Jagjaguwar Vinyl, CD & Tape 171 Items

With insert. Cover close to NM

Cover has slight ring wear.

gatefold cover!

incl. Download Code

Close toNM!

Original inner sleeve included. Records are close to VG+.

Vinyl with a couple of light scuffs. Still in shrink, but opened, with hype sticker

Perth, Minnesota & Calgary get their own songs, it's a good winter in this bad summer!

Reissue. Sleeve has a slighty bumped corner. Vinyl with a couple of light scuffs

Cover and vinyl are close to NM.

Dear Reader, About a year or two ago, Naomi Yang (of Galaxie 500) reached out to me after she rediscovered a video that we had made together in 2011, during the making of Tramp, just before the album's release. It was for the song Serpents. The timing was uncanny, approaching the anniversary of Tramp. Thinking about my time in New York while in the bubble of Los Angeles and my home. Thinking about how restless I was, and now settled down and stable. Thinking about how Aaron Dessner took a chance on me after I messaged him with a fury of demos. He could see through the hiss and crappy vocals on my GarageBand demos, and that I had something to say. He gave me the confidence to be loud and to scream my rage and feel founded and justified in my own pain. He gave me more tools to find catharsis in my work. I have carried that with me ever since. Being on the west coast the last two years, I look back on my community in New York and am forever grateful. I had so many friends and peers step up and help me unfold these demos. The album that it became. Doug Keith and Ben Lord from my original touring band, Logan Cole, Peter Silberman from The Antlers, Jessica Larrabee from She Keeps Bees, Thomas Bartlett of Doveman, Rob Moose of yMusic, Jenn Wasner of Wye Oak, Julianna Barwick, Zach Condon of Beirut, Matt Barrick (of the Walkmen), Clarice Jensen, Ben Lanz, Bryce Dessner, and Bryan Devendorf (of The National). I had almost forgotten about a song titled This Is Too Right that didn't make it onto the record. It was one of the first guitar "riffs" I had ever written and Jenn Wasner sang on it with me. A song about not believing how good I had it, like the other shoe was about to drop. I hope everyone that helped make this record and supported it, feel the love and admiration that I continue to hold for all of you. I hope that in sharing this record again, with a new video and this forgotten track, that new listeners are brought into this album and find meaning and relevance in it today. All of the musicians on this album helped me come to life and perform in ways I never had before. May these songs find you well. Sending all my love, Sharon.

Fantastic three piece from American and New Zealand with their 2nd full length!

"I only started playing the acoustic guitar last year. I'd always preferred the idea that the guitar converts a sound into voltage and then becomes really loud. I thought the acoustic guitar was a little bit too twee for me or something. But after being offered some opportunities to play various acoustic sessions to promote the new record, in situations where it wasn't possible to record the whole band, I decided to treat it like a challenge to try and play acoustic and not have it be lame. After all I was really into Arthur Lee's ability with an acoustic and started wondering if I could make it sound convincing. Anyway, after being somewhat forced to develop some skill on the acoustic through these various radio sessions and things like that I decided to record some songs acoustically an...

Unknown Mortal Orchestra came to life in basements and bedrooms, the musical vision of Portlander-via-New Zealand Ruban Nielson that fused guitar-god riffs, choppy percussion, soul and funk. II, the sophomore album from UMO, emerged in an era rampant hedonism and isolationism and became the blueprint for everything Nielson has become renowned for. It was, and is, the solidification of Unknown Mortal Orchestra as an endlessly intriguing, brave and addictive band. Ten years on, it's back with an expanded edition. Written during a punishing, debauched touring schedule during which Nielson feared for both his sanity and health, II illustrates the emotional turmoil of life on the road, painting surrealist, cartoonish portraits of loneliness, love and despair. These conflicting themes are evident immediately; on the album's sleeve is an unnerving image of Janet Farrar, the famous British witch, Wiccan, author and teacher of witchcraft. The chilling refrain of opener "Into The Sun" sees Nielson deliver the line "Isolation can put a gun in your hand," softly, his words starkly intelligible above a warm, slow-burning melody that quickly brands itself onto your brain. His playful imagery ("I'm so lonely I've gotta eat my popcorn all alone") mirrors the melody, before a solo that borders on psychotropic ends II`s introduction. UMO is unafraid to dig deeper than the rest, their intoxicating, opiate groove bringing rock'n'roll's exaggerated myths to life. And as it unfolds, II does find Nielson reenergized. "One At A Time" and "Faded In The Morning" boast dizzying choruses and instrumentals; these crusty hunks could have been excavated from a lost 1960s treasure trove. "Monki" unravels over seven minutes like the yarn from a stoner's cardigan with an eye-frying pattern. "Dawn" is a minute of disconcerting noise that stands out between the nooks and crannies of the choruses, guitar solos, groove-heavy bass and drums that were recorded live by newly-recruited drummer Greg Rogove and Kody Nielson in a move away from the electronic percussion employed on album one. II closes with "Secret Xtians," a tender observational puzzle that fizzes to a satisfied end. In celebration of the album's 10th anniversary Nielson's complete collection from the II era is finally available in one compilation, and features the five acoustic tracks from the Blue EP as well as two additional B-sides. Unknown Mortal Orchestra was once Nielson's closeted concern. With an album that uses his singular musical imagination and extraordinary talent to parade his emotions with unyielding honesty, it is now a fully realized band operating at the peak of its powers ten years on.

Many of the superlatives describing Angel Olsen refer to how seemingly little it takes for her to leave an audience speechless, even spellbound. But Olsen has never been as timid as those descriptors imply, and the noisy, fiery hints in her earlier work find a fuller expression on her newest LP, Burn Your Fire for No Witness. Here, Olsen sings with full-throated exultation, admonition, and bold, expressive melody. Also, with the help of producer John Congleton, her music now crackles with a churning, rumbling low end and a brighter energy.