Hip Hop 347 Items

Often recognized as one of the most consistent and prolificduos in independent hip-hop, Atmosphere hit a stride ofextraordinary output from July 2007 to April 2008, even by theirown standards. Within those 9 months, they released afull-length album, four EP's, and a 42-minute mixtape ofexclusive material, altogether totaling 48 new songs released, allwhile they were consistently touring as well. This rapid-fire stringof releases introduced some of their most popular songs to dateand showcased their dynamic range, from moody and reflective,to upbeat and optimistic, to a boom-bap throwback style of rap,the latter of which was most prominently displayed on themixtape. Introduced on Christmas Day 2007, the mixtape was a"gift" to fans in the form of a free download, aptly titled StrictlyLeakage - a nod to both eschewing standardized industrypractices in favor of giving the music away, and to anotherprominent album title from the era that inspired them andperhaps more specifically, these recordings.Strictly Leakage surprised fans and critics alike, not justbecause the download invite appeared in their inbox withoutwarning, but also because the project sounded so uniquelydifferent from Atmosphere's typical recordings. Ant was diggingdeep into the funk & soul crates, favoring samples over liveinstrumentation, and producing tracks that sounded as if theywere birthed alongside late '80s and early '90s hip-hop classics.Slug was rapping with a renewed passion, yet somehowsounding more casual and carefree delivering endless wordplaywith more technical rhyme patterns than other Atmosphereprojects. Together, they created 13 exclusive songs that soundedas if they were just having fun making them, without thepressure of any album expectations - undoubtedly as rewardingan exercise for themselves as it was for the listeners.Early on, Strictly Leakage had been pressed on a limited run ofvinyl and CD, but it wasn't long before they sold out, and fanswere left chasin...

Often recognized as one of the most consistent and prolificduos in independent hip-hop, Atmosphere hit a stride ofextraordinary output from July 2007 to April 2008, even by theirown standards. Within those 9 months, they released afull-length album, four EP's, and a 42-minute mixtape ofexclusive material, altogether totaling 48 new songs released, allwhile they were consistently touring as well. This rapid-fire stringof releases introduced some of their most popular songs to dateand showcased their dynamic range, from moody and reflective,to upbeat and optimistic, to a boom-bap throwback style of rap,the latter of which was most prominently displayed on themixtape. Introduced on Christmas Day 2007, the mixtape was a"gift" to fans in the form of a free download, aptly titled StrictlyLeakage - a nod to both eschewing standardized industrypractices in favor of giving the music away, and to anotherprominent album title from the era that inspired them andperhaps more specifically, these recordings.Strictly Leakage surprised fans and critics alike, not justbecause the download invite appeared in their inbox withoutwarning, but also because the project sounded so uniquelydifferent from Atmosphere's typical recordings. Ant was diggingdeep into the funk & soul crates, favoring samples over liveinstrumentation, and producing tracks that sounded as if theywere birthed alongside late '80s and early '90s hip-hop classics.Slug was rapping with a renewed passion, yet somehowsounding more casual and carefree delivering endless wordplaywith more technical rhyme patterns than other Atmosphereprojects. Together, they created 13 exclusive songs that soundedas if they were just having fun making them, without thepressure of any album expectations - undoubtedly as rewardingan exercise for themselves as it was for the listeners.Early on, Strictly Leakage had been pressed on a limited run ofvinyl and CD, but it wasn't long before they sold out, and fanswere left chasin...

It seemed that if I didn’t somehow repeat the process of greatness, and do so immediately, multiple times away to satisfy playlist and binge watch culture, then I “wasn’t shit”. After a while I was like “nah this doesn’t feel good,… I don’t know if I am finding joy in this”. I would record songs and not release them, obsess over sessions recorded in my home with 30 takes of vocals and wake up only to delete them. When it began to feel right I found solace in an epiphany that I was not obligated to operate at any other wavelength. I am moving on a different type of time, and that doesn’t expire. -Cavalier For heads of a certain time period of NYC hip-hop, Brooklyn born, New Orleans-based rapper and songwriter, Cavalier was the one that got away. The outrageously talented artist whose name and reputation preceded him everywhere you went in the scene. The rapper who everyone knew was so dope that he had to blow, but who never seemed concerned with any of that. The pretty boy draped in Polo who stole every live show with a feather in his hair and a mouth full of gold fronts. The cat so dedicated to his own independence that even indie labels stopped trying to sign him and projects came when they came, but when they came they were undeniable. Cavalier was That guy for a lot of us; a silver-tongued philosopher with an eye for the poignant details of black life and a delivery as effortless as a young Ken Griffey’s swing. All that said, it never really felt like Cav had that moment in the spotlight that we always assumed was coming. After chiseling away through headier cult corners of the NYC hip-hop scene Cavalier was recognized for his memorable co-pilot to Quelle Chris’ 2013 Mello Music debut, Niggas Is Men. The critically acclaimed LP helped propel Quelle Chris into the forefront of indie hip-hop (and also happened to be the first production credits for Messiah Muzik). Cav followed up with his first full length, Chief, which sports a notable Raekwon feature but also early work from producers like Ohbliv and Tall Black Guy. A relocation to New Orleans and partnership with producer/vocalist Iman Omari yielded two more projects: 2015’s Lemonade EP and Private Stock in 2018. Great records all; eagerly sought by collectors and signal boosted by influential media like OkayPlayer, Solange’s Saint Heron, and Pitchfork. Cavalier’s bonafides have never been in question, but his new album Different Type Time feels like a revelation—a sonic suspension bridge between his rich history and the artform’s future. Different Type Time doesn’t sound like the future though, its vibrations are somewhere all their own. It sounds like jazz, like a conversation overheard in roti shop, or a pool hall, or the foyer of your old building on a fall day, front door propped open with a brick. The blues is in there too, and the south—the American South, and the Global South, and South Brooklyn. It’s not that it sounds like the past, but you can hear everything that came before in the thick of the basslines and the yearning of the keys. Different Type Time also doesn’t sound like now, it sounds like Right NOW; the bounce of the lyrics like the staccato of basketball in the park, carried on a spring breeze. Although he doesn’t rap on DTT, Quelle Chris plays a pivotal role; producing eight songs and serving as associate producer/consigliere to Cav throughout the creative process. “There is no time wasted in explaining things when I collaborate with Quelle. He understands the universe I am in and the realities I want to create. He’s in them. And I don’t think I can envision one without him,” Cavalier explains. Messiah Muzik, Wino Willy, Ohbliv, Ahwlee, Child Actor, Fushou and several other producers round out the credits, all lending their talents to the album’s spaciously soulful sound. At the center of all these alchemies is Cavalier, nimbly dancing in and out of pockets like a sidewalk game of jumprope. Different Type Time is a masterclass in this thing we call hip-hop; daring and original, yet always standing deeply rooted in the culture

1. Different Type Time prod. Quelle Chris & Cavalier
2. Custard Spoon prod. Quelle Chris
3. Can’t Leave It Alone feat. Eric Jaye prod. GLassC!ty
4. Come Proper prod. Jacob Rochester
5. Touchtones prod. Aummaah
6. Déjà vu / Tydro ‘97 prod. Messiah Muzik / Quelle Chris
7. Doodoo Damien prod. Quelle Chris
8. Baby I’m Home prod. Wino Willy
9. Yeah Boiii prod. Quelle Chris
10. All Things Considered (prod. Wino Willy
11. Pears (prod. Malik Abdul-Rahmaan
12. Told You (prod. Fushou
13.Badvice (prod. Low Key
14. Think About It feat. Billzegypt prod. Obliv
15. Up From Here / 7th Ward Spyboy prod. Ahwlee / Quelle Chris
16. Manigaults / I Miss Them prod. ruffiankick
17. Lazaroos prod. Vinny Cuzns
18.Bespoke feat. Dominic Minix prod. Hann_11
19. 50 Bags feat. Lord Chilla prod. Child Actor
20. Axiom / My Gawd prod. GLassC!ty / Quelle Chris
21. Flourish prod. Quelle Chris

don't look back (feat. escalone) afterlife piece of peace (Soldier partII) night moves desert storm identity above justice

In Emanuele Triglia's 'Moon Kin' we embark on a captivating journey where the worlds of Contemporary Jazz, Hip Hop, and Global Rhythms converge in a seamless tapestry of sound. Inspired by the likes of Karriem Riggins, Herbie Hancock, J Dilla this album pushes the boundaries of traditional jazz while embracing the raw energy of hip hop and the diverse textures of worldwide music.

At its core, "Moon Kin" is a celebration of the synchronicity between musicians and listeners, where every note, beat, and rhythm feels like a shared experience. Each track serves as a testament to the interconnectedness of musical expression, weaving together intricate melodies and infectious grooves that resonate with the soul. From the hypnotic rhythms of the drums to the sultry melodies of the trumpet, the album is a testament to the power of organic instrumentation. Layers of live instrumentation create a rich sonic landscape, where every instrument has its voice and contributes to the overall narrative of the music. "Moon Kin" is more than just an album—it's a testament to the power of music to bring people together and create moments that transcend any musical language or culture. With its innovative blend of Jazz, Hip hop, and World Music influences, this album is sure to leave a lasting impression on listeners everywhere.

100% produced by Swab feat. Josiah The Gift, General Backpain, Maze Overlay, Mickey Diamond, Ty Farris, Dango Forlaine, Ronnie Alpha, Che Uno & 9th Uno, Nowaah The Flood, ethemadassassin, Guy Grams, Mental Da God, Empuls, John Jigg$, Copywrite, Substance810, Supreme Cerebral, Rim, M.A.V.

100% produced by Swab feat. Josiah The Gift, General Backpain, Maze Overlay, Mickey Diamond, Ty Farris, Dango Forlaine, Ronnie Alpha, Che Uno & 9th Uno, Nowaah The Flood, ethemadassassin, Guy Grams, Mental Da God, Empuls, John Jigg$, Copywrite, Substance810, Supreme Cerebral, Rim, M.A.V.

Limited to 300 copies for all black vinyl purists.

Following the success of classic albums from Nas (llmatic), and Mobb Deep’s sophomore LP, The Infamous, the borough of Queens had proven itself to be a mecca of talent, and so the hunt was on the find the next promising emcee to fuel the momentum. It would take a local high school talent show for Geronimo’s talents to be discovered by soon to be music mogul, Irv Gotti, that would lead to a deal with Blunt Recordings for the release of Mic’s debut effort. In addition to an era defining soundscape with production credits from Da Beatminerz and Buckwild, among others, the album boasts a notable line-up of guest appearances from The Lost Boyz, Royal Flush and O.C., along with a burgeoning Jay Z, DMX and Ja Rule, who all appear on the celebrated posse cut, “Time to Build,” marking the first Murder Inc. collaboration.

Limited to 300 copies.

Coalmine Reissues is pleased to announce this special edition reissue of Royal Flush’s time honored debut LP, Ghetto Millionaire, marking just the second time that the vinyl has ever been repressed. Royal Flush first jumped on the scene as a part of New York’s burgeoning Queensboro hip-hop scene of the mid 90s. Coming up under the wings of Mic Geronimo as part of the infamous Wastlanz crew, Flush shadowed Geronimo on over half of the album cuts featured throughout Geronimo’s The Natural, creating a memorable one-two punch akin to Ghostface Killah’s heavy presence on Raekwon’s Only Built 4 Cuban Linx. Flush’s solo debut Ghetto Millionaire hit in August of 1997 and perfectly captures the mid-to-late 90s sound of East Coast street rap with a notable production roster that boasts Da Beatminerz, L.E.S., Buckwild, Hi-Tek and Chyskillz among others. Ghetto Millionaire is a memorable trip to the latter half of the Golden Era, abound with Flush’s crime-ridden world of hardcore street rap that’s backed by a first-rate soundscape.

Toronto Producer Elaquent is back with an all-star lineup of underground bubblers inlcuding Ivan Ave, Chester Watson and Skyzoo. The new album is cosmopolitan jazz rap - smooth production with velvet lyricists from around the globe.

Limited edition of 300 copies on CD in jewel case.

We are very pleased to present Adagio!'s "Str8 Off The DAT", the third release of the duo comprised of Obvious Wonder (also known as Carta' P.) and Ray Foges (also known as Ray Supreme) on 90's Tapes. The group dug deep in their crates to come up with 7 unreleased tracks recorded between 1992 and 1997, bringing you that special Adagio! vibe once again.

Available in a limited run on LP, CD in jewel case, cassette and digitally on all major platforms.

Limited edition of 100 copies on cassette.

We are very pleased to present Adagio!'s "Str8 Off The DAT", the third release of the duo comprised of Obvious Wonder (also known as Carta' P.) and Ray Foges (also known as Ray Supreme) on 90's Tapes. The group dug deep in their crates to come up with 7 unreleased tracks recorded between 1992 and 1997, bringing you that special Adagio! vibe once again.

Available in a limited run on LP, CD in jewel case, cassette and digitally on all major platforms.

Limited edition of 500 copies on black vinyl.

We are very pleased to present Adagio!'s "Str8 Off The DAT", the third release of the duo comprised of Obvious Wonder (also known as Carta' P.) and Ray Foges (also known as Ray Supreme) on 90's Tapes. The group dug deep in their crates to come up with 7 unreleased tracks recorded between 1992 and 1997, bringing you that special Adagio! vibe once again.

Available in a limited run on LP, CD in jewel case, cassette and digitally on all major platforms.

Legendary Boston MC/Producer M-Dot, returns yet again with another monumental ALBUM…. “Daze Of Greed.” In the current microwave times, with weekly project drops and 3 song EP releases, the Boston stalwart maintains a classic blueprint of delivering a genuine tour de force ALBUM! ‘Daze Of Greed’ (14 tracks), the 4th official solo album from M-Dot (3rd in as many years) enters a morbid world consumed by monetary gain.

The project has an undertone of affliction but what emboldens the content though is the MC’s vulnerability layered throughout the work. Along for the ride is a murderer's row of company with production by M-Phazes (Eminem, Demi Lovato), Vinny Idol (D-BLOCK), 88 Keys (Kanye West), Apollo Brown, MIGHTY V.I.C. (Big Pun, Mobb Deep) etc. and also features appearances by friends Big Shug (Gang Starr Foundation), Estee Nack (Griselda), Grand Puba (Brand Nubian), Ty Farris & M-Dot’s EMS crew. Buckle up…and enjoy the ride!

Legendary Boston MC/Producer M-Dot, returns yet again with another monumental ALBUM…. “Daze Of Greed.” In the current microwave times, with weekly project drops and 3 song EP releases, the Boston stalwart maintains a classic blueprint of delivering a genuine tour de force ALBUM! ‘Daze Of Greed’ (14 tracks), the 4th official solo album from M-Dot (3rd in as many years) enters a morbid world consumed by monetary gain.

The project has an undertone of affliction but what emboldens the content though is the MC’s vulnerability layered throughout the work. Along for the ride is a murderer's row of company with production by M-Phazes (Eminem, Demi Lovato), Vinny Idol (D-BLOCK), 88 Keys (Kanye West), Apollo Brown, MIGHTY V.I.C. (Big Pun, Mobb Deep) etc. and also features appearances by friends Big Shug (Gang Starr Foundation), Estee Nack (Griselda), Grand Puba (Brand Nubian), Ty Farris & M-Dot’s EMS crew. Buckle up…and enjoy the ride!

Beautiful Raw is the 4th release from Chicago duo Qwel & Maker, whose releases and worldwide touring raised them as the bar against which all raw complex underground hip hop is to be measured.

This album is a testimony to the hard work and thoughtful care that the two put into all of their music. Each carefully crafted track could stand alone as a highlight, claiming rightful shine as the lead single, yet the album as a whole complete work is a single seamless journey. The tale of the humble plant, once sewn deep beneath the concrete of the inner city slums, that against all odds has grown up through the concrete toward the light. Proof of hope is the recurrent theme and grimy raw is the soundscape.

“They said it couldn't be done, this one’s for provin’ ’em wrong, seems only suitable it’s beautiful raw. Planted the seed beneath the street but it was rooted too strong, grew to the sun and called it beautiful raw.”

In an unexpected and rare turn for the team, Qwel and Maker commissioned a little help on this album, pulling collaborative magic from fellow veterans such as The Grouch (Living Legends), Qwel’s fellow Typical Cat Qwazaar, Swamburger (Soliloquists Of Sound), Wes Restless, Scud One, D-Styles & more. The guest lyricists all help air out the record from Qwel’s dense spitfire lyrics.

Love, life, regret, money, drugs, joy, sorrow, lies, truth… but most of all hope, is what this album is about.

Seasoned MC and producer, Apathy, delivers his 9th full length album as an integral piece of his impressive 25+ year career. Back in 2014, he blessed hip hop heads with "Connecticut Casual", one of his most personal and fan-favorite outings to date. Once again heavily inspired by his hometown surroundings and shore-life encounters, Ap brings to fruition the next chapter in the soundtrack to the New England way of life with this new-age sequel to the original "CT Casual". The majority of the project is painstakingly produced by newcomer beatsmith, Playa Haze, with additional production from Apathy himself, along with contributions from Alcapella, plus Little Vic on both the boards and the mic. Ap's longtime partner-in-rhyme, Celph Titled, appears as one of the few guest features blessing the LP. Sail along this ride through murky waters, mysterious folklore, brash talk, and experience the East Coast lifestyle through the eyes of a Demigod.

Seasoned MC and producer, Apathy, delivers his 9th full length album as an integral piece of his impressive 25+ year career. Back in 2014, he blessed hip hop heads with "Connecticut Casual", one of his most personal and fan-favorite outings to date. Once again heavily inspired by his hometown surroundings and shore-life encounters, Ap brings to fruition the next chapter in the soundtrack to the New England way of life with this new-age sequel to the original "CT Casual". The majority of the project is painstakingly produced by newcomer beatsmith, Playa Haze, with additional production from Apathy himself, along with contributions from Alcapella, plus Little Vic on both the boards and the mic. Ap's longtime partner-in-rhyme, Celph Titled, appears as one of the few guest features blessing the LP. Sail along this ride through murky waters, mysterious folklore, brash talk, and experience the East Coast lifestyle through the eyes of a Demigod.

Sick 10 track solo EP from Thunder Jam Alliance artist "Cal-S.K.I." from 1996-1998.

Killer indie flavas for the heads!!!!

Nearly a decade after their last album, Lilacs andChampagne picks up right where that record, MidnightFeatures Vol. 2: Made Flesh, left off. With bizarreexcursions into pillowy, sentimental made-for-TV music -and children's choirs incanting the blackest dread-filledmusic the band has conjured to date - Fantasy World isboth transcendent and traumatic.Despite sharing two founding members of Grails(multi-instrumentalists Emil Amos and Alex Hall)Fantasy World only peripherally resembles their coregroup. Lilacs & Champagne have exaggerated theirearly record's implications and accelerated their mercurialrearranging of music history by deftly incorporating liveinstrumentation and samples with equal amounts ofdeference and disregard.Previously existing primarily in a realm adjacent toinstrumental hip-hop (J Dilla, Clams Casino, Madlib),Fantasy World exposes Lilacs & Champagne's deeperlineage as playful tape-collage culture jammers in thevein of legendary sound satirists, Negativland andSevered Heads. It embraces the effect of a child enteringa dollar store: the immediate euphoria felt upondiscovering the seemingly endless aisles piled impossiblyhigh with novelty toys, utensils, party decorations, andtoiletries eventually gives way to the overwhelmingrealization that they're actually just a tourist in a perilousmountain of colorful garbage. From those mountains,Lilacs & Champagne mold monuments to curiosity andconfusion.

Turntablist and producer DJ Crum teams up with mic fiend Napoleon Da Legend for this underground joint. This release includes the original version, instrumental, acapella and a remix by Mono:Massive.

Like a thief in the night, and almost 4 for years after his critically acclaimed full-length album Kabul Fire Vol 2, beat virtuoso Farhot has returned to the (crime) scene with his latest all-instrumental record "stealing from cats".

While on his last LP, he took listeners on a journey to his birthplace Kabul, he is now taking them along as he goes out stealing sounds from fellow musicians (label mates) and dusty Jazz archives and. Reminiscent of that time when Blue Note invited Madlib into their catacombs to create the seminal "Shades of Blue" LP, this slow-paced record sees Farhot eclectically fusing Jazz samples with downtempo, instrumental hip-hop art. From the hazy, chopped vocal samples of the intro tune "selfish" to the dreamy closer "they need me", this 12-song masterpiece is as much an homage to the virtuosity of Jazz cats like Silvan Strauss as it is to the fine art of sampling that Farhot cheekily calls stealing.

Nearly a decade after their last album, Lilacs and Champagne picks up right where that record, Midnight Features Vol. 2: Made Flesh, left off. With bizarre excursions into pillowy, sentimental made-for-TV music - and children's choirs incanting the blackest dread-filled music the band has conjured to date - Fantasy World is both transcendent and traumatic. Despite sharing two founding members of Grails (multi-instrumentalists Emil Amos and Alex Hall) Fantasy World only peripherally resembles their core group. Lilacs & Champagne have exaggerated their early record's implications and accelerated their mercurial rearranging of music history by deftly incorporating live instrumentation and samples with equal amounts of deference and disregard. Previously existing primarily in a realm adjacent to instrumental hip-hop (J Dilla, Clams Casino, Madlib), Fantasy World exposes Lilacs & Champagne's deeper lineage as playful tape-collage culture jammers in the vein of legendary sound satirists, Negativland and Severed Heads. It embraces the effect of a child entering a dollar store: the immediate euphoria felt upon discovering the seemingly endless aisles piled impossibly high with novelty toys, utensils, party decorations, and toiletries eventually gives way to the overwhelming realization that they're actually just a tourist in a perilous mountain of colorful garbage. From those mountains, Lilacs & Champagne mold monuments to curiosity and confusion.

Nearly a decade after their last album, Lilacs and Champagne picks up right where that record, Midnight Features Vol. 2: Made Flesh, left off. With bizarre excursions into pillowy, sentimental made-for-TV music - and children's choirs incanting the blackest dread-filled music the band has conjured to date - Fantasy World is both transcendent and traumatic. Despite sharing two founding members of Grails (multi-instrumentalists Emil Amos and Alex Hall) Fantasy World only peripherally resembles their core group. Lilacs & Champagne have exaggerated their early record's implications and accelerated their mercurial rearranging of music history by deftly incorporating live instrumentation and samples with equal amounts of deference and disregard. Previously existing primarily in a realm adjacent to instrumental hip-hop (J Dilla, Clams Casino, Madlib), Fantasy World exposes Lilacs & Champagne's deeper lineage as playful tape-collage culture jammers in the vein of legendary sound satirists, Negativland and Severed Heads. It embraces the effect of a child entering a dollar store: the immediate euphoria felt upon discovering the seemingly endless aisles piled impossibly high with novelty toys, utensils, party decorations, and toiletries eventually gives way to the overwhelming realization that they're actually just a tourist in a perilous mountain of colorful garbage. From those mountains, Lilacs & Champagne mold monuments to curiosity and confusion.

Sixteen beats in honor of the sixteen squares in Sirplus's Akai MPC 2000xl. Classic beats from a classic machine. No eight outs, just straight out the stereo jack. You can hear the time that was put into crafting a clean sound even without the detailed mixing from DAW. Raw beats from Sirplus with help from Exile on the turntables. That's it. Also take note of the vinyl only vocal feature from Blu on the last track. This version will not be on digital platforms.