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Solid green coloured heavyweight 180 gram audiophile vinyl double LP reissue with the new 2019 artwork layout. Re-mastered by John Rivers at Woodbine Street Studio especially for vinyl release.Does The Cosmic Shepherd Dream Of Electric Tapirs? is not only a question deserving of an answer, but also the title of Acid Mother Temples first ever release on Space Age Recordings. As a Japanese soul collective, Acid Mothers Temple and The Melting Paraiso UFO are something of an enigma to the western world, and most likely to eastern ears too. Their music can be described as acid-rock, experimental, psychedelic or a whole host of genres dependent on the listeners' mood. Having been out of stock for some time, the long anticipated repress of this wild offering from AMT, comes as double solid green vinyl with the seductive, uncensored artwork of the original sleeve. Limited to 500 copies ww.

This album compiles a series of sound pieces produced by the Peruvian artist Teresa Burga (Iquitos, 1933 - Lima, 2021) during the 1970s. It includes works that were part of various artistic projects, mainly sound installations, as well as pieces commissioned to musicians and inspired by her work. This album thus embodies an approach to a sound universe that has accompanied Burga's very personal work, which has transcended the limits of the artistic medium and disciplines. In the last decade, Teresa Burga's work has been present in numerous retrospectives and anthologies, as well as in various critical studies, which has cemented her standing in the art world, both in her home country and internationally. Indeed, she has come to be seen as one of the key figures of Peruvian conceptual and pop art of the 1960s and 1970s. This album includes the sound pieces Estructura Informe Corazón [Structure Informe Corazón] (1972) and 4 mensajes [4 Messages (1974)], composed of heart sounds and distorted television signals. It also includes the interpretation of the conceptual score Esctructura Propuesta Sonido [Structure Proposal Sound I (1978)], based on the poem "Cruz y Ficción" by Blanca Varela, in versions by the Peruvian Nicolás Wangeman, and by the Argentineans Alma Laprida and Alan Courtis. Also included is the piece Borges (2017), a commission by Burga to the Peruvian composer Jan Diego Malachowski, for the installation of the same name, here presented in a synthesizer version by Laprida and Courtis. Estructura Propuesta Sonido, by Teresa Burga is presented in vinyl format, in a limited edition of 300 copies. The publication includes a booklet with extensive notes by curator and researcher Luis Alvarado, as well as extensive visual documentation. Includes the participation of musicians Nicolás Wangeman, Lama Laprida and Alan Courtis (Reynols).

SRC was born out of a smashing up of two of Detroit’s brightest bands, The Fugitives and The Chosen Few (which also featured future Stooge Ron Asheton). The

new band gained a fanatic local following, eventually capturing the attention of Capitol Records.

On this record, the band shifts effortlessly from mountaintop introspection to wild distorted crescendos creating one of the most melodically heavy LPs ever made, an over-the-top psychedelic fuzz guitar masterpiece.

When it was released in the US in 1968, the LP created fan and critical excitement. Still, it was in the UK where the cultdom made its most significant impact, with John Peel playing the hell out of it on his radio show and even Genesis’ Peter Gabriel claiming that this first SRC album was one of his favorites, saying he “wore the record out” (and you can absolutely hear SRC’s melodies buried inside Gabriel’s musical DNA!).

This Record Store Day 2024 release was cut from the analog master tapes by Kevin Gray, in an All Analog Process (aaa).

Rising Sheffield five-piece Dearthworms are set to release their debut album Sapsucker; a ferocious yet considered blend of jagged noise, wonk-rock, and a touch of experimental post-punk, in the vein of the Pixies, The Fall, Shame, Gilla Band, Protomartyr, Uranium Club.

Infused with eerie, surreal lyrics, stepping into Sapsucker is to dive head first into a parallel universe populated by snivelling, pathetic men, tales of eroticism, ruminations on death, and even a giant worm rooted in North-East folklore.

The band, who all have a longstanding history of being in various other bands in Sheffield inc. Blood Sport, Amorous Dialogues, Knorke and Stray Bullet, are a by-product of the local DIY space Hatch; a place that has existed as a creative incubator and experimental breeding ground.

Lyndon Hobson’s production captures the tone of the album itself, which is one equally rooted in anxious introspection as much as it is noisy and cathartic outpourings. This is a debut album that is genuinely distinct and singular, filled with varying twists and turns and off-kilter movements.