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Hyperdub Electro 2 Items

Hip Hop 1 Organic Grooves 3 Electronic & Dance 30 Electro 2 House | Deep House 5 Downbeat | Electronica | Leftfield 13 Dubstep 11 Garage | 2Step | UK Funky | Bassline 4 Pop 1 Soundtracks 1
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Proc Fiskal - Lothian Buses EP
Proc Fiskal
Lothian Buses EP
12" | 2021 | UK | Original (Hyperdub)
8,99 €*
Release: 2021 / UK – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
'Lothian Buses' is an EP of genre collisions with Proc Fiskal amalgamating his twinkling, caffeinated grime sound with the rhythms and sounds of other genres, without ever overthinking it. To kick off, `Thurs Jung Yout' is a kind of shoegaze drill with strings and gentle tones swelling and dissipating against busy drill beats. `Baguettes' is a more classic Proc sound, a galloping rhythm against a sparse melody that was a quick fix up for a show that turned out well. `Choco Frito (Calamari)' was influenced by the good life, DJing in Portugal in the sunshine and hearing Kuduro played out. The latticing drum patterns nod to the style, dropping into a sunny accordion chorus with a plucked guitar line. `Scarab Aloph' is Proc's style compressed, full of micro-glitches, tight drum fills and incidental drop-outs across a pretty melody, while `HopeTak2' is his percussive, breezy take on funky house with smiley melodic stabs. Finally, `Mullit Madollock' takes the sonics of airy Bukem-style atmospheric jungle, an instantly recognisable inspiration that's not been as foregrounded in Proc's work before, refitted and updated with grime-inspired melodic bass kicks.
The Bug & Dis Fig - In Blue
The Bug & Dis Fig
In Blue
2LP | 2020 | UK | Original (Hyperdub)
31,99 €*
Release: 2020 / UK – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The Bug aka Kevin Martin, and producer/vocalist Dis Fig aka Felicia Chen, refer to their style on `In Blue' as "Tunnel Sound"; a foggy, melancholic meltdown of narco-dancehall-soul and dread-drenched, electronic dub. The 2018 prototype rhythms for this album were a continuation of Martin's ongoing quest for a futuristic dancehall mutation, but more sci-fi, aquatic and smokey than before. An obsessive search for the right sultry 2AM voice to ride his syncopated walls of sub, fuzzed out white noise and infinite echoes eventually led him to Dis Fig's torched soul-jazz glow, and 20 months of subsequent lab exchanges have resulted in the deeply sensual pulsations and lyrical long shadows of `In Blue' - an album that shares shades of King Midas Sound's wrecked lovers rock, alongside the bass immersion that The Bug has become infamously known for. Just as Martin took a stylistic swerve on `In Blue', so did Chen. Previously known for experimental noise onslaughts and emotional exorcisms, she opts here for threatening intimacy and hushed confessionals, concentrating on bittersweet vocals and seductive surprises that are all the more potent for their inferred narratives and delicate delivery. Mixed during lockdown, the sense of claustrofear, escapism and tension throughout is palpable. With the bewitching croon of Dis Fig directing the flow, carnality and violence merge under the turbulent, cinematic surface of an hypnotically addictive album.
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Hyperdub Electro

Hyperdub Recordings is a London-based record label, founded in 2004 by Steve Goodman. »Hyperdub is a mutation of British electronic music, infected by Jamaican soundsystem culture: from dub and reggae, through jungle, right up to grime, dubstep and funky«, explained Steve Goodman (aka Kode9) in an interview with The Guardian. In his mind Hyperdub is less a record label rather than a virus. This also explains how the releases of the label from Burial, Kode9 & the Spaceape, Ikonika, to Darkstar, Hype Williams and Cooly G) spread in recent years and shaped our imaginations of dubstep and on bass based dancing music. Hyperdub started in 2001 as a web magazine that dealt with the Jamaican influence on electronic music in Great Britain (dub, reggae, jungle, grime, UK funky). In an interview with Kevin Martin (aka The Bug), that Goodman conducted for XL8R, the musician encouraged the reporter to give his productions a platform.