Hip Hop Tape 520 Items

Strictly limited edition of 100 copies on green coloured cassette.

Originally released in 1996 on Lethal Records, the entire album "Sex, Props, Cream ... And The Drama In Between" by Long Island's Punk Barbarians finally gets a proper re-release on 2LP and cassette. The original 1LP missed a few tracks off the album, so this is actually the very first time you can hear the full release on your turntable.

In November 1996, The Source gave 3 and a half mic's and here's what Miles Marshall Lewis wrote about the Punk Barbarians debut album: "It seems like recently in rap, everybody's album is based on one of these three concepts, but they're not dealing with the reality of the drama in between," says Doozer mid album, discussing Sex, Props, Cream & The Drama In Between title of his Punk Barbairan crew's debut album. The PBs - Sunny Cheeba, Bam Bam, Doozer and Renegade (aka Shine On) - arrive to a ravaged hip-hop landscape with high aspirations: detailing the drama in between libido, recognition and economics could fill 14 albums, much less the 14 tracks on Sex, Prop, Cream - in essence merely struggle - is, after all, the basis of life itself.
With their work cut out for them, the Punk Barbarians still manage to leave a strong mark. Their lively interplay - with an engaging reminiscent of an Onyx or Lost Boyz - sounds honest, like a crew that's been together since the sandboxes of their native Long Island. The fousome bounce off each other like perfectly arranged quadraphonic accoustics, particularly with thepulsing "Blast Off" and the Spanish-guitar textured "Sweets". Jazzy production includes snippets of vibe and harp that echo masters like Lionel Hampton and Alice Coltrane, while simultaneously evoking the aesthetic feel of The Low End Theory. Some tracks - "The Struggle" (which features Donald Byrd) and "You Don't Know" - ride the line between simple influence and imitation of Tribe's jazz-rap masterpice, but with an intuitive understanding rather than mere bastardization.
"Hooptie Car" shins as a diamond in the rough, dreamily escapist like the Pharcyde's "Passing Me By". As Sunny and Doozer reference Grce Jones and Donna Summer - "Pull up to my bumper," "Toot toot, ah, beep beep" - in mid-rhyme, the irony of this track's dopeness sets in. Because while the Punk Barbarians allude to "Malcolm, Martin and Marcus and W.E.B." on "Rest In Peace" and speak of how their rhymes are "killing you like daily intakes of swine," on "Magic," their real flavor is best presented on frivolous cut like "Hooptie Car."
Sex, Props, Cream & The Drama In Between remains an excellent starting point for the PB quartet, and unless their name erects an Alkaholis-like stumbling block, they should have time to display an interesting evolution.

Leavereveal is a rich collection of lofi beats that combine ambient elements with jazz and hiphop. The album expresses the feeling of growing older and changing with those moments when you find out that leaving one thing behind reveals other things you didn't yet know. Leavereveal is Qaett's first full album with Inner Ocean Records. About Qaett Having released music in digital and physical format on several labels since 2011 under a different alias, Qaett is a return to basics. Under this guise, Qaett creates ambient and neo-classical piano lofi music combining dreamy, melancholic beats. Qaett's music is meant for dreaming, relaxing, resting, studying, meditation, introspection and taking a step back. Artwork Design by Qaett

"Lo-Fingers of Jazz Bap" is the second solo album we've released this year by Ukrainian beatmaker Raiges Cano, which was created by classical methods of sampling delicious Jazz and Funk compositions, all this is harmoniously intertwined with rich bass parts and analog synthesis, while, as before, the rhythm continues to keep explosive Boom Bap drums.

Ransom and V Don connect on their highly anticipated collaborative album, "Chaos Is My Ladder", and just as expected, Jersey City's emcee technical bars perfectly fi t V Don's cinematic soundscape. Alongside guest appearances by Lloyd Banks, 38 Spesh, Eto, J. Arrr, Mad Squablz and Crystal Caines, the two have crafted a perfect record for their already incredible catalogues, with Ransom coming on the heels of "This Life Made Me" and his "No Rest For The Wicked", and V Don’s most recent collaboration "Deutsche Marks 3" with Willie The Kid. "Chaos Is My Ladder" is also available on standard black vinyl, digipack CD and cassette.

Limited edition of 100 copies on cassette.

Another dream becomes reality for us, here's the debut album by rapper/producer duo Real Live from 1996.

On "The Turnaround: The Long Awaited Drama", cousins Larry-O on the mic and K-Def behind the boards served inner city life stories over moody string arrangements and heavy bass bumps. First time ever reissue available in a limited run on black vinyl 2LP+7", cassette and jewel case CD.

Limited edition of 100 copies on cassette.

Hailing from Elgin, Illinois, the Rec Center is a collective composed of six MC’s with impeccable gifts of gab and a DJ blessed with the art of spinning. From the humbled beginnings of countless basement ciphers in the early 90’s a niche was crafted, a mission was charted and a journey to Reveal Eternal Creation was embarked upon. Originally consisting of nine MC’s, Rec Center released their first full-length album "Lonely People" on CD only in the fall of 1999 which made them a household name in the Chicago underground scene.

Available in a limited run on black vinyl 2LP in gatefold sleeve, CD in digipak as well as jewel case and cassette plus digitally on all major platforms.

“Talk about a misfit, living in his own world…”

High Focus Records is delighted to announce ‘Art Thief’, the debut album from Renelle 893.

Citing Steve Jobs’ famous use of Picasso’s "Good artists copy, great artists steal” quote as central to the concept, ‘Art Thief’ is the culmination of Renelle’s wide-eyed appreciation of the river of influences that feed into the music he makes. From the trials and tribulations of life in the big smoke, to the grandiose cultural references that contribute to his style, the album is a triple distilled example of taking cues from the world and making them your own.

‘Art Thief’ is also a transformative listen, Renelle embarking on a profoundly personal journey across 14-tracks; addressing love, family, addiction, loyalty, pleasure and pain, each chapter expertly soundtracked by long-time collaborator Bay29. His expert production serving as the glue that binds the deeply personal with the wider narratives amidst a flurry of samples and signature breaks.

With guest appearances from Clbrks, Illiterate and HF’s own Nelson Dialect, ‘Art Thief’ is Renelle’s best attempt (to date) of transcending the rap game; this notion best represented in the album artwork which pays homage to Caravaggio's 'St. Jerome Writing', casting Renelle as both creator and masterpiece.

After years of silence, Hareld returns reborn as the group Reptile House. The angelic arrangements and sprawling hip hop compositions he was known for now expand with this collaborative work. A feeling of intimacy is only the entry point for entire other universes; romantic and mournful. This is hip hop unlike much else, truly of a commanding, distinct voice even among the diverse Deathbomb catalog.

The filthiest of dungeon crawling synth-noise actshas returned. Let the universe howl in despair,Robedoor is delivering to us their 'Negative Legacy'.This is the duo's 1st full length album for DeathbombArc, on the heels of decades worth of one offs andcomp tracks for the label (including a collaborationwith Grammy and Tony winning member of clipping,Daveed Diggs). On 'Negative Legacy', Robedoor divedeeper into murky beats than they ever have before,while introducing a new element of melodic vocals toresonate through their unlit caves of hopelessness.Let the dark eternity begin.PROUDLY DISTRIBUTED BY FAT BEATS DISTRIBUTION | 8930 ETON AVE. CANOGA PARK, CA 91304 | DISTRIBUTION.FATBEATS.COM

Nola / Brand new & sealed!

Historically Casablanca has been known as a global melting pot; a place where cultures mingle and fuse. This quality is evident in the dazzling music of Casablanca-based beat-maker and guitarist saib., who has revealed his debut long-player, the appropriately titled Around The World album for Cold Busted. These tunes showcase saib.’s worldly vibe, tied together with his intricate guitar playing which deftly keeps up with all the styles represented on the album. Hip hop beats form the backbone as saib.’s musical palette skips from jazz flavors to lounge experiments to Asian textures … and sometimes within a single track. Around The World is indeed a non-stop flight, touching down on all of saib.’s influences and predilections, creating a memorable album along the way.

Cold Busted has navigated the smooth seas to unearth Sailing, the new album from Moroccan guitarist and beat-flinger saib. The Casablanca-based producer has steered his sound into warmer waters. Mixing tempered hip hop beats with jazzy vibes and a lounge sensibility, saib. touches on a style that's both chill and opulent. The album's opener, "Archipelago," sets the scene with gentle piano, swirling strings, and beachside sounds that would make Martin Denny proud. "Tropics" pushes the agenda further, featuring delightful vibraphone lines, stand-up bass, and boom bap beats, providing the perfect soundtrack for poolside cocktails. The sleepy crooning of "Blue Memories," the future-retro sing-a-long of "Mermaid Dreams," and the guitar/vibes interplay of "Pastel" provide other highlights. Sailing's twelve songs show saib. as an artist capable of bringing a sunny climate to any listening environment.

Cold Busted has navigated the smooth seas to unearth Sailing, the new album from Moroccan guitarist and beat-flinger saib. The Casablanca-based producer has steered his sound into warmer waters. Mixing tempered hip hop beats with jazzy vibes and a lounge sensibility, saib. touches on a style that's both chill and opulent. The album's opener, "Archipelago," sets the scene with gentle piano, swirling strings, and beachside sounds that would make Martin Denny proud. "Tropics" pushes the agenda further, featuring delightful vibraphone lines, stand-up bass, and boom bap beats, providing the perfect soundtrack for poolside cocktails. The sleepy crooning of "Blue Memories," the future-retro sing-a-long of "Mermaid Dreams," and the guitar/vibes interplay of "Pastel" provide other highlights. Sailing's twelve songs show saib. as an artist capable of bringing a sunny climate to any listening environment.

Experience the effortless grooves of Schachtkind & Knoten on their new beat tape, "Smooth Transition". Featuring 13 sample-based beats enhanced by live drums from ''Snarewert'' and vinyl cuts from ''Funky Umhang'', this tape is a must-listen for all smooth hip hop fans. Take a journey into the world of those 2 bedroom producers and enjoy the seamless transition beats.

Strictly limited edition of 100 copies on cassette.

Here it is, one of THE lost albums from the golden era of Hip Hop: Science Of Sound's "Kaleidoscope Phonetics" from the Tribe Called Quest-sphere. With productions and cameos by A Tribe Called Quest and Phife Dawg, Godfather Don, Grandmaster Melle Mel and more. This is true-school rap at its finest and should not be missed by any fan of the classic 90's vibe.

Here's what Ali Shaheed Muhammad is saying about it:

"Science Of Sound, a group established during the 90's "golden era" of Hip Hop. These guys are my family. We were very excited when they signed their record deal and greatly disappointed their label mishandled them. This is the lost album that was recorded in the time I was working on "Beats, Rhymes & Life". There was a lot of back in forth between Tribe's sessions and S.O.S.'s sessions. You can hear the levels they were on and it's as fresh as 20+ years later as it was when it was recorded. Any proponent of golden era Hip Hop will appreciate this find of a lost album." - Ali Shaheed Muhammad, September 3rd, 2020

Available on limited 2LP vinyl, CD and cassette as well as digitally!

Limited edition of 100 copies on double cassette.

During the mid-to-late 90's, Scienz Of Life flourished in the underground scene with releases on Fondle 'Em and later on SubVerse Music. Over the years, the trio consisting of Lil Sci (also known as John Robinson), Inspector Willabe and ID 4 Winds built a massive reputation in conscious rap with singles like "Powers Of Nine Ether" or "Doin' Our Thing" which still remain timeless. "BX To New Jeru" is a collection of tracks from that era including 6 never before released demo tracks from the original tapes.

Available in a limited run on 3LP in gatefold sleeve, 2CD in jewel case, double cassette and digitally on all major platforms.

Seafood Sam is a futuristic artifact. If that description might sound confusing at first, it matches the eclectic dualities found in true originals. With his effortless cool and timeless style, the North Long Beach native defies convention and exact comparison. He's a virtuosic rapper, a stop-you-in-your tracks singer, and a symphonic producer. Welcome to the lavish life of a laid-back transcontinental man of mystery, rolling in old school Cadillacs, eating caviar with a blade in his pocket, and making plays in vintage Pelle Pelle gear. A blaxploitation icon for the Instagram age, blessed with the bars of a `90s legend and 23rd century swagger. Seafood Sam is a true hero of modernity. On his full-length album debut for up-and-coming label drink sum wtr (Kari Faux, Deem Spencer, Aja Monet) debut, Standing on Giant Shoulders, Sam splits the difference between Snoop Dogg and D' Angelo, Curren$y and David Ruffin. The songs reveal a forward-thinking sensibility rooted in ancestral soul. He creates spiritual hymns for the streets that tap into universal ideals and irrepressible groove. In an era plagued by short-term thinking, his ambitions reveal a crate-digging depth of music history and a meticulous ear for detail. The giant shoulders in the album's title refer to James Brown, Bobby Brown, and Miles Davis - the holy trinity who inspired Sam's process. From the Godfather of Soul, Sam took a perfectionist's rigor and focus. The example of Bobby Brown lent an unshakeable confidence and self-belief. While the constant artistic left turns of the trumpeter that birthed Ccool offered an aspirational archetype. The story starts in the glory days of Long Beach hip-hop. As a young child, the G-Funk era soundtracked rides in Sam's father's car. Some of his earliest memories are trying to memorize Snoop's verse on "Nuthin' But a "G" Thang." Beyond gangsta rap, the LBC has historically doubled as a capital of lowrider soul and carwash oldies. At any intersection, you could hear Dogg Food or Brenton Wood, Warren G or Barbara Lynn. This too was absorbed via osmosis. It also just so happened that the art of performance was always in Sam's blood. So at family functions, he and his sister supplied entertainment by singing karaoke renditions of The Isley Brothers. While his Harlem Shake remains a thing of local lore. Long Beach is a culturally diverse mecca of skate parks and gang life, street fashion and tricky dance moves. This is the place that raised Sam on a diet of Wu-Tang and Nelly Furtado, Lil Bow Wow and Allen Iverson. He was the middle ground between his two older brothers: one who gangbanged, the other who graduated with a master's degree from UC-Santa Barbara. But it wasn't until the end of high school that Sam started to take rap seriously. Alongside long-time collaborators like Huey Briss and Reaper Mook, Sam's name began to make waves on the northside of the city, but he was partially distracted by a modeling career that paid the bills and took him all to way to walk in Paris' fashion week. The first turning point arrived with 2018's "Ramsey," a self-produced, slick-talk anthem with over 10,000,000 streams across all platforms. With each subsequent release, Sam showcased his peerless consistency, building buzz both online and in the city streets. Spin hailed his "smooth and unhurried cadences and understated lyricism_ that sounds like nothing else in Long Beach." Clash raved about Sam's "evolution as an artist, cruising through nostalgic production with slick, witty rhymes." The culmination arrives with Standing on Giant Shoulders. It's the evidence of a master, a young sensei in the model of Quincy Jones. All rhymes, singing, production, and arrangements were handled by Sam - with an assist from his close Long Beach kinsman Tom Kendall from the group Soular System. It's hard-edged and lyrical enough for disciples of Larry June and Roc Marciano, but orchestral and melodic enough for fans of Anderson .Paak and H.E.R.