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In The Red

In The Red Punk | Hardcore 10 Items

Name: Redd Kross - Redd Kross
Brand: In The Red
SKU: 1131736v1
Price: 39.99 EUR
Availability: PreOrder

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Redd Kross

2LP | 2024 | US | Original (In The Red)

39,99 €*

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Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-06-28

In 1979, two school-kids all hopped-up on punk-rock started their own group in their hometown of Hawthorne, Los Angeles (birthplace of the Beach Boys) and soon found themselves opening shows for notorious scene pioneers Black Flag. Jeff McDonald was fifteen, his brother Steven McDonald only eleven. But that didn’t stop their group from becoming one of the most remarkable, enduring and unique outfits punk-rock ever belched up.

2024, then, marks Redd Kross’s forty-fifth birthday—an important anniversary for any group whose heart pulses at 45RPM—and the brothers are celebrating the event with a veritable multimedia extravaganza. There’s a memoir, Now You’re One Of Us, due in November, author Dan Epstein telling the group’s story in the McDonalds’ unmistakable (and occasionally contrary) voices. A brilliant rockumentary, Born Innocent, directed by Andrew Reich, will premiere later in the year. Most exciting of all, this new album—an eponymous double-album, no less, packed with eighteen of their sharpest, most addictive songs yet. These years of joyful service to rock’n’roll have seen Redd Kross evolve into a killer pop-rock concern, dealing in dayglo power-chords, choruses as tall as skyscrapers and a lyric sheet thick with acid couplets and arch pop-cultural references their loyal following will gobble up like quaaludes.

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Memo PST

I Used To Be A Pretty Boy

7" | 2024 | US | Original (In The Red)

11,99 €*

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Release: 2024 / US – Original

Genre: Rock & Indie

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Memo PST a new Los Angeles based band featuring Chris Shaw (EX Cult/gøggs), Orville Neeley (obn IIIs), Daniel Clodfelter (shark Toys) and Jackson Todd. This single features two short blasts of straight up punk rock. Their debut album will be released later this year on In The Red and it’s a total face melter.

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Four Plugs

Wrong Treatment / Bikini Girl

7" | 1979 | US | Reissue (In The Red)

14,99 €*

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Release: 1979 / US – Reissue

Genre: Rock & Indie

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Originally released in 1979 on their own Disposable Records, this record was the brainchild of John Irvine in the UK. The record was pressed in a tiny edition, was played on John Peel several times and vanished without a trace. An excellent example of the UK DIY scene of the time later popularized on the Messthetics compilation series. It ranks number 12 in the top 100 DIY singles list that ran in Ugly Things issue #78. We’ve repressed it in an edition of 400 on red, purple, double mint green and olive green vinyl.

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Des Demonas

Cure For Love

12" | 2021 | US | Original (In The Red)

25,99 €*

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Release: 2021 / US – Original

Genre: Rock & Indie

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On DES Demonas’ new seven-track EP Cure For Love there’s a whalloping drum beat driving everything. But the throbbing, pumping bass, clanging, slashing guitar and whirling, swirling Farfisa are no mere passengers in this vehicle! I’m told by the other band members Paul [vivari], JOE [halladay], Mark [cisneros] and Ryan [hicks] that vocalist Jacky Cougar Abok is the loudest drummer they’ve ever heard. But here he sings! In motifs. He sings out a beat, he sings minimalist melodic hooks. He half speaks/half shouts his lyrical content in rapid fire that is closer to beat poetry than rap. His voice is insistent and demanding to be heard! And it is! By having it slightly submerged, the listener is forced to strain to hear the words because they won’t wanna miss something important! The sonic fuel of the band is a blend of post-punk, punk, funk, blues, psych-rock, Afrobeat, even bubble-gum—but the noise you hear is pure Des Demonas! Titles like the ‘Ballad Of Ike & Tina’ and ‘Black Orpheus Blues’ add to the intrigue rather than explain the content. The listener is both confronted and lured by something bigger than themselves! Desire, intrigue, fear and exuberance are the rewards to those unable to resist! But will yout love be cured? You could look to Shakespeare, or simpler, you could buy this record and find out!” —Kim Salmon

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Divine Horsemen

Hot Rise Of An Ice Cream Phoenix

2LP | 2021 | US | Original (In The Red)

29,99 €*

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Release: 2021 / US – Original

Genre: Rock & Indie

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Los Angeles, California—DIVINE Horsemen, the fiery, eclectic ’80s group that rode the unique vocal chemistry of Chris Desjardins (aka Chris D.) and Julie ChrisTENSEN, return to the musical stage with Hot Rise Of An Ice Cream Phoenix, a collection of all-new recordings. Co-produced by Desjardins and Craig Parker Adams (who engineered I Used To Be Pretty, the 2019 release by Chris D.’s groundbreaking ’70s punk band the Flesh Eaters), this new 13-track album comprises the first new music by the Horsemen in thirty-three years. Founded after the dissolution of the Flesh Eaters and launched with the 1984 Enigma Records album Time Stands Still, billed as Chris D./Divine Horseman, the band released three albums and an EP on SST Records, all of which featured the searing harmonies of Desjardins and Christensen, who were married at the time. The couple split professionally and personally just prior to the release of their January 1988 EP A Handful of Sand. However, the two musicians remained in touch over the years, and Christensen contributed vocals to five tracks on I Used To Be Pretty, which reunited the 1980 “all-star” edition of the Flesh Eaters heard on the Ruby/Slash classic A Minute To Pray, A Second To Die. By then, the idea of reviving Divine Horsemen was already percolating. Featuring onetime Divine Horsemen guitarist Peter Andrus, who had appeared on A Handful Of Sand and the 1987 album Snake Handler, and Bobby Permanent, the 2021 Divine Horsemen lineup is completed by drummer DJ Bonebrake of the incomparable L.A. band X. Hot Rise Of An Ice Cream Phoenix stands as a bracing new achievement by a distinctive musical partnership that has always marched to the beat of its own drum. Like the Flesh Eaters’ recent reunion, it’s a welcome return that plays to the group’s historic strengths.

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Red Lights

12" | 2020 | US | Original (In The Red)

16,14 €* 18,99 € -15%

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Release: 2020 / US – Original

Genre: Rock & Indie

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“Prior to forming the Gun Club, Jeffrey Lee Pierce (1958-1996) fronted The Red Lights. While 1980 is viewed as ground zero for Pierce’s career—his autobiography Go Tell The Mountain starts with the founding of the Gun Club—Pierce was active as a rock critic for Slash magazine and had started songwriting years earlier. Throughout the late 1970s, Pierce’s primary musical interests were power pop and reggae. He was the president of the Blondie fan club and had interviewed Burning Spear. So when the Red Lights, Pierce’s first serious attempt at forming a band, started rehearsing it’s unsurprising that power pop (with a hint of reggae) was the group’s musical direction. “The Red Lights existed throughout 1978. The lineup for the band’s debut show on July 14, 1978—opening for The Germs and The Middle Class at the Whisky—was Jeffrey Lee Pierce (vocals and guitar), Anna Statman (bass), Vitus Mataré (keyboards) and Jack Reynolds (drums). Mataré and Reynolds were members of The Last; Anna Statman was a contributing writer to Pleasant Gehman’s Lobotomy fanzine. This lineup was short-lived. Mataré dropped out afterwards; Jack Reynolds stuck around a little longer. Thanks to Flipside’s gig reviews, it’s known that the Red Lights played at least two more shows: one at The Arena in Culver City and another one at The Rock Corporation in Van Nuys on August 9, 1978, opening up for The Weasels. By the end of 1978, Pierce had moved to New York City, effectively ending the Red Lights “At some point in the second half of 1978, The Red Lights recorded a demo. Little is known about the session. Mataré had already left the band, Statman vaguely remembers recording it. Unfortunately, Jack Reynolds passed away in 2009. The Red Lights were obscure; people familiar with the band were likely committed Gun Club fans. Few were aware that this demo tape existed; those who had a cassette copy likely received it from Pierce directly. “Fast forward four decades and what’s surprising about the Red Lights’ material is how advanced Pierce’s songwriting was at 19 years old—the songs’ dynamic range, that voice—this is clearly the Gun Club’s Jeffrey Lee Pierce. Again, it’s all here.” —Ryan Leach

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The Revenge

Four Song 12inch

12" | 2019 | US | Original (In The Red)

18,99 €*

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Release: 2019 / US – Original

Genre: Rock & Indie

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If the original intent of punk rock was to reject the excesses of mainstream rock, strip things back to bare bones basics, jettison slickness and embrace a DIY ethic, then THE REVENGE were punk rock personified. Formed in 1977 in Cheshunt, London by Lol Hammond (vocals/guitar), Ian Strange (bass/vocals) and Dave Edgar (drums/vocals), these teenagers played most of London’s punk clubs, including the Roxy. The band self-released two singles in 1978 on their own Loony Records before disbanding in 1979. Both 7-inches were pressed in incredibly small amounts and now have legendary status amongst collectors going for ridiculous sums. The recordings are extremely raw, even by punk standards—particularly on the band’s first single, where the guitar sound is so tough and scuzzy it would not sound out of place on a volume of Back From The Grave. Needless to say, the singles received little press and vanished without a trace. Nowadays Lol Hammond is one of London’s well known DJs who has recorded as Drum Club and Girl Eats Boy, collaborated with Roger Eno, directed film scores and has remixed the likes of Jah Wobble, Killing Joke and The Fall, to name but three. In The Red is proud to issue the first legitimate (these singles have been bootlegged) reissue of The Revenge’s two singles.

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The Side Eyes

Get Me Out / Stop

7" | 2019 | US | Original (In The Red)

9,99 €*

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Release: 2019 / US – Original

Genre: Rock & Indie

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Archie And The Bunkers

Play The Damned

7" | 2018 | US | Original (In The Red)

9,99 €*

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Release: 2018 / US – Original

Genre: Rock & Indie

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The Side Eyes

So Sick

LP | 2017 | US | Original (In The Red)

20,99 €*

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Release: 2017 / US – Original

Genre: Rock & Indie

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So Sick, the debut album on In the Red Records by Southern California punk quartet the Side Eyes, raises interesting questions about nature versus nurture—the eternal scientific debate about whether a human being’s personality is predetermined by genetics or whether it’s actually shaped by the environment one grows up in. Their lead singer, Astrid McDonald, is a fascinating test case. The 22-year-old Angeleno is the real-wild-child daughter of Go-Go’s guitarist-songwriter Charlotte Caffey and Redd Kross singer-guitarist Jeff McDonald. How much has McDonald’s notoriously fiery onstage presence been influenced by basic heredity and how much was her personality inspired by being raised by two legendary punk-pop icons?

Similarly, how did growing up together as brothers in New Jersey affect the hard-driving musical attack of 22-year-old guitarist Kevin Devine and 20-year-old bassist Chris Devine? Much of rock history has been fueled by the unique familial dynamics and sibling rivalries of brothers in bands, from the Everly Brothers and the Kinks’ Ray and Dave Davies to Redd Kross’ Jeff and Steven McDonald. When the two Devines’ aggressive approach is combined with 23-year-old San Diego native Nick Arnold’s remorselessly throttling drumming, the Side Eyes end up as a powerfully controlled punk rock machine that blows past the sonic barriers of their past inspirations.

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