxes
•Optically matches the Glorious Mix Station and Mix Extension
•Available with black or white shrink-wrap finish

Plain and solid storage system for 12'' records. These record boxes are made of quality MDF wood, available with black or white shrink-wrap finish.

Technical Data
•Material: MDF wood
•Dimensions: 705 x 355 x 340 mm
•Weight: 11.7 kg

Features
•Holds up to 230 12'' records
•Combination system: perfectly stackable with other Glorious Record Boxes
•Optically matches the Glorious Mix Station and Mix Extension
•Available with black or white shrink-wrap finish

Plain and solid storage system for 12'' records. These record boxes are made of quality MDF wood, available as untreated wood edition or black or white shrink-wrap finish.

Technical Data
•Material: MDF wood
•Dimensions: 355 x 340 x 210 mm
•Weight: 5 kg

Features
•Holds up to 55 12'' records
•Combination system: perfectly stackable with other •Glorious Record Boxes
•Optically matches the Glorious Mixstation and Mix Extension
•Available with black or white shrink-wrap finish

Features:
•Elegantes Display und Aufbewahrungsmöglichkeit für Schallplatten
•Bietet Platz für bis zu 75 Schallplatten
•Stilvolle Präsentation im zeitlosen Design aus Holzelementen und stabilem Acrylglas
•Verwendbar für alle Vinyl-Formate (7‘‘, 10‘‘, 12‘‘)
•Bequemes Stöbern seiner Vinyl-Sammlung ohne Verrutschen der Platten dank gerillter Holzführung
•Praktischer Neigungswinkel zu beiden Seiten verhindert ungewolltes Umkippen der Schallplatten

Made from high-end cork, Glowtronics Cork Slipmats are preferred in high end audiophile vinyl listening since these absorb vibration well and static electricity gets reduced for a better listening experience. Besides that,

Glowtronics Cork Slipmats - Specifications:

• Material: Cork
• Weight: 41 g
• Dimensions: 30 cm Diameter
• Thickness: 3.175 mm
• Bottom Surface: Plain surface
• Grade: Strong High Quality
• Feel: Dense / Firm
• Purpose: High Quality Audiofile Vinyl Listening

Goldring E2

The Goldring philosophy is to promote the accurate replication of the original record production, maintaining the creative nuances, musicality and rhythm the artist intended you to hear. With the versatile E Series, this is easy to achieve; each is designed to be simple to fit to the majority of budget to medium priced turntables.

The E2 cartridge, the middle in the range, features the same spherical stylus profile as the E1 but with the additional benefit of an upgraded aluminium cantilever. This is both stiff and light weight allowing the stylus to more accurately trace medium to high frequencies offering more detail and reducing distortion and mis-tracking during loud passages.

Magnetic Duplex Technology™
All cartridges in the range feature Magnetic Duplex Technology™-a 'dual magnet' generator assembly with an identical geometry to that of the original cutting head. This means it can more accurately reproduce the stereo information in the record groove, providing better channel separation and a more involving and musical sound stage.

Expert Adjustment
The E-series cartridges have been designed to allow micro-adjustments to be made during production using a special adjustment screw. This means the cartridge can be safely installed in a typical turntable because the angle that the stylus makes with the record surface has been pre-set. The result is an optimised channel balance with zero degrees of horizontal tracking adjustment required. This ensures a consistent and reassuring performance for the life of the product.

Stylus/Cantilever
Featuring spherical styli with a choice of cantilevers, the E1 and E2 models are ideal as an upgrade to any budget, pre-fitted or obsolete cartridge. The E3 model with its re­fined super elliptical stylus is a worthwhile upgrade for those wishing to squeeze even more information and detail from the record groove.

• Colour: Green
• Cantilever: Aluminium
• Stylus profile: Spherical
• Stylus radius: 0.6 mil
• Frequency range: 20 Hz - 20 kHz
• Channel balance: 1.5 dB at 1 kHz
• Channel separation: >20 dB at 1 kHz
• Sensitivity: 3.5 mV (1 kHz @ 5 cm/sec)
• Static compliance: 20 mm/N
• Vertical tracking angle: 20°
• Load resistance: 47 kΩ
• Load capacitance: 100 - 200 pF
• Internal inductance: 400 mH
• Internal resistance: 410 Ω
• Cartridge mass: 6.9 g
• Fixing centres: 12.7 mm (0.5 in)
• Playing weight: 1.5 g - 2.5 g (2.0 g recommended)

Goldring E3

The Goldring philosophy is to promote the accurate replication of the original record production, maintaining the creative nuances, musicality and rhythm the artist intended you to hear. With the versatile E Series, this is easy to achieve; each is designed to be simple to fit to the majority of budget to medium priced turntables.

The E3 cartridge, representing the top of the range features the same aluminium cantilever as the E2, but benefits from a superior, bonded, super-elliptical (0.3 x 0.7 mil) stylus. This gives it better high frequency detail retrieval over ordinary elliptical (0.4 x 0.7 mil) or spherical (0.6 mil) types due to its smaller front-to-back radius. The main effect is the reduction of sibilance, especially in high level vocal recordings

Magnetic Duplex Technology™
All cartridges in the range feature Magnetic Duplex Technology™-a 'dual magnet' generator assembly with an identical geometry to that of the original cutting head. This means it can more accurately reproduce the stereo information in the record groove, providing better channel separation and a more involving and musical sound stage.

Expert Adjustment
The E-series cartridges have been designed to allow micro-adjustments to be made during production using a special adjustment screw. This means the cartridge can be safely installed in a typical turntable because the angle that the stylus makes with the record surface has been pre-set. The result is an optimised channel balance with zero degrees of horizontal tracking adjustment required. This ensures a consistent and reassuring performance for the life of the product.

Stylus/Cantilever
Featuring spherical styli with a choice of cantilevers, the E1 and E2 models are ideal as an upgrade to any budget, pre-fitted or obsolete cartridge. The E3 model with its re­fined super elliptical stylus is a worthwhile upgrade for those wishing to squeeze even more information and detail from the record groove.

• Colour: Violet
• Cantilever: Aluminium
• Stylus profile: Elliptical
• Stylus radius: 0.3 x 0.7 mil
• Frequency range: 20 Hz - 20 kHz
• Channel balance: 1.5 dB at 1 kHz
• Channel separation: >20 dB at 1 kHz
• Sensitivity: 3.5 mV (1 kHz @ 5 cm/sec)
• Static compliance: 20 mm/N
• Vertical tracking angle: 20°
• Load resistance: 47 kΩ
• Load capacitance: 100 - 200 pF
• Internal inductance: 400 mH
• Internal resistance: 410 Ω
• Cartridge mass: 6.9 g
• Fixing centres: 12.7 mm (0.5 in)
• Playing weight: 1.5 g - 2.5 g (2.0 g recommended)

Graham Sharpe's life has been played out to a background of personally significant vinyl-related events, and his own large and ever-growing collection of LPs not only reflects his musical addiction, but also represents an intensely direct link to many of his key experiences. In this unique book he considers all the elements of record collecting which he loves - and one or two he doesn't - as he continues his long-term project to visit every surviving second hand record shop in his own and other countries, and reports on the many characters he has encountered, and the adventures he has accrued along the way.

Here comes the add-on to our latest concrete turntable collaboration between HHV and BETONAT: the 100% Concrete Vinyl Stand. With a simple and straightforward design featuring clear shapes, this stand celebrates the fusion of urbanism, music, and subculture.

Handcrafted from 100% concrete, this vinyl stand is aesthetically pleasing and its minimalistic design complements any modern living space.

Whether you’re a collector or just starting out, the Vinyl Display Stand is the perfect way to show your favorite records.

Original HHV × BETONAT Vinyl Display Stand
Suitable for 7″ vinyl singles & 12″ vinyl LP, not for double LP
118 mm length x 48 mm height x 60 mm width
0.55 kg pure concrete
100% handmade in Berlin Neukölln
Beautiful gift box

We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki’s glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono. Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown. The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka’s heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums). Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui’s Scenery, has fascinated old and young generations alike.

What an unbelievable record. From the wild cover to the iconic breakbeats, Roots from Ian Carr’s Nucleus is one of the dopest albums we know. This is seriously thick, funky-prog jazz-rock heaven. Originally released on Vertigo in 1973, other than a couple of versions at the time for other territories, Roots was never re-pressed since so it’s gone on to become another one of those impossible to find records. Maybe it was a little too out there for the time, but it’s aged very, very well indeed and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press. Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that. Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. Working together with producer Fritz Fryer and engineer Roger Wake, the seven compositions by Carr, Brian Smith and Dave MacRae that make up Roots flirt with perfection, and Nucleus at that time made up of the cream of 1970s UK jazz.

"If there’s a cultural artefact capable of withstanding the vagaries and fickleness of the digital age as well as the printed book, it’s the vinyl record . . .

In Listening to the Wind, Ian Preece (editor, and co-author of In The Heyday of The Football Annual) sets out on an international road trip to capture the essence of life for independent record labels operating in the twenty-first century. Despite it all – from algorithms and streaming to the death of the high street and the gutting of the music press – releasing a record to serve its ‘own beautiful purpose’, as 4AD’s Ivo Watts Russell once said, is a flame that still burns through these pages. With countless labels, albums and artists to be discovered, this book is for those who share that inextinguishable love for music.

Features extensive, original interviews with the likes of Analog Africa, Light in the Attic, Thrill Jockey, International Anthem, Dust-to-Digital, Pressure Sounds, Heavenly, Touch, Mississippi, Sublime Frequencies and more! [like Japan Blues for instance] "

"you can't help warming to his anti-populist folly, and soon acquire a shopping list as long as your arm" **** Mojo

"A garrulous, engaging and deeply informed travelogue" The Wire

Limited to 500 Copies!

20 years HHV: our team has selected an album from each of these years that is particularly relevant and precious to us. On a monthly basis we release exclusive and limited pressings of these records in collaboration with some of our favorite labels.

Originally released in 2011 with a limited pressing and repressed once a few years later in 2016. “Right now in cities across the globe, there are plenty of great Afrobeat revivalist bands aping the sound and groove of Fela Kuti’s legendary sound. Yet, surprisingly few of the new groups have strayed from an orthodox interpretation of the genre or done much real innovation. ..Ikebe Shakedown is here to change that. The band takes signature Afrobeat elements—big unison horns, slinky bass lines, tight little guitar licks—and blends them with tasty grooves culled from '70s-style horn-driven funk”. -Marlon Bishop, Wnyc

Ikebe Shakedown, the self-titled album and Ubiquity Records debut from the Brooklyn-based band, plays with elements of Cinematic Soul, Afro-funk, Deep Disco, and Boogaloo in all the right ways. Pushing their globally-informed sound and eclectic approach to tune-writing into new territory, “Self-titling the album is a way to introduce the audience to the many facets of the band -- to provide a more complete understanding of what we do,” bassist Vince Chiarito says. “Our sound has grown to incorporate our influences without overtly representing any one in particular. It just sounds like us," he adds.

The Jackie Brown T-Shirt's features include:
• rib crew neck with interior tape
• Jackie Brown artwork printed on front
• regular fit
• 100% cotton single jersey

This book is a journey – a ride through the depths of Germany’s modern musical roots:

At the beginning of the 1970s, experimental and progressive music in Germany developed far from the mainstream. Although few initially noticed it, it is now internationally celebrated as a cult phenomenon called „Krautrock“. Today, bands like Kraftwerk, Can, Amon Düül II, NEU!, Cluster, and Tangerine Dream are considered pioneers of groundbreaking sound experiments.

In order to understand the Krautrock era and its impact, it’s worth delving deeper into the history of German rock music and taking a closer look at the overall picture.Times & Sounds offers a comprehensive insight into the mechanisms of post-war Germany’s music industry and sheds light upon its diverse musical styles, as well as their mutual influences and connections, which have received little attention until now: From the onset of German Jazz and Swing orchestras to the first Rock ‚n‘ Roll bands around Hamburg‘s Star Club and electronic synthesizer pioneers. From the intact world of Schlager to agitprop and left-wing protest songs. From the avant-garde compositions of Stockhausen and his presumed disciples of Krautrock to the Neue Deutsche Welle.

This book is a journalistic diary tracing Germany’s dynamic culture from the late 40s to the early 90s. Those who take this journey experience the ups and downs of five decades, thus developing an understanding deeper than any other of the Krautrock phenomenon.

– Foreword by Hans-Joachim Roedelius (Kluster/Cluster/Harmonia)
– Hardcover with coloured headband and ribbon
– 536 pages including coloured endpaper with infographics

Limited to 500 copies. Latin Funk Psych Fuzz Blaster basically covers all the realms of rare record collecting in one shot!!
There's the Funk Fuzz Blaster "Maranatha" or the Ray Barretto Latin Jazz Groove cut "El Que Se Fue" with freaky synth blasts.
The Texas Easy Funk moves of "Squeeze" which remind of Steam Heat, or the lounged out soul rendition of Stevie Wonder's classic "Bird Of Beauty”. Something for everyone and impossibly rare!!

We are in the middle of one of the greatest periods in music packaging. Collectible packaging is back at the cultural vanguard: physical records are coveted by millennials, and hip clothing outlets devote massive amounts of space to record players and racks of LPs.

Album Art profiles thirty-three designers at the forefront of this movement, among them Braulio Amado, Chris Bigg, Brian Roettinger and Jonathan Barnbrook. They reveal and analyse the creative process behind each design, offering exclusive insights into how they are able to elevate the simple record cover into something more, something special, something unique, something memorable. Exclusive interviews with some of the biggest names in the field, including Stefan Sagmeister and Paula Scher, accompany the profiles. The designers aren’t the only stars of the show – the book reproduces and discusses sleeve designs for such artists as David Bowie, Tame Impala, Kesha, Kim Deal, David Sylvian, The Flaming Lips, Queens of the Stone Age, and more.

Packed with innovative artworks by one-of-a-kind designers, this is the definitive guide to album cover design in the 21st century.

Vinyl Record Storage Crate, Record Box Holds up to 50 Albums, Solid Wood Drawer • Vintage Storage for Vinyl Records

Vinyl Record Box for large vinyl record collections up to 60 LPs. Unique vinyl record crate designed by vinyl collectors like you, handcrafted wood box with vintage steel covered sides to show off your album arts. This vinyl record box is bound to add to your decor an unique touch. Sturdy and high-quality construction. Pre drilled for easy assembly. Perfect Gift for Record Collector – Essential for music enthusiasts who need a designer furniture for large vinyl record collections.

Specifications:
• Organize your entire collection
• Up to 60 LPs, singles or doubles
• Made by natural wood
• 100% Quality Guaranteed
• Capacity: 60 Vinyl Records
• Material: Solid Wood and Steel
• Colors: Black / Natural Wax

Vinyl Record Storage • Record Holder Wall Mount for 50 LPs • Storage for Records with Now Playing Stand included

The Vinyl Record Holder Wall Mount for 50 LPs is the perfect way to display your vinyl collection in style.
This eco-friendly steel wall mount can hold up to 50 LPs, making it an ideal storage solution for music enthusiasts.
The unique vintage design adds a touch of nostalgia to any room and comes in two sleek colors – Vintage White and Matte Black – to match your personal taste.
The included “Now Spinning” stand highlights your favorite album, making it the perfect conversation piece. The minimalist and practical design not only helps you keep your collection organized but also provides a visually appealing display.

Specifications:
• Capacity: 50 Vinyl Records
• Material: Steel
• Colors: Matte Black

“The art of the remix has been around for several decades, from the fervid imaginations of JA pioneers like Coxsone Dodd, Duke Reid or King Tubby to the disco enthusiasts of New York, such as Tom Moulton, who bequeathed us the modern iteration of the remix and provided a template from which most remixers still work. Moulton's first commercial remix, a reworking of BT Express' appropriately-named `Do It 'Till You're Satisfied', which stretched it from three minutes to a luxurious five, assisted the band in securing its first Billboard R&B Number One, as well as providing a pathway for remixers like Walter Gibbons, Larry Levan, Richie Rivera and Tee Sott, to completely reinvent the concept of a remix (and in some instances, deconstructing the idea of what comprised a song). It has subsequently been used as a marketing tool, a dancefloor-devastator, a gimmick (both cheap and expensive) or even as a way of reaching a different audience (think Tori Amos' `Professional Widow'). Khruangbin are no slouches when it comes to the remix themselves. They've been reworked before, in 2016, with the highly collectible EP on Boogiefuturo. But this time, they're taking it a step further with an album dedicated to the art. Entering the tight-knit world of a Khruangbin song can be a little daunting. They have created this entire universe in which the trio seem to function telepathically in the way the music is composed, arranged and played. To mess with their delicate eco-system can invoke feelings similar to that of an unwanted guest crashing a good-time party. "We write our music to be interpreted; this is another wonderful interpretation of the music," reassure Khruangbin. "There is something very vulnerable about letting others work on your music. But through the correspondence with the different artists, we gained a bigger connection to the songs themselves." The choice of remixers for this album is neither arbitrary nor accidental. They're not names picked randomly out of a hat or chosen via a throw of the dice. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled `White Gloves' on a recent mixtape, Natasha Diggs and Soul Clap's Eli's are recent buddy-ups, Quantic is a mutual friend of Bonobo (crucial in the KB origin story), while I've known Laura for number of years; plus she is also godmother to one of Felix Dickinson's kids. Doesn't get much more intimate than that, right? Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. The choice is yours. But all were made with love and respect for Khruangbin. "A good remix deconstructs, recontextualizes, or simply extends a good time," say the band. Amen and out." - Bill Brewster

Originally released on Studio !K7 Records in 1998, Peter Kruder and
Richard Dorfmeister's groundbreaking release, 'The K&D Sessions'
reset the bar for what could be achieved in a compilation. Across an
array of original tracks, dubs and infamous K&D Session remixes, the
DJ and producer duo took the listener on a smoke-filled blunted journey
that flowed flawlessly. Often compared to DJ Shadow's 'Endtroducing'
for it's similarly deft craft of rhythm and quoted by Allmusic as "the
most blissfully blunted music the world has ever heard", the album has
sold over 1,000,000 copies to date and was included in Spin s Top 20
albums of 1999 .
The album has long since been deleted on Vinyl
with original 4LP sets changing hands for 300+ on the collectors market
and even a bootleg vinyl copy will set a buyer back over 100. Sixteen
years later, this legendary album will be available as a long overdue
5LP reissue remastered by Bernie Grundman Mastering in Hollywood.
Finally back in print in 180g vinyl.

So so classic album by The Fugees' first lady!

Big Crown Records is proud to present the debut full length offering from Les Imprimés, Rêverie. The stirring and ethereal sounds of Les Imprimés have been making fans of anyone who hears them since their first 7" single hit the speakers. Morten Martens is the man behind the band. Born, raised, and working in Kristiansand, Norway, he keeps a low prole while making his heart felt, highly infectious, and unique music. This album is a long time coming for Martens and it is sure to make him a name to be reckoned with. The first thing you notice listening to Les Imprimés is the high level of musician-ship. Martens plays nearly every instrument on the recordings and handles the production and arranging. He has been making records for decades, winning a Spellemann Award (aka, the Norwegian Grammy) in 2006 for producing a HipHop album as well as getting nominations across three other genres. While awards and accolades speak to the level of his talent, this new album really shows who he is an artist on his own terms. Moving away from being a hired gun on the touring scene naturally led him to start doing more studio work. Slowly collecting gear and getting more experi-ence behind the boards he built his own studio on the island of Odderoya and was making a living playing with and recording other people's music. As the story goes, after those sessions would end he would work on his own project into the wee hours of the night. From these late night sessions, Les Imprimés was born and Rêverie began to take shape. However, "it wasn't until COVID, when things locked down, that I was really able to nd the time to focus on Les Imprimés" Morten says about creating and leading his own solo project. "It was a scary time. But I knew I had to do something with it." He took the sum of his inuences, combined them with his own vibe and got busy writing the music, playing the instruments, and singing the songs. "It's soul music, but I don't exactly have the soul voice," Morten explains humbly. "But I do it my own way, in a way that's mine. "It is his sound, his fingerprint, his sensibility, that makes his music hard to put in a box. The album showcases both Martens' range and his ability to make a cohesive album. The lead single "Falling Away" starts with a raw drum break and turns into a lushly arranged tune that paints the picture of love when it slips away. On "Still Here" he professes his resilience through life's twists and turns over a thundering track that puts a new spin on the B side ballad genre. Songs like "You" and "Our Love" mix tones from 60s and 70s Soul with arrangement nods to Doo Wop records while Martens' lyrics and delivery leave you singing the melodies long after they finish. "Love & Flowers" finds Martens in a moment of clarity with a song that ts the niche sub genre of happy break up tunes, the four on the floor track will move the dancefloor or while the message will resonate with anyone who put too much effort into the wrong situation in their lives. However, it is songs like "Muse" and "Chess" that really encapsulate the uniqueness of Les Imprimés as they push the boundaries of genre, one a profession of love for music and the other a cover of an electronic record respectively. Martens' lyrics, emotion, and delivery truly make the whole thing come together and stand out from any of his peers. There's an infectiousness and a pop sensibility in the writing that is done with the utmost class and taste giving Les Imprimés the rare quality of immediate attraction that only deepens the more you listen.

Limited to 1000 copies for the European market.

Music by Madlib, arranged by Kieran Hebden, better known as Four Tet. Gil Evans to Miles Davis…. Holger Czukay to the ensemble known as Can….Jean Claude Vannier to Serge Gainsbourg on Histoire de Melody Nelson. That’s the only way to explain the specificity of Four Tet and Madlib’s collaboration, in this special album that showcases a two-decade long friendship that has resulted in an album that follows Madlib’s classics like Quasimoto’s The Unseen, Madvillainy and his Pinata and Bandana albums with Freddie Gibbs. “A few months ago I completed work on an album with my friend Madlib that we’d been making for the last few years. He is always making loads of music in all sorts of styles and I was listening to some of his new beats and studio sessions when I had the idea that it would be great to hear some of these ideas made into a Madlib solo album. Not made into beats for vocalists to use but instead arranged into tracks that could all flow together in an album designed to be listened to start to finish. I put this concept to him when we were hanging out eating some nice food one day and we decided to work on this together with him sending me tracks, loops, ideas and experiments that I would arrange, edit, manipulate and combine. I was sent hundreds of pieces of music over a couple of years stretch and during that time I put together this album with all the parts that fitted with my vision.” - Kieren Hebden AKA Four Tet

LP 180g, beautiful embossed Chess Board Artwork Print, inner sleeve with artist picture and text by David Elliott, Sounds June 16, 1984!

Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974.
The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar.

During the second half of the 1990s, Paris experienced a dance music revolution thanks to groundbreaking artists like Daft Punk, Air, Super Discount, Motorbass, Cassius, Dimitri from Paris, Bob Sinclar and many, many more. It was a scene that became known as French Touch and was heralded throughout the world as the epitome of dance music cool, forever placing Paris on the dance culture map. Journalist and author Martin James was there right from the start, documenting the scene from its inspirations to its earliest moments and onto its global breakthrough. In the process, he inadvertently provided the French Touch moniker that became adopted throughout the world. Drawing on a dazzling array of exclusive interviews with the biggest names in French electronic music history, French Connections explores France's significant contribution to dance music culture that paved the way for the French Touch explosion.

The number 1 turntable weight used by Dj's in the world!

MasterSounds x HHV turntable weights are carefully designed to reduce a turntable’s noise floor and thus improve the musical soundstage. Users enjoy improved bass response, tighter mids and controlled highs as the turntable weight reduces unwanted resonance when placed via the spindle on top of a record. MasterSounds x HHV turntable weights weigh just over 400 grams (+/- 14oz), light enough to not cause damage to a turntable’s bearing system, but heavy enough to give sonic improvement.

MasterSounds x HHV weights have been tested on a large variety of non-suspended belt drive and direct drive turntables with great success. Pressing plants try to achieve quality control on every record made, however there are intrinsic issues such as dished and warped records. MasterSounds x HHV turntable weights help to combat this too. DJs love this; as it aids cueing a problematic a record prior to mixing and eliminates needle skip.

It was developed an anti-slip base for MasterSounds x HHV weights, and thus each turntable weight has been designed to grip the record, which is fantastic for DJ’ing as it really stabilises records in the mix. Use MasterSounds x HHV turntable weights for a couple of weeks then remove to realise what a difference they make!

• Satin black with HHV graphic
• Hand-brushed finish
• Premium quality turntable weights developed for club and home use
• Hand made in quality aluminium, limited "edition" numbers
• Simply pop a record on your turntable and place the turntable weight over the spindle to enjoy a wider, deeper sound stage with extended bass and improved sound throughout the frequency spectrum
• Stabilises your record when playing in a club, bar or at home
• Less needle skip
• Rubber anti-slip base
• Supplied in velvet style pouch for transport
• 80mm diameter X 41mm high

The number 1 turntable weight used by Dj's in the world!

MasterSounds x HHV turntable weights are carefully designed to reduce a turntable’s noise floor and thus improve the musical soundstage. Users enjoy improved bass response, tighter mids and controlled highs as the turntable weight reduces unwanted resonance when placed via the spindle on top of a record. MasterSounds x HHV turntable weights weigh just over 400 grams (+/- 14oz), light enough to not cause damage to a turntable’s bearing system, but heavy enough to give sonic improvement.

MasterSounds x HHV weights have been tested on a large variety of non-suspended belt drive and direct drive turntables with great success. Pressing plants try to achieve quality control on every record made, however there are intrinsic issues such as dished and warped records. MasterSounds x HHV turntable weights help to combat this too. DJs love this; as it aids cueing a problematic a record prior to mixing and eliminates needle skip.

It was developed an anti-slip base for MasterSounds x HHV weights, and thus each turntable weight has been designed to grip the record, which is fantastic for DJ’ing as it really stabilises records in the mix. Use MasterSounds x HHV turntable weights for a couple of weeks then remove to realise what a difference they make!

• Satin black with black HHV graphic
• Hand-brushed finish
• Premium quality turntable weights developed for club and home use
• Hand made in quality aluminium, limited "edition" numbers
• Simply pop a record on your turntable and place the turntable weight over the spindle to enjoy a wider, deeper sound stage with extended bass and improved sound throughout the frequency spectrum
• Stabilises your record when playing in a club, bar or at home
• Less needle skip
• Rubber anti-slip base
• Supplied in velvet style pouch for transport
• 80mm diameter X 41mm high
• ca. 400g

The number 1 turntable weight used by Dj's in the world!

MasterSounds x HHV turntable weights are carefully designed to reduce a turntable’s noise floor and thus improve the musical soundstage. Users enjoy improved bass response, tighter mids and controlled highs as the turntable weight reduces unwanted resonance when placed via the spindle on top of a record. MasterSounds x HHV turntable weights weigh just over 400 grams (+/- 14oz), light enough to not cause damage to a turntable’s bearing system, but heavy enough to give sonic improvement.

MasterSounds x HHV weights have been tested on a large variety of non-suspended belt drive and direct drive turntables with great success. Pressing plants try to achieve quality control on every record made, however there are intrinsic issues such as dished and warped records. MasterSounds x HHV turntable weights help to combat this too. DJs love this; as it aids cueing a problematic a record prior to mixing and eliminates needle skip.

It was developed an anti-slip base for MasterSounds x HHV weights, and thus each turntable weight has been designed to grip the record, which is fantastic for DJ’ing as it really stabilises records in the mix. Use MasterSounds x HHV turntable weights for a couple of weeks then remove to realise what a difference they make!

• Satin Titanium with white HHV graphic
• Hand-brushed finish
• Premium quality turntable weights developed for club and home use
• Hand made in quality aluminium, limited "edition" numbers
• Simply pop a record on your turntable and place the turntable weight over the spindle to enjoy a wider, deeper sound stage with extended bass and improved sound throughout the frequency spectrum
• Stabilises your record when playing in a club, bar or at home
• Less needle skip
• Rubber anti-slip base
• Supplied in velvet style pouch for transport
• 80mm diameter X 41mm high
• ca. 400g