Hip Hop 324 Items

Mt. Marci is the 8th studio album from legendary emcee / producer Roc Marciano. This new album is in conjunction with Josue Thomas of The Gallery Dept, and without question is a must have for the true music / Roc Marciano fan.

This is Art That Kills.

In 2007, King Magnetic and Tone Spliff met on the Vast Aire/Copywrite Weatherproof Tour. Over the years they collaborated on a dozen songs via features and other artists while releasing various solo projects. In 2019, they shot a video for the Ruste Juxx/Tone Spliff LP and decided to do some work for King Magnetic's Weekly Vibes 2020. This began the creation of the Nobody's Safe LP. Both have worked with Apathy, Sean Price, R.A. the Rugged Man, Edo G, Sadat X, Rockness Monsta, Conway the Machine, Percee P, Blaq Poet, Planet Asia, Saigon, Big Noyd and Tragedy. In addition, Tone has worked with AG, Inspectah Deck, Afro, Royce 5’9 and Magnetic with Masta Ace, Smif N Wessun, Marco Polo, Benny The Butcher, Cassidy, DJ Premier, 9th Wonder, Cappadonna, Atmosphere, Jedi Mind Tricks, Immortal Technique, Jadakiss, Rapsody and More.

On his twelfth studio LP in nearly 20 years, Reks sounds just as hungry and passionate on T.H.I.N.G.S. (The Hunger Inside Never Gets Satisfied) as he did when Along Came The Chosen dropped back in 2001. Perhaps even more so. There seems to be a fire that gets lit under the Lawrence, MA native whenever he begins crafting a new album. “While my conceptualizing process has grown over the years, the actual approach to getting started has remained consistent,” Reks says. “There’s a youthful eagerness that comes over me every time I’m about to start a new record.” That feeling is palpable throughout T.H.I.N.G.S., an album bursting with everything you’d want from a Reks record, but also so much more. There are certainly instances of his trademark wordplay mixed with bravado on here, like the Apollo Brown-produced banger “King of the Town” featuring Lucky Dice & Chi Knox. But the real core of this record is Reks’ reckoning with bigger societal issues that have simply run rampant for far too long. And given his talents with the pen, he’s able to blend strong songwriting with deep, conceptual lyrics. Just listen to how he tackles white privilege on the otherwise catchy “Rachel Green” or the way he chronicles being Black in America on “White House.” That’s not even mentioning “The Complex,” a lyrically gripping look at Ptsd and Big Pharma featuring Pharoahe Monch, and his personal favorite track, “Nana & Grampy’s Song,” a heartfelt dedication to Black love. For Reks, it’s all about delivering the best possible music to his fans while staying true to himself. And he does exactly that not just through his own gifts, but also through collaborations with the likes of Pharoahe Monch, Lil Fame, Nottz, Apollo Brown, Statik Selektah, Evidence, and Marco Polo, among others.

Hardcore Reps were a three man crew from Far Rockaway, Queens made up of two brothers Damian and Majestic along with beat maker and producer Angelo “A.N.G.” Foukas. They never released a project on their own and just featured on Angelo’s 1996 instrumental album on the only two tracks with vocals. Angelo was introduced to the brothers way back in the early 90’s through a mutual friend.. He played them a few of his instrumentals and the boys were suitably impressed and they made a few demo tapes in 1994 that they passed around local heads. They never pursued a deal and just used the tapes to get some recognition among their peers. The demo tapes have been in a much demand and only a few have survived. We have five joints from those tapes, remastered from the original studio DATs and three tracks that have never surfaced before. The two joints from that 1996 inst album are on here but slightly different versions. Big up to my man Dougpark for the hook up – Dougpark provided the connect for the excellent Speakeasy demos we dropped a couple years back. And before anyone says it’s Full Proof not Fool Proof, no it isn’t. Enjoy!!



Tracks:

1 Big Timers 2 Fool Proof 3 Dead Em 4 Rip Code 5 Rip Code [Remix] 6 The Music 7 We Raw 8 Keep It Hot

All tracks produced by Angelo “A.N.G.” Foukas

Wicked 8 track EP of super rare Shazam X productions from the 90s, now on CD too!!!

The incredible new album by Souls Of Mischief/Hiero member A-Plus, with ridiculous production from The Architect (Homeliss Derilex].

Limited run of the Instrumental versions taken from the recent "Swing Convention" LP from OXP - Onra x Pomrad.

Record Store Day 2020 Release.

If baby can bring da ruckus when it's time for sleep, try throwing on our sweet renditions of Wu-Tang Clan. Can it be all so simple? Yes, and you too will be reunited with peace and quiet.

Rap duo Real II Reel aka Phatheadz was formed in 1990 by Ed Gledhill aka Ease and Nick D’Amato aka Nick Nice. The boys grew up in Pennsauken NJ just outside of Philly and met while in high school. They started rapping in their late teens and pressed their first 12 “ in 1990 [2 Def – Soul On A Roll] which featured none other than DJ Royal Rocker from Krown Rulers out of Camden supplying the cuts. Ed was lucky enough [his words] to gain an internship at a studio to learn engineering and that afforded him the time to concentrate on his own production work. Most of the songs back then were recorded onto Adat. Ed used a Yamaha S-760 for sampling and Roland equipment for beats, sounds and interface for a program called Master Tracks.

They changed the name to Phatheadz shortly after the 12″ dropped because, as they felt, times were changing and the play on numbers in groups titles was getting old [and also maybe because there was a house act called Real II Real?]. They were close with a deal at Ruff House records outta Philly around 1993-1994 but unfortunately it fell through. As with many artists of a certain age, they felt they were getting older and had lives and families and responsibilities and they lost the drive to do it anymore but we are pleased to say they remained friends to this day.

Props to the fellas for letting us do this project and supplying four previously unheard and unreleased heaters. Peep the snippets yo – this is Classic, slept on 93 ish

After a long hiatus, Tokyo-based french producer Dela comes back with Électrique, a new project paying tribute to hip-hop legends André 3000 and Big Boi, known together as OutKast. This new 7inch record includes three tracks of Électrique : Yosky Wosky Pisky Wisky, Dimanche Matin, and the bonus track Cergy. Known for his laid-back, jazz influenced, dreamy rap instrumentals, Dela introduced his music to the world with his Atmosphere Airlines mixtapes and his albums Changes Of Atmosphere (2008) and
Translation Lost (2011). A student of Q-Tip, Pete Rock and J-Dilla amongst others, Dela’s work foreshadowed today’s increasively popular lofi hip-hop / chillhop movement. Side A features Yosky Wosky Pisky Wisky, a remix of Stankonia’s classic Humble Mumble,
featuring Eykah Badu. Dela changes the mood of the original track, mixing samples and live instrumentation together to turn a salsa-breakbeat groove into a melody infused otherworldly superfunk. On side B, Dela remixes Sole Sunday, a Goodie Mob featuring Outkast track, edited to feature only the two ATLiens and renamed Dimanche Matin. The beat is reminiscent of his early work, layering boom bap drums over a haunting saxophone melody. Also on side B, the bonus cut Cergy turns a Brazilian MPB sample into an ode to Dela’s hometown with the help of live drums, bass, electric keyboards and a few of his friends singing.

Like an ode to your Walkman and to those 90-minute tapes that you used to rewind with your pen, DA BREAK's first LP was all about Funk & Hip Hop 90's flavors.
That album immediately found itself on playlists on all your favorite radios (Radio Nova, FIP, Couleur 3, France Inter, RFI, BBC 6…), and enabled Da Break to play live in major festivals and venues (Nuits Sonores, Nuits Zebrées Nova, Radiomeuh Festival, Woodstower, Festival de Marne, Hortus Live…).
This was completely unexpected, a major learning experience, and above all a lot of fun and gave the Lyon-based gang a whole lot of ideas for the next stage in their musical journey, propelling them towards new musical horizons: infectious riddims with grooving keyboard & guitar licks as their bedrock and free association leading them into jazz, broken beat, soul or disco vibes … During the creation of Let It Shine, all doors were wide open and all musical genres potentially welcome.
The production still has a « home made » feel to it, like the previous album, but with a modern, sonic twist when needed- a result of three years on the road together and new creative input from group members. Whether it be on a New York summertime roof-top, or settled in a Low-Rider with some G-Funk, or moving to some phat Jamaican style bass-lines or getting sensual on a tight breakbeat, lead singer Hawa knows how to shine her feminine and versatile brilliance on the project. She gives to the songs the final touch and the emotion needed to share with us her stories about human relationships - everyday tales sharing her real life-experience. This ever-expanding musical spectrum, Da Break play with it, explore it and also let it kick completely free at times ! Song after song, they bring a magic glow to LET IT SHINE.

Featuring: Vinnie Paz, Tragedy Khadafi, Milano Constantine, Skyzoo, Chief Kamachi, and more… Track 1 produced by Jbl The Titan. Track 2 prod. by Twelvebit. Track 3 prod. by Onaje Jordan. Tracks 4, 8 & 10 prod. by Digitale. Track 6 prod. by Frank Grimes. Tracks 7 & 9 prod. by Vago. Track 11 prod. by Junelyfe. Track 13 prod. by Fan Ran. Tracks 5 & 15 prod By K. Sluggah. Track 16 prod. by Big Ghost Ltd. Track 17 prod. by Sultan Mir.
Cuts on Track 6 by DJ Grouch, on Track 15 by DJ Tray and on Track 17 by DJ TMB.

Limitation: 1000 copies worldwide. Iconic Los Angeles hip-hop label Delicious Vinyl is best known for early hits like Tone Loc's "Wild Thing” and "Funky Cold Medina”, Young MC's "Bust a Move”, and influential ‘90s hip-hop group The Pharcyde. For this compilation, we dug through the vaults to uncover some of Delicious Vinyl’s rarest singles, remixes, and b-sides. The compilation comes on a limited edition red color vinyl pressing, exclusively for RSD Black Friday.

“What more can I say? Top Billin’… Iconic hip hop gold from Audio Two that could run for the title as one of the most sampled beats in hip hop history. A straight-up classic from back in ’87 pressed to 7 inch and backed with the instrumental version on the flip. OG copies have been known to sell for over £175.

Too many people sleep on Tougher Than Leather, Run-DMC’s fourth album. But hear us out as we plead the case for this amazing LP.
By 1988 there was a lot more competition in the rap game – Public Enemy, Boogie Down Productions, Eric B. & Rakim, Ice-T and many more had given
Hollis, Queens’ prodigal sons lots of competition. But Joe, Darryl and Jay were still at the top of their game, and hip-hop fans should never let this
classic – chiefly produced by their Queens neighbor, DJ and multi-instrumentalist Davy D[MX] – get lost in their crates.
For starters, the album’s first single, “Run’s House” b/w “Beats To The Rhyme” is arguably the most powerful one-two punch of the trio’s career,
showing contenders to the rap throne that they could still destroy a beat, tag-teaming with power at any speed. Not to be lost in the shuffle, fans were
also reminded on both sides that Jam-Master Jay remained one of the world’s best DJs, flexing the pinnacle of what would be called “turntablism” a
decade later. Both songs show a musical telepathy between all three that has rarely been equaled.
The second single, “Mary, Mary,” driven by an infectious Monkees sample, took a different approach, shrewdly ensuring that pop fans who jumped on
the Raising Hell bandwagon had something to chew on. But, like “Walk This Way,” the song wasn’t just bubblegum – there was an edge to it, and
the lyrical gymnastics were very real. It wasn’t selling out, it was allowing fans to buy in. “Papa Crazy,” driven in concept and by a sample from the
Temptations’ “Papa Was A Rolling Stone,” followed a similar pop-leaning path.
Overall, the lyrical content on the album was a step up from the group’s first three LPs. It’s easy to infer, looking back, that they were feeling the heat
from their younger competitors in the rap game. The genre was changing fast, and they were up to the challenge. On cuts like “Radio Station” they
bring substance to the grooves, by attacking Black Radio for its continual denigration of rap. “Tougher Than Leather” reminds the world that they were
still the Kings of Rock, with hard guitars to drive the point home. And “They Call Us Run-DMC” and “Soul To Rock And Roll” both bring things back to
their early days, with sure-fire park jam rhymes and killer cuts.
Tougher Than Leather, which went platinum up against a lot of competition, perfectly bookends the ‘80s output of one of the decade’s most
important groups. It encompasses the full range of the trio’s capabilities, and reminds us that Run-DMC should never be forgotten as both pioneers
and party-rockers. And so, we say, long live Joe, Darryl and Jay!

Not to be confused with Snax.

Madlib, the prolific producer and adept sampler with a record collection spanning all genres and eras and Freddie Gibbs, the gravel-voiced braggadocios rapper, a vocal athlete. As a pair, they exude a natural chemistry and craft an alchemical music. Reunited after their widely celebrated 2014 album Piñata, Gibbs and Madlib are back with Bandana, a brand new collaboration for 2019. Bandana includes first single, “Flat Tummy Tea,” which received critical praise upon release from the likes of Rolling Stone, Billboard, Vulture, Pitchfork, FADER, GQ, and more. The album will also include features from Pusha T, Killer Mike, Yasiin Bey, and Black Thought and more.

An outstanding 2LP compiling the best instrumentals of the greatest white rap group ever: the Beastie Boys. New Yorkers Ad-Rock, MCA and Mike D crossed over into the mainstream in the mid 80s with their full-length Licensed to Ill and exploded any notions of one-dimensionality with its ambitious followups such as Paul’s Boutique, On Check Your Head and Ill Communication. Taking influences from hardcore and hip hop, these innovators performed most of the music while integrating an array of rock samples, 808 beats and witty wordplay into an everintriguing sonic smorgasbord. This 2019 comes with a new limited version presented in White Color Vinyl to enjoy in both ways of this wonderfulLP.

"The Prophet and the King" is a collaborative project from Solomon
Childs and Tone Spliff. The album hosts 11 solid tracks (two of which
are only available on CD) and 3 skits.
Solomon and Tone called upon the heavy-hitters ; Inspectah Deck (Wu
Tang), Sadat X (Brand Nubian), Rock (Heltah Skeltah), Conway the
Machine (Shady Records/Griselda), Realio Sparkzwell, Recognize Ali,
Sav Killz, Mazzi & Stryfe for the album's guest appearances.
ABOUT SOLOMON CHILDS:
Rapper and Staten Island native Solomon Childs (born Walbert Ryan
Dale in 1975) became affiliated with the mighty Wu-Tang Clan through
his family ties to god-brother Cappadonna and cousin Ghostface Killah.
Solomon contributed to various Wu-Tang related classics throughout
the late '90s and early 2000s, including verses on Cappadonna's The
Pillage, RZA's Bobby Digital, Ghostface Killah's Supreme Clientele and
others. In the early 2000s he was a member of the Ghostface affiliated
group Theodore Unit, as well as appearing on tracks by other artists
and working on his own releases.
In 2016 Solomon was shot twice in a drive-by shooting while out
shopping in Staten Island. The rapper underwent multiple surgeries
but survived the attempt on his life.
"The Prophet and the King" is Solomon's second album from when this
tragic incident occurred.
ABOUT TONE SPLIFF:
Los Angeles based DJ and Producer Tone Spliff (born Anthony John
Mucitelli in 1981) is grounded in an east coast sound and steeped in
tradition with an ever present emphasis on the DJ/Turntablist.
Tone links up with Solomon Childs to deliver an instant classic Hip Hop
album, sounding like a beast on the drum machine and the 1’s and 2’s,
it’s apparent Tone Spliff has some skills to flex on this album.
The beat-creator, originally from Utica, NY, has made his mark in the
underground Hip Hop community by working with artists such as
Royce Da 5'9, Sean Price, Krumbsnatcha, Big Shug, Planet Asia,
Apathy, Slaine, Ed OG, Skyzoo, Big Noyd, El Da Sensei, Saigon and
many more. Songs from his previous albums have made a worldwide
buzz by landing on popular sites and radio shows like: The Source
Magazine, XXL, HipHopDx, 2DopeBoyz.com, Rap Is Outta Control with
DJ Eclipse (Shade45/SirusXM), Live from HeadQuarterz with DJ
Premier (Shade45/SiriusXM) and many more.

Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!

once upon a time in south l.a. - Ice Cube, Cuba Googing Jr, Angela Bassett ... classic ! english, french, spanish & italian language plus multilingual subtitles (even hindi !)