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All Items / HHV Records / Vinyl, CD & Tape / Rock & Indie / Indierock | Alternative

Indierock | Alternative Vinyl 12 Inch 435 Items

Hip Hop 411 Organic Grooves 1263 Rock & Indie 781 Indierock | Alternative 435 Classic Rock 42 Punk | Hardcore 124 Metal 91 Folk 55 Rock 'n' Roll 8 Electronic & Dance 20211 Reggae & Dancehall 834 Pop 433 Classical Music 16 Soundtracks 28
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40 Watt Sun
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Magnuscarlson - From Now On
Magnuscarlson
From Now On
12" (Amigo)
13,59 €* 16,99 € -20%
Incl. VAT plus Shipping Costs
Genre: Rock & Indie
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Mansun - Closed For Business Record Store Day 2021 Edition
Mansun
Closed For Business Record Store Day 2021 Edition
12" (Kscope)
22,99 €*
Incl. VAT plus Shipping Costs
Genre: Rock & Indie
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Paul Draper - Ep Two
Paul Draper
Ep Two
12" (Kscope)
18,99 €*
Incl. VAT plus Shipping Costs
Genre: Rock & Indie
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Fiction - In Real Life
Fiction
In Real Life
12" (Tip Top)
10,99 €*
Incl. VAT plus Shipping Costs
Genre: Rock & Indie
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New Model Army - From Here
New Model Army
From Here
2LP (Ear Music)
32,99 €*
Incl. VAT plus Shipping Costs
Genre: Rock & Indie
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Say Sue Me - 10.0
Say Sue Me
10.0
12" (Damnably)
30,99 €*
Incl. VAT plus Shipping Costs
Genre: Rock & Indie
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Say Sue Me - It's Just A Short Wa 1-Sided Clear Vinyl Edition
Say Sue Me
It's Just A Short Wa 1-Sided Clear Vinyl Edition
12" (Damnably)
26,99 €*
Incl. VAT plus Shipping Costs
Genre: Rock & Indie
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Fiction - Instant Memories
Fiction
Instant Memories
12" (Tip Top)
10,99 €*
Incl. VAT plus Shipping Costs
Genre: Rock & Indie
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Thexcerts - Late One Night
Thexcerts
Late One Night
12" (Raygun)
18,99 €*
Incl. VAT plus Shipping Costs
Genre: Rock & Indie
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Mansun - One EP
Mansun
One EP
12" (Kscope)
14,99 €*
Incl. VAT plus Shipping Costs
Genre: Rock & Indie
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Japanese Television - 3 Remixed Record Store Day 2021 Edition
Japanese Television
3 Remixed Record Store Day 2021 Edition
12" (Tip Top)
18,99 €*
Incl. VAT plus Shipping Costs
Genre: Rock & Indie
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V.A. - Nice Swan Introduces Volume I
V.A.
Nice Swan Introduces Volume I
12" | Original (Nice Swan)
24,99 €*
Incl. VAT plus Shipping Costs
Release: Original
Genre: Rock & Indie
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Little Cub - Breathing Space
Little Cub
Breathing Space
12" (Domino)
20,99 €*
Incl. VAT plus Shipping Costs
Genre: Rock & Indie
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Unknown Mortal Orchestra - Sb-03/Sb-04
Unknown Mortal Orchestra
Sb-03/Sb-04
12" | Original (Jagjaguwar)
18,99 €*
Incl. VAT plus Shipping Costs
Release: Original
Genre: Rock & Indie
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The Rills - After Taste
The Rills
After Taste
12" | Original (Nice Swan)
20,99 €*
Incl. VAT plus Shipping Costs
Release: Original
Genre: Rock & Indie
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Moreish Idols - Lock Eyes And Collide
Moreish Idols
Lock Eyes And Collide
12" | Original (Speedy Wunderground / [Pias])
24,99 €*
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Release: Original
Genre: Rock & Indie
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The Rills - Do It Differently
The Rills
Do It Differently
12" | Original (Nice Swan)
20,99 €*
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Release: Original
Genre: Rock & Indie
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Divorce - Heady Metal Record Store Day 2024 Black Vinyl Edition
Divorce
Heady Metal Record Store Day 2024 Black Vinyl Edition
12" | EU | Original (Emi (Uk))
24,99 €*
Incl. VAT plus Shipping Costs
Release: EU – Original
Genre: Rock & Indie
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Divorce had a blast playing Rough Trade Nottingham on RSD 2023, this year they have brand new artwork and a colourful vinyl to celebrate independently owned record stores!
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Everything But The Girl - At Maida Vale Record Store Day 2024 Black Vinyl Edition
Everything But The Girl
At Maida Vale Record Store Day 2024 Black Vinyl Edition
12" | EU | Original (Virgin Las)
25,99 €*
Incl. VAT plus Shipping Costs
Release: EU – Original
Genre: Rock & Indie
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Quantity: 2200
Release type: RSD Exclusive Release
Everything But The Girl’s ‘At Maida Vale EP’ is made up of four tracks recorded in April 2023 at the BBC’s famous Maida Vale Studios.All the recordings are versions of tracks on the band’s current album, ‘Fuse”, except Single which first appeared on their platinum 1996 album, Walking Wounded. The session was the only live performance that the band did around the release of their new album.
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Galen & Paul - Uno Mas Record Store Day 2024 Vinyl Edition
Galen & Paul
Uno Mas Record Store Day 2024 Vinyl Edition
12" | EU (Sony Music Catalog)
30,99 €*
Incl. VAT plus Shipping Costs
Release: EU
Genre: Rock & Indie
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12" Get A Life / A La Derivde /One More For the Road/ While We’re Waiting erstmals physisch. Plus signierte Postkarte !

125%

Galen & Paul releasen dieser 12" mit den Songs
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Heron - Bye And Bye Purple Vinyl Edition
Heron
Bye And Bye Purple Vinyl Edition
12" | 1971 | EU (Trading Places)
16,99 €*
Incl. VAT plus Shipping Costs
Release: 1971 / EU
Genre: Rock & Indie
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British folk-rock group Heron was formed in suburban Maidenhead in 1967, when guitarist/pianist Roy Apps and singer Tony Pook began playing with guitarist Robert Collins, inspired by Dylan and the Incredible String Band, with Collins soon replaced by the guitarist and mandolinist Gerald T. Moore. Rare 12-inch ‘Bye & Bye’ featured Moore’s wistful wish for the romance of travel, his heart-broken ‘Through And Through’ and an unusual reading of Dylan’s ‘Only A Hobo,’ plus Pook’s contemplative ‘I’m Ready To Leave.’ Airplay was considerable, but a delivery strike rendered the release unjustly obscure; this long overdue reissue ably emphasizes the band’s musical excellence and their unique take on folk-rock.
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Tolerance - Anonym
Tolerance
Anonym
12" | 1979 | US | Reissue (Mesh-Key)
22,39 €* 31,99 € -30%
Incl. VAT plus Shipping Costs
Release: 1979 / US – Reissue
Genre: Rock & Indie, Electronic & Dance
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Packaged in an old school, tip-on sleeve. Includes hi-res digital download.

Legendary debut album by Junko Tange (mystery woman who showed up on the NWW list), originally issued by Osaka’s Vanity Records in 1979. Dadaesque recitations and sparse guitar, piano and electronic meanderings combine for a beguiling, hypnotic dreamworld. Officially licensed from the custodians of Yuzuru Agi's Vanity Records archives, this edition has been fully remastered from new transfers of the original analog tapes by Stephan Mathieu.
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Joy Division - Love Will Tear Us Apart Remastered Edition 2020
Joy Division
Love Will Tear Us Apart Remastered Edition 2020
12" | 1980 | EU | Reissue (Rhino)
27,99 €*
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Release: 1980 / EU – Reissue
Genre: Rock & Indie
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The Clean - Boodle Boodle Boodle
The Clean
Boodle Boodle Boodle
12" | 1981 | EU | Reissue (Merge)
24,99 €*
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Release: 1981 / EU – Reissue
Genre: Rock & Indie
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Dortmund - Titanic / The Deep
Dortmund
Titanic / The Deep
12" | 1981 | EU | Reissue (Funkscapes)
18,99 €*
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Release: 1981 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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Official reissue of Dortmund's self-released single from 1981. For those in the know a sought-after gem, for everybody else the single you didn't know you need in your life! Comes in picture sleeve with the original artwork. Limited edition. 'Titanic' - quite self-explanatory - is about the queen of the ocean and her sinking as a ship believed as unsinkable. Starting off with its morse code-like sounds it evolves into a heavy grooving mélange of alternative rock, funk, new wave and synth pop. The B-Side 'The Deep' explores depths you didn't know about. This instrumental jazz boogie funk fusion piece takes you on a five minute journey that will be your life-saver on any day. In the early 1980s the scene of the Ruhr area was alive and kicking but still under the radar. Musicians played in different bands and projects of various styles. Three guys gathered simply under their city name "Dortmund" and did their own thing which led to this conceptual single - their only release.

Before that Elmar Krohn (keyboards) and Thomas Meyer (vocals, bass, guitar, keyboards) were part of the "Mardi Gras Band", a funk and soul band with a great reputation for their live shows. They were also involved in writing 'Blame It On The Boogie' which got performed by "The Jacksons" in 1978 but that is another story. On the drums they were joined by Siegfried Hermes who also played in the band "Die Salinos".
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Glenn Danzig - Who Killed Marilyn White Purple Black Haze Vinyl Edition
Glenn Danzig
Who Killed Marilyn White Purple Black Haze Vinyl Edition
12" | 1981 | US | Reissue (Cleopatra)
38,99 €*
Incl. VAT plus Shipping Costs
Release: 1981 / US – Reissue
Genre: Rock & Indie
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Neon - Obsessions
Neon
Obsessions
12" | 1982 | EU | Reissue (Spittle)
18,99 €*
Incl. VAT plus Shipping Costs
Release: 1982 / EU – Reissue
Genre: Rock & Indie
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Obsessions' is clearly a cult single of the era and one of their personal highlights. The band recorded the 4 track live in April 1982 and then reprocessed the take at Kindergarten Studio. The twelve inch was then released on the highly influential indie label Materiali Sonori. Neon is still considered as a legend of the Italian new-wave scene, one of the leading figure of the Florence underground movement that spread between the late '70s and the early' 80s.
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The Impossible Dreamers - Spin Feat. Nad Versions
The Impossible Dreamers
Spin Feat. Nad Versions
12" | 1982 | UK | Reissue (Emotional Rescue)
18,99 €*
Incl. VAT plus Shipping Costs
Release: 1982 / UK – Reissue
Genre: Rock & Indie, Electronic & Dance
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Preorder shipping from 2024-06-07
Back in 2019, Emotional Rescue began a series where it licensed some all-time favourites, remastered them and pressed them up with new remixes by modern producers. It now draws to a close after many fine instalments with early 80s band The Impossible Dreamers. Their cult 'Spin' arrives here with an epic nine-minute extended reversion that is heavy on the dub and percussion and also an even more dubcentric reprise from regular label artist Dan Tyler of Idjut Boys and Noid fame, her under his NAD guise. There is plenty of raw and raucous rhythm to this 12" that will enliven any dancefloor and round out this series in style.
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Tribal Earth - Interaction / Reaction
Tribal Earth
Interaction / Reaction
12" | 1983 | CA | Reissue (Invisible City Editions)
28,99 €*
Incl. VAT plus Shipping Costs
Release: 1983 / CA – Reissue
Genre: Organic Grooves, Rock & Indie
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Tribal Earth is an ongoing project created by Canadian artist Michael Bennett. Tribal Earth's 1983 recording “Interaction/Reaction'' features a fusion of post-punk, DIY mutant wave and minimal synth-pop that is backed by infectious funk and dub elements alongside Linn Drum machine rhythms. Heavy basslines and synths swirl, stab, and ring alongside Bennett’s smooth vocal delivery into 3 timeless art-avant pop gems “Interaction/Reaction,” “Got to Move,” and “Who Are You (In the Movies).” This 40th anniversary edition is remastered directly from the master tapes and is a collaboration between Invisible City Editions and Michael Bennett. For fans of 99 Records, This Heat, and Lifetones. An underrated one of a kind IC fave. Limited Pressing.
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Flo Sullivan - Higher
Flo Sullivan
Higher
12" | 1985 | EU | Reissue (Betonska)
14,99 €*
Incl. VAT plus Shipping Costs
Release: 1985 / EU – Reissue
Genre: Rock & Indie, Electronic & Dance
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Over two years in the making, and it’s finally here. Amsterdam based, brand new old-school label “Betonska” kicks off with this highly diverse release for the selector, collector, radio host and club DJ. Crisp instrumentation, tight retro drum computer programming and propulsive danceable bass lines are what you will find here. The Amsterdam based label will be focusing on previously unreleased and tough-to-find material from the 80s and 90s – all re-mastered, officially licensed and in collaboration with the original artist. In addition to the original material an occasional modern twist will be given by contemporary artists who cherish that signature sound. The first release is an alternative issue of Flo Sullivan’s “Higher” release, originally recorded in 1984 in the world famous Amazon Studios in Liverpool and released in 1985. On the A-side both the 12” and the 7” version of the hard-to-get, firm synth-pop track “Higher” will be pressed on a loud 45rpm vinyl. The 12” version is the (bass-)heavier one, while the 7” version sounds more “organic” with an extended intro and an added horns part. The tracks on the A-side have been pressed before and are made available now again for the wider public, giving those tracks the recognition and attention they deserve. The B-side focuses on previously unreleased original downtempo material by the same artist but released under her real name: Gayna Rose Madder. This, accompanied by a refreshing club-ready remix of one of those tracks by Vienna’s top-notch selector, producer and Neubau label owner: Heap. Neither of the two original tracks “Over” and “Element” have ever been released on vinyl before, up until now. “Over” was written and recorded in 1983 in Splash Sound Studios in Liverpool. A beautiful melancholic synth-pop track, which was meant to be released, but unfortunately never saw the light of day. At the time it was recorded Gayna left her band “Shiny Two Shiny” and therefore needed a new deal from a different company for her solo releases. But by the time she found the right one, many newer songs needed release. Much later, in 2005, Gayna decided to self-release “Over” on a compilation CD to sell copies online. “Element” is a spoken-word poem accompanied by a fire-crackling tribal kind of rhythm. It was written for a musical play and recorded in Sparks Studio Liverpool in 2004 and has never officially been released before. (For a short period it was available on a self-released CD on Gayna’s website; a compilation of the songs written for one of her musicals). And last but not least, the icing on the cake is Heap’s remix of “Element”. He translated this spoken word poem into a refreshing 90s-style and danceable club-track to complete the diversity of Betonska’s first release. A chugging acid bass, breakbeat rhythms, crisp claps and sharp snares and a screeching lead synth to get you screaming on the dance floor.
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Aroma Di Amore - De Sfeer Van Grote Dagen
Aroma Di Amore
De Sfeer Van Grote Dagen
12" | 1985 | EU | Reissue (Onderstroom)
12,34 €* 18,99 € -35%
Incl. VAT plus Shipping Costs
Release: 1985 / EU – Reissue
Genre: Rock & Indie
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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
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Aroma Di Amore - Zonder Omzien
Aroma Di Amore
Zonder Omzien
12" | 1986 | EU | Reissue (Onderstroom)
18,99 €*
Incl. VAT plus Shipping Costs
Release: 1986 / EU – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.
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Brian Auger - Night Train To Nowhere
Brian Auger
Night Train To Nowhere
12" | 1986 | EU | Reissue (Thank You)
15,99 €*
Incl. VAT plus Shipping Costs
Release: 1986 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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It's not because one might have worked with people like Jimi Hendrix, John McLaughlin and Rod Stewart throughout their career that Italo-Disco wouldn't get the best of your work. A great example of the Italian phenomenon's infectiously widespread grip is British rock keyboardist Brian Auger's path, when he found himself in a Milanese recording studio during the mid 80's and recorded his last known release in that decade. Powerfully fusing decades of rock and jazz education with the synthetic hysteria of the time (and culture), the result is a classic downtempo number that has found its way into some of our favorite DJ sets for a while now. Vocal and instrumental are featured on the A-side and in addition the B-side offers a new remix where things take somewhat of a catastrophic turn into what sounds like Brian getting on the wrong train to a K-hole, probably not for most dance floors. Meticulously remastered at manmade mastering in Berlin.
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Joy Division - Atmosphere Remastered Edition 2020
Joy Division
Atmosphere Remastered Edition 2020
12" | 1988 | EU | Reissue (RHINO)
16,99 €*
Incl. VAT plus Shipping Costs
Release: 1988 / EU – Reissue
Genre: Rock & Indie
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The Chameleons - Tony Fletcher Walked On Water E.P. Purple Vinyl Edition
The Chameleons
Tony Fletcher Walked On Water E.P. Purple Vinyl Edition
12" | 1990 | EU | Reissue (Blue Apple Music)
41,99 €*
Incl. VAT plus Shipping Costs
Release: 1990 / EU – Reissue
Genre: Rock & Indie
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A re-mastered version of The Chameleons ultra-rare 'Tony Fletcher Walked on Water" EP on purple heavyweight vinyl.The 4 tracks were recorded in 1987 shortly before the band split and were originally intended as a follow-up to the Geffen album Strange Times. Considered by many to be among The Chameleons' finest songs, the EP was originally released (and then quickly withdrawn from sale) more than thirty years ago. The new version is released with the full co-operation of the band.
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Lead Into Gold - Low & Slow
Lead Into Gold
Low & Slow
12" | 1991 | US | Reissue (Wax Trax!)
18,99 €*
Incl. VAT plus Shipping Costs
Release: 1991 / US – Reissue
Genre: Rock & Indie, Electronic & Dance
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Originally scheduled as WAX 9151, this 1991 release from Paul Barker's side project Lead Into Gold was ultimately buried due to label complications at the time. Packaged in the original art, and including the additional unreleased track "Low & Slow", this marks the first time this release has been commercially available. Album includes a free download code.
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Tool - Opiate EP
Tool
Opiate EP
12" | 1992 | US | Reissue (Zoo)
26,99 €*
Incl. VAT plus Shipping Costs
Release: 1992 / US – Reissue
Genre: Rock & Indie
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Tool's debut EP!
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Nine Inch Nails - Broken EP
Nine Inch Nails
Broken EP
12"+7" | 1992 | EU | Reissue (Universal)
42,99 €*
Incl. VAT plus Shipping Costs
Release: 1992 / EU – Reissue
Genre: Rock & Indie
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Primal Scream - Loaded Record Store Day 2020 Edition
Primal Scream
Loaded Record Store Day 2020 Edition
12" | 1992 | UK | Reissue (Sme Uk)
21,99 €*
Incl. VAT plus Shipping Costs
Release: 1992 / UK – Reissue
Genre: Rock & Indie
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Record Store Day 2020 Release.

from 8am on either Aug 29th, Sept 26th or Oct 24th. Remaining stock will be available to purchase from this page at 18.00 on those respective dates..

30th anniversary release. Features Andy Weatherall 7 min mix, backed with I'm Losing More Than I'll Ever Have and Ramblin Rose (live NYC).

Loaded was the single that changed everything for Primal Scream. It started as a simple request from Primal Scream member Andrew Innes to Andrew Weatherall for a remix of the song I'm Losing More Than I'll Ever Have off the group's second (and self-titled) full length album, an album which hadn't met with much success. Weatherall did one, slightly hesitant remix of it, and was then told by Innes to get radical with the rearrangement. Weatherall tossed the original Bobby Gillespie vocal and reworked the song completely, adding a looped beat he sampled from an Italian bootleg 12" remix of Edie Brickell and The New Bohemians' song What I Am (which itself used a lifted beat from Soul II Soul.) The pro-hedonism sample that introduces the song is of Peter Fonda dialogue from the 1960s motorcycle counterculture film The Wild Angels. The sample serves as a statement of intent not only for the song, but also the then-forthcoming album Screamadelica, and, essentially, the entire Ecstasy era. The success of the resulting rock/electronic hybrid went to number 16 in the UK charts and set the template not only for Primal Scream's future career but for an uncountable number of indie bands from that moment on (The Farm and The Soup Dragons were two early and obvious adopters of this new approach). Loaded, where the essence of the groundbreaking album Screamadelica was born, was substantially instrumental for revitalizing independent rock and dance for a new decade.
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The Magnetic Fields - The House Of Tomorrow EP30th Anniversary Black Vinyl Edition
The Magnetic Fields
The House Of Tomorrow EP30th Anniversary Black Vinyl Edition
12" | 1992 | US | Reissue (Merge)
22,99 €*
Incl. VAT plus Shipping Costs
Release: 1992 / US – Reissue
Genre: Rock & Indie
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30th anniversary remastered edition - pressed 45 RPM - Side B vinyl etching - first time released as a 12-inch - includes the track "Alien Being" not previously available on the original 7" vinyl release - The House of Tomorrow EP marks the first release introducing vocals by Stephin Merritt // Cast your mind back to notable landmarks of 1992. Outside the Twin Cities, Mall of America opened to the public. Frank Gehry's enormous golden fish sculpture, El Peix, welcomed Barcelona Olympians. And The House of Tomorrow, a four-song 7-inch on a small indie label, ushered in a new era for The Magnetic Fields. When Susan Anway, who sang on early albums Distant Plastic Trees and The Wayward Bus, left the group, Stephin Merritt stepped up to the microphone. "This was my first time singing on record," he recalls. He sought to sound simple, subtle, and unobtrusive, à la the Japanese concept of shibusa. "But now, listening back, I hear a little too much vocal influence from the Jesus and Mary Chain. (I really should move to Scotland. I belong there.)" Likewise, the arrangements and production of The House of Tomorrow felt less polished overall than on its predecessors, even as the band's sound was evolving. "I wanted to have rock instrumentation, plus cello (so ELO without keyboards), but everyone was tracked separately so there was no question of sounding like we were playing together," explains Stephin. Instead, he chose to highlight the artifice. Voilà! "The drums are like Tusk only more so, the cello sounds like a synth, and the guitars might as well be programmed." The House of Tomorrow rose in stature upon re-release on compact disc in 1996, with a new addition, "Alien Being" (previously relegated to the flip of the "Long Vermont Roads" single), boosting its modest track list from four songs to five. The limits of technology had stymied plans the first time: "You can't fit five two-and-a-half-minute songs on a 7" record, even at 33rpm." From World's Fairs and Disneyland to Tex Avery and Hanna-Barbera cartoons, visions of the home of the future have long been popular. Although this new vinyl edition of The House of Tomorrow includes an etching of Buckminster Fuller's visionary D.I.Y. Dymaxion House, Stephin laments the sluggish pace of architectural innovation. What is his dream home? "I want to live in Barbarella's spaceship, with my neighbors being the Jetsons, floating defiantly over Edinburgh Castle."
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The Magnetic Fields - The House Of Tomorrow EP 30th Anniversary Green Vinyl Edition
The Magnetic Fields
The House Of Tomorrow EP 30th Anniversary Green Vinyl Edition
12" | 1992 | US | Reissue (Merge)
18,74 €* 24,99 € -25%
Incl. VAT plus Shipping Costs
Release: 1992 / US – Reissue
Genre: Rock & Indie
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30th anniversary remastered edition - pressed 45 RPM - Side B vinyl etching - first time released as a 12-inch - includes the track "Alien Being" not previously available on the original 7" vinyl release - The House of Tomorrow EP marks the first release introducing vocals by Stephin Merritt // Cast your mind back to notable landmarks of 1992.
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Bark Psychosis - Scum Record Store Day 2023 Edition
Bark Psychosis
Scum Record Store Day 2023 Edition
12" | 1992 | US | Reissue (Rolling Heads)
28,49 €* 37,99 € -25%
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Release: 1992 / US – Reissue
Genre: Rock & Indie
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This 12" 'single' by post rock legends Bark Psychosis, is a beautifully haunting masterpiece, with an incredibly cool sleeve to accompany. Improvised and recorded live in the band's 'home' of St John's Church in 1992, SCUM experimented with the use of space and extreme dynamics, with music that varied between minimal jazzy chording, airy acoustic drums, clamorous noise guitar, space-ambience and random vocal snippets. You can hear why the band have been credited as genre defining. Now a complete reinvention of the original 1992 release on 3rd Stone Records, and the first ever release on Rolling Heads. With updated artwork true to the original, SCUM has been fully remastered at Abbey Road Studios by Miles Showell, with the help of frontman Graham Sutton. Luxury 300gsm card sleeve, boasting something a little different to the original.
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Thinking Fellers Union Local 282 - Admonishing The Bishops
Thinking Fellers Union Local 282
Admonishing The Bishops
12" | 1993 | US | Reissue (Bulbous Monocle)
26,99 €*
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Release: 1993 / US – Reissue
Genre: Rock & Indie
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Bulbous Monocle, a new label focused on the legacy of the Thinking Fellers Union Local 282 and the scene from which it reveled in between the years 1986-1996, is honored to launch the label with arguably the most lauded and concise testament from the band. 1993’s mini-masterpiece Admonishing the Bishops. Originally released on the Matador Records label, this title and most of the “Fellers” discography has been out of print for over 25 years. Now, newly remastered by Mark Gergis (Sublime Frequencies et.al) this perfect EP is sounding better than ever! “Formed in San Francisco in 1986, Thinking Fellers Union Local 282 had the bad luck to display a range of cultural and musical reference points shared by relatively few members of that era’s archconservative “underground culture.” On any given day, you might hear that their records were too manicured or too chaotic, too cerebral or too absurd, too personal or too impersonal, too experimental or too pop. Above all, they were derided as “self-indulgent” by critics who expected artists to tiptoe deferentially around their audience’s blind spots. "To be fair, their early recordings had about as much relation to their in-the-flesh grandeur as a dripping faucet does to Iguazu Falls. Against steep technical odds, Greg Freeman of Lowdown Studio made their LPs work beautifully as aural monuments. But listeners who hadn’t seen the Fellers’ live could be forgiven for finding these albums a bit forbidding. "Which brings us to Admonishing the Bishops — a wholly unexpected breakthrough release comprising four down-home, crowd-pleasin’ tracks engineered by Volcano Suns / Shellac bassist Bob Weston during the Fellers’ epochal tour with Sun City Girls in fall 1992. “The studio was in Steve Albini's basement, and we stayed there at his house for a couple days while we recorded and mixed,” vocalist/guitarist/bassist/banjoist/trombonist/etceterist Mark Davies explains. The relaxed, low-stakes atmosphere — along with the band’s tour-hardened performances and what Mark calls “the joy of getting our minds blown every night” by Sun City Girls — yielded tracks that were polished and approachable without sacrificing any of the band’s complexity or ferocity. "Back in San Francisco, they decided to release these tracks as a 10-inch EP rather than saving them for a full album. Mark notes that bassist Anne Eickelberg spearheaded the project: “She wanted to put out something concise after the somewhat bloated double-LP.” "Upon its release in 1993, Admonishing the Bishops’ concision, clarity and accessibility went over like a duralumin-and-fabric zeppelin. With its 20/20 focus on the band’s songcraft, it’s an ideal introduction for curious neophytes and a natural choice for the first installment of Bulbous Monocle’s highly anticipated Tful282 reissue series. Long-time listeners, meanwhile, will appreciate this reissue’s meticulous remastering by Mark Gergis of Sublime Frequencies. Or else.” – Brandan Kearney, Portland OR 2022
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Chapterhouse - She's A Vision Colored Vinyl Edition
Chapterhouse
She's A Vision Colored Vinyl Edition
12" | 1993 | EU | Reissue (Music On Vinyl)
24,99 €*
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Release: 1993 / EU – Reissue
Genre: Rock & Indie
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Chapterhouse - We Are The Beautiful Gold & Black Vinyl Edition
Chapterhouse
We Are The Beautiful Gold & Black Vinyl Edition
12" | 1993 | EU | Reissue (Music On Vinyl)
24,99 €*
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Release: 1993 / EU – Reissue
Genre: Rock & Indie, Reggae & Dancehall
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Limited edition of 750 individually numbered copies on gold & black marbled 180-gram audiophile vinyl. The British shoegaze band Chapterhouse released two albums during their existence, Whirlpool (1991) and Blood Music (1993). Blood Music spawned the single "We Are The Beautiful", which was released during that same year and also appeared as a 12".
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Dress - Dress
Dress
Dress
12" | 1995 | EU | Reissue (Fördämning Arkiv)
19,99 €*
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Release: 1995 / EU – Reissue
Genre: Rock & Indie
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"By the mid-1990s, there was a quietly thriving underground in Wellington, New Zealand, made up of a number of loosely aligned operatives - Surface of The Earth and their World Resources imprint; Fever Hospital and 8 Dec, and the music made by the members of The Garbage & the Flowers after that group temporarily dissolved in 1992..." One of those rather short-lived groups was Dress, who on record consisted of Yuri Frusin and Helen Johnstone from The Garbage & the Flowers and Kristen Wineera from Entlang. Their sole release was a lathe cut 10" released in 1995 on their own label Hell On in a total run of 120 copies. Fördämning Arkiv here presents those wonderfully puzzling tracks to a wider audience, now pressed as a 45rpm 12" with the original recordings remastered for vinyl by Ben Wright Smith. While the ambience is kind of similar to what was going on in the early The Garbage & the Flowers stuff, the music that was made by Dress was very different: improvised and non-song-based but kept in place by repetition and odd melodies. Hypnotic and perplexing music that existed in its own parallel universe for a brief moment in time. The 12" is packaged in a sleeve with slightly reworked artwork though staying very close to the original 10" cover and comes with a 16-page booklet featuring extensive liner notes by Jon Dale, lots of photos and a reprint of the interview with Helen Johnstone and Yuri Frusin published in Opprobrium #1 in 1995. Edition of 500 copies. Fördämning Arkiv 7, October 2022.
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Silverchair - Freak Orange & White Marbled Vinyl Edition
Silverchair
Freak Orange & White Marbled Vinyl Edition
12" | 1996 | EU | Reissue (Music On Vinyl)
24,99 €*
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Release: 1996 / EU – Reissue
Genre: Rock & Indie
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Clutch - Impetus 25th Anniversary Record Store Day 2023 White Vinyl Edition
Clutch
Impetus 25th Anniversary Record Store Day 2023 White Vinyl Edition
12" | 1997 | EU | Reissue (Earache)
27,99 €*
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Release: 1997 / EU – Reissue
Genre: Rock & Indie
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Duster - 1975 Mostly Ghost White Vinyl Edition
Duster
1975 Mostly Ghost White Vinyl Edition
12" | 1999 | US | Reissue (Numero Group)
29,99 €*
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Release: 1999 / US – Reissue
Genre: Rock & Indie
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Y2K prepper-rock for the underemployed. Tracked at home in 1999, the 1975 EP expands on Stratosphere's slacker-positive dreamscape, with layers of guitars both clean and fuzzy, humming organ, and "gasp!" a drum machine. Needle down, candles on.
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Duster - 1975 Black Vinyl Edition
Duster
1975 Black Vinyl Edition
12" | 1999 | US | Reissue (Numero Group)
27,99 €*
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Release: 1999 / US – Reissue
Genre: Rock & Indie
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Y2K prepper-rock for the underemployed. Tracked at home in 1999, the 1975 EP expands on Stratosphere's slacker-positive dreamscape, with layers of guitars both clean and fuzzy, humming organ, and "gasp!" a drum machine. Needle down, candles on.
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Duster - 1975 Black With White Splatter Vinyl Edition
Duster
1975 Black With White Splatter Vinyl Edition
12" | 1999 | US | Reissue (Numero Group)
27,99 €*
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Release: 1999 / US – Reissue
Genre: Rock & Indie
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Y2K prepper-rock for the underemployed. Tracked at home in 1999, the 1975 EP expands on Stratosphere's slacker-positive dreamscape, with layers of guitars both clean and fuzzy, humming organ, and_gasp!_a drum machine. Needle down, candles on.
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Piano Magic - Artists' Rifles
Piano Magic
Artists' Rifles
12" | 2000 | UK | Reissue (Rocket Girl)
27,99 €*
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Release: 2000 / UK – Reissue
Genre: Rock & Indie
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Baroque post-rock classic’s first time on vinyl since its original release in 2000

Originally released on Rocket Girl in 2000, Piano Magic’s third album proper heralded a seismic and surprising shift away from its more electronic predecessors, ‘Popular Mechanics’ and ‘Low Birth Weight.’ ‘Artists’ Rifles’ is Piano Magic’s first band-band album and marks their debut, actual recording studio appearance. Improvised on the spot and produced/recorded over just five days by John A. Rivers (Dead Can Dance, Felt), at his Woodbine St Studios in Leamington Spa, stylistically, the record could feasibly be described as the first (only?) baroque post-rock record, utilising as it does, consciously or otherwise, influences as broad as Bach and Codeine.

For ‘Artists’ Rifles’ the core of Glen Johnson (vocals/guitars/keyboards), John Cheves (guitars), Paul Tornbohm (bass) and Miguel Marin (drums/percussion) were augmented by guests Caroline Potter (vocals) and Adrienne Quartly (cello).

The success of ‘Artists’ Rifles,’ particularly in Spain, kickstarted a wealth of touring possibilities and over the next 16 years, the band toured all over Europe. It also caught the attention of 4AD Records, for whom they signed to the following year.

This 2023 vinyl re-pressing honours the original (Matt Dornan) sleeve design and beautiful photography of Royal Artillery Memorial (Hyde Park, London), by John Cheves of the band.
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Mogwai - My Father My King Black Friday Record Store Day 2023 White Vinyl Edition
Mogwai
My Father My King Black Friday Record Store Day 2023 White Vinyl Edition
12" | 2001 | UK | Reissue (Rock Action)
21,59 €* 23,99 € -10%
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Release: 2001 / UK – Reissue
Genre: Rock & Indie
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Saves The Day - Stay What You Are Splatter Vinyl Edition
Saves The Day
Stay What You Are Splatter Vinyl Edition
EP | 2001 | EU | Reissue (Vagrant)
31,19 €* 38,99 € -20%
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Release: 2001 / EU – Reissue
Genre: Rock & Indie
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Yellow / red splatter Vinyl.Stay What You Are is the breakout third studio album by the American alternative rock band Saves The Day. Produced by Rob Schnapf (Elliot Smith, Beck, The Vines) in early 2001 it's a record that remains incredibly influential within the emo and rock scene to this day, showcasing the band's signature blend of upbeat catchy melodies, with dark lyrical undertones. Features the standout singles 'At Your Funeral' and 'Freakish'. Originally released on July 10th 2001, the album saw Saves The Day crack the Billboard 200 at the same time other that emo acts like Jimmy Eat World and Dashboard Confessional were enjoying mainstream success. This new pressing comes on double 10" splatter vinyl, packaged in a hand-numbered gatefold sleeve with lyrics and accompanying insert; released via Hassle Records for the UK/EU in conjunction with Vagrant Records to celebrate their 25th Anniversary.
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The Format - The Format EP
The Format
The Format EP
EP | 2002 | US | Reissue (The Vanity Label)
17,24 €* 22,99 € -25%
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Release: 2002 / US – Reissue
Genre: Rock & Indie
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Reissue of the first EP and first release by The Format.Formed in 2000, The Format is an American indie rock band formed by Nate Ruess and Sam Means. Their style can be considered a mixture of indie, alternative, punk and folk music, with elements of 1960s and 1970s pop music.The Format chose their name to make fun of the music industry's inclination towards a cookie-cutter "format" for a hit. The band announced a hiatus on February 4, 2008. Twelve years later, on February 4, 2020, they announced a return from their hiatus.
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Das Bierbeben - Reproduktion / Staub
Das Bierbeben
Reproduktion / Staub
12" | 2004 | EU | Original (Shitkatapult)
10,99 €*
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Release: 2004 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Le Tigre - This island remixes volume 2
Le Tigre
This island remixes volume 2
12" | 2005 | EU | Original (Le Tigre)
10,99 €*
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Release: 2005 / EU – Original
Genre: Rock & Indie
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produced by Peaches, NDB & Junior Senior !
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Das Bierbeben - Im Kreis Christian Vogel remixes
Das Bierbeben
Im Kreis Christian Vogel remixes
12" | 2006 | EU | Original (Shitkatapult)
11,99 €*
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Release: 2006 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Das Bierbeben - Remixes
Das Bierbeben
Remixes
12" | 2009 | EU | Original (Shitkatapult)
9,99 €*
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Release: 2009 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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incl. remixes by T.Raumschmiere and Chloe
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Animal Collective - Fall Be Kind EP
Animal Collective
Fall Be Kind EP
12" | 2009 | US | Original (Domino)
25,99 €*
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Release: 2009 / US – Original
Genre: Rock & Indie, Electronic & Dance
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5 tracks, recorded in Oxford, Missouri in early 2008
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Mudhoney - Superfuzz Bigmuff
Mudhoney
Superfuzz Bigmuff
12" | 2009 | US | Reissue (Sub Pop)
19,99 €*
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Release: 2009 / US – Reissue
Genre: Rock & Indie
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Brian Jonestown Massacre - Smoking Acid EP
Brian Jonestown Massacre
Smoking Acid EP
12" | 2009 | UK | Reissue (A)
17,49 €* 24,99 € -30%
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Release: 2009 / UK – Reissue
Genre: Rock & Indie
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Weekend - Sports
Weekend
Sports
2LP | 2010 | US | Original (Slumberland)
20,99 €*
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Release: 2010 / US – Original
Genre: Rock & Indie
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The Twilight Sad - The Wrong Car Black Vinyl Edition
The Twilight Sad
The Wrong Car Black Vinyl Edition
12" | 2010 | UK | Reissue (FatCat)
17,99 €*
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Release: 2010 / UK – Reissue
Genre: Rock & Indie
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Foot Village / Super Khoumeissa - Split Series #21
Foot Village / Super Khoumeissa
Split Series #21
12" | 2011 | UK | Original (Fat Cat)
19,99 €*
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Release: 2011 / UK – Original
Genre: Rock & Indie
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Jens Lekman - An Argument With Myself
Jens Lekman
An Argument With Myself
12" | 2011 | US | Original (Secretly Canadian)
13,99 €*
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Release: 2011 / US – Original
Genre: Rock & Indie
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King Krule - King Krule
King Krule
King Krule
12" | 2011 | CZ | Original (True Panther)
19,99 €*
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Release: 2011 / CZ – Original
Genre: Rock & Indie
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Modern Baseball - The Nameless Ranger Navy Blue Vinyl Edition
Modern Baseball
The Nameless Ranger Navy Blue Vinyl Edition
EP | 2011 | US | Reissue (Lame-O / Run For C)
14,99 €*
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Release: 2011 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-06-07
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Battles - Dross Glop 4
Battles
Dross Glop 4
12" | 2012 | UK | Original (Warp)
9,99 €*
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Release: 2012 / UK – Original
Genre: Rock & Indie
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Limited edition for Record Store Day 2012!
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Jack White - Sixteen Salteens
Jack White
Sixteen Salteens
12" | 2012 | US | Original (Third Man)
14,99 €*
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Release: 2012 / US – Original
Genre: Rock & Indie
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The 12-inch single of Jack White’s “Sixteen Saltines” comes complete with a playable etching on the b-side (designed by George Ingram)!

People, stay calm! This is NOT the one with the liquids inside but it's quite nice anyway!
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Moving Mountains - Foreword
Moving Mountains
Foreword
12" | 2012 | US | Original (Topshelf)
19,99 €*
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Release: 2012 / US – Original
Genre: Rock & Indie
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0616892036449 MOVING MOUNTAINS - FOREWORD
This epic, 36-minute, five-song EP has solidified Moving Mountains' spot as one of the most talked about bands like Say Anything, Biffy Clyro, Thursday and The Dear Hunter. The vinyl edition features an exclusive remix of "Lights And Shapes" by Andrew Maury of RAC (Arcade Fire, Radiohead, Tokyo Police Club). For fans of Thrice, Brand New and Explosions In The Sky.
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Jeff The Brotherhood - Upstairs At United Volume 3
Jeff The Brotherhood
Upstairs At United Volume 3
12" | 2012 | US | Original (453 Music)
15,99 €*
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Release: 2012 / US – Original
Genre: Rock & Indie
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On October 18th, 2011, Jeff The Brotherhood were joined by William Tyler (Tompkins Square), Loney Hutchins (Cleft Records) and Joey Plunket in recording Volume 3 of the Upstairs at United series. Each song in this session was recorded in a single take direct to 1/4 inch tape then cut at 45 RPM for the ultimate listening experience.

Jeff The Brotherhood, the sibling duo of Jake & Jamin Orrall show their prog rock side on this recording. While the recording consists of only three songs those songs totalled enough time that they rocked out until they literally ran out of tape (as can be heard at the end of ''In Space No One Can Hear You Scream, Part II').' While traditionally a two piece, Jeff The Brotherhood, was joined in this session by William Tyler on guitar, Loney Hutchins on keys and crazy space sounds, and Joey Plunket on bass. The recording features an 11 minute version of tour favorite ''I'm A Freak'' (Wicked Lady), an 11 minute cover of Hawkwind's ''Master Of The Universe'' and the 8 minute improvisational jam ''In Space No One Can Hear You Scream''.
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Die Höchste Eisenbahn - Unzufrieden EP
Die Höchste Eisenbahn
Unzufrieden EP
10" | 2012 | EU | Reissue (Tapete)
27,99 €*
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Release: 2012 / EU – Reissue
Genre: Rock & Indie
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Zum 10-jährigen Jubiläum erstmals auf Vinyl Irgendwann vielleicht 2010 sind sich Moritz Krämer und Francesco Wilking zum ersten Mal in Berlin Prenzlauer Berg über den Weg gelaufen, nachdem sie einen (weiten) Steinwurf voneinander aufgewachsen waren und ein paar Jahre in Freiburg nebeneinander hergelebt hatten. Wahrscheinlich machte es sowas wie Zoom, Klick oder Klonk, denn es genügte ein sanfter Schubs von ihren Konzertagenturen und die beiden standen gemeinsam auf der Bühne, begleiteten sich gegenseitig und sangen zweistimmig. Das war 2011 im Societaetstheater Dresden und Francesco und Moritz fassten auf der Rückfahrt von dort schon viele zukünftige Auftritte und eine dystopische Rockoper ins Auge. Die Konzerte wollten sie mit Freund*innen spielen, das erste mit Gisbert zu Knyphausen in Halle, das zweite mit Judith Holofernes in Berlin. Danach ließen sie die Gastsänger*innen weg, spielten aber weitere Shows mit den anderen Livemusikern der ersten Shows: Max Schröder am Schlagzeug, der damals noch mit einem Bein bei Tomte war und Felix Weigt am Bass, der für Spaceman Spiff alle Instrumente spielte und bei den tollen Kid Kopphausen mitmachte. Wir wissen nicht mehr wann die Frage fiel: "Sind wir jetzt eine Band?", aber es muss irgendwann im Prozess der Aufnahmen zur EP "Unzufrieden" gewesen sein. Dort hört man zwar noch den Feature-Ansatz - Gisbert und Judith singen auf "Vergangenheit" - aber vor allem hört man zum ersten Mal den Sound der Höchsten Eisenbahn: Ein-Finger-Casio, Chorus Gitarren, Pluckerbass, Rasseln und Handtuch auf der Snare. Dazu Geschichten von Losern namens Jan und anderen Leuten die zwischen jung und alt und Nacht und Tag ihre Anschlusszüge verpassten. Es ist 10 Jahre her, aber ein paar Sachen vergisst man nicht. Wie, dass sie eine ganze Nacht Chöre aufgenommen haben für "Die Uhren am Hauptbahnhof", nur um sie morgens aus Versehen zu löschen. Oder dass Felix einige signature Keyboard-Lines im Liegen eingespielt hat. Das Schreiben der Songs und Aufnehmen ging ziemlich schnell, wie das Coverfoto mit dem Handy im Hof vom Proberaum. Die vier wussten, dass sie auf jeden Fall mehr Platten machen und Konzerte spielen wollten. Es folgten drei bunte Alben mit großen kleinen Songs und award winning live-Shows, aber so leicht ging ihnen nie wieder etwas von der Hand wie diese erste EP.
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Jim O'Rourke - Halfway To A Threeway
Jim O'Rourke
Halfway To A Threeway
12" | 2012 | US | Reissue (Drag City)
25,99 €*
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Release: 2012 / US – Reissue
Genre: Rock & Indie
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It seems like it was only a few months ago that Jim O'Rourke changed everything with the release of the incredibleEureka. And if you actually think that, then by George, you're the Rip van Winkle of 90s rock! It hasn't even been a few months since Jim's big comeback record The Visitor, his first record in the mold of classic "pop music" O'Rourke albums like Bad Timing, Eureka and Insignificance. The Visitor was Jim's first solo e"ort in that arena in eight freakin' years too! Even if you're not an O'Rourke freak, if you're losing that much time in your life, you'd better have your head examined. Well, never mind-as long as people love it, here's another few sides of long-ago and far-away O'Rourke back on vinyl for the first time since way back in the mid-aughties. It's the "Halfway to a Threeway" 12"ep back to set turntables a-spinnin'! Fans of Eureka and Insignificance (not to mention Jim's tomfoolery as part of the Loose Fur band) will appreciate the analog pressing of these four slices of the pop music party-pooper combination of folk, classic rock, smooth jazz and a bit of the old avant-garde to help communicate the twisted ways of the misanthrope that made Jim such a perennial in the fickle world of record sales. A quick listen to the title track will hip you to our meaning: "Halfway to a Threeway" exposes our sweet soul-crusher as a lustful man-beast on the make. The song is a straight folk number-straight, that is, until you listen through the haze of those 6-string overtones and chirpy harmony vocals to hear the true perversity of O'Rourke's fantasies. The decadence of stardom seems to have turned Jim into not only a sex freak, but also a man who loves women of all persuasionsparticular the crippled and brain-dead kind! Don't listen to this song alone-at least, not with the drapes open. The whole record's a blast, and it hasn't really aged that much in the-what'th! elevenish years since it first spread like the strangely appealing odor that it is was and is. And now that it's back, the whole O'Rourke "There and Back Again" pop saga is available on LP once again, which brings us up to date-but not for long. Later this year, we're going to be bringing new O'Rourke tunes your way-possibly the greatest thing since he first sliced white bread way back on Eureka. You remember that? Ah, nevermind...
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Moe - Left To Swallow Clear Vinyl Edtion
Moe
Left To Swallow Clear Vinyl Edtion
12" | 2012 | EU | Original (Conrad Sound)
19,99 €*
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Release: 2012 / EU – Original
Genre: Rock & Indie
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Föllakzoid - II RMX
Föllakzoid
II RMX
12" | 2013 | US | Original (BYM)
20,99 €*
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Release: 2013 / US – Original
Genre: Rock & Indie
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This album-released on the Chilean BYM label-brings together the finest musicians of Sacred Bones Records, PSYCHIC ILLS and MOON DUO, into one unique work, featuring songs from acclaimed Santiago group FOLLAKZOID's II album. This assemble becomes the top of the crop easily, with steady motorik, hazy psychedelia and space atmospheres, taking the kosmiche Chilean music to NYC and then launching it into Outer Space. Features the cut "9" remixed by Psychic Ills, backed by "Trees" remixed by Moon Duo. For fans of: The Soft Moon, Psychic Ills, Wooden Shijps, Moon Duo, The Holydrug Couple, CAVE, and Hawkwind. Limited edition pressing of 500!
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Unknown Mortal Orchestra - Blue Record EP
Unknown Mortal Orchestra
Blue Record EP
12" | 2013 | US | Reissue (Jagjaguwar)
22,99 €*
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Release: 2013 / US – Reissue
Genre: Rock & Indie
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"I only started playing the acoustic guitar last year. I'd always preferred the idea that the guitar converts a sound into voltage and then becomes really loud. I thought the acoustic guitar was a little bit too twee for me or something. But after being offered some opportunities to play various acoustic sessions to promote the new record, in situations where it wasn't possible to record the whole band, I decided to treat it like a challenge to try and play acoustic and not have it be lame. After all I was really into Arthur Lee's ability with an acoustic and started wondering if I could make it sound convincing. Anyway, after being somewhat forced to develop some skill on the acoustic through these various radio sessions and things like that I decided to record some songs acoustically an...
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Speedy Ortiz - Major Arcana 10th Anniversary Colored Vinyl Edition
Speedy Ortiz
Major Arcana 10th Anniversary Colored Vinyl Edition
12" | 2013 | UK | Reissue (Carpark)
25,99 €*
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Release: 2013 / UK – Reissue
Genre: Rock & Indie
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Limited 'The Star's Sky' coloured LP.

Gatefold jacket with lyrics and inner sleeve with photos from the original recording session..

Bathed in a green haze, the crowd oozed to the mutant rock and roll roaring from the basement's dusty depths — everything and everyone was sweaty and sticky. But as Speedy Ortiz crammed into the back corner, their grins just inches away from ours, D.C.’s Dougout became a moshed-and-sloshed sauna of 20-somethings delirious on rock euphoria.

After spending much of the new millennium bored out of my skull by network soap indie, Speedy Ortiz — not to mention its pals in Pile, Ovlov, Grass is Green and the rest of New England’s burgeoning basement scene — was rock's wild howl. The songs were unpredictable, yet weirdly memorable, swaggering with a winky and wry sense of self. Riffs would twist with a topsy tenderness, then slam a ruptured discord. Sadie Dupuis' sphinxian-yet-sensitive lyrics were not only matched but accentuated by her coil-sprung vibrato. How could Speedy Ortiz not immediately become my new favorite band?

What began as a short-lived solo project recorded in Dupuis' off-hours as a rock camp counselor became a four-piece band in Northampton, Mass., by the end of 2011: Dupuis on guitar and vocals with drummer Mike Falcone, bassist Darl Ferm and guitarist Matt Robidoux. They made cool mixtapes, cracked inside jokes and gushed about teenagers that opened for them on tour. They freaked out (via LiveJournal) when they met the bassist from Polvo or Helium's Mary Timony, but also rolled their eyes at '90s indie-rock comparisons. The band's first single — the gender-bending got-laid grunge yowler "Taylor Swift'' — elicited that rare response of the simultaneous giggle and headbang. The Sports EP amped up the taut yet rubbery riffery.

Released July 9, 2013, Major Arcana is filled with wedding chapel exorcisms, oiled-down attractants and criminally twisted puny little villains — this is Dupuis' haunted lexicon as she scales the toxic Aggro Crag of a breakup. And while Dupuis wrote these songs, the band's convulsing arrangements and diverse influences sprawled the squigglier edges of feedbacked fuzz to mete out matters of the heart. Falcone — who, it's worth noting, has a knack for vocal harmony — swung as much as he smashed the drums. In easily tipoverable songs, Ferm's burly bass and percussive overdubs gave the unruly glee its momentum. Robidoux ripped skronky guitar solos and countered Dupuis' riffs with decorative splatter. Over a four-day marathon session at Sonelab in Easthampton, recording engineer Justin Pizzoferrato sparked the studio imagination of Speedy Ortiz — not only leaning into gritty tones but layer-caking dense dynamics that made these songs pop and pulverize.

For all her sweet-toothed seething, Dupuis was not easy on herself. Everyone's allowed the idiot growing pains of your 20s and the misery that follows, but I can only imagine the emotional exhaustion that playing these songs on the road, night after night, must have wrought. "But you left something on my lips: a mark so sick," she repeats over the doomy destruction that ends the album. Thinking back to the many Speedy Ortiz shows I caught in those early years, including an unofficial after-after party for my own wedding, "mkvi" often served as the noisy down-and-out closer — heads would bang in solidarity as the crowd became co-authors in the chaos, the biting phrase now a hex, Speedy Ortiz forever our coven. —Lars Gotrich
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Turning Shrines - Face Of Another
Turning Shrines
Face Of Another
12" | 2013 | US | Original (Mexican Summer)
27,99 €*
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Release: 2013 / US – Original
Genre: Rock & Indie
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Limited edition for Record Store Day 2013!
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Bikini Kill - Yeah, Yeah, Yeah, Yeah EP
Bikini Kill
Yeah, Yeah, Yeah, Yeah EP
12" | 2014 | US | Original (Bikini Kill)
19,99 €*
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Release: 2014 / US – Original
Genre: Rock & Indie
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Received an 8.6 Best New Reissue rating from Pitchfork.

Yeah Yeah Yeah Yeah was recorded in 1992 with Tim Green (Nation of Ulysses) at The Embassy - a group-house in Washington, D.C. -
and was the first Bikini Kill release to feature the band’s song, “Rebel Girl.” Originally a split EP with the Brighton, UK-based band,
Huggy Bear, the b-side now features seven previously unreleased Bikini Kill songs drawn from era-appropriate live shows and practice
tapes. The artwork has also been updated to include archival photos and liner notes from the Bratmobile’s Erin Smith, Comet Gain’s
David Feck, and the members of Bikini Kill.
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Thee Silver Mount Zion Memorial Orchestra - Hang On To Each Other
Thee Silver Mount Zion Memorial Orchestra
Hang On To Each Other
12" | 2014 | US | Original (Constellation)
16,99 €*
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Release: 2014 / US – Original
Genre: Rock & Indie
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SMZ dust off an old chestnut from their 2005 album Horses In The Sky & coat it in glitter & shards of glass; not remixes at all really, but brand new recordings that use set-closing live favorite "Hang On To Each Other" as a launching point for some rather glorious techno-dancefloor excursions. 150gm 45RPM pressing w/ download.
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Waves & Us, The - The Waves & Us
Waves & Us, The
The Waves & Us
12" | 2014 | EU | Original (Wolfandlamb Music)
9,99 €*
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Release: 2014 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Marking the start of an exciting new collaborative project, Wolf + Lamb proudly share the debut release of The Waves & Us. Formed out of a creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the tracks, but these are anything but straight-forward songs. Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us. Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility, bringing a necessary balance to the frequency range. Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.
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Ellis Island Sound - Divisions
Ellis Island Sound
Divisions
12" | 2014 | EU | Original (Village Green)
25,99 €*
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Release: 2014 / EU – Original
Genre: Rock & Indie
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Hot on the heels of their critically revered 2014, Krautrock-meets-Afrobeat longplayer Regions, Ellis Island Sound return with a brand new, seven-track mini-album.
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Gerard Way - Hesitant Alien Record Store Day 2022 Vinyl Edition
Gerard Way
Hesitant Alien Record Store Day 2022 Vinyl Edition
12" | 2014 | US | Reissue (Reprise)
28,99 €*
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Release: 2014 / US – Reissue
Genre: Rock & Indie
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Limited to 4725 copies.

The My Chemical Romance lead singer worked with producer Doug McKean (MCR's May Death Never Stop You: The Greatest Hits 2001-2013, Danger Days: The True Lives of the Fabulous Killjoys) on this full-length that was originally released in 2014. The album was described as "cool as fuck" by Alternative Press, while Kerrang said "the world needs rock stars. And Gerard has proved himself to be one of the best."
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Myriam Gendron - Not So Deep As A Well
Myriam Gendron
Not So Deep As A Well
12" | 2014 | UK | Reissue (Basin Rock)
24,99 €*
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Release: 2014 / UK – Reissue
Genre: Rock & Indie
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Equal parts soft and sorrowful, Myriam Gendron’s stunning Not So Deep As A Well LP became something of a sleeper hit upon its initial release back in 2014. Her debut album shone a warm lamp-light glow upon a curious and captivating new voice in the Quebecois folk world.

Nearly ten years on from its release in her native Canada and America, Not So Deep As A Well gets a European release for the first time this autumn, with a new pressing on the Basin Rock label (Julie Byrne, Aoife Nessa Frances, Trevor Beales, Juni Habel) which features two tracks not included on the original release - ‘Bric-à-brac’ and ‘The Small Hours’ - both written and recorded in the early days of 2014.

Recorded alone in her apartment, with no knowledge of sound engineering, it could almost be a lost artefact, a dust-lined document of a forgotten time and place. Taking the poems of Dorothy Parker, whose work Gendron stumbled upon by chance in a Montreal bookstore, she imbues the words with a graceful, gentle expression, a lingering sense of sorrow always present.

A stark, spellbinding collection, Not So Deep As A Well is raw and unyielding in so many ways we no longer expect to hear. As if sitting in the room with her, Gendron’s voice is cracked and unadorned, quietly forced into a push and pull between
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Panteon Rococo - Ni Carne Ni Pescado Vinyl 10
Panteon Rococo
Ni Carne Ni Pescado Vinyl 10
10" | 2014 | EU | Original (Unter Schafen)
14,99 €*
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Release: 2014 / EU – Original
Genre: Rock & Indie
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Hemm Rohm - Shade Olympics
Hemm Rohm
Shade Olympics
12" | 2015 | EU | Original
12,99 €*
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Release: 2015 / EU – Original
Genre: Rock & Indie
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Hemm Rohm is a band from Berlin. Since 2014, the group has explored depictions of sound relationships and contrasts. Using washed-out loops, shimmering vastness and rough textures form shadowy sound excursions. First excerpts were published in 2015, on the EP “Shade Olympics”.
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Jack Chosef - Yeehai
Jack Chosef
Yeehai
12" | 2015 | EU | Original (Mansions & Millions)
9,99 €*
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Release: 2015 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Chillwave never died. It just made some new friends. "Track Your Mind" the first track on the Yeehai EP, from the laconic Jack Chosef opens with a manipulated vocal sample that could intro an experimental club track à la Night Slugs or a towering Kanyeeseque hip-hop construction. Instead, in drops the half-tempo bass kicks and portentous synths favored by meticulous 80s revivalists, the sorts that dream of a neon video-game Miami or are aficionados of Italian giallo soundtracks and John Carpenter's self-penned scores. But "Track Your Mind" could also be the sound of, for example, Pye Corner Audio's alternate history technological fantasies.
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Wolvespirit - Moonlight EP
Wolvespirit
Moonlight EP
12" | 2015 | EU | Original (Spirit Stone)
23,99 €*
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Release: 2015 / EU – Original
Genre: Rock & Indie
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Sven-Ake Johansson - Konzert Für 12 Traktoren
Sven-Ake Johansson
Konzert Für 12 Traktoren
12" | 2015 | EU | Original (Trost)
29,99 €*
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Release: 2015 / EU – Original
Genre: Rock & Indie
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Picture Disc.
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Brideshead - Never Grow Up
Brideshead
Never Grow Up
12" | 2015 | US | Original (Shelflife)
29,99 €*
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Release: 2015 / US – Original
Genre: Rock & Indie
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Rema-Rema - Entry / Exit
Rema-Rema
Entry / Exit
12" | 2015 | UK | Original (Inflammable Material)
19,99 €*
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Release: 2015 / UK – Original
Genre: Rock & Indie
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The Comet Is Coming - Prophecy
The Comet Is Coming
Prophecy
12" | 2015 | UK | Original (Leaf)
10,99 €*
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Release: 2015 / UK – Original
Genre: Rock & Indie
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Drab Majesty - Unknown To The I Black Vinyl Edition
Drab Majesty
Unknown To The I Black Vinyl Edition
12" | 2015 | US | Reissue (Dais)
16,99 €*
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Release: 2015 / US – Reissue
Genre: Rock & Indie
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Drab Majesty's First Release For Dais Records Was The "Unknown To The I" Cassette In 2015, Which Featured The Title Track That Would Later Appear On His Debut Album "Careless" That Summer. The Additional Early Cuts "Saturn Inc." And "Ultra Violet" Have Previously Only Been Available On Digital Or As Cd Bonus Tracks. Now, Along With The "Unarian Dances" 12" Also Released On March 26, These Songs Are Finally Made Available On Vinyl In 45 Rpm 12" Format, Bringing All Early Drab Majesty Material From The Careless Era (2012-2015) To Vinyl. Mastered By Josh Bonati With Beautiful New Packaging By Nathaniel Young. Drab Majesty Is The Project Of Deb Demure, The Androgynous Alter-Ego Of L.A.-Based Musician Andrew Clinco And Partner Mona D. With Its Combination Of Reverb-Drenched Guitars, Synth Bass Lines, Commanding Vocals, And Rhythmic Drum Machine Beats, This Project Is A Stark Departure From Clinco's Previous Stints As Drummer In Marriages And Black Mare. Dubbed "Tragic Wave" And "Mid-Fi" By Demure, Drab Majesty Eloquently Blends Classic 80s New Wave And Hints Of Early 4ad With A Futuristic Originality. A Talented Multi-Instrumentalist, Demure Composes All Of The Elements Of Drab Majesty. However, Rather Than Taking Personal Credit For The Music, Demure Insists That The Inspirationfor The Songs Is Received From An Other-Worldly Source And That Deb Is Merely A Vessel Through Which Outside Ideas Flow Inward. But Drab Majesty Is More Than Just A Musical Project _ It's A Methodical Experiment In The Identity Of Creativity. The Character Deb Demure Is An Enigma That Eludes All Expectations Of Gender And Ego. When Demure's Imposing 6' 4" Figure Assumes The Stage, Deb's Playful, Harlequin-Esque Appearance, Tempered By An Ominous Body Language, And Clashing With The Dreamy, Ethereal Melodiescomes Across As A Web Of Contrasts. The Result Is A Perfect Balance Between Seemingly Conflicting Messages, Between The High And The Low, The Drab And The Divine.
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See Through Dresses - End Of Days
See Through Dresses
End Of Days
12" | 2015 | US | Original (Tiny Engines)
17,99 €*
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Release: 2015 / US – Original
Genre: Rock & Indie
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See Through Dresses - End Of Days
See Through Dresses
End Of Days
12" | 2015 | US | Original (Tiny Engines)
19,99 €*
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Release: 2015 / US – Original
Genre: Rock & Indie
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