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Hope Street

Hope Street Organic Grooves 6 Items

Name: Hannah Macklin - Mu
Brand: Hope Street
SKU: 997451v1
Price: 25.49 EUR
Availability: InStock

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Hope Street

Hannah Macklin

LP | 2023 | US | Original (Hope Street)

25,49 €* 29,99 € -15%

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Release: 2023 / US – Original

Genre: Organic Grooves

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Hannah Macklin’s debut LP ‘Mu’ is a glittering piece of cosmic orchestral neo-soul. Jazz-informed vocals & production merge triphop and prog influences and join the dots between Homegenic era Bjork or Portishead and contemporary artists like Solange. What’s Mu about? Mu is about everything: Songs about heartbreak and parting share the album with songs marveling at the scale of the universe. Mu is a concept from Zen and Chan Buddhism that means: “nothingness” and also, “pure awareness.” The awareness at the source of all things. In Hannah’s words: “There is so much life in every moment. Endless patterns, algorithms and instances repeating and changing and adapting. Spiraling outwards from the source. What source? The source.” In search of the source, Hannah has composed and arranged an undefinable, cinematic album that leads the listener on a winding path through her imagination. Sonically as well as thematically, Mu is an album of extremes and lofty ambitions. Fragile and delicate vocal and violin textures contrast with crunchy noisescapes and brooding synthesizers. Hannah’s commanding voice shares the spotlight with a string section and is backed by spacious production featuring many acoustic instruments. Sonically, producer Nick Herrera has brought a reassuring chunkiness to this unplugged palette, in particular the head nodding drums that anchor Hannah’s celestial musings . Like a film soundtrack or a symphony Mu is best listened to and understood as a whole - it circles back to themes and refrains and re-examines them. Sometimes a song is a song, sometimes it’s a soundscape dreaming of a song. “When making this album, I had a specific concept for how I wanted the music to sound. I don’t mean in terms of genre… it was more of a visceral, sensory concept which I knew I could only realise by allowing myself to experiment and create simultaneously, believing in my rough ideas enough to grow them, to weave them into stories... I have decided to call the album “Mu” to signify the empty chasm I allowed to hold within me whilst these songs were born."

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Izy

Irene

LP | 2021 | US | Original (Hope Street)

29,99 €*

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Release: 2021 / US – Original

Genre: Organic Grooves

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“Irene” is the debut album from Izy (pronounced eye-zee), a Melbourne-based trio originally hailing from Cairns in Australia’s tropical North. A deeply mature album from a very young band, Irene is a 10 song collection of raw neo-soul grooves, rich vocal harmony and subtle jazz guitar. A stripped back, simple recording of a band killing it in a room. There’s a deep understanding of the canon of soul music on display here, with echoes of D’Angelo and Curtis Mayfield, but also a uniquely individual sensibility, rarely so clearly articulated on a debut record.

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Emma Donovan & The PutBacks

Crossover

LP | 2020 | US | Original (Hope Street)

29,99 €*

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Release: 2020 / US – Original

Genre: Organic Grooves

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Iconic Indigenous Australian soul singer Emma Donovan and powerhouse rhythm combo The Putbacks present their much-anticipated sophomore album Crossover. Personal, powerful lyrics and masterful musicianship combine to deliver a uniquely soulful LP, reflective of Emma's unique experience and the deep, dark, sophisticated funk that only The Putbacks can provide.

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Over Under Away

Over Under Away Volume 1

LP | 2019 | US | Original (Hope Street)

26,99 €*

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Release: 2019 / US – Original

Genre: Organic Grooves

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Over Under Away - Volume I is the first compilation LP from Melbourne independent label Hopestreet Recordings and is released to celebrate their 10th anniversary. It features 10 tracks from Hopestreet’s first generation of artists: psych-Bollywood SciFi orchestra The Bombay Royale, cinematica pioneers The Cactus Channel, soul queen Emma Donovan and her mighty band The Putbacks and dusty country soul from The Meltdown, plus a couple of rarely heard gems, an afrobeat rap cut by One Sixth and a Marvin Gaye inspired environmental panic anthem by Zillanova feat. Cisco Tavares. Over Under Away is the label’s creation story. The material in Volume I was created in Hopestreet’s infancy, when the same people played in all the bands, and everyone who worked in the office was also making the records. If a compilation put together out of nine different albums sounds unusually cohesive, it’s because the same people performed, wrote and produced all the songs. Putbacks guitarist Tom Martin leads the charge, appearing on 8 out of 10 cuts. All production and engineering duties were shared by label founders Bob Knob and Tristan Ludowyk. These days are past, but the aim of Over Under Away - Volume I is to represent the seed that grew into the label as it is today. The compilation takes its name from a song on Emma Donovan & The Putbacks’ 2014 album Dawn. Over Under Away is a story of struggle, perseverance and, above all else, patience. About growing from small beginnings to “sing and shout and talk up loud.” Hopestreet began as a recording experiment, an afternoon goof between friends in a decrepit factory in Brunswick. The only ingredients were an Otari tape machine, some decent musicians and little bit of goodwill. When the label started, 7a Hope Street was surrounded by a desert of vacant industrial property. Now it’s surrounded by gleaming new apartment complexes. In that moment between decay and gentrification a little magic happened. Now the label, like it’s surroundings continues to evolve, but this compilation celebrates that fleeting point in time and everyth

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The Public Opinion Afro Orchestra

Naming & Blaming

LP | 2018 | US | Original (Hope Street)

26,99 €*

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Release: 2018 / US – Original

Genre: Organic Grooves

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After a long wait, Melbourne’s Public Opinion Afro Orchestra (The POAO) is set to release their second album, Naming & Blaming, a pulsing, percussive journey into classic afrobeat. Recorded by a 17 piece
ensemble, led by fierce vocals and a howling horn section, it’s a fitting 21st-century response to the world-shaking music of 1970s Nigeria. The result is true to the afrobeat blueprint of hypnotic, extended songs,
improvisation and political comment but adds to the formula a host of pan-African influences and hip-hop elements that reflect the deep ranging roots of the band. As the title suggests, and in true afrobeat tradition, Naming & Blaming pulls no punches. It is an outspokenly political record, a cauldron of strong
opinions where indignation and optimism coexist. Led by the vocals of MC One Sixth and singer Lamine Sonko, the critique of colonialism is applied to both the African and Australian experience, the battles of many cultures informing the group’s ethos as does the importance of community and staying true to one’s convictions. Uplifting visions of a brighter possible
future as laid out in “No Passport,” the album’s rambunctious opening song, are balanced with honest reflections on injustice like guest Robbie Thorpe’s take on Australia’s chequered history in the title track.
For the Naming & Blaming cover, the band was honoured to have the opportunity to work with one of the originators of the Afrobeat movement
Lemi Ghariokwu, the legendary collage artist and illustrator responsible for all of Fela’s most famous album covers of the 1970s. This relationship is what the POAO is all about, paying respects to the culture and keeping it alive and relevant in the 21st century. Over the last decade, The POAO have established themselves as a firm festival favourites with their
contemporary approach to Afrobeat.

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Ella Thompson

Domino

LP | 2023 | US | Original (Hope Street)

24,99 €*

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Release: 2023 / US – Original

Genre: Organic Grooves

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Ella Thompson’s Domino is a spooky, bittersweet collection of cinematic soul cuts influenced by 1970s Italian 'Giallo' film scores, with luminous vocals that draw a line between 60s icons like Nancy Sinatra and contemporary soul artists like Kadhja Bonet. Ella’s effortless singing and haunting lyrics paint angular pictures in the moody darkness. The sparse production is intentionally cinematic, deeply influenced by the music of Italian ‘Giallo’ film scores of the 1970s, particularly by composers like Piero Piccioni but comparable to current artists like Adrian Younge or Bad Bad Not Good in a meditative mood. Minimal but propulsive bass and drums know when to hang back, as they do in the title track and when to step forward as they do in the chugging, deep and funky rhythm section work on the single Never Fight The Way You Feel. All the instrumentation used in Domino was created by Frollen Music Library, a library music project by the musicians behind Karate Boogaloo, Henry Jenkins, Hudson Whitlock and Darvid Thor, all long-term collaborators and friends of Ella’s. Ella has returned to making music under her own name in 2023 after years of releasing music with her electro-pop duo GL and cult indie band Dorsal Fins. One of Australia’s truly accomplished singers, Ella’s range ranges from art music to cinematic soul, jazz, and pop. In addition to her solo project and bands, she has been a featured artist for numerous acts, most notably deep funk pioneers The Bamboos and Mark Ronson.

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