Jazz | Fusion Tape 32 Items

Longtime Black Sabbath/Ozzy Osbourne keys and guitar player Adam Wakeman (as Milton Keanes) is back with Jazz Sabbath Vol. 2. According to the liner notes, the UK jazz trio Jazz Sabbath were recording 2 albums in 1969 when disaster struck. Their debut album was cancelled, and their second album shelved; leaving room for a certain band from Birmingham becoming famous by playing metal versions of their jazz songs; claiming they were their own. Jazz Sabbath were powerless to do anything about it. Their 50-year-streak of misfortune ended in 2020 with the discovery of their debut album master tapes and the following re-release of the album. Now, reunited after 52 years, Jazz Sabbath entered the studio and finished recording their sophomore album. With the theft by the band from Birmingham exposed, Milton Keanes and colleagues can now present these songs in their original form, replenished with 52 years of experience, vigor... and rage. The tranquil 'Symptom Of The Universe', the full 8-minute version of 'Paranoid' (not that metal afterthought version everyone knows) and of course the song that other band so blatantly named themselves after.

David Lavoie quartet plays thoughtfully composed jazz tunes which showcase Lavoie’s writing while studying jazz at Capilano University in North Vancouver. Featuring Brad Turner on keys, Miles Wong on drums, and Stephen Edwards on bass, the quartet swings and grooves like a machine. Taking cues from post bop and contemporary jazz, this quartet is bound in tradition while still remaining fresh and modern.

In a just world, Demon Fuzz would have been very successful. Sadly, however, the only real success they enjoyed is the fact that many club DJs now use their samples frequently. Although the band played most of the British underground festivals in the early seventies, Demon Fuzz were simply too way-out to make a significant impact on the college crowd and as a result they broke up after 18 months on the scene. Released in 1970 the band’s only album, the extraordinary Afreaka!, demonstrates their excellence in playing psychedelic soul, dub-heavy funk, progressive rock, Afro-jazz and black acid rock. Limited tape version of this all-time classic on the Radiation Reissues label.

Agile Experiments returns with a raw and uncut live performance uniting the unfathomable style of saxophonist Tom Challenger with the legendary sound-world of virtuoso bassist John Edwards alongside Dave De Rose on drums. Recorded live in 2021 at “Unit 58” (Tottenham, London, UK) the trio speaks dynamically, loose and wide, at times blending seamlessly to the point of losing any definition between the instruments. Parts, tools, rules by the conventional game of music, dissipate. Tom, John and Dave's sonic offspring booms and squeals, drills and drones, its flexible waves flow through time rather than in it like magic liquid potions down your ears, feeding your forgotten senses.

Just scratching the surface of the broad musical output of South Korea, from the 1950s onwards. Buddhist chant, traditional folkloric song and drumming, court music, psychedlia, experimental, and some jazz soundtracks thrown in for good measure.

Drummer/producer Teppo Mäkynen presents a new album by his lauded trio ensemble 3TM in 2019. Before the second 3TM album "Lake" comes "Abyss", a collection of 10 ambient pieces laying the groundwork for the upcoming album. This prelude album is a full-bodied work in itself, a glorious and somewhat mysterious LP which brings forth yet another shade of multifaceted Mäkynen's musical vision. The 10 compositions on "Abyss" feel like the discovery of life and movement in deep waters, where only the rare shades of light breaking through indicate that another world exists above the surface.
"Abyss" will be available as a clear vinyl edition, on tape and digitally, and both as a standalone album and as a bundle with the upcoming 3TM trio album "Lake".
Teppo "Teddy Rok" Mäkynen is a drummer/producer from Helsinki, who works at the centre of the lively jazz scene in Finland. His work includes projects such as 3TM, The Stance Brothers, Teddy Rok Seven and the new duo with sax player Timo Lassy. Mäkynen also plays drums in several highly-regarded ensembles such as Timo Lassy Band, Aki Rissanen Trio, Jukka Eskola Soul Trio, Verneri Pohjola Quartet, Nicola Conte Jazz Combo, plus many more. As a producer, his work has been highly regarded in projects such as 3TM, The Stance Brothers, and the albums of Timo Lassy and Jukka Eskola.

This ensemble consisting of some London's most prominent musicians has made a statement of collective spontaneous compositions for their appearance at London Jazz Festival. It showcase the unique sound of the British Metropolis channelled by a quartet of household names in the Jazz and alternative scene.
Recorded live at Signature Brew Haggerston during London Jazz Festival on 13.November 2022
Guido Spannocchi alto & baritone sax / Danny Keane on keyboard & synth / Ruth Goller on electric bass / Pete Adam Hill on drums /
Recorded by Aram Zarikian, mixed by Raphael Spannocchi at Sound Alm Haid and Kristian Craig Robinson at London's tastemaking hub Total Refreshment Centre.
Produced by Guido Spannocchi, Danny Keane, Raphael Spannocchi and Kristian Craig Robinson (Capitol K).
Mastered by Simon Kummer, Munich, Germany
Artwork cover is a limited edition of 50 unqiue hand printed silk screen prints by critically acclaimed artist Julia Vogl, every cassette has a unique cover, all hand printed in London and Winchester (uk)
All tracks are spontaneous compositions by the ensemble

Earthtones is the musical identity of Serge Bandura, an electronic artist, former jazz musician, meditation teacher and ritualist based in LA. Kevin Nathaniel channels sound as a universal healing force through traditional African instruments and is a former student of legendary master musicians such as Ephat Mujuru and Chief Bey K. Sending files back and forth during the pandemic, the two artists deepened a musical friendship and began a dialog between the Mbira Nyunga Nyunga, the Kalimba and analog synthesizers. Their music is offered in the spirit of peace + healing for all.

Enigmatic Society is the next offering from the multi-faceted, Grammy-nominated supergroup Dinner Party. Full of opulently intricate instrumentation and a range of sleek R&B to smooth neo-soul vocals, Enigmatic Society is mesmerizing in its entirety. The album features brilliant performances from the debut Dinner Party crew: Terrace Martin, Robert Glasper, Kamasi Washington and 9th Wonder, with additional help vocalists Phoelix, Arin Ray, Ant Clemons, Tank and producers Sounwave, Hi-Tek and Trevor Lawrence Jr. Enigmatic Society serves as a follow up to the group’s 2020 debut self-titled album and continues as a celebration of Black joy, life, art, and culture, as it pays tribute to the duality that manifests in both the beauty and adversity in Black America. This deep sense of community and family flows throughout the project with the album’s artwork designed by Kamasi Washington’s sister, artist Amani Washington.

Far Rainbow is the London-based duo of Emily Mary Barnett and Bobby Barry. The Blue Hugeness begins with bubbling sounds which Barnett’s cymbals splash through, taking on a gait somewhere between Jack DeJohnette and a leaky pipe. Later, flickering drones emerge that seem more electrical than instrumental – which might be true as previous releases have seen Barry credited with playing electric toothbrush and various small motors. Submerged in it all are eerie field recordings, the most beguiling sounding like a baby cooing in the distance. It’s seldom clear where any sound comes from on this tape. Even where the drums begin and end gets a little hazy, while the lush reverb that glistens off everything is a source of intrigue in itself. It’s a spooky and hypnotic zone, one where machines seem to live in ghostly spaces. Every sound on ‘The Blue Hugeness’ is a riddle, slipping along the boundary between familiar and unfamiliar to find an alluring place in the in-between. - THE Quietus