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The Growth Material - Bass Tone Paintings
The Growth Material
Bass Tone Paintings
Tape | 2020 | US | Original (Leaving)
8,79 €* 15,99 € -45%
Release: 2020 / US – Original
Genre: Organic Grooves
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This is the debut of Tulsa native Bryron Crenshaw as The Growth Eternal. Bass Tone Paintings is a psychedelic jazz album of one minute-long songs with introspective sentiments on Black identity, love for the environment, and social media anxieties. The album spans seventeen tracks spoken in four languages, recorded primarily with Byron’s bass guitar and vocoder.
The Growth Eternal - Parasail 18
The Growth Eternal
Parasail 18
LP | 2023 | US | Original (Leaving)
22,49 €* 29,99 € -25%
Release: 2023 / US – Original
Genre: Organic Grooves
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The Growth Eternal is Tulsa-native Byron Crenshaw - descendant of Black Wall Street pioneers. Currently residing in Los Angeles, the jazz bassist, vocodorist, producer/songwriter/composer, artist and activist presents PARASAiL-18 - the debut full-length album. Byron explains his new album: "PARASAiL-18 was a 4 year process, and this process has made me as much as I've made it. What is this album all about?My escape in all its different forms:Hope, drugs, sex, desire, daydreaming, nightwalking, burial, fire, and fun. The Parasail represents our momentary relief from the weight of the world. The “18” represents the point in my life where I needed to escape most. The lowercase “i” represents ego dissolution and yielding to things as they are. The end of our escape."
The Growth Eternal - Parasail-18
The Growth Eternal
Parasail-18
Tape | 2022 | EU | Original (Leaving)
14,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
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The Growth Eternal is Tulsa-native Byron Crenshaw - descendant of Black Wall Street pioneers. Currently residing in Los Angeles, the jazz bassist, vocodorist, producer/songwriter/composer, artist and activist presents PARASAiL-18 - the debut full-length album.

Byron explains his new album: "PARASAiL-18 was a 4 year process, and this process has made me as much as i’ve made it. What is this album all about?My escape in all its different forms:Hope, drugs, sex, desire, daydreaming, nightwalking, burial, fire, and fun.

The Parasail represents our momentary relief from the weight of the world. The “18” represents the point in my life where i needed escape most. The lowercase “i” represents ego dissolution and yielding to things as they are. The end of our escape.
Sharada Shashidhar - Soft Echoes
Sharada Shashidhar
Soft Echoes
LP | 2024 | US | Original (Leaving)
22,99 €*
Release: 2024 / US – Original
Genre: Organic Grooves
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Preorder shipping from 2024-11-15
Los Angeles-based vocalist, composer, and producer Sharada Shashidhar has a deep awareness of the cosmos. There’s a distinct tug-of-war in her music, an understanding that scanning the heavens to answer existential queries isn’t quite enough; there are internal depths to plumb as well. Shashidhar’s first album, 2020’s Rahu, found her voice billowing out of smoky, post-beat-scene soundscapes, meditating on the collective unconscious and the energy exchange between all living things. Her newest work, Soft Echoes (out September 27th on Leaving Records), is a bold step forward, eschewing her previous work’s hip-hop tilt for expansive compositions that blend jazz and Indian classical influences into a swirling, spiritual whole.

Though she has an extensive resume as a collaborator in LA’s experimental jazz scene, notching work with the likes of Carlos Niño, Zeroh, and the Pan Afrikan Peoples Arkestra, Soft Echoes marks Shashidhar’s first outing as a bandleader.

Gathering an ensemble thatincludes Anna Butterson bass, Julian Rodriguezon keys, Devin Danielson saxophone, and Timothy Anguloon drums, Shashidhar sought to create a band that ostensibly functioned asan extension of herself. Her primary goals in writing these songs were to “let [her] body do whatit wanted to do,” to trust her intuition, and “play without judgment.” Through that process, making Soft Echoes became a practice of presence and exploration, a chance to unlearn rigidstructures and rediscover the joy of creating for oneself. Recording took place over three brief, distinct sessions at Altamira Soundin Alhambra, California.

She describesthe album as having “two poles,” illustrated by the whimsical, buoyant opener “Soft Echoes” and the darker, more anxiety-ridden closer, “New Echoes.” The songs in betweenmay come from different emotional spaces, but “it’s all really reflective,” she explains. The album can play like a loop, with Shashidhar entering a portal “into the endlessness” during “NewEchoes,” only to be transported back to the beginning, full of gratitude and pondering “howstrange it is to be alive.” ”

She describesthe album as having “two poles,” illustrated by the whimsical, buoyant opener “Soft Echoes” and the darker, more anxiety-ridden closer, “New Echoes.” The songs in betweenmay come from different emotional spaces, but “it’s all really reflective,” she explains. The album can play like a loop, with Shashidhar entering a portal “into the endlessness” during “New Echoes,” only to be transported back to the beginning, full of gratitude and pondering “howstrange it is to be alive.”

On Soft Echoes, Shashidhar leads us on a journey through her mind,traversing its peaks and canyons in search of greater connection. “I want to take people places,”she says, pausing thoughtfully. “I can’t always guarantee that they’re good places, [but] hopefully you’ll feel something.”
Sam Wilkes - One Theme & Subsequent Improvisation
Sam Wilkes
One Theme & Subsequent Improvisation
LP | 2022 | EU | Original (Leaving)
29,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Electronic & Dance
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For his sophomore full-length album, LA-based Bassist/Producer/Composer Sam Wilkes is prompted with ten questions from Leaving Records community mentor & facilitator Carlos Niño.

1. Carlos: Prior to gathering and setting up in the Studio for the Recording Sessions that this record is sculpted from, how much did you talk with any of your collaborators? What did you talk about? What kind of direction, inspiration, example, or association did you give, if any?

Wilkes: i told Christian Euman “I want to make a double drum record with you” The thought had occurred to me after seeing a few shows in New Orleans in 2019. I asked “If you could record it with any other drummer who would it be?”

he responded quite instantly: “Greg Webster” (aka Greg Paul)

together in one 4 hour session we recorded 3 different improvisational pieces … and a chart of mine

this album is entirely the 2nd of those 3 improvisations

I spent a lot of time living with that 40 minute musical block of granite, getting to know it, wondering prodding how to connect the frame-able moments

after 5 to 6 months Jacob Mann and Chris Fishman record over the piece separately. I offered very little instruction to them,

then I read an interview of Gerhard Richter & Hans Ulbrich Obrist “Lives of the Artists, Lives of the Architects” excellent use of Helvetica on the cover. They discuss Richter’s process destroying his own work to find something new in it.

I had an epiphany.

the possibility of improvised sonics(?) with the intent of creating contingency through destroying the audio of specific sections of this 40 minute piece to discover new music(s) in the process.

I contacted Ethan Braun: “What other musicians and artists Besides Stockhausen and Cage, got into a similar kind of process?” He sent me: Pierre Schaefer, Kazuo Shiraga, and Butch Morris. I combined with my past research on Phillip Guston, and Richter. I organized and prepared for my process in collaboration with Chris Sorem to see it through -

2. Carlos: What went into your choice to have 2 Trap Drummers on this record? Had Christian and Greg ever met? Had they ever played together before?

Wilkes: New Orleans April 2019 with Jacob Mann. Small bar Fried chicken wings being sold outside. delicious. Brass band performing “for the love of you” by the Isley brothers what an arrangement I am ecstatic Band had 2 drummers playing marching snare drums One drummer on kick and cymbal. I knew. 2 drummers.

Christian and Greg had not played together formally but had always wanted to… It was special to witness . all of our first time playing with others Since, you know. The situation and concept of the session, To do one tune and spend the rest of the time just playing Was a release.. listening back in the control room Delirious -

3. Carlos: How did you come to choose the Studios that you worked in for this record? The Musicians and Instruments?

Wilkes: i’ve always respected loyalty. It feels like a hug. I frequent Nest Recorders and I frequent Lucy’s Meat Market.

I knew Jacob Mann would know what to do After hearing his take I realized this additional opportunity: Chris Fishman on an Arp-2600 -

4. Carlos: Please tell us how you feel about, Richter: "Surprises always emerge,"

Wilkes: how lucky i am to discover for myself that this is true. -

5. Carlos: In what ways did the Improvisations that you and your group played, (that You Produced & Arranged this record from,) begin? A look, a word, a gesture? Something else?

Wilkes: i hit play on a maestro rhythm king. I got lucky with the tempo. I played a chord progression a cell that I had written a few years ago to say to christian and greg: go

Jacob said yes pressed record reacted

Chris Fishman and I together with Pete Min at Lucy’s meat market Chris playing his heart out.

after, we’d drive around my neighborhood 2-3 o’clock in the morning listening to this music discussing the arrangements where to cut the fat, where to chew. Chris Fishman was so important in this album’s completion.

Chris Sorem and me At nest recorders Playing with tape Recklessly Laughing Fighting exhaustion. So much gear set up Only half of it used. Destroying and discovering No time to waste to hear something new -

6.Carlos: What does "One Theme" mean to You?

Wilkes: 8 bar harmonic and melodic passage that repeats. -

7. Carlos: How does this new record make You feel? Wilkes: i see orange! -

8. Carlos: Was everyone set up in the same room, or in multiple rooms within each Studio?

Wilkes: yes & no

Nest Recorders: SW, CE, GP Jacob Mann’s Apartment in Alhambra: JM Lucy’s Meat Market: CF, SW -

9. Carlos: How has your sound, concept, approach been changing, evolving, metamorphosing, from your perspective?

Wilkes: for me to know And you to find out.

I practice everyday still sometimes, I write just as much Sometimes I don’t Sometimes im sculpting chipping away at music Hoping to find something Sometimes I forget Sometimes im tired. Sometimes im watching or reading the lord of the rings Hopefully I’m improving Hopefully I can be present and Grow. I want to be compassionate and not so hard on myself. -

10. Carlos: Please tell us something special, to You, about the making of this record.

Wilkes: The album title is exactly what the album is.

&

i am unbelievably thankful for the people who made this record with me. lucky to collaborate with them. lucky to know them: Christian Euman Greg Paul Jacob Mann Chris Fishman Chris Sorem Pete Min Mark Chalecki

I love you all, thank you

: )

SW 09/26/21 -

Thank You! Love!!! Carlos Niño 092021 Full Harvest Moon
Sam Wilkes, Craig Weinrib, Dylan Day - Sam Wilkes, Craig Weinrib, Dylan Day
Sam Wilkes, Craig Weinrib, Dylan Day
Sam Wilkes, Craig Weinrib, Dylan Day
Tape | US | Original (Leaving)
14,99 €*
Release: US – Original
Genre: Organic Grooves
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Sam Gendel / Sam Wilkes - The Doober
Sam Gendel / Sam Wilkes
The Doober
LP | US | Original (Leaving)
24,99 €*
Release: US – Original
Genre: Organic Grooves
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Sam Gendel & Sam Wilkes - The Doober
Sam Gendel & Sam Wilkes
The Doober
Tape | US | Original (Leaving)
14,99 €*
Release: US – Original
Genre: Organic Grooves
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Sam Gendel / Sam Wilkes - Music For Saxophone And Bass Guitar More Songs
Sam Gendel / Sam Wilkes
Music For Saxophone And Bass Guitar More Songs
LP | 2022 | EU | Original (Leaving)
30,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
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The follow-up to 2018's underground jazz milestone from Los Angeles-based musicians Sam Gendel & Sam Wilkes. Music for Saxofone & Bass Guitar More Songs collects nine additional songs from the duo.

Performed, recorded, mixed and produced by Sam Gendel + Sam Wilkes additional bass by Daniel Aged on Theem Prototype, Cold Pocket, Flametop Green
Sam Gendel & Sam Wilkes - Music For Saxofone & Bass Guitar More Songs
Sam Gendel & Sam Wilkes
Music For Saxofone & Bass Guitar More Songs
Tape | 2021 | US | Original (Leaving)
13,99 €*
Release: 2021 / US – Original
Genre: Organic Grooves
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Initially quietly published then deleted via the 2020 pandemic-obscured Fresh Bread website - this 52-track all genre Sam Gendel anthology showcases unreleased tracks collected from Gendel’s personal archive of home recordings and public performances spanning the years 2012-2020. Comprising predominantly solo works, contributing players on select tracks include Carlos Niño, Jamire Williams, Daniel Aged, Gabe Noel, and Philippe Melanson.
Sam Gendel - Fresh Bread Opaque Red Vinyl Edition
Sam Gendel
Fresh Bread Opaque Red Vinyl Edition
2LP | 2021 | US | Reissue (Leaving)
21,59 €* 35,99 € -40%
Release: 2021 / US – Reissue
Genre: Organic Grooves
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Initially quietly published then deleted via the 2020 pandemic-obscured Fresh Bread website - this 52-track all genre Sam Gendel anthology showcases unreleased tracks collected from Gendel’s personal archive of home recordings and public performances spanning the years 2012-2020. Comprising predominantly solo works, contributing players on select tracks include Carlos Niño, Jamire Williams, Daniel Aged, Gabe Noel, and Philippe Melanson.
Sam Gendel - Fresh Bread
Sam Gendel
Fresh Bread
2LP | 2021 | US | Reissue (Leaving)
24,99 €*
Release: 2021 / US – Reissue
Genre: Organic Grooves
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Initially quietly published then deleted via the 2020 pandemic-obscured Fresh Bread website - this all-genre Sam Gendel anthology showcases unreleased tracks collected from Gendel’s personal archive of home recordings and public performances spanning the years 2012-2020. Comprising predominantly solo works, contributing players on select tracks include Carlos Niño, Jamire Williams, Daniel Aged, Gabe Noel, and Philippe Melanson. This 2LP edition was specifically curated by Sam Gendel to highlight Fresh Bread moments across two LPs, and includes 18 of the 52 tracks from the digital release, at a total runtime of 1hr 24 minutes.
J Rocc As Flaunt Edwards - The Name Is Flaunt
J Rocc As Flaunt Edwards
The Name Is Flaunt
12" | 2018 | US | Original (Leaving)
21,99 €*
Release: 2018 / US – Original
Genre: Organic Grooves, Electronic & Dance
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Best DJ in the world J Rocc gives you six bootleg bangers of electro ecstasy as Flaunt Edwards channeling legendary party people like Ron Hardy, Larry Levan, DJ Harvey, and Kraftwerk.
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Dream Trio
Dream Trio
LP | 2024 | US | Original (Leaving)
30,99 €*
Release: 2024 / US – Original
Genre: Organic Grooves
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Preorder shipping from 2024-12-06
Carlos Nino & Friends - Assortment For Susan's
Carlos Nino & Friends
Assortment For Susan's
Tape | 2023 | US | Original (Leaving)
16,99 €*
Release: 2023 / US – Original
Genre: Organic Grooves
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Matthewdavid and I agreed that the idea of releasing my three Carlos Niño & Friends full-lengths - Flutes, Echoes, It's All Happening! (2016), Going Home (2017), and Bliss On Dear Oneness (2019) all originally released on LP and Digital by Leaving Records - on cassette for the first time, was a good one. When I went to figure out where the side breaks would be in the track sequence, I realized that none of them would fit very well, due to timing and length. I have run into this issue before with cassette and vinyl sequences, as there is only so much music that can be pressed onto a side. In some cases I have had to edit or omit songs to fit a side of vinyl. They make different lengths, durations of tape, and I considered different track orders for each individual record, but somehow none of the configurations that I came up with were working for these to become cassette releases. I then conceived of a single tape (c80, 40 minutes a side) that would compile songs from these releases with a couple pieces from my previous self-released LP Aurorasmushroomtenderness (2014) and the one that came before that on (the long defunct) Porter Records Aquariusssssss (2012). Matthewdavid and I had always thought that it would be a good idea for a couple new pieces to come out Digitally in conjunction with the tape releases. In this new concept I was able to start each side with one of the new pieces I had ready. " The title Assortment for Susan's is a living, Loving tribute to our Dear Friend and Collaborator Justin Hansohn and his community company Anandamide. The Anandamide headquarters in Elysian Park, California is called Susan's, named after the dog that he shares with his partner Taylor. Love to Justin, Taylor, Susan, Monkey, Warren, and all of the Anandamide Family . . .
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