Name: Vanilla - Origin
SKU: 1115868v1
Price: 266.99 EUR
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The Notorious B.I.G.

Life After Death

3LP | 1997 | EU | Reissue (Bad Boy)

40,99 €*

Incl. VAT plus Shipping Costs

Release: 1997 / EU – Reissue

Genre: Hip Hop

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It may have taken the Notorious B.I.G. a few years to follow up his milestone debut, Ready to Die (1994), with another album, but when he did return with Life After Death in 1997, he did so in a huge way. The ambitious album, intended as somewhat of a sequel to Ready to Die, picking up where its predecessor left off, sprawled across the span of two discs, each filled with music, 24 songs in all. You'd expect any album this sprawling to include some lackluster filler. That's not really the case with Life After Death, however. Like 2Pac's All Eyez on Me from a year before, an obvious influence, Biggie's album made extensive use of various producers -- DJ Premier, Easy Mo Bee, Clark Kent, RZA, and more of New York's finest -- resulting in a diverse, eclectic array of songs. Plus, Biggie similarly brought in various guest rappers -- Jay-Z, Lil' Kim, Bone Thugs, Too $hort, L.O.X., Mase -- a few vocalists -- R. Kelly, Angela Winbush, 112 -- and, of course, Puff Daddy, who is much more omnipresent here than on Ready to Die, where he mostly remained on the sidelines. It's perhaps Puffy himself to thank for this album's biggest hits: "Mo Money Mo Problems," "Hypnotize," "Sky's the Limit," three songs that definitely owe much to his pop touch. There's still plenty of the gangsta tales on Life After Death that won Biggie so much admiration on the streets, but it's the pop-laced songs that stand out as highlights. In hindsight, Biggie couldn't have ended his career with a more fitting album than Life After Death. Over the course of only two albums, he achieved every success imaginable, perhaps none greater than this unabashedly over-reaching success. Ready to Die is a milestone album, for sure, but it's nowhere near as extravagant or epic as Life After Death. - allmusic.com

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Hip hop, hip hop or hip hop? Anything that sounds funky is allowed.

Hip hop has never been as diverse as it is today. Labels like Mello Music Group or Redefinition evoke the spirit of the eighties and nineties. They see themselves in the tradition of self-determined record companies like Cold Chillin or Ruthless Records. Chopped Herring Records or Dope Folks have made it their business to dig up old recordings. Progressive styles of hip hop music find a home on independent labels like Stones Throw. German rap has grown up and shaken off the regional barrier. And instrumental hip hop has also played an increasingly important role in the last ten years. Not least thanks to our dear colleagues from Project: Mooncircle, who have pushed this direction massively. We have made it our task to do justice to all these facets of hip hop with our offer. From the classic to the absolute insider tip, we offer everything that has to do with eloquent rhymes or innovative beats. And with our HHV Label, we give established and up-and-coming artists the opportunity to present themselves.

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Hip Hop

Hip Hop at HHV: the full range from A to Z

Hip hop, hip hop or hip hop? Anything that sounds funky is allowed.